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Street Justice - Juez de la Calle
Street Justice
En esta serie de acción, el ex-detective de policía Adam Beaudreaux (Carl Weathers), que ahora regenta una escuela de kárate, se une al artista marcial y veterano de Vietnam, Grady Jameson (Bryan Genesse), para luchar contra el crimen en las calles, operando fuera de los límites de la ley y buscando justicia para las víctimas.
#JuezDeLaCalle #StreetJustice #AdamBeaudreaux #CarlWeathers #GradyJameson #BryanGenesse #Acción #Crimen #ArtesMarciales
Street Justice
En esta serie de acción, el ex-detective de policía Adam Beaudreaux (Carl Weathers), que ahora regenta una escuela de kárate, se une al artista marcial y veterano de Vietnam, Grady Jameson (Bryan Genesse), para luchar contra el crimen en las calles, operando fuera de los límites de la ley y buscando justicia para las víctimas.
#JuezDeLaCalle #StreetJustice #AdamBeaudreaux #CarlWeathers #GradyJameson #BryanGenesse #Acción #Crimen #ArtesMarciales
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00:00¡Gracias por ver!
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01:44¡Gracias!
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03:04¡Gracias polvo!
03:26¡Gracias por ver!
03:27Kids don't really take it out of you, huh?
03:29Yeah, yeah, they do.
03:31How long have you been working here?
03:33Oh, a couple months.
03:37And how long have you been practicing martial arts?
03:44Why don't you tell me?
03:57Oh, I'd say about a year.
04:02Oh, that hurt.
04:05At least you do have speed.
04:09So do you.
04:12For an old time, huh?
04:14You ain't seen nothing yet, schoolboy.
04:27Calm it down.
04:29Come on.
04:30Just fine.
04:33Had you.
04:38Okay, I'm calling it.
04:40Yeah.
04:50What's wrong with you, man?
04:51Do you have some kind of problem with your off button?
04:57I'm sorry, man.
05:07I'm sorry.
05:09You're gonna have to do better than that.
05:16They're both women, both Vietnamese.
05:18And they both live in Little Saigon.
05:20You want to call it a cereal?
05:24You and Shuham have a thing for labels?
05:27Adam, we forgot the corners.
05:29Preliminary.
05:31And?
05:33You should have it a broken neck.
05:35Same as the other one.
05:36Full report will be out, but I have a feeling.
05:38I know.
05:41It's a cereal.
05:43You take care of the media?
05:44Yeah, always do.
05:47Are you okay?
05:50Compared to the victims,
05:51I'm great.
05:59About tags, huh?
06:01Yeah, they get all tangled up.
06:03Something tells me you didn't pick those up in the Gulf.
06:06No, me and Desert Storm missed each other by about 20 years.
06:10How long were you, man?
06:16A year?
06:18Forever?
06:21Yeah, I know what you mean.
06:26Do you, schoolboy?
06:28Oh, could you just push it in just a little bit more?
06:36Okay, that's good, that's good.
06:37Thank you.
06:39Hey, what's with the pinball machine?
06:42Ask Malloy.
06:43You have to growl like that?
06:44I just don't think a bar is a bar without a pinball machine.
06:47Oh, can't argue that.
06:48No, I tried.
06:50Could you humor me?
06:51I am.
06:56Anyway, you wanted to talk to me, what about?
06:58There's this new instructor at the club, right?
07:00We're spying, for fun.
07:02The guy tries to take my head off.
07:05Come on, you can handle that.
07:07I put him down to the mat.
07:10But he's a vet.
07:11Vietnam.
07:11Well, you don't have to be a vet to be a little edgy.
07:16True.
07:17But he's still wearing his dog tags.
07:21Oh.
07:23That's different.
07:24That's what I thought.
07:26Well, why don't you give me his number?
07:28I'll give him a call, see what I can do.
07:29His name is Benson.
07:35I had just about talked myself into being a no-show tonight.
07:39You guys know, I've been feeling pretty good lately.
07:43Mm-hmm.
07:45Like who needs to work anything out?
07:48Yeah.
07:48Anyway, you know, the day on the job, I had to cover this murder of this Vietnamese woman.
08:04Remember how we used to mark a kill?
08:07We got a VC with the ace of spades.
08:10Drop that ace right on their face.
08:12Let everybody know the score.
08:13Well, the day when I knelt down beside this woman's body to confirm the kill, I mean to confirm the fact that she was dead.
08:31Go ahead, man. You can say it here.
08:38I had the strongest urge to flip that ace on her, man.
08:46I didn't want to.
08:47But it came over me.
08:52I mean, it just came over me.
08:57Adam, you're okay.
09:01Yeah.
09:04Yeah.
09:05I'm working on that.
09:07Yeah.
09:08Yeah.
09:17Hey, this must be Willis's, huh?
09:22Open all night.
09:24Come on, then.
09:24I'm Ted Willis.
09:25Dexter Benton.
09:26I talked to Adam Boudreau on the phone.
09:28Yeah, I'm Boudreau.
09:29How's it going?
09:30Good.
09:31Sorry, I'm late.
09:32Got lost.
09:33Don't worry about that.
09:34There's a lot of it going around.
09:35Why don't you pull up a chair?
09:36Look at it.
09:37Say anything, do anything.
09:39Just don't judge us, and we'll do that quiet.
09:41All right?
09:44Okay, everybody settle in, then.
09:46All right, Walter, you're up, man.
09:52We took turns walking point, me and Shorty.
09:56We could always feel trouble coming, except for that day.
10:02Shorty stepped on a mine, the kind that don't go off for a split second.
10:08It clicked.
10:09He looked at me.
10:12I still remember his eyes.
10:16Anyway, as I was saying, I write Shorty's mom every year on his birthday, because I figure
10:29he was born with her, but he died with me.
10:34And even though her and me never met, well, you know.
10:45Walter, you send those letters as long as you want.
10:53Holder, you mean?
10:54Excuse me?
10:57You need permission to send that lady a letter?
11:01Yeah, I got a stamp.
11:04I'll give you a stamp.
11:05You can send her a letter.
11:06Go ahead.
11:07Hey, hey.
11:08This isn't how we handle things here, friend.
11:10You don't handle anything.
11:14Oh, chill out, then.
11:16No, you chill out.
11:18All I've been hearing here this afternoon is the kind of talk that give veterans a bad name.
11:23You went to war.
11:25It stunk.
11:27Dammit, get off your knees and stop crying about it.
11:30I invited him, all right?
11:37Hey, Benton.
11:41Forget it, okay?
11:42Just forget it.
11:43Why?
11:44You can't.
11:47You wouldn't have come here unless you wanted some help.
11:51I'm going back in.
11:52You coming?
11:52I hate crowds.
11:57I want you to meet me here.
12:00Early tomorrow morning.
12:03Just you and me.
12:08Here.
12:20I see you found the place.
12:24Yeah.
12:26Yeah.
12:27Nice and peaceful here.
12:32You know, when I first went to Nam, a place like this put me off.
12:37It was too small.
12:41Too neat.
12:43Now it makes the most sense.
12:45Took the words right out of my mouth.
12:47You had to be a Marine.
12:51Special Forces.
12:52How about you?
12:5482nd Airborne.
12:56De Roast, March 71.
13:00I was September.
13:02Land in San Francisco, right?
13:04Now, was that a trip or what?
13:09The whole country hates the war.
13:11And they have us deplaning in Hippie Town, USA.
13:15In uniform.
13:16Oh, man.
13:20How far did you get before somebody spit on you to the terminal?
13:23Try the plane, man.
13:26No, come on.
13:28That's right.
13:29The plane.
13:30We picked up this student in Hawaii.
13:32All the way to the mainland, she keeps telling me I'm a baby killer.
13:39And she spit in my face.
13:42You tell her that maybe you were a baby killer, but at least you had good manners?
13:47You know I did.
13:48She's no different than they are now.
13:57I mean, I'll kill her.
14:02Who's calling you a killer?
14:06A man does things sometimes that he's not proud of.
14:11Yeah, I know I have.
14:12She made me do it.
14:14Why did she have to go and open her mouth?
14:18Who, Ben?
14:20The girl.
14:22It was my life or hers.
14:28Where?
14:28Nam, I hear.
14:30I stopped the words right out of her throat.
14:35What exactly do you mean?
14:39Ben?
14:43It doesn't matter, man.
14:48None of this, man.
14:56Hey, Benton.
14:58Benton?
14:59Come here.
15:00Two Henry-17, respond.
15:22Two Henry-17, roger.
15:24Two Ham here.
15:24We got another woman down as of half an hour ago.
15:27Hill and forth.
15:28You anywhere near?
15:30Adam?
15:34Real near.
15:35How well do I know Benton?
15:49He's great with kids, and he's got a problem with his off button.
15:53Why?
15:55It's something that he said this morning.
15:57It's better if I don't involve you.
16:00B, I'm already involved, remember?
16:03I suspect he's real dangerous, Grady.
16:11How do you mean?
16:11Like, you might kill somebody?
16:14That's what I have to find out.
16:15I said, sit down, I said, sit.
16:26I ain't, I'm not sit, no man.
16:28I said, sit.
16:30Sergeant?
16:33What do you have for me?
16:35Witness says the guy was maybe six feet, about your build.
16:39Just before the kill, the guy shot a real loud.
16:42This is for Jimmy.
16:43Jimmy, huh?
16:46And then he stops the scream right in their throats.
16:51You've been reading True Detective again?
16:53Hey, read the report.
16:55He fractures the voice box.
16:59We don't take this to Lieutenant Pine until I say so, okay?
17:01You want to tell us what's going on?
17:08No.
17:10Run the name Dexter Benton past Veterans Administration.
17:14Dexter Benton?
17:15Yeah.
17:17What are we looking for?
17:20We're looking for a killer.
17:21So, how you doing?
17:25Mustard, right?
17:26I can't complain with relish.
17:28Yeah, right.
17:29How about you?
17:30I'm doing good, man.
17:31Doing real good.
17:32How's the shoulder?
17:33It still hurts, but that's how it is.
17:35Well, you know, you ought to see a doctor about that bursitis.
17:37I don't have any bursitis, Anna.
17:42No.
17:43Just your shoulder's on fire, right?
17:45It's a muscle pull.
17:48You've had a muscle pull for three and a half years.
17:51Bursitis is for old people, Anna.
17:53I am not old.
17:56Kids, your shoulder.
17:58I mean, am I old?
18:00Are we old?
18:01Oh, we're not old.
18:03Well, I ain't old either, and that's for damn sure.
18:06But you do have a size.
18:11So, tell me, how'd I get lucky enough for lunch in the middle of a workday?
18:17I need a favor.
18:19What can I do?
18:21Is there a possibility of calling special meeting tonight?
18:24Some money, Mark?
18:26Yeah, a couple things.
18:28Those Vietnamese women.
18:31Mm-hmm.
18:32Well, I guess we should be able to get most of the guys there.
18:36Look, I know at short notice.
18:38Ah, makes no matter.
18:40That's what the group's for, right?
18:42Right.
18:44Is that it?
18:47Yeah.
18:50Okay, then.
18:52I'll set it up.
18:53See you then.
18:54Kelsey went all the way to the V.A. in Washington.
19:04No Dexter Benton ever served in Vietnam.
19:08Thank you, Lieutenant.
19:09Yeah.
19:10So, who is this guy?
19:12It's one of the guys from my group.
19:16And that's all you want to tell me?
19:17Come here.
19:21Come here.
19:24I've got three dead women.
19:26And no killer in sight.
19:27If Benton's a lead, I'd like to know about them.
19:28And I've got a room full of guys who put their trust in me to leave my badge at the door.
19:32Even with a killer?
19:33Look, I'm not certain he is a killer.
19:35Run him in.
19:35We'll find out.
19:36And what if he's innocent?
19:37How?
19:37I put him over the edge.
19:39I didn't realize you were responsible for all Vietnam veterans.
19:42I'd just like to give the guy a break, Charlie.
19:44Why?
19:44Because nobody else does?
19:45Some things are just unfair.
19:47If you have a case on them, you make it.
19:49Wait a minute.
19:52I'll have something by midnight, or I won't.
20:04I hear you.
20:05Sometimes I need a meeting just so I can hear other guys.
20:07No, I'm not crazy.
20:09But somebody got to say something, or Willis going to discuss that sports car again.
20:15And I've never told this to nobody.
20:19I was on recon, and I was out looking for a downed chopper.
20:25And I find this guy on a tree.
20:31V.C. had staked him to a tree.
20:33After doing every other damn thing you could do to a man.
20:40He sees me, and he starts crying and begging.
20:45Asking me to kill him.
20:48Hell, he was already dead.
20:50But I couldn't, so I called headquarters, and they told me it was my responsibility.
21:00So I asked the team to leave.
21:13Hell, he just wanted me to finish what Charlie had started.
21:16You know, I think he was one hell of a man to ask me to do something like that.
21:23So I put my N-16 next to his head, and, uh...
21:30Anyway, when the team got back, we even talked nothing about it, and we just buried him.
21:40Very deep.
21:41Was that Jimmy?
21:47Huh?
21:48It was Jimmy, wasn't it?
21:50Jimmy, I...
21:51I don't know.
21:53I thought I heard you mention a Jimmy, a buddy you'd lost.
21:56I don't know anybody named Jimmy.
22:03That must have been the other night.
22:05No, I...
22:07I don't...
22:08Adam?
22:15I must be mistaken.
22:19I apologize.
22:24Yeah.
22:25Yeah.
22:27Okay, then, uh...
22:28I think that's enough for tonight.
22:33I'll see everybody next week, and, uh, in between.
22:36Now you call me if you need me.
22:38Now, what was that all about?
22:40How did that guy...
22:45Now, what was that all about?
22:58How did that guy...
22:59I was just trying to help him open up?
23:02You won't tell me what's going on, man.
23:04I was just a little too pushy.
23:10Oh, no, Adam.
23:11You asked for this meeting, and then you asked for this meeting, and then you spend it hounding the new guy.
23:16Like I said, I was too pushy.
23:18And you don't want to explain why?
23:20And you don't want to explain why?
23:21Is that a problem?
23:23I guess not unless we make it, man.
23:26I guess not unless we make it, man.
23:28Then let's not.
23:36According to the prince on his coffee cup, his real name's Ross Wilton.
23:40His five priors, all assaults.
23:42All against Vietnamese women.
23:48Come on, you did good work.
23:51Then how come I feel so damn lousy, huh?
23:55You want me to bring him in?
23:56No.
23:58That much I owe him.
24:12How'd you find out?
24:22I'm a cop.
24:26And you're under arrest.
24:42I'm a cop.
25:01I'm a cop.
25:07Gracias por ver el video.
25:37Gracias por ver el video.
26:07Gracias por ver el video.
26:37Gracias por ver el video.
27:07Gracias por ver el video.
27:37Gracias por ver el video.
27:39¡Gracias!
28:09Adam, every guy in our group is dangerous.
28:13And they got but one place to open up and talk about it.
28:17And you come, you trample all over.
28:20You don't see the dead bodies.
28:22Adam, I have zipped up more body bags than any guy in our group, including you!
28:27Twenty years ago, I'm still zipping them up every day out there in the streets.
28:31I'm the guy who has the answer for them.
28:33And if that messes up our group, man, then it does.
28:37Yeah?
28:39Yeah.
28:41Well, then maybe you should find yourself another group.
28:45You know what I'm saying?
28:51Everybody's got to do what everybody's got to do.
28:55And that's it?
28:57That's it! No, that's not it, Adam!
29:00That is not the half of it!
29:03Man, look, I'm not some hobby you can throw over when it gets in the way of your job.
29:09I'm your friend.
29:11I know that!
29:12Oh, yeah? Well, you sure as the hell could have fooled me?
29:14Wasn't the last ten years about trust?
29:17Getting it back?
29:19We both know what we did in group.
29:22We both know!
29:24Oh, yeah?
29:25I don't think you know.
29:28Because you wouldn't have done what you did.
29:31See you around, Adam.
29:34Schoolboy, whatcha doin' here?
29:38¿Qué es la pregunta?
29:54¿Schoolboy, qué estás haciendo aquí?
29:56Quiero ayudarte.
30:02Mira, no puedo creer que soy el que está haciendo esto.
30:06Y no puedo denigar, tampoco.
30:08¿Por qué?
30:10¿Por qué de lo que estás haciendo?
30:12Porque de lo que hice.
30:14Porque de lo que hice.
30:17¿Vale?
30:18¿Vale a despertar y creer que no tienes idea de dónde estás?
30:22¿Qué te hiciste el día antes?
30:25Yo he tenido mis momentos.
30:27No, estoy hablando de días.
30:29Total blackout.
30:32Last week, I woke up in an alley.
30:34They were wheeling a body away.
30:35And honest to God, I don't know if I did it or not.
30:39No, I was a kid.
30:49In there.
30:49I watched my parents' village burn down.
30:58I'd just gotten to get water, you know.
31:00And when I came back, I saw the V.C. shooting up every living thing.
31:08I still hear the screams.
31:09Sometimes it gets too big to carry.
31:14Sometimes I think, I must have killed my parents.
31:17I must have, because I was right there and I didn't die, so I must have killed them.
31:21How do you imagine you can help me?
31:27Hmm?
31:29Because.
31:34When I get clear on it, I know I didn't.
31:36And I'm betting that you didn't kill anybody either.
31:39Yeah, well, you speak for yourself.
31:41I'm better off in here.
31:43Why?
31:43How do you know that you're going to hurt someone?
31:45At least in here, I know I won't.
31:47Wow, you're pretty good at that.
31:58I better be.
31:59That's all I did the first year, I was home from now.
32:03You never talked about that time.
32:06Nothing to talk about.
32:07It was just a lot of pinball.
32:10What's so funny?
32:13Willis used to snatch me away from this machine every chance he got.
32:17That said, I used it to numb my feelings.
32:19Oh, were you?
32:20It got so bad, I didn't have feelings.
32:25I'd lost Grady and...
32:28I didn't even know you.
32:33And here I thought it was about the game.
32:38No.
32:40It was about feelings.
32:43Willis taught me that.
32:44He's quite a guy.
32:48Yeah.
32:50The best.
32:54What's happened?
33:00We had a parting of the ways.
33:01I put my job before our friendship.
33:13Does it help to know you have other friends?
33:16Yeah, babe.
33:18But nobody's Willis.
33:21You know what I mean?
33:22Hey, ladies, ladies.
33:24When do you come and join us over at St. Louis?
33:25Come on.
33:30Sergeant Boudreau.
33:33Counsel.
33:35What are you doing here?
33:36Meeting a witness.
33:37And, uh, why aren't you taking my head off?
33:42Oh.
33:43Obviously, your lieutenant hasn't told you yet.
33:46Told me what?
33:47I threw out your case against the vet.
33:52What are you talking about?
33:54We had a witness.
33:56Someone who saw the tail end of something, maybe, down the end of a dark alley.
34:02That guy's in no shape to be let out on the streets.
34:05A weak case sets him free for good.
34:08Why don't you come to me with something more solid?
34:09More solid?
34:11Like maybe we catch him with his hands around some woman's neck.
34:13It wouldn't hurt.
34:15Excuse me.
34:19I have to make a call.
34:34Hey, B.
34:37Hey.
34:38Hold on.
34:38I've got something on Benton.
34:40Too late, man.
34:40He's already been released.
34:41To where?
34:42Don't know, but I have to find him before he hits again.
34:44Come on, B. I talked to the man.
34:45The only person he's going to hurt is himself.
34:47I wish I had your confidence.
34:48Wait.
34:49What are you going to do?
34:49Just cruise around looking for the guy?
34:51You got a better idea?
34:52Yeah.
34:52Does your department have a social worker or a shrink?
34:55For police, yeah.
34:56Benton told me he's been having blackouts.
34:58He doesn't understand it.
34:59Maybe you shrink again.
35:01Come on.
35:03It's called a fugue state.
35:05Yeah, but is he dangerous?
35:06Well, that depends on how he deals with the demons that cause the blackouts.
35:12Okay, fine.
35:13Look, wait.
35:14Would he kill?
35:16He could.
35:17But there are ways to offset those tendencies.
35:20Everything from drugs to art therapy.
35:23Now, I've heard about drug therapy, but...
35:25Art therapy is a way for a patient to release what he can't express verbally.
35:30Has this person ever initiated any art therapy, any drawings, even finger paintings?
35:35I don't know.
35:36But we were in this meeting, and he was doing some kind of drawing.
35:39That could be meaningful.
35:41Listen, I've got a hearing in ten minutes.
35:43If you need me for anything, the main operator can always beat me, okay?
35:46Well, Doc, one more thing.
35:48If he gets his ya-yous out doing these drawings, does that mean he isn't dangerous?
35:52Well, it certainly helps.
35:56Yeah.
35:56Come on.
35:57Where are we going?
35:58This is the stuff we see from Benton's apartment, but it has to go back to the evidence room for return to him.
36:05B.
36:08Yeah.
36:13Well, he's got some demons all right.
36:16Look at that.
36:17He takes their mouths out.
36:19They'd call this some serious art therapy.
36:22Well, maybe if he does it here, he doesn't need to do it out on the streets.
36:26That's what the dog said.
36:28B. How are we going to find this guy?
36:32He could be anywhere.
36:33He could be out of the country by now.
36:36Oh, he could be here.
36:37Shinto Temple.
36:38Shinto Temple.
36:42Thanks, Kills.
36:49All units in the vicinity of Forth and Crescent, Little Saigon, Wolf and Down.
36:53All available units respond.
36:552-Henry 17 in the vicinity, responding.
36:59Over.
36:592-Henry 17.
37:01Roger.
37:08Over there.
37:10I'll get him.
37:11No!
37:14Come on, Benton.
37:19You're not dead.
37:22Take him.
37:24Hook him.
37:25Let's take care of him.
37:30What is this?
37:31Does he hate women?
37:32Does he hate being amazed?
37:33Either way, he's going to pay.
37:34Right now, we've got to find them.
37:35Hardy, be careful with him.
37:37We've got four minutes to fill out.
37:38You throw him out.
37:39You throw him out.
37:39You throw him out.
38:08Be.
38:13This is one of those days.
38:18I'll back you.
38:38Hey, Benton.
38:41Whoa, whoa, whoa.
38:44Stay right there.
38:45You stay right there.
38:46Just take it easy.
38:47Yeah, I'll go over.
38:49Look, hey.
38:50I won't move a muscle.
38:51All right?
38:53All right?
38:54Easy now.
38:55Hey.
38:56Whatever it's worth.
38:58You're not the one.
39:00Why don't you come near me?
39:01Stay there.
39:02You're not the one, Benton.
39:03What are you talking about, man?
39:04You had me in jail.
39:06We caught the guy.
39:07Come on.
39:08Come on, I'll show you.
39:08Don't run no games on me.
39:13Hey.
39:15No, no, no, man.
39:16Don't.
39:20Hey, man.
39:20You come all the way back from Vietnam
39:21just to kill yourself?
39:22You don't know what I've done.
39:24Some low-down things.
39:25That's right.
39:25The lowest.
39:27There's a man that's done worse.
39:29You don't know what you're talking about, man.
39:32Me and my platoons are hiding in the bush
39:3430 feet away from Charlie,
39:36holding our breath,
39:37hoping that he passes by.
39:39And along comes this little girl,
39:42picking a basket full of flowers.
39:46She sees me.
39:48She smiles.
39:49Then she waves.
39:50I just know she's going to hate number one GIs
39:54and give away our position.
39:55So I shot her.
39:59I shot her.
40:01We got into a hell of a firefight anyway.
40:05Why did I shoot her?
40:06Why did I shoot her?
40:08I could have opened up on Charlie.
40:10I just didn't think, Adam.
40:11I just did.
40:12There was never enough time to think, man.
40:15Not even for me.
40:18Or it's just a series of mistakes, Benton.
40:21Mistakes.
40:22Mistakes.
40:23She's dead.
40:24But you're alive.
40:25It's not fair.
40:26I killed her.
40:28But killing yourself won't bring her back, Benton.
40:29It won't bring her back.
40:31No.
40:32At least I won't have to worry about it.
40:33No, Benton.
40:34No, no, no.
40:35No, don't.
40:36No, no.
40:37No, Benton, I can't.
40:39No, I got it.
40:40I got it.
40:45Come on, Benton, help us.
40:47Come on.
40:53You guys are fools.
40:54You're just fools.
40:57You're welcome.
41:07It is us.
41:14Benton's version, anyway.
41:16My hair's better than that.
41:19Drop by the VA.
41:21Tell him, okay?
41:22Oh, oh.
41:23That's what he needs, right?
41:25Oh, jeez.
41:29How long is he in?
41:31Doc says as long as he needs.
41:33I don't know.
41:37I thought when I left Nam, I left Nam.
41:42I know the feeling.
41:47Hey, uh, can I get a beer?
41:49It's a public house.
41:53Where's your pinball machine?
41:56I told Malloy to call the vendor.
41:58Get that thing out of here.
42:00How about a beer, Grady?
42:04Incoming.
42:07I heard you almost went over the ledge with Benton.
42:18Both Grady and I did.
42:21Did it ever occur to you, you could have died?
42:26Not at the time.
42:28Mm-hmm.
42:30And you couldn't live with yourself if Benton had.
42:32So, how you been?
42:40Good.
42:41Good.
42:42You?
42:48Good.
42:50Not the same on Thursday nights, but...
42:52Good.
42:54How the guys?
42:55Oh, man.
42:57Those chumps still won't let me talk about that little sports car I got my eye on.
43:05Tell him I said hello.
43:07Tell him yourself.
43:10I made my own bed.
43:12That's what I said.
43:13But the group doesn't see it that way.
43:15And the more I think about it, Adam, I don't either.
43:20I mean, you tried to protect Benton and the women in the neighborhood.
43:27I just wish you would have told me.
43:32I wish I could have.
43:33So, see you Thursday night?
43:43Thursday night?
43:45Hey.
43:46It's a nice picture of Grady there, man.
43:49Ooh, but who is that ugly dude standing next?
43:53Oh, that's you.
43:55I'm sorry.
43:56Get out of here.
43:57Get out of here.
43:57Get out of here.
43:59Get out of here.
44:29Get out of here.
44:59Get out of here.
45:00Get out of here.
45:01Get out of here.
45:02Get out of here.
45:03Get out of here.
45:04Get out of here.
45:05Get out of here.
45:06Get out of here.
45:07Get out of here.
45:08Get out of here.
45:09Get out of here.
45:10Get out of here.
45:11Get out of here.
45:12Get out of here.
45:13Get out of here.
45:14Get out of here.
45:15Get out of here.
45:16Get out of here.
45:17Get out of here.
45:18Get out of here.
45:19Get out of here.
45:20Get out of here.
45:21Get out of here.
45:22Get out of here.
45:23Get out of here.
45:24Get out of here.
45:25Get out of here.
45:26Get out of here.
45:27Get out of here.
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