- 9 months ago
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TVTranscript
00:00Tell me exactly what I have to do.
00:02Take care of the little monster.
00:04I want to see her father.
00:06Natalia, what are you saying? What do I know about kids?
00:08How does it look to you to go to see ballet?
00:11You and me?
00:13No, no, no. You will go with other kids.
00:15You will have a great time.
00:17A friend of Natalia is organizing it.
00:19Why are we going to the squares? Aren't we going to the ballet?
00:21No.
00:22He got sick before the ballet and the performance was delayed.
00:24But we will go somewhere much better.
00:26To the shopping mall.
00:28Come on.
00:33Tanay.
00:35Alexandre.
00:39Excuse me.
00:41Have you seen a girl around seven years old with long blonde hair?
00:44She just left.
00:46Oh my God.
00:49Melina.
00:51Melina, where are you?
00:53I secretly heard Grigori and Vicky colluding against you.
00:57Things are bad.
01:01I'm glad to see you, Elvira.
01:03More beautiful than ever.
01:05Oh my God.
01:07I can't believe I see you here.
01:09How long has it been?
01:11Surely more than 20 years.
01:13It's tragic.
01:15You don't say anything tragic.
01:17Let's not talk about numbers.
01:19It's not polite to remind the defendant how many years have passed.
01:22Because he automatically calculates how many years he has left.
01:25Excuse me, who is the defendant?
01:27Me, you, all of us.
01:29Aren't we all born defendants of death?
01:56Always poetic.
01:58As I remembered you and as I always hoped to find you again.
02:02Did you just hope or did you work for it?
02:05Because I remember you too.
02:07Not exactly poetic, but methodical.
02:10Well done, though.
02:12You haven't changed at all.
02:14Between almost and not at all, that is, an absence.
02:17And you.
02:19Hasn't time passed by?
02:21Time, no.
02:24Better than ever.
02:26Like old wine.
02:28The older it is, the more beautiful it becomes.
02:30Like the violas of Stradivarius.
02:32Only a little heavier in color.
02:37But you have always been very polite with me.
02:40Do you work for MISTR?
02:42Not exactly. I represent a legal investor.
02:45And you?
02:47Are you always very married?
02:49Very.
02:50Very married and very happy, of course.
02:55Mr. Teo, I was looking for you.
02:57I brought you the last sponsors of the year.
03:01I'm sorry.
03:03I will bother you at some other time.
03:06I suppose we will meet again.
03:09Of course we will meet again.
03:12I have to go.
03:21See you later.
03:23See you later.
03:42Julia, I brought the documents I asked you for.
03:45I see.
03:47I have them here.
03:51Perfect.
03:52Did anyone see my wife?
03:54She said she was going for a coffee.
03:56I'm sorry.
03:57Julia gave me the information about the last sponsors.
03:59If you want, we can have dinner together and discuss the matter.
04:02Of course.
04:03Perfect.
04:04Perfect.
04:05Julia, did you see Elvira?
04:07She left a while ago.
04:09She left?
04:10What will she say?
04:11Alone?
04:12They made a big fuss here.
04:14They went to buy a new suit, a new tie.
04:16And now she's gone.
04:18It's nothing.
04:19It was a pleasure.
04:22Mr. Argyris.
04:23What?
04:25What is it, my child?
04:27Nothing.
04:28It's called Feng Shui.
04:30Chop...
04:31Chop Shui.
04:32It's the...
04:34The Chinese eat the wood.
04:36I had a hangover.
04:37Come on, Julia.
04:38Don't be silly.
04:39Anyway, we made better Olympians than the Cypriots.
04:43What? You don't believe me?
04:44No, I believe you.
04:45I told you.
04:49The next day
04:59Come on, dad.
05:05She's been here for a long time.
05:06She disappeared on purpose, to accuse me.
05:09But I won't sit and do nothing.
05:11I'm not responsible for her stupidity.
05:14Fotis had just tried the medicine.
05:17And although he was trying to avoid it,
05:19Natalia insisted on taking the whole menu,
05:21including the supplement,
05:23and a cigarette afterwards.
05:26Do you want a drink?
05:33Are you hungry?
05:34Do you want me to prepare something for you?
05:35No, I'm fine.
05:39Anyway, if you're hungry,
05:41I don't mind preparing something for you.
05:43I'm fine.
05:44I don't want anything else.
05:47The next day
05:51Can you pick up your phone?
05:53Yes, I didn't hear it.
05:55I'm very tired.
05:59Pick it up.
06:00Maybe they want something serious from you.
06:02Yes, I'm going.
06:13Yes.
06:14It's me.
06:15What is it? What do you want?
06:17Come to the shopping mall immediately.
06:19The old man who was here has disappeared.
06:21What?
06:22What do you mean?
06:23What happened? Who is it?
06:26Okay, let's start from the beginning.
06:29You came here and you told me
06:31that Vicky and Grigori want to trap me.
06:34Is that clear?
06:36Yes.
06:37They want to destroy you.
06:40But you don't know what they're planning, do you?
06:43Yes.
06:44Anyway, what I know
06:46is that it has to do with some paper.
06:48With some documents.
06:50Documents?
06:51Yes, my child, I told you.
06:52I heard them talking twice.
06:54One in the office and one in the bar.
06:56Do you know anything?
06:57Don't you think of anything?
06:58No, no, of course not.
07:00I have no idea what they're planning.
07:02Look, I wanted to tell you to be careful.
07:04From now on, I have no proof
07:06and I don't know what they're going to do.
07:09What?
07:10What are you telling me now?
07:11I'm telling you that she disappeared.
07:13She left my hand and now I can't find her anywhere.
07:15She can't.
07:16Tell me that you're not telling me the truth.
07:18She's gone, do you understand?
07:19What else can I tell you?
07:20She's gone.
07:21I'll go to the information desk
07:22and see if someone can help me.
07:24No, don't go anywhere.
07:26Stay where you are.
07:27Come, come.
07:30Agalia?
07:32What happened?
07:33You seem upset.
07:34Yes.
07:36No, it's nothing.
07:38We'll fix it.
07:39Soon.
07:40They'll fix it.
07:41Please, tell me what happened.
07:43They called me
07:45to tell me that my mother is sick
07:48and I have to go there right now.
07:50Come, I'll come too.
07:52No, Fotis, I have to do this myself.
07:54Please, let me come.
07:55I said no.
07:57No, Fotis, no.
07:58I'll call you later.
08:11The truth is
08:13that I still don't know
08:15if I did the right thing
08:17to come here.
08:19I should have told you, shouldn't I?
08:21You did the right thing.
08:40I love you.
08:54Hey!
08:55What's he saying?
08:59I'm telling you the truth.
09:01I did it from 10 p.m. to 10 a.m.
09:04Stop whining.
09:05Do you have witnesses?
09:06Someone who saw you
09:07and told us everything.
09:10Wait a minute.
09:12Why do you need a witness, Nikolakis?
09:14He's just a kid.
09:15But I don't need them.
09:16I get them because I like them.
09:18Don't be silly.
09:20There's nothing better
09:22than going late
09:24and enjoying the moment.
09:26Like a gourmet chef
09:28of French cuisine
09:29with five Michelin stars.
09:31I enjoyed it anyway.
09:33I'm still enjoying it.
09:35I don't get it.
09:37Is the new generation
09:38that popular?
09:40Does the new generation
09:41have any problems?
09:44None at all.
09:48Good.
09:49You're all the same.
09:53Try it.
09:54You'll like it.
09:55And since I'm a good man,
09:56I'll put it in a bottle
09:57so you can't see it.
09:59Here you go.
10:00No, thank you.
10:01You don't have to.
10:03I've fallen in love
10:04with Viagra.
10:05I don't need a pill.
10:07I prefer the old-fashioned way
10:09of late enjoyment.
10:11Good.
10:12Panos?
10:13Me?
10:14Do I need it?
10:15Are you kidding me?
10:16I'm a sex machine.
10:17I'm a sex machine.
10:19I move.
10:20Try it.
10:21It's strange.
10:22And if you use it,
10:23then tell me what happened.
10:24But be careful.
10:26Because that's how it all starts.
10:28And then you end up in Ithaca.
10:30And you know.
10:31As if you're on your way to Ithaca.
10:34I wish you were on your way.
10:38We'll see.
10:49What a laugh we're going to make.
10:59Good night.
11:00We're leaving.
11:02Good night, girls.
11:08Eugenia, I'm leaving.
11:09I sent you an email with the changes for the article.
11:11I'm finishing it now.
11:13Perfect.
11:14See you tomorrow.
11:15Good night.
11:16Good night.
11:32I'll look at it.
11:33I'll look at it.
11:34I'll look at it.
11:35I know.
11:36I know.
11:42Can I?
11:43Yes.
11:44Yes.
12:02I will not give you any advice, I will just tell you my opinion.
12:17I believe that you should start claiming without being afraid.
12:21If you do not consider yourself worthy of winning, why should others?
12:26Thank you very much for sharing your story with us.
12:29They are the creatures of the night with the joy of Alice in Wonderland.
12:32We will be back soon with a story of yours that you will share with us.
12:50Yes?
12:51Hara, I need to talk to you.
12:53What is it? You did not hear me well.
12:55Yes, I am not.
12:57A while ago, a gentleman came here.
13:00Who is the gentleman?
13:02Come on, the gentleman.
13:04The fashion designer that we work with in the company.
13:08He came here and told me that Grigoris and Vicky are planning something behind my back.
13:14Yes? What did he tell you?
13:17I do not know, he did not tell me much to tell you the truth.
13:20He just said that he heard me mention my name and that they are definitely planning something.
13:26Stefanos, our sweet speaker, brought out our next patient.
13:32Thank you very much, Stefan.
13:35We have with us the patient Lola.
13:39Lila.
13:40She called us a few minutes ago to tell us about a problem she has in her work with her colleagues.
13:47Tell us, Lila, we are listening to you.
13:50Yes, because from what I heard...
13:53Electra.
13:54Who?
13:55Electra. Who was the sister of Electra that her father sacrificed her?
14:00Ah, I got it.
14:03Keep it well, do not let it go.
14:06So you were telling me that this Electra told you...
14:09About...
14:11Ah, about the fortune teller and Aegis.
14:14Indeed.
14:15And how do you trust this Electra?
14:18How do you know that she is telling you the truth?
14:20Yes, I trust her, I mean, I trust her.
14:23But to tell you the truth, I did not understand very well what they were planning.
14:27Yes?
14:28Definitely what they are planning about me.
14:31Are you sure that this Electra was not sent by Aegis to your house?
14:37Why would Aegis do that?
14:40And then Electra seemed honest.
14:43Unless Aegis and the fortune teller were playing that they were planning something to make her come and talk to you.
14:52I have to be very careful.
14:54Yes, yes, yes, you have to be very careful.
14:56Keep your cool and keep your eyes open at night and in the morning,
15:00because in front of you there is always a threat.
15:03And look, do not be stuck in there, you fool.
15:08Come on, I'm listening to you, laugh now, what exactly did she tell you?
15:17Come on, I'm here, where are you?
15:19What are you doing?
15:26What are you doing?
15:36But you are so stupid, how could you lose her?
15:39It's not my fault, my little Anatolia.
15:41She was holding my hand, she started running, then I lost her, I lost her.
15:45What can I do?
15:46Let her cry now, because we have to find her.
15:48We have to notify the security of the center.
15:50Let her cry, let her shout.
15:52My child, I don't want any trouble, do you understand?
15:54Okay.
15:55So, I'm going to concentrate.
15:57Listen to what we're going to do.
15:58You're going to look for all the stores on this floor and I'm going to the second floor.
16:01We'll meet with the mobile phones, okay?
16:04Okay.
16:05Okay.
16:17So, I'm leaving, do you need anything?
16:20No, I don't need you, you can leave with anything.
16:28Eugenia!
16:29I scared you.
16:31Did Julia tell you that we need Arthur until tomorrow morning?
16:34Did she tell you?
16:35Of course she told me.
16:36That's what I'm doing.
16:37I'm preparing it and I'm going to send it to you by e-mail.
16:42Did you say something?
16:43Yes.
16:46Hello, Doris.
16:47Hello, Vicky.
16:48Another little Anatolia that we have to take care of.
16:50I'm leaving, good night, sweeties.
16:53Bye.
16:55Bye.
17:02I'm hanging up.
17:03I'm hanging up.
17:06The end.
17:07The end.
17:29No, no, no, no.
17:31What?
17:32What are you doing?
17:33Pano.
17:35Pano.
17:36What?
17:37Don't you like it?
17:38How can I not like it?
17:39I like it very much, but a little bit with fright, with surprise.
17:42And you haven't seen anything yet?
17:44Today is a holiday.
17:45Pano, down.
17:46Up, down, right, left, wherever you want.
17:48No, Pano.
17:49No, here, here.
17:50There.
18:04Did you see a girl?
18:05She's blonde, beautiful, eight years old.
18:08I'm sorry, I didn't tell you.
18:09Did you see a girl?
18:10She's blonde, beautiful, eight years old.
18:12Did you see her?
18:13Do you want us to look for her together?
18:14It's better that we look for her together.
18:16Get up, please.
18:19What happened?
18:20It can't be like this, my little Anatolia.
18:23More and more people come in every minute.
18:25And no one knows anything.
18:27Where did this scoundrel go?
18:29Scoundrel.
18:30Scoundrel.
18:31Where did this scoundrel go?
18:32Scoundrel.
18:33Why hasn't her father come?
18:35Doesn't he know that she's missing?
18:37Not yet.
18:38But he's very serious.
18:39You didn't tell him.
18:40Get up.
18:41Get up.
18:50Come, Anatolia, how are you?
18:51How are things?
18:52Not very well.
18:53Not well?
18:54Can I do something to help?
18:57Where are you?
18:58I hear a lot of noise.
18:59Fotis.
19:00I lied to you.
19:01About what?
19:02I'm at the shopping mall with Danae.
19:04Melina is missing.
19:05We can't find her anywhere.
19:08Really?
19:09If anything happens to my daughter,
19:12I'll die.
19:14I have nothing else in life.
19:25Here we are again with the acrobat Lila.
19:28Tell us what you were telling us, Lila.
19:29I was saying, Lila, that I'm not doing well at work.
19:32Big problems.
19:34And that I behaved like a fool,
19:35because I started flirting with Egisto again.
19:38Yes, the truth is that this was a mistake.
19:41The only one who can help me is Theofanis.
19:45Who?
19:47Who celebrates Theofania?
19:51Fani, Fanis, Fotini, Fotis.
19:56Yes, go on.
19:57Yes, go on.
19:58Yes, I was saying,
19:59since I flirted with Egisto again,
20:03my relationship with Theofanis started to get worse.
20:07And he was the only one who supported me.
20:10What am I going to do now?
20:11Never be sad about something that is being fixed.
20:14Call him.
20:15Do you think he will listen to me?
20:17Yes, yes, yes.
20:18I feel that he is a very good person.
20:21Call him and tell him everything.
20:23And because we have many acrobats
20:25who are waiting to take to the air,
20:27I will leave you now, my dear,
20:28to take this call.
20:30And as the poet says,
20:32I just called to say I love you.
20:35Yes.
20:54Yes.
20:55Foti, it's Lola.
20:56I wanted to call you for many days.
20:58Forgive me, Lola.
21:00Right now I have a very big problem.
21:02What happened?
21:03Melina fell in a shopping mall.
21:04What?
21:05When?
21:06How did this happen?
21:07I'm going there now.
21:08Tell me who I can call to help.
21:09Thank you very much.
21:10If I need help, I will notify you.
21:12Are you at home?
21:13Yes.
21:14Good.
21:15Stay there.
21:16Don't let her get away from you.
21:17I will keep you updated.
21:26Why are you crying, baby?
21:27Where are your mom and dad?
21:29My dad is at home.
21:31And your mom?
21:33How did you get here?
21:34Are you alone?
21:35With a girl.
21:37Is she your friend?
21:38No.
21:39And where is she now?
21:40Does she work here?
21:42Did she take something?
21:44I don't know.
21:45What are we going to do?
21:46I don't know.
21:47Don't be afraid.
21:48Do you want us to go?
21:50Let's go to my dad.
21:52Please.
21:53Okay, don't be afraid.
21:54We will go to your dad.
21:55Now give me your hand.
21:56Give me your hand.
22:03Is it so hard for you to take a kid for a hamburger or ice cream?
22:07She didn't want a hamburger or ice cream.
22:10She is a very strange girl.
22:12Don't justify yourself, Danae.
22:13Don't justify yourself.
22:14Where is she?
22:15Where did she go?
22:19What happened?
22:20Are you here?
22:21I have been everywhere to find you.
22:22Did you find her?
22:23Not yet.
22:24We have been to the mall five times.
22:26Are you the teacher who will take her to the ballet?
22:29Yes.
22:30Yes.
22:31And the ballet teacher who organizes the children's shows.
22:34What happened?
22:35Did you ask the other students?
22:36Did anyone see her?
22:37What other kids?
22:38You won't believe it, Foti.
22:39What happened today.
22:40Especially today,
22:41no other kid came.
22:42It was just Melina.
22:43And she was in the ballet.
22:45I am sorry,
22:46to understand,
22:47you were by yourself with her and you lost her.
22:49I didn't lose her.
22:50She was missing.
22:51I will go crazy.
22:52I believe it.
22:53I will go crazy.
22:54Don't worry, Foti.
22:55Don't worry.
22:56If something happens, I will go crazy.
22:57You understand?
22:58I will…
22:59I will…
23:00Excuse me. Excuse me. Have you seen this girl, Elias Kronon?
23:04No.
23:05Has she come back here? Are you sure? Have a look.
23:07No.
23:08Excuse me. Have you seen this girl, Elias Kronon?
23:11Has she come back here? Are you sure?
23:14Excuse me. Have you seen this girl, Elias Kronon?
23:16Come here!
23:18Were you with her?
23:19Yes.
23:20How long ago did you see her?
23:22One or two hours ago. At the fast food.
23:25What happened?
23:26Did you see the father of the girl who disappeared?
23:28Yes. Did you find her?
23:29No. We haven't found her yet. And I don't want to put you in danger.
23:32Please, find her. Please!
23:44What happened?
23:46I don't know.
23:48What happened?
23:50I don't know. I was in the garage.
23:54Is everything okay?
23:56Everything is okay. Yes. Everything is okay.
23:59Everything is okay.
24:08Please, close all the doors in the mall.
24:11A nine-year-old girl has disappeared.
24:23Don't be afraid. We will take care of you.
24:26We love you, kids. Do you want us to buy you something?
24:38A lot of work today. It's time to go home.
24:44Yes. Yes.
24:48But tomorrow is going to be another difficult day.
24:53I hope not as difficult as today.
24:57It's a fact.
24:59This day doesn't end with anything.
25:02No. It doesn't end.
25:07It's a little more intense than usual, but...
25:12It's as intense as I like it.
25:16What would you say about Argyris' office?
25:20It's the most important and the cleanest office on the floor.
25:27Then what are we waiting for?
25:28Show me who the boss is.
25:31Miss, please go to my office immediately.
25:39Maybe we should concentrate on the expenses?
25:42Everything will be fine. Everything will be fine.
25:43Please. Please. Get out of here.
25:50What are they all looking at?
25:51Can you talk to me?
25:53Why are they looking at me like that?
25:54Because you lost my daughter
25:56and now they are all trapped in the mall.
25:59Don't yell at me. It's not my fault.
26:02Be careful.
26:03Please, Fatima. It's not the time for this.
26:06It was a bad moment. I'm sure we'll find her.
26:09No. It's my fault.
26:10I shouldn't have allowed her to come with you.
26:13Never.
26:15What happened? Is there any news?
26:17Unfortunately, no.
26:19But we have closed the mall and right now everyone is being judged.
26:23You should have found her long ago.
26:26We are looking for her.
26:27What are you looking for?
26:29Calm down, Fatima. I'm sure she's fine.
26:33I don't know. I'm not sure.
26:36Where is she?
26:37She's somewhere. She's fine and she's waiting for you.
26:40She would have called me.
26:42She can't call me or Irini.
26:48Where are you calling?
26:50Lola.
26:54Did you find her?
26:56No.
26:57As far as I know, she's not at home.
27:00No. And I'm sitting here. What if she comes?
27:02I've looked everywhere. Nowhere. No one has seen her.
27:05Did you call the police?
27:07The security of the mall has taken over.
27:10Foti, I'm sorry to tell you this, but she may not be there anymore.
27:13I really don't know what to tell you.
27:15I want you to help me.
27:17I don't know where to look.
27:19I'm scared, Lola.
27:22I'm scared.
27:23What if something happens to her?
27:25Don't even think about it.
27:28I'll go.
27:29She didn't want to come. I insisted.
27:32I...
27:36I'll tell you what. Wait for me there.
27:39I love you.
27:48Are you okay?
27:49If you took me for Electra and Egiston...
27:51It doesn't matter. She lost Melina.
27:53What is this?
27:55It's a fact. Foti's daughter is missing.
27:58We have to do something to help her.
28:00Excuse me.
28:08I'm sick.
28:09I'll go straight to bed when I get home.
28:12Without eating anything for dinner?
28:15Without eating anything for dinner.
28:18I have a car. If you want, I'll take you.
28:21Thank you, but I'm out of your way.
28:24Right. We've said that before.
28:27Yes, we have.
28:30Let's go.
28:36It's your turn now.
28:38My turn to do what?
28:41Show me who the boss is, Lola.
28:44Are you kidding me?
28:47Come to my office, Pano.
28:53I'll do whatever you say.
28:57Foti!
28:59Calm down.
29:00Don't tell me what to do.
29:02Foti, I think...
29:03You're innocent.
29:04You don't even know your friends.
29:06It's not your fault.
29:07It's my fault for believing you.
29:09I did it for good.
29:11I don't want to go to jail because I lost my daughter.
29:14Not jail. You need a hangman.
29:16She killed him.
29:17You didn't know how to run after her.
29:19You made Foti hate me forever.
29:21I lost him.
29:23Even better. He's a wild man.
29:25Didn't you see how he was yelling at me?
29:27Did you want him to congratulate you?
29:30What happened?
29:31Did something happen?
29:32No.
29:33We're in trouble.
29:35How did this happen?
29:37I don't understand.
29:38I can't.
29:39Stop crying and start thinking.
29:41What do you mean?
29:43Where's Fotis?
29:44He's over there.
29:58Where are we going?
30:00Don't be afraid.
30:01You'll be fine with us.
30:03We love kids.
30:05You're not going to hurt me, are you?
30:08Not at all.
30:10We love you so much, my little girl.
30:14I'm the one who needs your help today, my dear kids.
30:18Lola's friends.
30:20I'm so happy.
30:22A little friend of mine is missing.
30:24Her name is Melina.
30:25She's nine years old.
30:26She went missing this afternoon at a mall.
30:29She's talking about me.
30:31If you know anything, please contact our station at 210-61-40-700.
30:37Any information...
30:39I want all of you to help us find little Melina.
30:43Her life depends on your phone call.
30:47Are they ready to lynch us?
30:49What a bunch of losers.
30:51I'm sorry, my sweet girl, but you're not funny.
30:53Are you kidding me?
30:55Do you know what a child's responsibility is?
30:57But you probably don't, because you're responsible for her.
31:00I didn't lose her.
31:01Seriously? You did something worse.
31:03You killed a child in front of your friends,
31:05so you could be alone with Fotis.
31:07You don't know what you're saying, Lola.
31:08You're jealous.
31:09You're jealous that Fotis is with me.
31:11Trust me.
31:12After this, he won't be with you anymore.
31:15So, we have a new case.
31:17What happened?
31:19Our friend saw your daughter from here.
31:21He recognized her from the photo.
31:23A couple put her in the car.
31:25Finally!
31:26Wait, wait, what car?
31:27How long ago?
31:28An hour or so.
31:29Where did they go?
31:30I opened the door. She was stuck.
31:32What? What?
31:33Did you let them leave?
31:34How could I know that she was lost?
31:36She didn't shout.
31:37They told me everything was fine.
31:39If anything happens to my daughter, I'll kill you.
31:41I'll burn you.
31:42Please.
31:43Hey, hey, hey.
31:44It's not his fault, okay?
31:45Okay, okay, okay.
31:46Let me ask you something.
31:47Do you remember how these people were
31:49when they were this couple?
31:50Pallodapi?
31:54Pallodapi?
32:00Who are you, Pallodapi?
32:02I don't know.
32:13Elvira.
32:15Don't shout, sweetie.
32:17Don't shout.
32:19I didn't shout.
32:20What's wrong?
32:22Don't!
32:23What did I do?
32:24You turned on the light.
32:26You put the light on your mask.
32:27I have photosensitivity.
32:29The small needle goes through it and gives me a headache.
32:32Oh, what a pain.
32:35Are you happy now?
32:36I didn't want to.
32:37You didn't want to, but you did.
32:40Tell Maricela to bring me the painkiller type.
32:42It's in the pharmacy.
32:43Why? Will you kill yourself?
32:44If I don't get a headache, I will.
32:46When will you get a headache?
32:48You've been like this for two hours.
32:50Everything bothers me.
32:52Everything.
32:53Even sitting still in my bed.
32:56I'm saying this because you insist so much on going to that dinner tonight.
33:00I've changed my mind.
33:01You've changed your mind?
33:02But to change your mind, something very serious must happen.
33:05Should we call a doctor?
33:06No.
33:07No, I don't want anyone.
33:09All I want is to take deep breaths and relax.
33:12But you don't help me do anything of the two.
33:14I want to help you.
33:16Then don't talk.
33:17Don't talk.
33:18Don't talk, please.
33:21Argyris!
33:22What is it?
33:23You forgot the light, sweetie.
33:34So, ladies and gentlemen, the doors will open again soon.
33:38Don't worry at all.
33:42It's okay, it's okay.
33:43Calm down.
33:44At least now we know something.
33:46Have you seen him?
33:47He's been arrested by the police.
33:48I'm scared, Lola.
33:49Honestly.
33:50I'm scared.
33:51Don't be scared.
33:52They might be good people and they want to help.
33:54Good people?
33:55They take the kids and sell them to the street vendors.
33:59Only street vendors?
34:00They could sell them all.
34:01Haven't you heard about the Organ Merchant?
34:03Yes, they sell it to everyone.
34:10Yes?
34:11Someone heard the message on the TV and called.
34:13It seemed like a foreign call.
34:15He said he has Melina with him.
34:17Really?
34:18Yes, and he said it's okay, don't worry.
34:20He's found her.
34:21Thank God.
34:23And now, where is she?
34:24They're taking her to the station.
34:25Perfect.
34:26We'll be right there.
34:27So, they're taking her to the station.
34:28Let's go.
34:29Do you want to go in my car?
34:30We have a full car.
34:31Well done.
34:32They found her.
34:33Yes, they found her.
34:34Thank you, Lola.
34:35Are you crazy?
34:36They left together.
34:37Do you understand?
34:38Do you understand?
34:39We found her at the station and we're afraid to go to the police station
34:43because it's illegal and we don't have papers.
34:46And I don't remember anything.
34:48I understand.
34:49Melina?
34:50Daddy, daddy.
34:51My little girl, Melina.
34:53Are you okay?
34:54Did something happen to you?
34:55I'm fine.
34:56I missed you so much, my love.
34:58We're lucky that they found her a good person.
35:04Thank you very much.
35:06Lola!
35:07Oh, my little girl.
35:10Lola, thank you.
35:12I was desperate.
35:13I didn't know what to do.
35:14I told you they would find her.
35:15Fortunately, you called me.
35:18Fortunately.
35:21Thank you very much.
35:22It's my pleasure.
35:23You always help me when I'm in trouble.
35:27It's okay.
35:28The song is over.
35:29We're leaving.
35:30Excuse me.
35:31Yes.
35:33My dear fans, Melina has been found.
35:37She returned to her father's arms, safe and happy,
35:41thanks to two people who helped her regardless of their nationality.
35:45A couple from Lodapone brought little Melina to the station.
35:49A couple who crossed the border to get here,
35:53waiting to find better luck.
35:56But many times, Melina's fate was not in their hands.
36:01But many times, she met abandonment and closed doors.
36:06Tomorrow's show will be dedicated to those people
36:09who are so close to us, but so foreign to us.
36:14Good night.
36:27So, are you better than me?
36:30Let's say.
36:32I thought that since you decided to deal with magazines,
36:36I should give you the chance to try something of your own.
36:39Don't get stressed.
36:41Don't get stressed.
36:42Your own impression.
36:44What do you say?
36:45Okay.
36:46Okay?
36:47Is that all you have to say?
36:48No.
36:49This roast beef is completely different.
36:51I'll pay for it.
36:53And you will be in charge of not getting stressed.
36:56Tomorrow and the day after I'll talk to Leo.
36:58Do you know Leo?
36:59No, I don't.
37:00I'll bring him here so we can talk to him.
37:03Come on, Argyris.
37:05You keep talking about magazines and managers.
37:07You don't care about me.
37:08You said you were in pain.
37:10I have a headache.
37:12My heart hurts.
37:13My stomach hurts.
37:14My joints hurt.
37:16You look like you're in pain.
37:18Argyris.
37:19Please, don't get stressed.
37:21I'm sorry, but I don't know what to say.
37:23My love.
37:25Is it your fever?
37:27What?
37:28Fever?
37:29Fever?
37:31At my age?
37:33I don't know.
37:34Maybe it's too early.
37:35You'd better not say anything.
37:36You'd better eat mung beans.
37:38Okay, I'll...
37:39You'd better eat mung beans.
37:41Listen.
37:42I'm not good enough.
37:43I have your bad habits.
37:45You'd better shut up.
37:47You'd better be lonely.
37:59What's up, Eugenia?
38:01Good morning, Panos.
38:03Good morning.
38:04How did you spend last night?
38:06Like I'm used to.
38:08You?
38:09Like I'm used to.
38:11Good.
38:23Good morning.
38:25Good morning.
38:27Good morning.
38:38Eugenia?
38:40Hi.
38:41How are you?
38:42I'm fine.
38:43I'm fine.
38:44You have some black circles.
38:46I like it.
38:47Black circles?
38:50It's from yesterday's gym.
38:52A three-hour program.
38:54Yes.
38:55Aerobics.
38:56Very tiring.
38:57But necessary.
38:59Especially for us who live a regular life.
39:07Panos, how are you?
39:09I'm fine.
39:11Tell me.
39:13Your gold necklace.
39:15Which one?
39:17The little blue one you have in your pocket.
39:22What is it?
39:24Oh, the...
39:26The ring?
39:28No, I didn't even remember you had it.
39:31Oh.
39:32Fine.
39:33One day you'll remember it.
39:35And you'll remember me.
39:43Am I bothering you?
39:45No.
39:46Why?
39:47Tonight we're playing Vicky and Grigori.
39:54What?
40:10We found everything.
40:11Everything.
40:12Credit cards, receipts.
40:14All in the name of Lola Lalo.
40:16Perfect.
40:17How are we going to act now?
40:19It depends.
40:20How much damage you want to do.
40:22The more the better.
40:23And how soon do you want it to happen?
40:25You see?
40:26This is the problem.
40:28I don't know if I want her to die of a heart attack.
40:32Or if I prefer a slow and torturous death.
40:36Have you heard about the Chinese torture chambers?
40:40Slowly, slowly.
40:42I like the way you think.
40:44Hey!
40:45What are you doing here?
40:47What are we doing?
40:48Nothing.
40:49I'm afraid he'll kidnap me.
40:55Don't drink.
40:56What kind of drink is that?
40:58I don't care.
40:59It's brand new.
41:00I'd like to sit down and think about it.
41:03But I have a job to finish in the next two hours.
41:06You know how these things are.
41:08You swallow the bitter pill quickly.
41:11You're telling me.
41:13That's what I do.
41:15Work.
41:17And joy.
41:21So.
41:22Do you prefer a slow and torturous death?
41:25We'll start with a small amount.
41:28And we'll see.
41:31Two hours later.
41:43Tonight, I want you with the scent of Vicky.
41:46I see we're getting into details.
41:49Come here, baby.
41:51I'm a professional.
41:54Really.
41:55You get a loan with such favorable terms.
41:58But you have to read the high-level letters.
42:01The banks are cunning.
42:03Let me help you.
42:05Here you go.
42:07How are you?
42:08I'm fine.
42:09Come on, baby.
42:11The terms that are written under the signature of I want you...
42:17I'm coming.
42:22Hello.
42:23Hello.
42:24Mr. Kontomari's house is next door.
42:26Is Leonidas at home?
42:28Leonidas is a human being.
42:30What's your name?
42:31Yes, it's me.
42:32We know each other.
42:33Of course.
42:34No, of course not.
42:36I'm not...
42:37Lalalalu.
42:38I'm not...
42:39Lalalalu.
42:40I'm not...
42:41Lalalalu.
42:42I'm not...
42:43Lalalalu.
42:44I'm not...
42:45Lalalalu.
42:46Leonidas' cousin.
42:49Leonidas has told me the best things about you.
42:52About me?
42:54Where is Leonidas?
42:56Unfortunately, Leonidas is abroad.
43:00What are you saying?
43:02I see.
43:03So, now that I decided to bring him to see the baby, he's abroad.
43:08Okay, you can bring him to see the baby and the baby.
43:12Next time.
43:13Because Leonidas is very good with babies.
43:16And you'll see how much better he'll be.
43:18What do you mean?
43:19I mean, when he takes on his responsibilities as a father.
43:26Come here.
43:27Yes.
43:28It's Leonidas.
43:29Who?
43:30Come here.
43:39Leonidas.
43:40Leonidas.
43:41Leonidas.
43:42Leonidas.
43:43Leonidas.
43:44Leonidas.
43:45Leonidas.
43:46Leonidas.
43:47Leonidas.
43:48Leonidas.
43:49Leonidas.
43:50Leonidas.
43:51Leonidas.
43:52Leonidas.
43:53Leonidas.
43:54Leonidas.
43:55Leonidas.
43:56Leonidas.
43:57Leonidas.
43:58Leonidas.
43:59Leonidas.
44:00Leonidas.
44:01Leonidas.
44:02Leonidas.
44:03Leonidas.
44:04Leonidas.
44:05Leonidas.
44:06Leonidas.
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