S.W. S02 E05-06 Only the Lonely.

deaddogsdam

First broadcast 21st/22nd March 1997.  Helen Mathews is found strangled on the street.  Mick Ford - D. Supt. Peter Ross Nicola Redmond - D.I. Rachel Selway Caroline Hunnisett - Helen Amanda Burton - Sam Ryan Ruth McCabe - Wyn Ryan Alan Leith - Dustman 1 Luke Matthews - Dustman 2 Richard Huw - D.S. Tony Speed Lloyd McGuire - Mike Matthews Jessica Lloyd - Carolyn Jane Whittenshaw - Tracey George Beach - P.C. Fawell Alan Hunter - Alan Whyte Ray Burnside - D.C. Gladwyn Sam Parks - Fred William Armstrong - Trevor Stewart Rosemary McHale - Iris Dean Harris - John Anna Gilbert - Solicitor

Transcript

00:00:00Yeah

00:00:30What stats do you ask for, sir?

00:00:33Oh, you had something on.

00:00:36Canceled.

00:00:39So who's that?

00:00:41Tony King, age 20, 1991.

00:00:44No one charged.

00:00:46Michelle Wesley, 1995, age 22.

00:00:50Raped then strangled.

00:00:51No one charged.

00:00:53Clear up rape in this division.

00:00:54It's crap.

00:01:00It's crap.

00:01:30Oh, it's you.

00:01:49Oh, it's you.

00:02:03Poker.

00:02:05Shade and onions.

00:02:19I left my shoes out, so I'd remember to polish them.

00:02:25I noticed.

00:02:26And then I forgot them.

00:02:30What are you doing here?

00:02:32You're supposed to be out with Peter.

00:02:35I changed my mind.

00:02:36Will you stop blaming yourself, Sam?

00:02:42For what?

00:02:44You are not responsible for what happened to Andrew Duffy.

00:02:48Aren't I?

00:02:50If I hadn't left him, he'd still be alive.

00:02:53It breaks my heart to see you as unhappy as this.

00:02:56Why can't you talk to Peter?

00:02:58Sure.

00:03:00Well, wait him a bit.

00:03:02I'll make sure there's some aspirin for you in the morning.

00:03:05I'll make sure there's some aspirin.

00:03:13Of course he was just stringing her alarm.

00:03:15He's bought the ring.

00:03:17So he says.

00:03:18What?

00:03:18You reckon he's lying?

00:03:19Of course he is.

00:03:23It's all a game.

00:03:25See?

00:03:26What it is.

00:03:27It's the thrill of the chase.

00:03:28That's what he's interested in.

00:03:30That's only telly anyway.

00:03:31Worst thing she ever did, agreeing to go with him.

00:03:35Now, what she should have done...

00:03:36Phil!

00:03:37What's the matter?

00:03:38Come here, will you?

00:03:55I won two lines last night.

00:03:57So, I went down to the pub with the other women and spent my winnings.

00:04:06I'll pay for the vats.

00:04:08It's okay, I didn't like it much anyway.

00:04:14I'll wash it, don't worry.

00:04:17I didn't say anything.

00:04:19You don't have to.

00:04:24What time is your interview?

00:04:26Why?

00:04:28Just interested.

00:04:29You mean you're interested in getting me out from under your feet?

00:04:41Hello?

00:04:47Okay, thanks.

00:04:48The body's that of an adult female.

00:04:54It's well-nourished, of slim build, mid to late 20s.

00:04:59The hair is long and blonde.

00:05:02Yep, the handbag was open, but apparently untouched.

00:05:04Her driving license, credit cards, some foreign currency, checkbook post.

00:05:09Right, doesn't look like robbery then.

00:05:10No, sir.

00:05:15Rape?

00:05:17It's too early to tell.

00:05:19Any sexual element?

00:05:21No, I'll know that later.

00:05:23First impressions?

00:05:23Peter, please.

00:05:25You know I can't commit myself.

00:05:27A victim is wearing neither tights nor knickers.

00:05:40Clothing is in disarray.

00:05:42The face is congested.

00:05:44Tongue protruding.

00:05:45The life's buttons being but may be pulled from the open.

00:05:51Where to stay?

00:05:51I can't commit himself.

00:05:52If you don't know, in the time it's a school-based order.

00:05:55You should check that when it comes out.

00:05:56You can do it every time, right?

00:05:58The girl knows me.

00:05:59I don't know.

00:06:00I don't know.

00:06:00Lord, I don't know.

00:06:01I'm going to die area.

00:06:01Look at this place.

00:06:02I can't believe it's all.

00:06:02Maybe we'll stay.

00:06:03I don't want you.

00:06:05See?

00:06:05Why the mlnge ner suddenly?

00:06:06I need to be.

00:06:06I gonna stay in shortura and be MATT.

00:06:07Be a dream.

00:06:08All right, if you know I can't be.

00:06:09You know what other things.

00:06:09You can see if I can't be.

00:06:10Mr. Matthews?

00:06:40He worshipped her.

00:06:49It would be dreadful for him to have to, you know, identify the body.

00:06:54I mean, Helen was only here a couple of weeks ago.

00:06:57Carolyn?

00:06:58I've got to go.

00:07:00Where?

00:07:01I'll be back later.

00:07:03When?

00:07:10I'll be back later.

00:07:40Let's hear it out.

00:07:45So, how are you this morning?

00:07:51Much better, thanks.

00:07:54Sam, are you trying to tell me something?

00:08:02Yes!

00:08:04Crime number 1437 of 95, sir, as requested.

00:08:08Thank you, personal.

00:08:10Thank you, constable.

00:08:13Yes, sir.

00:08:14Thank you, sir.

00:08:15Sorry, sir.

00:08:16No.

00:08:19He's very keen.

00:08:26Why am I here, Peter?

00:08:27Michelle Wesley.

00:08:30I found in a lane near Ely, 18 months ago.

00:08:35Just before I arrived?

00:08:36Mm-hmm.

00:08:38Trevor did the PM?

00:08:39Yeah.

00:08:40Raped and then strangled with her own tights.

00:08:42Same colour hair, much the same age, and same sort of location.

00:08:47Could just be a coincidence.

00:08:49Possibly.

00:08:50Probably.

00:08:52The similarities are striking.

00:08:55Superficially, yes.

00:08:56Well, superficial or not, I'd like you to bear it in mind.

00:08:58Okay.

00:09:02Okay.

00:09:10Okay.

00:09:40Right, papers found at the scene in the handbag of the victim indicate that it is the body

00:10:03of Helen Jane Matthews, aged 28. Mortgage advisor, married for four and a half years to Michael

00:10:13Edward Matthews, and he is the general manager of Brookie Hill Aerodrome and Flying School.

00:10:20Uh, no children.

00:10:22Mr. Matthews?

00:10:26It's my wife.

00:10:28Apparently Mrs. Matthews was in the habit of staying over to her sister's house, so when

00:10:31she didn't come home last night her husband wasn't unduly alarmed.

00:10:35Yep.

00:10:36Did she phone to say she'd be staying at the sister's, sir?

00:10:38It's a good question. No, she didn't.

00:10:41Yes?

00:10:43Was that unusual, sir?

00:10:44It was unusual, but not unknown, Constable.

00:10:50Mrs. Matthews' body was found early this morning by two dustbin men.

00:10:55Cause of death, apparently asphyxiation due to strangulation by means of a ligature made

00:11:01of her own tights.

00:11:03Turn it over, Fred.

00:11:04As a subject, of course, to the findings of the post-mortem.

00:11:13There are drag marks on the heels and calves, with what appears to be dirt and gravel in

00:11:20the scratches, which suggests that...

00:11:23The body was moved at a distance along the ground.

00:11:26Exactly.

00:11:27Back of the skirt and jacket are muddy.

00:11:33And sticky tape, Fred.

00:11:41What is it?

00:11:43Something glinting.

00:11:56Can you see it?

00:11:58I think so.

00:11:58What is it?

00:12:00Hazard of gas.

00:12:01Some sort of metallic fibre?

00:12:05Possibly.

00:12:06Now, there seem to be some significant similarities in the MOs of the murder of Helen Matthews

00:12:12and this young lady, Michelle Wesley.

00:12:18Those of you who were involved will remember that although several suspects were questioned

00:12:22at the time of Miss Wesley's death, no arrest was made.

00:12:25Damage to the top and bottom of the tongue.

00:12:33Some slight abrasions.

00:12:34Apparently fingernail scratches to the outer right and left thighs.

00:12:40No bruising or abrasions on the inner thighs.

00:12:47Vaginal, oral and rectal swabs taken for analysis.

00:12:51Thanks, Fred.

00:12:52Thanks, Fred.

00:12:53Thanks, Fred.

00:12:54Thanks, Fred.

00:12:54Horizontal furrowed bruising present, consistent with pressure from ligature.

00:13:00There are also roundish bruising with crescent-shaped indentations above.

00:13:05There are four lighter bruises appearing on the left side of the neck.

00:13:23I'm going to need a photograph here, please.

00:13:27Front and side.

00:13:28That's a picture of my dad.

00:13:46Would you like to see it?

00:13:47You might take your mind on things.

00:13:55He was good-looking.

00:13:56Everyone said so.

00:13:58He used to fly VC-10s for BOAC all round the world.

00:14:02He gave up the year I was born.

00:14:04My mum made him.

00:14:05This is me and him at Heathrow Airport.

00:14:11We went there for the day.

00:14:12It was great.

00:14:14Don't know what I'm doing here.

00:14:16I need to go home.

00:14:17Drink up, then.

00:14:18I'll take you.

00:14:19I need to go home now.

00:14:21OK.

00:14:25I'll get my car keys.

00:14:27No, I'll walk.

00:14:29But what about your suitcases?

00:14:31It's no trouble to drive you.

00:14:33I prefer to walk.

00:14:35I need to think.

00:14:37Thank you for everything, Carolyn.

00:14:39Shall I bring the cases over later?

00:14:43Will you be all right, Alan?

00:14:47I don't know.

00:15:03I've removed the voice box.

00:15:20I'm now examining it in a bloodless field.

00:15:23Fracture to hyoid bone.

00:15:28Damage to thyroid and cricoid cartilages.

00:15:36Bruising to the lining of the larynx.

00:15:40All consistent with homicidal strangulation.

00:15:42What do you think?

00:15:58Seems pretty shaken.

00:16:00Do you believe it?

00:16:01How to tell?

00:16:02Female intuition.

00:16:04Having the day off.

00:16:08We'll assume innocence for the moment, shall we?

00:16:10OK.

00:16:11Go gently with them.

00:16:12Yep.

00:16:13Not too gently.

00:16:24I'm sorry.

00:16:29It's obviously a shock.

00:16:30But I do need to ask you a few questions.

00:16:39Could leave it a few minutes.

00:16:43Have another cup of tea?

00:16:44Another cup of tea?

00:16:45Bring her back.

00:16:50Go ahead.

00:16:52Do you think you could tell me how you spent yesterday evening?

00:16:55I spent yesterday evening at home with my neighbour playing cards.

00:17:02Will your neighbour be able to verify that?

00:17:04Inspector Selway, I love my wife.

00:17:09I mean, I loved my wife.

00:17:15I loved her.

00:17:16You all right?

00:17:28I'm fine.

00:17:32Concerto de Arantes next week.

00:17:34Can't see it?

00:17:36I'm not in the mood for concerts at the moment.

00:17:40You're still upset about Andrew Duffy?

00:17:42You should have let me do the autopsy.

00:17:46It's hard doing a PM on someone you know.

00:17:49Yeah, well...

00:17:51No good brooding.

00:17:53Let it go.

00:17:55Trevor, I'm not sure I can do this anymore.

00:18:00Your next customer's ready.

00:18:04I'll take care of this one.

00:18:05Put your feet up.

00:18:09Read the paper.

00:18:11Be kind to yourself.

00:18:23Would you say your marriage was a happy one?

00:18:25Yes, very.

00:18:27What about the age difference?

00:18:30What about it?

00:18:30Well, they had to make allowances.

00:18:37Of course, she was young.

00:18:38She didn't want to be tied down.

00:18:39Was your wife planning some sort of trip?

00:18:42Trip?

00:18:43Business or a holiday?

00:18:46No, I don't think so.

00:18:47You may be aware your wife's handbag was found near her body.

00:18:51Yes.

00:18:53Her passport was inside.

00:18:55Along with 2,000 Canadian dollars.

00:18:58What is it?

00:19:04Helen.

00:19:04I think she was seeing someone.

00:19:10Someone I work with.

00:19:12Seeing someone?

00:19:13Having an affair.

00:19:17Do I need to spell it out?

00:19:19Did you talk to your wife about your suspicions?

00:19:24I didn't want to drive her away.

00:19:28I reckon in time it would all blow over.

00:19:33Then when he came and told me he got this new job, I thought, good, that's it.

00:19:37New job?

00:19:42In Canada.

00:19:44I see.

00:19:46And this man, what was his name?

00:19:49Alan White.

00:19:50Alan White.

00:19:58Alan White.

00:20:14Alan White.

00:20:15It's alright.

00:20:18And this should be anywhere you want me.

00:20:21the high lifting is designed to combine high cruising speed with unmatched low speed performance

00:20:43It's enabling the 737 door break from short round ones and bad weather.

00:20:47Powered by two Pratt & Whitney JT8D turbofans.

00:20:51You need a bit of work.

00:20:53You're so pathetic.

00:21:01You're sad.

00:21:02Yeah, sad and pathetic.

00:21:05Go away.

00:21:05And stupid.

00:21:06I'm not stupid.

00:21:08Grown women don't play with kids' toys.

00:21:11I'm on a late tonight and I don't want to be disturbed.

00:21:13So whatever you're doing, you keep it quiet.

00:21:16I'm not stupid.

00:21:22Michelle Wesley.

00:21:23I remember her well.

00:21:26Unusually good looking.

00:21:28Such a waste.

00:21:30Thank you, Trevor.

00:21:31She was one of those considerate corpses who'd spared enough thought for the poor pathologist to put up a decent fight.

00:21:37Lots of skin scrapings beneath the nails, as I recall.

00:21:42Ah.

00:21:42Timely arrival.

00:21:47We're just comparing this morning's PM with the old case.

00:21:50Found anything?

00:21:51Not really.

00:21:52This case was sexual.

00:21:54One of the clearest cases of rape I've ever seen.

00:21:56There was no sexual assault made on Helen Matthews' body.

00:21:59How do you know?

00:22:01I beg your pardon?

00:22:03We haven't had the results back from the lab yet.

00:22:06I was making an informed guess based on my experience.

00:22:09A guess?

00:22:10An informed guess, which I'm sure will be supported by the lab results.

00:22:14This girl had severe internal injuries and bruising.

00:22:17There wasn't so much as a scratch on Helen Matthews' inner thighs.

00:22:22The absence of internal injury does not necessarily imply the absence of sexual activity.

00:22:27You asked me to compare these two cases medically, and medically I'm telling you I can't find any significant link.

00:22:35Anybody for a late lunch?

00:22:46Right.

00:22:46I'll be in the George if you decide on a ceasefire.

00:22:58They weren't even killed in the same way.

00:23:04What about the tights?

00:23:06Michelle Wesley was strangled solely with her tights.

00:23:12Sorry.

00:23:13Helen Matthews' assailant probably used their hands first.

00:23:19Disabled her.

00:23:21Rendered her unconscious.

00:23:23Then removed her tights.

00:23:24Formed a ligature.

00:23:25And finished off the job.

00:23:28How do you know?

00:23:29Finger marks under the ligature bruising.

00:23:32And there's another thing.

00:23:34The knots are different.

00:23:35And if that's not enough, there's something else.

00:23:38I'm still waiting on a lab analysis, but I find small metallic fibres adhering to Helen Matthews' clothes.

00:23:44But not on Michelle Wesley's.

00:23:48I don't think these two cases are connected.

00:23:51I'm sorry.

00:23:56Helen Matthews was murdered.

00:23:58Yes.

00:24:00That was something, I suppose.

00:24:05Mike.

00:24:24Mike, the police were around asking about Helen.

00:24:36If there's anything I can do, anything at all, I could come around later, watch the game.

00:24:47Yeah, whatever.

00:24:48Are you busy tonight?

00:24:56Uh, I haven't made any plans.

00:24:58I've got all this stuff in the fridge from yesterday.

00:25:00You're still speaking to me, are you?

00:25:02Possibly.

00:25:03I thought you were supposed to be taking your team out.

00:25:06I'd rather spend the evening with you.

00:25:07Well?

00:25:08I can't see what all the fuss is about.

00:25:18I can understand the attraction.

00:25:21Space, quiet, freedom.

00:25:24Vertigo.

00:25:25Work to do.

00:25:27Good week.

00:25:29Speedy, if your missus went out one night, and not only did she not come home, but into the bargain, she didn't phone you and let you know where she was, what would you do?

00:25:36It wouldn't happen, girl.

00:25:38How do you know?

00:25:39Never let her out.

00:25:41Well, you'll have to try harder than that.

00:25:47Come on.

00:25:51I need this.

00:26:02Can't have been that bad.

00:26:03It was worse.

00:26:05The manager looked me straight in the eye and told me that he'd misread the form he thought I was born in 1964, not 54.

00:26:12Oh, dear.

00:26:13You didn't even have the grace to look ashamed.

00:26:15What about the job last week?

00:26:18I'd have heard by now.

00:26:20I'll get something sooner or later.

00:26:22I would rather it was sooner.

00:26:23How are things at Sam's?

00:26:26Don't ask.

00:26:28Yeah, it's been a bit difficult at work as well.

00:26:30Oh, she's not difficult.

00:26:32No, what I mean, she's...

00:26:33Sam is not the problem.

00:26:34It's me.

00:26:36It's not her fault.

00:26:37Her big sister is a useless waste of space.

00:26:39You're not useless.

00:26:43Thank you, Trevor.

00:26:45You're just a waste of space.

00:26:47Well, yes, there has been a bit of talk.

00:26:51Talk might just be gossip, I suppose.

00:26:53He's been teaching her to fly.

00:26:55Were they having an affair?

00:26:56All I'm saying is there was some talk.

00:26:59I see.

00:27:00And when did you last see Mrs. Matthews?

00:27:02Last night.

00:27:02I went out for a drink with her and Alan.

00:27:05Better be Alan.

00:27:06White.

00:27:07He's chief line instructor here.

00:27:10Well, he was.

00:27:10He left last Friday.

00:27:14So, you went for a drink with him and Mrs. Matthews?

00:27:16Yes.

00:27:21They were, you know...

00:27:26It wasn't common knowledge about the two of them.

00:27:30In fact, I was the only person who knew.

00:27:33Alan trusts me to keep a secret.

00:27:37He's asked me to look after his house

00:27:41until he comes back from Canada.

00:27:43So, where did you go for this drink?

00:27:44I'm a man of a house.

00:27:46Do you know it?

00:27:48What time did you leave?

00:27:51Half was nine.

00:27:53And Mr. White and Mrs. Matthews?

00:27:56I left them in the pub.

00:27:58Do you know, was Mrs. Matthews planning to travel to Canada

00:28:00with Mr. White?

00:28:02Yes, she was.

00:28:05They told me last night

00:28:06they wanted to be together.

00:28:09It was the only way.

00:28:10Great minds.

00:28:31Great minds.

00:28:31Hello.

00:28:44Thanks.

00:28:48What?

00:28:49You look lovely.

00:28:52When?

00:28:55Thanks.

00:28:56Have a good evening.

00:28:58Talk to him, Sam.

00:28:58Yeah.

00:29:00I will.

00:29:02You're going to carry on?

00:29:31Yes.

00:29:32I'd like to go over it one more time.

00:29:38Helen and I met Carolyn at 7.30 for a farewell drink.

00:29:43What do the three of you talk about?

00:29:45Flying, mostly.

00:29:48And Carolyn staying here while I was away.

00:29:51I asked her how she'd feel about showing it to prospective buyers,

00:29:54and we decided to stay in Canada.

00:29:56And you were in the pub for how long?

00:30:00A couple of hours.

00:30:00First, Carolyn left first.

00:30:04Helen and I had another drink.

00:30:07I tried to persuade her to spend the night here with me.

00:30:10She insisted on going home and facing Mike and telling him.

00:30:14Said he was hardly going to shake her hand and wish her well.

00:30:20She could be so naive.

00:30:22So innocent.

00:30:25She thought he'd want her to be happy.

00:30:27Have you seen her?

00:30:31Yes.

00:30:34What does she look like?

00:30:36Very peaceful.

00:30:37He's ruled it out.

00:30:43She's ruled it out.

00:30:44She's been in his heartbroken.

00:30:48Letizia back to the fullback, Jason Dodd.

00:30:51The cross always had Schmeichel scrambling.

00:30:54Well, there was a push down on the defender.

00:30:56I couldn't believe my luck the day she said she'd marry me.

00:31:02I've got to tell you, I met her at the bank one day when I went in to ask for a loan.

00:31:08She was so young.

00:31:12She was so beautiful.

00:31:13Too young.

00:31:18What do you mean?

00:31:20Nothing, Mike.

00:31:22No, what do you mean?

00:31:23Nothing.

00:31:29Why did she do it?

00:31:32Perhaps she wasn't ready to settle down.

00:31:34Yeah, but why him?

00:31:36I thought he was a mate.

00:31:37Thanks very much.

00:31:49I need large scotch, no soda and lots of ice.

00:31:52What do you think?

00:31:53I think he loved her.

00:31:55Why?

00:31:56What do you think?

00:31:57Seemed pretty cut up.

00:31:59That was real.

00:32:01Maybe.

00:32:02He hasn't got a motive.

00:32:03She was running away with him.

00:32:06Yeah.

00:32:07Unless she changed her mind.

00:32:11What, you reckon she decided to stay with her husband?

00:32:14It has been known.

00:32:16No, got a nose for a liar.

00:32:17So your money's still on the husband?

00:32:19Not a betting woman.

00:32:20But if you were?

00:32:20I'm not.

00:32:21No, no, I'm not.

00:32:35No, no, no.

00:33:06Sha-la-la-la-li, yeah. Sha-la-la-la-li, I asked her where did I want her to go. Sha-la-la-la-li, yeah. We went someplace I don't know. Sha-la-la-li, I'm off to work now. I've left you some ironing. Did you hear?

00:33:36Harlan? Harlan?

00:33:44Harlan?

00:33:48Harlan, what?

00:33:56It's going to be a real pleasure, Speedy, taking your money off you.

00:34:04I thought you were in the gambler.

00:34:05This was never a gamble.

00:34:09Where's the boss?

00:34:12I mean, the big boss.

00:34:14Tied up, apparently, so the monkey's paying.

00:34:16I had that.

00:34:18Where are you going?

00:34:20I'm leaving.

00:34:22What about letters?

00:34:23Made arrangements.

00:34:25What if I want to talk to you?

00:34:26You never want to talk to me.

00:34:28I want to know where you're going.

00:34:30I've got a right to know.

00:34:31No, you haven't.

00:34:33Don't touch me!

00:34:34Where are you going?

00:34:38To someone who cares about me.

00:34:40Oh, like your daddy?

00:34:42He was a decent man.

00:34:43He was a boring man.

00:34:46A dull and boring man.

00:34:48He loved me.

00:34:49Oh, don't flatter yourself.

00:34:52He's going to leave you and go off with her.

00:34:55I was chucking him out because he was a waste of space.

00:34:59Like father, like daughter.

00:35:04Well, say something.

00:35:11For God's sake, at least look at me.

00:35:18You'll be back.

00:35:22Take care of yourself, eh?

00:35:24Did you make the pie out of it yourself?

00:35:43Of course.

00:35:45What do you think?

00:35:46Looks delicious.

00:35:47So, let's eat.

00:35:50You do like paella?

00:35:59Yeah.

00:36:00Great.

00:36:01Cheers.

00:36:03Cheers.

00:36:04Cheers.

00:36:13Sam.

00:36:16Oh.

00:36:20You and seafood.

00:36:21I'm sorry.

00:36:22Oh.

00:36:22I thought you'd have remembered.

00:36:29I'll make you an omelette.

00:36:31I'm sorry.

00:36:34He sat in this room.

00:36:37Just where you are.

00:36:38Having a drink with me.

00:36:41Having a joke.

00:36:44Watching the footy.

00:36:47And all the time

00:36:49he was screwing my wife.

00:36:55I think they did it here.

00:36:58My house.

00:37:02In my bed.

00:37:10Do you think they did it?

00:37:12I don't know, Mike.

00:37:14Yeah, but what do you think?

00:37:15Well, did they or didn't they?

00:37:20It's possible.

00:37:21Did he screw her in my bed?

00:37:26Coffee?

00:37:27Yeah, please.

00:37:33Thanks.

00:37:35I've missed you.

00:37:44I haven't been anywhere.

00:37:47Yes, you have.

00:37:48Yes, you have.

00:38:18I've missed you.

00:38:23I've missed you.

00:38:27Coming.

00:38:32OK, OK.

00:38:34Caroline?

00:38:36It's all going to be all right now.

00:38:39Everything's going to be fine.

00:38:40Fine.

00:38:44I'll get the corkscrew.

00:38:46I'll get the corkscrew.

00:38:54I'll get the corkscrew.

00:38:56Bye!

00:39:12What? What?

00:39:16What's this about?

00:39:22For God's sake.

00:39:24I am not something that you can pick up and put down when the moo takes you.

00:39:28This isn't about sex, Peter.

00:39:30Well, what is it about, then?

00:39:31You are not going anywhere.

00:39:48Peter!

00:39:49Sam.

00:39:52Please.

00:39:59It's about the Reverend Duffy.

00:40:01I went to see him.

00:40:05I knew he was involved in the deaths of Tate and Evans.

00:40:09This was, ma'am, when did you see him?

00:40:11Just before Craig Tate...

00:40:13Beat him to death?

00:40:13Yes.

00:40:15I allowed him time to turn himself in.

00:40:19I should have told you.

00:40:21And this is why you have been avoiding me?

00:40:23You're a policeman, Peter.

00:40:25You always put the job first.

00:40:27Look at you.

00:40:29You're judging me.

00:40:30And you're not judging me.

00:40:34And you wouldn't understand.

00:40:36Well, how the hell can I understand when you won't talk to me?

00:40:42What's the point?

00:40:43Oh, God.

00:40:54Oh, God.

00:40:58Oh, God.

00:41:03Oh, God.

00:41:06Oh, God.

00:41:19Oh, God.

00:41:20Bastard.

00:41:20She never wanted a child.

00:41:35She's told me often enough

00:41:36what she wanted was an abortion.

00:41:40Only my dad talked her out of it.

00:41:43She never forgave him for that.

00:41:46Hated me from the moment I was born.

00:41:51But he loved me.

00:41:53He cared.

00:41:55Just like you do.

00:41:58We'll be all right, won't we?

00:42:00We'll look after each other.

00:42:02I'll take care of you and you'll take care of me.

00:42:05Cheers.

00:42:06Take care of?

00:42:10I'll move in.

00:42:11Just like we arranged.

00:42:13Only difference is, you'll still be here.

00:42:16I'll take the spare bedroom.

00:42:18We'll be fine.

00:42:20I've got your cases out in the car.

00:42:25We'll have this glass of wine and then we'll bring them in.

00:42:29I can help you unpack if you like.

00:42:31It won't take us long.

00:42:33And we can make a start on the boxes tomorrow.

00:42:35There's no need.

00:42:36I don't mind.

00:42:38I like helping.

00:42:39Many hands make light...

00:42:40I'm not staying.

00:42:41But you've got to stay.

00:42:46You're joking, aren't you?

00:42:47As soon as the police give me the all clear, I'm leaving for Canada.

00:42:51There's nothing for me here.

00:42:53There's me?

00:42:53I thought you cared for me.

00:42:57I do.

00:42:58Of course I do.

00:42:59Then you can't leave me.

00:43:01Carolyn, please.

00:43:02You mustn't leave me.

00:43:03I've got to make a new start.

00:43:06Then take me with you.

00:43:08Why not?

00:43:10You're going to take Helen.

00:43:11That was different.

00:43:14I'll make myself useful.

00:43:16You won't regret it.

00:43:18We'll be happy together.

00:43:21Only don't leave me.

00:43:24Please.

00:43:25I've got to go.

00:43:26I don't believe you.

00:43:31I'm going.

00:43:41Super's missing a good night.

00:43:47Don't worry, Odessa.

00:43:48He'll be having his bit of fun.

00:43:49He'll be having his bit of fun.

00:44:10Fight!

00:44:11Fight!

00:44:19Fight!

00:44:49Fight!

00:45:19Oh, please.

00:45:29Yes!

00:45:30I had an ambulance.

00:45:33Look, you'd better hurry.

00:45:34Hurry!

00:45:49Hello?

00:46:11Yes, go through.

00:46:13Thanks.

00:46:19Morning, Doc.

00:46:25That's great.

00:46:27Stop, stop, Al.

00:46:29Find your control.

00:46:49What's up, Al?

00:46:54Peter.

00:46:58Martin.

00:47:00Go ahead.

00:47:01Have a seat.

00:47:02Helen White, 43 years old.

00:47:04Forted at 22.

00:47:0515.

00:47:06Police surgeon pronounced life extinct.

00:47:0723.36.

00:47:08Is he a known criminal?

00:47:10Why do you ask?

00:47:11The eyes.

00:47:13Some sort of punishment, perhaps,

00:47:14for something you shouldn't have seen.

00:47:16Drugs?

00:47:17Wrong track.

00:47:17Remember the woman we found yesterday?

00:47:20Helen Matthews.

00:47:22He was the boyfriend,

00:47:24and the bloke outside was the husband.

00:47:28Right.

00:47:30Best get on with it.

00:47:37The body is that of a man in his early to mid-forties.

00:47:43He's lying on his back,

00:47:46stabbing us to the chest,

00:47:48and to both eyes.

00:47:51He's of slim build,

00:47:53and well-nourished.

00:47:56The hair is...

00:47:58The hair is brown,

00:48:02and he's worn cut short.

00:48:03Well, that didn't last long.

00:48:23I saw your car outside,

00:48:25and I thought,

00:48:26oh,

00:48:27he must have chucked her out already.

00:48:29This bloke is supposed to be looking after her like Daddy.

00:48:34Was he all up here?

00:48:36Another one of your games.

00:48:40He's real.

00:48:41Okay, so what's his name?

00:48:43I'm not telling you.

00:48:45Mr Nobody.

00:48:46He's real.

00:48:48Don't make me evil.

00:48:48I'll do the PM first thing in the morning.

00:48:56Yep, mine.

00:49:05Night, then.

00:49:07Yeah, goodnight.

00:49:08You don't mind.

00:49:33Well, it's not there.

00:49:37Bye, then.

00:49:37Where?

00:49:44Where's my photograph?

00:49:46Um,

00:49:47I threw it away.

00:49:50You did what?

00:49:53Well, I didn't want it.

00:49:56You'll find it outside in a dustbin.

00:49:57You're stupid.

00:50:13I'll get it, Tread.

00:50:17Hello, Trevor Stewart.

00:50:18When?

00:50:20Is Sam there?

00:50:22Uh,

00:50:22she's a bit tied up.

00:50:24Can I help?

00:50:25I'd say this is the one that killed him.

00:50:31I'll know more when I open him up.

00:50:34Photograph, please.

00:50:34What about the eyes?

00:50:43They were done after he was dead, or at least when he was immobile.

00:50:46How can you be sure?

00:50:47Well, it's very hard to stab someone in the eyes when they're putting up a struggle.

00:50:51How do you know there was a struggle?

00:50:52Extensive cuts to the arms and hands.

00:51:01I'm bruising beginning to show through here.

00:51:05I'd say the murderer was trying to hold him pretty tightly, like this.

00:51:10Have you found the murder weapon yet?

00:51:18No, no.

00:51:19Any thoughts?

00:51:20It's a fairly broad blade.

00:51:23Sharp.

00:51:24Pointed.

00:51:26Can I get on with my work now, please?

00:51:34I made a real mess of his eyes.

00:51:37Why was that?

00:51:38I didn't do it.

00:51:39It wasn't me.

00:51:40I can understand you being angry.

00:51:42I mean, he'd been having an affair with your wife.

00:51:46He'd have seen her naked.

00:51:47Did you go around intending to kill him?

00:51:50I didn't kill him.

00:51:52Why were you there then?

00:51:54I've been drinking.

00:51:55I just wanted...

00:51:57Yes?

00:51:58I don't know.

00:51:59Give him a bollocking.

00:52:01And then things got out of hand.

00:52:03I didn't kill him.

00:52:04Why didn't you listen?

00:52:05He was dead when I got there.

00:52:06I didn't kill Alan.

00:52:08The stab wound goes straight through to the left ventricle.

00:52:14Yep.

00:52:15That's what killed him.

00:52:17There's some strength behind it.

00:52:19Or passion.

00:52:20Yes, possibly.

00:52:28The wounds to the eyes are very superficial.

00:52:34They weren't about killing.

00:52:37They were about something else.

00:52:38Mr. Matthews.

00:52:43It was nice as pie, mostly.

00:52:45Mostly, what?

00:52:46Well, we've all seen his other side.

00:52:48If someone's been slacking or there's been a complaint.

00:52:51Don't they say the quiet ones are the most dangerous?

00:52:55That's what?

00:52:56She's going to take it hard.

00:53:01She loved Alan.

00:53:03Not like that.

00:53:05As a friend.

00:53:06Sort of father figure.

00:53:08Her dad died when she was only 18.

00:53:12She was forever asking Alan what he thought about things.

00:53:15What's the case?

00:53:17Everything.

00:53:18Weather.

00:53:19Football results.

00:53:20What she was wearing.

00:53:22He never lost his patience.

00:53:23He was a really kind man.

00:53:24I can't believe he's gone.

00:53:28Yeah, yeah.

00:53:29It's all right.

00:53:41Coffee?

00:53:45Thanks.

00:53:49I believe you and Mr. White were good friends.

00:53:54Where's he now?

00:53:57He's at the mortuary.

00:53:58Why?

00:53:59In cases of violent death, there has to be a post-mortem.

00:54:02You mean they'll be cutting him open?

00:54:05It's a standard procedure.

00:54:06It's nothing to worry about.

00:54:07Dr. Ryan, the pathologist, she's very respectful.

00:54:10Can I move into his house?

00:54:12I'm sorry?

00:54:13Alan's house.

00:54:15Alan's house.

00:54:15I was supposed to be looking after it for him while he was in Canada.

00:54:20But he's not in Canada.

00:54:22I know, but...

00:54:24Anyway, it's sealed off at the moment.

00:54:27Why?

00:54:28While we make our investigations.

00:54:31You mean I can't move in?

00:54:33Not until we finish with it.

00:54:34I've got to move in there.

00:54:39I've got nowhere else to go.

00:54:41Are you trying to tell me the two cases are unrelated?

00:54:46There is no medical evidence.

00:54:47First, Matthew's wife.

00:54:49Then his wife's lover.

00:54:50There's got to be something to link them.

00:54:52I can only go on what I see.

00:54:54Well, then perhaps you are looking in the wrong place.

00:54:56Maybe.

00:54:57If you took another look at Helen Matthews and compared her to Alan White...

00:55:01Yes?

00:55:02Well, perhaps you might find something that you have overlooked.

00:55:05I don't think so.

00:55:07I've done thorough post-mortems on them both,

00:55:09and the only thing I can find are tiny amounts of metallic fibres.

00:55:12I'm asking you to take another look.

00:55:14Is that an official request?

00:55:15Yes, it is.

00:55:19There's definite chill in here.

00:55:21Someone should remind him that we're employed by the coroner, not by the police.

00:55:24In theory, perhaps.

00:55:25Is there a problem?

00:55:28No, there's no problem.

00:55:31Open your eyes, please, Mr. Matthews.

00:55:33My client is very tired.

00:55:35Your wife and Alan White, her lover, planned to elope to Canada.

00:55:38Now, both of them are murdered, and you apparently don't know anything about it.

00:55:42I really must insist.

00:55:44You don't have a firm alibi for either killing.

00:55:47This is outrageous.

00:55:48Come on, Mr. Matthews, start talking!

00:55:55How are you getting on?

00:55:57Okay.

00:55:58Have we got enough to charge him yet?

00:56:00Letting him stew in the cells for a bit while we check out his movements.

00:56:03Almost feel sorry for him.

00:56:05How's that?

00:56:05Having you on his case.

00:56:07I'll take that as a compliment, shall I?

00:56:09Afternoon, everyone.

00:56:10Gather round, please.

00:56:10Thanks, Brad.

00:56:32You might think all the evidence points to the husband, but he's still not admitting guilt.

00:56:54So the pressure is on us to make the case.

00:56:57They're completely different, Emma.

00:56:58It was...

00:57:00Indeed, D.C. Gladwin, but this man is hardly an experienced serial killer with a well-established

00:57:05way of going about things.

00:57:06He is just a jealous husband acting on impulse, in my opinion.

00:57:09Sir?

00:57:10I have asked Dr. Ryan and the lab to examine any forensic links between the two of them.

00:57:15In the meantime, I want you knocking on every door.

00:57:18I want every witness followed up.

00:57:20Yes, PC4?

00:57:21Well, it might be nothing, Chief.

00:57:24Yep.

00:57:27What?

00:57:28It can wait.

00:57:30Sorry, sir.

00:57:32Nice.

00:57:34As I was saying...

00:57:35Did it hurt?

00:57:37When he died?

00:57:39I can't be sure.

00:57:41I can't bear the thought of him suffering or being in pain.

00:57:46As far as I can tell, he died relatively quickly.

00:57:50How quickly?

00:57:52I can't be more specific, but any pain wouldn't have lasted that long.

00:57:59Can I see him?

00:58:01No, I'm afraid not.

00:58:03Not even to say goodbye?

00:58:06Perhaps when the body's released to the undertakers?

00:58:08When will that be?

00:58:09It's difficult to say, just at the moment.

00:58:11I only want to see him.

00:58:13I won't touch him.

00:58:13No, the mortuary isn't equipped for public viewing of bodies.

00:58:17Please.

00:58:20Fred!

00:58:21What harm could it do?

00:58:22It's not possible.

00:58:23No, I'm sorry, but I must get back to my work.

00:58:30Fred, would you like to show Carolyn the way back out, please?

00:58:35Sure.

00:58:36Is this where you store the bodies?

00:58:54If you follow the corridor to the end...

00:58:58In there.

00:58:59And go to the swing doors, and you'll find yourself back in the main corridor.

00:59:05Funny job, isn't it?

00:59:07What you do.

00:59:07Sir, I just thought you should take a look at this, sir.

00:59:18What?

00:59:19Crime 33 of 89, sir.

00:59:2033 of 89 means nothing to me, Croyle.

00:59:23Certain William Baxter, sir, stabbed.

00:59:27Yes, what about him?

00:59:29That's probably not the best angle, sir.

00:59:31This one's better.

00:59:37This can't be a coincidence.

00:59:43The MO is too unusual.

00:59:46It's good work, Foil.

00:59:50So, leave us a message, and one of us will get back to you when we can.

00:59:56It's Peter.

00:59:57Sam.

00:59:59Something's come up which, um, I think could be relevant.

01:00:02I don't want to disturb you at home.

01:00:09So, uh, yeah, I'll catch you tomorrow.

01:00:16Thanks.

01:00:17Ta-da!

01:00:34What do you think?

01:00:35Very nice.

01:00:36I bought it today.

01:00:37Yeah?

01:00:37Suits you?

01:00:38Don't ask how much it cost.

01:00:40All right, I want 70 quid.

01:00:42What?

01:00:42I wanted to celebrate.

01:00:44Celebrate what?

01:00:46The job.

01:00:47What job?

01:00:49The one I got offered today.

01:00:51Did Trevor not tell you?

01:00:52The interview I went for last week in the solicitor's office.

01:00:55Remember?

01:00:58When this is fantastic.

01:00:59Well, it's just clerical work.

01:01:01It's brilliant.

01:01:02Congratulations.

01:01:03I asked Trevor to give you the message.

01:01:05He must have forgotten.

01:01:06Never mind that now.

01:01:07This definitely calls for a celebration.

01:01:09Come on, we're going out.

01:01:09I'll stand you and me in.

01:01:11The thing is, I'm going out already.

01:01:13With Trevor.

01:01:16All right.

01:01:18Come with us.

01:01:21You sure you want me there?

01:01:22Sam, I want you to come.

01:01:25This is a really big thing for me.

01:01:27I mean, I want you to share it with me.

01:01:30Okay.

01:01:31I'd love to.

01:01:32You sure will be there you are.

01:01:32Wow.

01:01:32You sure?

01:01:33Well, it won't be there.

01:01:34I know.

01:01:36I want you to walk you, too.

01:01:36I want you to have to.

01:01:37And my little square-and-an-an-an-an-an-an-an-an-an-an-an-an-an-an-an-an-an-an-an-an-an-an-an-an-an-an-an-an-an.

01:01:39Ah.

01:02:03Cheers.

01:02:06Not for me, thanks, Wyn.

01:02:08You only had one.

01:02:10A toast.

01:02:12To Wyn's future.

01:02:14Cheers.

01:02:15I feel like a kid.

01:02:17I've got so many plans.

01:02:19Like, I've done the job hunting.

01:02:21Next to flat hunting.

01:02:22There's no need.

01:02:24Man hunting?

01:02:25You better believe it.

01:02:29Oh, sorry.

01:02:30Ah, pudding.

01:02:32I don't think I'll be able to manage pudding.

01:02:35Well, I'm going to have something very rich, very sticky.

01:02:38Ah, best leave you too, then.

01:02:40Mmm.

01:02:42Ooh.

01:02:49Ooh.

01:02:50I don't know.

01:03:20I don't know.

01:03:50I don't know.

01:04:20Shall I make you a coffee?

01:04:39I'd rather have what you've got.

01:04:42I put the kettle on.

01:04:43Who did the PM?

01:04:52C.B. Maitland.

01:04:56Charlie Maitland.

01:04:58Must have been just before he retired to the Algarve.

01:05:02Morning.

01:05:03Morning.

01:05:05We were just talking about Charlie Maitland.

01:05:08What did he do?

01:05:10Last I heard, he had his handicap down to seven.

01:05:13He did the PM on this guy.

01:05:15Okay.

01:05:16William Baxter.

01:05:18Murdered June 1989.

01:05:22Knife through the heart.

01:05:24Stabbed in both eyes.

01:05:27We prosecuted the girlfriend, but the jury threw it out.

01:05:30But he was about to leave his wife and daughter for her.

01:05:33I was wondering if there could be a link with Alan White.

01:05:37I mean, it could be the same Matt, no?

01:05:39Similar build.

01:05:40Similar age.

01:05:41Same mode of death.

01:05:42Same mutilation.

01:05:43What?

01:05:49I can understand you wanting to link Matthews and White because of the motive.

01:05:54And I can sort of understand you wanting to link this chap and White.

01:05:59But if I'm reading you right, what I think you want is for me to create a link between all three of them.

01:06:06Not create.

01:06:08Explore.

01:06:08I don't like loose threads.

01:06:10I'm a forensic pathologist, Peter.

01:06:12All I'm interested in is the truth.

01:06:20Trevor.

01:06:21Peter.

01:06:22Sam.

01:06:31Peter.

01:06:37I'm sorry.

01:06:39I went too far.

01:06:40Hmm.

01:06:41I'm accepted.

01:06:44Look, can we have dinner?

01:06:47Hmm?

01:06:48This evening?

01:06:50Okay.

01:06:52Will you pick me up after work?

01:06:55Right.

01:06:55Come on.

01:06:55Carolyn, I've been waiting for you.

01:07:07I had to go to the bank.

01:07:21Have I done something wrong?

01:07:22No, I thought you might like to know that we've finished with your friend's house.

01:07:25So I can move in?

01:07:27Well, we've taken the carpet away and some of the furniture, but yeah, if that's what you want.

01:07:31Great.

01:07:32Great.

01:07:32That's great.

01:07:33That's great.

01:07:34Thanks.

01:07:35You're a kind man.

01:07:38You're a kind of thing.

01:07:39You're a kind of thing.

01:07:40So there's the sitting room here, kitchen, main bedroom, and then down this little corridor,

01:07:46the bathroom and the spare bedroom.

01:07:47Yeah, right.

01:07:48I just walked in, looked around and thought, well, this is it.

01:07:53This is home.

01:07:54It's even got a little garden.

01:07:56Well, not a garden, a backyard, but there's enough room for a table, some chairs.

01:08:01So you'll be entertaining then?

01:08:02You bet.

01:08:03That sounds expensive.

01:08:04Will you be able to afford it?

01:08:05I'm well used to living on a budget.

01:08:07You're going to love it, Sam.

01:08:08Yeah, I'm sure I will.

01:08:16How often have you seen injuries like these?

01:08:26Come on.

01:08:27Once or twice, no more.

01:08:29And how long have you been a copper?

01:08:30More years than I care to.

01:08:32Exactly.

01:08:33There has got to be a connection.

01:08:36There's too many similarities.

01:08:38Look, you're not saying anything.

01:08:41You think I'm wrong?

01:08:43No.

01:08:45Can you speak to me, Rachel?

01:08:50I'm pretty sure Matthew's killed his wife and her lover.

01:08:53But William Baxter...

01:08:55Yes, yes, yes.

01:08:55I know he says he didn't even know him, but he also says he didn't kill Helen or White.

01:09:00We haven't established a link.

01:09:03Peter, I'm trying to keep an open mind.

01:09:06Same cause of death.

01:09:10Similar weapon.

01:09:12Same mutilation of the eyes.

01:09:16What do you think, Fred?

01:09:18Or could it just be coincidence?

01:09:20I thought you didn't trust coincidence.

01:09:22Well, I don't usually, but these are eight years apart.

01:09:27Similar bruising on the arms as well.

01:09:29Hang on.

01:09:37Take a look at this, Fred.

01:09:40You see?

01:09:42I think so.

01:09:44The pressure must have been lighter.

01:09:46It's taken longer to come through.

01:09:47I think we need a photograph of that, don't you?

01:09:51Right.

01:10:05Helen Matthews?

01:10:06Let's go.

01:10:30Lovely.

01:10:45There you go.

01:10:50Well, now we know what we're looking for.

01:10:52Perhaps we'll get somewhere, eh?

01:11:00Thanks, Fred.

01:11:06Other side.

01:11:10Other side.

01:11:24Yes.

01:11:26There it is.

01:11:28Can you see it?

01:11:30Congratulations.

01:11:36I know a certain detective superintendent who'll be very pleased.

01:11:39I know a certain department who'll be very pleased.

01:11:45Let's go.

01:11:53Fibre's results.

01:12:17All three victims had identical metal particles adhering to their clothes.

01:12:24Our suspect works in an aircraft workshop.

01:12:27Aluminium.

01:12:29Very possibly, and the labs will be able to tell us for sure.

01:12:33There's one other thing.

01:12:36This suspect of yours.

01:12:37Yes.

01:12:39How many fingers does he have in his left hand?

01:12:47Great, thank you.

01:12:54Mr. Matthews.

01:12:55I didn't do it.

01:12:56My name is Detective Superintendent Ross.

01:12:59I still didn't do it.

01:13:01If I may, I'd like to take a look at your hands.

01:13:06What?

01:13:07Mr. Matthews.

01:13:08I didn't do it.

01:13:09My name is Detective Superintendent Ross.

01:13:11I still didn't do it.

01:13:13If I may, I'd like to take a look at your hands.

01:13:17What?

01:13:18If you wouldn't mind.

01:13:21Yep, I have to turn.

01:13:28I won't be charging this gentleman.

01:13:32You are free to go, and I would like to apologise for the distress.

01:13:35I know we must have caused you.

01:13:47So the upshot is we've had to let Matthews go.

01:13:50You're looking worried, Boyle.

01:13:52Why did the pathologist miss the bruising first time round?

01:13:54She didn't miss it.

01:13:55It wasn't there.

01:13:56Bruising developed at different rates, even after death.

01:13:59So what about William Baxter?

01:14:01Well, funnily enough, the pathologist in that instance did miss the extra bruise.

01:14:06They are completely infallible.

01:14:08Still, makes our job much easier now.

01:14:10How's that?

01:14:11Well, there can't be too many of them wandering the streets.

01:14:14Blokes with six fingers on their ends.

01:14:16Left hand.

01:14:17Yes, as D.S. Speed says, the extra digit is on the left hand.

01:14:21And it's not a bloke?

01:14:25Not necessarily.

01:14:27No.

01:14:28That man, what was his surname again?

01:14:30Baxter.

01:14:31William Baxter.

01:14:32Any kids?

01:14:33A daughter.

01:14:34She was 18 at the time.

01:14:35So she'd be 25 now.

01:14:36That's right.

01:15:00Don't worry.

01:15:01I haven't forgotten you.

01:15:02Don't worry.

01:15:03I haven't forgotten you.

01:15:04I haven't forgotten you.

01:15:05Don't worry.

01:15:06She's still not back.

01:15:07She spent the whole day moving into Alan's place.

01:15:08Right.

01:15:39Do you want it?

01:15:40No, no.

01:15:41It's not important.

01:15:42Thanks, anyway.

01:15:43Yeah, was it my imagination or has she got an extra finger?

01:15:46You noticed it.

01:15:49She'll hate you.

01:15:50Why?

01:15:51She gets so embarrassed.

01:15:52I mean, it's so tiny, it's hardly there, but not in her head.

01:15:59Are you sure it's okay for me to knock off now?

01:16:04Go ahead.

01:16:05Enjoy yourself.

01:16:06Going to the dentist.

01:16:07Some people would do anything to scyve off.

01:16:11I'll lock up when I leave.

01:16:13Okay.

01:16:14Thanks.

01:16:15Good night.

01:16:16Night.

01:16:17You two go round the bar.

01:16:22You two go round the bar.

01:16:35Barry, you go with them.

01:16:36Clive, you're with me.

01:16:37Try to keep it quiet, eh?

01:16:38Hello?

01:16:39Carolyn?

01:16:40It's Detective Sergeant Speed.

01:16:42Do you remember me?

01:16:44Can you let us in?

01:16:45We'd like to have a word with you.

01:16:48Break the glass.

01:16:49Check that way.

01:16:50Carolyn?

01:16:51Check that way.

01:16:52Carolyn?

01:16:53Check that way.

01:16:54Carolyn?

01:16:55No.

01:16:56Hello?

01:16:57Carolyn?

01:16:58It's Detective Sergeant Speed.

01:16:59You remember me?

01:17:00Can you let us in?

01:17:01We'd like to have a word with you.

01:17:02Can you let us in? We'd like to have a word with you.

01:17:06Break the glass.

01:17:15Check that way.

01:17:17Carolyn?

01:17:28There's no one there.

01:17:30Okay, try upstairs.

01:17:36Weird at what?

01:17:39You got your tape measure?

01:17:41Of course.

01:17:53You celebrating?

01:17:55Yes.

01:17:56What?

01:17:57Your new home.

01:17:58You got this for me?

01:18:01For us.

01:18:02For when we finish measuring up.

01:18:04But it's real champagne.

01:18:08I told them.

01:18:09I said I wanted the cheapest bottle of sparkling wine they had on the shelf.

01:18:13Liar.

01:18:14Do you want to get that?

01:18:15No, I'll let it go on the machine.

01:18:20Thanks, Trevor.

01:18:22We aim to please.

01:18:23Wynne, it's me.

01:18:24If you're there, can you pick up the phone?

01:18:29I've been thinking about this flat of yours.

01:18:35Do you think it might be better to, well, to wait and find...

01:18:40Well, there's no point in rushing into anything, is there?

01:18:47I'm going to miss you.

01:18:50Think about it, will you?

01:18:53Bye.

01:18:54Bye.

01:18:55No sign of her.

01:18:57Yeah, her car's not here.

01:18:58It's blue Fiat Uno.

01:18:59I've got PC foil waiting at her mother's.

01:19:00All right, Sarah, I'll keep in touch.

01:19:01no sign of her yeah her car's not here it's a blue fiat uno i've got pc foil waiting at her

01:19:26mothers all right sir i'll keep in touch bye what now wait for her i suppose i want to see alan i told

01:19:37you before it isn't possible i want to see him how did you get in here i want you to take me to see

01:19:46alan i don't think so all i want is to see alan then put the knife down if you put it down

01:20:01we can talk i want to talk carolyn there are regulations i'm not allowed to please stop

01:20:10talking you're trying to stop me seeing him okay

01:20:18you're okay i'll take you to see him

01:20:24so

01:20:32so

01:20:40so

01:20:48so

01:20:54so

01:21:00so

01:21:02so

01:21:06your poor eyes

01:21:11what have you done with his eyes

01:21:14i had to examine them

01:21:18it's all right

01:21:21i'm going to look after you now

01:21:24just like you used to look after me

01:21:28do you know what you did for my birthday last year

01:21:31he flew me to france

01:21:34just for a picnic

01:21:35he said he did it for the pleasure of seeing me smile

01:21:40he says i've got a beautiful smile

01:21:43he needs his eyes

01:21:48why did you do it carolyn

01:21:52i was so angry

01:21:56why were you angry

01:21:58he was

01:22:01going away

01:22:02just

01:22:03just like my dad

01:22:04i couldn't let him leave me and not come back

01:22:08he might have come back

01:22:10if you hadn't been going with helen you would have done

01:22:13i knew that

01:22:14is that why you killed her

01:22:17i didn't want to

01:22:20i need a trolley

01:22:25why

01:22:26and i need him at home

01:22:29i can't be on my own

01:22:31won't be long now

01:22:35he's cold

01:22:39yes

01:22:40freezing

01:22:42you need some clothes

01:22:45he doesn't need clothes carolyn

01:22:48he's dead

01:22:54have you got something you can borrow

01:22:58what a blanket do

01:23:01all right

01:23:05no

01:23:06he doesn't want to go back in there

01:23:10that's what's making him cold

01:23:13he likes it outside with us

01:23:40he looks peaceful

01:23:50doesn't he

01:23:52yes

01:23:54i've never seen him asleep before

01:23:59but he's not asleep carolyn

01:24:03you know he's not asleep

01:24:07he could be

01:24:11but he's not

01:24:13he's dead

01:24:17the alan who cared for you

01:24:21the man who took you to france for your birthday

01:24:25he's gone

01:24:28that's not him

01:24:32that's just a shell

01:24:39and he's not coming back

01:24:43no

01:24:47even though i take him back home

01:24:51no

01:25:00i won't forget you

01:25:04i won't forget you

01:25:16i'm stupid

01:25:22i'm deformed

01:25:25and i'm ugly

01:25:28that's why they left

01:25:30my dad and alan

01:25:33she once said my mom

01:25:36that if i'd been a dog she'd drowned me at birth

01:25:43i wish she had

01:25:44that's a terrible thing to say

01:25:49best thing for everybody

01:25:54look at me

01:26:01please

01:26:02look at me

01:26:06i can't

01:26:14please

01:26:17please

01:26:17carolyn

01:26:22in my eyes

01:26:26it's the only way you'll know i'm telling you the truth

01:26:32carolyn

01:26:33look me in the eyes

01:26:40you can trust me

01:26:47hello carolyn

01:26:48my name's peter ross i'm a friend of dr ryan's

01:26:58i'm a policeman

01:27:02i'd like to talk to you if i may

01:27:03i think i can help you

01:27:12will you let me

01:27:12will you take care of me

01:27:25i'll do my best

01:27:35i'll do

01:27:36i'll do

01:27:37i'll do

01:27:38you

01:28:05Why didn't she damage Helen Matthews' eyes?

01:28:09She'd never trusted her.

01:28:12Not like she trusted Alan and her father.

01:28:20She could have killed you.

01:28:23I know.

01:28:29You all right to drive us up here?

01:28:31Yeah.

01:28:32I'll ring you as soon as I'm through at the station.

01:28:40I'm sorry I walked out on you the other night.

01:28:48You should have said before.

01:28:50Andrew Duffy was a good man.

01:28:53He helped people make a choice.

01:28:56I had to allow him his dignity.

01:28:57I wasn't sure that you'd understand.

01:29:02It isn't going to be easy.

01:29:16I am a policeman.

01:29:18And I've got to go and deal with this now.

01:29:19But then I will come round to your house and we are going to work this out.

01:29:22Because I love you.

01:29:23I love you.

01:29:25I love you.

01:29:27I love you.

01:29:29I love you.

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