- 7 months ago
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00:00Jane Meadows and I've Got a Secret
00:02I've Got a Secret, starring Gary Moore
00:08And how very nice it is to have Miss Jane back tonight
00:20and she has a truly momentous secret to show you a little later on in the show
00:25Meanwhile, let's welcome our regulars, let's meet the members of our panel
00:29Bill Cullen
00:30And Betsy Palmer
00:33And Henry Morgan
00:35And Bess Meyerson and Estaba
00:38You know, panel, I have forgotten how Jane laughs. How does it go again?
00:49Yes, at the end of everything. It's just delightful.
00:51I heard you doing it and I knew it heard...
00:53She told me it's the new Jane tonight. I asked her where the chandelier earrings are.
00:57She said it's the new Jane, but she went whoop, you know?
00:59Yes, it's our Jane.
01:01Now, before we meet our first contestant, there's one piece of old business.
01:05Last week, our special guest, Marion Lorne, decided that the panel should have a fair chance to guess her secret
01:11And we told the panel that they had to keep on playing the game until they figured Marion's secret out, even if it took all night.
01:18Well, when we went off the air, the panel was still asking questions.
01:21Our studio audience was prepared to sit here half the night if necessary.
01:25But you fooled us. Indeed, you did.
01:28You'd be interested to know that you spent a total of only 15 minutes asking questions before you guessed it.
01:34Now, we made a tape recording of the game from the time that we went off the air.
01:38Now, you had established the secret was going to cost you money.
01:43And then Bill Cullen picked it up.
01:44Roll the tape, Frank Heller, and let's listen.
01:47Is it more than a dollar?
01:49I think so.
01:49More than five dollars?
01:51Yes.
01:51More than ten dollars.
01:53How much is it?
01:58More than ten dollars?
01:59Up, up, up.
02:00I'm going to have to lend you money again.
02:03Is it more than twenty dollars, Miss Lorne?
02:06Twenty dollars.
02:06Twenty dollars.
02:07Twenty dollars.
02:07We are going to...
02:08All right, so we go to Betsy, who I think has it.
02:12Are we going to pay for someone a salary of some sort?
02:17Are we paying to have you here this evening?
02:20Oh, the eighty dollars.
02:20The eighty dollars.
02:21The eighty dollars.
02:22The eighty dollars that we're paying to you.
02:25You're paying the eighty dollars.
02:27All right.
02:27You're paying the eighty dollars.
02:28All right.
02:28You're paying the eighty dollars.
02:36Well, that was it.
02:37The panel had to pay Mary and Lorne the eighty dollars prize money,
02:41and each of them, after the show, forked over twenty dollars.
02:43Now, Bill, you asked a question, which was audible on the tape.
02:46You said, is this deductible?
02:48So I consulted a tax expert, and he said that you could deduct it, if you want to cheat the government.
02:57Since you were not forced to pay the twenty dollars, you could have refused.
03:01There's nothing in your contract saying that you have to pay out any prize money.
03:05Consequently, it is not a necessary business expense, but you can go ahead and deduct it, if you have no scruples.
03:12You know what, Gary?
03:13What?
03:14I put the wrong bank down.
03:16Well, that solves your problem right there, doesn't it?
03:18I really, truly did, so I will send you a check, a real one.
03:22All you have to worry about is embezzlement now, dear, and you're out in the clearest.
03:26I borrowed the money from Henry.
03:28You borrowed it from Henry, so Henry's forty bucks in the hole.
03:32Well, with that all the way, then, let's welcome our first quite fascinating contestant.
03:39Would you tell our panel, please, what your name is and where you're from?
03:51Edwin Busby, commissarman first class, Bayside, Virginia.
03:55This is Mr. Busby, B-U-S-B-E, yes, Henry.
03:59Fell off a boat.
04:01This is not the fellow who fell off the boat.
04:03I read about him, and this is not the fellow who fell off the boat.
04:06Oh, Henry.
04:07But let us not be too frivolous about Mr. Busby.
04:10I would like you and our audience to know that he has recently earned an award,
04:15which is normally presented at ceremonies at a naval station.
04:19Now, when we heard about this award, we asked the Navy if they would like to make the presentation on our program,
04:24and they agreed.
04:25It is traditional for this award to be presented by an admiral,
04:29and we're honored tonight to have with us Rear Admiral Hugh Hainsworth,
04:33Commanding Officer, Naval Supply Center, United States Naval Base, Norfolk, Virginia,
04:39who is here to make the presentation.
04:40Admiral Hainsworth.
04:41Very kind of you, indeed, to stop by for this important ceremony,
04:52and I'll ask you now if you will proceed with the ceremony in the presentation.
04:55With great pleasure, Gary.
04:57Petty Officer Edmund Busby,
04:59it is a great honor to present you with this award,
05:03which is emblematic of the highest Navy standards of personal achievement.
05:07Your exemplary action in overcoming the most formidable challenges conceivable
05:12provides a source of pride and inspiration to all Navy men.
05:17You are to be commended for the initiative, skill, and dedication
05:22which were evident in your attainment of this coveted award.
05:25On behalf of the United States Navy,
05:28I take pleasure in presenting this trophy
05:31for your great contribution to the welfare and morale of the American sailor.
05:36Congratulations.
05:37Congratulations.
05:38Well done.
05:42Admiral Hainsworth, thank you very much for your speech.
05:46You're going to have to.
05:47Good night.
05:50Let's put that pretty thing right down there.
05:52Boy, what a beautiful thing.
05:54You ought to be very proud, as I'm sure you are.
05:55I am very much.
05:56That's a magnificent trophy.
05:58Will you tell our audience now what you did to earn it?
06:01Well, that's my secret, Gary.
06:03Well, that's your secret.
06:04All right, if you'll whisper your secret to me,
06:06we'll show it to the folks in the hall.
06:19Panel, it concerns something that Mr. Busby did,
06:22and we'll start the questioning with Bill, please.
06:25Mr. Busby, the thing you did,
06:26was it the kind of a thing that normally a man
06:29that holds your rank in the Navy might do?
06:33I think the normal fellow of his rank
06:36might not accomplish this.
06:37Would it more normally, and excuse the question,
06:39it's just because I know the way the tenor this show takes,
06:42would it more normally, sir, be done by a lady?
06:46Not especially, no.
06:48Does it have anything to do with your commissary job,
06:50food, as it were?
06:52Yes.
06:52Have to do with...
06:53$20 down and $60 to go, and we go to Miss Betsy.
06:57Better explain, Gary, why Bill knows that it's commissary.
07:02Bill, why do you know it's commissary?
07:03Because at the beginning of the show,
07:05he identified himself as a petty officer
07:07in a commissary department.
07:09Didn't you please say you did,
07:10because the way things are now...
07:11The answer is, Henry, is that Bill was listening
07:16and you weren't.
07:17Oh.
07:18There you go.
07:19That's the nicest answer I ever heard.
07:21All right, no, he identified himself as such.
07:24Now, Betsy.
07:25Is this something, some improvement that you made on food
07:28so that, um, that would be to the betterment
07:32of your fellow sailors?
07:34Yes.
07:35Um, is it something that helps them,
07:39is it something to keep them from getting seasick
07:42or to eat while they are seasick?
07:44Eat while you're seasick?
07:46It has nothing to do with Maladimer.
07:47$40 down, $40 to go now, Henry.
07:50Oh, no.
07:51I had to explain that, you know,
07:52there was a story about a man who fell overboard
07:54in San Diego.
07:56Yes, it was in Time Magazine.
07:57I missed, yeah, sorry.
07:58All right, I know, I'm just...
07:59Wait, I'll do it.
08:00Wait.
08:02$60 down and $20 to go,
08:05and we go to Best Mars.
08:06Yes.
08:06And what I was going to say was...
08:09You may, if you like.
08:11Let me see.
08:11Uh, Ed, may I call you Ed,
08:14did it have anything to do with cooking
08:15or preparing the food?
08:17Yes.
08:18It did, an actual cooking of it.
08:19Um, did you create some special diet?
08:23No.
08:24Uh, is it the amount of time you spent cooking it?
08:27No.
08:27What you cooked?
08:28Hmm, yes.
08:29Yes?
08:30Uh, was it in a specific department?
08:32Meat or vegetable, something like that?
08:35Yes.
08:36All right, panel, we have blown it.
08:38Now, mind you, this is a serious award.
08:41It is made annually,
08:42and I would like to have...
08:44I'd like to read it to you.
08:45It says here,
08:46Operation Bean Soup,
08:48for concocting the best bean soup in the U.S. Navy.
08:52Mr. Busby holds a cook's rating.
09:02He submitted his recipe,
09:03and he won the annual competition
09:05that was open to all enlisted men and officers
09:07in the Navy stationed all over the world.
09:10It's an important event.
09:11As you saw, the award is traditionally presented by an admiral.
09:14Now, incidentally, anybody who wants the recipe
09:16gets your pad and pencil
09:17because we're about to have a go at it.
09:18That's good.
09:19Um, Mr., we asked Mr. Busby
09:21to cook up some of his soup for you, panel,
09:23since we knew you wanted to taste
09:24this delightful Epicurean creation.
09:26So will you open the curtains, please?
09:29Now, Mr. Busby,
09:30if you'll serve the soup to the panel,
09:32I'll ask that the recipe be flown in.
09:34There you go.
09:35You go serve the soup.
09:37And here comes the recipe.
09:37Can we write that down?
09:42Just go ahead and ignore it.
09:43I'll talk to the ladies out here.
09:45First, you soak two cups or one pound
09:48of Navy beans in water overnight,
09:50enough water to cover the beans.
09:52Next morning, you drain and put the beans
09:54in three quarts of water.
09:56Add one and a half pounds of ham,
09:58the butt end,
09:59a half a teaspoon of celery salt,
10:02one-eighth teaspoon of pepper,
10:04two teaspoons of salt,
10:06one teaspoon of monosodium glutamate,
10:10and cook approximately two and a half hours
10:12or until the beans are tender.
10:15Then remove the ham and grind it.
10:17Add one medium minced onion to the soup.
10:20Cook approximately one half hour longer
10:23or until the soup begins to thicken.
10:25Then put the ground ham back into the soup
10:27and serve immediately,
10:29garnishing it with dried parsley leaves
10:31and parmesan cheese croutons.
10:33This serves six people.
10:36Panel, how's it taste?
10:37Excellent.
10:38It's excellent.
10:39No joke.
10:39I want you to know that this young man
10:41has been here all day
10:42cooking that soup for you.
10:43Do you know what I mean?
10:45Mr. Busby, congratulations.
10:47Your Winston and your money
10:48are waiting for you offstage,
10:50but certainly we want you to have
10:51your specials, I think.
10:54Thank you very much.
10:55Thank you so much.
10:55Stay tuned.
11:03There's more Black and White Overnight
11:05coming right up.
11:06May we have our next contestant, please?
11:08Will you come in, sir?
11:12Will you tell our panel, please,
11:18what your name is, sir,
11:19and where you're from?
11:21Charles I. Blood.
11:24Kansas City, Missouri.
11:26This is Mr. Blood,
11:27and he is from Kansas City, Missouri.
11:29And by the way, panel,
11:29you might be interested to know
11:30that Mr. Blood writes a daily column
11:32for the Kansas City Star.
11:34Now, sir, if you'll whisper your secret to me,
11:36we will show it to those avid folk out there.
11:38Here we go.
11:49Panel, Mr. Blood's secret concerns
11:51something that he has done.
11:53We'll start the questioning,
11:54I think, with Bess, please.
11:56Mr. Blood, this thing that you did,
11:58did you do it when you were a young boy?
12:01No.
12:02A young adult.
12:02Sir, may I interject here?
12:04May I say that the secret as expressed
12:07is a continuing action,
12:09and part of it was when you were a young boy,
12:11wasn't it?
12:11Well, it, uh, I know things that happened here.
12:16It started when you were quite a young man.
12:18Yeah.
12:19Was this a physical thing?
12:21In other words,
12:21was there actual physical action involved?
12:25Nothing except, uh, well, you, whatever.
12:28You're showing up to work, huh?
12:30Yeah.
12:30But it was a mental activity.
12:32Mental activity.
12:33Did it take place in Kansas City?
12:34Did it start there?
12:35Yeah.
12:36Mm-hmm.
12:36All right, $20 down, $60 to go.
12:39We go, please, to Bill Cullen.
12:41Mr. Blood, would, would we know today
12:44about what you did?
12:47It ought to be plain to everybody.
12:50If you lived in Kansas City,
12:52you would certainly know.
12:54Uh, did it have anything to do
12:56with your work on the newspaper?
12:58Oh, yeah.
13:0040 down, 40 to go.
13:01Betsy Palmer, please.
13:02Uh, Mr. Blood,
13:03are you still doing what you did?
13:05Yes, ma'am.
13:06It has something to do
13:07with your column, then,
13:08that you write?
13:08Yes, ma'am.
13:09Uh, is it something that, um...
13:14Well, is it the column
13:17that you have written
13:18the same column?
13:19Is it a, um,
13:20the kind of column
13:20that we're looking for?
13:22No, that wouldn't be the...
13:24It has something to do with it,
13:25of course.
13:26It has something to do with it.
13:26That is not the entire experience.
13:29$60 down, 20 to go.
13:30Henry Morgan, please.
13:32Well, is it something like this,
13:33Mr. Blood,
13:33that you have written this column
13:35every day for so many years?
13:38Yeah.
13:39Uh, again,
13:42the column is part
13:43of a lengthier experience.
13:45The column itself
13:46has run for many years.
13:47All right, now,
13:47then we'd have to know
13:49what kind of column,
13:50I imagine.
13:50No?
13:52No.
13:52Uh, then is there another part?
13:54You have written the column
13:55and done something else
13:56every day for so many years.
13:59Well, of course,
14:01I've written the column
14:05only lately, and, uh...
14:07Let's not give him
14:08any more information.
14:09Oops, careful, careful.
14:13Panel, I told you
14:14that Mr. Blood is a columnist
14:16for the Kansas City Star.
14:17His column is called
14:1840 years ago today.
14:19However, his column
14:20could be called
14:2175 years ago today
14:23because Mr. Blood
14:24has been working
14:25for the same newspaper
14:26for 75 years.
14:36Furthermore,
14:36he's still at it
14:37and he goes to the office
14:38every single day
14:39and writes his column.
14:40Mr. Blood,
14:40may I ask how old
14:41you are, sir?
14:43I was 89
14:44at the last Wednesday.
14:48Last Wednesday.
14:52That means that he started
14:53working for the newspaper
14:55when he was 14 years old.
14:57What was the very first thing
14:58that you did
14:59for the newspaper, sir?
15:00Well, the very first thing
15:01I did was,
15:02prior to that even,
15:04was to sell papers
15:06on the street.
15:07Well, actually sell them
15:08on the street.
15:08Well, after that,
15:10Mr. Blood
15:10became a leg man
15:11for a reporter,
15:12a copy boy,
15:13a reporter himself,
15:14eventually city editor.
15:16Mr. Blood,
15:17what are some
15:17of the memorable stories
15:18that you can recall
15:19having covered there?
15:20Well, I,
15:21of course,
15:22the Spanish-American War
15:24and the San Francisco
15:28earthquake
15:29and the burning
15:33of Convention Hall.
15:35These things are no longer
15:36yesterday's newspaper story.
15:38These things are now
15:38history, are they not?
15:39Yeah, they are history now.
15:41I asked Mr. Blood
15:43earlier in the evening,
15:44I said,
15:44what is the biggest story?
15:45He said,
15:45you never know
15:46because when you cover
15:47the story,
15:48when you've been doing it
15:48for 75 years,
15:49you have no way of knowing
15:50how big it is eventually
15:51going to be.
15:53You cover it
15:54as your line of duty.
15:55Go home,
15:55do your next day's work
15:56and the first thing you know
15:5725 years later,
15:59what was once that day's story
16:00is now history books.
16:02Just,
16:02there's a line.
16:03Mr. Blood's 75th anniversary
16:05of journalism
16:06was recently celebrated
16:07by the national journalism
16:08fraternity,
16:09Sigma Delta Chi,
16:10which incidentally
16:11is celebrating
16:12its own 50th anniversary
16:13this year.
16:14So, Mr. Blood,
16:15congratulations to you, sir.
16:17Your Winstons
16:17and your money
16:18will be waiting off stage
16:18for you.
16:19Many, many happy
16:20returns of the day.
16:23We had dinner together
16:33last night.
16:33He's a charming man.
16:34I just met him then.
16:36Panel,
16:36I'm going to have to ask you,
16:37please,
16:37to leave the premises.
16:38Do not take your blindfolds
16:40with you.
16:40We'll make it as brief
16:41as possible.
16:42State,
16:42I would like to have you
16:43meet our special guest.
16:44I can tonight say special
16:46with a special kind
16:47of emphasis
16:47because even though
16:49she has left our panel
16:50as of last spring
16:51to move to California
16:52with her husband,
16:54Steve Allen,
16:54it is a great joy
16:55to welcome back
16:56for tonight only,
16:57unfortunately,
16:58Jane Meadows.
16:59I will tell you
17:08in front of millions
17:10what I told you
17:11only to your own
17:12lonesome self
17:13when I first saw you
17:13this evening.
17:14I have never seen you
17:15look as well.
17:16Oh, Gary,
17:17you darling.
17:17Well, it's so nice
17:18to see you
17:19and everybody again
17:21and you look very well.
17:23I'm reasonably pooped.
17:25You are coming next door
17:26with us after the show
17:27for the little reunion
17:28kind of get-together.
17:29Oh, I wouldn't miss it
17:30for the world.
17:30I'd love nothing better
17:31than to meet with the gang
17:32and reminisce
17:33over the seven years
17:33that I was on the show.
17:34Because you know, Gary,
17:35I remember everything
17:37about this show.
17:37I remember all the tricks
17:38that you pulled on me.
17:40I remember things like,
17:41let me see.
17:41I remember the night
17:42you had us learn
17:43to do the hula hoop.
17:44Yeah, we did that.
17:45And then I remember
17:46the night we tested
17:46those monstrous
17:47reducing machines.
17:49Yeah.
17:49Well, there'll be
17:50a lot of things
17:51to talk about
17:51next door after the show,
17:52but I'm kind of worried
17:53about one thing.
17:54What's that?
17:55Uh, Bess Meyerson.
17:57You know, Bess may be
17:58a little lost at this party
17:59because, well,
18:00she's only been with us
18:01since last spring
18:02when you left
18:03and she missed out
18:03on some of the gags
18:05that we played
18:05on you and the rest
18:06of the panel.
18:07And it's a shame
18:08that she doesn't have
18:09the same happy memories.
18:12Happy memories?
18:13Yes.
18:14I have a few happy memories
18:15of this show.
18:16I have one very happy memory.
18:18I don't know
18:18whether you remember
18:19or not the night
18:20you put a white mouse
18:21under my chair.
18:22Oh, sure.
18:23Wait a minute.
18:25Surprise.
18:25Okay.
18:26Remember the night
18:27that we had a snowball fight
18:28right up here on the stage?
18:29Yeah.
18:30With imported snow?
18:31Yeah.
18:32All those wild things
18:33that we used to do.
18:34You know,
18:34it's a shame
18:34for poor old Bess
18:35that she's missed out
18:37on all that fun.
18:38Well, we can remedy
18:39that very simply.
18:40Tonight,
18:41you are going to give Bess
18:42an opportunity
18:42to catch up
18:43with the rest of the panel.
18:45Tonight,
18:45Gesundheit, madam.
18:46Tonight,
18:48Bess will be required
18:49to do some of the things
18:51that the other panelists
18:51have done on this show.
18:53Is that okay with you?
18:53Oh, I think that's
18:54a wonderful idea
18:55and I'm sure that Bess
18:56will appreciate
18:56your thoughtfulness.
18:57Oh, I'm sure she will.
18:58Like I did.
19:00Will you call the panel
19:01back in, please?
19:03I hope I didn't
19:04embarrass you, ma'am.
19:05It just kind of came
19:06at a funny pause.
19:07I thought it was interesting.
19:09I didn't mean
19:09to call attention to you.
19:10Panel, here they come.
19:11All righty.
19:14Now, panel,
19:16as you take your seats,
19:17will each of you
19:18put on your blindfolds
19:19with the exception
19:20of Bess Meyerson,
19:22who will please
19:23bring her blindfold
19:24stage center.
19:26Wait, wait.
19:27Just the blindfold?
19:28Just the blindfold.
19:30Everybody else,
19:31blindfolds on,
19:32you may each
19:32remove your blindfolds
19:33at the end
19:34of your particular
19:34period of questioning.
19:36Now, Bess,
19:37you want to step
19:38center with me
19:39a little farther back?
19:40Now, put your
19:41blindfold on.
19:43I will tell you, panel,
19:44and by the way,
19:45Bess, you're going to
19:46have the first
19:46questioning period,
19:47that Jane's secret
19:49concerns something
19:49that she will be doing
19:51during the questioning
19:51period.
19:52And Jane,
19:52do you want to start?
19:53All right, Gary.
19:54I'd love to.
19:55Mm-hmm.
19:57Now, Bess,
19:58if you will,
19:58before we start
19:59the questioning period,
20:00put yourself
20:00in my tender hands
20:01and I will not harm you.
20:03Hmm?
20:03Now, don't move.
20:04A young man is going
20:05to grab your other arm
20:06and you're going to
20:06step up onto a
20:07platform.
20:08One.
20:08There you go.
20:09Now, one or two
20:10little more steps
20:11and a much higher
20:12platform.
20:13Much higher platform.
20:15There you go.
20:16Some kind of a scaffold.
20:18You're not to be hot.
20:20Now, Bess,
20:20turn around
20:21and face the audience.
20:23That's a little more.
20:24That's it.
20:25Now, hands up
20:26and elbows up.
20:27I'd like this.
20:28There we are.
20:29There you go.
20:30Thank you, young man.
20:31All right,
20:31you may start
20:32your questioning, Bess.
20:33Remember,
20:33it's something
20:34that Jane is doing,
20:35so ask your questions
20:36of Jane.
20:36Are you already, Bess?
20:38I'd like to know
20:38what I'm doing.
20:43Uh, hmm.
20:45Well, am I allowed
20:46to disclose the kind
20:47of feelings I'm having
20:48now?
20:48I mean, move this, Bess.
20:49No, don't get the,
20:51don't get the panel
20:51waiting here.
20:52Jane, what are you doing?
20:55I'm not doing a thing.
20:58You're not?
20:59Well, uh, Jane,
21:00are you moving this?
21:02Well, Gary,
21:02if I ask any questions,
21:03I'll have to reveal
21:04what's happening.
21:05I know there's a drawing
21:06board over there.
21:07Was that a drawing board
21:08near the desk?
21:09An artist's easel?
21:10No, not as it is
21:11being used tonight.
21:12Oh, it isn't.
21:13Are you, you're not
21:13drawing anything, are you?
21:15Or making any sense?
21:15No, I'm not.
21:16And I'm standing up?
21:18Yes, I am standing up, Bess.
21:19This is nice.
21:20She is standing up,
21:21and Bess, you may remove
21:22your blindfold now, there.
21:24All righty.
21:25All righty.
21:26Say nothing, if you please.
21:28And just move on down with us.
21:31Now, stand there,
21:31hold on to this stanchion here
21:34while we get ready
21:35for our next one.
21:36All right, gentlemen,
21:37remove it.
21:37Now, call,
21:38turn our attention
21:39to Bill Cullen.
21:40We'll get to the next
21:41questioning period,
21:42but before we do that,
21:43we have a little explanation
21:45to do.
21:45We hope that you
21:57will observe, please,
21:58Ms. Meyerson.
21:59All right, now,
22:00Bill Cullen,
22:01it's your turn to questions.
22:02Oh, do I stay here?
22:03Oh, stay right where you are.
22:04Just, uh, Jane,
22:06does what happened to Bess
22:07have anything to do
22:09with what is now out?
22:11Something was taken away
22:12and something was brought
22:13back in.
22:15Uh, yes, it does, Bill.
22:20Um, does it have anything
22:22to do, Jane,
22:23with while you were
22:24with us on the show,
22:24which was many, many
22:25happy years,
22:26as far as we're concerned?
22:33You mean what I'm doing now?
22:35Does it have anything
22:36to do with the show?
22:36Yeah.
22:37Uh, yes, it does.
22:39Uh-huh.
22:39Because I heard a machine
22:41when...
22:41I heard a machine
22:43when Bess was up there.
22:44Yes.
22:46It sounded like a,
22:47what do you call them,
22:48exercise-type machine.
22:49Was it one of the...
22:50Oh, it did?
22:50Yes.
22:57You can remove
22:58your blindfold, Bill.
23:00Say nothing now.
23:01Oh, I remember.
23:02Forty dollars down,
23:03and so,
23:03forty dollars to go,
23:04and so we go,
23:05please, to each
23:06Betsy Palmer.
23:08Thanks a bunch.
23:10Ugh, Betsy.
23:11No, I didn't mean that.
23:11Um, did some of these,
23:15are all these things
23:15that are happening
23:16individually,
23:17things that happened
23:18to you, Jane,
23:19while you were a panelist
23:20on the show?
23:21Uh, you're close, Betsy.
23:25Really?
23:25And you're making
23:26everybody else
23:27go through them now?
23:28Uh, no,
23:29that is not right.
23:30Uh, uh...
23:32Sixty dollars down.
23:38Oh, I remember.
23:40And you were so close
23:41to right,
23:42we're gonna have to go for it.
23:43Yes, uh, Henry,
23:44take off your, uh,
23:45your blindfold.
23:45I remember.
23:46Oh, my.
23:47Bets, Bets.
23:49No, let's get the hula-hoop.
23:51Bets.
23:51Well, obviously,
23:52she's taking Betsy.
23:53What we were trying to do
23:54was we were trying
23:55to give you
23:56all of the sweet memories
23:57that Jane was able
23:58to pile up
23:59over a series of years,
24:00but if you step over here,
24:02dear,
24:02we'll skip the hula-hoops.
24:03There is one more stunt
24:05that the panel went through
24:06that you have not
24:06participated in.
24:08Oh, no!
24:21Bets, you have to.
24:22I did it.
24:23You want to show me how?
24:24Show you how?
24:26Be our guest.
24:27Oh, boy.
24:28Why don't you hold it?
24:29Take her off.
24:30Take her off.
24:30No!
24:32Take her off.
24:33Take her off.
24:48This has been a Mark Goodson,
24:50Bill Todman production.
24:51Ms. Myers is down by Sorelle.
24:52This is John Cannon speaking.
24:54It has to, uh,
24:55cut short tonight's performance,
24:57but it's pretty dark if the cow had no...
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