- 6/19/2025
scoff
Category
🦄
CreativityTranscript
00:00:00By thy rivers gently flowing, Illinois, Illinois, lie thy prairies verdant growing,
00:00:19Illinois, Illinois, till upon thine inland sea stands Chicago great and free,
00:00:37Turning all the world to thee, Illinois, Illinois.
00:01:07By the end of the day, Illinois, the wind and the wind and the wind and the wind.
00:01:37Neither rain, nor snow, nor gloom of night stays these couriers.
00:02:07From the swift completion of their appointed rounds.
00:02:23Mailman! Anybody want a letter?
00:02:27Thanks!
00:02:29Ernie!
00:02:31Yeah, Pop?
00:02:32Who just came in?
00:02:33It was only the mailman, Pop!
00:02:37Do not break the chain.
00:02:40Hey, Bernie, come here. What did I tell you?
00:02:43What?
00:02:44When we close up at night, we open up the register.
00:02:49I'm sorry.
00:02:51Do you know why?
00:02:52Yes, I'm sorry.
00:02:54Pass this letter on to three friends. Happiness and health will be yours. One man in Montana received upwards of $6,000. But he lost his life because he broke the chain.
00:03:15Boy!
00:03:16Do not break the chain.
00:03:28Yes, sir!
00:03:30You done?
00:03:31One morning the world woke up and there was no news. Who said it?
00:03:35Oscar Wilde.
00:03:36What did it get him?
00:03:37Two years in the slammer.
00:03:38He come out a better man?
00:03:39Uh-uh.
00:03:40Why not?
00:03:41He became moody.
00:03:42You want some breakfast?
00:03:43Who's buying?
00:03:44You buying?
00:03:45I'll laugh at your jokes.
00:03:46You should have been in business.
00:03:47Come on.
00:03:48But who will inform and educate the people?
00:03:49They'll muddle through.
00:03:50All right.
00:03:51Oh.
00:03:52Wouldn't.
00:03:53Oh.
00:03:54Come on.
00:03:55raus.
00:03:56Loot-bone.
00:03:58Whoops.
00:03:59Good.
00:04:00Here we go.
00:04:01You buy and I'll laugh at your jokes.
00:04:02You should have been in business.
00:04:03Come on.
00:04:04Who will inform and educate the people?
00:04:06They'll muddle through.
00:04:07All right.
00:04:09Oh.
00:04:11Whip.
00:04:12Whip.
00:04:14Whip!
00:04:15Yeah, Warren Kilali.
00:04:19Yeah.
00:04:20There he is out.
00:04:23Go ahead.
00:04:26Let me see that.
00:04:30Nothing up there anyway.
00:04:37All right, move on.
00:04:42Hold it a second.
00:04:44Let me see that.
00:04:50Let me see that.
00:04:56All right, move on.
00:05:13Hey!
00:05:17Where are you going?
00:05:18Be right back.
00:05:48Let me see that.
00:05:51I got it!
00:05:54Get in!
00:05:56Yay!
00:05:58Yay!
00:06:00Everything's gone.
00:06:03Let me get in!
00:07:35So it's all lies on the trails, all you bounties.
00:07:38Yes, hello?
00:07:44Yes?
00:07:44Yes, I knew it would.
00:07:54Thank God.
00:07:56I knew, I knew that you could do it, Charles.
00:07:59I knew that you could.
00:08:00I knew that you could do it.
00:08:01I knew that you could do it.
00:08:03I knew that you could do it.
00:08:05I knew that you could do it.
00:08:19No, sure. No, no.
00:08:22She knows you're up.
00:08:24Up! This car up!
00:08:27Line up!
00:08:29You know, Mary's better.
00:08:33This car up!
00:08:35Oh, look!
00:08:40I'll have to check with him.
00:08:43As soon as he gets out of conference, thank you.
00:08:45Look, now look, please!
00:08:47Just go away, yes?
00:08:48I have an appointment?
00:08:50Yes.
00:08:51My name is Lang.
00:08:53Right. Sit down.
00:08:55What must I do? You gave me an appointment!
00:08:57No, I certainly did not.
00:08:59Now, will you please just go away?
00:09:14Yes?
00:09:15You can send the next one in.
00:09:16You may go in now.
00:09:25What I told him.
00:09:26You want to play or you want to do business.
00:09:29That's exactly what I told him.
00:09:32No.
00:09:33Yes.
00:09:35Fine. Good.
00:09:37Thank you, Jimmy.
00:09:39No, not at all.
00:09:42I'm sorry.
00:09:43Mason Gross.
00:09:44Charles Lang.
00:09:45And what can I do for you, Mr. Lang?
00:09:47I want to patent something.
00:09:49What do you want to patent?
00:09:50A machine.
00:09:52An engine.
00:09:53Tell me about it.
00:09:55First.
00:09:55Let me see the plans.
00:09:56No, wait.
00:09:57First, I have to...
00:09:59First, we should form...
00:10:01Excuse me.
00:10:02I have some papers for you to sign.
00:10:04Fine.
00:10:04Bring them in.
00:10:06I'm sorry.
00:10:06First, we should form a contract.
00:10:10If I give you some money, then we have a contract.
00:10:13And then our talk is privileged.
00:10:16It's privileged?
00:10:18Yes.
00:10:19You give me a dollar, then we have a contract, and then you can trust me.
00:10:23Yes.
00:10:23All right.
00:10:25Give me a dollar.
00:10:33Do you trust me now?
00:10:35And if you couldn't trust me, what good would our contract be?
00:10:41Our talk is privileged?
00:10:43Yes.
00:10:44It is.
00:10:47I want a patent for my engine.
00:10:51It runs on water.
00:10:53It uses water as its only fuel.
00:11:03Who sent you here?
00:11:05I got your name out of the telephone, director.
00:11:07Jimmy Dwyer and Reese has sent you here?
00:11:09It turns out eight horsepower.
00:11:12Yeah, yeah.
00:11:13Come in.
00:11:13Come in.
00:11:14I work at Dietzen Federle.
00:11:16I'm an engineer.
00:11:18Can we pay this one?
00:11:19No.
00:11:21No, please.
00:11:22I'm not a crank.
00:11:23I'm an engineer.
00:11:24What's this?
00:11:25It's a chain letter.
00:11:27Great wealth and fame stand just beyond your grasp.
00:11:31Mr. Gross.
00:11:33Yes, I can.
00:11:35That's the lot of them.
00:11:38I freed the hydrogen.
00:11:40There's hydrogen and water.
00:11:43Mr. Lang.
00:11:44No, please.
00:11:45You can see it.
00:11:47I know what you think.
00:11:48But you can see it.
00:11:51You can see it work.
00:11:53Tonight.
00:11:55If you will come tonight,
00:11:57I can show it to you.
00:11:59If you will meet me here tonight.
00:12:02Um, but I must go to someone else if you don't come.
00:12:09Run some water.
00:12:11Come.
00:12:13I'll show you.
00:12:15Come tonight.
00:12:16There's millions here, right?
00:12:18Yes.
00:12:20I can't tonight.
00:12:22Tomorrow night, then.
00:12:238 o'clock.
00:12:42What have I got on for tomorrow night?
00:12:45KFC.
00:12:46Cancel it.
00:12:51He won't see me.
00:12:52He won't see me anymore.
00:12:54Why?
00:12:55He says he's seen me.
00:13:00I could revolutionize the mail.
00:13:02Down.
00:13:03Down.
00:13:04Yes, thank you.
00:13:05The delivery of mail.
00:13:07And Roosevelt had let him in his cell.
00:13:10Who told you that?
00:13:11My cousin.
00:13:12How does she know?
00:13:13Well, the brother worked there.
00:13:14At the prison?
00:13:15No, the paper.
00:13:17And he let him in his cell?
00:13:18Yes.
00:13:19Lindbergh?
00:13:20Yes.
00:13:21He told her that the warden said that Lindbergh was allowed to be alone with him until the execution.
00:13:25And that whatever he wanted to do with him was fine.
00:13:28No.
00:13:29Yes.
00:13:30Just as long as he lived.
00:13:32Bye.
00:13:34So what did he do to him?
00:13:35They handcuffed him to the bars.
00:13:37No.
00:13:38Yes, and then Lindbergh came in with his doctor's bag.
00:13:40No.
00:13:41And they put up these curtains and left him alone with Hoffman.
00:13:44No.
00:13:45Until the execution.
00:13:46And they chained him to the bars.
00:13:48Yes, and that's why they didn't allow the photographers.
00:13:51Ground.
00:13:54I wonder if I thought that.
00:13:57And he was hardly breathing when they pulled the switch.
00:14:08Keep it.
00:14:09Get back inside.
00:14:21Right now.
00:14:23Right now.
00:14:24Right now.
00:14:25Right now.
00:14:25Right now.
00:14:29Right now.
00:14:31I just came from his office.
00:14:43Is he going to come?
00:14:43I think so.
00:14:45You must be careful with his people, Charles.
00:14:46I will.
00:14:47You must be very careful.
00:14:48I will.
00:14:49I think he's going to come.
00:14:51How are you?
00:14:52I'm fine.
00:14:54Are you hungry?
00:14:55No.
00:14:55I'll see you later.
00:14:57Is there anything that I can get you?
00:14:59No.
00:15:00You must be careful with his people.
00:15:01I will.
00:15:28What's that?
00:15:30This is Bart.
00:15:31I'm going to go to the store.
00:15:33I can get you something from the store.
00:15:34No.
00:15:35No, thank you, Mrs. Varick.
00:15:36Have a nice day.
00:15:37You too.
00:15:38Thanks.
00:15:39Can I have a ticket?
00:15:40Yeah.
00:15:41I can have a ticket?
00:15:42Yeah.
00:15:43I can have a ticket.
00:15:44I can have a ticket.
00:15:45I can have a ticket.
00:15:46I can have a ticket.
00:15:47I can have a ticket.
00:15:48I can have a ticket.
00:15:49I can have a ticket.
00:15:50I can have a ticket.
00:15:51I can have a ticket.
00:15:52I can have a ticket.
00:15:53I can have a ticket.
00:15:54I can have a ticket.
00:15:55I can have a ticket.
00:15:56Uh, thanks.
00:16:05Tickets?
00:16:05Yeah, yeah, sure it is.
00:16:17This is a very important evening for me.
00:16:20I'm sure that it is.
00:16:21I suppose that most people that come here, or very many people that come here, are coming here to celebrate something.
00:16:31I'm sure that that's true.
00:16:39Excuse me?
00:16:41No, I'm sorry. I think I was intruding myself on you.
00:16:46I never feel a thing is real.
00:16:51When I'm away from you, out of your embrace, the world's a temporary parking place.
00:17:02Say it's only a paper moon sailing over a cardboard sea.
00:17:13But it wouldn't be make-believe if you believed in me.
00:17:22Would you like to dance again?
00:17:35I don't have another ticket.
00:17:37Yeah? Okay. Yeah, okay.
00:17:40What about the whore with the heart of gold? What about that?
00:17:43You ever think about that?
00:17:44What did you come to celebrate here tonight?
00:17:51What?
00:17:54Did you do something?
00:17:57What did you do?
00:17:58Did something...
00:18:00What happened to you?
00:18:05You're alone?
00:18:06I'm with my sister.
00:18:08Just as phony as it can be...
00:18:13I wouldn't be make-believe...
00:18:17You came to celebrate?
00:18:19Yes.
00:18:20Uh-huh.
00:18:21What?
00:18:23I...
00:18:24I did something.
00:18:28Tell me what you did.
00:18:30You have to give me a ticket.
00:18:36What?
00:18:37You have to...
00:18:38Give me a ticket.
00:18:39It's a melody played in a penny arcade
00:18:42It's a Barnum and Bailey world
00:18:47Just as phony as it can be
00:18:52But it wouldn't be make-believe
00:18:57If you believed in me
00:19:01If you believed in me
00:19:06If you believed in me
00:19:15No, it's the carburetor
00:19:26You want another cup of coffee, Mr. Lange?
00:19:28No, thanks.
00:19:28Why do you think that?
00:19:30You want a donut?
00:19:31No, no, thank you.
00:19:32Listen, too much air.
00:19:36You seen this new thing
00:19:37they have over at the fair?
00:19:38What's that, Mr. Wallace?
00:19:40The rocket ship.
00:19:42No, I haven't been back
00:19:43to the fair this year.
00:19:44It's not as good as last year.
00:19:45Is it, Bernie?
00:19:46No.
00:19:47Nowhere is it.
00:19:48One thing I like, though
00:19:49The Hall of Science
00:19:51You've got a good mind
00:19:56for mechanics, Bernie
00:19:57Good mind for mechanics
00:19:59It's another Steinmetz
00:20:00Thanks, Mr. Lange
00:20:02If he applies himself
00:20:03Yes, sir?
00:20:08He's here for me
00:20:09You keep working, Bernie
00:20:13Good night, Mr. Lange
00:20:15I add, that'll be 15 cents
00:20:16Lonely night?
00:20:31Yes, it is
00:20:32Where are we going?
00:20:40Not far
00:20:41Going to your home?
00:20:47I looked you up
00:20:49I called them where you work
00:20:55At Deke's
00:20:56What did they tell you?
00:20:57Told me many things
00:20:58Told me that you're no engineer
00:21:01Why did you come then?
00:21:03I know where you live, by the way
00:21:05But we aren't going there
00:21:06No
00:21:07Well, that's all right
00:21:09That's fine
00:21:10Tell me, how many people know about this thing of yours?
00:21:17A friend and I
00:21:18I mean a friend
00:21:19You
00:21:20Come on
00:21:22This is it
00:21:28My God, who paid for all of this?
00:21:46All of this is yours?
00:21:52Please
00:21:56Please, don't touch that
00:21:57Sit down
00:22:01This is all yours?
00:22:14This is my engine
00:22:15This is water
00:22:33Taste it, please
00:22:35This is a battery
00:22:56We use electric charge for ignition
00:22:58I'm going to start it now
00:23:01What you are about to see
00:23:04Is like a sailboat
00:23:06This engine, Mr. Gross
00:23:09Draws from the earth
00:23:11It draws its power
00:23:13From the earth
00:23:14What's the trouble?
00:23:26Nothing
00:23:27I, uh
00:23:28This is nothing
00:23:31Got a cigarette?
00:23:33No
00:23:34Ready?
00:23:38Now
00:23:38Oh, this is wonderful
00:23:48Oh, this is rich
00:23:50My engine runs on water
00:23:52You tell Jimmy Dwyer
00:23:56No
00:23:57No, I'm going to tell him
00:23:59Oh, this is wonderful
00:24:02This is wonderful
00:24:02Mr. Wayne
00:24:03This brings me to work with
00:24:06Hey, how can you help me with him?
00:24:08They'll do this
00:24:08You tell me
00:24:09I'm going to tell you
00:24:09You said
00:24:10You tell me
00:24:11You've got a tolerated
00:24:11You tell me
00:24:12I'm going to tell him
00:24:12I'm going to tell him
00:24:13You tell me
00:24:13What do you surveyed
00:24:14What do you feelTF
00:24:14Do you feel
00:24:15Because you don't know
00:24:16No, you do you know
00:24:20You slipped it
00:24:21I knew you
00:24:22You're telefoned
00:24:22You tell me
00:24:23I'm going to tell you
00:24:24You know what I want?
00:24:46What?
00:24:47A place with a balcony.
00:24:50We can sit out.
00:24:53Yes.
00:24:54And feel the breeze.
00:24:56And fans.
00:24:57Electric fans.
00:25:00We're going to move from here.
00:25:02Where?
00:25:04To the country?
00:25:05Uh-huh.
00:25:06Good.
00:25:07We could have a farm.
00:25:10Have you been on a farm?
00:25:11Yes.
00:25:13And dogs.
00:25:14We could raise dogs.
00:25:19When are you meeting with him next?
00:25:22Tomorrow night.
00:25:24Why at night?
00:25:26He said we must all be careful.
00:25:30Yes.
00:25:32We must.
00:25:34And some horses.
00:25:36Do you like horses?
00:25:37Yes.
00:25:38I miss the horses.
00:25:39You remember all the horses in the street?
00:25:43You know what?
00:25:44No.
00:25:45What?
00:25:45I like the way they smell.
00:25:50Do you trust him?
00:25:54No.
00:25:56They all are thieves, you know.
00:25:59Who?
00:26:00All of them.
00:26:02All of them are thieves.
00:26:05You moved the engine, didn't you?
00:26:07After he left.
00:26:09Yes.
00:26:10Good.
00:26:11And a windmill.
00:26:15We can sit out in the evening and you'll hear it go around.
00:26:19This concludes another evening of the music that you love to dance to.
00:26:27Coming to you from Chicago's famed Aragon Ballroom on the Great North Side.
00:26:32This is Arthur Riddle wishing you good night, good luck, and very pleasant dreams.
00:26:41What do you want?
00:27:11He asked about them two requisitions.
00:27:15What did you tell him?
00:27:18I didn't tell him nothing.
00:27:21You better watch yourself.
00:27:41And every time I feel a thrill of pride, when patriotic songs are played, when old glory takes
00:27:50the breeze, I find myself ashamed.
00:27:53Yes, ashamed.
00:27:55When are we going to learn to choose between the quality of our impressions?
00:28:00Patriotism is a real feeling, yes.
00:28:02We feel it in our hearts.
00:28:03Our spirits rise.
00:28:05It serves the cause of death.
00:28:08What is so attractive in these tearful, pomp-filled ceremonies?
00:28:13What is so seductive in them?
00:28:16They support the torture of the ages.
00:28:20The great war.
00:28:21The pogroms.
00:28:22The crusades.
00:28:23The inquisition.
00:28:24May God bless us all.
00:28:25My country, right or wrong.
00:28:28We support these things, friend.
00:28:33Hello.
00:28:34Are you late?
00:28:34Go back to Russia.
00:28:36I've been here 20 minutes.
00:28:37Come on.
00:28:38Go home.
00:28:39Go back to Russia.
00:28:40Russia is a fiction, friend.
00:28:42There's someone I want you to meet.
00:28:44It is a bugaboo.
00:28:45A friend.
00:28:46Who is he?
00:28:47Someone who is going to help us.
00:28:49Go home.
00:28:50Go back to Russia.
00:28:51There is no Russia.
00:28:53Russia is the bear beneath your bed.
00:29:09Mr. Lange.
00:29:10I am very glad to meet you.
00:29:12This is Lawrence Oberman.
00:29:14Who are you?
00:29:15Who is this man?
00:29:16A lawyer.
00:29:17A good friend of mine.
00:29:19Good.
00:29:20Charles, I'm going to go back to my office.
00:29:22Wait.
00:29:22You're leaving?
00:29:23I have some things to wrap up.
00:29:24I'll see you in the morning.
00:29:25No.
00:29:26No.
00:29:27You stay with me.
00:29:28Who is this?
00:29:28Shh.
00:29:29Shh.
00:29:29Charles.
00:29:30Charles, I want you to stay here and talk to him.
00:29:31You stay with me.
00:29:32It isn't necessary.
00:29:34Really.
00:29:35It is not.
00:29:36He wants to speak to you alone.
00:29:38He can make our lives quite a bit easier.
00:29:41No.
00:29:41You listen to him.
00:29:43Now, you come in tomorrow morning.
00:29:44Can you come in around 10?
00:29:45Yes.
00:29:46What?
00:29:46Yes.
00:29:47Then you come in then.
00:29:52You take good care of him.
00:29:53I will.
00:29:54I know you will.
00:29:55I'll see you in the morning, Charles.
00:30:00Well, how are you?
00:30:02Fine.
00:30:04Let's take a little drive.
00:30:06Let us talk.
00:30:22Your invention is a work of genius, nothing less.
00:30:29My question is, what comes now?
00:30:33I represent some interests who are very much concerned about your invention.
00:30:38Who are you?
00:30:39An attorney, a colleague of Mason's.
00:30:43You work with Gross?
00:30:45I have.
00:30:46Now, he thought, quite rightly, as soon as he perceived the value of your engine, the meaning of your engine,
00:30:53that it would be best for you, quite quickly, to avail yourself of services I am equipped to offer.
00:31:01Um, what does that mean?
00:31:04My principles.
00:31:05We want to take your engine, and develop it, and produce it, and market it, in as sensible and economic manner as possible.
00:31:16And in so doing, make great profits for ourselves and you.
00:31:20You want to license it?
00:31:22No, Mr. Lange.
00:31:23We want to patent it.
00:31:25We want to buy it.
00:31:30Drive by the river.
00:31:31Why should I sell to you?
00:31:35Why should I sell to anyone?
00:31:36The engine's mine.
00:31:38The law is not precise on some points.
00:31:41Litigation is expensive.
00:31:43If it isn't mine, whose is it?
00:31:47A substantial case could be made for the ownership of the machine by those who paid for its development.
00:31:56Who is that?
00:31:58Deaton Federally.
00:31:59The company for which you work, eh?
00:32:01They could say you had worked for many months in their pay.
00:32:06Now you were forced by circumstances, as we know, to do this, and this is unfortunate.
00:32:12Perhaps more so as your...
00:32:15your decision to continue to work on the machine at your own workshop?
00:32:20The laboratory you have built yourself on Holstead Street is outfitted entirely with tools and with material from Dietz.
00:32:31I run a drill press there.
00:32:33I run a drill press there.
00:32:34They pay me 90 cents an hour.
00:32:38Turn back here.
00:32:42To who then does the engine belong?
00:32:46Understand I'm speaking harshly with you as we must act quickly.
00:32:50Believe me, Mr. Lange, we have no time for niceties.
00:32:53No.
00:32:54I'll take my chances in court.
00:32:55Will you, Mr. Lange?
00:32:56Will you?
00:32:57Your family has had some unfortunate experiences with the courts.
00:33:12Now that's true, isn't it?
00:33:14Your sister's accident?
00:33:18What was your redress in the courts?
00:33:22Damages?
00:33:24Apology?
00:33:25What?
00:33:28Nothing.
00:33:31Nothing.
00:33:34Will you live your whole life as a tool, eh?
00:33:37In fiction?
00:33:39If you want power, Mr. Lange, take power.
00:33:42Don't prat about what you don't understand.
00:33:44You'll have no power in the courts because you'll have no patent.
00:33:49Dietz will intervene, the full sanction of the law, and you will lose.
00:33:53And you may go to jail as a thief.
00:33:57Now, Mr. Lange, my people want your engine.
00:34:05Dietz would deal with us, and we would rather deal with you.
00:34:09But we will deal with whom we must.
00:34:14Will you entertain an offer for the right to patent your machine?
00:34:19Please understand, I'm speaking about quite a substantial...
00:34:21Then you would own the engine?
00:34:23Yes.
00:34:23No, I cannot accept that.
00:34:33You know, you leave us in an unprotected stance here, you do.
00:34:39By dealing with you, a case could be made for our collusion and the theft.
00:34:42What theft?
00:34:44Of the machine.
00:34:46I swear to you, our offer is in your own best interests.
00:34:50Mr. Lange, I swear to you, you're in danger.
00:34:54And those who deal with you are in danger.
00:34:57Do you think I like conducting business in darkness?
00:35:07Tomorrow.
00:35:10Tomorrow.
00:35:13Please, sleep on this.
00:35:16If you'll call me any time tomorrow, we'll arrange a meeting to discuss terms.
00:35:23Please, sleep on what we've talked about.
00:35:26Call me tomorrow.
00:35:28Please.
00:35:28Where are the benefits for you and me?
00:35:45That's what I say.
00:35:47Where are our benefits?
00:35:50A couple of kids go off to CCC or build a bridge somewhere.
00:35:54But what about the wheat?
00:35:55I ask you, where's the wealth?
00:35:58Where is the wealth?
00:36:00Now, this is what I say.
00:36:02The ownership of land.
00:36:04These things do not change.
00:36:07They don't change with giveaways and murals.
00:36:11They're bank night at the movies, that's all.
00:36:15This is all I have to say.
00:36:18Step down, thank you.
00:36:20Anybody else would like to speak on any subject.
00:36:23Would anybody like to speak?
00:36:27Anybody?
00:36:28Many cows and horses, all large animals, need constant care.
00:36:36You have to be with them if they are going to be productive.
00:36:40Sitting with them and just caring for their needs.
00:36:45With sunshine and with proper foods.
00:36:48You have to get up early in the morning, when the sun is not up.
00:36:54Huh?
00:36:56All the world smells like a bakery.
00:36:59Here.
00:37:01Here, my friends.
00:37:03Here I am to help you.
00:37:06The French 1935 Hudson-Townway.
00:37:09Tomorrow's car today.
00:37:12What?
00:37:13And closer to your means than you might take.
00:37:14Charles, tell me.
00:37:16And...
00:37:16What, Charles?
00:37:18What?
00:37:20They said it wasn't mine.
00:37:22Oh, no.
00:37:22Hush.
00:37:23No.
00:37:24Of course it's yours.
00:37:25Whose is it, if it isn't yours?
00:37:26They said I stole it.
00:37:28Who said that?
00:37:29Wait.
00:37:30Wait, where are you going?
00:37:31Charles, you just came in.
00:37:32I have to go back to the lab.
00:37:33No, wait.
00:37:34No, Charles, you're soaking wet.
00:37:35Sit down.
00:37:36I have to go.
00:37:37No, you sit down and you tell me what went on.
00:37:39Sit down.
00:37:40Sit down.
00:38:06Someone went down today.
00:38:09Down on the fire escape.
00:38:11What?
00:38:12He stopped by the window.
00:38:14I heard him.
00:38:15I was in the other room.
00:38:18That's why everyone should live in the country.
00:38:20Don't you think so?
00:38:22Yes.
00:38:27I want to leave you, Charles.
00:38:30Yes, we'll leave.
00:38:32We will, won't we?
00:38:33Yes, we will.
00:38:40Now tell me what went on.
00:38:49A Russian prince, deposed and penniless in Paris, sent the letter on.
00:38:55And two weeks later, saw an advertisement in the local paper placed there by his long lost brother, whom he thought was dead.
00:39:04The brother sought some information of the prince's whereabouts, and he received his just inheritance at last.
00:39:31Got him.
00:39:35All right.
00:39:36And two weeks later, and you know he's a~~
00:39:38He's the right
00:39:53I see his accident.
00:40:54What is the matter, Mr. Lange?
00:40:57You're funny.
00:40:58What is it, Charles?
00:40:59You destroyed it.
00:41:01What?
00:41:02You wrecked my lab.
00:41:03Someone wrecked your lab?
00:41:04You think that I should kill you.
00:41:06When?
00:41:07When was your lab wrecked?
00:41:09See?
00:41:09You see?
00:41:09Did I tell you?
00:41:11Last night.
00:41:12Did I tell you?
00:41:13You told him what?
00:41:14You are in great danger.
00:41:16You ruined my work.
00:41:18You?
00:41:19Who is this you?
00:41:20You think that Gross and I destroyed your lab?
00:41:23Yes.
00:41:23You and him.
00:41:24We wrecked it.
00:41:25Do you see?
00:41:26Did I tell you?
00:41:27Yes.
00:41:27Why would we do that?
00:41:29Plans.
00:41:29To get your plans.
00:41:31Yes.
00:41:32They stole your plans?
00:41:34Oh, Christ.
00:41:35Did they steal your plans?
00:41:37No.
00:41:38The plans are safe.
00:41:40Are the plans safe?
00:41:41You people are savages.
00:41:42You're animals.
00:41:43Charles, we did not destroy your lab.
00:41:45And I came here to do business with you.
00:41:47Because God is my witness.
00:41:48Before God, we did not go.
00:41:50Why would we do a thing like that?
00:41:52Think.
00:41:53Think.
00:41:53Why?
00:41:54Are you in?
00:41:57No.
00:41:58One moment.
00:42:01Are the plans safe?
00:42:03Why do you play with me?
00:42:05You know if they're safe or not.
00:42:07If they'd stolen them, you wouldn't let me in here.
00:42:10You wouldn't let me in.
00:42:11I'd be arrested somewhere, wouldn't I?
00:42:13For some $2 wrench I took from Dietz.
00:42:15They're safe.
00:42:16Yes.
00:42:17They're safe from you.
00:42:18I hid them.
00:42:19You think I'm a fool?
00:42:20They were hidden.
00:42:20You bet they were.
00:42:22In the laboratory?
00:42:23No.
00:42:24Where?
00:42:24Somewhere else.
00:42:25Should I tell you where?
00:42:27The engine, too.
00:42:28The engine, too.
00:42:29Yes.
00:42:29They got nothing.
00:42:32Who knew?
00:42:33Just you.
00:42:34Who else?
00:42:35You, too.
00:42:36And my sister.
00:42:38Would she tell someone?
00:42:41Who might she tell?
00:42:43Don't you mention her.
00:42:45Mr. Lange, we must view all possibilities.
00:42:46Don't mention her!
00:42:48All right.
00:42:50All right.
00:42:51I think that you are very lucky, Mr. Lange.
00:43:02You have no idea.
00:43:03The business community.
00:43:06Who knows?
00:43:07That girl out there at the desk.
00:43:10Some cab driver, perhaps.
00:43:13There are many ways.
00:43:14I think that we are very lucky here.
00:43:18We are lucky?
00:43:19Yes.
00:43:20Where is the engine?
00:43:22Hidden.
00:43:23Where?
00:43:25Somewhere safe.
00:43:27It must remain safe.
00:43:29I am going to have men assigned around your lab and with you personally.
00:43:34You ruined my lab.
00:43:37Where are you going?
00:43:39Get out of my way.
00:43:40If you walk out that door, we will go to Dietz and sue you for possession of the plans.
00:43:45Don't threaten me.
00:43:47Don't threaten me.
00:43:49I'm leaving now.
00:43:50I'm going.
00:43:51Maybe I'll come back.
00:43:51If I come back, you're going to meet our terms.
00:43:54Our terms.
00:43:55And, Obermann, I may go to your company.
00:43:58I may say how badly you have botched this up.
00:44:01I go over your head.
00:44:02I make a deal.
00:44:03Part of the deal, you are gone.
00:44:07The both of you.
00:44:12Now, get out of my way.
00:44:16We will be here until 10 this evening if you find you need our help.
00:44:23I don't expect that.
00:44:25If you find you need help.
00:44:30Excuse me.
00:44:36I told you.
00:44:41Who said,
00:44:42if every man acted in his own best interests,
00:44:49this would be a paradise on earth.
00:45:05Hello?
00:45:06Now, we're going down.
00:45:13The people just could die of loneliness.
00:45:16They could?
00:45:17This doctor said they could.
00:45:19I read it.
00:45:20Where?
00:45:22In a magazine.
00:45:24You must have something else.
00:45:26What?
00:45:27Some affliction.
00:45:28I don't know.
00:45:29No.
00:45:29It said that people could just die, you know,
00:45:32from being lonely.
00:45:33Ground.
00:45:34Well, I don't think so.
00:45:39I read it.
00:45:42Your name Lang?
00:45:43What?
00:45:44Is your name Lang?
00:45:45Who are you?
00:45:46This way, please.
00:45:47Wait.
00:45:48Who are you?
00:45:49Wait.
00:45:50Wait.
00:45:51These, these, these men are taking me.
00:45:53One side, please, folks.
00:45:54Police.
00:45:55Wait.
00:45:55You're the police?
00:45:56You're the police?
00:45:57You got them?
00:45:58What about it?
00:45:59You're the police?
00:46:00These people are taking me.
00:46:02Oh!
00:46:03They're the police around?
00:46:04Stop here!
00:46:04Stop here!
00:46:05Hey!
00:46:06Stop that man!
00:46:07What's with the other?
00:46:08Hey!
00:46:08Hey!
00:46:09Stop that man!
00:46:10Hey, stop that man!
00:46:11Police!
00:46:12Stop that man!
00:46:13Hey!
00:46:14Get out.
00:46:15Get out.
00:46:27So then, Bernie, on the train, they found this man who'd been the designer.
00:46:56Of the train?
00:46:57Yeah, the train.
00:46:58He built it?
00:46:59He designed it.
00:47:00So, they're late.
00:47:03No one in the crew could fix the engine.
00:47:05Yeah?
00:47:06They tried and tried.
00:47:08And then, the man said, let me have a look.
00:47:11And he took a light, and he looked all at the engine.
00:47:14And then he said, give me a hammer.
00:47:17And he took the hammer, and he found this place, this one place, and he gave it a little tap, and boom!
00:47:23The engine started right up.
00:47:24The next day, comes a letter to the president of the railroad.
00:47:29It's a bill from this man who'd fixed the locomotive.
00:47:31How much?
00:47:32That's what I'm telling you.
00:47:34$15,000.
00:47:37No.
00:47:38He telephones the man.
00:47:39He says, how come a bill for $15,000 from one little hammer tap?
00:47:43Hiya, Mr. Lane.
00:47:46Oh, hello.
00:47:47You're not working today?
00:47:50We haven't seen you.
00:47:51How you doing?
00:47:53Fine.
00:47:53Good.
00:47:54Do you have change for a dollar?
00:47:55Oh, sure.
00:47:56Bernie, change for a dollar.
00:47:59So, uh, have you been to the fair since we spoke?
00:48:02Uh, no.
00:48:03I haven't, no.
00:48:08You, uh, working hard?
00:48:10Yes.
00:48:10I know.
00:48:11Yeah.
00:48:13Close the register.
00:48:14Huh?
00:48:14I'm sorry.
00:48:15I'm sorry.
00:48:24Chicago Daily News.
00:48:26Yeah, hello.
00:48:26I would like to speak with someone.
00:48:28Who?
00:48:28I'm sorry?
00:48:29Uh, someone on the, uh, city desk.
00:48:33Who?
00:48:33Uh, I, I don't care.
00:48:35The editor.
00:48:36I'm ringing.
00:48:39Pop, won't snow if you'd like a cup of coffee.
00:48:42What?
00:48:42No.
00:48:43No.
00:48:46City desk.
00:48:47Yes, um, who is this?
00:48:50This is Dave Murray.
00:48:51What can I do for you?
00:48:51Are you the editor?
00:48:52I'm a reporter.
00:48:53What can I do for you?
00:48:55I would like to speak with you.
00:48:56All right.
00:48:57What about?
00:48:59My name is Lang.
00:49:04L-A-N-G?
00:49:06I'm an inventor.
00:49:07Of what?
00:49:08I, uh, things, uh, uh, things.
00:49:13I'm in trouble.
00:49:14What kind?
00:49:16Are you sure you don't want to talk to the science editor?
00:49:18No.
00:49:19Please, listen to me.
00:49:21I have invented an engine.
00:49:23Some people are trying to steal my engine.
00:49:26Uh-huh.
00:49:27No, these people are trying to take my machine.
00:49:30Please, listen to me.
00:49:32The police are out.
00:49:33They've got them looking for me.
00:49:34I've got to talk to you.
00:49:35It's okay.
00:49:36Send it down.
00:49:37I've got to talk to you.
00:49:38We return to Kodiak Prince at his Tales of the Frozen North.
00:49:43You say the cops are after you?
00:49:44Yes.
00:49:45What for?
00:49:47Can you hold on?
00:49:50City desk.
00:49:50I think we'll have to get him up to Dawson.
00:49:57But, Sergeant, the fridge has been out since last fall.
00:49:59Well, then we'll just have to go along by Indian leap.
00:50:02But how can you get through there?
00:50:04The ice, your horse.
00:50:06I'm not taking my horse.
00:50:07I'm leaving Ranger here with you.
00:50:09No, Martha.
00:50:10It's just me and Prince.
00:50:13That's right, boy.
00:50:14Yes, Lang.
00:50:15Good.
00:50:15Yeah, I'll meet you.
00:50:18God bless you.
00:50:19Nine o'clock.
00:50:20No, no.
00:50:21Before that.
00:50:21Look, I can't unless you come in.
00:50:23The zoo.
00:50:25Lincoln Park Zoo.
00:50:27Nine o'clock.
00:50:28I'll meet you at the zoo at nine o'clock.
00:50:31The clerk street side.
00:50:32I'm wearing a brown jacket.
00:50:34All right.
00:50:36God bless you.
00:50:37No man can get through there.
00:50:39No man, no.
00:50:41But a man and a dog.
00:50:44Quiet, boy.
00:50:45Quiet.
00:50:45You're going to need all your strength.
00:50:47Martha, you wrap your father up in all the blankets you can find.
00:50:56Rita?
00:50:57Yes.
00:50:58Yes, where are you?
00:50:59Are you all right?
00:51:01Yes, please, Charlie.
00:51:02I'm so worried.
00:51:03Everything will be fine.
00:51:05I'm meeting with a man tonight.
00:51:07I'm going to tell the newspapers.
00:51:09When?
00:51:10This evening.
00:51:11Come here now.
00:51:13I can't.
00:51:14I'm frightened.
00:51:15You'll be fine.
00:51:17Just keep the doors and windows locked.
00:51:19And I'll come there when I've met with the reporter.
00:51:22Will you be all right?
00:51:23Yes.
00:51:25Because I'm so worried about you, Charlie.
00:51:28We will both be fine.
00:51:30I have to go.
00:51:31I'll see you in just a few hours.
00:51:33Yes.
00:51:34Everything will be all right.
00:51:36When we are famous.
00:51:37Yes.
00:51:38And we are safe.
00:51:40I have to go.
00:51:48Now I'm leaving you this letter from Commander Hawes of the district patrol.
00:51:51Have you seen this man?
00:52:09Sure.
00:52:10When?
00:52:11All the time.
00:52:12He lives around here.
00:52:13He been in here?
00:52:14Sure.
00:52:15When?
00:52:15Regularly.
00:52:17He lives in the neighborhood.
00:52:19He been in today?
00:52:23No.
00:52:24Why?
00:52:25Call it.
00:52:28What did he do?
00:52:28What?
00:52:29Uh, it's broken.
00:52:40What did he do?
00:52:45If you see him, call this number.
00:52:50Sure.
00:52:50Stay in the booth there, Mr. Lange.
00:53:02They're still out there.
00:53:04They're policemen?
00:53:05I don't know.
00:53:13Hey, Bernie.
00:53:15Step off.
00:53:16They'll take you out the cellar.
00:53:17Out the back.
00:53:21You go show Mr. Lange the way out through the cellar.
00:53:24What's up?
00:53:25Just do it.
00:53:26Sure.
00:53:27And we haven't seen him today.
00:53:29Do you understand?
00:53:30Yeah.
00:53:31Did the police ask you?
00:53:32I haven't seen him.
00:53:33How could we?
00:53:35He hasn't been here.
00:53:38You'll be all right?
00:53:40I'm going to meet this man.
00:53:42He's going to help me.
00:53:44Do you need anything?
00:53:46Money?
00:53:47No.
00:53:50Oh, my God.
00:53:51They're coming back.
00:53:52Go.
00:53:52Go.
00:53:56Who is it?
00:54:02Mrs. Barrett.
00:54:05Oh.
00:54:05Oh, Mrs. Barrett.
00:54:08Oh, thank God.
00:54:09Mrs. Barrett.
00:54:13Come in.
00:54:15We know the heartland
00:54:19upon the great lake shore.
00:54:23Your steel and stone stand tall and call the nations to your dawn.
00:54:32Your history is courage, ideas, pride and skill.
00:54:40What progress is your motto?
00:54:44As you tell the world, I feel the ocean far off.
00:54:51You tell the world, I feel the ocean far off.
00:54:57And they all died of violent death.
00:55:00The railroad tycoon, not five months from that day, was stricken with a rare and wasting disease
00:55:05and died within that year.
00:55:07The match king took his own life, jumping from a building he himself had built.
00:55:12The financier died at the hands of gamblers.
00:55:15All those men, that power, in one hotel room that night, here in Chicago.
00:55:23Now we leave the Hall of Science,
00:55:27the hub of our Century of Progress exposition.
00:55:30Science, yes.
00:55:33The greatest force for good and evil we possess.
00:55:37The concrete poetry of humankind.
00:55:39Our thoughts, our dreams, our aspirations rendered into practical and useful forms.
00:55:51Our science is our self.
00:55:56What are our tools but wishes?
00:56:00Much is known.
00:56:02Much will yet be known.
00:56:04And much will remain unknown as we rush on.
00:56:11Those wishing a re-entry to the Hall at half price, come and get a ticket.
00:56:17This is our last tour for tonight.
00:56:25Thank you very much.
00:56:27Nice job.
00:56:34We're closing up.
00:56:38Are you all right?
00:56:40What?
00:56:41I've seen you here since this afternoon.
00:56:43I like it here.
00:56:45Are you okay, pal?
00:56:47Yes.
00:56:47You sure?
00:56:48Yes.
00:56:49Well, we're locking up in 20 minutes.
00:56:51You stick around, I'll walk you out.
00:56:53What?
00:56:55You stick around, I'll check out, and we'll take a walk.
00:56:58I'll go punch out.
00:56:59I have to make a telephone call.
00:57:01Over there.
00:57:02I'll be right back.
00:57:03What time do you have?
00:57:068.15.
00:57:07Rocket travel.
00:57:09Travel to the stars.
00:57:11The wonder of the universe at last within our grasp.
00:57:15Men and women walking on the moon within the lifetime of our children.
00:57:21Who knows what they will encounter by the year 2000.
00:57:25Travel to the moon and planets.
00:57:27Souvenirs available at the main gate.
00:57:30The rocket ship.
00:57:32Rita?
00:57:33Hello?
00:57:35Who is this?
00:57:36Hello?
00:57:37Who is this?
00:57:38Charles Lang.
00:57:39Charles.
00:57:40Who am I talking to?
00:57:41Who is this?
00:57:42This is Mrs. Varick.
00:57:43Mrs. Varick?
00:57:45From upstairs.
00:57:46Where is Rita?
00:57:47You better come over here.
00:57:49Where is she?
00:57:50Something went on.
00:57:52What?
00:57:53You better call the cops.
00:57:55What happened?
00:57:56Call the police.
00:57:57They will tell you.
00:57:58You tell me.
00:57:58You tell me.
00:57:59You tell me.
00:58:00They took her.
00:58:03They took her?
00:58:04Yes.
00:58:05Who took her?
00:58:06I don't know.
00:58:07What happened for Christ's sake?
00:58:09They come in here.
00:58:11Who?
00:58:11I don't know.
00:58:13I heard these noises.
00:58:15Yes?
00:58:15I hear this screaming.
00:58:17My husband.
00:58:18We come down.
00:58:20The door was broke.
00:58:21There was nobody here.
00:58:23The police came?
00:58:25What?
00:58:26Did the police come?
00:58:28Yeah.
00:58:29Yeah, they come.
00:58:30They said if you should call, to call them up, a special number.
00:58:36Wait.
00:58:37I have Lakeview 7320.
00:58:44You better call them.
00:58:48I'm only cleaning up in here.
00:58:53That is all right.
00:59:00Yes.
00:59:04I can go home now.
00:59:23Mr. Gross' office.
00:59:28Let me talk to Oberman.
00:59:30To who, sir?
00:59:32This is Charles Lang.
00:59:34Put Oberman on the phone.
00:59:36One moment.
00:59:40Hello?
00:59:42Where is she?
00:59:44Do you have the plans?
00:59:45Don't hurt her.
00:59:46Do you have the plans?
00:59:50I have them.
00:59:53Bring them.
00:59:54Just don't hurt her.
00:59:56Now, we understand you have tentatively scheduled an appointment with a journalist for this evening.
01:00:02I won't.
01:00:12You see how that would not be in your own best interest.
01:00:16Yes.
01:00:21Let me talk to her.
01:00:23One moment.
01:00:23The fair is closing.
01:00:26Please proceed to exits on the north and west sides of the lagoon.
01:00:31The fair is closing.
01:00:36Hello?
01:00:37Rita?
01:00:38Charlie.
01:00:39Are you all right?
01:00:42Yes.
01:00:44I'm all right, Charles.
01:00:45I'm all right.
01:00:47I'm going to see you in one hour.
01:00:50I'm going to bring the plans.
01:00:52Then we can go home.
01:00:54What?
01:00:56What?
01:00:57When I give them the plans, they're going to let you go.
01:01:02I don't think that's a very good idea.
01:01:05You don't understand.
01:01:07They're going to hurt you if I don't bring them in.
01:01:10I understand.
01:01:13Yes.
01:01:17Don't you bring them, Charles.
01:01:18They won't make it.
01:01:19They'll just destroy it.
01:01:22Hello?
01:01:22Hello?
01:01:23Where we met last time.
01:01:31In one hour.
01:01:33You weren't going to make it, were you?
01:01:35You were never going to make it.
01:01:40In one hour.
01:01:53The fair is closing.
01:02:15Please proceed to exits on the north and west sides of the lagoon.
01:02:24Lost children can be claimed at the main entrance of the architecture building.
01:02:29The exhibitors and the employees of the Century of Progress Exposition hope that you have had a good day at the fair and invite you all to return soon and often.
01:02:42All done?
01:02:51All done?
01:02:52What?
01:02:54Now you're done.
01:02:56Yes.
01:02:56Yes.
01:02:57We go out the side.
01:02:57We go out the side.
01:03:06The fair is closing.
01:03:17Please proceed to exits on the north and west sides of the lagoon.
01:03:22Lord of the isles, the celebrated locomotive attained speeds in excess of 100 miles per hour.
01:03:40Before the year 1880, on the broad gauge steel and stone way between Bath and London.
01:03:49What is it, pal?
01:03:56What is it, pal?
01:04:10Ah, this will cheer you up.
01:04:12Listen to this.
01:04:13I got this in the mail this morning.
01:04:16The ancient mysteries of Egypt and the east are all within the mind of man.
01:04:21What is it?
01:04:22A chain letter.
01:04:23Who knows the real power of man's soul?
01:04:26What's good?
01:04:27What's pain and misery is caused by our beliefs?
01:04:30Great wealth and fame stand just beyond your grasp.
01:04:33All civilization stands on trust.
01:04:36All people are connected.
01:04:38No one can call back what one man does.
01:04:41Much is known.
01:04:42What?
01:04:43I'm sorry?
01:04:44Would you read that again?
01:04:45All people are connected.
01:04:46Yes.
01:04:47Yes.
01:04:48No one can call back what one man does?
01:04:52Yes.
01:04:53That's right.
01:04:54Write the name of three friends at the bottom of this list.
01:04:56Send it.
01:04:57Now, here's where it gets good.
01:04:58Send one dollar to the name that appears at the top of the list.
01:05:11I'm supposed to send a dollar to some jerk I never even heard of.
01:05:17Well, here we are.
01:05:18Yes.
01:05:19Are you all right?
01:05:20Yes, I'm all right now.
01:05:21Did they cheer you up a little?
01:05:22Yes.
01:05:23You've helped me more than you can know.
01:05:24Well, good night.
01:05:25Wait.
01:05:26I would like to show you something.
01:05:27Sure.
01:05:28What?
01:05:29Something I made.
01:05:33These are blueprints.
01:05:35Well, you'll have to tell me what they mean.
01:05:36Yes.
01:05:40This is an engine.
01:05:41Uh-huh.
01:05:42And it uses water as its only fuel.
01:05:47This is an engine.
01:05:48Uh-huh.
01:05:49And it uses water as its only fuel.
01:05:54I made it.
01:06:15I saw it work.
01:06:17The quintessence of those things which made our country great.
01:06:30How much more?
01:06:31They need two columns.
01:06:33How much more?
01:06:34200 words.
01:06:36Swell.
01:06:38The century of progress.
01:06:41Sign and symbol of the great essential strength of the free market.
01:06:45All around the nation's founder and decay.
01:06:49The East turns red.
01:06:51And senile Europe limps from day to day in search of that lost leader.
01:06:56That forgotten vigor never to return.
01:06:59For Europe is the old land.
01:07:03And this is the new.
01:07:06The West is golden with the promise of prosperity to come.
01:07:10The principles which made this country great.
01:07:13As it is great.
01:07:15As once again it shall be great.
01:07:18With trust.
01:07:19With power.
01:07:20With a mutual recognizance.
01:07:22They'll take that out.
01:07:24With a mutual understanding.
01:07:28Of the simple grace.
01:07:30And the eternal power of the bargain made and kept to.
01:07:34Here.
01:07:35Now.
01:07:36In Chicago.
01:07:37Phoenix of communities.
01:07:38We once again say.
01:07:39I will.
01:07:40And rise from the ashes.
01:07:41Hardened.
01:07:42Strengthened.
01:07:43Turned toward the new day.
01:07:44The day of progress.
01:07:45The second hundred years of progress.
01:07:47The century of progress exposition two.
01:07:49Continues in its new life.
01:07:50In its second year.
01:07:51Let us continue to support it.
01:07:52Thirty.
01:07:53Brilliant.
01:07:54That guy don't have to sign it.
01:07:55What have I got for this evening?
01:07:56Meeting with that guy.
01:07:57Oh yeah, yeah, yeah.
01:07:58Lying.
01:07:59They stole my engine.
01:08:00That's it.
01:08:01Meet me later.
01:08:02Maybe.
01:08:03Eleven?
01:08:04Maybe.
01:08:05Maybe.
01:08:06Good.
01:08:07I'll call ya.
01:08:08What happened?
01:08:09What happened?
01:08:10Maybe.
01:08:11Maybe.
01:08:12Good.
01:08:13I'll call ya.
01:08:14What happened?
01:08:17I'll call ya.
01:08:18What happened?
01:08:20Oh.
01:08:22Good.
01:08:24No.
01:08:25I'll call ya.
01:08:27I'll call you.
01:08:30What happened to this nation?
01:08:32Or did it ever exist?
01:08:34Did it exist with its buntings, its gold-headed standards, its freedoms?
01:08:40The songs with equality, liberty.
01:08:43In the West, they plow under wheat.
01:08:47Where is America?
01:08:49I say it does not exist.
01:08:52I say it never existed.
01:08:54It was all a myth, a great dream of avarice, the dream of a gentleman farmer.
01:09:02And I say, we live in the final moment.
01:09:05We want in the midst of abundance.
01:09:07A time in old Europe goes to floor, and we sit in here at home.
01:09:12When we, when America irrevocably ceases to be Europe.
01:09:29Where is my sister?
01:09:31I've lost the plans.
01:09:34Where is my sister?
01:09:35And commences the fulfillment of his malevolent destiny as the new world!
01:09:47Anybody want to talk?
01:10:01On any subject?
01:10:04Anybody else want to speak?
01:10:06No!
01:10:08David!
01:10:13Hey!
01:10:14Hey!
01:10:17Shoot!
01:10:20No!
01:10:25Let's move.
01:10:25You got some guy here at nine.
01:10:46It's a cold night for you.
01:10:48Yeah, she's the girl who works down in the Wan-Ats.
01:11:01Yeah.
01:11:02She's the girl who works down in the Wan-Ats.
01:11:05Yeah, she's the girl who lives in the Wan-Ats.
01:11:10What do you see here tonight?
01:11:23Well, my sister doesn't give her a number of people.
01:11:26She doesn't give all ÅŸirket.
01:11:27Read all the music.
01:11:28Hear Mary, don't get off line for her, don't take care of the lady.
01:11:30You can see them here.
01:11:31We're ready to find it.
01:11:32You put it on.
01:11:33Come on.
01:12:03Come on.
01:12:33Come on.
01:12:35Shh.
01:12:37No.
01:12:41No.
01:12:43Shh, please.
01:12:45Never again.
01:12:47Never again!
01:12:49Never again!
01:12:59Derek.
01:13:01Harry.
01:13:13Harry.
01:13:15No!
01:13:17No!
01:13:19No!
01:13:21No!
01:13:23No!
01:13:25No!
01:13:27No!
01:13:29No!
01:13:31No!
01:13:33No!
01:13:35No!
01:13:37No!
01:13:39No!
01:13:41No!
01:13:43No!
01:13:45No!
01:13:47No!
01:13:49No!
01:13:51No!
01:13:53No!
01:13:55No!
01:13:57No!
01:13:59No!
01:14:01No!
01:14:03No!
01:14:05No!
01:14:07No!
01:14:09No!
01:14:11No!
01:14:13No!
01:14:15No!
01:14:17No!
01:14:19No!
01:14:21No!
01:14:23No!
01:14:25No!
01:14:27No!
01:14:29No!
01:14:31No!
01:14:33No!
01:14:43No!
01:14:45No!
01:14:47No!
01:14:49No!
01:14:51No!
01:14:53No!
01:14:56This way!
01:15:02Stop!
01:15:08Oh, shoot!
01:15:11Let's get the car.
01:15:25Hey, are you listening to me? Are you listening? Are you?
01:15:29Uh-huh.
01:15:30You give me the two, I'll give you nothing.
01:15:31All I can give you is two.
01:15:32Why can't you give me three?
01:15:33I don't got three to give you. If I had it, I'd give it to you.
01:15:35What do you expect me to do for you if you can't give me the three?
01:15:37I expect you to do what you told me.
01:15:39I can't do it, not in two.
01:15:40Well, no, you've got to. I can't.
01:15:42No, you've got to. You said you would. You've got to.
01:15:44If you don't, I can't protect you.
01:15:46Did I ask you to?
01:15:47You will.
01:16:07You didn't ask me to, but you will. And when you do, I gotta say no.
01:16:09I know that.
01:16:10You're out there running, aren't you?
01:16:11Nowhere to go.
01:16:12I can't do it in two.
01:16:13I said it, because I won't be there.
01:16:43This thing is always, the width goes down in it.
01:16:56I can't figure out where it is.
01:16:58It slides down in.
01:17:00You know I paid a buck thirty for this thing?
01:17:13I can't figure out where it is.
01:17:43I'm going to get out of here.
01:17:53You know what?
01:17:56I'm going to get out of here.
01:18:00You know what?
01:18:11I'm gonna get out of here.
01:18:14All right, here you go.
01:18:30All right, here you go.
01:19:00All right.
01:19:30All right, here you go.
01:20:00All right, here you go.
01:20:30All right, here you go.
01:20:32All right, here you go.
01:20:34All right, here you go.
01:20:36All right, here you go.
01:20:38All right, here you go.
01:20:40All right, here you go.
01:20:42All right, here you go.
01:20:44All right, here you go.
01:20:46All right, here you go.
01:20:48All right, here you go.
01:20:50All right, here you go.
01:20:52I think you go.
01:20:54All right, here you go.
01:20:56All right, here you go.
01:20:58Here you go.
01:21:00Here you go.
01:21:02All right, here you go.
01:21:04Here you go.
01:21:06Here you go.
01:21:08All right, here you go.
01:21:10All right, here you go.
01:21:12All right, here you go.
01:21:14Here you go.
01:21:16Here you go.
01:21:18Here you go.
01:21:20Here you go.
01:21:22All right, here you go.
01:21:24Here you go.
01:21:25Here you go.
01:21:26I think it's 6.30 a.m.
01:21:27The mutilated bodies of an unidentified man and woman were discovered in the early morning
01:21:33hours on a stretch of industrial lake frontage five miles north of Waukegan, period.
01:21:38The man and woman both were white and in their 30s, period.
01:21:41The cause of death in both cases appears to have been drowning, but both bodies bear signs of
01:21:46quite extensive injury, period.
01:21:48The Illinois State Police and the Lake County Sheriff's Office are conducting a full-scale inquiry,
01:21:54and an autopsy later in the day should establish positively the cause or causes of the deaths, period.
01:22:01Tell the lab they got a picture they can get off the state cops for the late edition.
01:22:06It isn't pretty.
01:22:08Can you buzz me upstairs?
01:22:21City desk.
01:22:22How are you?
01:22:24Where the hell have you been?
01:22:26In Waukegan.
01:22:27I thought you were going to the zoo.
01:22:29Yeah.
01:22:30They stole my engine.
01:22:32He stood me up.
01:22:33Yeah, you stood me up.
01:22:35What the hell are you doing in Waukegan?
01:22:37I'm up here covering those drowning deaths.
01:22:39You been there long?
01:22:40Yes.
01:22:41It's 10 o'clock.
01:22:42I'm sorry.
01:22:43You better be.
01:22:44When you coming home?
01:22:46Soon.
01:22:47Good.
01:22:48Breakfast?
01:22:49Maybe.
01:22:5011?
01:22:51Maybe.
01:22:52So the next day comes a letter for the guy who owns the railroad.
01:22:54Yeah.
01:22:55A bill for $15,000.
01:22:56No.
01:22:57Yeah.
01:22:58So he calls the guy up, tells him, how come $15,000 for one little hammer tap?
01:23:01So the guy says, I gave you the hammer tap for nothing.
01:23:02And the $15,000?
01:23:03Yeah.
01:23:04The $15,000 is for no one where to tap.
01:23:06Huh?
01:23:07For no one where to tap?
01:23:08The papers!
01:23:09Mr. Wallace.
01:23:10Yeah?
01:23:11You have a good boy here.
01:23:12I know.
01:23:13Have a nice day.
01:23:14So the guy says, I gave you the hammer tap for nothing.
01:23:19And the $15,000?
01:23:21Yeah.
01:23:21The $15,000 is for knowing where to tap.
01:23:25Huh.
01:23:26For knowing where to tap.
01:23:28Paper!
01:23:31Mr. Wallace.
01:23:33Yeah?
01:23:34You have a good boy here.
01:23:36I know it.
01:23:38Have a nice day.
01:23:44Oh, my God.
01:23:46What is it?
01:23:48I can't believe this.
01:23:50What is it?
01:23:52Sit down.
01:23:52I'm going to read you this.
01:23:57Free day at the exposition.
01:24:00Monday, Wednesday, Friday to anyone under 12, accompanied by an adult.
01:24:06Yay!
01:24:07You want to go?
01:24:08Yeah!
01:24:08Don't watch the cash.
01:24:11Morning.
01:24:14You got 15 cents?
01:24:15Sure.
01:24:18I have a package for you.
01:24:19Post-its, too.
01:24:35Hey, Pop!
01:24:38What?
01:24:39Look what I just got in the mail!
01:24:44And so we leave the Hall of Science, the half of our Century of Progress Exposition.
01:24:52Science, yes, the greatest force of good and evil we possess.
01:25:01The concrete poetry of humankind.
01:25:04Much is known.
01:25:12Much will yet be known.
01:25:14And much will yet remain unknown.
01:25:17As we complete our second thousand years.
01:25:20In dilapidated office buildings, and in the rooms of railroad hotels, and torn and filthy manuscripts
01:25:30misfiled in second-hand bookstores, here rests the vestiges of this and other cultures.
01:25:39Technical and ethic masterpieces decay into folktales.
01:25:43Who knows what is true?
01:25:50One man saw plans for a machine which he was told would run on water as its only fuel.
01:25:58A woman in Tacoma received $7,000.
01:26:01But she lost her life because she broke the chain.
01:26:08The fair is closing.
01:26:12Those who wish re-entry to the Hall at half price, see me for a ticket.
01:26:20This is our last tour tonight.
01:26:22This is our last tour tonight.
01:26:52This is our last tour tonight.
01:27:22Here we go.
01:27:23Here we go.
01:27:23Here we go.
01:27:24¶¶
01:27:54¶¶
01:28:24¶¶
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1:45:43
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