- 9 months ago
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00:00So, the ideal male is characterized by the following.
00:03Until the age of 35, he must have hit the number of women that even Dante sends them to be his followers.
00:11Your breakfast is ready.
00:13Baby, your clothes are ironed.
00:16Honey, I cleaned your office.
00:19Cigarette, girl?
00:20I'm going for a swim.
00:22The ideal male must have succeeded at least until the age of 35.
00:27Hey, you're still not ready?
00:30Your status expects you to get married as a man of the year.
00:33I don't give a damn.
00:34I'm not tired of getting married every year.
00:37The ideal male must drive only exact routes.
00:40Either two or four.
00:46The ideal male must never have been married before the age of 40.
00:50The ideal male must, in the face of the threat of marriage, turn generally.
00:55I'm telling you, baby, to meet my parents, to talk to my father.
00:59And I'm sure he will agree to marry me.
01:03The ideal male can be named a male who is faithful to two things.
01:06To the team and to his friends.
01:09I'm going to hit the ball!
01:10Come on!
01:11Come on!
01:12You're my man!
01:14Excuse me, boss.
01:15I'm calling for your team.
01:16Let me tell you, I don't see you very warm.
01:18But I like you.
01:19How will it be?
01:20Do you like me?
01:21Of course.
01:22Why didn't you say so?
01:23Come on, baby.
01:24Wait a minute.
01:26Let me introduce you.
01:27This is my friend Grigorakis, your ex-boyfriend.
01:30What you have written there is a description of Leonidas Lalou and his colleagues.
01:34Are you going to give this text to the ministers?
01:53Hello, Lola.
01:54Like a boy.
01:56I have a heart that beats.
01:58Boom!
01:59My hair is long.
02:00Hello, Lola.
02:02Like a boy.
02:04It's the first time for me that your eyes are blinding me.
02:12The ideal male.
02:14The ideal male.
02:17The ideal male.
02:20I don't know why it's so hard to find him.
02:29And it's time to announce the first award.
02:33Raffaella Gratsis.
02:37And the winner is...
02:44Leonidas Lalou!
03:00Thank you very much.
03:01I'm speechless.
03:02I don't know what to say.
03:04Thank you very much, my girl.
03:06You got all the air and you want to know how ideal your man is?
03:13I will tell you, you idiots, how ideal your man is.
03:18The ideal man.
03:21The ideal man.
03:24And the last women on the planet of Gizna.
03:27If not, they would go with you.
03:31Do you know why?
03:33Because you have an opinion.
03:35And the worst thing is that you don't keep your opinion to yourself.
03:39You make it a burden.
03:42You wouldn't want to know what we write in your opinion.
03:48Ideal man.
03:51Your ideal man.
03:54Women like you, you could only celebrate them.
04:02Your ideal man.
04:08Do you want a woman to have a voice and not speak?
04:11To have a mind and not think?
04:13What are you saying?
04:15God gave you a body.
04:17And a face.
04:19That's enough for the ideal man.
04:24In the course, the ideal man will learn the ideal woman how to make him coffee.
04:29How to cook him well.
04:31How to iron his shirts.
04:33How to be good in bed.
04:36And how to do two very important things.
04:40How to end his date.
04:43And how to shut her mouth.
04:47Are we good? Are we having fun?
04:49Girls!
05:06Help!
05:09But it wouldn't be nothing.
05:12Nothing.
05:13Help!
05:16Leonida!
05:18Wake up!
05:19Wake up, I say!
05:20Do you see the nightmare?
05:21You have lifted the whole neighborhood on its feet.
05:22Where is Leonidas?
05:23Where is he?
05:24Inside you.
05:25What?
05:26Are you okay?
05:27Are you okay?
05:28What happened to you?
05:29Are you okay?
05:30Come on, my little bird.
05:31Come on.
05:32Tell your mother.
05:33Wow.
05:34I see.
05:35Wow.
05:36I'm fine.
05:37Do you know what I realized?
05:41I realized that I'm not your ideal husband.
05:45Shut up.
05:46I'm glad you realized that.
05:48Yes, but I know who he is.
06:08Well, with great pleasure,
06:12we will be waiting for you at our exhibition,
06:16to visit you at our offices,
06:19and to show you up close the serious...
06:27The creative...
06:28The creative...
06:29And...
06:30And...
06:33And...
06:34And...
06:35And...
06:36And...
06:37And...
06:38And...
06:39And...
06:40And...
06:41And...
06:42And...
06:43And...
06:44No, I mean the guy we work with all these years
06:48and who keeps us permanently at the top.
06:52Am I right?
06:53Just, Mr. Argyris, you got perfect genes, don't you?
06:56Yes, I do.
06:57Are you got mail?
06:59Yes, I do.
07:01I don't remember now.
07:02Of course.
07:03You know my son?
07:03Which son?
07:05Mey.
07:06This one! Yes.
07:07Where is he from?
07:09Sir, from your computer.
07:11Yes, boy. I forgot I forgot.
07:13Excuse me.
07:26Should I help you?
07:28Huh?
07:29Should I help you?
07:30Yes.
07:32I'm going to read it to you.
07:38Good, my girl. I could have done this on my own.
07:42Go on, my child. I'm going to read it.
07:45What does it say?
07:52Julia!
07:53Come to the board of directors right now.
07:55At the reception.
07:56What is it, Mr. Aguirre?
07:58Go, my child. I'm telling you. Right now.
08:02Right now.
08:13Mr. Aguirre, what's going on?
08:16Are we closing?
08:17Oh, you're not well.
08:19Go, my girl. Why do you keep going? I'm not eating well.
08:22Well, I have to announce something unique, something exceptional.
08:25Something amazing, something extraordinary.
08:27Something that will make you deeply proud.
08:31I received an e-mail.
08:33Our Lola is one of the three finalists for the award of the Woman of the Year.
08:45I told you. She's going to get the medal.
08:48Long live Lola!
08:49Long live!
08:50Long live!
08:52Tell me how you did it.
08:54No. I know.
08:55The article you wrote.
08:57What did you write?
08:58Exactly what I wanted to hear.
09:01So, you're all invited to the cocktail party
09:04that will be held to announce the winner's nomination.
09:08Which, of course, will be none other than our Lola.
09:16My girl.
09:18You made me proud.
09:20To be honest, I feel proud as a father.
09:27Now, you can go home and rest.
09:30The rest of you, back to work.
09:32And pray for the gold.
09:41Lola, pray for the master.
10:15Dad?
10:17How did you get here?
10:19You walk like a ghost.
10:21Of course.
10:22I walk like a ghost.
10:23Because I feel proud as a father.
10:25You never told me I made you proud.
10:28No, my girl.
10:30You make me proud, too.
10:32But what Lola did will help the newspaper a lot.
10:35Why, dad?
10:36Will I help the newspaper?
10:38Of course, my girl.
10:39You help it, too.
10:40But with what Lola did,
10:42imagine the change we'll have in the profile of our readers.
10:45We'll say we'll get all the women.
10:47We'll say we're number one.
10:49We'll say we're number two.
10:50We'll say we're number one.
10:51You wanted to tell me something.
10:53Natalia?
10:54Natalia?
10:56What happened to her?
10:58She was jealous.
11:01The award.
11:02Lola must win the award.
11:05If she wins the award, our lives will change.
11:08So much?
11:09What do you think?
11:10She'll sit on our lap and give us orders.
11:12Forget about the newspaper.
11:14She'll turn it into a feminist magazine.
11:16In a little while, she'll put Mr. Red.
11:19Damn it.
11:21Grigori?
11:22What is this?
11:23It's not what you think.
11:25It's not what I think?
11:26Do I see Lola in your house?
11:28Are you out of your mind?
11:30Grigori?
11:31Are you taking Lola?
11:33What are you talking about, my girl?
11:35Who do you think I am?
11:36Who you are.
11:37Calm down, my girl.
11:38Calm down.
11:39This is war.
11:41What do you mean?
11:43Because Grigori will start a war between me and Lola,
11:47and I've done my part.
11:48I made a little mistake.
11:50Xanthia ruined it.
11:51How?
11:52And now I'm holding her destroyer in my hands.
11:56Giannis, come here.
11:57I'll kill you.
11:58Grigori?
11:59Tell me there's nothing going on with her.
12:01Oh, woman.
12:03Stuck in your head.
12:05I'm talking about a bomb with hundreds of tons
12:07that will equalize Europe.
12:08And you're telling me something else.
12:10If there's something going on with Lola,
12:12I'll equalize you.
12:13My girl.
12:15You're the only one I have eyes for in here.
12:20And from the outside?
12:21I said, you're the only one I have eyes for in here.
12:28I'll meet you tonight to analyze the whole plan of your exploitation.
12:33Let's meet, Grigori.
12:35Let's just swear there's nothing going on with you and Lola.
12:38I swear.
12:40Tell me now so you can make me.
12:42What color is the shirt you're wearing?
12:45And who told you I'm wearing it?
12:54I can't answer right now.
12:56Leave a message.
12:57Oh, phone call.
13:00Hi, it's Fotis.
13:03Look, it's something very serious about Lola,
13:06but I want to discuss it with you.
13:10Please pick up the phone as soon as you receive the message.
13:13I'll be waiting. Fotis.
13:26Excuse me.
13:28I've been on a lot of calls lately.
13:31I wasn't even a minister.
13:34I accept a lot of professional offers.
13:38But I'm going to close it.
13:40I consider you very interesting people,
13:43and I'm sure you have a lot of exciting things to tell me.
13:49I'm listening.
13:59Boutares!
14:01You're not saying anything.
14:03How did you manage to get her out?
14:05We're talking, you're the boss of the company.
14:07I'm not the boss.
14:09I'm just making strategic moves.
14:13Are you going to stop staring and focus on what I asked you to do?
14:16Let me see.
14:18Are you going to focus?
14:19Yes, I'm going to focus.
14:21So, are you going to do what I asked you to do?
14:23Yes, I'm going to do it.
14:25I don't know yet.
14:27I'm going to do it, but on one condition.
14:29Since when do you give orders to me?
14:32From now on, if you want me to help you.
14:34What do you want?
14:35I want hot underwear.
14:38Like the ones Lola wears.
14:41What are you going to do with them?
14:43Are you going to wear them?
14:45Let me tell you.
14:46I'm not obliged to tell you about my personal life.
14:49Okay, okay, I'll give them to you.
14:52Look, look.
14:53Oh, a life.
14:55A life in fantasy.
14:57Come on, go, go.
14:58You're a good singer.
15:00Come on, go, go.
15:03Let me tell you.
15:05Like I said.
15:06You give to get.
15:08Leave him alone.
15:11Hey, my boy.
15:12Hey, my Pasha, sit down.
15:14Hey, my Aga, sit down.
15:15Sit down.
15:17I called you here,
15:19because I know you're the only one
15:21who can help me with what I need.
15:24Of course.
15:26You always call me when you need something.
15:28Without further ado.
15:30I need something from what you throw in the drink
15:33and it makes you drunk.
15:34Let me tell you.
15:35I have nothing to do with drugs.
15:37Hold on, man, hold on.
15:38We haven't talked about drugs.
15:40One of those caps that they sell
15:42in the shops with the holes.
15:44One of those.
15:45What were the dirty bottles we found in school?
15:48A bottle that makes you talk.
15:52Look.
15:53I don't know about those things.
15:55But I imagine
15:57that someone from my family knows.
16:01I was sure
16:03that you have the right connections.
16:06And to have the right question,
16:08what are you going to drink this time?
16:10Come on, come on.
16:11You ask too many questions.
16:12You only execute.
16:13Get up.
16:14Sit down.
16:15Get up.
16:16Sit down.
16:17Get up.
16:18Sit down.
16:19Get up.
16:20Sit down.
16:21That's right.
16:22I want you to be a simple, effective,
16:24executive organ, okay?
16:26Go now, because you have a lot of work to do.
16:28Okay.
16:29But you should know that one day
16:31you're going to pay for all this.
16:33I'm recording and I'm in debt.
16:35Go get him.
16:42I am the god of hellfire
16:44and I bring you fire.
16:54Well,
16:55we wrote the text.
16:57We found the ideal man.
16:59We secured one of the three awards.
17:02And now we're going to the most difficult part of the track.
17:05What are we going to put?
17:08Come on, what?
17:21While Lola had passed
17:23to the last and most difficult stage of her mission,
17:26which was to choose the right clothes for the abomination,
17:29the factory of her sworn enemy,
17:31Dolio Grigori,
17:32was working at a fast pace.
17:34Yes, Stathakos.
17:35Something that you can put on your foot
17:37and make the other one go crazy.
17:39Let me tell you,
17:40don't kill anyone, okay?
17:41It's light.
17:42Come on, man.
17:43You know now,
17:44since you're going to fix it.
17:45Come on, nice.
17:46Yes, it's done.
17:47We'll talk later.
17:48Yes.
17:49Come on, bye.
17:50Did something stop you?
17:51You stopped me from dreaming of you.
17:53What's going to happen?
17:54When are the two of us going out?
17:55I don't know.
17:56I'm thinking about it.
17:57Okay, I asked you for a date,
17:58but I didn't ask you to go out in public.
18:00I said I don't know.
18:01Something on you,
18:02I wish I could resist.
18:03Tell me what it is,
18:04and I'll take it off.
18:05The trousers?
18:06My pants?
18:07Tell me.
18:08I'm throwing them all out.
18:09I don't like your clothes now.
18:10What kind of situation is this?
18:11Is it possible?
18:12The difference between the happy and the angry
18:15is very subtle.
18:17The difference between the I burn a man
18:19and the I exonerate him
18:21is not just subtle,
18:22it's disgusting.
18:23So,
18:25you have one last chance.
18:27Think about my offer,
18:28and answer me quickly.
18:31You're a very beautiful girl.
18:33It's a shame you lost me.
18:46So,
18:48tell me why we met here today.
18:52Charoula,
18:54we thought about it a lot,
18:57we discussed it,
18:59and we decided to make a new contract for you.
19:03More in line with your standards.
19:06Really?
19:07Really, really.
19:08George, really.
19:09So, listen.
19:10You'll get more money,
19:12and you'll have the opportunity to do the show you've always wanted.
19:16Real and extreme women's stories.
19:18Without women.
19:19But this show was the first two years ago.
19:22And you,
19:23you put it on the list.
19:25Good.
19:26Good.
19:27You put us in the first place.
19:29You deserve to do whatever show you want.
19:31Otherwise, it would be for our own good.
19:33Right?
19:34Right.
19:35Also,
19:36you're free to have absolute control.
19:38What do you mean, Dimitris?
19:40Without a playlist?
19:41We said it.
19:42Absolute control.
19:43And as extreme as the story is,
19:44can I put it on air?
19:45I'm telling you,
19:46you're absolutely free.
19:47Without any absolute control from us.
19:52So,
19:54we're waiting for your answer.
19:58Well,
19:59maybe I'm a professional.
20:03I need to think about it.
20:17A FEW HOURS EARLIER
20:20Fotis wanted to inform Lola about her opponent's plans,
20:23but she didn't want to bother her.
20:25So,
20:26she tried to find her best friend.
20:28But then...
20:30Another caller? Again?
20:33I can't answer right now.
20:35Leave a message.
20:38Hey,
20:39it's Fotis again.
20:40I left you a message a while ago.
20:42It's something very serious and urgent.
20:45Please,
20:46pick up the phone.
20:47Fotis.
20:53Being an independent woman
20:54and passionate about your job
20:56is sometimes very dangerous.
20:58But if you don't take risks in life,
21:00you don't go any further.
21:02And when I thought
21:03that all these negotiations
21:05wouldn't go well,
21:07I ended up going to heaven.
21:09Amen.
21:12All I could ask for
21:14was this contract.
21:16Of course,
21:17the money could be more,
21:19but for me,
21:20my priority was my freedom.
21:23To be able to create as I dream.
21:26And this contract
21:28ensured this freedom for me.
21:32Do you have a pen?
21:42At that moment,
21:43I realized that a detail was missing,
21:46and it was very important.
21:49I had to clarify this detail right away.
21:53Wait a minute.
21:55There's something else.
21:56What?
21:58Stefanos has to be a part of this project.
22:01If he's not,
22:02I won't sign.
22:03Okay, okay.
22:04Make a proposal.
22:05And raise his salary.
22:08Okay, I'll fix it.
22:16It was my pleasure
22:17to negotiate with you.
22:22Now, excuse me.
22:23I have to go,
22:24because I have other jobs waiting for me.
22:33Go now.
22:35Go.
22:46What's going on?
22:47Where are we going?
22:48We're not going.
22:49We're stuck.
22:50Why?
22:51Let me tell you.
22:52You have something against me.
22:54It's not your idea.
22:55I have a dilemma.
22:56Tell me.
22:57Tell me!
22:58I'm good at dilemmas.
23:00Nikos.
23:01I knew it!
23:02Tell me now,
23:03how did I know
23:04this was going to happen?
23:06You asked me to go for a drink.
23:08Perfect.
23:09Perfect.
23:10What's the dilemma?
23:11I don't know what to do.
23:12Should I go or not?
23:13Of course you should go.
23:14Of course you should go.
23:16You think so?
23:17Of course.
23:18What do you have to lose?
23:20My dignity, maybe?
23:32So, baby,
23:33how are you going to get rid of Lola?
23:36It's very simple.
23:37I'm going to make sure the photos I took
23:39are in the right hands tonight.
23:41What do you think?
23:42You're very smart,
23:43but that's why I like you.
23:54Let's go.
23:55Why?
23:56We're fine here.
23:57Grigori,
23:58we said we'd meet tonight.
24:00Okay, we're here.
24:01What's taking so long?
24:02We didn't mean to meet for a drink.
24:04We meant to meet normally.
24:07What are you doing, baby?
24:08Do you know her?
24:09No, but I want to meet her.
24:11You were just telling me
24:13that you don't have eyes
24:14for any other girl besides me.
24:16You probably didn't get it.
24:17I told you I was talking to you
24:19in the office.
24:20There's a big crowd outside.
24:23You're a big liar.
24:25But that's why I like you.
24:27Now, excuse me.
24:29I'm going to find the boys' circle.
24:44Grigori did the wrong move.
24:46He thought Vicky was a loyal dog
24:48that would give her any bone
24:50to wag its tail.
24:52With his last foul,
24:54he turned the dog into a dog.
24:58Fine.
25:11I knew I'd find you here.
25:13You're always the last one
25:14to leave the ship.
25:15Vicky, I'm sorry,
25:16but I have to solve
25:17a very serious problem.
25:19If you forgive me,
25:20I'll give you
25:21another problem.
25:23Your friend Lola
25:24is in danger of Grigori.
25:26Come on, seriously.
25:28Tell us something new.
25:30I don't get it.
25:31What do you know?
25:32Everything.
25:33About the scam,
25:34about the trap,
25:35about the emotional photos.
25:37Look at the light.
25:39He knows everything.
25:41I thought he was a UFO.
25:42Sometimes,
25:43the phenomena are wrong.
25:45It's good to be afraid
25:46of the small things.
25:48I also know
25:49that you're obsessed
25:51with Grigori's loyal organ.
25:53That's in the past.
25:55And since Grigori
25:56can't control
25:57his own organ,
25:58I'll stop him.
26:00So, my bad guy...
26:02Who?
26:03My bad guy,
26:04how should I put it?
26:05My good guy,
26:06is planning something
26:07for tomorrow night.
26:08If you want me
26:09on your side,
26:10we can help
26:11him fall into the pit
26:12he's digging.
26:13Are you in?
26:17What do you mean,
26:18I'm not in?
26:19Tell me
26:20how we're going to proceed.
26:21Come on.
26:22I'll go first
26:24and I'll let you know.
26:25Keep walking, Vicky.
26:27I have faith
26:28in your satanic mind.
26:32Foti.
26:33Yes?
26:34You know what?
26:35We women
26:36make mistakes.
26:38We're jealous
26:39of the cleanliness.
26:40And then we complain
26:41that all men
26:42are pigs.
26:43In the end,
26:44maybe the lambs
26:45are more jealous
26:46than the pigs.
26:47I'm sorry,
26:48but we're going to start
26:49a discussion
26:50about the animal kingdom.
26:51We don't have time
26:52for such things.
26:53The way I see you,
26:54I feel the need
26:55to get to know you better.
26:57Now?
26:58Let's leave it for later,
26:59when all this is over.
27:00Fine.
27:01When all this is over,
27:03let's go to my table
27:04one night
27:05and I'll make you a bed.
27:06You know.
27:07I know.
27:28In the end,
27:29the negotiation
27:30went much better
27:31than I expected.
27:32Yes.
27:33I congratulate you,
27:34my girl.
27:35How long did you wait
27:36I remember reading the proposal when Leonidas was still sleeping.
27:40Is Stefan with him?
27:42Of course Stefan is in there. It's his idea.
27:45I'll call him and tell him to be happy.
27:48I'll see who else took me because he didn't stop calling me.
27:52Anyway, I didn't call you. Today I gave you my phone for free.
27:56But where is my phone?
28:00You're going to do the show I've always dreamed of.
28:03I'm going to be awarded as a feminist.
28:07No way.
28:09Why not?
28:10I lost my phone.
28:12I have all my phones in there. How am I going to find them?
28:15Don't be like that. You lost your phone.
28:18No way. I remember very well that I didn't take it out.
28:21I'm going to look in my pockets.
28:23Call the coffee shop. Maybe they found it.
28:26Or call the company and file a complaint.
28:29By the way, how long are you going to play the violin?
28:33As long as I want to. I'm dancing today.
28:36Go to sleep now.
28:47Leonidas, my boy.
28:49Tomorrow at this time your symbols will be awarded
28:52to the unbeatable fight for the equality of women.
28:55Where are you, my boy?
29:00That's it.
29:02Perfect.
29:04Excellent.
29:05Pano, Pano.
29:06I want to take out some of the flat ones.
29:08Yes, yes.
29:09I'll cover your face.
29:11That's it. I like it when you cooperate.
29:14Pano.
29:15Yes?
29:16I didn't think you'd upload these to the internet.
29:18What are you talking about, my boy?
29:19These are not for public use.
29:20These are only for private use.
29:22So I can see you and light up.
29:26And Pano.
29:27Will you let me take some pictures of you later?
29:30You'll take pictures of me,
29:32you'll take pictures of my clothes,
29:34you'll take pictures of my eyes, whatever you like.
29:37And I'll tell you, we'll take pictures together
29:40in hot, hot photos.
29:42My boy, my boy, whatever you want.
29:45I'll light up.
29:46I'll become a holocaust.
29:51Sorry, I have a message.
29:57I'll light up.
30:13I'm out of pictures.
30:14What?
30:15I'm out of pictures.
30:16But I didn't have time to take pictures of you
30:19and take pictures of us together.
30:21You can take pictures of me another time.
30:23Pano, you seem suspicious to me.
30:25I'll take pictures of you and you can sell them.
30:28What are you talking about?
30:29I can't sell them.
30:30And who's going to buy them?
30:32Anyway, let's get to work.
30:36Pano.
30:44In an hour, the award ceremony of the
30:46Pan-European Union of Feminist Journalists
30:48will begin.
30:49With the main nominee, the director of MISTER.
30:52In an hour.
30:53In an hour.
30:54Amantia.
30:55Amantia.
30:56Stop it, Argyris.
30:57In an hour and in an hour.
30:58Can't you see?
30:59I'm not ready yet.
31:00I can't make it.
31:01I'm still wearing my dress.
31:02And I'm wearing my dress.
31:03I'm going to put on my suit and I'm ready.
31:04Yes, yes, yes, yes, yes, yes.
31:05But you, your dress doesn't give you much room.
31:07A suit and out of the door.
31:09I mean, I have a problem.
31:14What do you mean, my child?
31:15I'll try everything.
31:17Yes.
31:18Yes, I'll try everything.
31:19And I want your opinion.
31:20I don't know how to react.
31:22How should I react?
31:23Should I react cocktail or grande?
31:25Should I say something casual chic or minimal chic?
31:29What do you wear to go to the Feminist Journalists?
31:31I don't know, Elvira.
31:32I just do what I want.
31:33I wear whatever I want.
31:34And if I'm considered overdressed?
31:36Over what?
31:37Overdressed.
31:38You?
31:39What are you saying, my child?
31:40No way.
31:41Look.
31:42Argyris.
31:45Look, now that I see it,
31:46what would you say about something simpler?
31:49So that's why you're driving me crazy.
31:51Me?
31:52Yes.
31:53First you tell me to wear whatever I want.
31:54And then you tell me to wear something simpler.
31:55Have you made up your mind?
31:56I haven't made up my mind, Elvira.
31:57We're the owners of the magazine.
31:59Shouldn't this be visible at our entrance?
32:01What do you want?
32:02For me to wear a suit and get confused with the big shots?
32:06Fine.
32:07I'm going inside to undress.
32:08What?
32:09And you're going to help me?
32:10Are you going to abandon me at this difficult moment?
32:13What do you mean, Elvira?
32:14I don't know where I stand.
32:15You don't care about me.
32:17You don't care.
32:18And don't call me Elvira.
32:20Hypocrite.
32:22My dear, my dear, I'm begging you.
32:24No, no, no, no, no, no, no!
32:26Not my hair!
32:27I just combed them and I put on the roots for the roots.
32:30Your dirty hands, you will...
32:32you will change them.
32:34I can touch them.
32:38Ready?
32:39And I don't cut anything, do I?
32:41Yes, and my way to the dress.
32:43Oh, my love, my love.
32:45You will save me.
32:47You will save me.
32:48Tell me what to wear.
32:49Your dad says that the party is not for feminists.
32:53What other clothes should I wear?
32:55Those with the Vassi Bekoltes, the turtlenecks and the mohawk.
33:00Not the mohawk, Manila.
33:01Mom?
33:06This is amazing!
33:08Yes, yes.
33:09Wow!
33:10Let's go to the bathroom to help me put it on and take off my pants.
33:19The Vassi Bekoltes
33:29Hey, man!
33:30How are you?
33:32Did you make it?
33:34Great!
33:35So you're coming?
33:36Well done, man!
33:37Perfect, perfect!
33:39I can't miss my main collaborator on a night like this.
33:43I'll see you there.
33:45Of course, we'll all come.
33:47See you.
34:00Who was on the phone?
34:01It was Teo.
34:03He made it. He'll come too.
34:05Mom, look at this nice bag.
34:07Yes, I want it, I want it.
34:08Are you ready?
34:09Great, it's time.
34:10Let's go.
34:11I'm going to do my hair.
34:15What's wrong?
34:16What's wrong, son?
34:17Can't you see I'm holding my head?
34:19My head is aching again.
34:21What are you saying, son? Now?
34:23Now, now, now.
34:24Why is it aching now?
34:262, 3, 4, 5, 6, 7, 8 hours.
34:28I know, it's aching.
34:30Son, what should I do now?
34:32Help me get up.
34:36Natalia, please help me put it on.
34:38And you, take off my shoes.
34:40My shoes.
34:43What's wrong?
34:44Damn, it's aching now.
34:48There are people who are 66 years old.
34:50I'm not going to do this.
34:56Slave woman.
34:57The ideal two-year-old woman.
34:59Signed, Grigoris Exarchos.
35:02Did you see how I found it?
35:04Feminism has managed to raise women high
35:07and male pity very low.
35:10The recent movement
35:12that is based on desperate women
35:14because of their inability
35:16to attract the male sex
35:18must immediately be thrown out of the Acropolis.
35:24You're a big boy.
35:25You're a big boy.
35:26If this article falls into the hands
35:28of the feminists who will tonight
35:30celebrate Lola,
35:31the one who will be thrown out of the Acropolis
35:33will be Grigoris.
35:34And they won't just throw him out,
35:36I'll be with them too.
35:37Vicky, bravo, bravo.
35:38Let me tell you,
35:39how many women like that are left?
35:41They should eat chickens
35:42and there will be plenty of them tonight
35:44at the reception.
35:45Great, great.
35:46Listen to what's going to happen.
35:48Collect all the articles,
35:49put them in a bag
35:50and bring them here to me.
35:52Hurry up, we have to leave in a bit.
35:54Let me tell you,
35:56what are you going to do tonight
35:57at the reception?
35:58Huh?
35:59I mean, that drink we were talking about.
36:01Why don't we drink it today?
36:02At Vrasikola.
36:03That's the idea.
36:04Let me tell you, Vicky,
36:05calm down, okay?
36:06You're too aggressive.
36:07Okay, if you think about it,
36:09I'm the last man
36:10who will ever care about you.
36:12Yes, yes, that's what I said
36:13a while ago too,
36:14but now,
36:15I see you differently.
36:16In the end,
36:17I was very wrong with you.
36:19Listen to me.
36:20Take a deep breath.
36:25Think about it again, okay?
36:30Listen to me carefully.
36:32What you want
36:33is not me.
36:34What you want
36:35is to take revenge
36:36on Grigori, okay?
36:37And...
36:38It's a shame
36:40for a kiss
36:42to destroy
36:43a beautiful relationship
36:44that we have
36:45and...
36:46and a kiss
36:47that's about to start now.
36:49It's about to start now.
36:50Let me tell you, Vicky,
36:51I have to go to the bathroom.
36:53Now.
36:57What keeps me from leaving
37:00gives me even more.
37:03What happened, woman,
37:04to the good-for-nothings?
37:06It's okay, my baby.
37:08The two of us
37:09will talk at some point.
37:18It's good,
37:20but this Fustantino
37:21has never brought me a boy.
37:23He has the boy's ex-boyfriend.
37:26But I don't like him.
37:30He cut me off in the periphery.
37:31Panos has never seen him.
37:33And I've been with him for years.
37:35Maybe the boy
37:36has changed.
37:39What should I do?
37:42I'll risk it.
37:54Who is it?
37:55Panos.
37:56How are you?
37:58I'm fine.
37:59I'm fine.
38:00How are you?
38:01Fine.
38:02I'm fine, too.
38:03You know, I'm getting ready
38:04for the big day.
38:06And you?
38:09We agreed.
38:10Okay, I'm fine, too.
38:13What are you going to wear?
38:14Do you want some advice?
38:17No, baby.
38:18The way you look at me now,
38:20I'm not in the mood.
38:21Otherwise, you'd be naked.
38:23Yes.
38:25I was saying,
38:26because of my style,
38:27maybe...
38:28Okay.
38:29If you need anything,
38:30I'll get it for you.
38:33Let me tell you,
38:34I was thinking,
38:37instead of going alone,
38:39shouldn't we meet
38:40and go together?
38:43Basically,
38:45I'm not going alone.
38:47Ah.
38:49I've...
38:51I've arranged to go with Grigori.
38:53Ah.
38:54Great.
38:55Then,
38:56you want to arrange
38:57for us to meet
38:58outside
38:59and go inside together?
39:02Baby, it's going to be...
39:04It's going to be crazy in there.
39:06I'd rather stay.
39:08Yes,
39:09that's right.
39:10That's right.
39:11What are we looking for in there?
39:13Let's leave it up to chance.
39:15And...
39:16we'll meet
39:18there.
39:19If we can make it.
39:21Okay.
39:22Bye.
39:27Ah.
39:31I'll get it out
39:32right now.
39:34In my wish.
39:36Make a wish.
39:54Where are you?
39:55Where are you?
39:56I've been waiting for you
39:57for an hour now.
39:58I had a mission,
39:59boss.
40:01And you fulfilled it.
40:04Here I have you.
40:06Oops, I have to go.
40:07From now on,
40:08you do everything by yourself.
40:09Oh, oh, oh,
40:10beauties.
40:12This is how I want to look
40:13when we go out for a walk.
40:14We haven't seen him yet,
40:15John.
40:16Should we get him out?
40:17Nikos.
40:18Funny.
40:26Like I told you.
40:28And make sure you don't do
40:29anything stupid,
40:30or I'll kick your ass.
40:31Don't be afraid.
40:32I'm a cat.
40:36Come on, I'm a cat
40:37because I have a job.
40:38Vicky.
40:39My Vicky.
40:42I missed you.
40:43Come on.
40:44Don't tell me.
40:45No, no.
40:46I'll tell you when exactly.
40:48When you have her
40:49at four o'clock, huh?
40:50What, my love?
40:52What?
40:54I don't think
40:55I know what it is.
40:56I don't think
40:57because I don't care at all.
40:59Besides,
41:00I have much more serious
41:01and more interesting
41:02things to do,
41:03Grigori.
41:04I'm sorry.
41:07Oh, my.
41:10God is the most interesting
41:11and most serious thing,
41:12don't forget.
41:21Lola.
41:23We wish you
41:24the first reading
41:25of the piece you wrote.
41:28It touched our hearts.
41:30It did?
41:31Yes.
41:32This is a very important note
41:33for us,
41:34because we can't afford it.
41:35Very good.
41:36What did she say?
41:38It's very important
41:39for all of us
41:40tonight.
41:41And she wished you
41:42good luck.
41:44It's very important
41:45for me too.
41:47I wish you all the best.
41:52Lola.
41:53Oh, my.
41:55I expect a lot from you.
41:58Hold on tight.
42:02I've decided.
42:03What?
42:04We're going out
42:05for a drink.
42:06Really?
42:07Perfect.
42:08We're going out
42:09for a simple drink.
42:10Don't even dream about it.
42:12Come on.
42:23Poor girl.
42:25Laugh now,
42:26because then
42:27you'll stop laughing.
42:31Hey, kid.
42:32Where have you been?
42:33Leave me alone.
42:34I was taking out
42:35my underwear.
42:36I didn't have anything
42:37to put on.
42:38I'm starving.
42:39I'm starving.
42:40You're such a pain
42:41in the ass.
42:42You're losing men.
42:43Come on, let's go.
42:45We're lost, Teo.
42:46When will you find
42:47some time
42:48to talk to us
42:49in private?
42:50I'm afraid
42:51I'm running out of time.
42:52So am I.
42:54Things, you know,
42:55don't move
42:56at the right time.
42:57Let's go to other cities,
42:58Vickaki.
43:02No one will find
43:03your old man.
43:04Ladies and gentlemen,
43:06it's time.
43:07Please,
43:08all of you
43:09come to the next room
43:10to congratulate
43:11the winners.
43:12Please,
43:13come in.
43:16Come on,
43:17please,
43:18quickly.
43:25Accept
43:26your last gift.
43:30It's nothing.
43:31Cheer up,
43:32Leonida,
43:33my girl.
43:34It's nothing.
43:35Don't worry.
43:36You pulled it off.
43:39You pulled it off.
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