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00:00:00Musique
00:00:30Musique
00:00:32Musique
00:00:34Musique
00:00:36Hey Randy, are you ready to get started?
00:00:38I think you are.
00:00:40We've got to make some art here, people.
00:00:42Alright, let's go. Bring that light right here.
00:00:44Down here.
00:00:46Alright, that's not...
00:00:48I need more light than that.
00:00:50You're in the spot.
00:00:52Okay.
00:00:54Good boy.
00:00:56Alright.
00:00:58No, I told you. It's too hot.
00:01:00Turn it over. Give me the other flat side, idiot.
00:01:02Come on, let's go.
00:01:04Come on. Oh, Jesus Christ.
00:01:06Come on.
00:01:08Alright.
00:01:14Good. Back in it. Back in it. Back in it.
00:01:16That's a good dog.
00:01:18Such a good dog.
00:01:28Good. Alright, that's fine.
00:01:30That's a good dog.
00:01:32Good. Alright, that's fine.
00:01:34That's a good dog.
00:01:36Hang on, man.
00:01:38Gotcha.
00:01:40Very much.
00:01:50Alright, that is great.
00:01:52I think he looks good, don't you?
00:02:08Yeah, we're out of film. Alright, take five. We're reloading now.
00:02:10This is the dumbest dog in the whole world. Where the hell did you get such a dumb dog?
00:02:14It's my dog. I trained that dog. I love this dog.
00:02:18And you are as dumb as the dog.
00:02:20As dumb as the dog.
00:02:37Alright.
00:02:38Is everybody ready?
00:02:40Is your camera loaded?
00:02:41Yeah.
00:02:42Are we all happy?
00:02:46Then give me the goddamn dog.
00:02:50This program is sponsored by the Women's Press Club of America, along with the Friends of Public Television.
00:03:07I'm Melissa Kent.
00:03:08And I'm Sander Davis.
00:03:10In a few minutes, we will switch our control to the Women's Press Club to honor Emmanuel Griffith as Woman of the Year.
00:03:17Some people may not know the name, but they should be able to recognize the face.
00:03:22At age 25, Miss Griffith has appeared on the front cover of some of the most famous fashion magazines in the world.
00:03:29The covers of Vision, Olay, and Velary, just to name a few.
00:03:34Thank you.
00:03:35Emmanuel, as she is best known, has now become the world's standard of beauty and fashion, and is also a major symbol of the feminist movement.
00:03:44She denies any interest in the job of president of the Women's Press Club.
00:03:49So, Melissa, what about those rumors?
00:03:51Well, Sander, it's a demanding position, and she's already in great demand.
00:03:56She's been described as the highest paid fashion model in the history of the business.
00:04:01Now we switch our cameras to Washington, D.C., and Joan Harris, current president of the Women's Press Club.
00:04:08Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:19When I first became president of the Women's Press Club five years ago, I had a problem.
00:04:28No.
00:04:29Yes, I did.
00:04:30I didn't think that I could handle the job.
00:04:33It was too difficult, too hard, and at times it seemed impossible.
00:04:40Women were second-class citizens then, and they still are today.
00:04:44But let me tell you what.
00:04:47Things are changing.
00:04:50Emmanuel, I would like you to accept this award as it is given.
00:05:00You represent our strength and our desire for equality.
00:05:05God love you.
00:05:06Oh God, this is really great stuff.
00:06:11All I want is for us to have a piece of the pie
00:06:17And when I'm talking peace, ladies, I don't mean a little one
00:06:24I am talking 50% right down the middle
00:06:31I want to thank you so much for having me here tonight
00:06:45I will cherish this woman for the rest of my life
00:06:49Lord, Lord, I can't believe this
00:06:58I mean, I can't believe it
00:06:59I mean, God, this is beautiful
00:07:01I mean, this woman could be the president of the United States
00:07:03I got to see this again
00:07:04This is history in the making
00:07:06I mean, this is tape at its best
00:07:07I got history right in front of me
00:07:09I can't believe it
00:07:10Let me rewind this
00:07:11Let me see this again
00:07:12Come on, let's go, man
00:07:13I will tell you
00:07:14You should remain barefoot and pregnant
00:07:18Well, ladies
00:07:21All of this is going to change, ladies
00:07:25Yes!
00:07:2550-50
00:07:2650%, honey
00:07:27Come on
00:07:28Come on
00:07:29Wake them up
00:07:30I don't want to take this world away from the boys
00:07:34No, 50-50
00:07:35All I want is for us to have our piece of the pie
00:07:41Yes!
00:07:4250% down the middle
00:07:43Nothing more, nothing less
00:07:44Come on, baby
00:07:45When I'm talking peace, ladies
00:07:48I'm not talking a small piece
00:07:51I am talking 50% right down the middle
00:07:57Yes, yes, yes
00:07:59Let's get the pie
00:08:01Let's get them, honey
00:08:02Come on
00:08:03I want to thank you so very much for having me here today
00:08:07I will treasure this for the rest of my life
00:08:10Thank you
00:08:27Okay, I have a suite set up for you at a lovely Japanese hotel in Beverly Hills
00:08:45Good
00:08:45Then you have to be at the location by 4 this afternoon
00:08:48Fine, what about the deal?
00:08:50Okay, for every day they go over, it's an additional $12,000
00:08:53Good
00:08:54Now, we aren't sure about after Paris
00:08:57Howard thinks it may be Mexico City, but he won't know until you get to France
00:09:01Phil, what do you do when I'm not in town?
00:09:07No, come on, you can tell me
00:09:08I'm in town three months out of the year
00:09:10You're on a full salary
00:09:11Well, I work out
00:09:13I go to a lot of movies
00:09:15I hope I haven't created a problem
00:09:18I'm always ready when you need me
00:09:20I know you're a very good boy, Phil
00:09:23Girl, I see you
00:09:41Walking that certain way
00:09:43There's something about you
00:09:46That turns heads the other way
00:09:48They all adore you
00:09:50That's easy to see
00:09:52They're all you love it
00:09:54But it won't be me
00:09:57There's something that's just coming to my heart
00:10:00Girl, I don't turn apart
00:10:02There's something that's just coming to my heart
00:10:05Oh, girl
00:10:07I can't see you
00:10:10I can't see you with somebody else
00:10:13Gotta have you, darling, now
00:10:18Hold me and nobody else
00:10:22Gonna make you love me
00:10:25Hold you through the dark
00:10:28Look what you're just under my heart
00:10:40Oh, baby
00:10:41Look what you're just under my heart
00:10:45Yeah
00:10:46Look what you're just under my heart
00:10:49Girl, I don't turn apart
00:10:50Look what you're just under my heart
00:10:54Oh, baby
00:10:54Look what you're just under my heart
00:10:59Oh, yeah
00:11:12Good morning, ladies
00:11:13And welcome to a man's world
00:11:15Let me tell you a little about men, ladies
00:11:20They'll tell you anything they want you to hear
00:11:24They'll tell you that they'll pay you as much as they're earning for doing the same job
00:11:31God, I hope not
00:11:34Oh, Lord, woman
00:11:36We have a problem here, Emmanuel
00:11:39It's the word they
00:11:44Now, we all know that they pertains to men
00:11:48So, why don't you just come out and say
00:11:52Men, you're blessed with great beauty
00:11:55You should be satisfied with that advantage
00:11:58But you're not
00:11:59I think all you girls should remember the terminology
00:12:03Manpower
00:12:04Manipulate
00:12:06The rights of man
00:12:08Manhole
00:12:09I mean, all you girls can climb down
00:12:11And it's still gonna be a manhole in the eyes of God
00:12:13In the eyes of everyone
00:12:14You can't change that
00:12:15Not even God can change that
00:12:16Understand that, lady
00:12:17You have a lot to learn, Emmanuel
00:12:24And one Richard Tate
00:12:27Is gonna teach you, darling
00:12:30Okora Hotel
00:12:51Yes, Miss Emmanuel Griffith, please
00:12:53May I say who's calling?
00:12:55Yes, tell her that our studio driver has arrived
00:12:58One moment, please
00:12:59Yes?
00:13:01Yes, Miss Griffith
00:13:02Yes, your limo is here
00:13:03What time is it?
00:13:05No, I'm an hour from now
00:13:06Oh, no, but they moved the time up, ma'am
00:13:09Did they tell you that?
00:13:11No
00:13:11Alright, fine
00:13:13I'll be down in a minute
00:13:15Ok, thank you
00:13:16I'll be down in a minute
00:13:17I'll be down in a minute
00:13:18I'll be down in a minute
00:13:19I'll be down in a minute
00:13:20I'll be down in a minute
00:13:21I'll be down in a minute
00:13:22I'll be down in a minute
00:13:23I'll be down in a minute
00:13:24I'll be down in a minute
00:13:25I'll be down in a minute
00:13:26I'll be down in a minute
00:13:27I'll be down in a minute
00:13:28I'll be down in a minute
00:13:29I'll be down in a minute
00:13:30I'll be down in a minute
00:13:31I'll be down in a minute
00:13:32I'll be down in a minute
00:13:33I'll be down in a minute
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00:23:18C'est ton ami, chef.
00:23:20Comment est-ce que je suis de service ?
00:23:24J'aimerais quelque chose à manger.
00:23:28C'est bon, c'est bon.
00:23:30Tout que tu dois faire, c'est utiliser le mot «puis ».
00:23:35«Puis ».
00:23:37C'est bon.
00:23:38C'est bon.
00:23:39C'est bon, c'est bon.
00:23:41C'est fini.
00:23:43Il n'y a pas encore 24 heures.
00:23:46C'est bon à 30 minutes.
00:24:03Breakfast en bed.
00:24:05C'est la seule femme dans la maison.
00:24:16Pas mal, hein?
00:24:18Je fais ma brûlée sauce avec un peu de brandy.
00:24:21Je suis impressionante.
00:24:23Merci.
00:24:24Je étudie avec un chef de la Waldorf Astoria en New York.
00:24:28Lovely.
00:24:29Merci encore une fois.
00:24:30Ma spécialité est de la pêche.
00:24:32C'est bon.
00:24:37Je veux savoir qui tu es et pourquoi je suis ici.
00:24:40Mon amour, tu sais déjà pourquoi tu es ici.
00:24:43C'est pour vous donner du temps et l'instruction
00:24:44jusqu'à ce que vous avez de l'air très très bien.
00:24:47As pour moi, je suis ton chef et host.
00:24:51Et, en temps de temps, si tu es vraiment gentil et gentil,
00:24:55je peux même être ton lover.
00:25:00Vous devriez vivre tellement long.
00:25:02Je me suis dit que je n'aime pas ce genre de langue d'une femme.
00:25:06Je ne dois pas dire ça encore.
00:25:14C'est quoi ton nom?
00:25:15Je m'appelle Richard.
00:25:18Bonjour, Richard.
00:25:19What did they call you in school?
00:25:24Did they call you Ricky?
00:25:27Did they call you Dickie?
00:25:31Or did they just call you Dick?
00:25:34Tu me as dit ?
00:25:35C'est bon.
00:25:35Non, non, non.
00:25:36Non, non.
00:25:38Non, non.
00:25:39Non, non.
00:25:39Non, non.
00:25:40Non.
00:25:41Il faut aussi que je ai dit les femmes.
00:25:42Il faut être qu'il est qu'ils et qu'ils었 à ça.
00:25:42Il faut pas être qu'ils ne sont qu'ils ne sont qu'ils et qu'ils ont.
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00:36:44You can't take it.
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00:45:06I'm not taking any calls, sweetheart.
00:45:08I'm going to get some water, all right?
00:45:10Jesus!
00:45:18...
00:45:48...
00:46:07God, you are persistent! Jesus!
00:46:13Honey, these are difficult times for both of us, okay? But I tell you what, I'm gonna make it as easy on you as possible. Now all you gotta do to get started again is plug it back in.
00:46:28Fuck you!
00:46:30You better not mess your room up, honey. You're gonna be living there for a long time. Also, I've turned the buzzer off so you can save your finger.
00:46:39All you gotta do is come over here and plug it back in. You want something to drink? Plug it back in. You want something to eat? Plug it back in. It's that simple. Plug it back in. I wouldn't do that if I were you!
00:46:51That's your only contact with the outside world!
00:46:56What are you doing to me?
00:47:00Honey, I'm not doing anything to you. You're doing it all to yourself, baby. You make it all happen.
00:47:08All right, Richard. We'll do it your way.
00:47:15We'll do it your way.
00:47:30Now you see there, sweetheart? You've already started to learn something. Don't bite the hand that feeds you. And don't unplug the TV set.
00:47:43Soon you'll have running water. And tonight, tonight I'm gonna fix you a beautiful steak with bernet sauce.
00:47:51God, I love you, Matty. I love you with my heart and soul and I would do anything for you. But please cooperate with me.
00:48:07Pour some for yourself, darling. It's wonderful.
00:48:13Here's looking at you, baby.
00:48:20It's wonderful.
00:48:22Why don't you try the steak? It's great. I mean, I'd like to see what you think.
00:48:28What you think?
00:48:36It's very good.
00:48:37Mmm. Later I'll share the method and the recipe with you as soon as we get to know each other better.
00:48:43The secret is, though, that I used two egg yolks in the sauce at the end. It makes it smoother.
00:48:50It's very smooth. Look, Richard, can we talk?
00:48:54Of course we can. That's what I'm here for.
00:48:59That's good. I wanted to know when I could get out. I mean, when I could be released.
00:49:05That's quite up to you. You know that by now. Why don't you pour yourself some more wine, okay?
00:49:11You know, tonight, I'm going to be the designated driver.
00:49:18Are we going out?
00:49:20No, no. I can't trust you to go any place. No.
00:49:25Oh, yes, you can. I'd behave.
00:49:27I love the word behave. Yes, I do. I mean, when you learn to apply that, it'd be better for both of us.
00:49:32I have learned that. Really, I have.
00:49:36Oh. Well, hear this toast. Okay? Oh, it's just a little lower.
00:49:47Tell me this. What did they call you when you were a kid in school?
00:49:55By my name.
00:49:58By my name.
00:50:00They called me Dick.
00:50:03What did they call you?
00:50:06By my name.
00:50:10How about Manny?
00:50:14Did they call you that?
00:50:20No.
00:50:23Kids can be so cruel.
00:50:26You are cruel.
00:50:28No.
00:50:30I represent the truth.
00:50:34You have a very nice voice.
00:50:37Thank you. I love compliments.
00:50:46Here's looking at you, kid.
00:50:58Oh, I got your back on now.
00:50:59So, after that, I invented this crazy thing that helps idiots program their VCRs, and I, uh, I made a fortune.
00:51:04You're very smart.
00:51:05Oh. No, just, just lucky. What about you? I mean, how'd you get into your crazy business?
00:51:13That was funny. I went to New York to become an actress. I was 19, I mean, because I went to New York to become an actress.
00:51:36Je suis allée à New York pour devenir actrice.
00:51:41J'étais 19.
00:51:43Ce n'est pas mal.
00:51:46Donc, ce n'est pas ?
00:51:49J'ai trouvé que je n'étais pas actrice.
00:51:53Alors, ce n'est pas ?
00:51:57J'ai besoin d'argent.
00:51:59Je ne sais pas comment faire quelque chose.
00:52:02J'ai pas mal.
00:52:07C'était dans les papiers.
00:52:09Qu'est-ce que ?
00:52:11J'ai fait une danse à une barrière de Times Square.
00:52:16Je ne sais pas comment ça ?
00:52:21C'était facile.
00:52:25J'ai vraiment aimé ça.
00:52:30J'ai éclaté sur les gars qui me regardent.
00:52:34C'était un turn-on.
00:52:37C'est ce que tous les modèles font.
00:52:40C'est un truc.
00:52:42C'est un truc.
00:52:44C'est un truc.
00:52:45C'est un truc.
00:52:47C'est un truc.
00:52:49C'est un truc.
00:52:50C'est un truc.
00:52:51C'est un truc.
00:52:52C'est un truc.
00:52:53Je n'ai pas dit ça.
00:52:55Oui, j'ai dit.
00:52:57C'est un truc.
00:52:58J'ai pas été d'argent.
00:53:00C'est un truc.
00:53:01C'est un truc.
00:53:02C'est un truc.
00:53:03C'est un truc.
00:53:04C'est un truc.
00:53:05C'est un truc.
00:53:06C'est un truc.
00:53:07C'est un truc.
00:53:08C'est un truc.
00:53:10C'est un truc.
00:53:11C'est un truc.
00:53:12C'est un truc.
00:53:14Ok.
00:53:15Why don't you play me some music?
00:53:27I want to dance for you.
00:53:45I want to dance for you.
00:54:15I want to dance for you.
00:54:45I'll be down in the living room.
00:55:02Just come down the stairs and bear to your left.
00:55:06I want to dance for you.
00:55:10I want to dance for you.
00:55:14I want to dance for you.
00:55:18I want to dance for you.
00:55:20I want to dance for you.
00:55:24I want to dance for you.
00:55:26I want to dance for you.
00:55:30I want to dance for you.
00:55:32I want to dance for you.
00:55:34I want to dance for you.
00:55:36I want to dance for you.
00:55:38I want to dance for you.
00:55:44Sous-titrage Société Radio-Canada
00:56:14Sous-titrage Société Radio-Canada
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00:57:14It blends with your body
00:57:15It's you all the way
00:57:19Sous-titrage Société Radio-Canada
00:57:49Sous-titrage Société Radio-Canada
00:58:19You think you can escape Richard Tate? You must be crazy
00:58:22Not in a million years
00:58:26There you are. Let's go
00:58:29Come on, baby, where are you?
00:58:53You can't hide! Come on! Come on!
00:58:58Come on!
00:58:58Come on!
00:59:00Come on, baby!
00:59:08It's over, baby! I'll find you!
00:59:26You know what? You lied to me, baby! You lied to me!
00:59:32After I gave everything to you!
00:59:34And you're trying to run from me and hide from me!
00:59:37When you deal with Richard, you're dealing with style, class, and elegance
00:59:44You're used to punks! You're used to no-class guys!
00:59:49I give you the best of wine, I give you the best of wine, the best of food, the best of clothes, and the best of perfume!
00:59:58Perfume that I can smell a million miles away!
01:00:02Hey!
01:00:18Marty!
01:00:19Hey!
01:00:19Kyushie!
01:00:21Thank you
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