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00:01:20We are now below the deadline, the financial and diamond district.
00:01:24Here there are more diamonds by the square foot than any part of the world, including the transvaal.
00:01:44Good afternoon, Captain.
00:01:45How are you, Peter?
00:01:46Oh, hello, Captain Simon.
00:01:47Hello, Molly.
00:01:48Mr. Draven is expecting me.
00:01:54Captain Simon is here.
00:01:56Would you go in?
00:01:58Thank you.
00:01:59How are you, Mr. Abrams?
00:02:01Oh, good afternoon, Captain.
00:02:03Sit down.
00:02:04Thanks.
00:02:05Have a cigar?
00:02:06Well, thank you.
00:02:07What's on your mind?
00:02:09These diamonds.
00:02:10These and a lot more to come.
00:02:12And, oh, pardon.
00:02:14This is Mr. Eberle, Captain Simon.
00:02:16Mr. Eberle.
00:02:17I'd like to know you, Captain.
00:02:19Mr. Eberle and I are negotiating our very large consignment of diamonds,
00:02:23and we thought that you should be warned about it.
00:02:25The wise precaution.
00:02:27Are you collecting the consignment here?
00:02:29Yes, they're for my firm in Chicago.
00:02:31But, uh, they're not to be shipped for nearly a week.
00:02:33Well, don't worry.
00:02:35We've got a pretty good line on all the boys in town,
00:02:37and not one of them would dare to shove his nose below the deadline.
00:02:41I'll just tell my men to keep their eyes peeled,
00:02:43and if they do see anybody below the deadline that looks suspicious at all,
00:02:46to bring them in for questioning.
00:02:48Oh, by the way, uh, where is your deadline now, Captain?
00:02:52Still Canal Street?
00:02:54Yes.
00:02:55And if any of them come south of that line,
00:02:57it'll be just too bad.
00:02:59Well, so long.
00:03:01Bye-bye.
00:03:08Well, I know where to get a nice solitaire for you, Molly,
00:03:11as soon as you give Terry Mulvaney the gate.
00:03:13You'll be too old by that time, Captain Simon.
00:03:15Oh, you're never too old.
00:03:22Yes, sir.
00:03:23All right, good day, Captain.
00:03:24Goodbye, David.
00:03:30Well, Miss Fitzgerald, would you mind working an hour or two later tonight?
00:03:34Certainly not, Mr. Abrams.
00:03:35Then as soon as you're through, bring in your notebook.
00:03:38Hello?
00:03:39Hello, Molly, my darling.
00:03:41Terry, dear, I have to work late tonight, so don't wait for me.
00:03:43I'll have supper downtown.
00:03:44You can meet me near the subway entrance around 9.
00:03:58Sure, darling, I'll be there with me buttons all shining.
00:04:02Right.
00:04:28Good evening, sister.
00:04:29How about a lift?
00:04:32Harry
00:04:34What's the matter, darling?
00:04:41Oh, just a would-be Casanova
00:04:42And what's that?
00:04:44Oh, a fellow that thinks that offering a girl a lift is a driver's license
00:04:47Is that so? I'll take Harry, him
00:04:48Oh, don't you worry about a little thing like that
00:04:51Do you think I'd exchange your homely face for anything in the world?
00:04:54No, wait a minute, what was that crack?
00:05:00It goes for me, too, darling
00:05:01Hello, Annie, dear
00:05:08Oh, good evening, Miss Hibberton, how are you this evening?
00:05:11Why do people always think it's like to ask silly questions?
00:05:15Well, well, look, those years
00:05:16Have you had your supper?
00:05:18Yes, thank you
00:05:19Glass of milk and a sandwich, I suppose, standing up at some lunch counter
00:05:24Oh, well, this rush will soon be over and then I'll have my evenings to myself again
00:05:28Would you like some tea, Cherry?
00:05:30Uh-huh
00:05:30I'm a fixer
00:05:31Well, are you still here?
00:05:36I thought it was time for you to be going home instead of coming here visiting
00:05:39Well, I suppose it is a little late for elderly people
00:05:42But boy and me won't mind if you want to go to bed
00:05:44But you expect me to resent that?
00:05:46You're wrong
00:05:46Why on earth don't you sit down?
00:05:49You've been on your feet all day, haven't you?
00:05:51I tell you, that's what I have
00:05:52Good poor dogs
00:05:54Every time I make them walk, they get sore
00:05:57And when are you going to get this advancement you're after?
00:05:59Well, the exams are in June and by July you'll see me a full-fledged detective
00:06:04Then crime will automatically cease, I suppose
00:06:09Oh, no, not immediately
00:06:10You see, there's the honeymoon first
00:06:12Terry Mulvaney, if you don't make Molly the happiest wife in the world, you'll have me to answer to
00:06:17It won't be for the water friend
00:06:19Molly needs a rest
00:06:21That man Abrams works her too hard
00:06:24I don't know what people want the diamonds anyway
00:06:27Useless things
00:06:29And yet they can't buy them, they steal them
00:06:31Oh, no, not much chance these days
00:06:33Ross
00:06:34Top the crimes in the world are never solved
00:06:37Well, here, let me hold it free
00:06:38Well, at last I found a useful policeman
00:06:45Oh, I don't know
00:06:46Molly found one
00:06:47Did you ever try it?
00:06:48Are you two still bickering?
00:06:50Let me help you
00:06:51Well
00:06:52What are you sewing on now, darling, if I'm permitted to ask?
00:07:04A pillow slip, Mr. Mulvaney, for that red head of yours
00:07:07You'd think you two were married already
00:07:09When I was a girl, no young lady would have said such a thing
00:07:13Did you think to, or was it sworn?
00:07:15I think you'd better confine yourself to questions of moral importance
00:07:19Have you got your book, Terry?
00:07:21Oh, yes, sir
00:07:22When an officer takes a prisoner into custody, what is his duece?
00:07:32To search the prisoner for weapons and evidence
00:07:35And conduct him directly to the station using every care to prevent his escape?
00:07:40Good
00:07:41Under what circumstances is a policeman legally justified in using his pistol?
00:07:45Hmm?
00:07:46And let me tell you, Flash, even if she wouldn't give me a tumble, that Fitzgeraldane can have my role anytime she gives me the come on
00:08:01Come on
00:08:02What's she got that the others don't have?
00:08:05A boy?
00:08:06She's got everything
00:08:08Hold on, Spike
00:08:09Hold on, Spike
00:08:10We're not mixing pleasure with business
00:08:12She didn't fall for you
00:08:14So now we gotta find out some other way when Abrams is gonna ship those diamonds
00:08:18Rocks fascinate you, don't they?
00:08:20Heh
00:08:21How do you think I got the name Diamond Dutch?
00:08:24Chasin' after fluffs?
00:08:26Maybe not
00:08:28But I never saw you pass one up
00:08:30Right
00:08:31But when there's a job on hand, I don't play with fire
00:08:37You never saw me get burned
00:08:38But I'm getting penny-burned right now
00:08:40Here we are, all set to make the biggest haul that's ever been pulled
00:08:43And all you can think about is some dame that you'd never even see
00:08:48But I'm going to see her
00:08:52Tomorrow, I think
00:08:53And we'd better call the whole deal off
00:08:55When you fall for a new fluff, I know what happens
00:08:58So do I
00:09:00But I can also defer the pleasure to an appropriate time
00:09:04Don't worry, Dutch
00:09:05I've seen him play a fish for months
00:09:07Before she took the hook
00:09:15All right
00:09:16But when does Abrams get in the balance of that confinement?
00:09:19That's all I want to know
00:09:20Why pull this job a day too soon?
00:09:24When by waiting another day, we could get maybe a hundred grand more
00:09:31What'll you bet I can find out by tomorrow night?
00:09:35Come on
00:09:36I'll split a grand with you
00:09:38Five hundred apiece
00:09:39Okay
00:09:40That's a bet
00:09:41That's a bet
00:09:42You can land that pitch, Geraldine
00:09:43You've got it coming
00:09:54Mr. Ackroyd?
00:09:55Right, young lady
00:09:56And you are Miss, uh...
00:09:57Yes, Mr. Abrams, Secretary
00:09:58Can you wait a moment, please?
00:10:00With pleasure
00:10:02I come to look for a diamond and behold, I find a pearl
00:10:05Uh, careful
00:10:07There's so many synthetic pearls on the market these days
00:10:10Ah, but then I'm an excellent judge
00:10:12Professional, I would think
00:10:13On the contrary
00:10:15Amateur in its literal sense
00:10:18Mr. Abrams, Mr. Ackroyd's to you
00:10:23Can you go in, please?
00:10:24Can you go in, please?
00:10:37Sorry I'm so late
00:10:38I suppose it's about your closing time
00:10:40Well, it's another closing time when we have a client
00:10:43Won't you sit down?
00:10:46You said over the phone you were looking for a stone of about, uh, five carats
00:10:51Yes
00:10:52A yarder
00:10:56Send in the stones I selected for Mr. Ackroyd
00:11:02Oh, that looks like a very fine stone you have in your ring
00:11:05May I see it?
00:11:07Yes
00:11:08I picked that up in, uh, Hatton Garden
00:11:15Fine, you know diamonds
00:11:17It's perfect
00:11:19Can you match it?
00:11:20Well
00:11:22You can judge for yourself
00:11:36Did I use your glass?
00:11:38Suddenly
00:11:39Aren't you going home, Molly?
00:11:40Doesn't look like it, does it?
00:11:41And I had a date, too
00:11:42A woman proposes, but business disposes
00:11:43Well, I'll be glad to get home and dispose of that corned beef and cabbage that's waiting for me
00:11:58Well, these are the best
00:11:59But neither is as good as mine
00:12:01I'm afraid you're right
00:12:02But I shall have more in Thursday
00:12:03And I think final ones
00:12:04Could you call then?
00:12:05I'm not sure, but, uh, I think I could make it Friday
00:12:08Well, I'm very sorry, but they'll be gone then
00:12:09Tell you what I'll do
00:12:10I'll give you a thousand for that one
00:12:11I'll give you a thousand for that one
00:12:12Miss Fitzgerald
00:12:13I'll give you a thousand for that one
00:12:14I'll give you a thousand for that one
00:12:15Miss Fitzgerald
00:12:16Make out a receipt for Mr. Ackroyd for one thousand dollars
00:12:20I'm not sure, but, um, I think I could make it Friday
00:12:22I'll give you a thousand for that one
00:12:24Miss Fitzgerald
00:12:25Make out a receipt for Mr. Ackroyd for one thousand dollars
00:12:28I'll tell you what I'll do.
00:12:30I'll give you thousands of that one.
00:12:39Miss Fitzgerald,
00:12:41make out a receipt for Mr. Actroyd for $1,000.
00:12:49Well, that's that.
00:12:58Here's your receipt, Mr. Actroyd.
00:13:03Thank you.
00:13:04I'm sorry to have been the cause of keeping you so late,
00:13:06but perhaps I can drive you home.
00:13:09Well, I am more than late.
00:13:11Then why don't you let Mr. Actroyd take you home?
00:13:14All right.
00:13:15Good night.
00:13:16Good night.
00:13:28Thanks a lot.
00:13:44You see, I'm not so bad.
00:13:46Wouldn't you take me on approval for a while?
00:13:51Someone else?
00:13:52There's the proof.
00:13:56Hello, Terry.
00:13:57This is Mr. Actroyd, Officer Mulvaney.
00:14:00Glad to know you, indeed.
00:14:02So you're the reason she was so anxious to get home.
00:14:04Meaning what?
00:14:06Well, you see, Mr. Abrams and I kept her a little late,
00:14:08and I offered to make amends.
00:14:11Oh, so you're a friend of Mr. Abrams.
00:14:13Well, that's different.
00:14:15Well, I'm afraid I don't follow.
00:14:17Terry thought you were another smart aleck,
00:14:18like the one that tried to pick me up the other night.
00:14:21Well, I might be sorely tempted, but I don't think I'd try.
00:14:27I seem to be a better judge of character than you are.
00:14:30Well, good night, Mr. Mulvaney.
00:14:33Good night, Mrs. Gerald.
00:14:34Thanks again, Mr. Actroyd.
00:14:36Don't mention it.
00:14:37What's the matter? You don't seem to like the gentleman.
00:14:53I do not.
00:14:54Oh, Terry, you need never be jealous of me.
00:14:57As a matter of fact, I only accepted as officer that I wouldn't keep you waiting.
00:15:00Well, who is he?
00:15:01All I know is that he just bought a diamond for a thousand dollars.
00:15:05Hmm.
00:15:06I thought he was another one of those mashers, like the one last night.
00:15:09Uh-uh.
00:15:10I'm not that familiar.
00:15:11You're in love with me, isn't you?
00:15:13Uh-huh.
00:15:14Hmm.
00:15:18Yes, Pike?
00:15:19You're right.
00:15:21She had to be seen to be appreciated.
00:15:23Yeah.
00:15:24I thought she'd appeal to your sense of proportion.
00:15:27Yeah.
00:15:28Now I have another object in life.
00:15:31And now a snog, it appears, with a hundred grand, eh?
00:15:34You'd better dig for five hundred, Dutch.
00:15:37You too, Spike.
00:15:39Did you find out?
00:15:41I not only got a good look at the office,
00:15:43but I found out that the consignment will be complete on Thursday night.
00:15:47To top it off, I drove the young lady home.
00:15:51That wins the bet, I think, Dutch.
00:15:54Heh.
00:15:55You're a wonder, Flash.
00:15:57Yeah?
00:15:58Well, it cost me a grand to do it.
00:16:01I bought that one.
00:16:03Only worth eight hundred.
00:16:08Well, I get most of it bagged.
00:16:11Take a look at the girl's writing, Spike.
00:16:14Could you imitate it?
00:16:16So she couldn't tell the difference herself?
00:16:19What's on your mind?
00:16:22She seems to prefer an Irish harness bull to me.
00:16:25Meen and foie, he said.
00:16:27Oh, so you're a friend of Mr. Abrams.
00:16:30Well, that's different.
00:16:32I'd like to push the ugly mug of him down his own throat.
00:16:35All right, forget it.
00:16:37We've got to think about this job ahead of us.
00:16:40That's just what I'm doing, Dutch.
00:16:42When you're pulling a big job, it's always safer to have some goat to take the rap.
00:16:47Sure.
00:16:48It satisfies the public and gives the cops a chance to save their fish.
00:16:52Right.
00:16:53And this is where I kill two birds with one stone.
00:16:56Officer Mulvaney will be the goat, and Miss Fitzgerald will be...
00:17:00In circulation again.
00:17:02But how are you gonna do all this?
00:17:05Easy.
00:17:07Just practice on our handwriting, Spike.
00:17:10And we'll send Terry a Billy-Doo on Thursday.
00:17:32I'm sure glad I'm not on duty down here every night.
00:18:01It's too quiet.
00:18:02Yeah, I'd rather be uptown myself.
00:18:07Hello, boys.
00:18:08Well, no pinch tonight, Palmer?
00:18:10Oh, I think the captain's crazy there's no one below the deadline tonight.
00:18:27Five thousand bucks worth that has to be towed in.
00:18:29Yeah, the best of them cracked up.
00:18:31Give me my old flivver.
00:18:32It's never let me down yet.
00:18:34Catch wood.
00:18:36Better make the rounds again, boys.
00:18:38Okay, see you in jail.
00:18:39Right.
00:18:40Okay, Flash.
00:18:41See anybody?
00:18:42Past three bowls, and they never give us a tumble.
00:18:43Let's get going, then.
00:18:44All right.
00:18:45Hey, just a minute, buddy.
00:18:46What for crying out loud?
00:18:47What are you doing, Daddy?
00:18:48Let's get going, then.
00:18:49Let's get going, then.
00:18:50All right.
00:18:51What for crying out loud?
00:18:52What are you doing down here?
00:18:53Well, what's the matter with you, Bill?
00:18:54You got the jitters?
00:18:55Who is it?
00:18:56Why, it's Brick Top Mulvaney from 14th Street.
00:18:57Yeah, and don't go be saying anything at the station about seeing me down here, or I'll wipe up the floor with you.
00:18:59Oh, you know me, Bill.
00:19:00Oh, you know me.
00:19:01Oh, you know me.
00:19:02Oh, you know me.
00:19:03Oh, you know me.
00:19:04Oh, you know me.
00:19:05Oh, you know me.
00:19:06Oh, you know me.
00:19:07Oh, you know me.
00:19:08Oh, you know me.
00:19:09Oh, you know me.
00:19:10What for crying out loud?
00:19:11What are you doing down here?
00:19:12Well, what's the matter with you, Bill?
00:19:13You got the jitters?
00:19:14Who is it?
00:19:15Why, it's Brick Top Mulvaney from 14th Street.
00:19:16Yeah, and don't go be saying anything at the station about seeing me down here, or I'll wipe up the floor with you.
00:19:21Oh, you know me, Terry.
00:19:22Yeah, I know all of you.
00:19:23So long.
00:19:24So long.
00:19:25Hey, what's the gang?
00:19:26Oh, nothing.
00:19:27We've been ribbing him at the station about being in love.
00:19:29He's got a girl who works down here.
00:19:30Well, we've seen somebody anyway.
00:19:31Yeah, let's shove off.
00:19:33Pues no, no.
00:19:34Number 47, Fishfield Necklace.
00:19:35Check.
00:19:36Number three.
00:19:37That's Fitzgerald.
00:19:38Call the express company now.
00:19:40Number 54, a tray of 16 brooches.
00:19:42Check.
00:19:43Number four.
00:19:44Number four.
00:19:45Well, what's the problem, sir?
00:19:46Well, I'm so sorry.
00:19:47Well, I'm so sorry about being in love.
00:19:48He's gotta grow works down here.
00:19:49Well, we've seen somebody anyway.
00:19:50Yeah, let's shove off.
00:19:51Number 47, Thishfield Necklace.
00:19:53Check.
00:19:54Number three.
00:19:55Yes, Fitzgerald.
00:19:56Call the express company now.
00:19:59Number 54, a tray of 16 brooches.
00:20:02Check.
00:20:03la line seems to be dead
00:20:09stick'em up, all of here
00:20:14good work Terry
00:20:26Terry
00:20:28shut up
00:20:29and let that be a lesson to all of you
00:20:31keep your hat on your mug
00:20:33you want that brick top to give you away
00:20:35now turn to the wall
00:20:37all of you
00:20:38start now
00:20:40move over
00:20:46keep'em up
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00:23:13Mr. Abrams, is that the man who led the Hold Up men?
00:23:18It is. Without a doubt, it is.
00:23:22I've seen Mulvaney many times.
00:23:25I couldn't be mistaken.
00:23:27Mr. Abrams, are you sure that he is the man that shot Peters?
00:23:32Yes, I'm sure he is.
00:23:35I was slugged, I tell you.
00:23:37All right, Bill. Take him away and lock him up.
00:23:40Oh, Darren. Darren.
00:23:42It isn't true, Darren. I was framed. I'm going to prove it.
00:23:46He's just putting on an axe. Take him away.
00:23:49I have a few more questions that I want to ask you.
00:23:53Don't let them bully you, Molly, and don't you worry about me.
00:24:12I'm sorry, Bill, but I was framed and I can't prove it in jail.
00:24:20There. Two, six, five, three, two.
00:24:28I'll send it right out. Okay.
00:24:31Calling all cars. Attention, all cars.
00:24:35Mulvaney has escaped in a police car.
00:24:38License number, two, six, five, three, two.
00:24:41He drove north on Avenue A.
00:24:43Block all roads and bridges leading from the city.
00:24:45He's handcuffed but armed.
00:24:47Bring him in, boys. That's all.
00:24:57Yes, sir. What can I do for you?
00:25:01There's nothing to be scared of, buddy.
00:25:02You do what I tell you.
00:25:03I want you to cut these handcuffs off me.
00:25:06Yeah, but what'll they do to me for helping a prisoner escape?
00:25:08You're helping an innocent man, and you'll be glad of it one day.
00:25:12Come on, hurry up.
00:25:12And after they're off, you're going to plug me?
00:25:26I'll make a bargain with you.
00:25:28I won't hide my hair on your head if you keep still about this.
00:25:31All right.
00:25:34Calling all cars. Attention, all cars.
00:25:37Mulvaney reported seen on Lincoln Highway speeding west.
00:25:39Use special caution.
00:25:40He's probably listening to these broadcasts,
00:25:43so we can't give location of blockades.
00:25:44That is all.
00:25:45Come on, hurry up.
00:25:47Repeating broadcast 47.
00:25:49Mulvaney reported seen on Lincoln Highway speeding west.
00:25:51Step on it, Dave.
00:25:52We must be right on his tail.
00:25:58Thanks.
00:25:59He just left.
00:26:27Mulvaney just left.
00:26:28He made me cut his handcuffs.
00:26:30He went in that direction.
00:26:31Do you belong in these parts?
00:26:55No, just this one.
00:26:56What's the next stop?
00:27:00Don't you know what train you're on?
00:27:02Oh, sure.
00:27:04Pitchy train.
00:27:05No.
00:27:06You've got to go back to Hopewell Junction to get that.
00:27:08Ha, ha, ha.
00:27:14Where too, sir?
00:27:16Albany.
00:27:16585.
00:27:18585.
00:27:23Change his fine planes and chatter.
00:27:25Airplane.
00:27:46There we go.
00:27:47. . .
00:28:17. . .
00:28:47Sì, sì.
00:29:17Grazie.
00:29:47Do you think you would have been overjoyed?
00:29:49They just sat there watching my reaction.
00:29:51You've got to learn to act.
00:29:53Sorry I can't say the same thing to you,
00:29:55but I'm very glad to know just how clever you are.
00:29:57Well, they both think they're clever.
00:29:59Mulvaney has as much chance of getting away
00:30:01as the well-known dog with rubber legs has.
00:30:07How's this?
00:30:09Feel certain, passenger?
00:30:11Number 19 is Mulvaney, wanted for murder.
00:30:13Meet train at Pine Plains.
00:30:15I hope there's a reward out for him.
00:30:17Maybe there is.
00:30:19Stop at Clinton and shoot this ahead.
00:30:45Do you want to go?
00:30:47Do you want to go and play?
00:30:49I wish I was gonna go and play.
00:30:51No, I wish I was going to go.
00:30:53No, it's going to play.
00:30:55No, I wish I was going to play.
00:30:57So we were all going to play.
00:30:59Sì, sì, sì.
00:31:29what what
00:31:31we found the body to conduct in the bikeman
00:31:59Grazie a tutti.
00:32:29Grazie a tutti.
00:32:59Grazie a tutti.
00:33:29Can't you leave me alone? Can't you understand anything?
00:33:33Terry didn't do it.
00:33:35And now he can never prove it.
00:33:37He proved that he did do it, you mean?
00:33:39Do you think that getaway of his was an act of innocence?
00:33:42Not on your life.
00:33:44It wasn't that I tell you.
00:33:45Do you expect to find the diamonds behind the pictures or under the carpet?
00:33:58Molly said she lived with her aunt.
00:34:00Are you Miss Tibbett?
00:34:01None of your business.
00:34:02I make a lot of things my business.
00:34:04In fact, I sometimes act like an old woman.
00:34:06Oh, no offense, madam. No offense.
00:34:08If you think you can get me angry that way, you're Miss Tibbett.
00:34:12And if you're through, there's the door.
00:34:15Who were Mulvaney's confederates?
00:34:21He had no confederates.
00:34:23He didn't do it.
00:34:24He didn't.
00:34:25Come on now, Molly.
00:34:27Terry's dead.
00:34:28See those guys that let him down and get all the gravy to you?
00:34:30I don't know what you mean.
00:34:32You know what I mean.
00:34:34Those fellas have framed him.
00:34:36That's why they called him by his name.
00:34:38You don't want to see them subject while carrying coals.
00:34:41Stop it.
00:34:42Don't you think I've suffered enough?
00:34:45Yes, you did.
00:34:47You who killed him.
00:34:48You were your fault, accusation.
00:34:51You drove him to it.
00:34:53Somewhere a real criminal is laughing at you.
00:34:55Laughing at your stupidity.
00:34:57I'd laugh too.
00:34:57I'd like to laugh, but Terry...
00:34:59The joke's on him, too.
00:35:16You think he can fall through?
00:35:18Oh, he'll be all right.
00:35:19I'll probably have to do a little plastic surgery on his face.
00:35:23Then you'll be in your element.
00:35:24Well, it's always interesting to try to improve upon nature.
00:35:28I wonder who the beggar is.
00:35:29I don't have the case now.
00:35:31Well, we'll find out soon.
00:35:33You'll recover consciousness now that I've removed the pressure.
00:35:36The
00:36:04Oh, che...
00:36:08Che self I see
00:36:10That's my long suit
00:36:12You're telling me?
00:36:15Well, everything still seems to be under control
00:36:17Sure
00:36:19The Dicks haven't the ghost of an idea that that was our job
00:36:23They're still sure it was Mulvaney
00:36:27But the cops are still watching every fence for the stone
00:36:30Certainly
00:36:31Why not?
00:36:34Every time there's a job full, the guys make the same mistake
00:36:38They want to cash in right away
00:36:40So they peddle the stuff while it's hot
00:36:42And they're picked up
00:36:43I tell you, Dutch, we have the right idea
00:36:47Handle each job like a legitimate business
00:36:50And don't expect any profits for the first year
00:36:53And that's why we're still in business
00:36:54And never even an entry on the blotter against us
00:36:58Well, those Abram Diamonds are staying undercover for a year
00:37:02Okay, with me
00:37:03Now I suppose you're going after the dame
00:37:06Not yet, Dutch
00:37:09I know women
00:37:11And I know that Molly Fitzgerald is still thinking of Mulvaney as a martyred hero
00:37:16Nurse tells me that you're feeling a little better
00:37:21Do you think that you can answer a few questions?
00:37:25There was no identification in the remains of your clothes
00:37:29So we don't even know your name
00:37:31O'Malley
00:37:33Ted O'Malley
00:37:36Ted O'Malley
00:37:37Have you any relatives or friends that we can notify?
00:37:46By the way
00:37:51What kind of a nose did you have?
00:37:55I mean, I shall have to build up your nose from practically nothing
00:37:59Couldn't you get me a photo to go by?
00:38:03I'm afraid he's a little too weak yet, Doctor
00:38:05Oh, well, I'll give him a classical one
00:38:08Miss Jennings, if I thought I had any brains, I'd blow them out
00:38:22What's the matter?
00:38:24But wouldn't it be a terrible thing to drill a hole in one skull and find it empty?
00:38:27Am I to gather that you're still thinking of that Mulvaney case?
00:38:31I start up in the middle of the night thinking about it
00:38:33I'm afraid your vanity is wounded
00:38:35Wounded?
00:38:36It's mutilated
00:38:37So much time has passed and not a single clue
00:38:40And a fortune in diamonds disappears
00:38:43A strange case, all right
00:38:45I'm going to see that Fitzgerald girl again
00:38:47I think she must be bluffing
00:38:50Where's your winter coat?
00:38:55Oh, I told her that I won't need it
00:38:57Well, this is your business, Molly
00:39:00But I'd like to see anybody try to force me to leave town
00:39:03You don't seem to understand, Annie
00:39:05I'm branded as a thief
00:39:06Nobody will give me a job here
00:39:08Don't forget, you'll always have a home here
00:39:10Remember that
00:39:12Oh, that must be the man for my truck
00:39:16I'm going to pitch you a lunch to eat on the train
00:39:18Why, Mr. Abrams?
00:39:24May I come in?
00:39:26Why, certainly
00:39:26I'm just leaving town
00:39:28You mean for good?
00:39:30Yes
00:39:31I didn't know it was as bad as that
00:39:33I haven't seen Mr. Abrams again until today
00:39:35And, of course, I learned that you were no longer there
00:39:37I suppose you also learned that I was a thief
00:39:40Do you remember that I prided myself on being a good judge of character?
00:39:45Yes, but I don't quite
00:39:46May I sit down?
00:39:47Of course
00:39:48I heard about the robbery at the time
00:39:52But I had no idea that you were supposed to be implicated
00:39:55I wasn't
00:39:57You don't have to tell me
00:39:59That's what I meant when I said I was a judge of character
00:40:03Thank you
00:40:04I also gather from Abrams that, uh, no one will employ you
00:40:09What do you expect? Of course I can
00:40:11I will
00:40:12I'm interested in the Alhambra
00:40:18The restaurant and night spot on 50th
00:40:20There is a vacancy for a day cashier
00:40:24You mean you're offering me a job like that?
00:40:26I am
00:40:28I have the courage of my convictions
00:40:32How can I ever thank you?
00:40:34By reporting for work
00:40:36At 10 in the morning
00:40:37Yes, we can leave the bandages off now
00:40:47Sure, Doc, and that won't make me mad
00:41:03No, I suppose it probably won't, but evidently you would like to see what I've done for you
00:41:08That I would
00:41:19Well, O'Malley, how have I done?
00:41:23Hey, don't break all my fingers
00:41:26Well, Doc, that's exactly how I feel
00:41:29And I doubt very much whether I'll ever be able to again
00:41:31But evidently you, you approve
00:41:34Tell me, is it as good as the original?
00:41:36Well, Doc, I think it's a bit improvement
00:41:39And if it wasn't for me head, I wouldn't even know myself
00:41:41Well, you know, you really could die that
00:41:44And have a little joke with your friends
00:41:46It would be a joke
00:41:51Wouldn't it?
00:41:53Well, I'm really glad that you're pleased
00:41:54And the railroad company will be too
00:41:57You'll probably let them down easier
00:41:59What do you mean?
00:42:01Well, the insurance adjuster has been here several different times
00:42:03They offer to settle with you for $2,000 in cash
00:42:07And all your hospital bills
00:42:08$2,000?
00:42:10Yes, and you won't have to go to court
00:42:12And give half of it away to some attorney
00:42:14$2,000?
00:42:16That would come in handy
00:42:17Why, yes, of course it would
00:42:19Incidentally, here's the check that the insurance adjuster left
00:42:24And also his form of a release
00:42:26You can sign that if you care to
00:42:29It's entirely up to you
00:42:30Doc, I wonder if I can have that in cash
00:42:33Why, I suppose so
00:42:35Just endorse the check and I'm quite sure they'll cash it
00:42:38Come in
00:42:49Thank you, sir
00:42:51Will you sit down?
00:42:55You're the investigator employed by the insurance company on the Abrams robbery
00:42:59Hooray
00:43:00Well, sir, I'd like to write a round
00:43:02A man of an ambition
00:43:04But I don't see the point
00:43:05Well, Mr. Pearson, it's only a hunch but a faith in human nature
00:43:09Would you mind telling me who you are and what you are?
00:43:13Well, I'm just a dumb bug
00:43:14And training over here is Archie Nolinson
00:43:16I come from Colorado
00:43:17I had a brother here on the bus and he got into a bit of trouble
00:43:20We were pals from the time we were kids
00:43:22And I'm sure that he'd never do anyone any harm
00:43:25Mr. Pearson
00:43:26That man was Terry Mulvaney
00:43:29Mulvaney?
00:43:32Yes
00:43:32Terry Mulvaney
00:43:33Now I have a bit of money and I'd like to use it to clear his name
00:43:38Have you seen the police?
00:43:40No
00:43:40The cops were only looking for convictions
00:43:43He was wanted for murder
00:43:45His death closed the case
00:43:46Now you have no axe to grant or politics to play
00:43:50That's right
00:43:51I'm a private individual
00:43:52Responsible only to myself and the insurance company
00:43:55And your object is to recover the stolen property?
00:43:58Right again
00:43:58You may be a pub, but you're by no means dumb
00:44:01Now your brother told a queer story to the police
00:44:04But if his story was true
00:44:05Who framed him?
00:44:07And what reason could they have?
00:44:08And that I don't know
00:44:09But it gave you and the cops a wrong stare, didn't it?
00:44:13Oh, thank you
00:44:14By the way
00:44:15Do you happen to know what I can find, this gal?
00:44:17I don't know what address, but her name is, uh
00:44:19Fitzgerald
00:44:20Just a minute
00:44:20I'll look it up for you
00:44:22Miss Jennings
00:44:28Get the Mulvaney file
00:44:29Quick
00:44:30The fingerprint ready
00:44:31All the time
00:44:52Identico
00:45:06He's our man
00:45:18As long as you know the town
00:45:20I'll show you over to Mr. Sherald
00:45:22Oh, well, that's all right
00:45:24Only be careful not to shock her
00:45:26Remember, she thinks you're dead, Terry
00:45:28How did you look?
00:45:32Because your yarn sounded phony
00:45:33I watched you closely and decided that your hair might have been dyed
00:45:37So I proceeded to get your fingerprints in my cigarette case
00:45:40And they compared exactly with the ones found on the stolen police car
00:45:43You think I wanted to be a detective?
00:45:46You're doing all right
00:45:47We're going to work together on this case
00:45:49I take it that's what you want
00:45:51That's more than I expected
00:45:53Tell me, how did you work this substitution with the dead man?
00:45:57Well, I heard a couple of the wrecking crew say that his face was all gone
00:45:59So when they went for the stretcher, I emptied my pockets into his
00:46:04Quick thinking, my lad
00:46:05Yeah, but I didn't think very long
00:46:06When I come to, I was in the hospital
00:46:07And the nurse was reading the newspapers to me
00:46:10In other words, you woke up and found yourself dead
00:46:12That's about it
00:46:13Well, you've awakened to plenty of worry
00:46:15And we've got to solve this case before the police get on to you
00:46:18They won't ever get on to me
00:46:20Because I really have got a brother, Ed, in Colorado
00:46:23Does Molly know that?
00:46:24Sure
00:46:24Why?
00:46:26Then you've got to remain Ed, even to her
00:46:28Oh, I could never fool Molly
00:46:30That doctor didn't change me that much
00:46:32Well, you must try
00:46:33You know, brothers sometimes look very much alike
00:46:35Well, I want Molly to know that I ain't dead
00:46:37All right
00:46:38Tell her, Terry, escaped to your place in Colorado
00:46:40And you came east to clear up the case
00:46:42Well, couldn't I?
00:46:43No, no, you can't take that chance with Molly
00:46:45She might give you away by word or look
00:46:47And at a time like this, that'd be too much of a risk
00:46:49So, come on
00:46:50You're a hard man
00:46:52We saw Pearson outside, talking to a guy
00:47:02Pearson?
00:47:03All the insurance companies lose
00:47:05Forget him
00:47:06What'd you find out?
00:47:08Well, we can get rid of a few grands worth
00:47:09It's safe enough now
00:47:10You don't think Pearson means anything?
00:47:13Not a thing
00:47:14He used to park on Molly's trail, but he's given that up
00:47:17And I still claim you shouldn't have given that name a job here
00:47:20Why?
00:47:20Well
00:47:21Flops have brought down bigger guys than you first
00:47:23Oh, forget it
00:47:25Pour yourself a drink
00:47:49Good evening, Molly
00:47:50Why are you so happy?
00:47:54Now that I've got a job again, can't you leave me alone?
00:47:56Please don't get me fired
00:47:57Oh, don't worry about that
00:47:59I just wanted you to meet a friend of mine
00:48:01This gentleman here has convinced me that Mulvaney was innocent
00:48:04Terry
00:48:11No, Ed
00:48:14Terry told you about me, didn't he?
00:48:17Would you mind if we sat down?
00:48:18Of course not
00:48:19Yes, Terry did tell me about you, but you might be his twin
00:48:30Now it's that nice
00:48:32Here I thought I was much better looking
00:48:34You talk like him too
00:48:36Of course your hair is darker and your nose is different, but if Terry weren't dead
00:48:40He's not dead, Molly
00:48:42He escaped from the train wreck
00:48:45He's not dead?
00:48:49Are you sure?
00:48:51Have you seen him?
00:48:52Yes
00:48:54He's at my place in Colorado
00:48:56Is he well?
00:48:59He's well as I am and I never felt better in me life
00:49:00Now if you'll dance with me, I'll tell you all about him
00:49:03Oh, I thought you're happy to dance in this jam
00:49:05I want to tell Auntie
00:49:07Can we all go home?
00:49:08You can tell me on the way
00:49:09Now, wait a minute, wait a minute
00:49:10How about your supper?
00:49:11I thought you're happy to eat
00:49:12Come on, Mr. Kirsten
00:49:14No, you two run along
00:49:16I'll stay here
00:49:17Hey, boss
00:49:19Kirsten and that egg we saw him with outside
00:49:21Was talking to Molly
00:49:22She's acting up like a two-year-old
00:49:24Now, don't you get scared the next time you see me
00:49:33Good night, Ed
00:49:34And you be careful
00:49:35Careful of what?
00:49:37Oh, you know
00:49:38A nice young fellow
00:49:39And a pretty girl
00:49:40And a romantic moon
00:49:41Must I tell you the rest of that?
00:49:43Come on, Mr. Mulvaney
00:49:44Boss, looks like you've been asleep
00:49:54With the switch
00:49:54If it hadn't been for Mr. Aykroyd's kindness
00:50:04I'd still be out of wood
00:50:05Isn't that right?
00:50:07That's right
00:50:07Now, look
00:50:09If it's some money that you need in my hand
00:50:11Oh, no, I couldn't think of it
00:50:13I'm doing nicely now
00:50:14Young man
00:50:16You're half in the right place
00:50:18But I can't say the same for your brain
00:50:19I'm married
00:50:20Now, wait a minute
00:50:21Maybe Miss Divert is right
00:50:22I'm always right
00:50:23I objected to your brother as a policeman
00:50:25But no young man in his senses
00:50:27Would ever take up prize fighting as a profession
00:50:30Look now
00:50:32How about Gene Tunney?
00:50:34He seems to have done all right for himself
00:50:36As soon as he got any sense, he quit
00:50:39Just the same
00:50:40I want you to know that you brought more happiness into this house
00:50:43Than's been here for many a days
00:50:45I like you
00:50:47Thanks
00:50:48You know, that goes for the both of us
00:50:50And if I wasn't in love already, I'd be asking you to marry me
00:50:53Oh
00:50:54Go along with you
00:50:55You're just another Terry yourself
00:50:58Good night
00:51:00And God bless you
00:51:02I guess I'd better be going to talk
00:51:10Oh, no
00:51:11I want you to hear it all over again
00:51:13Again?
00:51:16Well, my dear child
00:51:17I told you in the taxi
00:51:18I told you in the parking
00:51:19I'm just after telling you're Aunt Mary here
00:51:21I know you're a darling
00:51:23I didn't mean to say that
00:51:26Well, what's wrong with calling me a darling?
00:51:29I don't know
00:51:30Something just came over me
00:51:31I suppose it's because I'm so grateful to you, Mr Mulvaney
00:51:34I thought you promised to call me Ed
00:51:37What's the matter?
00:51:43I don't know
00:51:44Ed
00:51:45I think we've known you forever
00:51:47It's just the way I want you to feel
00:51:51You don't understand
00:51:53Please go
00:51:55I'm sorry
00:52:01Will you forgive me?
00:52:02For what?
00:52:03I was going anyway
00:52:04I suppose you think I'm crazy
00:52:06I feel crazy
00:52:08After all these months of anxiety
00:52:10You suddenly appear and sweep it all away
00:52:12I want you to know how happy you've made me
00:52:14And how grateful I am to you
00:52:17You shouldn't have done that
00:52:26You misunderstood
00:52:27I think not
00:52:29But it isn't fair
00:52:31You know I'm engaged to Terry
00:52:32And you said you were in love with somebody else
00:52:34I said no such thing
00:52:36You did
00:52:37You told Aunt Mary
00:52:38You meant
00:52:40I'll stare in love and war
00:52:43Good night, Melody
00:52:46Had the gun
00:52:59Oh, it's Mary
00:53:02What would I do?
00:53:03Oh, what's the matter, Molly?
00:53:05Oh, no, it's terrible
00:53:06But
00:53:07His voice
00:53:08I'm mannering
00:53:09I felt sure
00:53:10Sure does
00:53:11What?
00:53:12He was Terry
00:53:13Oh, don't be crazy
00:53:17They're almost dead ringers, it's true
00:53:19But Terry wouldn't dare show his face around here
00:53:22There, there
00:53:25You have sent for him, Mr. Dracula?
00:53:41Yes, come in
00:53:41Sit down, Molly
00:53:47I want to have a talk with you
00:53:50Cigarette?
00:53:53No, thank you
00:53:53You have a good time last night?
00:53:57Yes, I heard some splendid news
00:53:58Why do you ask?
00:54:00Well, I happen to see you go out with, uh
00:54:02Mr. Mulvaney
00:54:03Mulvaney?
00:54:06Yes, he's a fugitist
00:54:07Oh
00:54:08A fighter, eh?
00:54:10I've never heard of him
00:54:11He's Terry's brother from Colorado
00:54:12He's training with Artie Nolan now
00:54:14So if it isn't one Mulvaney, it's another
00:54:18Why do you say that?
00:54:22Look
00:54:22I've been pretty nice to you, haven't I?
00:54:25I've left you alone
00:54:26Never bothered you
00:54:27Waiting until you got that crook Mulvaney out of your mind
00:54:31Now, don't interrupt
00:54:32I'll do the talking
00:54:33I wasn't going to say anything until you got rid of the blues
00:54:37And now, when I see you're happy for the first time
00:54:40It's with another guy
00:54:42Don't I deserve a better deal than that?
00:54:45I'm sorry, I had no idea you felt that way
00:54:48Listen
00:54:50You're not as dumb as that
00:54:52Why do you think I gave you a job, dear
00:54:55When everybody else thought you were a crook?
00:54:58Mr. Pearson doesn't think so now
00:55:00Listen, Molly
00:55:02The cops have been on this case for months now
00:55:05And there aren't any clues
00:55:07If you think that he'll ever be proved innocent
00:55:10You've got another thing coming
00:55:12Even if he were, what's the matter with me?
00:55:15Don't you think I'm a better catch than an Irish harness bull
00:55:18With a brogue as thick as a shillelagh?
00:55:21Now, me darling
00:55:22It's time you got wise to yourself
00:55:23And started being nice to the fine gentleman
00:55:25That's been nice to you
00:55:26Wait a minute
00:55:30Sorry, Clash
00:55:33Well, I shall appeal to your reason in a more convenient time
00:55:38You mean to bust in on the party
00:55:48But what about the stuff?
00:55:50The doctor's got a deal to unload the whole lot
00:55:51And the guy's waiting
00:55:52I think we'd better wait
00:55:56Molly was just telling me that Pearson is off the Mulvaney angle
00:56:01What do you mean off the Mulvaney angle?
00:56:05That's what I want to find out
00:56:07Someday I'll appear at once
00:56:14What?
00:56:16What's the matter?
00:56:18Molly's walked out
00:56:19That's the best news I've heard today
00:56:21Shut up
00:56:22She must believe I'm an awful sap
00:56:26If she thinks I can't keep her from walking out
00:56:28Well
00:56:31Maybe it'll be more fun this way
00:56:33Okay, Oscar
00:56:36Keep Molly's job open
00:56:38Want me, boss?
00:56:41Yes, Al
00:56:41You used to hang around out in Olives, didn't you?
00:56:45Sure
00:56:45That's how I learned to use my mitts
00:56:47Unfortunately, this job calls for brains
00:56:51However, I'll try you out
00:56:52I want you to go back there
00:56:54And get to know a pug from Colorado
00:56:56He's a brother of Terry Mulvaney's
00:56:59What's he look like?
00:57:02You saw him last night going out with Molly
00:57:04Oh, I thought there was something familiar about that mug's face
00:57:09What do I do?
00:57:10Spoil his look?
00:57:12No, nothing so crude
00:57:13Just get his confidence and
00:57:15And when you look
00:57:16All right, Ed, you're shaping up fine
00:57:25Now let's call it a day
00:57:26Thanks, Artie
00:57:27Say, I haven't seen you around here much before, have I?
00:57:31No, I'm a chauffeur now
00:57:32I can't get around like I used to
00:57:33But I like to work out with you whenever I can
00:57:35Well, let go is double
00:57:36Let's make it often, huh?
00:57:38Okay
00:57:39Well, I have to be on my way
00:57:40As soon as I hit the showers
00:57:41How do you feel?
00:57:44Sure, and I'm feeling fine
00:57:45There's nothing like a good workout in the shower
00:57:47Yeah, I'm going to get with you again
00:57:49Or maybe some night when we have the climb
00:57:50We'll go places
00:57:51Well, I'm not much for that night stuff
00:57:53Say, Al
00:58:02Who is it you work for?
00:58:05Flash Actroy
00:58:06The guy that owns the Alhambra
00:58:07Oh, that's funny
00:58:10I'm at a gal that works there
00:58:12She used to be engaged to me brother
00:58:13And boy, did I fall for her
00:58:15What's her name?
00:58:17Molly Titschke
00:58:18You mean she used to work there?
00:58:20Well, what's the matter?
00:58:21Was she fired?
00:58:22She walked out
00:58:23Didn't you know?
00:58:24Well, I haven't seen her today
00:58:25I can't see why she should quit
00:58:27I don't know
00:58:29Search me
00:58:30Looks all right to me, boss
00:58:33Bit of a sap, maybe
00:58:35A minute he'd fallen hard for Molly
00:58:36He said that, did he?
00:58:39Yeah
00:58:40But what do you care?
00:58:41Just give me the word
00:58:42Go get him
00:58:46Bring them up here
00:58:48Nah, you're talking
00:58:49I'm telling you
00:58:55I couldn't be mistaken
00:58:56No two men could ever whistle
00:58:58Exactly like that
00:58:59Then he thought that he should be
00:59:00Working as a shore for it
00:59:02Maybe not as funny as you think
00:59:04I just got your message
00:59:14Oh
00:59:15You're not mad at me after all, eh?
00:59:17What do I mean for
00:59:18Excuse me?
00:59:25For a kitchen, you're left
00:59:26Are you going to learn to love me?
00:59:33That's not fair to me or to Terry
00:59:34I told you before that
00:59:37All's fair in love and warmth
00:59:38Repeating it doesn't make it so
00:59:40Molly
00:59:40Sit down
00:59:43I want to talk to you
00:59:44You know, from the first minute
00:59:48I walked into that place last night
00:59:49And laid eyes on you
00:59:51The heart within me stopped
00:59:52And then it started to pound like a trip down
00:59:55Well, that sounds something like love, doesn't it?
00:59:58Not necessarily
00:59:59It could be indigestion
01:00:01Once a snooper, always a snooper
01:00:05That's what I'm being paid for
01:00:07Why did you walk out on Aykroyd?
01:00:10He said he had a posterior motive
01:00:12And give him a job
01:00:13How did you come to meet him in the first place?
01:00:15He came to buy a diamond from Abrams
01:00:17And that checks
01:00:18With what?
01:00:20Theory, young man
01:00:21How long before the robbery was that?
01:00:25Just a few days
01:00:26Then if he bought a diamond
01:00:27He got a receipt
01:00:28Yes, I made it out myself
01:00:30Better than I expected
01:00:32Then that would give them a copy of your handwriting
01:00:35Remember the note from you
01:00:37That Terry told the police about?
01:00:39Yes
01:00:39Well, that would put Terry
01:00:41Just where they wanted him
01:00:43One of them might have had red hair
01:00:45Or he could have worn a red wig
01:00:47And if he was able to imitate Terry's bro
01:00:50Oh
01:00:50What's the matter?
01:00:52Aykroyd
01:00:53Aykroyd gave me a perfect imitation of it
01:00:55Hmm
01:00:56And that checks
01:00:58Somehow I think we're getting places
01:01:01Do you really think so?
01:01:03Yes, I do
01:01:04And you needn't worry about a job anymore
01:01:06I can get you back with Abrams anytime you want
01:01:08But you'll soon have Terry back
01:01:10And then you'll be getting married
01:01:11Yeah, wait a minute, wait a minute
01:01:13What's that crack?
01:01:14Do you think Molly would take a cop
01:01:16When she has a chance
01:01:16To get an up-and-come-and-fugelist
01:01:18Like myself?
01:01:24Ah
01:01:25Maybe I shouldn't have said that
01:01:27The poor kid
01:01:28She don't know whether it's Terry
01:01:29Or Ed she looks
01:01:30Leave it to me
01:01:32What's the matter, Mrs. Fitzgerald?
01:01:43Mr. Pearson
01:01:44You really believe Terry's in Mr. Thornton?
01:01:47Why certainly?
01:01:48Why do you ask?
01:01:48Because I
01:01:49I don't know whether I should tell even you
01:01:52But
01:01:52That's Terry
01:01:53What are you talking about?
01:01:55That's Terry Mulvaney
01:01:56Not his brother Ed
01:01:57I wondered why I was so attracted to him
01:01:59I thought it was his voice
01:02:00But his eyes were the same too
01:02:01Go on
01:02:02It was when he cut his hand to his ear
01:02:05And said
01:02:05What's that crack?
01:02:06Then I knew for a certain
01:02:06I tell you Terry's come back
01:02:08From where I don't know
01:02:09But I'm afraid
01:02:10There's nothing to be afraid of
01:02:11Terry didn't come back from the dead
01:02:13He came back from the hospital
01:02:14I've known it all along
01:02:16Then I've been the goat
01:02:18I'm going to give him a piece of my mind
01:02:20Oh, just a moment
01:02:21It was all my fault
01:02:22I insisted
01:02:23I was afraid that
01:02:25Try as you might
01:02:25You would give him away
01:02:27He had no right to make love to me
01:02:28Who had a better right?
01:02:31Nevertheless, you wait
01:02:33Don't you tell him
01:02:34Run along, you two
01:02:41I've got to go down to police headquarters
01:02:42Will you see me home, Ed?
01:02:44Will I?
01:02:46In a taxi through the park
01:02:47Ed
01:02:56There's something I must tell you
01:02:58And it may relieve your mind
01:03:00Well, my darling
01:03:01You go right ahead and tell me
01:03:02I've been true to Terry all this time
01:03:05Even though Auntie and everybody said I was a fool
01:03:07They did?
01:03:10Yes
01:03:11And it wasn't until he disappeared
01:03:12That I found out what a wretch he really was
01:03:14Well, that couldn't be so
01:03:16It's a pack of lies, I tell you
01:03:18No, the truth's all right
01:03:20Well, just show me one black guy
01:03:22That would ever say a thing against me
01:03:24Well, against me brother
01:03:25I can show you a dozen
01:03:27I can show you a dozen
01:03:27People who bribed him
01:03:28But girls he lost
01:03:30Well, it's lies, I tell you
01:03:33It's lies
01:03:33Now tell me what you're laughing at
01:03:38Terry Mulvaney
01:03:40The alias
01:03:40Discovered an alien
01:03:41Terry Mulvaney
01:03:44No, Terry
01:03:47You're lying to me
01:03:49Oh, Molly, my darling
01:03:53Oh, Terry, what happened?
01:03:58Why didn't you tell me?
01:04:00I was making me escape in a train
01:04:02And it was wrecked
01:04:03I changed places with a dead man
01:04:05Oh, Terry, you poor dear
01:04:06Oh, I was never so rich in all my life
01:04:09You must think I'm terrible
01:04:12But it would mean of you not to tell me
01:04:14Mr. Pearson wouldn't let me
01:04:16Yes, I know he told me
01:04:18Hey, now, wait a minute
01:04:36This ain't the place I told you to go
01:04:37Right
01:04:38But it's the place you're going
01:04:40Well, what's the racket?
01:04:43No racket at all
01:04:44A guy just wants to talk to you
01:04:47Come on, both of you
01:04:48So here you are
01:05:12Well, what do you want?
01:05:15Just this
01:05:16I don't stand for anybody
01:05:19Muscling in on my territory
01:05:20You mean in, Miss Fitzgerald?
01:05:24You've guessed it, Mulvaney
01:05:25You flatter yourself, don't you?
01:05:30My advice to you
01:05:31Is to get out of town at night
01:05:32Because if you're here in the morning
01:05:35You'll be in the morgue, see?
01:05:38As for you, Mr. Fitzgerald
01:05:39You'd better come back to work
01:05:41If you don't
01:05:43There'll be a shortage
01:05:44Discovered in your accounts
01:05:45And that, after being mixed up
01:05:47In a diamond robbery
01:05:48Would be, uh
01:05:49Just too bad
01:05:51Just a minute
01:05:51Throw him out
01:05:54He gets noisy
01:05:56Well, you know what to do
01:05:58But, boss
01:06:00This guy isn't Ed Mulvaney
01:06:02What do you mean?
01:06:04I heard him in the cab
01:06:05Saying that he had changed places
01:06:06With a dead man
01:06:07His real name is Terry Mulvaney
01:06:09That it is
01:06:12What about it?
01:06:13You want it for murder
01:06:14What are you doing back in town?
01:06:17Looking for the guy that flamed me
01:06:19Still sticking to that story
01:06:21Who do you suspect now?
01:06:25Who do you think?
01:06:30Got the car handy, Al?
01:06:32Sure, boss
01:06:33See them home
01:06:35That guy knows more than he was telling
01:06:43Pearson must be on to something
01:06:45I knew that name would snag us sooner or later
01:06:47Who snagged?
01:06:49Maybe they don't know a thing
01:06:50I'm just not taking any chances
01:06:53The alley's full of cops
01:06:57Come here, you mean
01:07:15Now, wait a minute
01:07:16What's the idea?
01:07:20Are you all right?
01:07:42Why sure he's all right
01:07:43What do you think?
01:07:44I've been training at Artie Nolan
01:07:45Everything checks
01:07:56You'd carry all the credit for recovering those to Staples
01:07:59Terry
01:07:59You always wanted to be an active, didn't you?
01:08:02That I did, sir
01:08:03Well, the chief says you are
01:08:05Maybe, uh
01:08:06You could use them
01:08:08Solidaires
01:08:09I think you'd much rather have a wedding ring
01:08:11You can have them both
01:08:13On the house
01:08:15You could even they wait
01:08:19What are you doing?
01:08:20You can't afford to make a wedding ring
01:08:20You could enjoy
01:08:21Going home
01:08:22And it's going to be available
01:08:22Just like to do
01:08:23No
01:08:24It's going to be,
01:08:24I Have Trimed
01:08:25To live
01:08:27Watch
01:08:28It's going to be
01:08:30It's going to be
01:08:32Yeah, more
01:08:33I don't understand
01:08:34Again
01:08:34Spv
01:08:35To live
01:08:35Sc ý
01:08:36That's what I did
01:08:37Whoever
01:08:37You
01:08:38I don't know
01:08:39You
01:08:39I feel
01:08:40Doing
01:08:41You
01:08:42So
01:08:42You
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