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Agatha Christie's Poirot 27 - 3 The Mystery of the Spanish Chest, 名探偵ポワロ 第27話 スペイン櫃の秘密 日本語字幕 アガサ・クリスティ 英語学習にも
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6/16/2025
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Category
🎥
Short film
Transcript
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00:00
Take these gentlemen through to the stranger's room.
00:08
Yes, sir. This way, gentlemen.
00:19
That's the gymnasium through there.
00:21
There is a gymnasium here.
00:23
Oh, yes, sir. It's Wembersome.
00:25
So you're thinking of joining, then?
00:27
No.
00:28
Oh, right.
00:28
So you're thinking of joining, then?
00:30
No.
00:31
Oh, right.
00:32
Um, we'll go this way.
00:36
And, uh, there's no talking.
00:45
Excuse me, Colonel Curtis, your guests.
00:48
Colonel Curtis.
00:49
How do you do?
00:50
Curtis.
00:50
How do you do?
00:51
I'd like to introduce my associate, Captain Hastings.
00:53
How do you do?
00:54
Please, sit down.
00:57
Well, I'm sure you don't need to tell me why you're here, Mr.
01:00
Poirot.
01:01
It's a dreadful business.
01:02
Dreadful.
01:04
You have heard.
01:05
Yes.
01:06
You're chappy at Scotland Yard.
01:09
Seemed to find it amusing that you were there last night.
01:13
And you?
01:14
I think it's a godsend.
01:16
I mean, you're a detective.
01:20
I am the detective, Colonel Curtis.
01:25
Tell you that Major Rich, Major Rich, in my opinion, could never...
01:32
Clayton.
01:33
I knew Mrs. Clayton before they married.
01:38
I knew Mrs. Clayton before they married.
01:41
Was Mr. Clayton a friend of yours?
01:43
Of course.
01:45
He was Marguerite's husband.
01:46
I understand that Edward Clayton came to visit you here at the club yesterday.
01:56
Oh, not much.
01:58
Oh, not much.
01:59
Oh, not much.
02:01
Had a drink together.
02:03
Tell me he was going to Scotland, but that he'd look in at Rich's on his way to the station.
02:08
Did he say why?
02:11
No.
02:13
To apologize for missing the party, I imagine.
02:19
Had he ever hinted at any impropriety between Major Rich and Marguerite Clayton?
02:25
Certainly not.
02:30
Colonel Curtis.
02:32
I try only to...
02:34
I try only to establish the facts.
02:38
Did you remark about these scar, Hastings?
02:41
Yes.
02:42
These scar, Hastings?
02:43
Yes.
02:44
You probably need one to be a member here.
02:45
Yes.
02:45
You probably need one to be a member here.
03:08
Margo.
03:13
Hi, John.
03:17
Hi, John.
03:18
There's nothing you can...
03:19
Nothing you can do.
03:23
Can't leave us alone, officer.
03:25
The police questioned me.
03:32
Margot, I didn't tell them the truth.
03:38
How can I?
03:41
Ruth.
03:42
How can I?
03:45
I know it seems hard.
03:46
How can I?
03:49
I know it seems hard, Margot, but if you just tell the truth,
03:55
I'm sorry.
03:57
Sorry, John.
03:59
Marguerite.
04:01
I shouldn't come.
04:02
Marguerite.
04:04
I shouldn't come here.
04:17
Yeah, outside the sitting room door.
04:20
That must have been sitting room door.
04:21
That must have been just after six o'clock.
04:24
I went to press Major Rich's evening suit.
04:27
But Mr. Clayton didn't leave, you say?
04:30
I think I would have heard him if he'd gone.
04:32
Bien.
04:33
Tell me, Monsieur Burgoyne, when your master returned,
04:35
did you actually see him enter at the door?
04:38
I heard the door close, sir.
04:40
But you did not see him enter?
04:42
No, sir.
04:46
If you please, we will now go inside.
04:47
You think Major Rich was waiting for Clayton?
04:52
It is possible, Hastings.
04:53
He kills Edward Clayton.
04:55
He puts the body inside the chest.
04:57
He comes out.
04:58
He shuts the door to establish that he has just arrived.
05:00
It is not a set.
05:10
Ah, the car...
05:12
Ah, the carpet has been taken up, sir.
05:16
You see, Hastings?
05:16
This chest, it is clearly visible from the door, yes?
05:24
But...
05:25
Screen conceals most of it from the rest...
05:28
Screen conceals most of it from the rest of the room.
05:32
It from the rest of the room.
05:34
Screen conceals most of it from the rest of the room.
06:04
Screen conceals most of it from the rest of the room.
06:08
Woodworm?
06:11
Woodworm?
06:30
Well, Major Rich certainly had the opportunity to kill Clayton.
06:33
that's for motive go on one of me well mrs. Clayton it doesn't look too good for
06:39
him does it you think not Hastings I wonder what the beautiful madam Clayton
06:44
has to say about all this Remain Gardens if you please
07:03
you
07:33
Let's go.
08:03
It's been there, sir. I can't get no answer when I knock. I can't get no answer when I knock.
08:17
Quick, mademoiselle, telephone for the doctor.
08:33
I've washed out her stomach. She ought to rest.
08:41
We shall take one or two minutes only, doctor. You do understand the urgency of the situation?
08:46
Yes. No more than five minutes, though.
08:49
Oui, d'accord. Merci beaucoup.
08:59
It was my fault.
09:01
We'd always been friends. We'd always been friends. But that was all.
09:14
It was all my fault, Mr. Poirot. It was all my fault, Mr. Poirot.
09:26
What did you do?
09:27
I prefer my husband's death. Death. I wanted Edward to die.
09:37
We talked about it. But we talked about it. But only I was asking him to kill my husband.
09:52
And that's why he did it. My husband. And that's why he did it.
09:58
Very difficult. Very difficult.
10:25
But that was very silly.
10:26
Just a cup of coffee for me, please.
10:35
Merci.
10:39
Layton.
10:41
He has put the body into the Spanish...
10:43
Layton.
10:45
He has put the body into the Spanish chest...
10:48
He has put the body into the Spanish chest minutes before a party is due to start.
10:53
What about the valet, Hastingson?
10:55
What of him?
10:57
He would be certain to discover the body in the morning.
11:01
Now, Major Rich would have known that.
11:03
So why did not the Major dispose of the body during the night?
11:16
Hastings?
11:16
I must return to the Scotland Yard and the Chief Inspector Jep.
11:21
Oh, I'll come with you.
11:22
No, no, no, no. You will take yourself to the military club. There is, there, I think, a gymnasium.
11:29
What's a gymnasium got to do with it?
11:32
That is precisely what you will find out for me.
11:37
Detecting's not what it was, you know.
11:38
I expect you to be a blooming secretary.
11:46
How do you mean?
11:48
I want to go back and type over.
11:49
I want to go back and type over something.
11:51
There must be some sort of reverse gear.
11:52
Isn't that one, is it?
11:53
Come on.
11:54
Come on.
12:24
See you next time.
12:35
Let's go.
Recommended
12:26
|
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