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00:00:00You
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00:03:10You
00:03:30I don't know.
00:04:00I don't know.
00:04:17Morning. Hello.
00:04:19Taxi? That's right.
00:04:21American, eh? Yeah, how did you figure it out?
00:04:23Well, a tub of your clothes, don't fit proper.
00:04:25Maybe you can recommend it to tailor.
00:04:27You hear the analogy?
00:04:28Sorta.
00:04:29I'm going to the Whitley place.
00:04:30You're not.
00:04:31Something wrong?
00:04:32Nothing wrong.
00:04:33Can you tell me how to get there?
00:04:34No.
00:04:35Sorry, mate.
00:04:57I wonder if you could help me.
00:05:01Possibly.
00:05:02I'm anxious to get to the Whitley place.
00:05:05Sorry.
00:05:06I can't help you.
00:05:11Can you help me?
00:05:24Excuse me.
00:05:25This man following me is asking for the Whitley place.
00:05:28Here he comes.
00:05:36Hello.
00:05:37Is there any place around here where I can rent an automobile?
00:05:39No.
00:05:40Bicycle, maybe.
00:05:42Where are you going?
00:05:43The Whitley place.
00:05:44Then you're wasting your time.
00:05:46How do you figure that?
00:05:47The Whitley place.
00:05:48He wants to go to the Whitley place.
00:05:50Is there anything wrong with wanting to go there?
00:05:53He wants to know if there's anything wrong with that.
00:05:56Well, is there?
00:05:57Bicycle shop's down the street.
00:05:59Is there, he asks.
00:06:00Hello.
00:06:01Something you want?
00:06:02Yeah.
00:06:03I'd like to rent a bicycle for a few days.
00:06:04Where would you be riding it?
00:06:05I'll pay for it in advance.
00:06:06I asked where you'd be going.
00:06:07To the Whitley place.
00:06:08I need a bicycle for a few days.
00:06:09Where would you be riding it?
00:06:11I'll pay for it in advance.
00:06:12I asked where you'd be going.
00:06:13To the Whitley place.
00:06:14I need a bicycle to do that, wouldn't I?
00:06:15Yes.
00:06:16Yes.
00:06:17And more than that, you're not being able to go there.
00:06:19I'll pay for it in advance.
00:06:20I asked where you'd be going.
00:06:21To the Whitley place.
00:06:22I need a bicycle to do that, wouldn't I?
00:06:23Yes.
00:06:24Yes.
00:06:25And more than that, you're not be using one of mine.
00:06:26Why?
00:06:27You got loads of them, and I don't see anybody waitin' in lines.
00:06:40No bicycles for rent.
00:06:41What about the motor?
00:06:42I've nothing for rent.
00:06:44What will it cost me to get to the Whitley place?
00:06:46More than anything you have to offer.
00:06:48Want let him pick up what's going on.
00:06:51taking up and Vadaya Tmermobank?
00:06:53Hey man, enjoy it.
00:06:54to offer why why what's the matter with everybody in this town nothing's the
00:06:59matter here just what's that supposed to mean it means the only way you can get
00:07:05to the Whitley house from here is on your own two feet
00:07:24you
00:07:54ORGAN PLAYS
00:08:24ORGAN PLAYS
00:08:54ORGAN PLAYS
00:09:24ORGAN PLAYS
00:09:54ORGAN PLAYS
00:09:56ORGAN PLAYS
00:09:58ORGAN PLAYS
00:10:42Hello? Hello?
00:11:12How do you do? I knocked, but there was no answer, so I took the liberty of entering.
00:11:23The signs clearly say to keep out. You must have seen them.
00:11:28Yes, I saw them.
00:11:29Then by what right have you entered this house?
00:11:32I've come to visit the Whitley's.
00:11:33Oh? I am now Whitley.
00:11:36Well, sir, actually it's Susan I came to visit.
00:11:40Susan?
00:11:42My daughter's not receiving visitors. I must ask you to leave.
00:11:46Is the way you treat all your guests?
00:11:49Guests? Guests are invited.
00:11:52I don't remember having invited you.
00:11:55I have been invited.
00:11:58I'm Mrs. Whitley.
00:12:02Stephen Reinhardt.
00:12:04You are Stephen Reinhardt?
00:12:07Yeah, that's right.
00:12:09Yes, my daughter did mention your name.
00:12:12She met you in America, at the university.
00:12:15That's right. Susan and I were in the same science class.
00:12:17Science.
00:12:19I'm afraid it would disturb Mrs. Whitley to see you again.
00:12:22I must ask you to leave.
00:12:23But it isn't Mrs. Whitley I've come to see.
00:12:25Quite impossible. I will have Mervyn take you back to the village.
00:12:29Steve!
00:12:31Susan will ask you to stay.
00:12:33But for reasons that I cannot go into, I must insist you tell her that you have to leave at once.
00:12:43Mervyn, get the car.
00:12:47Steve!
00:12:50Susan!
00:12:52Honey, you look great.
00:12:55I thought you'd never get here.
00:12:57It's only been a month.
00:12:58Is that all?
00:12:59Father, this is Stephen Reinhardt.
00:13:03I know.
00:13:04I must speak to you alone, Susan.
00:13:06Not now, Father. I want to take him up to meet Mother.
00:13:08You know it's forbidden for your mother to have visitors.
00:13:11Only for a minute. Mother's been waiting to meet Steve.
00:13:15I had no idea lived in a house so, uh, sumptuous.
00:13:20This is my great-grandfather, Elias Whitley.
00:13:23He built this house over 150 years ago.
00:13:26This next one?
00:13:28It's my grandfather.
00:13:32Corbin Whitley.
00:13:33Oh, what did he do?
00:13:35He went insane.
00:13:37We must get rid of him, Mervyn.
00:13:42He must not stay.
00:13:44Steve?
00:13:45Steve?
00:13:46Steve?
00:13:47You must understand about Mother.
00:13:49She's not well.
00:13:55Mother?
00:13:57Come in.
00:13:59And close the door.
00:14:01Mother, this is Stephen Reinhardt.
00:14:16We have been expecting you.
00:14:18I'm sorry you're not feeling well, Mr. Whitley.
00:14:24It will pass.
00:14:27You are a welcome guest in this house, Mr. Reinhardt.
00:14:33My husband will protest, but I shall speak to him.
00:14:37Susan?
00:14:38Yes?
00:14:40I would like to speak to Stephen alone.
00:14:43Yes, Mother.
00:14:44Yes, Mother.
00:14:57Please...
00:14:58Sit down.
00:14:59I'm glad that you have come at this time.
00:15:14I'm glad that you have come at this time.
00:15:44I love it.
00:16:14Mervyn, are you all right?
00:16:18Yes, sir.
00:16:20I'm going to need your help.
00:16:23You can trust me, sir.
00:16:29I'll wipe Mrs. Whitley.
00:16:31Come here.
00:16:34Closer.
00:16:40That box, Mr. Reinhardt, there.
00:16:44Open it.
00:16:49It's an earring.
00:16:51Yes.
00:16:53It's an earring.
00:16:56Take it out of the box.
00:16:58Examine it.
00:17:01It's like gold.
00:17:04Yes, it's gold.
00:17:06But its importance doesn't lie in the metal it is made of.
00:17:11I'm afraid I don't understand.
00:17:13Why should you?
00:17:14You probably think this whole house is obsessed with mystery.
00:17:20But I tell you that single earring you are holding in your hand is surrounded by mystery.
00:17:25It belonged to my maid, Helga.
00:17:30She was a nice simple girl and completely devoted to me.
00:17:34Well, about a month ago she went down with some terrible disease.
00:17:40I begged off her to go to the doctor in Arkham.
00:17:43Did she go?
00:17:45No.
00:17:46No, I don't think she did.
00:18:10No, I don't think she was a nice little girl.
00:18:11No, I want to go.
00:18:12No, no, I don't think she did.
00:18:13No, no.
00:18:14No, no.
00:18:15No, no.
00:18:16No, no.
00:18:17No, no.
00:18:18No, no, no.
00:18:19No, no, no.
00:18:20No, no, no.
00:18:21No, no, no.
00:18:22No, no.
00:18:23Chains for devils.
00:18:53whatever it was she she seemed to be overcome by by something well well it
00:19:20almost seemed like self-loathing she took to wearing of veils if she wanted to
00:19:25hide herself from prying eyes why why is the earring so important about a
00:19:31fortnight ago she came here to see me she she was crying she said she was she was
00:19:40frightened of what was happening to her what was happening to her I don't know I'm
00:19:47not sure anyway she she left and she dropped that earring Stephen I haven't
00:19:56seen her since perhaps mr. Whitley knows my husband says he knows nothing
00:20:08Stephen it's because of all these things that are happening here that I had to
00:20:13be sure of you you are my one hope for Susan take her away from here as soon as
00:20:20you can tomorrow the next day you must promise me that my husband may not allow
00:20:25me to see you or speak to you again I must have your promise now
00:20:32what did you talk about oh you we talked about you I want you to know I have the parental blessing
00:20:47well half of it anyway my room supposed to be down here I'll show you
00:21:05this is the room I'll have Merwin bring up your case
00:21:14Susan how long has your mother been like that ill you mean well that in the darkened room shaded bed
00:21:32not long she's been worse the past few days and the doctor has forbidden her to have any visitors
00:21:41no she hasn't seen a doctor father wants to look after himself and what about Helga
00:21:48Helga why all these questions well your mother's very concerned about her she's disappeared
00:21:56Susan what's going on here I don't know Steve what else do you mother talk about
00:22:05come here
00:22:08your mother did ask whether my intentions are honorable
00:22:21are they Steve what do you think
00:22:46you shouldn't have invited Reinhardt here
00:22:48you're a difficult woman Letitia no not difficult only afraid oh so that's it the sins of the father sir well let me warn you nothing is going to deter me from my purpose yes that's what Corbyn said but he's dead Letitia has been dead for a long time
00:23:13if there was evil it's buried with him all the remains of Corbyn is a few harmless objects in the cellar no no you know how the light pains me no why do you persist in this delusion please now close the curtains please I wonder if you realize how light Corbyn you've become there's no similarity whatsoever
00:23:42I've uttered no incantations
00:23:46however have I cried out to any of the other so-called creatures of evil
00:23:53it's only your methods that differ and you know why
00:23:57because I don't believe in it any of it I never had believed in it
00:24:01it is you who would perpetuate these blasphemies these absurdities
00:24:08none I saw your father change from an upright God-fearing man into an old man possessed of the devil
00:24:17whatever happened to my father will not happen to me
00:24:21it's already happening
00:24:24I could rather see it happening to you Letitia but not to me
00:24:28it's happening to all of us
00:24:31there's evidence of it all around us
00:24:33there's nothing to do with Corbyn Whitley
00:24:36Corbyn was invoking the dark powers when he died
00:24:40now his call is being answered
00:24:43so that is why you sent for Stephen Reinhardt
00:24:50I sent for him to take Susan away from here
00:24:53what have you told him?
00:24:55nothing
00:24:56are you sure?
00:24:57I don't need to tell him anything
00:24:59he can see for himself
00:25:01I don't want him here
00:25:02he must leave one way or another he must leave
00:25:05he is a guest here
00:25:06none
00:25:07I will not have him interfering
00:25:10would you prefer that I went into the town and showed myself
00:25:14the once beautiful Letitia Whitley
00:25:21very well
00:25:23a day perhaps
00:25:25a day but no more
00:25:26then he must leave
00:25:27perhaps by then you will have seen the truth
00:25:30the truth?
00:25:32the truth is that I see the future
00:25:37and all that I've planned for it will fill it with a richness we have never known
00:25:43yes that is what you see
00:25:46all that I can see is horror
00:25:50horror!
00:26:02horror!
00:26:03horror!
00:26:04horror!
00:26:05horror!
00:26:06horror!
00:26:07horror!
00:26:08horror!
00:26:09horror!
00:26:10horror!
00:26:11horror!
00:26:12horror!
00:26:13horror!
00:26:14horror!
00:26:15horror!
00:26:16horror!
00:26:17horror!
00:26:18horror!
00:26:19horror!
00:26:20horror!
00:26:21horror!
00:26:22horror!
00:26:23horror!
00:26:24horror!
00:26:25horror!
00:26:26horror!
00:26:27horror!
00:26:28horror!
00:26:29horror!
00:26:30horror!
00:26:31horror!
00:26:32It's a very large room.
00:27:02Big enough for a king's banquet.
00:27:10There used to be many parties here, Steve, in my great-grandfather's time.
00:27:14But none since?
00:27:16None that I remember.
00:27:17Why not?
00:27:19I don't know.
00:27:21Perhaps the name of Whitley no longer commands the affection and respect it once did.
00:27:27Is that why no one in the village would drive me out here?
00:27:32You mean you had to walk all that way?
00:27:35The villagers have no use for us, Mr. Reinhardt.
00:27:38I may add the feeling is mutual.
00:27:41Merwin.
00:27:42Yes, sir.
00:27:44Has Mrs. Whitley had her dinner?
00:27:47I placed a tray before her servant. She didn't seem to want it.
00:27:51I'll take her up something a little later, Father.
00:27:54What was that?
00:28:06Uh, Mr. Whitley, I, uh, noticed a strange blackened area on the way to the house.
00:28:13What happened there?
00:28:17There was a fire, Steve.
00:28:22A fire?
00:28:23Why do you say it like that?
00:28:26Well, uh, did you see it?
00:28:28No.
00:28:29Father did.
00:28:30Why are you so curious?
00:28:32Well, everything, everything is dead in the area.
00:28:36Nothing seems to grow there.
00:28:37I touched a branch and it fell to ashes.
00:28:39My daughter has already told you there was a fire.
00:28:42But, Mr. Whitley, no fire leaves a place like that.
00:28:47My father's never allowed me to go on the heath.
00:28:51Why not?
00:28:53I don't know.
00:28:55But after the fire, some of the villagers disappeared there.
00:28:59No one's ever been able to explain what happened.
00:29:02I think, Susan, you're inclined to exaggerate.
00:29:05I would suggest, possibly, that you both.
00:29:08Mervis!
00:29:14What's the matter with him?
00:29:15It's all right.
00:29:16This has happened before.
00:29:17But he's unconscious.
00:29:18Perfectly all right.
00:29:19I'll take care of it.
00:29:20I know exactly what to do.
00:29:22Susan!
00:29:23Come on, Steve.
00:29:27Steve.
00:29:35Whoo!
00:29:51Mother, I've brought you dinner.
00:29:56It's your favorite.
00:29:58Take it away.
00:30:00Well, you must eat.
00:30:02Shh. Quiet, child.
00:30:07Listen.
00:30:10What is it?
00:30:11Shh. Quiet.
00:30:14Yes.
00:30:17Yes.
00:30:32Piano music
00:30:35Piano music
00:30:43Piano music
00:30:45A few minutes left
00:30:48Piano music
00:30:52Oh, my God.
00:31:22Hey, what's wrong? What's wrong with it?
00:31:32I think I saw something outside the window.
00:31:34What? Who?
00:31:36I don't know. Something was staring at me.
00:31:39You're sure you weren't imagining it?
00:31:42Oh, I don't know. It's this house.
00:31:46What about this house, Susan?
00:31:48There's something in it, something smothering.
00:31:51I'm taking you away from here.
00:31:53Oh, I wish I could.
00:31:54Tonight!
00:31:55I can't.
00:31:56Why?
00:31:57Well, I can't leave Mother the way she is.
00:31:59First it was the light. She couldn't stand it.
00:32:01Then she took to her bed. Now she won't eat.
00:32:03Susan, it was your mother who made me promise to take you away from here.
00:32:06Darling, I want to go with you.
00:32:08We're leaving here right away.
00:32:09No, it's impossible.
00:32:11Tomorrow morning, then.
00:32:12I'm afraid she won't be any better in the morning.
00:32:16Well, Steve, I wish I knew what to do.
00:32:23Steve!
00:32:24Why?
00:32:25With a window!
00:32:26There's nothing there. It's your imagination.
00:32:37I'm not imagining it.
00:32:38Let's not talk about it anymore. We'll discuss it tomorrow.
00:32:40Now, you have to get some rest.
00:32:43Oh, Steve.
00:32:44I love you.
00:32:45And I love you.
00:32:58And everything's gonna be all right.
00:32:59You're welcome.
00:33:12Oh, my God.
00:33:16Oh, my God.
00:33:24Oh, my God.
00:33:26Oh, my God.
00:33:27Oh, my God.
00:33:28It came from downstairs.
00:33:58It came from downstairs.
00:34:28It came from downstairs.
00:34:58It came from downstairs.
00:35:28It came from downstairs.
00:35:30It came from downstairs.
00:36:02It came from downstairs.
00:36:34It came from downstairs.
00:36:36It came from downstairs.
00:36:38It came from downstairs.
00:36:40It came from downstairs.
00:36:42It came from downstairs.
00:36:44It came from downstairs.
00:36:46It came from downstairs.
00:36:48It came from downstairs.
00:36:50It came from downstairs.
00:36:52It came from downstairs.
00:36:54It came from downstairs.
00:36:56It came from downstairs.
00:36:57It came from downstairs.
00:36:58It came from downstairs.
00:36:59It came from downstairs.
00:37:00It came from downstairs.
00:37:01It came from downstairs.
00:37:02It came from downstairs.
00:37:03It came from downstairs.
00:37:04It came from downstairs.
00:37:05It came from downstairs.
00:37:06It came from downstairs.
00:37:07It came from downstairs.
00:37:08It came from downstairs.
00:37:09It came from downstairs.
00:37:10It came from downstairs.
00:37:11It came from downstairs.
00:37:12It came from downstairs.
00:37:13It came from downstairs.
00:37:15It came from downstairs.
00:37:16It came from downstairs.
00:37:21It came from downstairs.
00:37:30It came from downstairs.
00:37:31It was gone.
00:37:32It was gone.
00:37:33Remembered, she said he's dead.
00:37:34Good night.
00:37:40Good night.
00:38:04Good night.
00:38:34Good night.
00:39:04Good night.
00:39:34Good night.
00:40:04Good night.
00:40:34Good night.
00:41:04Good night.
00:41:34Good night.
00:42:04Good night.
00:42:34Good night.
00:43:04Good night.
00:43:34Good night.
00:44:04Good night.
00:44:34Good night.
00:45:04Good night.
00:45:34Good night.
00:45:36Good night.
00:45:38Good night.
00:45:40Good night.
00:45:42Good night.
00:45:44Good night.
00:45:46Come inside.
00:45:48Good night.
00:45:50Good night.
00:45:52Good night.
00:45:54Good night.
00:46:24Good night.
00:46:26Good night.
00:46:28Good night.
00:46:30Good night.
00:46:32Good night.
00:46:34Good night.
00:46:36Good night.
00:46:38Good night.
00:46:40Good night.
00:46:42Good night.
00:46:44Good night.
00:46:46Good night.
00:46:48Good night.
00:46:50Good night.
00:46:52Good night.
00:46:54Good night.
00:46:56You're talking about the Whitley place. Only the name Whitley could bring out that sort of reaction.
00:47:02Can you tell me why?
00:47:03I'm sorry I can't tell you anything.
00:47:06Even if I told you an old man died out there last night?
00:47:08Died? I don't give one damn what happened in that place, nor does anybody else in this village.
00:47:13Hey, what is this? You're scared. Everybody's scared. Now, you're a doctor. Don't you have any pride in what you are?
00:47:18I've seen people in trouble. I may have seen a murder.
00:47:20Murder?
00:47:21That's right.
00:47:22I'm sorry I can't help you. Now, go away.
00:47:25You too.
00:47:26What's happened here?
00:47:27Why is there that sudden fear, that reluctance to speak whenever the name Whitley is mentioned?
00:47:31Miss Bailey, can you show Mr. Reinhardt to the door?
00:47:42You asked the doctor about the Whitley place.
00:47:46Can you tell me anything about it? Can you tell me anything about the Whitleys?
00:47:51Only this. Dr. Henderson was a good doctor. A wonderful man.
00:47:55Corbyn Whitley died in Dr. Henderson's arms.
00:47:59Dr. Henderson returned here from that visit to the Whitley place, and he's never been the same.
00:48:04What did Corbyn Whitley die from?
00:48:07It's never spoken of.
00:48:08On the death certificate, it said cerebral hemorrhage, but I can tell you this, there was no autopsy, because there was no funeral, and I'll tell you why.
00:48:19Because with the exception of Dr. Henderson, no one in the village saw the body.
00:48:24That's enough. I said more than I ought.
00:48:25Mother?
00:48:44Mother?
00:48:49Mother, please let me in.
00:48:51Susan, dear.
00:48:52I heard her moving about.
00:48:54I know, I know.
00:48:54Mother, will you please open this door?
00:48:56It's all right, Susan. Now, don't worry. I'll talk to her.
00:48:59I've tried to.
00:49:00I know you have, dear. I know. Now, you go along. I'll talk to her.
00:49:07Letitia, I must speak to you. It's very important.
00:49:14Letitia.
00:49:14But, Steve, no one ever goes to the greenhouse at night.
00:49:21Well, if there was no one inside, then why was there a light?
00:49:24A light?
00:49:25That's right, the entire greenhouse. The only word I can think of is glowed.
00:49:30I've seen a glow like that once before in our radiation lab.
00:49:34I don't understand, Steve. What were you doing outside last night?
00:49:37I was watching your father.
00:49:40Father?
00:49:42What was he doing?
00:49:44Burying Merwin.
00:49:47Something else has happened, too.
00:49:49What?
00:49:50I was attacked on the heat this morning. I'm sure it was Helga.
00:49:54Oh, Steve.
00:49:57What's happening?
00:49:59Why is the greenhouse locked?
00:50:01Where is it? Never has been before.
00:50:03Well, it is now.
00:50:04Well, it shouldn't be.
00:50:06Have you been in it lately?
00:50:07No, not since I've been back from college.
00:50:09Come on.
00:50:13Letitia.
00:50:15Now, listen to me.
00:50:16It's very important.
00:50:18I should have done this before I know,
00:50:20but I'm going to take you to the village to see the doctor.
00:50:33Letitia.
00:50:34How long have these windows been whitewashed?
00:50:41They've always been whitewashed.
00:50:43There.
00:50:46I've never seen that lock before.
00:50:48Is there any other way of getting in?
00:50:50Oh, Steve, I don't think we should.
00:50:52The answer to what's going on around here may be inside.
00:50:55We've got to get in.
00:50:55I know a way.
00:51:08When I was a child, I used to hide from Merwin,
00:51:10where Mother would send her to look for me.
00:51:11I used to get in somewhere along here.
00:51:15Here it is.
00:51:16I see it, but I don't believe it.
00:51:36How could plants grow like this?
00:51:38It's fantastic.
00:51:52Yeah.
00:51:56How can this happen?
00:51:58How can this happen?
00:51:58What was that?
00:52:13I don't know.
00:52:15Remember the cry we heard at dinner last night?
00:52:18I heard one just like it this morning.
00:52:21What's in there?
00:52:22It used to be a potting shed.
00:52:25Oh, come on, Steve.
00:52:33It's dark in there, except for a kind of glow.
00:52:37Oh, Steve, please come away.
00:52:40We can't, Susan.
00:52:41There's something going on around here,
00:52:42something that's affecting every member of your family.
00:52:44We shouldn't.
00:52:46If Father finds out, he'll be furious.
00:52:48Well, let him.
00:52:49We're not going to leave here with any questions unanswered.
00:52:51Now, stay here.
00:52:52No.
00:52:54I'm coming with you.
00:52:55Okay.
00:52:57Come on.
00:53:11What is it?
00:53:12Those flickering colors,
00:53:14it must be some kind of energy.
00:53:17Uranium.
00:53:19This room is being exposed to some form of radiation.
00:53:29It's horrible.
00:53:36It looks like a zoo in hell.
00:53:41Oh, come on, Steve.
00:53:42Come on.
00:53:43It's all right, Susan.
00:53:49It's all right.
00:53:50What a imagery of horrors.
00:53:51What were they?
00:53:52Genetic mutations probably caused by radiation.
00:53:56It's a scientific fact that continued exposure to radioactive energy can change the characteristics
00:54:01of living things.
00:54:02It's what happened to these plants.
00:54:04It's what happened to those creatures in there.
00:54:05Oh, the scent in here.
00:54:07It's so sweet.
00:54:09It's sickening.
00:54:11It's the effect of decay.
00:54:21Steve, what is it?
00:54:22There's something down here.
00:54:35There's stone like the ones in the potting shed.
00:54:38What is it, Steve?
00:54:41I don't know.
00:54:41I've never seen anything like it before.
00:54:43I wonder if it's an element.
00:54:45It's giving off heat.
00:54:53Looks like it's been cut away from some larger stone.
00:55:09There's one under every plant.
00:55:13This is the answer.
00:55:14There's no doubt about it.
00:55:16The stones?
00:55:16Yeah.
00:55:18You mean that they make everything in here grow this way?
00:55:21Yeah, and they're there too.
00:55:25Oh, but Steve, if it does this to plants...
00:55:29Exactly.
00:55:29If it affects plants in such a way after hours and days of exposure,
00:55:34what would it do to a human being?
00:55:37Mother and Helga, they worked in here.
00:55:41Yeah, and Merwin, he must have come in contact with these stones.
00:55:43Or the larger ones from which they were cut.
00:55:48I wonder where the larger stone could be.
00:55:51I don't know.
00:55:53In the cellar, perhaps.
00:55:54The cellar?
00:55:56There are many rooms down there.
00:55:57I don't know.
00:56:11chỉ
00:56:12Oh, shit.
00:56:41Come on.
00:56:42Come on.
00:56:52You all right?
00:56:53Yes.
00:57:05Letitia.
00:57:09Letitia!
00:57:10That's the door.
00:57:21You stay here.
00:57:23But you won't find the way.
00:57:24Yes, I will. Now go upstairs.
00:57:25Steve, be careful.
00:57:28Don't worry.
00:57:29Don't worry.
00:57:30Don't worry.
00:57:31The door will come.
00:57:32No.
00:57:37The door will come back.
00:57:39I'm going to go back.
00:57:40The door will come back.
00:58:52Where's Reinhardt? I've been looking for him.
00:58:55Well, what happened to you? Where have you been?
00:58:57The greenhouse.
00:58:59But I put a lock on that door.
00:59:01I knew another way in.
00:59:02You had no right to be there.
00:59:03Why have you been keeping it a secret?
00:59:05Was Reinhardt with you?
00:59:07Yes.
00:59:08Is he still there?
00:59:09No.
00:59:10Where is he?
00:59:11Where is he?
00:59:12You're hurting me.
00:59:13Tell me where he is.
00:59:15He's in the cellar.
00:59:16The cellar.
00:59:19Father.
00:59:20Stay there.
00:59:20All right.
00:59:21All right.
00:59:26Shh, shh.
00:59:56Get out of this room.
01:00:02I said get out.
01:00:03No.
01:00:04No, not until you listen to what I have to say.
01:00:06Oh, don't press me.
01:00:07I'm in no mood for words.
01:00:09Well, do you prefer death?
01:00:10Don't threaten me.
01:00:11If you don't listen to me, every living thing in this house will die.
01:00:13Now, you have to get rid of that stone and the smaller ones in the greenhouse.
01:00:16If you don't, all life in and around this house will become exactly like the burned out area.
01:00:19The monstrosities in the greenhouse.
01:00:21You don't know what you're talking about.
01:00:22It's already destroyed, Merwin.
01:00:24You want it to destroy your wife as well.
01:00:25And Susan, it's beginning to destroy you.
01:00:27No.
01:00:28Listen to that humming sound.
01:00:30Look at the way it flows.
01:00:33It's only a stone.
01:00:35It's harmless.
01:00:36Oh, I don't think you really believe that, Mr. Whitley.
01:00:37I think you already know what it can do.
01:00:39You know Mrs. Whitley needs a doctor.
01:00:55Susan, are you all right?
01:01:15Susan.
01:01:16Oh, Steve.
01:01:17What happened?
01:01:18Susan, are you all right?
01:01:29What happened to your mother?
01:01:30I don't know.
01:01:31I heard her smashing things, and I tried to get her to come out, and then the door burst open, and I screamed.
01:01:43I don't remember anything after that.
01:01:47Can you get up now?
01:01:51Yes, sir.
01:01:52Come on.
01:01:52Come on.
01:01:54You okay?
01:01:55I'll be all right.
01:01:57I must find Letitia.
01:02:07I must help.
01:02:09Now, come on.
01:02:10Letitia.
01:02:40Letitia!
01:03:02Letitia!
01:03:11Letitia!
01:03:20Come on.
01:03:29Letitia!
01:03:31Let's try this way.
01:03:32Letitia!
01:03:39Letitia!
01:03:47Mother?
01:03:48Letitia!
01:04:11It's only the wind.
01:04:13Come on.
01:04:14Letitia!
01:04:22Letitia!
01:04:26Letitia!
01:04:44Steve!
01:05:14Steve!
01:05:44Steve!
01:05:46Steve!
01:05:48Steve!
01:05:50Steve!
01:06:11Reinhardt, get my daughter out of here.
01:06:14Please take Susan away.
01:06:20The evil that Corbyn has created has finally come to root here.
01:06:30I refuse to listen to her entreaties.
01:06:34The evil that Corbyn has created has finally come to root here.
01:06:42I refuse to listen to her entreaties.
01:06:46And now Leticia has paid with her life for Corbyn's blasphemies.
01:06:50And my own, too.
01:06:52Mr. Whitley blasphemy had nothing to do with it.
01:06:56In my heart, I must have known that she was right.
01:06:58It is, as she said, a curse is set upon this house.
01:07:02How could I have been so blind as not to know that?
01:07:04That stone was sent from the other side by the hand of Corbyn reaching out to us from beyond the grave.
01:07:16A curse?
01:07:18What do you know of this house?
01:07:20What do you know of this house?
01:07:22Or the people who've lived in it?
01:07:24I know enough to know that the stone was not sent by anyone.
01:07:26It's easy enough for you to say that.
01:07:28But you didn't see it as I did that Sunday morning, screaming down out of the heavens to crash and bury itself in the heath.
01:07:36It fell from the sky.
01:07:38And it was a meteorite.
01:07:40I thought it was a gift from heaven.
01:07:44The people from the village came to see what it was, but they wouldn't come near it.
01:07:49Oh, no, they knew.
01:07:50They knew because the fear of Corbyn was still in them.
01:07:53The next morning the heath was covered with a lush vegetation that should never have grown there.
01:08:00Why did you bring it into the house?
01:08:03Why?
01:08:05Because I thought, as Corbyn knew I would,
01:08:09I thought I'd found a way to turn this wasteland into a place of beauty.
01:08:16Great vineyards, gardens.
01:08:19That was my dream.
01:08:21I thought the name of Whitley would mean something once again.
01:08:25And Corbyn's iniquities would be atoned for.
01:08:29Everyone he came in contact with was touched by it.
01:08:33Father, won't you please come back into the house?
01:08:36Susan, Stephen, will you take Susan away, please?
01:08:40What about you?
01:08:42I will stay here to destroy this monstrous thing.
01:08:45You can't destroy it. If you go near it, there can be only one result, and you know what that is.
01:08:49You seem to forget. This is my home. I live here.
01:08:53And I, like my father and his father before him, was born here.
01:08:59I'm an old man now, and if I'm to die, I will die here.
01:09:03I'm not leaving here without you, Father.
01:09:05Susan, there's nothing we can do. Now let's go.
01:09:08Something dreadful's going to happen. I know it. Now please!
01:09:12Susan, go with Stephen.
01:09:16Go away. Go away!
01:09:23Come on, let's go and pack.
01:09:25Hey, Let's go.
01:09:44Hey!
01:09:48Shh.
01:09:49Shh.
01:09:50Shh.
01:09:51Shh.
01:09:52Shh.
01:09:53Shh.
01:09:59ريck.
01:10:01Uh.
01:10:02Uh.
01:10:03Uh.
01:10:05Uh.
01:10:06Uh.
01:10:07Ah.
01:10:08Uh, uh.
01:10:11Uh.
01:10:13Uh, uh...
01:10:14Uh.
01:10:15Uh, uh.
01:10:46Helga!
01:11:16That'll do. Come on.
01:11:40Father!
01:11:42Stay here.
01:11:44Come on.
01:11:46Come on.
01:11:48Come on.
01:11:50Come on.
01:11:52Come on.
01:11:54Come on.
01:11:56Come on.
01:11:58Come on.
01:12:00Mr. Whitley!
01:12:30Mr. Whitley!
01:13:00Mr. Whitley!
01:13:10Mr. Whitley!
01:13:16Mr. Whitley!
01:13:22Mr. Whitley!
01:13:28Mr. Whitley!
01:13:42Mr. Whitley!
01:13:48Mr. Whitley!
01:13:52Mr. Whitley!
01:13:54Mr. Whitley!
01:13:58Mr. Whitley!
01:14:00Mr. Whitley!
01:14:02Mr. Whitley!
01:14:04Mr. Whitley!
01:14:06Mr. Whitley!
01:14:08Mr. Whitley!
01:14:10Mr. Whitley!
01:14:12Mr. Whitley!
01:14:14Mr. Whitley!
01:14:16Mr. Whitley!
01:14:18Mr. Whitley!
01:14:20Get over there and stay there. When I say run, head for the door. Go ahead.
01:14:50Move!
01:14:57Move!
01:15:17Run, Susan, run!
01:15:19Steve!
01:15:50Susan!
01:15:53Susan, hold on.
01:15:55Hold on.
01:15:56Hold on.
01:15:57all right
01:16:27Oh, shit!
01:16:57Come on, Susan.
01:17:10We're going and we're not going to look back.
01:17:12I don't understand, Steve.
01:17:15Why did all this have to happen?
01:17:18I don't think it had to happen.
01:17:21In the proper scientific hands, your father's discovery could have been beneficial.
01:17:25But he used it to fight in the only way he knew.
01:17:27There were his house and the Whitley name.
01:17:30It was his choice and he made it.
01:17:32Come on, let's get out of here.
01:17:55I don't know.
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