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New studio theatre for a Hastings "bursting with creativity"
SussexWorld
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6 months ago
Hastings White Rock enters a new and exciting era with the launch of its refurbished and rebranded studio space, Studio 27.
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00:00
Good afternoon. My name is Phil Hewitt, Group Arts Editor at Sussex Newspapers. Exciting
00:06
times at White Rock Theatre in Hastings. Goodness, you've got your own studio. You've
00:10
had it for a little while, but just coming up to the official launch. Lovely to speak
00:15
to venue director Nadine, and it's Studio 27. Now that is significant in itself. That's
00:21
a little nod to the centenary, isn't it?
00:24
Yes, it is. It's a little nod to our 100-year anniversary coming up very soon and celebrating
00:30
100 years of live entertainment.
00:33
Absolutely. And you've got big plans for when that happens, haven't you?
00:36
We've got very big plans. I'm already working on it.
00:38
Fantastic. But in the meantime, tell me about the studio space and what does it give you?
00:45
So it's brilliant. It used to be used as a community hall space for some of our youth
00:50
groups. But in the last year, we've completely renovated it to a black sort of box studio
00:54
space. So it's got a brand new sound system in there, new staging. It seats 200 people,
01:00
300 standing, new digital screens, brand new kitted bar. So it's a really exciting space.
01:06
And it's on the lower level underneath the main auditorium.
01:09
So it sounds like the ultimate in versatility then. You can do pretty much what you want
01:13
in there.
01:14
Yeah, you can. And, you know, I say 200 seating, but we've had all sorts of configuration.
01:18
You know, we can do cabaret in there. We do things in the round down there. So it's a
01:22
really versatile space, as you'd expect from a black box studio. You know, the options are
01:26
limitless.
01:27
And part of the point of it is it's artist development, isn't it? It's the shows that
01:31
are not at the point where they can go on the main house stage.
01:34
Yeah, you know, we really, it's a platform for new work. It's also just sort of trying to
01:39
diversify our programme. You know, there's a lot of people in the town that, you know, we
01:43
have a thousand capacity venue, but a lot of people aren't at that point. And so it's
01:47
to be able to also bring in the work that's at that sort of more beginning stages as well.
01:52
But also, you know, just for upcoming comedians, upcoming, you know, artwork. It's a really
01:58
exciting platform to be able to just sort of support those artists and collaborate on
02:03
new projects. They're excited.
02:04
Absolutely. And the timing, again, with that centena in mind, just couldn't be better,
02:08
could it, really?
02:09
Not really. It's brilliant. And it's just great to have an extra space in the building
02:13
that's alive and buzzing. And we've got, you know, even further plans to diversify. And
02:18
just, you know, we want, you know, we're not afraid to offer something new in the town.
02:22
We think there's not as many small capacity venues here. And we want to, it's not sort of
02:27
nodding away from the quality of the work down there. It's brilliant. You know, it's the highest
02:31
quality. It's a great selection. And we're encouraging people to engage with the programme
02:35
down there.
02:36
So obviously high quality, but you can take a bit more of a risk, can't you, presumably?
02:41
Yeah, of course, with a smaller capacity. It is about that. And it's a collaboration,
02:45
you know, we're working with people on those deals and making sure that it works for everyone.
02:50
And yeah, it's an exciting space. The quality of the sound system and everything down there
02:54
means that it can be a really, you know, a quality offering, but it is new work. And for
03:00
people that are excited to something new.
03:02
That sounds fantastic. Congratulations on pulling it off. And looking forward to chatting
03:07
a lot more as we get closer to that centenary. Nadine, thank you so much.
03:13
Thank you, Phil.
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