- 8 months ago
Category
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TVTranscript
00:00I got a picture!
00:02I got a picture!
00:04I got a picture of you and found that he had fun, photography, humor.
00:07Yes, of course, the T.O. and Grygors
00:10have all the time for every single idea.
00:13Things are not like we have to deal with.
00:15The Sonia is preparing the Lola.
00:17I was first to come to this room and I was able to do it
00:20and I was going to say something before we were going to get it.
00:23You have a very important note in relation to the Ataliyah.
00:27The secret is called a false.
00:29He's saying that he's lying to me.
00:31Is that possible to get away two weeks before and get away from the dead?
00:35There is a crime to get out of there.
00:37There is no doubt it is.
00:38For a long time I feel like I got out of the way.
00:46Grigodhich?
00:47Atome.
00:48Bagdad!
00:50But now, when we have a brother here,
00:53we can move to the house.
00:56In the meantime, we will turn around.
01:26Lola, allo, lola,
01:29Ne ragrosz pas,
01:31Ne mets pas de oula, lola,
01:34Ola.
01:35Allo, lola,
01:37Comme un gaston,
01:39Si le coeur qu'il fait,
01:41Boum, il se veut,
01:43Allo, lola,
01:45Choula, μου, έφτιαξα τσαγάκι και σου έφερα κι εσένα.
01:48Σου ζήτησα εγώ τσά, ε.
01:50Όχι, αλλά δεν χρειάζεται να σου ζητήσει κάτι κάποιος για να το κάνεις.
01:54Πρέπει να διαβάζεις τη σκέψη του.
01:56Τότε δεν ξέρεις διαβάζεις.
01:58Γιατί αν είχες διαβάσει σωστά τη σκέψη μου,
02:02θα σου αλεγέω ότι I hate tea.
02:04Γιατί η κορίτσι μου τι σου έκανε.
02:06Είναι και mountain tea.
02:08Αυτή η φακαλή των υπαλλήλων πρέπει να πάνε στο αρχείο, you know.
02:16Αχ, τουλά, μονάξερες τι μου θυμίζεις.
02:18Όταν ήμουνα μικρή πουλές,
02:20ο παππούς μου βούλευε λογιστής ένα βενζινάδικο.
02:22Και κάθε Σαββατοκύριακο με έπαιρνε μαζί του
02:24και με έβαζε να αρχαιοθετώ τα τιμολόγια.
02:26Μου άρεσε τόσο πολύ,
02:28που όταν με ρωτάγανε τι θέλω να γίνω όταν μεγαλώσω,
02:30τους έλεγα γραμματέας.
02:32Είσαι πρώτος άνθρωπος που γνωρίζω που ονειρευόταν να γίνει γραμματέας.
02:38Εγώ νόμιζα πως κάποιος καταλήγει να γίνει γραμματέας,
02:42επειδή δεν έχει προσόντα να γίνει κάτι άλλο.
02:44Καλύτερο, you know.
02:46Τι κάνετε, πάπα, τσαγάκι πίνετε.
02:50Ναι, έφτιαξα και στην ντούλα, αλλά δεν της αρέσει το τσάι.
02:52Μου άρεσε εμένα, θα το πιέγω.
02:54Άνοιξε πέτρα, για να πω, ήλιος να μη, ήλιος να μη με βλέπω.
03:14Α, αγάπη μου, με τρόμαξες. Μου έκοψες το αίμα.
03:18Συγνώμη, συγνώμη που σου διέκοψα δω τραγούδι, συγνώμη.
03:22Προσπαθώ να διώξω τη φίλψη μου, και ένας τρόπος είναι το τραγούδι.
03:26Εσύ γιατί είσαι έτσι, έγινε κάτι στο περιοδικό.
03:29Έγινε κάτι στη ζωή μας, Ναταλία.
03:32Και αυτό είναι πολύ πιο σημαντικό από το περιοδικό.
03:34Δεν νομίζεις, ε.
03:36Το τελευταίο πράγμα που με ενδιαφέρει αυτή τη στιγμή είναι το περιοδικό.
03:39Είμαστε σήμερα όλη η μέρα στη δουλειά και δεν μπορούσα να συγκεντρωθώ τον λεπτό.
03:43Ε, καλά, μη πας για λίγες ημέρες.
03:46Ναταλία, σε παρακαλώ, αυτό που συνέβη δεν είναι κάτι μικρό.
03:51Και βέβαια δεν είναι κάτι μικρό.
03:53Γι' αυτό και εγώ προσπαθώ να σταθώ στα πόδια μου.
03:56Προσπαθώ να δω τι θα κάνω στη ζωή μου.
03:59Το είπα στη Μελίνα.
04:01Γιατί?
04:02Δεν έχεις πάντως δίκιο για το επάγγελμα της γραμματέως.
04:05Είναι υποτιμημένο.
04:06Αλλά και μεγάλες ευθύνες έχει και μην ξεχνάμε ότι έχει γίνει και ταινία.
04:11Ακούσε κοπέλα μου.
04:13Εγώ ήρθα εδώ να βάλω τα πράγματα εν ώρα και να θέμαθω να δουλεύεις φάστε.
04:18Αυτός ο πολύ ωραίος τρόπος που έχεις να σπαταλάς το χρόνο σου και το χρόνο των άλλων.
04:24Νομίζω δεν πηγαίνει και πολύ μπροστά την εταιρεία, you know.
04:27Δεν σπαταλάω το χρόνο μου ακριβώς, αν θες να ξέρεις, τούλα μου.
04:30Σε βοηθούσα να μαζέψεις τους φακέλους που μόλις έχεις έξι κάτω.
04:33Πήγαινε τους φακέλους του αρχείου τώρα.
04:35Μα τα αρχιά τούλα μου, είναι κλειστά αυτή τη στιγμή.
04:38Αύριο το πρωί που θα έρθω πρώτη, όπως πάντα, θα είναι το πρώτο πράγμα που θα κάνω.
04:42Μην ανησυχείς, χαλάρωσε, θα πάβεις και τίποτα.
04:46Να σου πω, θέλεσαι λίγο που θα ασχολάσουμε να πάμε στον παρακούντα.
04:50Πάντα εκεί πάμε, είναι το στέκι μας.
04:52Και τι μενιάζε εμένα ποιο είναι το στέκι σας.
04:55I have my private life, you know.
04:57Δεν έχω σκοπό να συναντάω υπαλλήλους και εκτός δουλειάς.
05:06Πού είναι ο Γρηγόρης.
05:09Του παρακούντα, τα πίνει.
05:11Τώρα θα σου πω πώς θα τον πηγεί.
05:13Δεν πρέπει να της μιλήσω.
05:15Δεν μπορούσα να την αφήσω να ονειρεύεται για κάτι που δεν πρόκειται να συμβεί.
05:19Δεν θα παίζω εγώ με τις ελπίδες της κόρης μου.
05:22Εντάξει.
05:23Εσύ, το είπες στους μονείς σου.
05:25Όχι ακόμα, μα δεν μπορώ.
05:28Αγάπη μου, δεν είναι κανένας απ' τους δύο σε θέση.
05:31Να μάθει κάτι τέτοιο, αυτό θα τους σκότωνε.
05:34Σε παρακαλώ, αυτό που μου ζητάς είναι πάρα πολύ εγωιστικό.
05:37Εγωιστικό, ξαφνικά είμαι και εγωιστής.
05:41Ωραία, πολύ ωραία λοιπόν.
05:42Εγώ ξέρεις τι λέω, μη τους πεις τίποτα.
05:44Τίποτα, ελικρινά.
05:45Ας τους ανθρώπους να μας κάνουν δώρα σπίτια,
05:47να μας κάνουν δώρα για το κάμμο μας,
05:49να ετοιμάζουν εκκλησίες, τεξιώσεις,
05:52να μας κάνουν ένα δώρο ταξίδι του Μέλιτος.
05:55Τι λες, έστες ένα τροπικό νησί.
05:57Θα σου κάνει καλό νομίζω για την εγκυμοσύνη, τι λες.
06:00Είσαι πάρα πολύ άδικος.
06:02Άδικος.
06:03Όχι Νατάλια μου, εσύ είσαι άδικη.
06:06Γιατί είναι πολύ μεγάλη η αδικία να αφήνεις τους ανθρώπους που αγαπάς
06:10να κάνουν όληρα για κάτι που δεν πρόκειται να συμβεί.
06:13Και το ξέρεις.
06:14Λοιπόν, θέλω να μιλήσεις στους γονείς σου σήμερα κιόλας
06:18και να τους πεις την αλήθεια.
06:20Συνεννοηθήκαμε.
06:22Ρτυedia
06:29Ρτυ Raum
06:42Είσαι μεγάλο έγκλημα.
06:44Δίκανες αγόρι μου. Παρανοείσαι τελειώς.
06:46Ναι ρε, γιατί ήξερα στους χάμανου φίδι είσαι.
06:50Αν νόμιζε ότι τουλάχιστον αυτή τα παντελόνια σου ήχε....
06:52Opa, opa, opa, opa!
06:53But you don't have it! You're a kid!
06:55And with what you did, you had to lose it.
06:59What did we do?
07:01You don't care about it, right?
07:03No.
07:04I'm sorry.
07:05You're a problem with me and me and you.
07:08You didn't have to lose it for the rest of you?
07:11I don't remember what you were saying.
07:13I remember something about it.
07:22Are you still here? What do you think?
07:33Are you still here?
07:36Yes.
07:38I'm always waiting for a while,
07:41because these people are very important.
07:44And for me, it's the most expensive time of the day.
07:48I don't like to spend the most hours on my work.
07:52Because I didn't have to do it.
07:54Yeah, good.
07:55Are you still here?
07:56You are still here.
07:57I'm still here, I'm still here.
07:59I'm not sure.
08:00You should be here.
08:01No.
08:02No.
08:03No.
08:04No.
08:05No.
08:06No.
08:07No.
08:08There's no more.
08:10I don't want to wait for you.
08:11I don't know.
08:12You're here.
08:13It's the same thing.
08:15You're here.
08:17I'm going to wait for a project.
08:18What happened?
08:20What happened?
08:22Something happened to me!
08:24Let me see!
08:26Let me see something!
08:28Something happened!
08:30I don't see anything!
08:32Okay!
08:34Thank you!
08:36Do you know that
08:38while we are alone here
08:40I will tell you something
08:42I will tell you something!
08:44Please!
08:46Please!
08:48Please!
08:50Please!
08:52Please!
08:54Please!
08:56Why are you?
08:58You are a very happy!
09:00You are a very brave!
09:02I have a lust.
09:04I will tell you!
09:06Please!
09:08Please!
09:10Please!
09:12I wasn't going to give you the answer.
09:13I didn't want you to give me the answer!
09:14That's why I didn't give you the answer!
09:16When I give you the answer, I just give you the answer!
09:17Why did you give me the answer?
09:20Yes, I didn't give you the answer!
09:22You're right!
09:24You're right!
09:26You're right!
09:27You're right!
09:28You're right here!
09:30What's your answer?
09:32Why did you get the answer?
09:37These women are wrong!
09:38I'm not so happy to leave.
09:41Let's go to the Mauna.
09:43This is a very difficult task.
09:45I'll eat it!
09:47I'll get the social media out of the way!
09:54This is a mess.
09:56Are you ready?
09:57Are you waiting for a mess with a mess with a mess?
10:00Yes!
10:01This mess will be used for a photo of James Bond.
10:05Now I'm going to take a look at you.
10:08Come on!
10:10Come on!
10:11Come on!
10:12Come on!
10:13Come on!
10:14Come on!
10:15Come on!
10:16Come on!
10:17Come on!
10:18Come on!
10:19I'll tell you something.
10:20You're a lot of sympathy.
10:22And I...
10:24And I...
10:25But I'm straight.
10:27This is a personal issue and it's an absolute aspect.
10:31I'm talking about something else.
10:33I'm talking about the information that I made
10:35about the company's office and the company's office
10:38and I'm going to take a look at you.
10:39You're a good job.
10:40You're a good job.
10:41I'm really good.
10:42You're a good job.
10:44You're a great job.
10:45I'm really good.
10:46You're good.
10:47You're good.
10:48The opportunity to win the hell, and to prove that you are the best of the place for your place.
10:54Sonia, what do you mean now?
10:58I'm telling you that I've put the name of the Natalia in the list that I'm ready for Jim Aniston.
11:09Oh, my girl! I did three of them before I do it.
11:15Isn't that so important?
11:17I didn't know that I didn't know. I didn't know that I thought it was so important.
11:23What do you mean?
11:24I didn't know that she was so important.
11:27I didn't know that she was so important, but she was in the best house.
11:31In case you, and I'm sorry to tell you, it's because you have a lot of anxiety.
11:36You don't want to get out of me.
11:39You are the father's father.
11:41You have two months to buy a house.
13:14You are the father.
13:15You are the father.
13:17You are the father.
13:19You are the father.
13:21You are the father.
13:23You are the father.
13:25You are the father.
13:27You are the father.
13:29You are the father.
13:30Please wait, don't you ever start me thinking, don't worry about it!
13:37That's a thing I can't believe.
13:40You are a girl, Greg.
13:42You are a girl.
13:44I'm a girl who are a kid.
13:45I'm a girl who is a woman.
13:48I'm a girl who is a girl who is a body.
13:50I'm one of the two of you.
13:53I'm a girl who is a woman.
13:56Yes?
13:57I'm a girl who is a woman.
13:59I can't describe what you feel!
14:29You're wrong!
14:31I have heard of him and said to him!
14:33Please don't tell me that!
14:35Don't tell me that!
14:37I'm not going to be a girl!
14:39I'm going to be a girl!
14:41We are going to be a girl!
14:43Oh, my God, where is this situation?
14:59I don't know. I'm going to put it on one side. I'm going to put it on the other side.
15:03I'm going to put it on a half hour and I'm going to put it on the other side.
15:06Then I'm going to put it on the side.
15:13I'm going to put it on the side.
15:22I'm going to put it on the side.
15:24I'm going to do it on the side.
15:27How do you think?
15:29Yes, I'll let it on the side.
15:34Here it is, Mr. Romain.
15:43Oh, Giosu Nathalia, where are you from?
15:45I wanted to see my father.
15:47She's in the kitchen.
15:49She's in the kitchen and she's in the kitchen.
15:59A...
16:01A...
16:02A...
16:03A...
16:04A...
16:05A...
16:06A...
16:07A...
16:08A...
16:10A...
16:15A...
16:18A...
16:20A...
16:25A...
16:27A...
16:28A...
16:31A...
16:31Imagine...
16:38You're a little scared.
16:39You're a little scared.
16:41You're a little scared.
16:43From the night that you saw you, you saw him.
16:45Why are you holding him in the mirror?
16:47Why are you letting him go home?
16:48Why are you loving him and loving him and knowing him?
16:51And I love him, Natalia.
16:53You love him, I love him.
16:55You don't have to be, you understand?
16:57You don't have to be.
16:59And now, I'll leave you with my father's son.
17:02You are a young man!
17:03Don't go all this situation!
17:07What did you do, Baba?
17:09I'm going to go for a while!
17:12So there is a list with those who are going to be.
17:16The known black list.
17:18I was hoping to tell you the list of Sonia's list.
17:22For me, this is a list of Sidler's list.
17:25And this is exactly right, my friend.
17:27Because of this list, they leave the list from the company
17:31and those who are important and important, they can't do the job.
17:34I don't want to come to Jim and see the list of the list.
17:37And I'm going to leave the list.
17:39Yes, I understand you, Sonia.
17:40But for me, it would have been incredibly difficult to send the world to the list of the list.
17:45Oh, I don't want to show you these circumstances, my friend.
17:48I do not want to show you those good, because those who will leave,
17:51they will find something else that they will show you something else,
17:54if they have to show you, if they have to show you.
17:57And let's say, Sonia,
17:59except for the Natalia,
18:01who else is written in the list?
18:03I'm afraid.
18:04I don't want to tell you anything.
18:06I don't want to show you a woman who is afraid.
18:08I don't want to show you names.
18:10It's absolutely anti-apprentialism.
18:12Come on, here you are.
18:14It's nine o'clock.
18:15Nine o'clock?
18:17Who is Grigórez?
18:18How many hours do I have to wait?
18:19I have to wait for you.
18:19I have to wait for you.
18:21Bullshit.
18:22The bar is here.
18:24Bullshit.
18:25The bar is here.
18:27Fuck.
18:28I have to wait for you, son of a bitch.
18:30Bloody bastard.
18:31I have to wait for you, son of a bitch.
18:33Bloody bastard.
18:35Mm.
18:36It's good.
18:37It's good.
18:38It's good.
18:39It's good.
18:40It's good.
18:41It's good.
18:42It's good.
18:43It's good.
18:44It's good.
18:45It's good.
18:46It's good.
18:47It's good.
18:48It's good.
18:50It's good.
18:51It's good.
18:52It's good.
18:53It's good.
18:54It's good.
18:55It's good.
18:56It's good.
18:57It's good.
18:58Unai.
18:59It's good.
19:00It's good.
19:01It's good.
19:02It's good.
19:03Then, come on.
19:04Come on, Violet.
19:05I've said.
19:06Oh, there's no way, if l口 of a reason.
19:07You're able to keep the problem quick.
19:09That's nice stuff right now.
19:10awesome吉 UC好吧.
19:11Tell me, tell me!
19:41Oh, my God!
19:43You don't know what I'm doing, right?
19:45You're right!
19:47Why are you doing this?
19:48You're right!
19:49I'm just going to do it!
19:51You're right!
19:53You'll reply to me, my dad!
19:55I'll tell you anything!
19:57You're right!
19:59I had a good train!
20:11what is it?
20:13I'm sorry
20:15I'm sorry
20:17You're so sorry
20:19What's your fault?
20:21I'm here
20:23for Nathalia to tell you about the abuse
20:25and the abuse
20:27Why are you not in there?
20:29I'm not leaving
20:31I'm happy
20:33I'm so sorry
20:35that I was so sorry
20:37I'm so sorry
20:39I'll ask you what I'll do next to my head.
20:43I want to see you next to me.
20:45I'll give you a hug.
20:47I'll give you a hug.
20:49But you've got to see it.
20:51You've got to see it now.
20:53No, no, no, no.
20:55The only one who kept me close to you was a child.
20:59Now it's not a child.
21:01Yes, it's all good, but we don't have to be here.
21:03Do you understand?
21:05Where are you?
21:07You're a child.
21:09You're a child.
21:11I don't believe that you're a real person.
21:15It's not a joke.
21:17You've got to see it.
21:19You've got to see it.
21:21You're not a child.
21:23You're not a child.
21:25You're a child.
21:27You're a child.
21:29You're a child.
21:31You're a child.
21:33No, no.
21:35It's the only thing.
21:37You're not a child.
21:39You're a child.
21:41You're a child.
21:42You're a child.
21:43You're a child.
21:45Let's go!
21:47Let's go!
21:49Let's go!
21:51Let's go!
21:53Let's go!
21:55What do you mean?
21:57What do you mean?
21:59You know how many years you've been?
22:01You can't be able to do it for me!
22:03I don't know!
22:05She's not a woman!
22:07What do you mean?
22:09I don't know!
22:11I don't know!
22:13You have a man!
22:15You have a man!
22:17You have an image!
22:19You have to do it!
22:21What do you mean?
22:23You have to do it!
22:25You can't do it!
22:27Let's go!
22:29You have to do it!
22:31I don't have the same time!
22:33You have to do it!
22:35You have to do it!
22:37You have to do it!
22:39Do you have a boy?
22:41Do you want to play with me?
22:43Okay, I don't know how much I can do it.
22:45It depends on how much I can do it.
22:47But I don't want to be able to do it.
22:49But I don't want to be able to do it.
22:51Because the girls who are with you,
22:53are the same for the galathia.
22:55I keep holding 10% because the girls are crazy.
22:57Oh my God!
22:59Are you kidding me?
23:01I'm a hero! I'm a hero!
23:03I'm a hero!
23:05Is it your hero?
23:07Yes.
23:09Let me start!
23:11What?
23:13I'm a hero!
23:15What?
23:17What?
23:19What?
23:21What?
23:23What?
23:25What?
23:27What?
23:29What?
23:31What?
23:33What?
23:35What?
23:37What?
23:39What?
23:41What?
23:43What?
23:45What?
23:47What?
23:49What?
23:51What?
23:53What?
23:55Yes, I have a reason. It's wrong.
23:59It's a bad idea.
24:00GRIGORIE, for your sake, you're a good example.
24:03You're only a good one and not a good one.
24:05Because if I understand the second one,
24:07the position of Jim Aniston will be very difficult.
24:10Don't speak for your position.
24:20Oh, my God, my God, my God, my God,
24:22it's not a problem.
24:23It's a great deal.
24:25You have a great deal.
24:27You're a great deal.
24:29You've got to find yourself better as a judge.
24:31I'll show you more than a person.
24:33I'll show you.
24:35I will show you.
24:37I love you all.
24:39I love you all.
24:41I love you all.
24:43I love you all.
24:45And I'll say to you in your case,
24:47I will do it.
24:49I will do it.
24:51I wanna go out the door!
24:53Come out!
24:55First I'll clean your face
24:57and then I'll clean your face
24:59Come out!
25:01What's going on?
25:03What's going on?
25:05Hi!
25:07I'm coming off my way!
25:11I'd say it!
25:13I'd say it!
25:15So, Nathalia,
25:17tell me!
25:19You tell me what are you doing here with the Lola?
25:32Algyrie, what did you do?
25:34There was something in Anathalia.
25:35There was something.
25:36Lola, let's go to the kitchen and put it in the kitchen.
25:39If you want to put it in the kitchen, you'll find it in the kitchen.
25:45Algyrie,
25:47I'll tell you something.
25:49If I put it in your kitchen and put it in the kitchen,
25:53I'll tell you something.
25:55Yes, I'll do it.
25:56I'll do it.
25:57I'll do it.
25:59I'll do anything for you.
26:01Okay, I'll do it.
26:03I'll do it.
26:05What are you doing?
26:07I'll do it.
26:11I'll do it.
26:13I'll do it.
26:15I'll do it.
26:17I'll do it.
26:19I'll do it.
26:21I'll do it.
26:23I'll do it.
26:25I'll do it.
26:27I'll do it.
26:29I'll do it.
26:32I'll do it.
26:33And I'll do it.
26:35That the only thing that he was together with the Nathalie was the child.
26:40And now that he doesn't have the child, he doesn't have the child.
26:43He's a very nice man.
26:45He's a very nice man.
26:47He's a very nice girl.
26:49He's a very nice man.
26:51He's a very nice man.
26:53The only reason he was with the Nathalie,
26:55was because he was the father of the child.
26:57He didn't get any attention to him.
26:59He's going to give him a gift for his wife.
27:01He's going to grab him.
27:03What?
27:05You're a very nice man.
27:07You're a nice man.
27:09You're a nice man.
27:11You're like it.
27:13You're a nice man.
27:15I love you.
27:17I love you.
27:19You're a nice man.
27:21You are the nice man.
27:23You need to talk to him.
27:25You need to talk to him.
27:27And then he's...
27:29He's happy for you.
27:31Do you think it's true?
27:32It's true.
27:33It's true.
27:34I'm here.
27:35And I'm going to tell you the truth.
27:37I don't know what I'm talking about.
27:39He loves you.
27:40He loves you.
27:42And this is maybe the opportunity to give you a life for you.
27:46Why do you want to put your hands on your hands?
27:50I don't want to say anything.
27:52I don't want to say anything.
27:54I don't want to say anything.
27:56I just want to say anything.
27:59Tell me.
28:00I don't know.
28:01It's totally different.
28:02It's totally different.
28:03MMMM.
28:06What do you want to say?
28:08My eyes are, my eyes.
28:09He's having been very verbal with me.
28:11He's having a very emotional feeling.
28:13What am I saying?
28:15What is it, I don't want to say anything.
28:17Who has happened to you?
28:19And my eyes are struggling.
28:21We're looking at people with each other.
28:24If you look at my eyes and people with each other,
28:26I'm going to be happy with each other.
28:28You are not dead.
28:30You are not dead.
28:32I will not be a child of the zoomer you.
28:34You are on the floor.
28:36You are not getting ready to start.
28:40You are not getting ready to go.
28:42You are not a child of wanting to go.
28:44Hear what it sounds like.
28:46You are not having a weapon at all.
28:48I am not going to reach you.
28:49You are how you should attend from this sex scene.
28:52And I would not be idle.
28:54Oh, yes.
28:56You are so sorry, I'm sorry
28:58But if I didn't come to the idea of this,
29:00The Lola with the light will not be able to go.
29:02Do you think you would be able to go with it?
29:04Or do you think you would be able to get married?
29:06Your idea was a great idea.
29:08Your idea was a great idea.
29:10Your idea was a great idea.
29:12And what do I do?
29:14You have two options.
29:16One, you have to take a nap.
29:18And the second one, you have to take a nap.
29:20You have to take a nap.
29:22You have to take a nap.
29:24You have to take a nap.
29:26And you have to take a nap.
29:28You'll get eight years away so far.
29:30You have to take a nap.
29:36OK, and you are close.
29:38If I'm haves up for you...
29:40I will not
29:50There is no place here.
29:53Where are you? Why are you?
29:56Why are you giving us the opportunity?
30:01What are you doing?
30:05It's a yellow list.
30:07What?
30:08It's a yellow list.
30:09It's a yellow list.
30:11It's a yellow list.
30:12It's all the names of all those who will be.
30:16What are you doing?
30:17What are you doing?
30:18What are you doing?
30:19You're doing the same.
30:20You're doing the same.
30:23What are you doing?
30:24One, but one.
30:25Not one point.
30:26I'll tell you, I'll give you the opportunity.
30:28I brought it to you.
30:29I gave you the obstacle.
30:31I know what am I doing?
30:32I came to go with the first time.
30:34I'll do this.
30:35What are you doing?
30:36I'll go with that!
30:37But that's why I'll get you.
30:39What am I doing is I'm not thinking about?
30:40I'm taking you for my own job.
30:41I'm feeling it!
30:42I'm getting you!
30:43I'm improving!
30:44I'm losing my job!
30:45I'm losing my body!
30:47No Julia, no!
30:48Julia, it's not your name.
30:52What's your name?
30:54Is it your name?
30:56Why are you doing it?
30:58Why do you do it?
31:00I don't know how much I can say.
31:02The only thing I say is that there is a yellow list.
31:06We must have this list.
31:08Very nice.
31:10Is it your head-to-head?
31:12I'll find a list.
31:14I'll ask you a list.
31:18I'll ask you a list.
31:20Why did you give up?
31:22Well, I will ask you...
31:24if I can't read it...
31:26Is there anything you can ask?
31:28Are you ready?
31:30You're ready...
31:32Do I tell you what you are going up with?
31:34I'm happy with you.
31:36You see her from her apartment,
31:38and she's a official attorney.
31:40And this guy...
31:42Yoast?
31:44So...
31:46I am a lawyer of the Nathalie.
31:49So?
31:50In the case of the Detspeynes,
31:52the Detspeynes has imposed a nevrical clonishment.
31:54Nevrical clonishment?
31:56Is that so?
31:58Yes, sir?
32:00The Detspeynes has a disease.
32:02This is incredibly important for the children's children.
32:04For the whole,
32:06there is a 75% of women who have been a disease
32:10and have a disease.
32:12Yes, we are at the 75%!
32:16What are you doing now?
32:18I'm going to take care of you.
32:20I'm going to take care of you.
32:22Because there is even a risk of having an autochromion.
32:28Good job!
32:30I hope that this is the end of your life.
32:32It's a great talent.
32:34It's just a great talent.
32:36It's just a great talent.
32:38I don't think it's a great talent.
32:40I'm going to take care of you.
32:42He hasn't even watched it yet.
32:44It was 3 years old when I was dead.
32:46I'm going to take care of you.
32:48Don't worry about it's a great talent.
32:50How do you do that?
32:52You come here?
32:58Hey, Dany,
33:00can I do it?
33:02Yes, I will..
33:04Oh my god.
33:06I guess, you can go for my phone.
33:08What are you doing?
33:10What are you doing?
33:12What are you doing?
33:14I don't know.
33:16I don't know, my dear.
33:18I don't know what's happening.
33:20I feel like I'm feeling my feelings.
33:22I feel like I'm my head.
33:24I feel like I'm my head.
33:26You're better to put a bath and then you're going to get a little bit of a bath.
33:32Do you need to help me?
33:34I need to help you.
33:36I need to help you.
33:38I have only one.
33:40I'm just so happy.
33:42You're listening to me.
33:44I'm going to wake you up and then we'll see you tomorrow.
33:48What do you want?
33:50What do you want?
33:52I don't want to walk you up.
33:54Let's go to work.
33:56Let's pray.
33:58I'm going to wake you up.
34:00I don't want to leave you here.
34:02I'll tell you what I'm going to do now.
34:05Don't tell me what I'm going to do.
34:06Did you hear that?
34:07I don't want to lose anything.
34:10I'll take it. I'll take it.
34:12I'll take it. I'll take it.
34:14I'll take it. I'll take it.
34:25Get your hands!
34:32I'll take it.
34:51I'll take it.
35:01She's not a good person.
35:03She's not a good person.
35:05She's not a good person.
35:07She's not a good person.
35:15Hey, my friend!
35:17I'm not a good person!
35:23Let's go!
35:25Come on, my son, to tell you about your name
35:27about the letter of the Lola.
35:29Tommy, we are now going to be the author of the Lola.
35:32Otherwise, we are going to be the author of the Lola.
35:34The list?
35:35The list we found?
35:37The list we found?
35:38Yes, GRIGORIE.
35:39He is the head of your head.
35:41Did you tell me anything about the list?
35:43Yes.
35:45I'll give him the list when I give him the statement.
35:50The Parthenos Simeo.
35:54Julia, tell us to go to Niko.
35:57Niko, please.
35:58The Parthenos Simeo.
36:01What?
36:02What?
36:03What?
36:04You are going to take the list?
36:05Why are you, GRIGORIE?
36:06Why are you not?
36:07You are the special, GRIGORIE.
36:08GRIGORIE, you are as a man.
36:10Come on, GRIGORIE.
36:10Let me, let me.
36:11I don't have a coffee.
36:12I have no coffee.
36:14I don't have a problem.
36:14Let me.
36:15Let me.
36:23Let me.
36:23As you are ending with the tracet,
36:24you will be the US.
36:27You'll get this description.
36:29And you'll get this description.
36:33There's no problem.
37:27It's a giant and a little bit of a fool.
37:29He's a very aphilic.
37:33He's a very aphilic.
37:35He's a very aphilic.
37:37He's a very aphilic.
37:39That's right.
37:41I wanted to say that.
37:43I can't!
37:45I'm aphilic!
37:47That's right.
37:49That's it.
37:51That's right.
37:53And that's it.
37:55I'm sorry, I'm sorry that I'm sorry, but someone asks me to ask me.
37:59Me? Who is it?
38:01Let's see how they call it...
38:03...Turk-Andonis, Turko-Georgis.
38:07Turko-tie? Do you know what you're talking about?
38:10I don't know. I don't know. I don't know.
38:13No, no, no. It's the Turko-Georgis.
38:16Let's see.
38:25Where are you? I don't see anyone.
38:33You're the Turko-Georgis!
38:36You're the Turko-Georgis!
38:39I've got a lot of trouble.
38:41Sorry, Sonia.
38:43I'll see you next time.
38:45You'll use the Intercom.
38:47Yes, absolutely.
38:48I'm sorry.
38:55Oh!
38:56If I need you, that's you now.
38:58I'm sorry!
38:59You're late.
39:00I will, I will?
39:01You are feeling tuyenne's me?
39:04Familiar würdeよい?
39:05Better than ever.
39:09I'll see!
39:14I missed you now.
39:16I will.
39:18Do you have a few words before.
39:20Excuse me.
39:22I will cover you now?
39:24I'm sorry, Sonia, I don't know what you're doing.
39:26I have. I have to keep my very important story with you.
39:30I just wanted to leave this.
39:35Go down.
39:36What?
39:37What?
39:38The sign of the diary.
39:54Tula.
39:55Yes?
39:56I want you to keep this.
39:57Of course.
39:58Take good care of it.
40:00It's your responsibility now.
40:02Okay.
40:03Don't worry, Sonia.
40:08Give it in.
40:09No.
40:10Stay away from me.
40:12Over my dead body.
40:18Don't give us ideas.
40:20Don't give us ideas.
40:22I want you to be.
40:24I will be able to experience it.
40:26Would you like it?
40:27I will.
40:28Yes, sir.
40:29The power of me.
40:36What's that?
40:37What?
40:38What's the answer?
40:39What is it?
40:40What is the fortune?
40:41Who is the potential in front of me?
40:42It's a true information.
40:43What is it?
40:44Just a little.
40:45Just a little bit.
40:46Oh, please.
40:47Please.
40:48I'll tell you.
40:49I'll tell you.
40:50Come on.
41:20Come on.
41:32I've been waiting for you all the day.
41:35I came.
41:39Oh my God.
41:50Oh my God.
42:07Oh my God.
42:10Oh my God.
42:12What happened?
42:13Did you realize that we were in the briefcase?
42:15Oh no.
42:17I don't believe this is what I do
42:20I'm a man who doesn't have enough
42:25You're going to get married to the girl
42:27That's what I told you
42:28That's what I told you
42:30I told you
42:31I told you
42:32I told you
42:34Not yet
42:35But...
42:36What?!
42:37What?!
42:38What?!
42:39What?!
42:40What?!
42:41What?!
42:42Lola
42:43Today
42:44I have to kill you
42:45I need for a job
42:46I feel like this
42:47I have no one
42:48I have no one
42:50Nothing
42:51I don't understand
42:52When I go to the hospital
42:54I just found out
42:56I fell in fear
42:57And judge
42:58I looked at my mother
42:59I was a things
43:04I could not leave
43:05I felt like that
43:07I felt like that
43:09I did not look at her
43:11I can help
43:12She reminds me
43:13Just a little time, only this time.
43:16Just a little time. If I miss you, I will give you the time.
43:26In the meantime.
43:29I will do everything for you to make me happy.
43:33I love you as a dredor.
43:36I am a man who is a man who is a man who is...
43:40There was no doubt.
43:42The Lola had begun to tell her about her as a real woman.
43:47Because she had done the first time of the show.
43:50She made a real woman when she is a real woman.
43:53She agreed to play the second role.
44:10New Activity wasorgt for her.
44:12Um...
44:13Usher...
44:15The Lola...
44:17A stop.
44:19A stop.
44:20Mazda has beenated.
44:24In the meantime.
44:30That stood in front of the lamp.
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