- 9 months ago
LA ULTIMA VEZ QUE VI PARIS P1 (THE LAST TIME I SAW PARIS, 1954) HD
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🎥
Short filmTranscript
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00:07:00Well, what a coincidence to meet you now.
00:07:03If I hadn't seen you in the mirror, I would have thought you were a stranger.
00:07:07Well, I hadn't seen you.
00:07:11Did I interrupt something important?
00:07:13You see, Marion and I were very...
00:07:16You must have a lot of influence. They gave you a drink.
00:07:19The power of the press. Let's see what you can do with my influence and a lot of money.
00:07:24Maurice.
00:07:25I have a much better idea. Let's go to my father's party.
00:07:29Where did you get enough whiskey for a party?
00:07:31You don't know my father.
00:07:34For the parents.
00:07:38For the men.
00:07:41For the French.
00:07:48You don't know how grateful I am that you have come.
00:07:51Keep having fun and don't worry about your house.
00:07:54We will try to get it back as soon as possible.
00:07:56Thank you very much.
00:07:57Goodbye, good night.
00:07:58Hello, boy.
00:07:59You look thirsty.
00:08:01Can you see me?
00:08:02Maybe you should have a drink.
00:08:03André.
00:08:04Who is your friend?
00:08:06Charles Ruins.
00:08:07Correspondent of Barras y Estrellas.
00:08:09This is my father.
00:08:10Nice to meet you, ma'am.
00:08:11We don't need journalists. What we need is a bar.
00:08:14I invited him because this is the only place in the city where he can have a drink.
00:08:18Look where all these people have come to the same conclusion.
00:08:26Hello.
00:08:38Hello.
00:08:48What is he doing here?
00:08:52Hello.
00:08:53What are you doing here?
00:08:55Well, you see, it turns out that...
00:08:57I'm very proud of your sister.
00:08:58We couldn't give you the good news before, but Ellen has been expelled from the university.
00:09:03How?
00:09:04If you're going to make a scene, either tell that man to leave or introduce us.
00:09:08Mario, please.
00:09:09Ellen.
00:09:10Come on, leave her alone.
00:09:11After all, I was expelled from Harvard, right?
00:09:13Why isn't she going to follow in her father's footsteps?
00:09:16Excuse me a moment.
00:09:19I'll talk to you later.
00:09:22I suspect he's also going to talk to me.
00:09:26Your name, please.
00:09:27Charles, I don't know how many.
00:09:29He says it's a bar.
00:09:30Excuse me a moment, sir.
00:09:31Oh, yes.
00:09:32Charlie, what else?
00:09:33Wilson.
00:09:34I wish he was a bartender.
00:09:35A very famous bartender.
00:09:37Can I offer you a glass of champagne?
00:09:39Oh, thank you.
00:09:41Would you like to lend me your glass?
00:09:42Yes.
00:09:43He's an old friend of the family.
00:09:45You won't be alone.
00:09:47I told him we already knew each other.
00:09:49In a way, it's true.
00:09:50We were kissing a moment ago.
00:09:52Really?
00:09:55Let's see.
00:09:57Was he one of those who were at the bar?
00:09:59No.
00:10:01Letual?
00:10:02No.
00:10:05Blaise Vandon?
00:10:06No.
00:10:16I know.
00:10:18Next to the Dingo Café.
00:10:19Oh, really? You remember?
00:10:22No.
00:10:23But it's the other place where I saw a lot of uniforms.
00:10:30Are you rich?
00:10:32No.
00:10:33Does that eliminate me?
00:10:35No, neither do we.
00:10:38Although we live as if we were.
00:10:41Dad says it's the same, just cheaper.
00:10:45And he's right.
00:10:47I'm glad.
00:10:49Because he'll try to give you a slap, and I don't want him to be disappointed.
00:10:54I really like the way he kisses.
00:10:57Really?
00:10:59My dear, I think we've underestimated the alcoholic capacity of our trade unions.
00:11:04I won't be long.
00:11:06Tell your friend the barman to help you.
00:11:09Hey, Wills.
00:11:10Wills?
00:11:11Wills of the Millionaires of Maryland?
00:11:13No, no, no.
00:11:15This way, Lieutenant.
00:11:24Where are you from?
00:11:26From Milwaukee.
00:11:28Can you help me with this?
00:11:29Yes, of course.
00:11:31Famous for your beer, the legs of your wives, and your lack of millionaires.
00:11:36And you?
00:11:37I lived in New York until I was 12.
00:11:39Then Dad brought us to Paris.
00:11:41When the Germans invaded, he sent me to a school in Switzerland.
00:11:47This is where we keep the loot.
00:11:49No.
00:11:53Dad put it in there so the Germans wouldn't drink it.
00:11:56A resourceful man.
00:11:59And very funny.
00:12:00Really?
00:12:01It's his tenth commandment.
00:12:02To have fun.
00:12:03Especially now.
00:12:05He says that after a war, everyone should be happy and have a good time.
00:12:10And isn't he a little too old to have fought in a war?
00:12:13No, if you don't mean this one.
00:12:15He was in World War XIV, and he's been celebrating it ever since.
00:12:19Now that the war in Europe is over, what are you going to do?
00:12:24Make sure they don't send me to the Pacific.
00:12:27That's very sensible.
00:12:32This is enough for a regiment.
00:12:34Yes.
00:12:49Charles!
00:12:50I didn't know if something had happened to you.
00:12:52Nothing.
00:12:54Still.
00:12:55Everyone wants to meet you.
00:12:57Unfortunately, I have to go back to the newspaper to write an article.
00:13:00Oh, you can't stay a little longer.
00:13:02I'm sorry, but it's impossible.
00:13:04Lieutenant, there won't be a party without you.
00:13:08I love your smile.
00:13:10Do you think you'll ever be rich?
00:13:18Can you come back later?
00:13:20I'll try.
00:13:24Or we can meet anywhere.
00:13:26Call me whenever you want.
00:13:28Okay.
00:13:34Yes?
00:13:37Who is it, please?
00:13:39Who?
00:13:42Oh, Ellen!
00:13:44I'm Charlie Wills.
00:13:46No, no, Charlie, the barman.
00:13:49The uniformed barman?
00:13:51Exactly.
00:13:52Please, send a message to Mario.
00:13:54Tell him that the lights in Paris will turn on tonight for the first time since the war began.
00:13:59And that I'll be waiting for him.
00:14:01At the Arc de Triomphe, next to the tomb of the Unknown Soldier.
00:14:16Come on!
00:14:22Before this crowd, before this liberated city,
00:14:26General de Gaulle will speak on behalf of all those who rest forever unknown,
00:14:33but always present under this arc of victory.
00:14:38The glorious General de Gaulle will now offer the dead of this last war
00:14:45a victory that will be preserved intact...
00:14:48Hello!
00:14:49Hello!
00:14:51I thought...
00:14:52Disappointed?
00:14:53No, but...
00:14:55Claudio and Mario are...
00:14:57You know.
00:15:07THE END
00:15:37© BF-WATCH TV 2021
00:16:07© BF-WATCH TV 2021
00:16:37And my arm.
00:16:41They're very weak.
00:16:43Your arm and my eyes.
00:16:49They're not worthy of us.
00:16:55I like your eyes.
00:17:00And me, your arm.
00:17:05I'll take you home.
00:17:08Thomas Wolfe used to say,
00:17:10you can't go home anymore.
00:17:16It's late.
00:17:19All right.
00:17:38You promise me one thing.
00:17:41You promise me.
00:17:43Yes.
00:17:46That this moment will never end.
00:17:49There will be better times when the war ends completely.
00:17:52But it has ended.
00:17:54For us, it has ended.
00:17:56I'm tired of so much death.
00:18:00I'm tired of so much death.
00:18:03I'm tired of so much death.
00:18:06I want to have a good time and have fun.
00:18:09To live as if every day was the last.
00:18:13It would be great.
00:18:15A life full of last days.
00:18:22But it would never be the last day.
00:18:29You're too serious.
00:18:33Look at that smile.
00:18:36That's better.
00:18:48I don't care if you're not rich.
00:18:50I'm not rich.
00:19:04Chocolatines!
00:19:08Hello!
00:19:10Hello!
00:19:12How wonderful!
00:19:20I don't think so. He's trying to win me over.
00:19:23Meat!
00:19:24What is this, an animal or a vegetable?
00:19:26It's wonderful, everything!
00:19:29Chocolate!
00:19:30You won't be left without a reward, boy.
00:19:32Or rather, your generosity will be rewarded today.
00:19:36Good morning.
00:19:37Good morning.
00:19:38A ten-and-three-eighths can't lose.
00:19:40Why not?
00:19:42Because you're a good boy.
00:19:44You're a good boy.
00:19:46You're a good boy.
00:19:48Why not?
00:19:50It's a secret.
00:19:51Does that mean you've received a confidence?
00:19:53No.
00:19:54Another of those confidences.
00:19:56We have less than two hours to get rich.
00:19:58I think I can fix it. I'll call you.
00:20:00Excellent.
00:20:01Well, if we add up the money...
00:20:03What's your capital, boy?
00:20:05About forty dollars.
00:20:06That means that if we add up the money, we'll have...
00:20:09Forty dollars.
00:20:10What a shame.
00:20:11Can I borrow something else?
00:20:13Don't do it, Charles.
00:20:14You'll end up as ruined as he is.
00:20:16The opportunity, dear, is a matter of the future, not the past.
00:20:20Look, if you need any guarantees,
00:20:22I'm the owner of some oil deposits in Texas that are worth...
00:20:26Well, you know Texas.
00:20:27Dad!
00:20:29Those deposits are a family joke.
00:20:32Many wells, but not a drop of oil.
00:20:37Charlie.
00:20:38What?
00:20:39I know I'll be lucky.
00:20:41I'll go see how much they'll lend me.
00:20:43I have the greatest confidence in the courage and ingenuity of the North American army.
00:20:47To the races, boy, to the races!
00:20:49Fate doesn't want lazy people.
00:21:05The paper says that Benedictine...
00:21:06Don't get nervous. Dad is very intelligent.
00:21:09Why would I get nervous?
00:21:11If I lose, I'll owe half a year's salary.
00:21:13The money belongs to four captains who set foot in Normandy with their own hands.
00:21:17We won't lose.
00:21:18Well, have you bet everything?
00:21:20Until the last penny, and you pay 12 to 1.
00:21:23How come you haven't taken it?
00:21:24People think Benedictine is going to lose.
00:21:27What can you expect from the diagnostics, boy?
00:21:29This way, guys.
00:21:38Which is Benedictine?
00:21:40Number four.
00:21:43He'll be left behind in the first half.
00:21:45Does he look very skinny?
00:21:47Agile, boy. Agile, smart and in shape.
00:21:51Who gave him this confidence?
00:22:04How's Benedictine doing?
00:22:06He's running very well.
00:22:08But how is he doing?
00:22:10Sixth place, in perfect position.
00:22:22In what place is he the best?
00:22:24He's disconcerting them.
00:22:27Helen.
00:22:29With my earnings, I'm going to buy myself a new suit.
00:22:39He won!
00:22:40Benedictine won!
00:22:42Of course he won.
00:22:43Why are you so surprised, boy?
00:22:45It's not as much a surprise as a relief.
00:22:48Let's see. If I'm not mistaken, you are...
00:22:52Maybe there's another race prepared.
00:22:54Prepared? What are you talking about, boy?
00:22:56I don't know.
00:22:57I don't know.
00:22:58I don't know.
00:22:59I don't know.
00:23:00I don't know.
00:23:01I don't know.
00:23:02I don't know.
00:23:03I don't know.
00:23:04I don't know.
00:23:05I don't know.
00:23:06I don't know.
00:23:07I don't know.
00:23:08I don't know.
00:23:09I don't know.
00:23:10I don't know.
00:23:11Over there.
00:23:12I don't know.
00:23:13I don't know.
00:23:14I don't know.
00:23:15I don't know.
00:23:16I don't know.
00:23:17I don't know.
00:23:18But tell him.
00:23:19I don't know.
00:23:20I've got my mouth full.
00:23:22Bingo!
00:23:23You're joking, boy?
00:23:26No, no.
00:23:28You're...
00:23:30No...
00:23:33What was that?
00:23:34They're coming very fast.
00:23:36What are you doing, Charlie?
00:23:37Turn off the radio.
00:23:38We're listening.
00:23:39Do you know the news?
00:23:40The first thing is the first.
00:23:41With a bomb, I don't think the war will end.
00:23:43I bet you whatever you want that they don't last a week.
00:23:45$60 against one.
00:23:46Deal.
00:23:47Don't bet anything.
00:23:49Barney comes from the office.
00:23:51Japan is willing to surrender...
00:23:53What?
00:23:54If we allow the emperor to remain on the throne.
00:23:56When do we go home?
00:23:57Yes, Charlie.
00:23:58What do we know about the licenses?
00:23:59If you ask now, there are already 10,000 requests made.
00:24:04I have to go back to the office.
00:24:10Why?
00:24:11I tried to call you.
00:24:14Don't ever call me if you can come in person.
00:24:16And never leave if you can stay.
00:24:19If you want, we can have dinner together later.
00:24:26We'll see.
00:24:29Has the war really ended, Charlie?
00:24:33Because I want to buy you silk shirts.
00:24:36Silk socks.
00:24:38Silk ties.
00:24:41Oh, darling.
00:24:54Taxi!
00:24:59What have you done with my stop?
00:25:01I had it when I came.
00:25:03I've stopped for a second and I must have lost it.
00:25:05We have to get a special edition.
00:25:07Well, hurry up.
00:25:08I'll get you a taxi.
00:25:10Taxi!
00:25:11Darling, don't worry about me.
00:25:14Will you wait for me here?
00:25:17I'd rather go home soon and give Dad a surprise.
00:25:19But with this rain?
00:25:21It's possible that I don't know how to knit and sew, but I'm able to get a taxi.
00:25:26It's the first thing I learned in school.
00:25:28Come on, you go.
00:25:30You're a real wonder.
00:25:32Don't doubt it.
00:25:34You've been very lucky.
00:25:53Taxi!
00:25:56Taxi!
00:26:07Violet!
00:26:19Mario!
00:26:21I called and they told me I could receive visitors.
00:26:24Have you received my flowers?
00:26:26Every day.
00:26:28And my letters?
00:26:30Also.
00:26:32Can I come in now?
00:26:37Charles.
00:26:38What?
00:26:51Hello.
00:26:53How are you?
00:26:55The nurse answers Rufina's questions.
00:26:58The patient is getting better, but it is advisable not to tire.
00:27:03I was going to get you to dance, but I didn't tell you, did I?
00:27:09I was hoping to find a more attractive nurse.
00:27:13It's the fourth in two weeks.
00:27:15Dad will tell you.
00:27:29For God's sake, don't make that face of remorse.
00:27:34It was my fault for losing your umbrella.
00:27:37Don't be absurd.
00:27:39It was raining, I got wet and caught the flu.
00:27:42It's not your fault.
00:27:45I didn't know how it would be without a uniform.
00:27:48I like you more.
00:27:51It was my fault.
00:27:53I would have taken it anyway.
00:27:55I'm capable of getting cold even inside the house.
00:27:58Thank you for sending me the flowers.
00:28:04What's wrong?
00:28:06I don't know.
00:28:08You're so pale, so defenseless.
00:28:11Remember, the nurse is in the hallway.
00:28:14I won't call her.
00:28:23One thing I have understood.
00:28:26I love you.
00:28:28You've loved me since the first day.
00:28:31Really?
00:28:33Of course.
00:28:35We should have told each other then.
00:28:38We should have told each other then.
00:28:41We would have won a lot of time.
00:28:46For the first time in my life, I would like to have a lot of money.
00:28:52Money.
00:28:53Dad says it's not important to have it, but to owe it.
00:28:58I don't even owe it.
00:29:00What are your projects, young man?
00:29:03Projects?
00:29:05I'm a journalist with 70 dollars a week.
00:29:08Please.
00:29:09I can only think of nice things.
00:29:15The Dipon or General Motors don't need a president or an executive?
00:29:21The newspaper office in Paris needs a correspondent.
00:29:26Paris?
00:29:28But they pay less here than in New York.
00:29:31In Paris, you don't need money to have fun.
00:29:35Yes, of course.
00:29:40I was writing a book. I should go back to the States.
00:29:43Why can't you write?
00:29:45Charlie, honey.
00:29:47Marry me and let's stay in Paris.
00:29:51That would be wonderful.
00:29:55But don't you think it's crazy?
00:30:02Yes, it's crazy.
00:30:05The wisest thing would be to leave that door and never come back.
00:30:12You send me to a place like this and you forget me.
00:30:18But I'm not wise.
00:30:20I've never been wise.
00:30:23You're crazy.
00:30:25And I have a fever.
00:30:29If I wasn't sick, this wouldn't have happened.
00:30:53I'm sorry, but I enjoy playing a worried father.
00:30:56After all, this is the first time Ellen marries.
00:30:59The only time, sir.
00:31:01Don't be arrogant.
00:31:03Ellen told me you're a serious person.
00:31:05Yes, with your head in your place, hard-working and trustworthy.
00:31:09At least I try, sir.
00:31:11Frankly, those are not the qualities I expected from a son-in-law.
00:31:16I would even say more.
00:31:19Those are not qualities that can make Ellen happy.
00:31:24I'm going to work in a press agency in Paris.
00:31:27I'll be surrounded by irresponsible and careless people.
00:31:30I guess I'll get something.
00:31:32Well, let's hope so.
00:31:34Tell me, do I look like an unusual father to you?
00:31:39Of course you do.
00:31:41A very honest answer.
00:31:43Try to master that tendency.
00:31:45You know I can't afford to celebrate a big wedding.
00:31:48I don't expect you to, thank you.
00:31:50Would you like a drink?
00:31:52Don't bother.
00:31:54Too bad, I'm running out.
00:31:56Don't worry.
00:31:58Here you are.
00:32:00Do you know what I'm giving you as a wedding gift?
00:32:03Ellen told me what she's going to give us.
00:32:05Boy, I'm going to give you the big family joke.
00:32:084,000 acres of valuable oil land.
00:32:12Thank you very much, sir.
00:32:14After all, it's not bad to be an oil magnate, even if there's no oil.
00:32:28Well, have you given Ellen your permission?
00:32:30Did I have to?
00:32:32What?
00:32:33Claude asked me to be the mother of his children.
00:32:35Oh, yes, but that's a little irregular, don't you think?
00:32:38Dad asked her to marry him.
00:32:42Oh.
00:32:44Well.
00:32:46Then I'll have to congratulate you.
00:32:53What do you do, congratulate the bride or shake her hand?
00:32:56I don't remember, I've forgotten.
00:32:58Maybe you should give each other a kiss.
00:33:12What did you put in that kiss?
00:33:16Why don't you come and find out?
00:33:25Ellen marries me.
00:33:27Marion marries me.
00:33:29An abandoned father in his old age.
00:33:34What else can you ask for?
00:33:36Well, for them.
00:33:38What else can you ask for?
00:33:40Well, for them.
00:33:44I want a report on this.
00:33:55How are you?
00:33:56Perfectly.
00:33:57Good.
00:33:58I'm glad.
00:33:59That beard suits you very well.
00:34:01Oh, Charlie, if you're going to give me a slap, forget it.
00:34:04I don't have a dime, and even if I did, I wouldn't lend it to you.
00:34:09The prices here don't go up as much as they do in the United States.
00:34:13And the salaries, either.
00:34:14Guys, please.
00:34:15I have a wife and a daughter waiting for me at the hospital.
00:34:18I need $500 to pay them.
00:34:20Why don't you leave them there?
00:34:21It's the healthiest place in the city.
00:34:23Of course, a lot of jokes, because you're not a father.
00:34:25Oh, I don't know.
00:34:26They'll give me the news any day.
00:34:29Oh, how is your old age?
00:34:32Nothing like a good bath after a day of beating, huh?
00:34:36I don't know.
00:34:37How wonderful.
00:34:38What do you think of the number of boyfriends she's going to have?
00:34:42Forgive me, Your Highness.
00:34:43This is not the Hollywood of jazz, you know.
00:34:45Oh, you forgive me.
00:34:49What can you expect from the populace, miss?
00:34:52Oh, thank you, sir.
00:34:53I'm going to dry and dress the little one.
00:34:57Clark.
00:34:58Charles.
00:34:59I have good news.
00:35:00Great.
00:35:01Where is Ellen?
00:35:02Charlie.
00:35:04How is Marion?
00:35:05Very well.
00:35:06I'm glad.
00:35:07I'm glad.
00:35:16Hello, chubby.
00:35:18And you say it.
00:35:19Look, I don't fit in my suits anymore.
00:35:23But I like each of your grams.
00:35:26Where is Vicky?
00:35:27Bathing.
00:35:30I can't help it.
00:35:31I find you wonderful.
00:35:33Of course I come to spend the day with the director.
00:35:37Did you ask for a bonus?
00:35:39And he gave it to me.
00:35:40Only not a bonus, but a loan.
00:35:43I sent it directly.
00:35:44So you can tell your daughter to come out.
00:35:46It's paid.
00:35:49I'll never get my measurements back.
00:35:58Vicky is going to be just like you.
00:36:00And I will be surrounded by beautiful women.
00:36:04With that compliment and a good martini,
00:36:06you have earned my forgiveness for the last nine months.
00:36:09The martini is leaving.
00:36:26Charles.
00:36:27Hello, Clark.
00:36:28Today I have been assigned to the prosecutor's office.
00:36:31And what about your private clientele?
00:36:33This position is more important.
00:36:35There are many collaborators who must be tried.
00:36:39The lawyers who defend them will be rich.
00:36:41You will have to be an accuser and you will be poor.
00:36:46Gentlemen, the queen.
00:36:50Hello, Your Highness.
00:36:52Hey, what happened to your hair?
00:36:55Did you have a lot yesterday?
00:36:56You are an optimist.
00:36:59To be the first, it has not gone bad at all.
00:37:03You have to be beautiful, a genius and very rich.
00:37:07Beauty has taken it from my daughter.
00:37:09And intelligence from me.
00:37:10Let's see what you contribute, boy.
00:37:15But...
00:37:16These last few months I have dedicated them to you.
00:37:18Now I'm going to have fun.
00:37:20What do you think, beautiful?
00:37:21Hey!
00:37:26You scared me.
00:37:39Hey, Charlie.
00:37:40I wanted to ask you a favor.
00:37:45Are you going to write down what I owe you or not?
00:37:48Good night.
00:37:51Good night.
00:37:54Goodbye.
00:38:00Good night, dear.
00:38:12Are you sure you're not coming?
00:38:15Do you hate me for not being by your side while you work?
00:38:19If you were by my side, I would take your hand.
00:38:22And then I would kiss you.
00:38:23And then...
00:38:27It would not be bad.
00:38:29You are a glutton.
00:38:32Tell me not to go.
00:38:34Can I finish this roll now?
00:38:35Please, it's not a roll.
00:38:37It's the great American novel.
00:38:41Charlie.
00:38:44You will continue to love me when you are famous.
00:38:48Good night.
00:39:19We are sorry to inform you that at the moment it is not possible for us to publish your novel, Spring Song.
00:39:24We will return your manuscript in due course.
00:39:39Come on.
00:39:41Say it now.
00:39:45It's still better than the first one.
00:39:49It's beautiful.
00:39:52More than they deserve.
00:39:56Let's send it tonight.
00:40:02Vicky.
00:40:04Give him a kiss to bring us luck.
00:40:10These are the fifth Christmas since the end of the Second World War.
00:40:19Papa.
00:40:23Papa.
00:40:49Sorry, Papa.
00:40:51It's time.
00:40:57I had a nightmare.
00:40:59We also have nightmares.
00:41:02Do you want a glass of milk?
00:41:16Goodbye.
00:41:19Here comes Mama.
00:41:21She's already here, Mama.
00:41:33Good night.
00:41:43A farewell kiss?
00:41:45You are not Ben-Hur.
00:41:46You have lost the race.
00:41:47And I need comfort.
00:41:49Hello, Charlie.
00:41:50I have lost the race and your wife does not want to comfort me.
00:41:53Hello, Charlie.
00:41:55Try to win again.
00:41:57Good night.
00:41:59Look, Gruyer.
00:42:01I have not forgotten it.
00:42:04Good night to all.
00:42:06Goodbye, good night.
00:42:08Hello.
00:42:09Hello.
00:42:18Charlie.
00:42:22You are not Charlie.
00:42:25Where is Charlie?
00:42:38You have not told him yet?
00:42:41Why are you sad?
00:42:42Why are you sad?
00:42:43Why are you sad?
00:42:45Because I am very strange, that's why.
00:42:47I have used my life to write a book.
00:42:50And like a fool, I thought someone would want to publish it.
00:42:54Boy, you are not strange.
00:42:55You are just naive.
00:42:57I knew an editor who had a habit of never reading a manuscript.
00:43:00He sniffed it, he weighed it, he touched it and he bit it.
00:43:03But never read it.
00:43:05Then, if the manuscript smelled, weighed and tasted like garbage, he published it.
00:43:10Do you want to know the secret of success?
00:43:11Mediocrity, boy.
00:43:13To be a rich writer, you have to keep in mind the three R's.
00:43:17Wealth.
00:43:19Ruffians.
00:43:21And blondes.
00:43:41And blondes.
00:43:43And blondes.
00:43:45And blondes.
00:43:47And blondes.
00:43:49And blondes.
00:43:51And blondes.
00:43:53And blondes.
00:43:55And blondes.
00:43:57Boys.
00:43:59Boys.
00:44:01Saturday Blimpoz has bought my cereal.
00:44:03Fifteen thousand dollars.
00:44:05Congratulations.
00:44:09Goodbye, boys.
00:44:11Goodbye forever.
00:44:13Fifteen thousand dollars and tax-free.
00:44:15I could throw a party to celebrate it.
00:44:17Of course.
00:44:29Charlie, go to the police station. Do me a favor.
00:44:32What for?
00:44:34They have arrested an American whore.
00:44:36Apparently, she stopped traffic by bathing this noon in a fountain.
00:44:39It's not very interesting, is it?
00:44:41The Americans in Paris like to know what the Americans in Paris do.
00:44:45All right.
00:44:47What's her name?
00:44:49Ellen Wills.
00:44:51That's something else.
00:45:06It's useless to pretend you don't know me.
00:45:09I'm your wife.
00:45:11I'm going to cure you of your illness.
00:45:13With a dry or soaked suit.
00:45:15You know how sensitive you are to the cats.
00:45:17Go home and change.
00:45:19We can't go home.
00:45:21Vicky is at the bingo.
00:45:23Again?
00:45:25Isn't it better in a decent and respectable cafe than alone at home?
00:45:28Will this be in the papers?
00:45:30That another American has bathed in a fountain?
00:45:33That's not news anymore.
00:45:35Is that why you did it?
00:45:37To be in the press?
00:45:39I know it was stupid.
00:45:41Really?
00:45:43Well, a lot.
00:45:45Almost complete fun.
00:45:47Nothing ever fills you completely, does it?
00:45:52No.
00:45:54It's always missing something.
00:45:57I don't know why.
00:45:59Something must be wrong in Paris, or in me, or in these times, or in something.
00:46:03It's as if I had to hurry.
00:46:06Before...
00:46:08It's as if you were trying to find out something terribly important, but...
00:46:12But you never find out.
00:46:17Come on, honey.
00:46:19You've always laughed at these things.
00:46:21It took you a while, but you laughed.
00:46:24No, it's not that.
00:46:26Campbell has sold a cereal to the Saturday Evening Post for $15,000.
00:46:30And you envy him.
00:46:32Oh, honey, that's wonderfully human.
00:46:37At last.
00:46:46It's a miracle that he didn't know about the night.
00:46:49Good night, my dear.
00:46:51Good night, madame.
00:46:53I will immortalize what you have done.
00:46:55In Montparnasse, she will live forever.
00:46:57You speak too fast.
00:46:59This is Marcel.
00:47:01Nice to meet you. Who are you?
00:47:03Are you willing to immortalize me?
00:47:04Yes, please.
00:47:06Are you going to be a politician or what?
00:47:09Oh, you know me. I'm always willing to do anything.
00:47:11Mrs. Wills.
00:47:13You have the gift of making people laugh.
00:47:16I'm not invited to anything.
00:47:18I've paid a fine to get you out of jail.
00:47:20Come on, my dear, just a moment, please.
00:47:22Yes, I'll prepare it for you.
00:47:24Stay here, please.
00:47:29Look.
00:47:34Look.
00:48:05Dad.
00:48:07Look, dad.
00:48:09This morning at school...
00:48:11Don't worry, Vicky, don't worry.
00:48:13Dad, I was waiting for you.
00:48:15This morning the teacher told me to dance...
00:48:18But, daughter, more slowly.
00:48:20Don't push yourself.
00:48:22Dad, look, dad.
00:48:24Wait.
00:48:26You haven't kissed me yet.
00:48:28No, I haven't.
00:48:30No, I haven't.
00:48:32No, I haven't.
00:48:34No, I haven't.
00:48:36No, I haven't.
00:48:38Hey, Charlie.
00:48:40Barney.
00:48:42Do you want to see something big?
00:48:56A little too young to get drunk, don't you think?
00:48:59I don't usually get drunk like that, son.
00:49:01Not even Paula could dance on a floor like this.
00:49:02Did I hurt you?
00:49:04I'm sorry.
00:49:06Say something nice.
00:49:08Great, daughter, great.
00:49:10The boss gave me an interview at the Royal Francais.
00:49:12I can't go because I have an important appointment.
00:49:14Will you replace me?
00:49:16A woman named Lorraine Cole.
00:49:18Who is Lorraine Cole?
00:49:20The high society.
00:49:22Goodbye, beautiful.
00:49:24You're a genius.
00:49:26A true dance genius.
00:49:28You just need a good ending.
00:49:30You already have the best ending, don't you, beautiful?
00:49:33Falling in my arms.
00:49:39Mr. Wills.
00:49:49Mrs. Cole.
00:49:51I'm Wills from Europa News Service.
00:49:54I'm sorry I'm late.
00:49:56I'm sorry.
00:49:58I need a drink.
00:50:00Leon?
00:50:02The usual, Mrs. Cole.
00:50:04Please.
00:50:06Let's leave the preliminaries.
00:50:08Paris is beautiful.
00:50:10American women love French men.
00:50:12French men love American women.
00:50:14Life is very expensive.
00:50:16They haven't chosen my next husband yet.
00:50:18It could be the barman.
00:50:20At least he has talent.
00:50:22Have you had other interviews?
00:50:24The last time?
00:50:25The journalist wasn't very young or very attractive.
00:50:28The interview was very short.
00:50:30You can take as long as you want.
00:50:33Is it your first visit to Paris?
00:50:35No, no, no.
00:50:37It's my first divorce here.
00:50:39Why did you choose Paris?
00:50:41Because in Reno I get bored and I lose too much money in Las Vegas.
00:50:44According to our file, you've been married four times.
00:50:47Three.
00:50:49Cancels don't count.
00:50:51Leon?
00:50:53Is something wrong?
00:50:55I don't know.
00:50:57But you can't describe my marriages without doing a program.
00:51:01Husband number one.
00:51:03For love.
00:51:05Failure.
00:51:07Husband number two.
00:51:09For money.
00:51:11Failure.
00:51:13Money and the surname Cole.
00:51:15Husband number three.
00:51:17Cancel.
00:51:19I forgot to tell you that she had a wife.
00:51:21Husband number four.
00:51:23A bullfighter.
00:51:25And a son.
00:51:27No.
00:51:29And that's my only contribution to humanity.
00:51:35I've already told you that I'm a failure.
00:51:40Shouldn't I be taking notes?
00:51:43The interview ended a while ago.
00:51:48I'm hungry. Are we going to have dinner?
00:51:50They don't give me expenses. I'm just a modest journalist.
00:51:53Don't worry.
00:51:55Invite my four husbands.
00:51:57I'm going to change and come down right away.
00:51:59But what are we going to do?
00:52:01Please, Mr. Wills.
00:52:03My psychiatrist charges $50 an hour just to listen to me.
00:52:24Hey, that's my taxi.
00:52:28Hi, Claude.
00:52:30I'm glad to see you. How are you?
00:52:32Good. You look good.
00:52:34How are you, Marion?
00:52:36Good.
00:52:38You're very pretty.
00:52:40I'm fine, too.
00:52:42Excuse me. My sister-in-law, Mrs. Martin.
00:52:44Mr. Martin. Mrs. Cole.
00:52:46Nice to meet you.
00:52:49Claude works for the DA.
00:52:51Oh, really?
00:52:53I hope I haven't done anything wrong.
00:53:00Mrs. Cole just arrived in Paris.
00:53:02I'm interviewing her.
00:53:04How is Ellen?
00:53:06Good. Good.
00:53:08And you don't know how Vicky is.
00:53:10Guys, we should see each other more often.
00:53:12After all, family is family.
00:53:14I'll call Ellen tomorrow morning.
00:53:16Goodbye, Mrs. Cole.
00:53:18Good night.
00:53:20Charles, let's see if we'll see each other soon.
00:53:23Goodbye.
00:53:24Goodbye, Claude.
00:53:32How is Ellen?
00:53:34Oh, she's a simple wife against all her husbands.
00:53:38I suppose she'll be upset when she gets home.
00:53:41Because of Ellen?
00:53:43Oh, no. She's the most wonderful, the most understanding of...
00:53:48Do you mind if we leave the interview for today?
00:53:50Yes, please.
00:53:52We've suddenly become very serious.
00:53:54It's very late, and if I don't go to the office to write the interview...
00:53:58Can I go with you?
00:54:00To the office, I mean.
00:54:02Why?
00:54:04I don't know.
00:54:06We'll probably never see each other again,
00:54:08and I'd like to extend the night a little longer.
00:54:10And so, I'll read the interview.
00:54:12The office is very cold and lonely at this time of night.
00:54:15You'd be surprised to know how cold and lonely I often find myself.
00:54:18I think it'll be nice.
00:54:34Oh, good morning.
00:54:37What's the matter with you now?
00:54:40Oh, Charlie, how could you?
00:54:43Don't be offended.
00:54:46And you?
00:54:48I'm sick and tired of you spending days and nights in the cafés,
00:54:51the museum of failed artists,
00:54:53the inspiration of writers who don't write,
00:54:55of painters who don't paint.
00:54:58And what do you write?
00:55:00Interviews of parasitic women?
00:55:03But I don't bathe in the fountains,
00:55:05nor do I drink all the alcohol in Paris.
00:55:07Why don't you ask me why I drink and bathe in the fountains?
00:55:12Yes, of course. Blame me. Blame me.
00:55:15I didn't want to stay in Paris.
00:55:16What right do you have to criticize me now?
00:55:19Are you jealous? You?
00:55:23Don't make me laugh and please listen to me.
00:55:33Good morning, Cielo.
00:55:40Ellen.
00:55:46Do you know what time it is?
00:55:50What does it matter what time it is?
00:55:53It's eight in the morning.
00:55:56You have to take Vicky to school.
00:56:01Do you know I've been out all night?
00:56:05Poor thing.
00:56:08Well, I'll take her to school.
00:56:11Aren't you interested in knowing where she was?
00:56:17You don't look well.
00:56:20Have you worked a lot?
00:56:23I've been interviewing a woman.
00:56:27I'm glad.
00:56:29They're much more interesting than men.
00:56:36She was a millionaire and very beautiful woman.
00:56:43She's interested in me.
00:56:47You don't care?
00:56:50What are you trying to tell me?
00:56:53I'm trying to tell you that I love you.
00:56:59What kind of woman was she?
00:57:02How many kinds of women are there?
00:57:05Was she really beautiful?
00:57:08I could tell you no, but Marion has seen her.
00:57:11Yes, she's very beautiful.
00:57:13Marion?
00:57:14Yes, we met Marion and Claude.
00:57:17I'm sure she'll see me, but...
00:57:20How was she rich and beautiful?
00:57:23Oh, shut up.
00:57:35I don't hear anything. What about you?
00:57:40I'll be right back.
00:57:44Marion?
00:57:49Yes?
00:57:51Marion?
00:57:55What?
00:57:57What?
00:57:59What did you say?
00:58:01It's a lie.
00:58:03You know, Marion hates me.
00:58:06How much do we have?
00:58:08Marion says you told her that we stink rich.
00:58:11Marion does a lot of literature. Money has no smell.
00:58:14What's going on?
00:58:16I don't know, Vicky.
00:58:18We're millionaires.
00:58:20This family has a lot of money, Vicky.
00:58:23They found oil.
00:58:25What did you say?
00:58:27Oil, the liquid that made Texas famous.
00:58:29In our wells, which are worthless?
00:58:32A generous wedding gift, which I hope you'll remember.
00:58:35How much is it?
00:58:37According to the law, you can only get 80 barrels a day.
00:58:41Two dollars a barrel is...
00:58:42160 dollars a day.
00:58:44Seven days a week.
00:58:46Yes, oil is a gift from God.
00:58:48It's 1,100 dollars a week.
00:58:5027% tax-free.
00:58:52What if we sold it?
00:58:54It's a fabulous business.
00:58:56But if we don't sell it, we'll have a good income.
00:58:58Milwaukee people are so cautious.
00:59:00We're sensible.
00:59:02We'll decorate the house. We'll change everything.
00:59:05And I'll cut my hair.
00:59:07In Marion's room, we'll make a place for you, Charlie.
00:59:09Do you think we can manage with 50,000 dollars a year?
00:59:13Can we try?
00:59:15We can.
00:59:17Do you know something?
00:59:19Of course, we can open another well.
00:59:21It's funny, Marion didn't tell me she saw you last night.
00:59:24Mom, what's oil?
00:59:26Oh, Vicky!
00:59:39Hey!
00:59:41What do you think, guys?
00:59:43It's mine!
00:59:53Uncover the coffin!
00:59:56No more papers!
00:59:58No more newspapers!
01:00:00The work is done!
01:00:02The work is done!
01:00:04The work is done!
01:00:06The work is done!
01:00:07No more newspapers!
01:00:09The work is done!
01:00:11At the bottom of the sea.
01:00:13Take it!
01:00:19What are you going to do now, Charlie?
01:00:21Now?
01:00:23Now I'll finish my third novel.
01:00:25And if it doesn't get published?
01:00:27It will, don't worry.
01:00:29No money problems, no work problems.
01:00:32What excuse can I have?
01:00:34If you have a lot of money, you don't need excuses.
01:00:37Good luck, Charlie.
01:00:53Five thousand francs, please.
01:00:55I love these charity parties.
01:00:57Thank you very much.
01:00:59Ellen, excuse me for a moment, please.
01:01:02Six thousand for another kiss.
01:01:08I'm worth a lot more, you know?
01:01:10Take it.
01:01:12I didn't think you'd go to these things.
01:01:14Me neither.
01:01:16Is something wrong?
01:01:18Yes.
01:01:20Vicky?
01:01:22No, Charlie.
01:01:24Listen.
01:01:26He hasn't left his room all day and he's still there.
01:01:28He doesn't want to eat anything.
01:01:30He doesn't want to talk.
01:01:32He's been there for hours.
01:01:34And alone.
01:01:37Charlie.
01:02:08What's wrong, darling?
01:02:16Have you eaten yet?
01:02:22I'll make you something.
01:02:26Go, Ellen.
01:02:28Leave me alone.
01:02:33Are you angry with me?
01:02:34Please, Charlie.
01:02:36Do whatever you want.
01:02:38I agree, I agree.
01:02:40You're a good wife.
01:02:42Fulfilling and loyal.
01:02:44You do your duty.
01:02:48Please, go back to the party and leave me alone.
01:02:56I just wanted to help.
01:02:59Help?
01:03:00Help what?
01:03:04You.
01:03:06Me.
01:03:08Us.
01:03:10I don't know.
01:03:12Me with this?
01:03:14You know they rejected it again?
01:03:16You didn't know?
01:03:18What's wrong?
01:03:20Did they give you the manuscript again?
01:03:22Yes, again.
01:03:24Again, Ellen.
01:03:26Again.
01:03:27I'm stupid enough to spend five years writing bad novels.
01:03:31I'm an idiot who doesn't know how to write.
01:03:34It's not true.
01:03:36You're wonderful.
01:03:38They're the stupid ones, not you.
01:03:40Yes, sir.
01:03:42We feel like telling you that...
01:03:44I'm useless, Ellen.
01:03:46Go and leave me alone.
01:03:48Charlie.
01:03:50Please, I can't explain my failure.
01:03:52Be a good girl and leave me alone.
01:03:55You haven't failed, Charlie.
01:03:57It's true.
01:03:59When I was 20, I wanted to write great books.
01:04:01I felt I could do it because I thought I was different.
01:04:03I wanted perfection, and that made me different.
01:04:05But I'm not 20 anymore, and it's too late.
01:04:08Try again.
01:04:10No.
01:04:12I'm not a writer.
01:04:14I just need to get used to the idea.
01:04:16I'm rich.
01:04:18For the price of a few drinks, I can buy fame,
01:04:20friends, and many more things.
01:04:22Why spend years writing?
01:04:24I can sit in a class in the bars,
01:04:25listening to those who write,
01:04:27and talking about literature.
01:04:32Charlie.
01:04:43You can't do it.
01:04:45You're 25, aren't you?
01:04:47You're already 75.
01:04:49Go for it.
01:04:51Well, let's say 100.
01:04:53Well, 100.
01:04:56Charlie, you've got it.
01:04:58Take it.
01:05:00Charlie.
01:05:02A moment, beautiful.
01:05:04Come on, Charlie.
01:05:06Come on.
01:05:08Don't let it go now.
01:05:10Come on, Charlie.
01:05:12No, no, no.
01:05:14Come on, Charlie.
01:05:16You can do it.
01:05:18Come on, Charlie.
01:05:20Come on.
01:05:22I see.
01:05:24Come on.
01:05:26Turn it off.
01:05:28Turn it off.
01:05:30Here you go.
01:05:32Here you go.
01:05:34Thank you, boy.
01:05:36Here's the champ.
01:05:38This is the arm that got it.
01:05:41Take me home.
01:05:47I'll get the car.
01:05:49They're preparing it for the race.
01:05:51The race?
01:05:53Montecarlo, Paris.
01:06:24Take me home, please.
01:06:32At your service, ma'am.
01:06:54And lovers walk beneath the street
01:06:59And birds found songs to sing
01:07:16Helen, did you call for someone?
01:07:18No.
01:07:20A quiet night, eh?
01:07:22It's nice, isn't it?
01:07:24Why hasn't Vicky said goodnight to me?
01:07:27Your daughter is going through a serious crisis.
01:07:30She's lost a tooth.
01:07:32And she's very sad?
01:07:34Oh, life is over for her.
01:07:37She says you'll come and she doesn't have to smile or open her mouth.
01:07:41I understand that the situation is very dramatic.
01:07:45You don't mind staying home tonight, do you?
01:07:49No, of course not.
01:07:51How's the book going?
01:07:53It's not easy to start over.
01:07:56You promised me.
01:07:58I'm trying.
01:08:00Then you'll get it.
01:08:15Oh, poor little ballerina.
01:08:25Thank you very much.
01:08:27Thank goodness you could give me a kiss.
01:08:30When will you smile again?
01:08:32How much do you think?
01:08:35Teeth take a long time to grow, you know?
01:08:38And if you don't smile, your muscles will harden and your mouth will be shut.
01:08:44It would be a real shame.
01:08:48Do you know what I'll look like soon?
01:08:54Dad!
01:08:58Can I have a couple of twins? I don't know where...
01:09:03Please put on your teeth. You've scared me to death.
01:09:09Do you want me to dance a little, Grandpa?
01:09:11Leave it for tomorrow, dear.
01:09:13I'm leaving at six.
01:09:15Great, because I'll be back at that time.
01:09:18Goodbye, dear.
01:09:22Good night, everyone.
01:09:24Good night.
01:09:28Milk? Papers? What does this mean?
01:09:31I'm going to stay to work.
01:09:33Your idea?
01:09:35It's a good idea, so stay out of it.
01:09:37God forbid, but we'll miss you at the Wilson's.
01:09:40I'll go to a tag party just because it's Thursday.
01:09:44We can't go.
01:09:46Charlie...
01:09:48I'd like to go, and tomorrow morning I'll sit in that chair.
01:09:52Please.
01:09:57Why do I always end up saying yes if I want to say no?
01:10:01By the way, I'm taking a friend of mine.
01:10:03An international tennis player.
01:10:06Paul, come.
01:10:10You don't have to worry about him.
01:10:12He's invited everywhere.
01:10:14That's how you make a living.
01:10:16Do they pay you to go as a guest?
01:10:19No, no. He steals the tickets.
01:10:22How nice.
01:10:24Paul, this is my daughter and Charles Wills, my son-in-law.
01:10:28Nice to meet you.
01:10:30Enchanté.
01:10:35I think you've played in Rome.
01:10:37I play in every championship.
01:10:39How does it go?
01:10:40Very well.
01:10:41Until the second round.
01:10:42Then, I don't know why, there's always a youngster who eliminates me.
01:10:46But no one wants to skip the net and congratulate the winner.
01:10:49I'm the champion of losers.
01:10:53Excuse me, but...
01:10:55Aren't you the woman from the coffee fountain?
01:10:58It's my favorite painting.
01:11:00Whenever I come to Paris, I look at it.
01:11:03Well, you've been lucky.
01:11:04Now you can look at the original.
01:11:07Come with me, Paul.
01:11:09See you later.
01:11:16It's very attractive, don't you think?
01:11:18What?
01:11:19Attractive.
01:11:20Yes.
01:11:21I feel like throwing up.
01:11:23Enchanté.
01:11:25I don't know.
01:11:34The fast brown fox jumped on the dog and...
01:11:37Every man must be willing to...
01:11:45You can't imagine what it was like.
01:11:47A bunch of gangsters on TV,
01:11:49and the guy who was there asking questions.
01:11:52I worked in New York. Everyone was in the bars.
01:11:55What did George Bernard Shaw die of?
01:11:57Of old age, I think.
01:11:59No, I don't agree with that.
01:12:01The snow was the real obstacle he encountered.
01:12:04Napoleon suffered the greatest disaster in his military career during the campaign of Russia.
01:12:09Are you really going to run in that race?
01:12:11Of course.
01:12:12And what do you get if you win?
01:12:14What do they give you? The title of champion.
01:12:16Tell me.
01:12:18Well, well, there's my wife.
01:12:23Hello, little woman.
01:12:28Well, sportswoman, go for a walk.
01:12:32I'll be right back, Paul.
01:12:34I'll be right back, I'm sure.
01:12:39Do you think it's nice to dance with other men?
01:12:43I do, because I'm alone.
01:12:48And what's going on between you and Mr. Teddy?
01:12:51We're very good friends.
01:12:55He's very attentive,
01:12:57and he doesn't think it's terrible that he's married and has a seven-year-old daughter.
01:13:01Maybe he needs maternal love.
01:13:04I don't think so.
01:13:06He's suggested things to me, and those didn't fit.
01:13:10Well, tell me, it's all over.
01:13:13Lorraine! Lorraine Cole!
01:13:16Don't you remember me?
01:13:18Believe me, the only thing I don't remember is my name.
01:13:22Will! Europa News Service!
01:13:25Hello!
01:13:27I'm so happy to be able to hug you again.
01:13:31You must have confused me with someone else.
01:13:33We didn't go that far.
01:13:35Why not?
01:13:37Have you remarried?
01:13:39Of course, and I've come to Paris to get a divorce again.
01:13:42Are you still married?
01:13:44Yes, of course.
01:13:45With the same woman?
01:13:47With the same wonderful woman.
01:13:49I have to tell you about her modesty.
01:13:54This is my wife Ellen, Mrs. Cole.
01:13:57Now my name is Johnson, but not for long.
01:14:01How are you?
01:14:02I'm not very sure.
01:14:04She's much prettier than I thought.
01:14:08And you look much better than I thought.
01:14:12Do you think I can go back now?
01:14:15Pauline and the...
01:14:17Mrs. Johnson for now.
01:14:19The best tennis player in the world.
01:14:22I've already seen you at the hotel.
01:14:24I always go to the French Royal.
01:14:26Does anyone play tennis?
01:14:29Yes.
01:14:41Come on.
01:15:11The air is like wine.
01:15:14It's drunk.
01:15:16Charlie.
01:15:18I'd like to go home.
01:15:20Why?
01:15:21What's wrong?
01:15:23Nothing, I just want to go home.
01:15:26That's reasonable.
01:15:30Are you going to take me?
01:15:32I'll take you, but I can't.
01:15:34I've promised you.
01:15:36I can't.
01:15:38Are you going to take me?
01:15:40I'll take you, but I can't.
01:15:42I've promised Lorraine to show her how to drive.
01:15:45Do you mind if Paul takes me?
01:15:48Paul?
01:15:49What Paul?
01:15:50Any Paul.
01:15:52At a party like this, there are more than a dozen Pauls.
01:15:56You can't be serious with her.
01:16:00I'm telling you, I'll get this car out of your face.
01:16:08I'm telling you, I'll get this car out of your face.
01:16:32I've been up for a long time.
01:16:35It's a habit you should correct.
01:16:38Why do old people drink milk when they're already 32?
01:16:42Because we have butterflies in our stomachs.
01:16:45How do they get into our stomachs?
01:16:48They hide in the bubbles of champagne.
01:16:51It's a well-known hydrodynamic fact.
01:16:54Good night, little one.
01:16:56Good night.
01:17:05Good night.
01:17:17Put on your coat, Vicky.
01:17:20Isn't Papa coming to the park?
01:17:23We'll go to church first.
01:17:26It's Sunday already?
01:17:29What about Friday and Saturday?
01:17:32Come on, Vicky.
01:17:34What about us?
01:17:36I'll go to the park later.
01:17:39To church on Friday?
01:17:42What happens at church on Friday?
01:17:45The usual.
01:17:48Since you're in such a good mood,
01:17:51don't you feel sorry for my headache?
01:17:54It hurts.
01:17:56Very little.
01:17:58What have I done?
01:18:01It would be very interesting to know.
01:18:04Let's go.
01:18:30One day I'd like to ride in that bubble.
01:18:33Aren't you going to?
01:18:43Why are you so angry?
01:18:47I can't wait to know the end of your night adventure.
01:18:52You managed to get a 100-mile-per-hour car in second gear,
01:18:55and you came back, didn't you?
01:18:57That's right.
01:18:59And then what?
01:19:02I took Lorraine to her hotel,
01:19:05or she took me home. I don't remember.
01:19:09That's all you don't remember?
01:19:12I'm sorry to disappoint you, but nothing happened last night.
01:19:16Well, what about tonight?
01:19:21She'll be beautiful again, and you'll drink again.
01:19:25And nothing will happen either.
01:19:28Who took you home last night?
01:19:31The mediocre tennis player?
01:19:41He didn't go home exactly.
01:19:45He invited me to his hotel to have a drink.
01:19:48That's all.
01:19:49And it cost you a battle to leave?
01:19:51Yes, there was a battle.
01:19:53But I didn't fight against Paul,
01:19:56I fought against myself.
01:19:58And did you win?
01:20:00Listen, Charlie.
01:20:02I have the same depressions as you.
01:20:05I live in Paris, and I'm also bored.
01:20:08All this time, I've been imagining that woman and you,
01:20:11and I don't despise Paul.
01:20:13He's kind and delicate, and...
01:20:21And I'm very ungrateful.
01:20:24Charlie, let's get out of here.
01:20:27Well, as soon as Vicky finishes...
01:20:29I mean, from Paris, to America, to home.
01:20:36It's no use running away.
01:20:42Charlie, let's enjoy our marriage.
01:20:49Please.
01:20:52If you love me, let's go back to America.
01:20:57You always said, let's have a good time.
01:21:00And you were right.
01:21:01There will be time to go to America.
01:21:03There will be time for everything.
01:21:07What if we run out of time?
01:21:10Today is a bad day, darling.
01:21:12You'll see how...
01:21:13I've had bad days for a year.
01:21:17I'll be getting old.
01:21:19Stop talking nonsense.
01:21:24Let's do something.
01:21:25Run the race with me.
01:21:26We'll go to Monte Carlo.
01:21:27Why is that race so important?
01:21:30I don't know.
01:21:32Maybe it'll inspire me to write a short novel.
01:21:34Why not?
01:21:36All right, all right.
01:21:38Running amuses me.
01:21:39It's true.
01:21:40And as your illustrious father says,
01:21:42nothing is more important than having fun.
01:21:44Do you think that's stupid?
01:21:46Is that what you want me to say?
01:21:50Come with me, Ellen.
01:21:58No, Charlie.
01:21:59Then I'll take someone else who seems reasonable.
01:22:06You'll find a reason to be reasonable.
01:22:10Take care of Vicky, will you?
01:22:12Where are you going?
01:22:16To do something very important.
01:22:18Buy me a hat.
01:23:48We can't rest for a while.
01:23:50Please.
01:24:18I love you.
01:24:19I love you.
01:24:20I love you.
01:24:47Two cognacs, quick.
01:24:51Messy Wills.
01:24:53Where's my wife?
01:24:55Is she here?
01:25:14This is going to be a hit.
01:25:17Oh, my God, who's here?
01:25:21What's going on in the world of running?
01:25:24I called you home and you weren't there.
01:25:27Of course not.
01:25:28I was here.
01:25:30I don't see the point.
01:25:35You haven't stepped foot in the house in a week.
01:25:38And I haven't seen the point either.
01:25:42On the other hand, this is very fun.
01:25:45You remember Paul, don't you?
01:25:48No?
01:25:50Well, it's very strange.
01:25:52Because I remember Lorraine.
01:25:54Would you like to join us for dinner?
01:25:56Shut up!
01:25:57I'd love to.
01:26:01What time do you drink champagne in your shoes?
01:26:04We've already done that.
01:26:09What do you think?
01:26:11Don't you think I prefer alcohol?
01:26:14I hope you don't mind.
01:26:16It's a dinner between friends.
01:26:18Come on, Paul.
01:26:19Be more imaginative.
01:26:21Please tell them to leave.
01:26:23And leave us alone.
01:26:25Don't look at me.
01:26:27You're responsible for him.
01:26:29Please, we're civilized people, aren't we?
01:26:31No.
01:26:32Yes, I like it.
01:26:36If you touch me again, I'll kill you.
01:26:39Don't do it, Charlie.
01:26:41Otherwise, I would have to kill Lorraine.
01:26:44What are you laughing at?
01:26:46At you, at me, at the whole group.
01:26:48It's very funny.
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