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  • 2 days ago
Poker Face Season 1 Episode 8

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Fun
Transcript
00:0020 years ago
00:02Don't you think I would?
00:05That's it
00:06Max!
00:13Max!
00:14You understand?
00:16I know you do
00:17Oh!
00:30I know you do
01:00Oh!
01:02I know you do
01:04Oh!
01:06Oh!
01:08Oh!
01:10Oh!
01:12Oh!
01:14Oh!
01:16Oh!
01:18Oh!
01:20Oh!
01:22Oh!
01:24Oh!
01:26Oh!
01:28Oh!
01:30Oh!
01:32Oh!
01:34Oh!
01:36Oh!
01:42Oh!
01:44Oh, little kiddo
01:46Oh!
01:48Oh!
01:50Oh!
01:52Oh!
01:54Oh!
01:56Oh!
01:58Oh!
02:00Oh!
02:02Oh!
02:04Oh!
02:06Oh!
02:08Oh!
02:10Oh!
02:12Oh!
02:14Oh!
02:16Oh!
02:18Oh!
02:20Oh!
02:22Oh!
02:24Oh!
02:26Oh!
02:28Oh!
02:30Oh!
02:32Oh!
02:34Explosions new tools
02:37That's all it is
02:39CGI I
02:41Think you would have loved it if you gave it a shot. I needed something real to hold on to
02:51And the service was nice
03:04Laura, you're here for a reason aren't you?
03:10These were always my favorite
03:14I don't know how you do it
03:18Capture a soul with latex and paint
03:25Do you think it's possible to be forgiven by the dead no I tried for 30 years
03:34The best we can do is forgive ourselves
03:45Max and I were getting divorced
03:49I haven't spoken to him for years. I'm sorry. We were still partners at work. We kept the facade but at home
03:58Things had gotten really bad on the day. He died
04:01I asked him to come and see me to talk through some of the final things of the divorce agreement. One thing led to another and I
04:08I started a fight
04:10It was the same old fight sing it again
04:14But this time
04:16Something broke
04:18He ran outside from the house and he turned and looked at me one last time
04:23And jumped
04:32Oh, Jesus
04:33Before he went over the edge his eyes
04:37Eartha
04:44I came here to hire you
04:46No, no
04:47No
04:48I came here to beg you. I need you to make me one of your maquettes of max
04:55I need to look into his eyes and beg the forgiveness of a ghost and maybe he'll forgive me and maybe he won't
05:02Maybe I'm damned to follow him over that cliff
05:04Maybe I'm damned to follow him over that cliff
05:05But I need to know
05:06That's why I'm here
05:08That's why I'm here
05:16You can say it
05:18I've lost it
05:20I must sound nuts
05:22Grief is a strange creature
05:24I just can't let that be the last time that I see his face
05:28I need to apologize
05:29I need to beg his forgiveness and you're the only one who can bring him back from me
05:34You are the only one who can understand
05:36I know you do
05:38You would do the same thing
05:54In the last form, I might be the only one who can bring him up
05:56The first time of daylight
05:58You can put this in his かけれering
05:59You just want to watch on the floor
06:09This is a bit, I think, I would like him toкам the erstmal
06:12I like theutable bay
06:14I'm married
06:17I'm married
06:20I'm married
06:21I'm married
06:22You're the only one
06:24Max, oh Max, I'm so sorry.
06:43My God, Laura, my God, how could you?
06:57It was 40 years ago.
07:01If I could undo it, I would.
07:04But it's done.
07:07We're here and now.
07:10Forget that you saw it.
07:13And let it go.
07:15Laura, I can't.
07:16I can't lie about this.
07:18I came here to tell you that I'm going to take the footage to the police.
07:24Please.
07:25No.
07:26No, there's no other way.
07:28I've made up my mind.
07:35Okay.
07:38Just hold on.
07:54Has anyone else seen the footage?
08:06No one else but me.
08:08I wanted to tell you first before I went to the police.
08:13I owe you that.
08:16I think you should tell Arthur.
08:18Tonight.
08:19I think he would want to hear it from you.
08:22Before all this comes out.
08:25Max, you're right.
08:30All of this is right.
08:32And now that I have accepted it, it's like a weight has been lifted from my shoulders.
08:38Thank you for being strong for both of us.
08:41I can't feel my hands.
08:45What did you do?
08:46It's already in your system and in a few minutes your heart will start to slow.
09:00It will be painless just like falling asleep.
09:03Max, there's nothing that you can do.
09:08Just let it happen.
09:11You're insane.
09:14The footage locked on my drive, Laura.
09:18You can't get to it.
09:20I have all of your passwords.
09:23I'll delete the file and burn the original film.
09:27This is everything, Max.
09:30This is everything that is mine and I can't let you take it.
09:34Max.
09:35Max!
09:36Max!
09:37Max!
09:38You understand?
09:39I know you do.
09:41You would do the same thing.
09:42Look into my eyes, Laura.
09:43Remember this.
09:44I don't want this.
09:45Oh!
09:46Oh!
09:47Oh, God.
09:48Oh, God.
09:49Oh, God.
09:50Oh, God.
09:51Oh, God.
09:52Oh, God.
09:53Oh, God.
09:54Oh, God.
09:55Oh, God.
09:56Oh, God.
09:57Oh, God.
09:58Oh, God.
09:59Oh, God.
10:00Oh, God.
10:01Oh, God.
10:02Oh, God.
10:03Oh, God.
10:04Oh, God.
10:05Oh, God.
10:06Oh, God.
10:07Oh, God.
10:08Oh, God.
10:09Oh, God.
10:10Oh, God.
10:11Oh, God.
10:12Oh, God.
10:13Oh, God.
10:14Oh, God.
10:15Oh, God.
10:16Oh, God.
10:17Oh, God.
10:18Oh, God.
10:19Oh, God.
10:20Oh, God.
10:21Oh, God.
10:22Oh, God.
10:23Oh, God.
10:24Oh, God.
10:25Oh, God.
10:26Oh, God.
10:27Oh, God.
10:28Oh, God.
10:29Oh, God.
10:30Oh, God.
10:31Oh, God.
10:32Oh, God.
10:33Shit.
11:19L.A.M. Archive.
11:21Raoul? How you doing? It's Laura.
11:24I need you to pull some film for me and bring it to the house.
11:27It's from the Dragonfish behind-the-scenes shoot in the 80s.
11:31It's real number 166-3246.
11:56How's the family?
11:57Doing great. Johnny's getting on a roll this semester.
12:00How's the shop?
12:01Never better.
12:02That's fantastic.
12:03How's the new job?
12:04Terrific.
12:05I like my co-workers.
12:06It pays the bills.
12:07That's wonderful.
12:08Sure.
12:09It's a bit of an adjustment, but I'm loving married life.
12:12How's it look?
12:13Great.
12:14Best cut ever.
12:15Oh, my God.
12:16The mountainous volume.
12:17The serometric tonnage of bullshit in this place.
12:20Every word, I swear to God.
12:22I think maybe I'm getting more sensitive or something.
12:25I'm developing an eye twitch.
12:27Can you see that?
12:29Yeah.
12:30Yeah.
12:31How do you handle it?
12:32It's a barna shop.
12:34Hey, I need you to deliver this to 52 Cherokee old farmhouse just outside of town.
12:40Extra little for you.
12:41What's in it?
12:42What do you think?
12:43Right.
12:44In the case of one-year-old Yamir.
12:45Not the father.
12:46You are not.
12:47Every time.
12:48This is for all the lonely people.
12:49Thinking that life has passed them by.
13:05This is for all the lonely people
13:09Thinking that life has passed them by
13:14Don't give up until you drink on the silver...
13:21Hello?
13:22And ride that highway in the sky
13:25Hello?
13:27Got a delivery?
13:28Bag of human hair?
13:30Hello?
13:32Jesus!
13:35Hey
13:35Oh
13:36Oh, hi
13:39I got your, uh, bag of hair from the, uh, the barbershop
13:43Ah, right
13:45Right
13:47Right, right
13:49Uh, hair
13:52You're welcome
13:54Uh, so, uh, no need for an explanation
14:02I, uh, I'm Charlie, by the way, uh, Charlie Kale
14:07Arthur
14:09Hey, Arthur
14:10So, uh, just leave it, uh, leave it here?
14:16Perfect
14:16I do
14:17Too easy
14:20Hey, man, uh, listen, I'm getting the vibe you want to be left alone, and I, I really, I respect that, so I apologize in advance, but, well, with the hair and the, uh, the monster in the window, consider my interest peaked, so, uh, what do you do?
14:41Well, Charlie, usually I, I like to talk about what I do
14:46But today, I just buried an old friend
14:52So, right now, all I feel like is getting shit-faced
14:57My eyes not twitching
15:01Uh, which is to say that's the first honest thing I've heard all week
15:07Uh, and I'm sorry for your loss
15:09Hey, listen, I, uh, I don't know what kind of a griever you are, but if having some company helps, I, uh, I'm in no rush to get back to work
15:21Said leave doesn't matter to me
15:24That blessed honesty, I gotta say, it's, uh, mana from heaven
15:30That one stung, Arthur
15:43So, when I blew smoke out of it, it was supposed to go out the trunk, and then went out the ass, and it covers the first three rows of people
15:59They split
16:00Everybody else just howl
16:04Ah, love, art, Jesus
16:14You are a cool, cool dude, man
16:18God, and this is a major relief, because with the hair and everything, I thought maybe you were potentially some kind of a serial killer
16:28Well, if I was a serial killer, I wouldn't need hair, I already have hair
16:33Well, you could be a serial killer of a bolt
16:37Oh
16:37Aha
16:38Should I call you a cab?
16:40I got the cuda, I got the car, so I'm all set
16:44You're not gonna drive
16:45No, no, to sleep in
16:47You know, there's a cop right up there, and you could crash here tonight
16:52No, it's not scary at all, that's great
16:56Yeah, Jesus, eh? Monsters, monsters, monsters
17:02Wow, wow, holy cow, all this comes from inside your head
17:11I mean, it must be a horror show in there
17:15You got no idea, kid
17:18Monsters, screams from the void
17:23Void screams
17:24Yeah
17:25Very heavy
17:26All right, so, I'm standing, and I'm looking, and I'm thinking, and so, feel free to say it's a no-go, but do you need an assistant?
17:36Now, before you answer that, I should warn you that I only accept cash, and you can feel free to underpay me
17:42Well, why not?
17:46Welcome to the house of horrors, Charlie Kale
17:54All right
18:07Mamma mia
18:08Didn't catch us
18:10Oh, yeah, sorry, I just, I see you working on it all the time, I got curious, so, uh
18:15What's it, uh, what's it gonna be?
18:18I'm calling it the Orpheus Syndrome
18:20Oh, yeah? What's it about?
18:22It's a non-narrative
18:27Oh, uh, you want some of this jelly toast? It's freaking delicious
18:30You bought jelly?
18:31Mmm, no, it's, uh, you have some of it in your fridge
18:34Yeah, well, that's fake blood
18:36Do you know how expensive that stuff is? That costs more than real blood
18:40Arterio-licious?
18:46Oh, shit, fuck, Arthur, I'm sorry
18:48No, no, no, don't worry, I'll take care of that
18:50Yeah, okay
18:51You hang this on the film, Ben
18:53Okay, I'm sorry
18:54I'm sorry
18:55It's all right
19:06Arthur, I need you to make me one of your maquettes, a max
19:09I need to look into his eyes and beg forgiveness from a ghost
19:13And maybe he'll forgive me, maybe he won't
19:15Maybe I'm damned to follow him over that cliff
19:18But I need to know
19:20That's why I'm here
19:23You okay?
19:38We got a new job
19:40I'm gonna need you full-time for a few weeks
19:44Hey, I, uh, look, uh, I know this is weird, but, uh, whatever that lady asked you for, whatever she told you she was here for, she wasn't, okay? She was lying, I could tell
20:05I don't know what lies mean when you're that deep in grief
20:17She's a friend
20:20I wanna help her
20:22Let's get to work
20:26So, to help your friend, we're building a model of your dead friend's head
20:33Twisted web
20:35So, this is Max, huh?
20:37And, uh, what's your name? Laura?
20:40Those were the good years, the early years
20:43What happened? Why'd you stop working with them? Pair of monsters or what?
20:47No, it wasn't that
20:49Well, what was it?
20:54It was my fault
20:56It was supposed to be my big debut as a director of Creature Feature, Black Lagoon style
21:03And we had a terrific young actress, Lily Auburn
21:09She died on the set
21:16And, uh, it all died that day
21:22Christ, Arthur Funk
21:26It was an accident
21:28We were shooting a scene where she went underwater and the sea monster attacked her
21:44We had a big tank set up with an emergency system
21:48If she had an issue in the tank
21:51She'd hit a button
21:52And this red emergency light bulb would go off
21:56And we'd cut and pull her out
21:59Eyebrows
22:01It was a crazy day
22:04We were running behind
22:06And Lily was having trouble in the tank
22:10She'd go in
22:11And the red light would go on
22:13And we would cut and pull her out
22:16Over and over again
22:19I got frustrated
22:21Everybody was
22:23And then on the last take
22:26Everything went perfect
22:28The sea monster attacked her
22:30She thrashed
22:31She struggled
22:32We got it
22:34So
22:35We were elated
22:37But
22:41She wasn't moving
22:43And when we pulled her out of the tank
22:50She was dead
22:54Fuck
22:56Why did she, uh, set off the red light bulb?
22:59I don't know
23:00I-I-I can't believe that it was because I was frustrated with her
23:06And she didn't want to let me down
23:12But
23:14I-I do believe that
23:21I believe that
23:24I killed her
23:28So that's why you walked away from all this?
23:30You better believe in that
23:31You know
23:32I lost a friend
23:34She was my best friend
23:35Uh, Natalie
23:36And, uh, you know
23:37I wonder if I could've saved her by...
23:38I didn't
23:39And
23:40So I walked away too
23:41Uh, you know
23:42I keep thinking it's behind me, right?
23:43But then I keep just, like, playing it back out again
23:45Trying to-trying to make it right
23:46Trying to change it
23:47I don't know
23:48I mean, does it ever end?
23:49Do I believe that the dead can forgive us?
23:50No, I don't believe that
23:51Bullshit
23:52What?
23:53I mean, if you didn't think the dead could forgive us, you wouldn't be making your whole movie
23:56The, uh, the Orpheus movie
23:57You know
23:58You know
23:59You know
24:00I keep thinking it's behind me, right?
24:01But then I keep just, like, playing it back out again
24:02Trying to-trying to make it right
24:03Trying to change it
24:04I don't know
24:05I mean, does it ever end?
24:06Do I believe that the dead can forgive us?
24:08No, I don't believe that
24:09Bullshit
24:10What?
24:11I mean, if you didn't think the dead could forgive us, you wouldn't be making your whole movie
24:21The, uh, the Orpheus syndrome
24:23I mean, that's what it's all about
24:25Bringing the past back to life like a ritual of penitence
24:28Ritual of penitence?
24:29Who appointed you pope?
24:31I was recently anointed, thank you
24:33I, uh, come on, man, cut the shit
24:36I mean, you got Orpheus who's going through film gates
24:40Into the underworld
24:41Which looks like a water tank
24:42To bring a girl back from the dead
24:45The guy's got a movie camera for her face
24:47The other guy, that cyclops monster
24:49He's got a red light bulb for an eye
24:52I mean
24:53I'm not judging
24:54It's just
24:55You know, it all makes sense
24:57You gotta revisit the past to get past it, huh?
25:00Hey, that's true
25:02Hey
25:03Domine, Vamingus, Stingus
25:06I'm gonna make some Hot Pockets
25:08You want some?
25:09Yeah
25:10Alright, Arthur
25:11It's cool
25:12Yeah
25:13Yeah
25:14Yeah
25:15It's cool
25:16Yeah
25:17L.A.M. Archives?
25:18They still got you in the basement, huh?
25:19Arthur?
25:20Haven't heard your voice in the basement, huh?
25:21Arthur?
25:22Haven't heard your voice in the basement, huh?
25:23Arthur?
25:24I've heard your voice in such a long time
25:26How are you, my friend?
25:27I'm fine
25:28I need you to do a favor
25:29I need you to do a favor
25:30I need you to post some footage for me
25:32Real numbers
25:34L.A.M. Archives?
25:43They still got you in the basement, huh?
25:48Arthur, I haven't heard your voice in such a long time.
25:52How are you, my friend?
25:54I'm fine. I need you to do a favor.
25:57I need you to post some footage for me.
26:00Real numbers, 166-3234 through 166-3246.
26:09That was everything on April the 12th, 1989.
26:17Are you sure?
26:19That's, uh...
26:21I know. I know what's on there.
26:25I'm not supposed to check anything out.
26:27But that's okay, buddy.
26:31Um...
26:32Max is digitizing everything for the 40th anniversary.
26:36He got through that pile of stuff already.
26:39Nobody's gonna miss it.
26:41Thank you, old friend.
26:42I'll bring him over tomorrow.
26:44Yeah.
26:44Hey, I'm Raoul.
27:00Um, I'm here to deliver some film to Arthur.
27:04Is he around?
27:05That's terrific. He's inside.
27:06I'm, uh...
27:07I'm Charlie, his, uh, assistant and head deliverer.
27:11You're the head of delivery?
27:12No, I, uh, I deliver heads.
27:15All right.
27:16All right, cool.
27:17Yeah, he's right in there.
27:18Okay, thank you.
27:20I like your car.
27:22I like the Honda.
27:23It's my mother's car. It's okay.
27:32Ah, jeez.
27:33Nice patch of concrete.
27:34Too much to ask for, I guess.
27:36Ah!
27:45Ah!
27:46Ah!
27:47Ah!
27:47Ah!
27:47That was it, that was it, I'm dying as fuck.
28:17Holy crap, are you fucking kidding me?
28:20You can do this, we need you to do this, honey.
28:22This is what you're being paid for.
28:24This isn't safe.
28:47This is what I'm doing.
29:47Ro, how you doing? It's Laura. I need you to pull some film for me and bring it to the house. It's from the Dragonfish behind-the-scenes shoot in the 80s. It's real number 166-3246.
30:07I'm sorry. I don't have it.
30:09What do you mean? It's with the rest of the Dragonfish footage.
30:14I don't have any of it. I checked it out.
30:17What the fuck checked it out? What, are we a lending library? To whom did you check it out?
30:24Sorry, Laura. Arthur has it.
30:28I'm gonna call him right now, and I'm gonna go over there, and I'm gonna go get it for you.
30:33Don't worry about it, Raul. Forget I ever called.
30:42Please, don't be mad at me.
30:44I spent my whole life thinking that I killed that girl.
31:09I'm sorry. If I had thought, I never would have. I never.
31:19I thought she was being... I don't even know. An actress. A silly actress.
31:29And we had put everything into that production. Our houses. All of us.
31:36And we were bleeding money. I shielded you two. You didn't even know how in the hole we were.
31:40Arthur, every day we went over.
31:43Arthur, it was an accident.
31:48Raul said that Max had digitized these reels.
31:54Did Max see this?
31:57Did he tell you he saw it?
31:59I am so sorry that you held this for all these years.
32:09But I did, too.
32:11I did it, and I held it.
32:14So you boy geniuses can make your monsters and not have to wonder what it all cost.
32:21I was doing the dirty work always for both of you.
32:25And you can pretend that you didn't see it, but don't you fucking judge me for it.
32:29I move forward, always forward, and I am not going to lose what I built.
32:37And you're right that the dead can't forgive me.
32:43But they also can't hurt me.
32:49Laura, let me ask you this.
32:53Did you have anything to do with Max's death?
32:59He jumped right in front of me, like he wanted to punish me.
33:06My hand to God.
33:15No one will see this footage.
33:17Arthur, I am so sorry.
33:38Arthur, I am so sorry.
33:40Arthur, I am so sorry.
33:42You know Christ.
34:09Great.
34:10Oh
34:40Oh
34:50He wouldn't
34:56Arthur
34:58Arthur
35:00Arthur
35:02Stay calm ma'am
35:04The police will be there shortly
35:06Can I get your name and information?
35:08Just send somebody
35:10Quick, okay, please
35:12Shit
35:16I'm sorry, gotta go, okay?
35:18Alright
35:22The fuck
35:38Oh, his heart was always, he always had trouble with his heart
35:48I'm just happy he didn't suffer
35:50I'm calling with the legal question
35:54LAM funded Arthur's work
35:56I'm wondering when we can get possession of his workshop
36:00Well
36:02Today if we can, I'd like to see what's there
36:04And pull some pieces for our 40th anniversary celebration tonight
36:08As a tribute
36:10Good tribute
36:16Okay
36:18Uh-huh
36:20Uh-huh
36:22Okay
36:24We'll work at it and call me back
36:40Excuse me
36:42Excuse me
36:44Hi
36:46May I help you?
36:48I was, uh
36:50Hi, uh
36:51Laura, right?
36:53Hey
36:54I'm Charlie
36:55I was, uh
36:56I was Arthur's assistant
36:58I dropped off the head
37:00Right
37:01How may I help you?
37:02How may I help you?
37:03Eh
37:04Well, gee, this is
37:06This is sort of weird
37:08I thought I'd know how to put it when I got here
37:10But, uh
37:11It was so sudden, his death
37:14And, uh
37:16Well, I'd gotten kind of close to him
37:18Like
37:19I really cared about the guy
37:21Anyway
37:22He never left the house
37:25Like, literally
37:27Never went anywhere
37:29But I think
37:31Maybe the day he died
37:33He, he came to see you
37:35Ah, gosh
37:36I
37:37I'm sorry
37:38You know what?
37:39I feel really intrusive here
37:40Maybe I shouldn't have come
37:41I shouldn't have come
37:43I'm sorry
37:45Oh
37:46I get it
37:47It's, it's alright
37:50Why don't you come inside?
37:52Thanks
37:53My mother had a framed embroidery thing
37:56Over a commode growing up
37:57That said
37:58Strange blessings
38:00And that's what yesterday made me think of
38:02I didn't expect him
38:03And he just
38:04Showed up
38:05Out of the blue
38:07And I'm so glad he did
38:08That I, I got to say
38:10Goodbye to him
38:11See him one last time
38:13Strange blessings
38:15God
38:16But he wanted to talk about the past
38:18About Max
38:19The Hacks
38:20All of it
38:22I'm sorry
38:23And if I'm overstepping please
38:25But uh
38:26Do you feel like in talking
38:28And whatever you guys said
38:31That maybe
38:33He reconciled his guilt
38:36I, I, I don't know what I'm asking
38:38I, maybe I just wanna know
38:40If you got some peace in the end
38:44Peace
38:45I don't know
38:47Peace
38:48That's, that's many different things
38:51But I, I think
38:54No
38:56I know
38:57That he was
38:58He was able to let go of blaming himself
39:01For Lily's death
39:03Does that help you?
39:06Oh yeah
39:07That's
39:09That's wow
39:10That's uh
39:12Albatross
39:13Over here
39:14Thank you
39:15I uh
39:16Geez
39:18Thanks
39:19I
39:20And look
39:21I
39:22I'm sorry to
39:23Show up
39:24And bother you
39:25No
39:26And it feels good
39:27To give someone else some comfort
39:28Arthur
39:29Gave me that too
39:30With his maquettes
39:31And our conversation
39:33That's great
39:34Al
39:35It really
39:36Did help me
39:37Yeah
39:38Well, I bet
39:39I bet
39:40How could it not?
39:41Oh
39:43Help me to say goodbye to him
39:45And feel some kind of release that
39:47I wasn't responsible for Max's death
39:50I
39:51Thank you so much for coming by
39:53It's really great to meet you
39:55Take care, Charlie
39:56Uh
39:57You said you weren't responsible?
40:06What?
40:07Could you repeat what you said before I think my hearing is going?
40:12That I wasn't responsible for Max's death?
40:15And that like Arthur had to let go
40:17I have to do the same
40:19Max's death wasn't my fault
40:21And Arthur's heart problem just caught up with him
40:25Neither were a result of my actions
40:27I didn't kill them
40:28Are you okay?
40:29Yeah
40:30Well, goodbye Charlie
40:31I hope I've given you some peace
40:32What?
40:33Oh
40:34I can't do the same
40:35What?
40:36What?
40:37What?
40:38Are you going to kill them?
40:40Are you okay?
40:41Yeah
40:42Well, goodbye Charlie
40:44I hope I've given you some peace
40:45Yeah
40:54What?
40:56Oh
40:58Hey, head delivery.
41:06No, she killed both of them, okay?
41:08She basically told me.
41:09I mean, not even basically.
41:10She just told me.
41:10I mean, not directly, but, you know, she was lying,
41:13and I could tell she was lying, so...
41:14What is this?
41:14A woman's intuition?
41:16No, it's not like a tampon commercial, okay?
41:18It's a real thing.
41:19It's no big deal, but I can detect lies.
41:23Wait, what are you doing here?
41:24Oh, Arthur, he checked out some film,
41:26and then Laura requested the same reel,
41:29so I'm in some deep shit, and I gotta get his back.
41:32What?
41:33Yeah, I know, weird coincidence.
41:35I mean, nobody's looked at this stuff for years.
41:38Coincidence, my foot.
41:39Okay, so let me get this straight.
41:41You dropped the film off to Arthur.
41:43I went to drop the head off to Laura.
41:44He was watching the film.
41:46Then, when I got back from Laura's, he had gone there,
41:48so whatever he saw on that film made him go to Laura's, yeah?
41:53Okay.
41:55What's on those reels?
41:56It's behind the scenes of the Dragonfish set,
41:58the day Lily died.
42:00Oh, shit.
42:00Yeah, I thought it was pretty dark.
42:02He wanted to see it, but he was going through some shit.
42:04Yeah, you gotta face the past to get past it.
42:09All right, man.
42:11Well, we gotta watch that stuff.
42:14We gotta see what he saw.
42:15How does this thing work?
42:16Is it like a VCR?
42:18Hold on.
42:19Laptop, please.
42:20Yeah.
42:20Laptop.
42:21Okay.
42:24Okay, here.
42:25Max, we're digitizing the entire archives.
42:27I think I could get a copy from our cloud drive.
42:31Double-O face scan, Batman.
42:33Yeah, I know it.
42:34Yeah, security's nuts.
42:37Okay.
42:38Good, good.
42:39Uh, let's, uh, let's start with this one, 246.
42:42246.
42:42Okay.
42:43246.
42:45That's weird.
42:46The files showed up for the reels.
42:48245 and 247, but no, 246.
42:51Max.
42:53What?
42:53So, if Max had this on his files, you'd need his face, right?
42:58Okay, so Laura used the maquette to access the files and, uh, delete it.
43:03She what?
43:05But, but, but, wait a second.
43:09We have the original film.
43:13Oh, God, shit, man.
43:16Arthur was killed for whatever was on that reel of film.
43:18Look, we gotta find it before it...
43:22Hi.
43:23All this stuff goes to L.A.M., but bag up the loose film separately.
43:35I'll take care of that myself.
43:37I want every bit of film.
43:39Don't leave a scrap behind.
43:42Got it.
43:45All right.
43:47Whoever you are, come out, come out.
43:50I can smell your hot pockets.
43:52Come on, fanboy.
43:56Out!
43:59Raoul.
44:02What's that?
44:04You tell me.
44:04Arthur brought that reel of film to my house last night and burned it.
44:13Chill.
44:14Shit.
44:15He burned it.
44:16It was all destroyed.
44:19Bullshit.
44:19And I don't know what you think is going on here, but this is over.
44:25So go get back in your fucking basement.
44:28Hurry up!
44:40Hurry up!
44:40Hurry up!
44:42What are you looking for?
44:44I want every last piece of it.
44:47Don't miss a single loose scrap of film.
44:49I want it all backed up.
44:50It's going to me.
44:51He's placed it out.
44:53He's placed it out.
45:02Hey, come on.
45:04Yeah, I'll take the Medusa headbands.
45:07Get up with that.
45:10There it is.
45:15That's great.
45:28I also want to have a tribute to Arthur tonight.
45:34All the maquettes from his workshop, from my home, from the office, I want a whole room
45:39dedicated to him and to the film that he never got to finish.
45:43Well, I'll be there in an hour.
45:46Get it done.
45:48This evening is going to belong to Arthur and Max.
46:09Laura wants all this stuff up on the second floor, okay?
46:12And we don't have much time.
46:13We're already running late.
46:14Where are you carrying it?
46:15Like a baby.
46:15He's fragile.
46:18Oh, fuck my life.
46:19He's gone in like five minutes upstairs.
46:22Okay, but I'm speaking to him.
46:24Be quiet.
46:28Be quiet.
46:32Eight millimeter.
46:34Thirty-five millimeter, which I particularly love the most, yeah.
46:38So, pretty much, uh, can you please hold on a minute?
46:50What's going on?
46:51It's company policy that nothing leaves the archives.
46:54You violated that policy, so I'm afraid we're going to have to let you go.
46:58Are you serious, Laura?
47:03It's company policy.
47:05It's me.
47:06Hey, look me in the eyes, Laura.
47:09Laura, what is wrong with you?
47:13Security will escort you out.
47:16Um, we have a problem.
47:17There's a horse loose on the premises?
47:20Where are you, what you want?
47:42Where are you, what you want?
47:45Not here.
47:46Medusa?
47:48No.
47:48Not Medusa.
47:49Ah, shit.
47:56Ah, yes.
47:57There it is.
48:00Ah, shit.
48:02Horse?
48:03Who are you?
48:04Oh.
48:05Hi.
48:07Okay.
48:08Uh, right, right, right.
48:10I'm sorry.
48:10This thing is not designed for quick removal.
48:13Escort her off the premises.
48:15And if she steps one hoof on this property again, have her arrested.
48:25Oh, my God, look.
48:27Look, that's the horse from Caligula's Revenge.
48:29That's so cool.
48:32Amazing.
48:34Charlie?
48:36Well, hey.
48:38Okay.
48:39Okay, I'm not even gonna ask.
48:40Oh, it's my purse.
48:42Ah, listen.
48:42So, I found the film.
48:44Okay, check it out.
48:45He spliced part of it out.
48:46And then he hit it in one of his monsters in the, uh, in the snake hair.
48:49The Medusa from Zazalmush.
48:51Yes.
48:51Yeah, the Medusa from that.
48:53Shit, wait.
48:55Is that one of those sad, you're fired boxes?
48:57Yeah, you know, 40 years, man.
48:59She couldn't even look me in the eye when she did it.
49:01Shit, man.
49:02I'm sorry.
49:03That's...
49:03I was sick of that basement.
49:05And I guess she was a murderer, so time was right.
49:10Hey, uh, you think your, uh, key card is turned off yet?
49:17Thank you, everyone.
49:18You are so glad that you are here.
49:22Tonight is bittersweet.
49:25I never expected to be celebrating without Arthur and Max by my side.
49:32Okay.
49:33It's now or never, right?
49:34Oh, no, it's gonna be now.
49:36Okay.
49:36And I knew that if they were here tonight, they would be so happy.
49:41By what I have done to keep this company alive.
49:51Or at the very least, they would understand.
49:55I-I hope that they would understand why I did what I did.
50:03I'm sorry.
50:17I-I'm...
50:18Very funny.
50:21As we look back on our history, there are so many moments to be proud of.
50:33The-when Lily died on the set of Dragonfish, I thought it would end us forever.
50:41But...
50:42Tonight, we put the past behind us once and for all.
50:48What I mean is, the past cannot...
50:55Sorry.
50:57Excuse me.
50:58Excuse me.
50:59Excuse me.
51:00The past cannot hurt us.
51:04I am...
51:05I'm...
51:06This is...
51:07I have to...
51:12Just...
51:16Play it.
51:18Play it.
51:35L.A.M.
51:36Began as a humble practical effects shop.
51:39Conceived by three CalArts animation students in 1975.
51:45Arthur, Max, and Laura founded the company on one simple idea.
51:51That imagination could be made real.
51:58This collective childhood love of monsters is what inspired them to build L.A.M.
52:04Throughout the years, this powerful trio have set the standard for monster creation.
52:10And in order to feel real, it has to be real.
52:14We see, uh, creation of life from clay, not only in the Bible, but in every ancient mythology around the world.
52:25When I'm in my studio, I am bringing things to life.
52:31And there's just no other feeling.
52:35Stop it!
52:36Shut it off!
52:37You feel like...
52:38Shut it off!
52:39Shut it off!
52:40Shut it off!
52:41Shut it off!
52:42Shut it off!
52:43Stop it!
52:44Stop it!
52:45Stop it!
52:46Stop it!
52:47Stop it!
52:48Stop it!
52:49Stop it!
52:50Stop it!
52:51Stop it!
52:55Stop it!
52:56Stop it!
52:57Stop it!
52:58Stop it!
53:00Stop it!
53:01Stop it!
53:03Stop it!
53:08Not it!
53:10Stop it!
53:28No, no, no, no.
53:58No, no, no, no, no.
54:28No, no, no, no.