🍿 Subscribe to stay updated with daily Westerns and vintage classics!
Bells of San Angelo is a 1947 American Western starring Roy Rogers, Trigger the Smartest Horse in the Movies, and Dale Evans. Directed by William Witney, this film follows a border inspector who uncovers a smuggling operation in the Old West. Action-packed and filled with musical moments, this Roy Rogers classic is a must-watch for fans of golden age Westerns.
Genre: Western, Action, Musical
Stars: Roy Rogers, Dale Evans, Andy Devine, Trigger
Director: William Witney
Year: 1947
Language: English
Public Domain: âś… Yes
⸻
đź”– Hashtag (da inserire in descrizione):
#BellsOfSanAngelo #RoyRogers #PublicDomainMovie #ClassicWestern #DaleEvans #TriggerTheHorse #WesternFilm #VintageCinema #1940sMovies
Bells of San Angelo is a 1947 American Western starring Roy Rogers, Trigger the Smartest Horse in the Movies, and Dale Evans. Directed by William Witney, this film follows a border inspector who uncovers a smuggling operation in the Old West. Action-packed and filled with musical moments, this Roy Rogers classic is a must-watch for fans of golden age Westerns.
Genre: Western, Action, Musical
Stars: Roy Rogers, Dale Evans, Andy Devine, Trigger
Director: William Witney
Year: 1947
Language: English
Public Domain: âś… Yes
⸻
đź”– Hashtag (da inserire in descrizione):
#BellsOfSanAngelo #RoyRogers #PublicDomainMovie #ClassicWestern #DaleEvans #TriggerTheHorse #WesternFilm #VintageCinema #1940sMovies
Categoria
🎥
CortometraggiTrascrizione
00:00:00Oh, Belle, San Angelo, hail the air, with golden melody.
00:00:16From valley to valley, from everywhere, their song rings up to me.
00:00:24The heavenly voices, so sweet and clear, bring up in harmony.
00:00:33The bells of San Angelo, I hold dear, they're in my memory.
00:00:42They tell of the magic of new love, of tears through the years made apart.
00:00:49They tell of an old love, still true love, the love that I keep in my heart.
00:00:58For the bells of San Angelo call to me, come back, come back, they sing.
00:01:07I know that my heart ever there will be when the bells of San Angelo ring, when the bells of San Angelo ring.
00:01:20Dile que nunca me deje, que nunca se vaya de aquĂ.
00:01:29Y dile que solo la muerte de mi alma podrá arrancar.
00:01:37It's always good when you come here and we join our voices together.
00:02:07in song.
00:02:08I'm only sorry that trouble brings you here.
00:02:10I'm sorry too, Padre, but I think with the help of my friends over the border here, we'll be able to get this thing straightened out.
00:02:15Well, I'm sure glad you come, Roy.
00:02:17As mayor and sheriff, I can only go so far.
00:02:20Word was sent to the mine this morning for Ramon to meet you here.
00:02:24He'll be along any meet.
00:02:25Good night.
00:02:45Oh, my God.
00:03:15Hi, Sheriff.
00:03:38We're just in time. We've been having a little trouble.
00:03:42Can't do much for him now, boys.
00:03:43He's dead, Cookie.
00:03:44You'd better start explaining, Ulrich.
00:03:46There ain't much explaining to do.
00:03:49Look him over.
00:03:50You'll find he's been stealing high-grade ore from the Monarch mine.
00:03:57That's pure silver.
00:03:58Gridley gave us orders to shoot thieves.
00:04:00You'd better have plenty of evidence.
00:04:02We've got it. What do you call that?
00:04:04My son.
00:04:16This is the work of the devil.
00:04:18You are murderers.
00:04:19I'll keep this, Cookie.
00:04:27I'm going up to the mine and have a talk with the man who gave those orders.
00:04:30I'm sorry, but Mr. Gridley's busy.
00:04:32Not that busy.
00:04:33Look, nobody's coming up this road without a warrant.
00:04:36On a murder case, I don't need one.
00:04:38Look here.
00:04:39Why, you...
00:04:40They won't bother you anymore, Roy.
00:04:45I'm taking them all in.
00:04:51Get on your horse, you nasty little kid.
00:04:54Get on your horse, you nasty little kid.
00:05:24Get on your horse, you nasty little kid.
00:05:29Get on your horse.
00:05:33Your name Gridley?
00:05:34That's right.
00:05:35I'm Roy Rogers.
00:05:37Oh.
00:05:37A border investigator.
00:05:39Step inside.
00:05:51Sit down.
00:05:54Drake?
00:05:56No, thanks.
00:05:58Gridley, your men just murdered a boy from San Angelo.
00:06:02Why?
00:06:03If my men killed anyone, they did it under orders.
00:06:05Anyone else found trespassing and stealing will have the same thing happen to them.
00:06:09This is the second time this has happened.
00:06:11You have no right to take the law into your own hands, and you're not going to get away with it.
00:06:15This is tough country, Rogers.
00:06:17We're in a bad spot here.
00:06:19A monarch is a small but rich mine here on the Mexican border.
00:06:22While it's all part of the San Angelo Rancho, these hills are in Mexico and make a natural getaway for anyone who wants to hold us up.
00:06:29We can't expect any help from San Angelo over here.
00:06:32And the lodge isn't much help.
00:06:34Town's even farther away.
00:06:36So you see, we have to be tough.
00:06:38In my opinion, you're just a little too tough.
00:06:41I'm here to protect the interests of the stockholders.
00:06:43Nobody's going to tell me how to run the monarch.
00:06:45That goes for you too, Rogers.
00:06:47So that's the way it is.
00:06:49Yes, and that's the way it's going to stay.
00:06:51Not if your men are guilty of murder.
00:06:53My men are guilty.
00:06:55So am I.
00:06:57That's what I'm thinking.
00:07:08He frightened you, Cinderella.
00:07:10Well, don't be afraid.
00:07:12I don't think Mr. Rogers is going to be with us very long.
00:07:16Hello, Tramp.
00:07:17Hi, boy.
00:07:18Hi, fellas.
00:07:19Hello, Cookie.
00:07:20Cookie, don't tell me another hound.
00:07:21Oh, Roy, so help me.
00:07:22I was on my way home and he followed me.
00:07:23Yeah, I know.
00:07:24And as official dog catcher, you had to bring him in.
00:07:25Yeah, yeah, that's right.
00:07:26Roy, I'm sorry I had to let them mine guards go, but I couldn't.
00:07:28I was on my way home.
00:07:29I was on my way home and he followed me.
00:07:30I was on my way home and he followed me.
00:07:32Yeah, I know.
00:07:33And as official dog catcher, you had to bring him in.
00:07:34Yeah, yeah, that's right.
00:07:35Roy, I'm sorry I had to let them mine guards go, but I couldn't help you.
00:07:40That boy wasn't stealing.
00:07:41After all, you found the silver on his body.
00:07:42I know.
00:07:43What'd it run?
00:07:44It's really pure.
00:07:45According to the essay, it runs about 18,000th of a ton.
00:07:47Boy, I sure wish I had a boatload of that stuff.
00:07:48Woo-wee.
00:07:49No wonder, Gary.
00:07:50I was on my way home.
00:07:51I was on my way home.
00:07:52I was on my way home and he followed me.
00:07:53I was on my way home and he followed me.
00:07:54Yeah, I know.
00:07:55And as official dog catcher, you had to bring him in.
00:07:56Yeah, yeah, that's right.
00:07:57Roy, I'm sorry I had to let them mine guards go, but I couldn't prove that that boy wasn't stealing.
00:07:59After all, you found the silver on his body.
00:08:00I know.
00:08:01What'd it run?
00:08:02What'd it run for?
00:08:03According to the essay, it runs about 18,000th of a ton.
00:08:05Boy, I sure wish I had a boatload of that stuff.
00:08:08Woo-wee.
00:08:09No wonder Gridley's got to be careful with pure silver floating around.
00:08:13That makes this worth about $40.
00:08:15Not much for a man's life.
00:08:17Well, why'd they shoot him?
00:08:19Why didn't they grab him?
00:08:20He was going to tell us something.
00:08:22Gridley's men got to him first.
00:08:24Well, if you want to go up and take a look around that Monarch mine, I'll give you a search warrant.
00:08:28And tip him off that we're coming?
00:08:30Gridley's too smart for that.
00:08:31He'd cover up before we got up the hill.
00:08:35Morning, gentlemen.
00:08:36Morning.
00:08:37Hiya, Buck.
00:08:39Where'd you get them duds?
00:08:41Out of them from the Zoot Suit Company.
00:08:43Sharp, ain't they?
00:08:44You sure is a hard man to find, Mr. Rogers.
00:08:47I've been trying to catch you for two days with that communication.
00:08:50Did my Western Catalog get here yet?
00:08:52Yes, sir.
00:08:53Four days ago, but I ain't finished reading it yet.
00:08:55I just got first the song section.
00:08:57Tippy-tie-tie-yay-yo.
00:08:59Ge-long-e-long-e.
00:09:03That's your silly-looking outfit.
00:09:06Hey, I wonder if they come in my size.
00:09:09Well, I don't mind trailing thieves and murderers, but this is too much.
00:09:13Please smoke, fellas.
00:09:15Listen to this.
00:09:16Lee Madison will be here Thursday.
00:09:18He's that writer, fella.
00:09:19Lee Madison will arrive on the bus Thursday.
00:09:22Make reservations at the lodge and assist in every way possible in the collection of material for a new novel.
00:09:29Chief Border Inspector Ian Moffat.
00:09:32Oh, he writes stories about people like you and me.
00:09:35And he makes us all sound like a bunch of characters who spend their time hanging horse thieves and chasing Indians.
00:09:40Well, let's run the critter out of town.
00:09:42Now, you sound like one of his characters.
00:09:44Well, it looks like you're gonna have to be nice to him whether you like it or not.
00:09:48I haven't got time to be nice to anyone right now.
00:09:50You boys better be the welcoming committee.
00:09:53Gee, that swell.
00:09:54We'll do it up in good old Western style.
00:09:56Yeah, did you read Murder on the Border?
00:09:58Golly, I did.
00:10:00It's all about...
00:10:01I know what it's all about.
00:10:03Black-hearted villains and roaring six guns.
00:10:06I'd like to see him face some of those roaring six guns he writes about.
00:10:09Well, we better get going.
00:10:10The bus will be in this afternoon and we want to do this upright.
00:10:12Yeah.
00:10:13Oh, I'll be there, too.
00:10:15Hey, maybe we can get Madison to help us with the investigation.
00:10:18That's what I'm afraid of.
00:10:20An armchair detective like that could ruin our chances of pinning anything on Gridley.
00:10:24Oh, I never thought of that.
00:10:26I would just...
00:10:27Say, Cookie.
00:10:28Huh?
00:10:29What do you suppose Madison would do if he met one of his black-hearted villains with roaring six guns?
00:10:33Oh, I...
00:10:34I don't know what he'd do, but I know what I'd do.
00:10:37I'd...
00:10:38I'd...
00:10:39I'd...
00:10:40I'd catch the first fast freeze out of town.
00:10:43Uh, Miss Madison.
00:11:01Would you mind autographing your book for me, please?
00:11:03Of course not.
00:11:04Gee, just wait till I tell my wife about meeting the famous Lee Madison and how pretty and...
00:11:09Uh, on second thought, I think I'll just show her the autograph.
00:11:16Uh, Mr. Madison?
00:11:18Huh?
00:11:19Mr. Madison?
00:11:20Huh?
00:11:21Mr. Madison?
00:11:22Huh?
00:11:23I say, are you Mr. Lee Madison?
00:11:25Oh, sorry, son.
00:11:26I've got only insurance I can handle.
00:11:28Oh, oh.
00:11:29Uh...
00:11:30Are you looking for Mr. Madison?
00:11:31Yes, ma'am.
00:11:32Mr. Lee, he didn't want any broken-down writers hanging around here anyway.
00:11:33Yeah, that's right.
00:11:34Oh, really?
00:11:35Oh, yes, ma'am.
00:11:36He's pretty sore about the whole thing.
00:11:37He's afraid that old buddy dud will butt into everything.
00:11:38Oh, I don't know about that.
00:11:39I like his books.
00:11:40So do I.
00:11:41Well, there's no more butters.
00:11:42Oh, I don't know about that.
00:11:43Oh, I don't know about that.
00:11:44I like his books.
00:11:45So do I.
00:11:46Well, there's no more butters.
00:11:47Oh, I don't know about that.
00:11:48Oh, I don't know about that.
00:11:49Oh, I don't know about that.
00:11:50Oh, I don't know about that.
00:11:58This is today.
00:11:59See you all later.
00:12:00Goodbye, ma'am.
00:12:01Uh, were you going to the lodge?
00:12:03Well, I intended to.
00:12:04Well, Swell, come along.
00:12:06Yes.
00:12:07Uh, you'd better sit up front, miss.
00:12:13I don't think Madison would have, though.
00:12:16Roy said that somebody's lab would take a shot at him for writing those corny books.
00:12:20Shot?
00:12:21Roy said?
00:12:22Oh, oh, yes.
00:12:24You so?
00:12:26Sorry, miss.
00:12:27We didn't catch the name.
00:12:28Oh, uh, Helen.
00:12:29Helen Clifford.
00:12:30Uh, Helen Clifford, fellas.
00:12:31Well, I don't know you, Helen.
00:12:32Hello.
00:12:33Yeah.
00:12:34Yeah.
00:12:35Yeah.
00:12:36Yeah.
00:12:37Uh, Helen Clifford, fellas.
00:12:38Well, I don't know you, Helen.
00:12:39Hello.
00:12:40Yeah.
00:12:41Yeah.
00:12:42Yeah.
00:12:43When the rustlers come to town, I just up and shoot them down.
00:12:46Hot lead.
00:12:47Hot lead.
00:12:48Hot lead.
00:12:49Hot lead.
00:12:50Hot lead.
00:12:51Makes no difference where they're from.
00:12:52I just up and give them some.
00:12:53Hot lead.
00:12:54Hot lead.
00:12:55Hot lead.
00:12:56Hot lead.
00:12:57Hot lead.
00:12:58Makes no difference where they're from.
00:12:59I just up and give them some.
00:13:00Hot lead.
00:13:01Hot lead.
00:13:02Hot lead.
00:13:03Hot lead.
00:13:04Hot lead.
00:13:05Hot lead.
00:13:06Hot lead.
00:13:07He never called the sheriff, no.
00:13:08He never called the mall.
00:13:09His finger finger's ready and he beats them to the gall.
00:13:12When the barbers come around, I just up and mow them down.
00:13:15Hot lead.
00:13:16Hot lead.
00:13:17What is that, a six-shooter?
00:13:18Oh, a sixteenth shooter.
00:13:19Found the rustler on the trail, I just up and let it hail.
00:13:22Hot lead.
00:13:23Hot lead.
00:13:24Found another three or four, I just up and let it pour.
00:13:26Hot lead.
00:13:29Hot lead.
00:13:30Hot lead.
00:13:31Found another three or four, I just up and let it pour.
00:13:32Hot lead.
00:13:34Hot lead.
00:13:35Found another three or four, I'll just up and let it pour hot lead.
00:13:40Hot lead.
00:13:42The West is wild and woolly and it's tougher than a blue shoe.
00:13:46Arms are always itching, making first up one to shoot.
00:13:49Let a bandit come inside, I'll just up and pour them white hot lead.
00:13:55Ha, ha, ha, ha, ha, ha, hot lead.
00:14:00Hot lead.
00:14:05Hot lead.
00:14:35Hot lead.
00:14:47Hot lead.
00:14:59All right, all of you climb out of there fast.
00:15:03Keep your hands up.
00:15:09Where's your passenger?
00:15:14Take your boots off and throw them back in the wagon.
00:15:17Oh, come on!
00:15:25You can start walking when we get to the top of the ridge.
00:15:33Let the bandit come in sight.
00:15:37You just up, then pours him water on her land.
00:15:50All right, come out of there.
00:15:52I said come out.
00:15:53Well, where's Madison?
00:16:05He didn't show up.
00:16:08What do you want him for?
00:16:09I want his money.
00:16:11He's rich and I'm poor.
00:16:13You mean you rob from the rich and give to the poor?
00:16:16Yeah, that's right.
00:16:18Besides, I don't like it.
00:16:19Why?
00:16:22Did you ever read any of those awful western stories he writes?
00:16:26Awful?
00:16:27Yes, awful.
00:16:28They give us outlaws a bad name.
00:16:32You better come on up here, little girl.
00:16:39Now, if you'll just hold his land steady, you'll be all right till the boys get here.
00:16:46Don't worry.
00:16:46Sorry to have bothered you, ma'am.
00:16:53Goodbye, Robin Hood.
00:17:10Hey, did you see who's here?
00:17:11Yeah.
00:17:12Want me to stick around?
00:17:13Now, go back to the mine and get a hold of Robert's.
00:17:16Make sure everything's all right.
00:17:17Just take a mile of gold and pass your whip.
00:17:20The herd is standing by.
00:17:21Sounds like Rogers.
00:17:22It is.
00:17:23Cowboys dream of heaven.
00:17:25Then at a great big moon is shining high up in the prairie sky.
00:17:30That's the cowboy's dream of heaven.
00:17:34The stars are twinkling.
00:17:36The breeze is whispering low.
00:17:38The boys around the camp are singing songs of long ago.
00:17:42Oh, there's an old guitarist drumming out a western melody.
00:17:46In that cowboy's dream of heaven.
00:17:50While on a distant hill, the coyotes crooning out the harmony.
00:17:54In that cowboy's dream.
00:17:56He may be weary from riding all the day.
00:18:01But when the shadows fall around, you're sure to hear him say.
00:18:05Give me a little bit of Rangeland and perhaps a pal or two.
00:18:09That's a cowboy's dream of heaven.
00:18:13And just as long as I am dreaming, I would like a gal who's true.
00:18:17That's a cowboy's dream of heaven.
00:18:20Oh, Miss.
00:18:38Oh, hello, Mr. Rogers.
00:18:39Any word for Mr. Madison?
00:18:40I'm sorry, but there haven't been any messages for you at all today.
00:18:44I see.
00:18:45Well, if you do hear from him, will you let me know, please?
00:18:48Certainly.
00:18:49Thanks.
00:18:50Oh.
00:18:51Well, hello there.
00:18:53I meant you.
00:18:55I mean, I'm sorry.
00:18:57Oh, that's all right.
00:18:58I'm used to being bumped around.
00:19:00My name's Clifford, Helen Clifford.
00:19:02I'm a new guest here.
00:19:03Well, I'm Rory Rogers.
00:19:04Oh, not the famous border investigator.
00:19:06Well, I...
00:19:07Say, by the way, where were you this afternoon?
00:19:09We needed you.
00:19:10What was the matter?
00:19:11A masked bandit held us up, and there wasn't a soul around to protect us, not even a border
00:19:18investigator.
00:19:20I'm sorry, Miss Clifford, but I can't be everywhere at once.
00:19:25Evidently not.
00:19:26Say, by the way, I understand there's quite a bit of trouble around here that, well, people
00:19:31haven't been able to solve.
00:19:33Murders, shootings, and things like that.
00:19:36We're investigating them now.
00:19:38Really?
00:19:38You know, it's such a shame Lee Madison didn't show up.
00:19:41He might have helped you.
00:19:43I think we can do all right without the help of Mr. Madison.
00:19:46Do you know you should read his book, Murder on the Border?
00:19:50Did you ever hear of it?
00:19:52It might give you a solution.
00:19:53What would a hack writer like Lee Madison know about anything?
00:19:57Besides, we have our own ideas down here.
00:20:01Mr. Rogers!
00:20:02You better come up the mine.
00:20:24I've always picked you one of Roger's sentries snooping around.
00:20:26Did he find out anything?
00:20:28I don't know.
00:20:28I don't know.
00:20:28I don't know.
00:20:29I don't know.
00:20:30I don't know.
00:20:31I don't know.
00:20:32I don't know.
00:21:02I don't know.
00:21:04I don't know.
00:21:05I don't know.
00:21:06I don't know.
00:21:07THE END
00:21:37That's him
00:21:46What are you doing spying around here?
00:21:49He won't talk
00:21:50We've already worked him over
00:21:52Where's his horse?
00:21:53Cut him loose on the other side of the border
00:21:55What about Roberts?
00:21:57Should be here about now
00:21:58Let's go, we'll take him with us
00:22:00Come on, maybe you'd like to see what we're doing
00:22:07This is not part of the monarch mine, senor
00:22:24Right
00:22:24Your Spanish ancestors certainly knew how to dig a mine
00:22:39We know how to use it
00:22:40I bet when they dug the San Angelo mine
00:22:43They didn't expect us to be using it 200 years later
00:22:45I'm getting more silver out of Mexico than they did
00:22:47It's just around the corner
00:22:56Go ahead
00:22:58He said go ahead
00:23:01Come on
00:23:11Are you in trouble?
00:23:30Not a bit
00:23:31Let's get this stuff moved
00:23:32Mumu, ain't that a Spanish word?
00:23:39Yeah, it means lead
00:23:39Lead?
00:23:41Who's worth lead?
00:23:42Nobody
00:23:42Who'd ever suspect people are smuggling lead over the border?
00:23:45Only a dope
00:23:46This is a good idea
00:23:47Boy
00:23:49Pure silver
00:23:50Yeah
00:23:51From the monarch mine
00:23:52By way of the old forgotten San Angelo mine
00:23:55You must have read in the almanac
00:23:56Where silver is cheaper on one side of the border than the other
00:23:59Gus, what people don't know won't hurt them
00:24:02People need silver and I can get it for them
00:24:04They think this comes from the monarch
00:24:06What's the difference?
00:24:08Rogers might call it smuggling
00:24:09But I call it good business
00:24:11Take that up and put it in the safe
00:24:12I'm going back to the lodge
00:24:14Okay, boss
00:24:15Mum, I think that's going to be pretty good
00:24:20Well, hello, Cookie
00:24:23Where have you been?
00:24:24Out in the kitchen?
00:24:25I've been trailing Gridley
00:24:26Any luck?
00:24:28Well, not much
00:24:28I followed him to the mine
00:24:30Hey, Roy
00:24:31We've been rehearsing a song that Lee Madison wrote
00:24:33Look at that
00:24:34Lee Madison
00:24:35I love the West
00:24:38Oh, ain't that pretty
00:24:39Cookie
00:24:39Oh
00:24:40Isn't it bad enough that he writes books?
00:24:43Uh, may I see that, please?
00:24:47I love the West
00:24:50How corny can he get?
00:24:52Well, maybe you'd like to sing it with us
00:24:53Well, perhaps I might if it won't annoy Mr. Rogers too much
00:24:57Oh, don't mind me
00:24:58Well, that's fine
00:24:59What's your favorite key?
00:25:00G
00:25:00Key of G, boys
00:25:02Uh, folks
00:25:04Can I have your attention just a minute?
00:25:07In honor of Lee Madison
00:25:08Who isn't here
00:25:09Miss Clifford is going to sing one of his songs for you
00:25:11I love the West
00:25:22The heavenly, heavenly West
00:25:25In the very heart of me
00:25:29It's so much a part of me
00:25:33And I ever shall return
00:25:38To this land
00:25:41For which I
00:25:43End
00:25:45This seems to bother Mr. Rogers a bit
00:25:50So, um, perhaps we'd better do it his way
00:25:53A little faster, please
00:26:00I love the West
00:26:08The heavenly, heavenly West
00:26:13Where the skies are bluer
00:26:18And the gals are truer
00:26:19Where the grass is greener
00:26:20And the varmint's meaner
00:26:21Where life is rougher
00:26:22And the men are tougher
00:26:23That's why I love the West
00:26:24And I love the range
00:26:31Oh, give me the range for a change
00:26:36Where the wind keeps blowing
00:26:40And the cactus growing
00:26:42Where the sun keeps shining
00:26:43And the gals are pining
00:26:44Where the light hits lighter
00:26:45And the boys are brighter
00:26:45That's why I love the West
00:26:47Where the hero, strong and silent
00:26:52Keeps the little gal from harm
00:26:57Fighting 20,000 Indians
00:27:01Are paying off the mortgage on the farm
00:27:05Yes, I love the West
00:27:11For everything's best in the West
00:27:16Where the days are hotter in the night
00:27:22Or colder where the young
00:27:23Or younger and older
00:27:24Older where the high is higher
00:27:26And the wet is
00:27:26Wetter where the dry is
00:27:27Dryer and the best is
00:27:28Better where a man's a man
00:27:29And the rootin' tootin'
00:27:30Cover the rain
00:27:31Hey there, Annie Opie
00:27:35You better be careful
00:27:36Hey, look, Roy
00:27:37A bullseye
00:27:38Have you got a hunting license?
00:27:42Roy
00:27:42Yes, Father
00:27:44One of our sentries is missing
00:27:47It is Ignazio
00:27:48We found his horse
00:27:50Where'd you find him?
00:27:51On the Mexican side
00:27:52We need your help
00:27:54You hear that, boys?
00:27:56Bob, you take some of the men
00:27:57Tim, you take the rest of them
00:27:59Come with us
00:28:00Oh, Gridley
00:28:08Coming along?
00:28:10Why?
00:28:11You're the border investigator
00:28:12I thought maybe you might be of some help to us
00:28:15You're not intimating I know something about this, Rogers
00:28:19You can take that any way you want to
00:28:22Suppose I take it personally
00:28:25That's all right with me, too
00:28:27Roy, please
00:28:28We have more important things
00:28:30I can vouch for him, Roy
00:28:32He was up at the mine
00:28:33That's right, Sheriff
00:28:34You followed us
00:28:37Remember?
00:28:37Remember?
00:28:37Good morning, Padre
00:28:51Good morning
00:28:52Any news?
00:28:56I'm sorry, Padre
00:28:57But we've searched everywhere
00:28:58This is a terrible thing
00:28:59Much evil has come to San Angelo
00:29:02But you men must be tired
00:29:04You've been riding all night
00:29:05We sure are, Padre
00:29:07Come in and rest a while
00:29:08Well, thanks, Padre
00:29:09But the Sheriff and I have got one more place to look before we rest
00:29:12We better water the horses, Cookie
00:29:13I'm tired
00:29:21So am I
00:29:22Well, where are we going?
00:29:23To the Monarch Mine
00:29:24The Monarch Mine?
00:29:26Sure
00:29:27Well, Roy, you know how they are up there
00:29:29Why don't we go to town and get a search warrant first?
00:29:32We haven't got time
00:29:33Oh
00:29:34Well, I'll go
00:30:04I wonder where the reception committee is.
00:30:17I don't know.
00:30:19This might be a good time for us to look around.
00:30:21It's too quiet.
00:30:22I don't like it.
00:30:23Let's get the horses out of sight.
00:30:34I don't like it.
00:31:04Oh, quit kidding, Roy.
00:31:09Oh.
00:31:11Oh.
00:31:14Welcome to the Monarch Mine, Rogers.
00:31:16Where's Grizzly?
00:31:17Going to town to get the canary some lettuce.
00:31:21Move on up the hill.
00:31:24Okay, boys.
00:31:25You can come out now.
00:31:34I'm glad you showed up, Rogers.
00:31:40Just in time for the picnic.
00:31:4380 boys.
00:31:43Yeah, sure.
00:31:44Sure is.
00:31:48I warned you about trespassing.
00:31:50Where's your search warrant?
00:31:56I've been...
00:31:58I told you we should have caught one, Roy.
00:32:00Roy.
00:32:00We wouldn't want you guys to shoot yourselves.
00:32:21Gentlemen, the first event will be an exhibition in the manly art of self-defense.
00:32:28If anybody lays a hand on Rogers, I'll swear out a warrant for assault and battery.
00:32:34That's what I'll do.
00:32:35Mike will only be defending himself.
00:32:38Won't you?
00:32:38Sure.
00:32:45Why, you...
00:32:48Get up, Roy.
00:33:01Come on, Roy.
00:33:08Get up.
00:33:31Get up.
00:33:38Get up, son.
00:33:55What's the matter?
00:33:56The picnic's just started.
00:33:58Come on, get up, Roy.
00:34:05I can't help you.
00:34:06Get up, son.
00:34:08Come on, son.
00:34:21Get up.
00:34:21Get out of there.
00:34:23Hang on to him for a second.
00:34:26You sidewinder!
00:34:29Get their horses.
00:34:31Let him go.
00:34:38Come on, I'll take you on.
00:34:44I'll help you.
00:34:49Well, come on.
00:34:51Now, calm down, Sheriff.
00:34:53Why, you little...
00:34:54Get your hands off of me.
00:34:56Take it easy, boys.
00:34:58We wouldn't want to hurt the Sheriff.
00:35:00It wouldn't be legal.
00:35:01Let him go.
00:35:01Let him go.
00:35:01Let him go.
00:35:01Let him go.
00:35:01Let him go.
00:35:01Let him go.
00:35:01Let him go.
00:35:02Let him go.
00:35:02Let him go.
00:35:03Let him go.
00:35:03Let him go.
00:35:04Let him go.
00:35:04Let him go.
00:35:05Next time, bring a search warrant.
00:35:17Don't worry.
00:35:19Now, get out of here.
00:35:20Hey, now that we got our guns clean, that just about makes us even with them.
00:35:37Let's go back to the mine.
00:35:38That won't help us find out anything, Cookie.
00:35:41There's something going on at the Monarch they don't want anybody to find out about.
00:35:45So far, the only clues we got are the murders.
00:35:47We can't even prove that they're murders.
00:35:50Well, we will.
00:36:03What's the matter, Trigger?
00:36:05No wonder he was limping.
00:36:07Picked up a rock someplace.
00:36:12Say, isn't that ore?
00:36:14Sure is.
00:36:16He must have picked that up down by the mine shaft when we hit the horses.
00:36:19We'd better keep it.
00:36:20It looks like Trigger's smarter than we are.
00:36:33Hello.
00:36:35I say, old man, you look as if you've been mixed up in a violent game of soccer.
00:36:39Do they play it out here?
00:36:41Oh, we play it all right.
00:36:42But the rules are different.
00:36:45Oh, by the way, I'm Lyle of Bates at Bates, Bates & Johnson, solicitors of London, England.
00:36:50I'm Roy Rogers.
00:36:51How do you do, sir?
00:36:53I'm a stranger out here.
00:36:54I never would have guessed it.
00:36:56This is Sheriff Bullfincher.
00:36:58Howdy.
00:36:59How do you do, sir?
00:37:00Sheriff Bullfincher.
00:37:02You're the very man I've been looking for.
00:37:03I'm trying to find someone in this vicinity.
00:37:06Well, if he's around here, I'll know him.
00:37:08What's his name?
00:37:09Lancaster.
00:37:10George Wallingford Lancaster.
00:37:15So, the law want him?
00:37:17Well, we've been trying to find him for years through Scotland Yard.
00:37:20Scotland Yard?
00:37:21And private investigators in America.
00:37:24Private investigators in America?
00:37:25Oh, well, it seems to me I remember somebody by that name a long time ago around here
00:37:34that got to running around with bad company, and I ain't heard of him since.
00:37:41Well, if that's the man, we'll find him.
00:37:43You will?
00:37:44Why, of course.
00:37:45Oh.
00:37:45Well, thank you very much.
00:37:48Oh, and there's one other thing.
00:37:50I wonder if you gentlemen would be kind enough to join me a little later in an important conference.
00:37:54Well, cheerio!
00:37:58Cheerio!
00:38:05And I'm here to arrange the property.
00:38:08Well, does that mean that the rancho shall have a new owner?
00:38:11Undoubtedly.
00:38:12However, I can't tell you who or what the new owner's plans for the rancho will be.
00:38:16What if he won't be reasonable?
00:38:18Suppose we refuse to leave.
00:38:20Well, I'm sorry, but that's no concern of mine.
00:38:25However, I'll do everything possible to see that your people come to no undue hardship.
00:38:30Oh, there is one other thing.
00:38:32If any of you should happen to know the whereabouts of a George Wallingford Lancaster, please let me know.
00:38:38You see, it's in this part of the country, and he must be somewhere next.
00:38:44Is something wrong with your throat?
00:38:46Um, I felt something tightening around my neck.
00:38:52Well, I, uh, I think that's about all, and thank you very much.
00:38:56If you should have any questions, I'll be only too pleased to answer them.
00:38:59Well, Mr. Bates, there's something I'd like to ask for.
00:39:01I don't know if you think of it tonight.
00:39:06Too bad I missed you at the mine, Rogers.
00:39:08Apparently, my men played a little rough.
00:39:10Yeah, the next time it'll be rougher, Gridley.
00:39:13And I hope you're there.
00:39:20Then you never found any trace of the missing sentry?
00:39:23No trace at all.
00:39:24Just kind of disappeared.
00:39:26Come on, get down.
00:39:27It's a trick I taught him.
00:39:32Oh, Cookie, do you suppose the missing George Wallingford Lancaster has anything to do with this case?
00:39:37Well, now, he might have...
00:39:39Oh, I...
00:39:40Well, how could he?
00:39:42Um, what are you asking me all those questions for?
00:39:46Yeah, how about that, Helen?
00:39:47Oh, hello, Roy.
00:39:48Well, I just thought it was sort of interesting, and, uh, well, I guess I'll be going.
00:39:52I'll see you boys later.
00:39:54You can go if you want to, but I have something here that's interesting, too.
00:39:57You might want to hear it.
00:39:58This is a report that just got on the ore the trigger picked up in the Monarch mine.
00:40:02It says there's a little lead in it, not enough to be commercial, and just a trace of silver.
00:40:06Well, that's funny.
00:40:07Now, the silver found on the body was almost pure.
00:40:10It could have been a plant.
00:40:12Thanks.
00:40:13You'd catch on fast.
00:40:15Well, I'd try.
00:40:16Hi, everybody.
00:40:17Hi, boy.
00:40:18We want to see Cookie about his dogs.
00:40:20Well, somebody should see him about them.
00:40:22Yeah, we want to borrow him for a fox hunt.
00:40:24A fox hunt?
00:40:25Yeah, for Mr. Bates, the good old English fox hunt.
00:40:27We want to make him happy.
00:40:28We can, because he promised to do everything he could to help us with a new owner.
00:40:32Yeah, so we'll have a hunt party the first thing in the morning.
00:40:34Now, everyone's invited.
00:40:35How about the dogs, Cookie?
00:40:37Huh?
00:40:37Oh, well, how big is the fox?
00:40:41Well, we don't know yet.
00:40:42We've got to catch him first.
00:40:43Well, thank you, Cookie.
00:40:44Yeah, come on, boys.
00:40:45Let's go.
00:40:45Wait, boys.
00:40:46I'm going to go with you.
00:40:47All right.
00:40:47See you at the fox hunt.
00:40:48See you at the fox hunt.
00:40:49Come on.
00:40:49Fox.
00:40:50Fox.
00:40:51Fox.
00:40:55Oh, be careful of the little fella.
00:41:00It's pretty good a fox hunt for Mr. Bates.
00:41:05Oh, Mr. Bates.
00:41:07I can't go to no fox hunt.
00:41:14I've got to get out of here.
00:41:15Yes, you can go to a fox hunt.
00:41:17No, I can't go to no fox hunt.
00:41:19Yes, you can, Mr. George Wallingford Lancaster.
00:41:22Shh, Roy.
00:41:23Don't call me that.
00:41:24Don't say that, please.
00:41:26I'll go to the fox hunt.
00:41:27I'll even be the fox.
00:41:28But don't say that again.
00:41:30Shh.
00:41:33Good morning.
00:41:34Good morning.
00:41:34Oh, no, Roy.
00:41:39Cookie, did somebody call me up?
00:41:41Oh, welcome, Mr. Rogers.
00:41:43Good morning, Sheriff.
00:41:44Sheriff, should we go and have a look at the hounds?
00:41:47Huh?
00:41:47Oh, yeah.
00:41:48Yeah, yeah.
00:41:49But you better let me go first.
00:41:50You might scare the dogs in that outfit.
00:41:53Come on, Roy.
00:41:54I'll be along in a minute, Cookie.
00:41:56I want to find out if two and two still make four.
00:41:59Oh, all right.
00:42:00Well, see you later, Mr. Rogers.
00:42:07Roy.
00:42:08Roy.
00:42:14There's something I must tell you.
00:42:15You've got to go on that fox hunt this morning.
00:42:17Why?
00:42:18Because I'm positive Mr. Bates is in great danger.
00:42:21Oh?
00:42:22You must have been reading Murder on the Border again.
00:42:26Well, maybe you should read it, too.
00:42:29Oh, miss.
00:42:30Any word for Madison?
00:42:32Still no word, Mr. Rogers.
00:42:34I'm a little worried.
00:42:36Better put in a call to headquarters for me.
00:42:38I'll take it here.
00:42:39Surely.
00:42:43Operator, long distance, please.
00:42:45It'll be a minute.
00:42:54San Angelo Lodge.
00:42:56This is Captain Moffat's office calling Roy Rogers.
00:42:58Just a minute, please.
00:43:00That's a coincidence, Mr. Rogers.
00:43:02Here's headquarters calling you.
00:43:03That is a coincidence.
00:43:05I'll take it.
00:43:08Hello?
00:43:09This is Captain Moffat's secretary speaking.
00:43:11The captain isn't in right now,
00:43:13but he asked me to tell you that Lee Madison
00:43:15would be unable to come to San Angelo.
00:43:17What happened?
00:43:18She was sick.
00:43:20I mean, his mother was ill.
00:43:23I don't think you're telling me the truth,
00:43:25Miss, uh, whatever your name is.
00:43:27But you sound like somebody who needs a good spanking.
00:43:31What?
00:43:32Well, you certainly aren't the one that's going to give it to me.
00:43:35And furthermore, I think you're the rudest man I ever met in my life.
00:43:39And I think you're the nosiest girl.
00:43:41You ought to have more respect for other people.
00:43:43I give people respect when they deserve respect.
00:43:45And you certainly don't.
00:43:47Well, just the same, the next time headquarters calls me,
00:43:50make sure you're not on the other end of the line
00:43:52because I never want to talk to you again.
00:43:54Hello, Miss Madison.
00:43:59Oh, you...
00:44:00You deliberately tricked me.
00:44:03Mm-hmm.
00:44:04And it worked, too.
00:44:06Now how about a little explaining from you?
00:44:08Well, I found out about what you thought about Lee Madison
00:44:11and her books the day I arrived here.
00:44:13And furthermore,
00:44:15someone even went gunning for her.
00:44:19Well, uh,
00:44:19I guess that makes us even.
00:44:23Helen,
00:44:24Okay, Robin Hood.
00:44:31What is that?
00:44:32That's just an old British tradition.
00:44:34Oh, boys, this is Mr. Bates.
00:44:37I'm all the way from England over here to hunt a fox.
00:44:40I want you to take him out on the trail and show him a good time.
00:44:43They're certainly a strange bunch of hounds.
00:44:45Do they follow a scent?
00:44:47Huh?
00:44:47You know, smell.
00:44:49Oh, uh,
00:44:51just a little one.
00:44:52What's that?
00:44:55Oh, uh,
00:44:55that's an English saddle.
00:44:57Oh, why didn't they finish it?
00:44:58Where's the rest of it?
00:45:00That's the sort of saddle that George Wallyford Lancaster might ride.
00:45:03Oh, uh,
00:45:04he would?
00:45:05Certainly.
00:45:05Come on in there.
00:45:06Hey, Cookie.
00:45:07Huh?
00:45:08We've decided to have you drag the trail.
00:45:11Come on.
00:45:12I want you to meet someone.
00:45:13Come on.
00:45:19Cookie,
00:45:20meet Louise.
00:45:22Is that what I got to drag the trail with?
00:45:25My word.
00:45:26You can say that again.
00:45:29Come on.
00:45:31Oh,
00:45:31we're going to leave right now.
00:45:33You be sure and give us a good head start.
00:45:35And before you come,
00:45:37blow this.
00:45:43Like that.
00:45:44You fellas,
00:45:45remember,
00:45:45we're only kidding.
00:45:47Come on.
00:45:52Quaint little thing,
00:45:53isn't it?
00:45:53There should be some kind of music in it.
00:46:00Gee,
00:46:01but I like to get up early in the morning.
00:46:05There are such a lot of things to do.
00:46:10To watch the sun come seein'.
00:46:12Over misty hills revealin'.
00:46:14Tiny diamonds sparklin' on the dew.
00:46:19It's great just to be livin'
00:46:21come the dawnin'.
00:46:22Everything is clean and bright and new.
00:46:27Gee,
00:46:28but I like to get up early in the mornin'
00:46:32so I can spend a longer day with you.
00:46:36My,
00:46:37but it's pleasant to be arising at this hour of the day.
00:46:40My,
00:46:40but it is.
00:46:41There are such a jolly lot of things that you can do,
00:46:44don't you know?
00:46:46To see the dawn a-breaking,
00:46:47do the sound of earth awaken
00:46:50with the rooster there to take his view.
00:46:55Don't worry,
00:46:56Rogers won't finish.
00:46:59And to know another night is true.
00:47:03Gee,
00:47:03but I like to get up early in the morning
00:47:07so I can spend the longer day with you.
00:47:12Gee,
00:47:12but I hate to get up early in the mornin'.
00:47:16I would rather sleep the whole day through.
00:47:20Oh,
00:47:22come on,
00:47:22Louise.
00:47:23You don't know what a pretty cat you'd make.
00:47:27The silly business.
00:47:29Sheriff hasn't to drag a live bait along.
00:47:33Good morning.
00:47:34Good morning.
00:47:35Mind if I join you?
00:47:37Why should I?
00:47:38It's Mr. Bates' party.
00:47:39Yes,
00:47:40I know.
00:47:49Did you hear that?
00:47:51That's it.
00:47:52Here they come.
00:47:53Come here.
00:48:09The first time I knew a raccoon was related to a mule.
00:48:30Come on.
00:48:31Come on.
00:48:32Come on.
00:48:32Come on.
00:48:33Come on.
00:48:34Come on.
00:48:35Come on.
00:48:36Come on.
00:48:37Come on.
00:48:38Come on.
00:48:39You go ahead, Lee.
00:48:53I'm going to drop behind.
00:48:54I'm going to drop behind.
00:48:55I'm going to drop behind.
00:48:56I'm going to drop behind.
00:48:57I'm going to drop behind.
00:48:58I'm going to drop behind.
00:48:59I'm going to drop behind.
00:49:00I'm going to drop behind.
00:49:01I'm going to drop behind.
00:49:02I'm going to drop behind.
00:49:03I'm going to drop behind.
00:49:04I'm going to drop behind.
00:49:05I'm going to drop behind.
00:49:06I'm going to drop behind.
00:49:07I'm going to drop behind.
00:49:08Oh, oh, oh, oh, oh.
00:49:38Oh, oh, oh.
00:50:08Oh, oh, oh.
00:50:38Oh, oh, oh.
00:51:08Oh, oh, oh.
00:51:10Hey, fellas, remember I was only kidding.
00:51:14Don't you worry, Louise.
00:51:16I won't let them get you.
00:51:17Hey!
00:51:19Oh
00:51:49Hey Roy, what happened to your saddle?
00:51:52Where's Bates?
00:51:53I don't know, he's right behind me there
00:51:56There he comes now
00:52:01He sure had me worried
00:52:03We were worried about the guest of honor
00:52:06We thought you were lost
00:52:07Looks like something happened to him
00:52:15Is he hurt bad?
00:52:16I don't know
00:52:17Stand back and give him air boys
00:52:22Carl, there's a spring up that canyon
00:52:23Will you get some water for us please?
00:52:24Sure Roy
00:52:27Looks like he'd been gun whipped
00:52:29He could have hit a branch
00:52:30I don't think so
00:52:32Who would have wanted to kill Mr. Bates?
00:52:34You have a wide choice miss
00:52:36Our friends over the border might
00:52:38The boys at the lodge might
00:52:40Or even I might
00:52:42Anyone who could gain by his removal
00:52:44Hey Pat, if he ain't dead
00:52:46He ain't dead
00:52:47Do you think that bump on his head
00:52:48Will make him lose his memory?
00:52:49My words
00:52:51Oh
00:52:52Oh my head
00:52:53Oh look, he's opening his eyes
00:52:55Oh he'll be able to remember everything
00:52:57That's what I was afraid of
00:53:01Mm-hmm
00:53:08Roy, I'm checking out tonight
00:53:09That Mr. Bates is going to be able to find out who I am any minute
00:53:12Wait a minute, Cookie
00:53:14You can't run out on me now when I need you the most
00:53:16As far as Bates is concerned, I'm on your side and I think he'll listen to reason
00:53:20Well I still wish he'd go away
00:53:22So does somebody else
00:53:23What do you mean?
00:53:24Whoever tried to kill him
00:53:26Yeah, I wonder who that was
00:53:28You heard Gridley
00:53:29He named the suspects
00:53:31And it could be you
00:53:33You have a stronger motive than they had
00:53:35Me?
00:53:39Roy, you don't mean that
00:53:41Oh
00:53:44Stop
00:53:45Here's the silver we found on the murdered boy
00:53:47It's almost pure
00:53:48Lee was right, it was a plant
00:53:51Here's the real ore from the Monarch
00:53:53There isn't enough silver and a ton of it to pay their light bill
00:53:57I wonder where they got this silver
00:53:59I think they got it across the border where it's cheaper
00:54:01Smuggling?
00:54:03They couldn't do it without getting caught
00:54:05We washed that border like a hawk
00:54:08Say Cookie, didn't you tell me there was an old Spanish mine across the border?
00:54:13Oh, the old timers around San Angelo talk about it
00:54:16But nobody knows where it is
00:54:19I think I know one old timer that might
00:54:22Come on, Cookie
00:54:27Anno Domine, 1751
00:54:31That was very long ago
00:54:33That's before I got here
00:54:35Hey, here's some funny writing here
00:54:40Sergeant, so, humbre
00:54:43Ah, that may mean something
00:54:44Perhaps this is what we are seeking
00:54:47Sergente sole, humbre et colernium, dirium, dirium
00:54:52As the sun rises
00:54:54The shadow of my arms
00:54:56And the pillar of my strength
00:54:58Shall mark that which God made
00:55:00And from whence came the bells of San Angelo
00:55:04That's beautiful
00:55:06But what does it mean?
00:55:08The shadow of my arms
00:55:09And the pillar of my strength
00:55:11Arms?
00:55:13Pillars? That must be a cross
00:55:15Cookie, do you know where there's a cross around here?
00:55:17Sure! Up on top of the church
00:55:20No, I mean up in the hills near the border
00:55:21Where the mine could be
00:55:23None now, boy
00:55:24There was an old shrine
00:55:25Many years ago
00:55:27To which the people came
00:55:28To pray to Santa Guadalupe
00:55:31At Easter
00:55:32Sure, Padre
00:55:33I remember
00:55:34On your side of the border here
00:55:35Near some rim rock
00:55:38Cookie, let's see if we can find it
00:55:40I've got an idea
00:55:42Thanks, Padre
00:55:53Here it is
00:55:55I remember
00:55:56Here's where we used to come
00:55:57To Easter sunrise services
00:55:58When I was a kid
00:56:00How tall was the cross?
00:56:01Oh gee, I don't remember, Roy
00:56:04Well, I'd say with a base that size
00:56:06It'd be about eight or ten feet tall
00:56:09What was it the Padre said?
00:56:10As the sun rises
00:56:11The shadow of my arms
00:56:13The sun comes up over there
00:56:15It should cast a shadow in that direction
00:56:17Isn't the border over there
00:56:18By those red hills?
00:56:20Runs right along the top of them
00:56:21The monarch mines over there too
00:56:23Right on the other side of that hill
00:56:25Well, if the old San Angelo mines over there
00:56:27Looks to me like we'd see some ruins or something
00:56:30Well, after all these years and years
00:56:32The rain has washed all traces away
00:56:34People have looked for it
00:56:36Well, it must be in that direction
00:56:38Let's have a look
00:56:51Hey!
00:57:00What's what an automobile be doing around here?
00:57:03It could be smuggling silver
00:57:05Could be tourists too
00:57:06Now you don't sound like Lee Madison
00:57:08You think you can trail these Kit Carson?
00:57:11A horseback or a foot
00:57:12Look, looks like they stopped right there
00:57:22Yeah
00:57:24Wonder what for?
00:57:26I don't know why anybody would park around here
00:57:28In the border way over there
00:57:30Nothing to do around here
00:57:32I...
00:57:35Roy!
00:57:37Cookie, go get the flashlight out of my saddlebags
00:57:39Uh huh
00:57:41Roy!
00:57:42If this is the old San Angelo mine
00:57:43Then your hunch was right
00:57:44Yeah
00:57:45Hurry up, Cookie
00:57:46Oh, I broke my leg
00:57:52What's the matter, Cookie?
00:57:53Oh, I broke my leg
00:58:06Don't step there, Lee
00:58:07I broke my leg
00:58:08Ow
00:58:12Cookie
00:58:13You can't look, Lee.
00:58:18Well, of course I can.
00:58:19They ain't very pretty, Miss Madison.
00:58:21That's our missing sentry.
00:58:22Those dirty no-goods...
00:58:24You're right, Cookie.
00:58:25He didn't get there by himself.
00:58:27We'll have to leave him now.
00:58:29The Padre will get him later.
00:58:30Hey, it's hollow in there.
00:58:48Well, this isn't old Mexican iron.
00:58:50These are steel bolts.
00:58:52There must be a door here someplace.
00:58:54Well, this is loose.
00:58:56Move back.
00:58:57I'm going to throw my weight around a little.
00:59:00South!
00:59:04Say, I wrote in a book one time where...
00:59:07See?
00:59:09That ain't an old tunnel.
00:59:10It's a new one.
00:59:11Where did you see, Roy?
00:59:12Right into the Monarch.
00:59:14Go back to the lodge and bring the boys.
00:59:15We might need some help.
00:59:16Take trigger.
00:59:17Hurry, hurry.
00:59:19All right, but be careful.
00:59:21Oh, don't you worry.
00:59:22I'll be with him.
00:59:23Hey, Roy, don't you think...
00:59:24Oh.
00:59:30Lazy days are loafing, having fun.
00:59:55Got no work to do, because my work's all done.
01:00:03Lazy days, relaxing in the shade.
01:00:10Got no plans to make, because my plan's all made.
01:00:16I ain't a-roundin' up no cattle.
01:00:24I ain't a-fixin' today.
01:00:30Gonna take it easy on the breezy side
01:00:38Of a great big stack of new morn hay.
01:00:45Lazy moon, you'll soon be ridin' high.
01:00:51Then I'll lay around and watch the moon go by.
01:00:59Lucky me, I found the way it pays.
01:01:06Livin' like I love it on my lazy days.
01:01:16Lazy days.
01:01:18Hey, look!
01:01:26Mr. Trigger!
01:01:27What happened?
01:01:28What's the matter?
01:01:28Where's Roy?
01:01:34You suppose Mr. Rogers is in trouble?
01:01:36Well, something's wrong.
01:01:37Let's go!
01:01:37Yeah, is that any way to treat a lady?
01:02:01I caught her comin' out of the old Spanish mine.
01:02:03Mine?
01:02:04Yeah, Rogers and the sheriff are still in there.
01:02:07Tell the boys to block the entrance.
01:02:18Send someone back to guard Miss Madison.
01:02:20Right.
01:02:21Sit down.
01:02:26How do they find the mine?
01:02:29By looking.
01:02:33Don't be funny.
01:02:34Just answer my questions.
01:02:37Does anyone else know about it?
01:02:41Before we're through, Miss Madison,
01:02:43you'll be talking like a magpie.
01:02:45Sound for me, Gridley?
01:02:46Yes.
01:02:47This is Miss Nosy Madison.
01:02:49Watch her.
01:02:50Sure.
01:02:51It's a pleasure.
01:02:52It's a pleasure.
01:02:52We blocked the back way.
01:03:10Good.
01:03:11We better find them.
01:03:12Let's go.
01:03:37Oh, my God.
01:03:37Hey, Gridley, they're down by the shaft.
01:04:02They're in the shaft!
01:04:04They're in the shaft!
01:04:07Hey, this is the shaft!
01:04:16If we can make it back to the mine, we might be able to hold them off.
01:04:19Let's go!
01:04:19Let's go!
01:04:20Let's go!
01:04:21Let's go!
01:04:22Let's go!
01:04:27Let's go!
01:04:38The boys will be in position a minute.
01:04:46They'll wait for your signal to move in.
01:05:04I knew I was too young and pretty to die.
01:05:08No!
01:05:38Follow me, Cookie. We're going to get grid-laced.
01:06:00Snap out of it. We're getting out of here.
01:06:08We're taking you with us.
01:06:12Okay. Okay. Take it easy.
01:06:15Get out that wicker.
01:06:17All right.
01:06:38Looks like they flew the truth.
01:06:47Here's one of them, though, White.
01:06:49Roy!
01:06:52Good old fella.
01:06:57Boy, you sure had us worried when Trigger come in alone.
01:07:00Wasn't Lee with him?
01:07:01Gosh, no, Roy.
01:07:03Something must have happened to her.
01:07:05Well, she must have been here.
01:07:07Now, here's her hat.
01:07:15In her, boy.
01:07:16All right. Go find her.
01:07:35Now, let them all up, Bob, and take them to town.
01:07:40Get out of here.
01:07:50Don't you know?
01:07:55Oh, boy.
01:07:57Oh
01:08:01oh
01:08:05I
01:08:09I
01:08:11why
01:08:13what
01:08:17when
01:08:21Here, Shep. Come back here. Come on, Tramp.
01:08:38Come on. You're on to get hurt. Come on, boy. Come on. Come on, Shep.
01:08:45I'm warning you, Rogers. Don't follow us.
01:08:48Lee, I hate to do this to you, but it's just like it says in your book.
01:08:53It's all right, Roy. Go ahead.
01:08:58Roy, are you crazy?
01:09:05Turn the dogs loose.
01:09:07I said turn them loose.
01:09:09Go get them, boy.
01:09:10Go get them.
01:09:11Go get them.
01:09:18Roy, we could have got them without you doing that.
01:09:24You're not going to leave her alone, are you?
01:09:28Well, I'm not.
01:09:48Roy, I'm not.
01:10:18Oh
01:10:40Throw your gun belts down here and I will
01:10:48Come on boy, come on boy
01:10:58All right, come on down and keep your hands up
01:11:18Stay where you are. I said stay where you are
01:11:48Oh
01:11:50Oh
01:11:52Oh
01:11:58Oh
01:12:00Oh
01:12:02Oh
01:12:08Oh
01:12:10Oh
01:12:12Oh
01:12:14Oh
01:12:16Oh
01:12:30Oh
01:12:32Get up.
01:12:47The picnic's just started.
01:12:56Atta boy, Roy!
01:12:57Hit him!
01:13:00Save one for me, Roy!
01:13:02Oh, no, you don't.
01:13:10Are you all right, Roy?
01:13:11Sure.
01:13:12How about you?
01:13:13She's all right.
01:13:15Hey, you missed her a mile, Roy.
01:13:16That was a good trick.
01:13:18That was quick thinking, Lee.
01:13:20Thanks for the help.
01:13:21I'm certainly glad you finally got around to reading Murder on the Border, page 77.
01:13:25You're glad.
01:13:26I'm glad you wrote it.
01:13:28Come on.
01:13:28Come on.
01:13:32Boys, you'll find Gridley over there in those rocks.
01:13:42You better go get him.
01:13:43Right.
01:13:45I say, Rogers, how exciting.
01:13:47So you've got your men.
01:13:48Yeah, yeah, we got him all right.
01:13:51Well, take him in for me, will you?
01:13:52I got to be going.
01:13:54Goodbye, Mr. Bates.
01:13:55And there's your man, Mr. Bates.
01:13:59Roy!
01:14:01That's the dirtiest double-crossness trick I ever heard of.
01:14:05I thought you were a friend of mine.
01:14:07And I thought you were a friend of mine.
01:14:09Instead, you're George Wallingford Lancaster, wanted by Scotland Yard.
01:14:13What's that?
01:14:13There he is.
01:14:15Don't you move.
01:14:16I've got you covered.
01:14:17Come on.
01:14:17The other things are yours.
01:14:19Well, what about Scotland Yard and the cattle?
01:14:22They were all yours.
01:14:23You are the sole heir to the estate.
01:14:25And nobody has to leave the rancho?
01:14:27Nothing they should say, so it's all yours.
01:14:30Mine?
01:14:30Uh-huh.
01:14:32I'll take it.
01:14:33Come on.
01:14:33Get out of here.
01:14:34Shut your mouth.
01:14:36Resistant and Earl.
01:14:37Well, Mr. Madison, did you get enough local colors?
01:14:53Enough for just the best story I ever wrote.
01:14:55I'm going to call it The Bells of San Angelo.
01:14:58You'll never guess who it's about.
01:15:00The Earl of Lancaster, naturally, old girl.
01:15:02Quiet, or I'll trade you in for an English Bulldog.
01:15:23The Earl of Lancaster
Commenta prima di tutti