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00:00Julia, call the executive board now, at the reception.
00:08I received an email.
00:10Milola is one of the three finalists for the award of the woman of the morning.
00:19If she wins this award, our life will change.
00:22Give it to me.
00:23What are you saying?
00:24Milola must take the award.
00:27I need a little something from what you throw in the drink and you become a monkey.
00:31How were the dirty monkeys we built in school?
00:34A monkey that makes you talk.
00:37We wrote the text.
00:39We found the ideal man.
00:41We secured one of the three awards.
00:43And now we go to the most difficult part of the track.
00:47What are we going to put?
00:48Baby, I'm going to burn you.
00:53So, baby, how do you plan to kill Milola?
00:58It's very simple.
00:59I will take care of the photos I took to be found tonight in the right places.
01:03What do you think?
01:04Are you kidding me?
01:05You will do my show anyway.
01:07And I will be awarded by the feminist association.
01:10In an hour, the award ceremony of the Pan-European Union of Feminists begins.
01:15With the main candidate, the director of Mr.
01:18I have you.
01:20I have to go.
01:21From now on, you do everything by yourself.
01:23I love you.
01:30I love you.
01:32I love you.
01:49We are surrounded by men who use us every day.
01:54They deny us the positions of power.
01:56They treat us in a humiliating and degrading way.
02:00But we are determined to fight until the end.
02:05The days we sat with our hands crossed have passed irrevocably.
02:11Men can no longer treat us like objects.
02:17We are no longer the sickle.
02:19We took up positions of power.
02:22We became ministers, prime ministers.
02:26But at the same time, we are mothers, wives, good friends and daughters.
02:35Our role is now complex.
02:37But we have proven that we can get through anything.
02:43The women who are here today are an example of our voice and strength from every corner of Europe.
02:57All of them have given their support to the fight for equality.
03:02Three of them will be awarded with the annual awards of our union.
03:08And one of them will be declared the Woman of the Year.
03:14And our nominees are...
03:17Marie-Thérèse Delacroix from France.
03:22We are about to lose the game.
03:24She has shared Lola's photos on all the tables.
03:28You know what to do, don't you?
03:32Lola Lalou from Greece.
03:39Lola Lalou from Greece.
03:51You were calling me.
03:53I was at a date and I couldn't pick it up.
03:56I left you so many messages. Why didn't you answer?
03:58I'm sorry, but I lost my cell phone. What did you want from me?
04:02Something very serious.
04:04Grigoris...
04:08I'm sorry.
04:14Put it down.
04:16And now, ladies and gentlemen, it's time to open the envelope.
04:19Raphaella...
04:22I imagine you all have the same anxiety as I do.
04:28The Woman of the Year 2008 is...
04:34Lola Lalou!
04:38Lola Lalou!
04:56If you don't mind,
04:58we would like you to read this wonderful article
05:02you wrote about the ideal man.
05:04This article was your gift to me.
05:07Yes.
05:08Please.
05:12The ideal man is very different from what the media presents to us today.
05:16He is not the macho man who has the women to love him in his arms.
05:20Nor is he the heartless man who is only interested
05:23in the promotion of power.
05:26The ideal man is...
05:28sensitive, tolerant,
05:31well-educated and sociable,
05:33an activist,
05:35and constantly in the protection of the environment around him.
05:38The ideal man is...
05:40supportive of his fellow men and women,
05:43is happy with their health,
05:45and so on and so forth.
05:47He is not a jealous woman,
05:49nor does he have a high standard.
05:52The ideal man is...
05:54the one who can be Raphaella's man
05:56and, at the same time, Raphaella's admirer.
05:59The ideal man,
06:01when you need him,
06:03is willing to stay with you all night
06:05to help you with your problems.
06:09The ideal man is brave.
06:30What are you doing? Have you gone mad?
06:33What are you doing?
06:35We'll be fine now.
06:37Please, please.
06:48What are you doing here? You'd better go.
06:50I didn't know I was going to see Lola's award.
06:53Tonight I was waiting for her father,
06:55but it seems my loyal friends once again betrayed me.
06:58No, I did what you told me.
07:00I'm not talking about you, Panoulis.
07:02I'll give you some advice.
07:04Don't ever trust a woman.
07:06History has shown that you have 99% chance of being betrayed.
07:11Fine, but...
07:12Wait, let me tell you something else.
07:14What?
07:15Where should I start? From the top?
07:17Leave the archives and let's go. Have you gone mad?
07:19Lola, turn off the light.
07:21What are you doing, Louis?
07:23This can't be happening.
07:26I'm going to lock him up.
07:28Before I lock him up, I'm going to kill him.
07:30Calm down, please. We've been friends for a long time.
07:33Let me tell you something. It's not my fault.
07:35You're right. I'll get used to this man
07:38when he makes you understand the environment.
07:42Why are you looking at me?
07:44What did I do?
07:45He's obviously drunk.
07:47What happened? How much did he drink?
07:49I can't. I'm dizzy.
07:50Come on, Foti. Get up.
07:52I can't.
07:54Just one more drink.
07:55Come on, Foti.
07:56I can't.
07:57Don't worry.
07:58This doesn't work with your strength, Foti.
08:00Come on.
08:01I can't understand. Just one more drink.
08:04You've had three already.
08:06Nothing. Just one more drink.
08:09Guys, maybe there's something in the drink.
08:12What could be in the drink?
08:14You're talking like my grandmother.
08:15There must have been a stain.
08:16That's what happened.
08:17That's what I've been told.
08:18A stain in the drink.
08:19Guys, let's lift him up.
08:21One, two, three.
08:23One, two, three.
08:24One, two, three.
08:25Come on.
08:26Wait, wait, wait.
08:27Foti, Foti.
08:28Foti, here.
08:29Come on.
08:30Let him sit down.
08:31Foti, here.
08:32Wait.
08:34Death to the dead.
08:36I saw this man here last night,
08:38but now I can't see him.
08:40Where is he?
08:41He's here.
08:42Girls, get him.
08:44I can't.
08:45I can't.
08:46I can't.
08:47I can't.
08:48I can't.
08:49I can't.
08:50I can't.
08:52Farah!
08:53Farah, I gave him my diploma,
08:55but someone else will get it.
09:18Now you're going to tell me what happened.
09:20What happened?
09:21Nothing.
09:22What do you mean, nothing?
09:23The girl who was with you...
09:25Vicky.
09:26That girl.
09:27Why did she tell me to make you coffee?
09:29Why did she tell me to make you coffee?
09:30Why did she tell me to make you coffee?
09:31Please, Erini.
09:32Please, Erini.
09:33Let it go.
09:34Let it go.
09:35I'll be happy if you tell me.
09:39Come on, boy.
09:40Come on, Foti.
09:41Come on, Foti.
09:42Tell me to lighten up.
09:43Tell me to lighten up.
09:44What happened?
09:45What happened?
09:46What can I say?
09:47I don't understand either.
09:48I don't understand either.
09:50Everything was going so well.
09:52She was talking...
09:54and she was looking at me, you see?
09:56She was looking at me and talking.
09:58She was talking about me.
09:59Who?
10:00Lola.
10:01She was talking about the perfect man.
10:04And I thought that...
10:08Let it go.
10:09Let it go, please.
10:10What do you mean, nothing?
10:11Tell me, Foti, my love.
10:13Tell me.
10:14I don't know.
10:16I don't understand.
10:17What happened?
10:19I didn't drink much.
10:20I only had a glass of water.
10:22But I got dizzy.
10:24And I got up.
10:26She was talking.
10:27I ran into the crowd.
10:31And I kissed her.
10:33You?
10:34Me.
10:35Unbelievable.
10:36And Lola?
10:37What did she do?
10:38She kissed me.
10:40If you kissed her in front of so many people...
10:43I don't know.
10:44It was too much for me to kiss her.
10:46And her reaction was too much.
10:49Are you sure she was talking about you?
10:53Not anymore.
10:55But...
10:56At that moment...
10:58Everything she said was like she was describing me.
11:03Normally.
11:04Of course, without mentioning my name.
11:07But...
11:08But she was looking at me, you see?
11:10She was looking at me and talking about me.
11:13Do you understand?
11:17Who does this to me?
11:19Who does she think she is?
11:21I'm going crazy.
11:22But you were looking at him all the time.
11:25Maybe he thought...
11:26What did he think?
11:27What did he think?
11:28What did he think?
11:29That I was talking to her?
11:31That never happened.
11:33How can you get up and kiss me in front of so many people?
11:36Me?
11:37She kissed me.
11:38Are we kidding?
11:39Leonida Lala.
11:40And now Andrakla.
11:41Yes, Leonida.
11:42But...
11:43But what?
11:44I don't want to hear anything.
11:45I made a big mistake with Fotis.
11:48I want to stay away from him.
11:50I don't want to deal with him.
11:52But don't forget that Fotis saved you from Grigori's trap.
11:57Sotiras.
11:58Who's going to save Lola from Fotis?
12:01Chocolate, who has great power.
12:03Don't you get it?
12:04Who does he think he is?
12:05That he's Superman?
12:06That he won against Grigori and he's going to beat him?
12:09Not this girl.
12:11She's not...
12:12What?
12:13Not even a girl.
12:14My humble opinion is that you have to calm down and understand, my child...
12:19What do I have to understand, my sweet girl?
12:21What do I have to understand?
12:22That because Fotis is a man, he thinks he can do whatever he wants?
12:25That's what I did as well.
12:26But now, as Lola, I won't accept it.
12:29Don't justify it to me.
12:31Please.
12:32It's over for me.
12:34My boy, it was a bad moment.
12:38I'll fix everything.
12:39But you don't understand me.
12:41I don't care if they fix it.
12:43I don't want them to fix it.
12:45It's over.
12:46What do they call it?
12:47I'm not going to get involved with Lola again.
12:50Never.
12:51Leonido, now you're getting angry.
12:53Yes, and he's right.
12:55Koukoumiris, Fotis, made a mistake.
12:57A huge mistake.
12:58You understand?
12:59I should never get involved with him again.
13:01For me, Fotis, it's over.
13:02I don't want to get involved with him again.
13:04Do you understand?
13:05Never.
13:09Cheers, my boy.
13:10Cheers.
13:11To our success.
13:15It was an amazing night.
13:17I'll never forget it.
13:18It was one of the best nights of my life.
13:20It had everything.
13:21Light, glory, wood.
13:23You're talking about Hassoukis, right?
13:26The feminists were excited.
13:28They came together.
13:29Of course, at the time, I was a bit shy.
13:32But after I thought about it again,
13:34I got excited.
13:35I found it.
13:36Fotis kissed Lola well.
13:38Grigoris?
13:39Yes.
13:40Why did you put him in the wood?
13:41There's always a reason to give a woman to Grigoris.
13:44Right.
13:45It looks like he had a mistress.
13:47Who knows what she did to him.
13:49It's a wood plan.
13:51He'll remember this night until he dies.
13:54We'll put him in the wood.
13:56God, I can't believe it.
13:58I can't believe it.
13:59I mean, after all the gyms we took pictures of for Mister,
14:03to get the European Award of the Feminist Journalists.
14:07It's amazing, isn't it?
14:08Amazing.
14:09To our health.
14:10To our health.
14:11Always like this, Argyris.
14:12Always like this.
14:13We won their hearts.
14:14It's over.
14:15Now nothing can stop us.
14:16Nothing, nothing can stop us.
14:19Well, you know what's going to happen now, right?
14:21What?
14:22Mister's release will be broadcast at the top.
14:25At the top, my God.
14:26At the top.
14:27Not that we were at the bottom,
14:29and now we're at the top.
14:30But there's always the highest.
14:32And we want the highest, Argyris.
14:33Right?
14:34We want it.
14:35And we're going to conquer it.
14:36Right?
14:37It's not my fault.
14:38Since we've been working together,
14:39things are getting better and better.
14:41You're right.
14:42Yes.
14:43Yes, Argyris.
14:44Yes.
14:45And I was thinking.
14:46What?
14:47What?
14:48Tell me.
14:49Tell me.
14:50Yes, my child.
14:51We're going to celebrate it.
14:52It's worth it.
14:53It's worth it.
14:54Oh, yes?
14:55Of course.
14:56Of course.
14:57Tell me where you want to go.
14:58Where do you want to go, Argyris?
14:59Anywhere you want.
15:00Anywhere you want.
15:01At your house.
15:02My house?
15:03Yes, my child.
15:04I'm not going out.
15:05I'm not going out.
15:06I'm going to my wife's place.
15:07I'm going to...
15:08I'm going to make a party.
15:09Let's do it.
15:10No, we have to do it.
15:11It's right.
15:12I don't...
15:13It's done.
15:14It's done.
15:15I think it's the right moment.
15:16Don't be late.
15:17We will not delay it.
15:18I'm looking forward to it.
15:19The god really was looking forward.
15:20He was looking forward to seeing Elvira,
15:21who used to avoid her.
15:22Ever since he met her,
15:23something has changed in him.
15:24He did everything to be close to her,
15:25next to her.
15:26He wanted her to come close,
15:27and see the feelings he provoked
15:28in response to her.
15:29the feelings he caused them, because he was sure that neither of them was indifferent.
15:35When are we supposed to meet? Tonight.
15:37Tonight?
15:38What are you saying?
15:39Tonight, yes, of course. No, it's done, it's done. Whatever you say, tonight, tonight.
15:42Argyris, Argyris, I see you're a bit distracted. Is it because of your wife?
15:46No, brother, what are you talking about?
15:47Don't worry, you'll be excited.
15:49Anyway, my friend, you go now and we'll talk later, okay?
15:52Okay, so tonight, huh?
15:53Tonight, I said, tonight. It's over.
15:55Tonight.
15:56Whatever you say.
15:57Tonight.
15:58Who's going to listen to her now?
16:00I don't know, I haven't notified her yet.
16:02It's going to happen, it's going to happen.
16:04Argyris, we said tonight, right?
16:05Please.
16:06Whatever we say, okay?
16:07Tonight, tonight.
16:08Tonight, tonight.
16:09Let it go, brother.
16:11I am or I was not the man of your house.
16:13I decide.
16:14It's over, I've decided.
16:16Tonight, I want it tonight.
16:26Yes?
16:27Elviraki, it's me, your husband.
16:29I know.
16:30There is a recognition call.
16:32What do you want?
16:33What do I want?
16:34I called you to hear you, to hear your voice.
16:36Your voice has lost its tone just like when you broke the vase.
16:40What have you done?
16:41Me?
16:42Yes, yes.
16:43And hurry up, don't be late.
16:44I'm going to get some rice.
16:45Ah, very good.
16:46Go get some vegetables, okay?
16:47Whatever you need.
16:48Whatever you need is for tonight's dinner.
16:49Leave the nonsense.
16:50Vegetables?
16:51When I say rice, I mean...
16:54Wait a minute.
16:56I heard something about dinner.
16:57Yes.
16:58I called you to tell you that tonight I have invited God to my house to celebrate it.
17:02Are you going to tell me or ask me?
17:04No, no, Elviraki.
17:05I called you to tell you.
17:06Because whenever I ask you, you say no.
17:08And since when do you make decisions without asking me?
17:10Since then, Elvira, that if I don't make decisions, nothing will happen at all.
17:14No way.
17:15I can't be late.
17:16I can't make it.
17:17After the rice, I have to go for cleaning and then for pilates.
17:20Don't make me pilate anymore, my dear.
17:21Do me a favor, please.
17:22Do whatever you have to do.
17:23At nine o'clock, you have to be at home for dinner.
17:25That's it.
17:26No way.
17:27I can't.
17:28I can't.
17:29Don't make me pilate anymore.
17:30Do me a favor, please.
17:31Don't make me pilate anymore.
17:32No, no, no.
17:34Come here.
17:36Elvira.
17:37Yes?
17:39Yes?
17:44Is this enough?
17:45I don't have any more.
17:46The small box is getting smaller and smaller.
17:49Okay, don't worry.
17:50It's enough.
17:51I'll pay the office tomorrow for the photography.
17:53Great.
17:54In the end, I was very pleased with the dirty wood that Grigorakis ate.
17:58Well, don't say that.
17:59You're still a bit pale.
18:01Let him look at you sweetly and we'll talk.
18:03No, no, no.
18:04This time, I won't rest until I pay him with the same bill.
18:08He paid it well.
18:09He ate so much carpaccio.
18:10And in front of everyone.
18:12Do you remember that I used to send flowers to the Feminist Union?
18:18Good morning.
18:19You're a bad cold and a bad driver.
18:22The Feminists did little to him.
18:24God, if Panoulis has eaten any carpaccio.
18:27What are you looking at me for? He deserves it too.
18:29Go away.
18:33Bye.
18:34Bye.
18:35Come on.
18:36Julia.
18:37Come on.
18:44Come here.
18:46Do you want to say something, my light?
18:52Oh, well.
18:53Today is predicted to be a bad day.
18:56And with a lot of traffic.
18:58And a lot of earthquakes.
19:05Good morning.
19:06Good morning.
19:08And with a lot of smoke.
19:09A lot of smoke.
19:15Can I come in?
19:18Do whatever you want.
19:20Ok, I'm coming in.
19:22I came to see how you're doing.
19:24Good.
19:26Yes.
19:27You know, I'm sorry about yesterday.
19:28I didn't know.
19:29Basically, I didn't know that you haven't recovered.
19:33I'm working.
19:34Yes.
19:35Good.
19:36Well.
19:37You know, I feel responsible for this.
19:39For what happened.
19:41Anyway, now you're fine.
19:42I'm fine and I'm working.
19:44I see.
19:45I don't want to say it again.
19:46Ok, I understand.
19:47What do we do?
19:51My light.
19:52I'm sorry to bother you.
19:53Can I tell you something about work?
19:55Yes.
19:56Do you have the test kit ready?
19:58So I can send it to the printing house?
20:00No.
20:01Ok.
20:04Do you have it ready soon?
20:08Yes.
20:09Good.
20:18Hello, my light.
20:19Hello.
20:21I brought you your test kit.
20:23Leave it.
20:27Ok.
20:38Are you going to the office?
20:39Yes.
20:40You'd better not go.
20:41Why?
20:42I can see you crying.
20:43You'd better not go.
20:44Otherwise, you'll ruin your face.
20:47I warned you.
21:00Light.
21:02Yes.
21:03I don't want to bother you, but...
21:06I feel a bit down after yesterday.
21:08You? Why?
21:10I was the one who got jealous.
21:12That's not what I want to talk about.
21:14But what? I don't understand.
21:16Don't ignore my feelings.
21:18You know I wasn't very happy to see you kissing Lola.
21:22Aren't you going to answer me?
21:26Look.
21:28Last night, I wasn't myself.
21:32Ok?
21:33I drank a glass of wine, but I got upset.
21:37I don't know.
21:38I think I was drunk.
21:40What can I say?
21:42The only thing I can say is that if I hadn't drunk,
21:45none of this would have happened.
21:48Really?
21:49Yes.
21:51Natalia's hopes were shattered.
21:54Light judged Lola's reluctance to kiss her again.
21:59Really?
22:00Would he have done something so reckless?
22:04He himself wanted to believe that he hadn't.
22:07He didn't lie to Natalia.
22:09He just hid the truth from her.
22:11Just as he hid it from himself.
22:24Oh, my baby.
22:25Oh, my little girl.
22:26Oh, my little Elvira.
22:27You're crying again.
22:28It was just a scratch, Mr. Argyris.
22:30A bit of the wing, a bit of the protector, a bit of the door.
22:33A bit of everything.
22:34I get it.
22:35Send it to get old.
22:36I wanted to finish it.
22:37It's your fault, anyway.
22:38You confused me with this dinner and filled me with negative vibes.
22:41I'm glad I got out of the car and not me.
22:43Look, get a new one and let's finish it.
22:45Otherwise, it's been old.
22:46It's been six months.
22:47Besides being old, it has bad feng shui.
22:50Yes, get a good feng shui.
22:52Get one with TV, polythene and massage.
22:55Get whatever you want.
22:57But the dinner will be done.
22:59You don't know.
23:00I go against my will and that fills me with toxins.
23:03After your dinner, I'll go to a detox center in Austria.
23:06You can go to Austria, you can go as far as you want.
23:09But now, please go and buy some stuff over there,
23:12so I can do my specialties for tonight.
23:14Everything and everything.
23:15We're not going to eat Sucukakia, Smyrneika and all these pachinko dishes.
23:19I'll cook.
23:20Gourmet.
23:21My little girl, is there any reason to get tired?
23:23For what reason now?
23:24Because I'm a perfectionist.
23:25So, we're going to eat beef medallion with olive oil sauce.
23:30And in central Lebanon, velouté from zucchini trumpets
23:35and salad with red tuna and leaves.
23:40Okay, we're not going to follow.
23:41Now, if necessary, we order a pizza.
23:43We've reached the level again.
23:45So, I'm leaving. I'm going to my kitchen.
23:47I'll see you tonight.
23:49Go, my little girl, go.
23:51Oh, oh, oh, difficult woman.
23:54Anyway, I'll order something here in the office for me to eat,
23:57with these zucchini trumpets.
24:01What am I doing?
24:04Julia, please, order something for Ortoulou.
24:15I'm sorry.
24:17Please, it's nothing.
24:27Again, I'm sorry.
24:29It's okay, let's not make it an issue.
24:43Do you have a reason to cancel this dinner?
24:46You can't imagine how many reasons I have.
24:48In the end, nothing happened.
24:50I tried my best.
24:51Argyris is useless.
24:53Now, you know, I have no other choice.
24:56I can't avoid it.
24:57I'll give him suspicions.
24:59Who are you talking to?
25:01I'm telling you the truth. You have to let me go.
25:03Down there, down there, my little girl.
25:05It's one night.
25:06Be patient, it'll pass.
25:10Let me tell you something.
25:11What?
25:12From the moment I saw you again,
25:14I've been thinking about you all the time.
25:16I can't get you out of my mind.
25:17I'm telling you the truth.
25:19No, no, no.
25:20I'm telling you the truth, my little girl.
25:21No.
25:22I'm telling you the truth.
25:23I'm telling you the truth.
25:25I'm telling you the truth.
25:26I'm telling you the truth.
25:27Gentlemen, gentlemen.
25:28Come on, don't be impulsive.
25:29I have to close the case.
25:30What's the matter, impulsive?
25:31I'm giving you the tickets with the...
25:33Wait, wait, let me tell you something.
25:34With the tickets of Filippidis and the band...
25:36Wait a minute.
25:37I have to give it to you.
25:38From the moment I saw you,
25:39I thought the photographer gave them to you.
25:41I don't agree with the tickets they have.
25:42Why don't you agree?
25:43I don't know.
25:44Put the tickets on.
25:45Wait.
25:46But I have to give it to you.
25:47Put the tickets on.
25:48What can I do?
25:49What can you do?
25:50I'm asking you.
25:51Mr. Deviar, we didn't agree.
25:52I can't do anything about it.
25:53Yes, but everyone pays and they cancel the postage.
26:00Let's go, let's go to Filippidis' place.
26:07You are right.
26:08You are right, Mr. Deviar.
26:09It was my fault.
26:10It was my fault for everything.
26:11You are right.
26:12It will not happen again.
26:13You are right.
26:14But in my hands, in my arms,
26:15in my arms...
26:16I will keep it.
26:17I know, I will keep it.
26:18From the moment I saw you,
26:19I thought the photographer gave them to you.
26:20I don't know, I don't know.
26:21I've never seen her like this before.
26:38Mrs. Elvira?
26:40Yes, my dear?
26:42Are you well?
26:45Yes, very well.
26:47Better than ever.
26:48Can't you see?
26:49How? How?
26:50Well, if you want a glass of water, I know.
26:53Water? No, I don't want water.
26:56Then, no hair, no braids.
26:59What do you mean?
27:01Nothing, with all the courage.
27:03Your hair is a little messy.
27:07Of course it's messy.
27:08It's the new styling, you know.
27:11Bed look.
27:13I didn't understand.
27:15Of course. Where is Natalia?
27:16She's at Foti's studio.
27:18I'll go and find her.
27:20Bed look.
27:29Bed look!
27:41Stefan?
27:42Did you come for the meeting of the editors?
27:43Yes, did it start?
27:44I don't know.
27:46Good.
27:48I want to tell you something.
27:49Do you have two minutes?
27:50Yes, what is it?
27:52It's nothing special.
27:54I just wanted to thank you.
27:57For what?
27:58What do you mean for what?
28:00For what you did.
28:01For asking me to come to your new show.
28:03Stefan, was it possible not to ask you?
28:06After all, you're a friend, like an angel.
28:09Besides, we planned it together.
28:11Did you forget?
28:17Very good, bravo.
28:18I want you to go up the stairs now.
28:20I'll ask the girls to dance.
28:42Let's go again.
28:43That's it.
28:44Bravo, bravo, bravo.
28:47Guys, let's have a break.
28:50Foti, my dear, how are you?
28:53We haven't seen each other for a long time.
28:55Thank God.
28:56And you?
28:57How are you?
28:58I'm fine, my love.
29:00I'm fine, I'm fine.
29:01And you?
29:02I'm fine, Mrs. Paraskevopoulou.
29:04Here, at work.
29:05Bravo, bravo.
29:06I'm glad.
29:07Where is Natalia?
29:08Natalia is somewhere...
29:10Here.
29:11Natalia!
29:12Guys.
29:13How are you?
29:15Where did you come from?
29:17From the street, of course.
29:20It's very windy today.
29:22I didn't have time to get dressed.
29:23Did you come to see your parents?
29:24Of course.
29:25Why else would I come here?
29:27Manoula, do you want to have lunch with us?
29:30I can't eat.
29:32We have a dinner at home tonight.
29:34I want you to eat with us.
29:36Your father organized a professional dinner.
29:39Very boring.
29:40With whom?
29:41With whom?
29:43I don't know.
29:44I imagine someone from work.
29:45But the house is a mess, my love.
29:47And I haven't even cooked a dish yet.
29:50Come on, Manoula.
29:51Don't worry.
29:52Your cooking will outdo the taste.
29:54What are you saying?
29:55That I cook so badly?
29:56It's time for you to tell me that you prefer your father's sausages.
29:59No, Manoula.
30:00No.
30:01You cook perfectly.
30:02Mom, I wanted to give you a compliment.
30:03I didn't want to upset you.
30:05Compliment?
30:06So you didn't mean that with my cooking?
30:08Was it a lie?
30:09No, Manoula.
30:10It was the truth.
30:12Mom, what's wrong?
30:13I don't know.
30:15I don't know.
30:16When I'm hungry, I feel a lot of stress.
30:19It's your first time, Manoula.
30:21Yes.
30:22Like a good first time.
30:23That's how I feel.
30:24Like a good first time.
30:25That's why, my love.
30:26I want you by my side in this difficult moment.
30:28I...
30:29Please, baby.
30:30I'm asking you as a favor.
30:31Don't leave me alone.
30:32Please, baby.
30:33And don't be late.
30:35Don't be late.
30:36You can come later.
30:37After dinner, you can go wherever you want.
30:38Okay.
30:39Can I bring someone?
30:40Yes, yes.
30:41Of course.
30:42Whoever you want.
30:43I'm going now.
30:44Let's go.
30:45My love.
30:46Don't be late, my love.
30:47Don't leave me alone.
30:48I'm going.
30:49I'm going.
30:50I'm going.
30:51I'm going.
31:05I need your approval for these two productions.
31:10Yes.
31:11Leave it, Fotis.
31:12I'll tell you in the afternoon.
31:15It has to be done now.
31:17I need your approval in an hour.
31:20I can't do it now.
31:21I have work.
31:22I can't keep the whole team waiting for it.
31:24Take a look at the photos and answer me now.
31:26Fotis.
31:27You have to learn to wait.
31:29You and your team.
31:30And you have to learn that others are not your toys.
31:34They can do whatever you want, whenever you want.
31:37Listen, Fotis.
31:38You won't tell me how I'm going to do my job.
31:40You have to do your job well.
31:42That's exactly what I'm doing.
31:44But your delay creates a problem in my job.
31:47Can you calm down?
31:48I'm calm.
31:49Yes, but I'm not yelling.
31:52And I know my moves and my actions very well.
31:56I didn't become the director of Mystery.
31:58Do you understand?
32:00By the way, Fotis.
32:02Next time, before you come in here,
32:04if you have the kindness, I'll hit you.
32:08I'm sorry.
32:12Our reaction to love is strange.
32:15When we want to get close to someone,
32:18we act as if we want to push him away.
32:21And instead of hugging him,
32:23we push him away from us.
32:26We are afraid because we become vulnerable.
32:29And we act tough to hide it.
32:33It's the fear of rejection
32:35that makes the aggressiveness
32:37become the only defense
32:39against disappointment.
32:42And when we get to know each other,
32:44we become a little shy.
32:46Why are we always ready
32:48to fall into the worst trap?
32:50Fotis.
32:51I want a favor.
32:52And I don't want you to say no.
32:54What do you want?
32:55Look.
32:56My parents have a wedding tonight.
32:58You know, one of those typical, boring ones.
33:01And?
33:02Come with me.
33:03I beg you.
33:04I beg you.
33:05Natalia, what are you saying?
33:07Your father is my employer.
33:09Don't look at it that way.
33:11You will accompany me.
33:13The only child of a problematic family.
33:15Come on, do it.
33:17My name is Natalia.
33:19And I feel so lonely in a family
33:21where I don't know each other.
33:23It sounds like a bad soap opera trailer.
33:26Come on, Fotis.
33:27I beg you.
33:28I beg you.
33:29Okay, okay, okay.
33:30I'll come.
33:31I'll come.
33:32Tell me what time I have to be there alone.
33:35Okay?
33:36Here.
33:37Bravo.
33:38This is the CD.
33:39Come to the office
33:40and I'll tell you the changes.
33:42Thanks.
33:45Thank you, Votakos.
33:47We had a great time.
33:53Julia, this is the program.
33:55I left it to you, okay?
33:57Thank you, Stefania.
33:58Take care.
33:59Bye.
34:04Shall we go for a drink?
34:06I can't right now.
34:07I have work.
34:08Oh, my.
34:09This job never ends.
34:10In the last three hours
34:11you haven't raised your head.
34:13Are you following me?
34:14All the time.
34:15I don't miss a minute of you.
34:17And I have to tell you
34:19that you are excellent at your job.
34:22That's why you need a rest.
34:24I guess I need a rest.
34:26You'll get tired.
34:28Maybe next time.
34:30I can't right now.
34:32Come on.
34:33Just one beer.
34:34Don't insist, Nikos.
34:35Don't insist.
34:36Okay.
34:37I'll take you to your station.
34:40Okay.
34:41I'll be done in two minutes.
34:43We'll see.
34:56Okay.
34:57Bye.
34:58Bye.
35:27A woman who's serious.
35:44Leo.
35:45Leo.
35:46Leo.
35:47You're the only one who can save me.
35:49I always used to say, darling,
35:50that you're a magician.
35:52Tonight, I want you to paint me
35:54And I want you to make me 27 years younger.
36:01I don't want triplets. I know you can do it.
36:04I want you to make me 27 years younger.
36:07You can do it. You can do it. Tell me you can do it.
36:10Tell me.
36:12I can do it.
36:14Let's go.
36:25I'll be back by 12.
36:28If you're still awake, I'll take you home, okay?
36:31Okay, okay. Don't worry.
36:34If you're late, I'll sleep here. I'm not a stranger.
36:37Where are you going? To a restaurant?
36:40I told you, we're going to eat at Natalia's house with Natalia's parents.
36:46And why do you have to go?
36:48I don't have to go. I want to go.
36:49Natalia is a saint. She talks like a saint. She thinks like a saint.
36:54And she has eaten like a saint.
36:56Elena!
36:58Come here. Come here.
37:06You're my daughter.
37:08You're the most precious thing I have.
37:11I love you. I adore you.
37:14But you can't decide for my life.
37:20Why not?
37:22Because I'm quite old and I've learned to make decisions on my own.
37:31And to make decisions on my own, okay?
37:35So, I'm going to leave now.
37:39You're going to stay with Grandma Eleni and we'll talk later.
37:45It's my fault. It's my fault for making you ill-educated.
37:49So, goodbye Eleni.
37:51Goodbye.
37:55I heard you talking to Grandma Eleni.
37:58Your dad was right.
38:00Now Natalia seems to be between us and me.
38:05But you don't make her talk to your father.
38:09Oh, no. Okay, Elena?
38:12Come on, let's go.
38:14Gennaki!
38:16Gennaki!
38:18You have to go to the bar again. It's full of girls.
38:24What? Are you going to get drunk now?
38:26Are you crazy? The guests are coming from time to time.
38:28No, my child. Go inside.
38:30Take the glasses and go to the bar.
38:35Gennaki!
38:37The water in the vase stinks. Change it.
38:39Do it again.
38:41Change it.
38:43Oh, my God.
38:45Come here. Come here.
38:47This dish is spoiled. Throw it away.
38:49Throw it away!
38:52Useless.
38:54Useless.
38:56Manoulia!
38:58Do you like my model?
39:00Very nice. Wonderful.
39:02I wore it for the boy, Fotis. I think he will like it very much.
39:04I don't know if Fotis is your boy.
39:06I approve him.
39:08Fotis is a very good boy.
39:10He is hardworking, smart, educated.
39:12He is not like the other guys you brought to me.
39:14Fotis is mature.
39:16He will help you to mature.
39:18That's why I adore him.
39:20He is here.
39:22I'm going to get Gennaki.
39:27Hello.
39:29Hello.
39:31Hello.
39:33Oh, Fotis.
39:37You don't know how happy I am that you and Natalia are in a relationship.
39:39Natalia, are you in a relationship?
39:48Before I say good night to my models,
39:50I would like to tell you that sometimes we consider the opportunities that life offers us as unsuccessful meetings
39:56to remind us what we want,
39:58to motivate us to ask for it
40:00and to make us start again from the beginning.
40:06Look, the truth is that Natalia and I...
40:09I know, I know.
40:11And I'm very happy that you two are in a relationship.
40:13No, but...
40:15Now I was telling Natalia how much I find you sympathetic and mature.
40:17Gennaki!
40:19I forgot to put on my gold.
40:21Wait.
40:23What will you drink?
40:25An aperitif, a sherry, a Manhattan, a Daquiri, a...
40:27Don Giulio, Margarita?
40:29Something simple.
40:31A glass of wine.
40:33Wine.
40:35Do you want a Chardonnay, Cabernet, Sauvignon, Merlot?
40:37A white wine.
40:39How sweet.
40:41How sweet, my baby.
40:43Nothing to do with Argyris.
40:45A Chardonnay, please.
40:47Oh, you don't know how happy I am
40:50that you have become a member of our family.
40:52Because, of course, as a mother,
40:54I'm always worried about who my daughter is going to be with,
40:57even if it's Natalia.
40:59She's our only daughter, you understand.
41:01I understand, but I...
41:03Mom, don't you go into the kitchen to see how things are going?
41:06Oh, yes, yes.
41:08Oh, my baby.
41:11Foti, I'm sorry.
41:13Wait a minute, wait a minute.
41:15So, your mother believes that we...
41:17No, no, let me tell you.
41:19Mom is taking medication for her psychological problems.
41:21And the doctor told us not to give her any curses.
41:23Because then she gets angry, she gets worried,
41:25and we have to take care of her again.
41:27Do you understand?
41:29I understand.
41:31Thank you, Foti, thank you very much.
41:33Oh, good evening.
41:35Argyris, look who's here.
41:37Thank you very much.
41:39Baby, you give me a lot of joy.
41:43Oh, my mother is here with the medicine.
41:45Good evening.
41:47My love, are you okay?
41:49No, I'm not okay.
41:51It's nothing, this floor.
41:53It's Parketini, you know, it's Parketini.
41:55And I tell them not to go over the floor with Parketini.
41:57It's nothing.
41:59They are their own.
42:01They bring them to my house and make me the boss.
42:03Do you understand?
42:04They oppress me.
42:06As the working class oppresses all the bosses.
42:08Come on, my love, let's leave that now.
42:10I want to introduce you to Mr. Teo Pappas.
42:13Teo, my wife, Elvira.
42:15Helped.
42:17Enchanté.
42:23Fortunately, I understood it early, my child.
42:25Foti, you are a huge buffa.
42:27And how did you understand it?
42:29My child.
42:30My child.
42:32She eats a little bit of me.
42:34And after five minutes,
42:36she falls in love with this...
42:38Lya.
42:40Which Lya?
42:42Lya and you, Lya.
42:44This Natalia.
42:46Natalia?
42:48Argyris's daughter?
42:50Yes, her.
42:52Oh, Foti.
42:54I see he doesn't lose his temper.
42:56And he knows how to choose.
42:58Bravo, Fotakos.
43:00They are the ones you are talking about.
43:02They are usually the most serious and romantic
43:04and they are the biggest liars of all.
43:06Wait a minute.
43:08Now, who is talking?
43:10Lallos or Lola?
43:12What are you talking about, Hara?
43:14I am always talking.
43:16Yes, but who are you?
43:18Who am I?
43:20Where are you going?
43:30Let it be.
43:32Let it be.