She Mob 1968 ★★ (CC) Crime/Sexploitation  [Contains Nudity] - video Dailymotion

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She Mob has got to be one of the poorest made sexploitation movies to ever come along and because of this it's also one of the most entertaining.   Shot on the backroads of Dallas and Waco, She Mob is an trashy exploitation soft core crime film, directed by Maurice Levy and Harry Wuest, and featuring actresses culled from Jack Ruby’s infamous Dallas nightclub.    Big Shim is the cone-bra-wearing butch leader of a wild girl gang that’s running from the law. After kidnapping a gigolo named Tony, Shim and the girls demand a ransom from Tony’s wealthy lady keeper. She hires a tough private eye to find her boyfriend and rescue him.   Credits  Marni Castle: Big Shim / Brenda McClain  Monique Duval: Sweety East - Detective  Adam Clyde: Tony - Gigolo  Twig: Twig  Eve Laurie: Baby - Shim's Girlfriend  Ann Adams: Lorenz  Joy Dale: Harry  Bill Bags: Jeff  Peaches Chatman: Teeny  Robert Beam: Sheriff  Raymond Smith: Deputy  Camera  Harold Williams   Director Harry Wuest, Maurice Levy,  Producer Maurice Levy  Editing Rex Cromwell  Sound Rex Cromwell  Writing Diana Paschal  Director of Photography Harold Williams  Costume & Makeup Jeff Berns  Presenter Alfred N. Sack

Transcript

00:00:00This is a production of the U.S. Department of State.

00:02:56Tony, come in here.

00:02:58Oh, how sweet it is.

00:03:04Oh, how sweet it is.

00:03:06Tony, come in here.

00:03:10Tony.

00:03:12Tony.

00:03:14Tony.

00:03:16Tony.

00:03:18Tony, come in here.

00:03:22Tony.

00:03:24Hi, honey.

00:03:26Watch my back.

00:03:28Wash my back.

00:03:30Wash your back, hell.

00:03:34Oh, how sweet it is.

00:03:36Oh, how sweet it is.

00:03:46Tony.

00:03:48Hi, honey.

00:03:50Wash my back.

00:03:52Take your back, hell.

00:04:04How do you feel this morning?

00:04:06Oh.

00:04:08Oh.

00:04:10You like games.

00:04:12You like games.

00:04:22Tony, I'll be late for the office.

00:04:24Look, you don't hold still.

00:04:26Tony, I'll be late for the office.

00:04:32Oh, Tony.

00:04:34I couldn't live without you.

00:04:36Oh.

00:04:38Oh.

00:04:40Oh.

00:04:42Oh.

00:04:58Oh.

00:05:00Tony.

00:05:02Tony.

00:05:06Oh.

00:05:08Oh.

00:05:10Oh.

00:05:14Oh.

00:05:15Oh.

00:05:30...

00:05:32Oh!

00:06:02Oh!

00:06:04Oh!

00:06:07That's enough!

00:06:17I thought I had enough sleep.

00:06:21Oh!

00:06:32Oh!

00:06:39Oh!

00:06:42Oh!

00:06:45Oh!

00:06:50Oh!

00:06:55Oh!

00:07:00Oh!

00:07:03Oh!

00:07:04Oh!

00:07:06Oh!

00:07:07Oh!

00:07:08Oh!

00:07:10Oh!

00:07:12Oh!

00:07:13Oh!

00:07:14Oh!

00:07:15Oh!

00:07:16Oh!

00:07:18Oh!

00:07:19Oh!

00:07:21Oh!

00:07:23Oh!

00:07:25Oh!

00:07:26Oh!

00:07:27Oh!

00:07:28Oh!

00:07:29Oh, Tony, I love you, even with a hangover.

00:07:59I almost forgot.

00:08:10I have something for you.

00:08:19Very nice.

00:08:21Yeah, the other one was out of fluid anyway.

00:08:24You're a hard man to please.

00:08:27But it's always hard.

00:08:29And that's what I paid for.

00:08:34Why not? You can afford the best.

00:08:36My shrinking violet.

00:08:44This one?

00:08:47Yeah.

00:08:49Tony, what are you going to do today?

00:08:54Oh, I don't know.

00:08:56You think you could stop by the Ford dealers?

00:09:00Why?

00:09:01Pick up your new T-Birds.

00:09:03Sure, baby.

00:09:04Sure, baby.

00:09:07Uh, have I got credit?

00:09:10I think we can work out a reasonable layaway plan.

00:09:15On my way back, I better stop and pick up some vitamins.

00:09:18Hell, I better pick up some Spanish fly.

00:09:20Whatever you think best, dear.

00:09:23You want me to drive you to work?

00:09:40Tony, you know that...

00:09:41I know, I know.

00:09:43You've got your reputation to protect.

00:09:45What would Franklin Industries think if they knew that their president had a lover?

00:09:49I need you both, but never the twain shall meet.

00:09:52You know, I'm so glad you're successful.

00:09:58Otherwise, you couldn't afford me.

00:10:00I have to run.

00:10:01I'll see you about six.

00:10:02Bye.

00:10:03Bye-bye.

00:10:33Bye-bye.

00:11:03Bye-bye.

00:13:03Wait for me, baby.

00:13:27Sorry.

00:14:45Oh, my God.

00:15:15Oh, my God.

00:15:45Oh, my God.

00:16:15Oh, my God.

00:16:45Oh, my God.

00:17:15Oh, my God.

00:17:45Oh, my God.

00:18:15Oh, my God.

00:18:17Oh, my God.

00:18:19Oh, my God.

00:18:21Oh, my God.

00:18:23Oh, my God.

00:18:25Oh, my God.

00:18:27Oh, my God.

00:18:29Oh, my God.

00:18:31Oh, my God.

00:18:33Oh, my God.

00:18:35Oh, my God.

00:18:37Oh, my God.

00:18:39Oh, my God.

00:18:41Oh, my God.

00:18:43Oh, my God.

00:18:45Oh, my God.

00:18:49Oh, my God.

00:18:51Oh, my God.

00:18:53Oh, my God.

00:18:55Oh, my God.

00:18:57Oh, my God.

00:18:59Oh, my God.

00:19:01Oh, my God.

00:19:07Oh, my God.

00:19:09Oh, my God.

00:19:11Oh, my God.

00:19:13Okay, what's the gripe? When you huddle like that, there's always a gripe.

00:19:17We want a man. Climb in five years.

00:19:19Yeah, you got your kicks in there. Now we want ours.

00:19:24Okay, you ask for it. I'll get you a man.

00:19:28One who can take care of all of you.

00:19:43Oh, Flippin' Bar.

00:19:45Yeah, Tony there?

00:19:46Who, Tony?

00:19:48He doesn't hang out here.

00:19:50Twig, turn that radio down.

00:19:55Don't give me that, Jeff. This is Big Shim.

00:19:58Now, where is that stud?

00:20:00That's up another dame named Brenda McLean.

00:20:03Numbers, uh, Uptown 67658.

00:20:09All right, but now listen. Let the phone ring once and then hang up.

00:20:14And call back again as a stud won't answer, you know, because he's out of sight.

00:20:19It's something else.

00:20:22Jeff?

00:20:25Hello, Jeff?

00:20:27Jeff?

00:20:29What the hell's going on?

00:20:30Jeff?

00:20:39Hello.

00:20:40Tony, Big Shim.

00:20:41Shim, how the hell did you find me?

00:20:44I got friends, lover boy.

00:20:46What's this I hear about you living off some rich dame? Somebody puttin' me on?

00:20:50Yeah, you might say I, uh, came into blue chip stock.

00:20:54I got friends, lover boy.

00:20:56What's this I hear about you living off some rich dame? Somebody puttin' me on?

00:20:59Yeah, you might say I, uh, came into blue chip stock.

00:21:02Tony, you interested in a little moonlighting?

00:21:05Think you could take some time off to bring your business to the old farmhouse?

00:21:07It's been a long time.

00:21:08Sure, champ.

00:21:10Uh, I'll be free until six.

00:21:12That's fine.

00:21:13Okay, you bitches, I got your man. And we got a caper all at the same time.

00:21:18It's trick or treat time.

00:21:43You could take some time off...

00:21:45It's time off to bring your business to the old farmhouse?

00:21:46Yeah.

00:21:47There we go.

00:21:48You, two, three.

00:21:49Out there, two.

00:21:50And you're married, boy.

00:21:5120,000 left.

00:21:52Two, three, four.

00:21:53Two, three, four.

00:21:54Two, three, four.

00:21:55Two, three, four.

00:21:56Two, four.

00:21:57Two, three.

00:21:58Two, three, four.

00:21:59Three, four.

00:22:00Two, three, four.

00:22:01Two, three, four.

00:22:02Two.

00:22:03Five, four, five.

00:22:04Two, four.

00:22:05Two, four.

00:22:06Two, three, four.

00:22:07One, four.

00:22:08Four, seven, five.

00:22:10Three, four.

00:22:11Come in.

00:22:41Sit down.

00:22:53Business is business.

00:22:56The old snatch game.

00:22:57Right, you're being held for ransom.

00:23:00You said you were blue chip. Let's find out.

00:23:03I want $100,000 for you.

00:23:07What's in it for me?

00:23:08That, that, and that.

00:23:11There's two ways we can do this.

00:23:13You can play ball and have a good time,

00:23:16or I can get tough.

00:23:19What's the drink?

00:23:20Get him a beer.

00:23:22What's your name?

00:23:23Loren.

00:23:28I need a man.

00:23:29I'm Harriet.

00:23:34It's been five years.

00:23:36Who are you?

00:23:41Twig.

00:23:43Do you dance?

00:23:44Not as well as you do.

00:23:45Ready to explode.

00:23:50That's good.

00:23:52I can't wait.

00:24:17I can't wait.

00:24:18It's going to be a baby.

00:24:39I'll be right there.

00:24:42Come on, let's dance.

00:25:00I haven't had any in so long.

00:25:02I got rape on my mind.

00:25:04I'm going to be first.

00:25:05No, you're not.

00:25:06I'm first.

00:25:12Let's see how big he is.

00:25:19It ain't how big he is.

00:25:21It's how you make it big.

00:25:23You act like a bunch of animals.

00:25:27Twig, time up.

00:25:34All right, you.

00:25:35On the bed.

00:25:42You're cute.

00:26:06You're going to give us a real good time?

00:26:20You've got the cutest nose.

00:26:30Lorenz, get the paper.

00:26:32Write this ransom note for us.

00:26:36If you want your boyfriend back and still able to be of use to you, take $100,000, put it

00:27:01in a shoebox and leave it under the railroad bridge at Bear Creek at exactly midnight.

00:27:19Don't call the cops or your boyfriend will be made into a choir boy.

00:27:38Yeah, underline choir boy.

00:27:40See if he has anything on him.

00:27:52I want her to know we have him.

00:27:59Hurry it up.

00:28:00Now, Bear, you're getting a free squeeze.

00:28:13She gave him the ladder.

00:28:17Hey, she's buying him a car.

00:28:23He must be good.

00:28:25Are you really that good?

00:28:29Are you really that good?

00:28:31This is better.

00:28:33He might have lost the lighter, but she knows he wouldn't lose this check.

00:28:36Put this in her letter and deliver it.

00:28:39Do you think we should?

00:28:41The FBI catches kidnappers on TV through the ransom notes.

00:28:45If she were going to call the cops, but she ain't.

00:28:47She doesn't want anyone to know she has a gigolo.

00:28:53Hurry back, Twig.

00:28:54We'll have some entertainment for you later.

00:28:58Just rest.

00:29:24Tony, I'm home.

00:29:44Tony.

00:29:45Tony.

00:29:49Tony.

00:29:49Tony, Tony, did you get your vitamins?

00:30:03I'm all ready.

00:30:05Tony, Tony.

00:30:15Tony, Tony.

00:30:19Tony.

00:30:49Tony.

00:30:56Tony.

00:30:58Tony.

00:31:04Tony.

00:31:06Tony.

00:31:08Tony.

00:31:14Tony.

00:31:16Tony.

00:31:18Tony.

00:31:20Tony.

00:31:22Tony.

00:31:26Tony.

00:31:28Tony.

00:31:30Tony.

00:31:51Tony.

00:31:55Sweetie East, girl detective.

00:32:21Sweetie, this is Beth.

00:32:22I need some help.

00:32:25This is a detective agency, Brenda.

00:32:27Not her, it's rent-a-stud.

00:32:28I love your jokes.

00:32:30Can you come to my apartment and hurry?

00:32:32I'll come right over.

00:32:34Fine.

00:32:35I'll be waiting.

00:32:36I'll be waiting.

00:32:51We'll settle this the way we always do.

00:33:08Best four out of seven gets him first.

00:33:21Okay, kids, cards.

00:33:35How many?

00:33:36Just a minute.

00:33:51Come on, Harry.

00:33:55Shut up, hot pants.

00:33:56I'll play these.

00:33:57You bitch.

00:34:12Won't you sit down?

00:34:19Sweetie, would you like a drink?

00:34:20No, thank you.

00:34:23Brenda, what seems to be a problem?

00:34:27Here, read this.

00:34:43Do you think he could have set this up?

00:34:45No.

00:34:46I mean more to him than that.

00:34:48Well, who's got him?

00:34:50I have no idea, but I do want him back.

00:34:53I have the cash here, but who should deliver it?

00:34:57I'll have to do the make the drop for you.

00:35:00If I get him back, I name my own price.

00:35:04I take care of everyone who works for me.

00:35:11I'll be back later to make the change.

00:35:13Okay.

00:35:13I love it.

00:35:21I love it.

00:35:22I love it.

00:35:25I love it.

00:35:26I love it.

00:35:29Deuce ten. Draws another deuce.

00:35:51Pair of nines gets a jack.

00:35:54Possible straight.

00:35:59King, no help.

00:36:03Big ace, no help.

00:36:06Queen, no help.

00:36:15That's a bust.

00:36:17Pair of nines high, Twig.

00:36:21Sorry about that, girls, but I'm gonna have the fun.

00:36:29I never could play poker.

00:36:34I don't think it's fair.

00:36:35I don't think it's fair.

00:37:05I don't think it's fair.

00:37:08That's it, Andrew.

00:37:09That's a good sign.

00:37:13I don't think it's fair enough to play justice in my heart.

00:37:18It's not fair enough to talk about that.

00:37:23You're welcome.

00:37:26I can't wait.

00:37:26It's short.

00:37:27I can't wait.

00:37:29I can't wait.

00:37:30I can't wait.

00:37:30Oh, my God.

00:38:00Oh, my God.

00:38:30Oh, my God.

00:39:00Oh, my God.

00:39:30Oh, my God.

00:40:00Oh, my God.

00:40:30Oh, my God.

00:41:00Oh, my God.

00:41:02Oh, my God.

00:41:32Oh, my God.

00:42:02Oh, my God.

00:42:32Oh, my God.

00:42:34Oh, my God.

00:42:36Oh, my God.

00:42:38Oh, my God.

00:42:40Oh, my God.

00:42:42Oh, my God.

00:42:44What's the beef?

00:42:46Oh, my God.

00:42:48Oh, my God.

00:42:50Oh, my God.

00:42:52Oh, my God.

00:42:54Oh, my God.

00:43:04Oh, my God.

00:43:06Oh, my God.

00:43:08Oh, my God.

00:43:10Oh, my God.

00:43:12Oh, my God.

00:43:14Oh, my God.

00:43:16Oh, my God.

00:43:18Oh, my God.

00:43:20Oh, my God.

00:43:22Maybe they won't recognize you in my wig.

00:43:48Yeah, I'll wear this.

00:43:52At night, they won't know the difference.

00:43:56What about your car? Did you report it missing?

00:43:59I was afraid to.

00:44:01Well, if the police found it, they would have called by now.

00:44:06They must have the car, too.

00:44:09Uh, let's see.

00:44:12Can I use your phone?

00:44:13Of course.

00:44:15While you're phoning, I'll get you something to wear.

00:44:18I'll get you something to wear.

00:44:24Tom, sweetie, you busy?

00:44:42I need a location transmitter to plant for a tail.

00:44:47Could you fix it in a shoebox?

00:44:51Or if I'll spot them?

00:44:55I'll be over to pick it up.

00:44:59I may have time, but if not, you'll have to take cash.

00:45:02Say, what about trading an electronics engineer for a gigolo some night?

00:45:12Don't be silly.

00:45:13If I wanted an amateur, I wouldn't need Tony.

00:45:16I guess you get what you pay for.

00:45:18I think one of these should do.

00:45:20Why didn't you call the police?

00:45:47Listen, sweetie, I don't want to take any chances.

00:45:52I'd rather pay the ransom.

00:45:54I can afford it.

00:45:55Grow up.

00:45:57You can't trust kidnappers.

00:45:59They may decide to kill them no matter what you do.

00:46:02That's why I called you.

00:46:06Do you like this one?

00:46:10I think it'll do.

00:46:12Do you have the money?

00:46:14Yes, I have it ready.

00:46:17How are you going to find Tony?

00:46:26They said to put the money in a shoebox.

00:46:29Well, there'll be more than just money in that shoebox.

00:46:33What do you mean?

00:46:35Tom, my electronics genius,

00:46:37is making a false bottom in the box that'll have a beeper in it.

00:46:41Mm-hmm.

00:46:41Then after I make the delivery,

00:46:44I can follow the beeps to where they have Tony.

00:46:47How?

00:46:48By listening to the beeps on a receiver in the car.

00:46:51The receiver has a direction finder on it,

00:46:54so I just aim it and follow it.

00:46:56Oh.

00:46:57No wonder you have a reputation for being high-priced.

00:47:00They may know what kind of cars I drive.

00:47:18So you'd better take one of mine.

00:47:21Here are the keys.

00:47:22It's a green Spitfire.

00:47:23Here are the keys.

00:47:41Here are the keys.

00:48:20If I cut you loose, will you take me with you?

00:48:43Shhh.

00:48:59Be real quiet. Jim's a light sleeper.

00:49:04Hurry.

00:49:06My car's out front.

00:49:07For God's sake, hurry.

00:49:11Hurry.

00:49:13Hurry.

00:49:15Hurry.

00:49:17Hurry.

00:49:18Hurry.

00:49:19Hurry.

00:49:20Hurry.

00:49:21Hurry.

00:49:22Hurry.

00:49:23So, let's go.

00:49:53That bastard has cut out with baby.

00:50:17Stay here in case they double back.

00:50:20Let's get them.

00:50:23They won't get far.

00:50:35You go that way.

00:51:02I'll look over here.

00:51:03She'll kill us both if she catches us.

00:51:18She'll kill us both if she catches us.

00:51:22I'll look over here.

00:51:30Swag!

00:51:31Loren!

00:51:32Over here!

00:51:33There's snakes come out at night.

00:51:41You better believe it.

00:51:49What car is that?

00:51:50Jim swiped it from the warden.

00:51:52There they are!

00:51:58Run, damn it!

00:52:00Run!

00:52:00Here we are.

00:52:12You go!

00:52:12Someone!

00:52:13What's up?

00:52:13There he is!

00:52:14Where did I go?

00:52:14Get out and push.

00:52:44Get out and push.

00:53:14Get out and push.

00:53:44Get out and push.

00:54:14Get out and push.

00:54:44Get out and push.

00:55:14Get out and push.

00:55:16Get out and push.

00:55:18Get out and push.

00:55:20Get out and push.

00:55:26Get out and push.

00:55:28Get out and push.

00:55:36Get out and push.

00:55:44Get out and push.

00:55:46Get out and push.

00:55:54Get out and push.

00:55:56Get out and push.

00:56:04Get out and push.

00:56:06Get out and push.

00:56:16Get out and push.

00:56:18Get out and push.

00:56:28Get out and push.

00:56:30Get out and push.

00:56:32Get out and push.

00:56:42Get out and push.

00:56:44Get out and push.

00:56:46Get out and push.

00:56:48So, let's go.

00:57:18I got the money. We're rich. Now, let's have that party.

00:57:40He thinks he's such a man. Let's see what kind of woman he'd make.

00:57:48Hurry up! Get baby's clothes on him.

00:57:57Let's go.

00:57:59Let's go.

00:58:03Let's go.

00:58:11Let's go.

00:58:13Let's go.

00:58:17Let's go.

00:58:19Let's go.

00:58:23Let's go.

00:58:25Let's go.

00:58:29Let's go.

00:58:31Let's go.

00:58:35Let's go.

00:58:37Let's go.

00:58:38Let's go.

00:58:39Let's go.

00:58:40Let's go.

00:58:41Let's go.

00:58:42Let's go.

00:58:43Let's go.

00:58:44Let's go.

00:58:45Let's go.

00:58:46Let's go.

00:58:47Let's go.

00:58:48Let's go.

00:58:49Let's go.

00:58:50What?

00:58:51Let's go.

00:58:52Let's go.

00:58:53Let's go.

00:58:54Come on in.

00:58:55Let's go.

00:58:56Let's go.

00:58:58Now, look.

00:58:59He's in the kitchen.

00:59:00He's built like a stud horse.

00:59:03A gelding knife will change that.

00:59:06What a shame to spoil a man is built like this.

00:59:30THE END

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01:02:00THE END

01:02:02Get me some blood

01:02:32Get me some blood

01:03:02Get me some blood

01:03:32Get me some blood

01:04:02Get me some blood

01:04:32Get me some blood

01:05:02I'll show you that my tits are as hard as my heart

01:05:19Twig, cut him down

01:05:27Put him on the table and we'll castrate this son of a bitch

01:05:40Then he'll really be a choir boy

01:05:43Take his panties down so we can operate

01:06:01The operation's over, doctor

01:06:06Who are you?

01:06:07Shut up and drop the knife

01:06:08Get him up

01:06:09Get me some blood

01:06:17Can you walk?

01:06:25Can you walk?

01:06:43Over broken glass to get out of here

01:06:45I'll take you home

01:07:08I'll follow you, baby, anywhere

01:07:10Anywhere

01:07:12I'll follow you, baby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby, hereby,

01:07:42The End

01:08:12The End

01:08:42The End

01:09:12The End

01:09:42The End

01:10:12The End

01:10:42The End

01:11:12I'll have you patched up in no time.

01:11:42The End

01:12:12Feel better now?

01:12:31I guess so.

01:12:32How about you?

01:12:36I felt better.

01:12:39I better call Brenda and let her know I'm safe.

01:12:42She did send you, didn't she?

01:12:45Yeah, but what's the rush?

01:12:48Yeah, but what's the rush?

01:12:50You've got to get your circulation back.

01:12:53Besides, any man that's worth $100,000 must be good.

01:13:03Too good to believe without proof?

01:13:06Well, I got you, you know?

01:13:06Oh, that's all right.

01:13:11I know you're here.

01:13:16I know you're here.

01:13:19No, they're here.

01:13:20And I knew you were here, you know me.

01:13:25I know you're here.

01:13:27I know you're here.

01:13:28Yes, you're here.

01:13:28I see you're here.

01:13:29THE END

01:13:59THE END

01:14:29THE END

01:14:59THE END

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01:17:45THE END

01:17:47¶¶

01:18:17¶¶

01:18:47$100,000 for that?

01:18:54Forget it.

01:18:58You're asking for it.

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01:20:44me.

She Mob 1968 ★★ (CC) Crime/Sexploitation [Contains Nudity]

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