- 9 months ago
Category
📺
TVTranscript
00:01That morning, there was no one on earth more humble than Grigori.
00:06There was no blood running in his veins, but hatred for Lola.
00:14It was you, right? You sent it to me.
00:16I don't understand what you mean, and I have a lot of work.
00:18What work do you have? To send traps to your colleagues?
00:22Come on, I don't understand what you mean. Roy, my colleague...
00:26You want to get rid of me, right?
00:29I'm sorry, but I don't like you.
00:32My little boy, you're the only one I want.
00:35Bitch, you're not going to sleep tonight, are you?
00:38You wanted to get rid of me, didn't you?
00:40What are you talking about?
00:42Didn't you send me to Nani's rescue with some chick?
00:45I made a mistake. You're not a chick, you're a whore.
00:49I'm going to destroy you.
00:51I'm going to destroy you.
00:57Leave me alone. I'm going to destroy you.
00:59Stop it.
01:00I'm going to destroy you.
01:02Leave him alone.
01:05Let's go inside.
01:07I'll take him.
01:09I'll take him.
01:11I'm going to kill you.
01:13They're going to lock you up in your natural environment.
01:18They're going to destroy you.
01:20They're going to lock you up in your natural environment.
01:23I'm going to destroy you.
01:25I'm going to destroy you.
01:27What's going on here?
01:29What mafia?
01:48I'm going to destroy you.
02:00Let me explain, Mrs. Astronomy.
02:02Mr. Director, please.
02:04Yes, of course, Mr. Director.
02:06Listen, Mr. Director.
02:08I'm the editor of the magazine Mister.
02:10He's lying. He's not. He quit.
02:12He quit on his own, Mr. Director.
02:14Shut up, bitch.
02:15Enough!
02:16Get out of here, both of you.
02:18I demand respect.
02:21Identity, please.
02:26Lola remembered that her identity is fake.
02:29And she realized that she can't give it to the police.
02:32Because then they'll definitely get her.
02:35Right?
02:36Ouch!
02:44You know, Mr. Director.
02:46I don't have my identity.
02:48I think I dropped it in the trash.
02:50My phone is missing. Look.
02:52You're disturbing the road.
02:54You're disturbing the police.
02:56And you don't have your identity.
03:01Something's fishy.
03:04Go to the police station.
03:06What? No, no.
03:07I told you.
03:08But, but, but...
03:09Let us explain.
03:10Bad news.
03:11Out.
03:12Out.
03:13Mr. Director, Mr. Director.
03:15I'm the editor of the magazine Mister.
03:17He's lying. He quit.
03:24I have a nose.
03:27It's for suspicious people.
03:29Bad news.
03:32Something tells me that I'm exposing a dangerous conspiracy.
03:38I'll get the director to tell me.
03:46Tell me, kid, where are they?
03:48I don't know, Mr. Director.
03:49The editor didn't know how to tell me.
03:50What's the matter with you?
03:51He doesn't know how to do his job.
03:52He took our people from here.
03:54And he's not in a position to tell us where they went.
03:56We have to find them.
03:58What are you waiting for, kid?
03:59Disappear. Move.
04:00Hurry up, kid.
04:04At least I hope she's okay.
04:16Ah, Mr. Grigori.
04:17A piece of advice, kid.
04:19Don't touch the soap.
04:22You're laughing, aren't you?
04:23I was waiting for you to go to your cell
04:25and then we'll see how you're going to end up.
04:27Come on.
04:29Hell is waiting for you.
04:31Have you seen Estefania with Laskaris?
04:39What's going on, guys?
04:41I see you're having a good time in here.
04:43Bravo, bravo.
04:53Have a nice time.
04:54You too.
04:59Bye, girls.
05:01Bye.
05:02It was the first time Lola felt so comfortable as a woman.
05:06While Grigori was pulling his wig in the cell,
05:09she seemed to be in paradise,
05:12surrounded by so many girls
05:14that they wanted someone to open their hearts to.
05:17Lola realized that the time had come
05:20when her previous life would seem useful to her.
05:24How are you?
05:25I'm fine.
05:27How are you?
05:28Can't you see?
05:30I can.
05:31Yes, I can.
05:32Hi!
05:33I'm Lola.
05:34And you?
05:35I'm Anais.
05:36Since I said Anais,
05:37don't worry,
05:38because I'm going out with the guys.
05:40No, no, don't worry.
05:41Only you and me know about it.
05:43Come on.
05:44Other people know about it too.
05:45It's obvious.
05:46Don't say that.
05:47You're the only woman I've ever dated.
05:50Oh, you're such a good girl.
05:52You made my day.
05:53Don't tell me.
05:54Lola is dating Thodoras.
05:56You're a cat.
05:57And why are you here?
05:58Because I got into a fight.
06:00What are you talking about?
06:01You're a pervert.
06:05Please be careful with your characteristics.
06:08Why?
06:09Are they attacking you?
06:10Give me a cigarette.
06:13I don't smoke.
06:14Are you sure?
06:18So you got into a fight, huh?
06:20And the other girls
06:21didn't let her in?
06:23Yes.
06:25Actually, it wasn't the other one.
06:26It was someone else.
06:27They have him on the side.
06:30Did you hear that, girls?
06:31She got into a fight with a man.
06:33And it's obvious that she came
06:35because she doesn't have a sign.
06:37That's right.
06:43Your hands are so sweet.
06:45Didn't you come to see Ondas too?
06:47To finally leave me alone?
06:49Who is he?
06:50Your cat?
06:51He's over there.
06:55Hey!
06:58What?
06:59My eye fell on your chest.
07:02Aren't you going to tell me?
07:04Did you hurt yourself?
07:06What do you mean?
07:08Come on!
07:09Don't make fun of me.
07:11I've been in bed for years.
07:13Did you blow it?
07:14Silicone?
07:15What?
07:16Not silicone, brother.
07:18Far from silicone.
07:20I put it once
07:22and I got on the plane
07:24to go to Chios
07:26to find Mitsos,
07:27who was a soldier.
07:28And on the way,
07:29I blew it
07:31and we talked
07:32and I became Ondas.
07:37Don't laugh.
07:38I'm serious.
07:39Aren't you?
07:40Yes.
07:41What do you do for a living?
07:42I'm a journalist.
07:44We do the same job.
07:46I just make it more intimate.
07:49Don't laugh.
07:53Can I ask you something?
07:56My child,
07:58because I feel very comfortable with you,
08:01can you tell me
08:03how you managed to behave as a woman
08:07so that I can learn?
08:09You will learn from me, my love.
08:11You were born a woman.
08:13Yes.
08:14Yes, of course.
08:16Yes, of course.
08:17That's right.
08:20Guys,
08:21leave my bag alone.
08:23You don't have me.
08:24We are a family.
08:26Your bag is mine.
08:30That's what we need now.
08:31Guys, my bag.
08:36Don't get mad at me.
08:37Don't get mad at me
08:39because I'm going to start giving out flowers.
08:47A FEW HOURS LATER
08:50We won't have enough problems.
08:52We'll go to the police now.
08:54What happened?
08:55Where have you been?
08:56Didn't you hear what happened to Grigori?
08:58What do you mean?
08:59His return?
09:00I heard something.
09:01You've been left behind.
09:03Did he quit again?
09:04No.
09:05He got stuck in the wood with Lola.
09:08What?
09:09I have better news.
09:10Lola beat him.
09:12What?
09:13What?
09:14Where is he now?
09:15They locked him up.
09:16Where?
09:17In prison.
09:18In prison?
09:19Are you serious?
09:21Where are you going now?
09:22I'm going to see what happened.
09:41Not now, son.
09:42Not now. Later.
09:43We have other priorities.
09:44We'll do it later.
09:45Come on.
09:46What's going on?
09:47What happened to Lola?
09:48She's destroyed.
09:49Lola and Grigori ended up in the police station.
09:52Which police station?
09:53Let's go there now.
09:54How should I know?
09:55I sent Akis and Nikos to find out where they went.
09:57They couldn't find out anything.
09:58No one can do a good job here.
10:00Leave it to me.
10:01I have a friend in the police journalism department.
10:04Please, Foti.
10:05Don't get the guy involved.
10:07We'll do it later.
10:08You don't know how busy he is.
10:10We're busy, too.
10:11Please, Foti.
10:12We'll do it later.
10:13Listen to me.
10:14Tell the press that the editor-in-chief of Mr.
10:19is in trouble.
10:20They'll block the channels and party.
10:23The cameras will be on.
10:24Please.
10:25This scandal will be a disaster for the newspaper.
10:28But at some point...
10:30I know what we have to do.
10:32Listen to me.
10:33We can't stir up the press.
10:35We'll be a mess.
10:36The last thing we need from DGP is a negative ad.
10:39I understand.
10:40But Lola needs...
10:41She doesn't need anything.
10:42Don't worry.
10:43If she finds out, she'll knock him out.
10:46Okay.
10:47I won't do anything.
10:48But promise me that as soon as you find out,
10:51you'll let me know.
10:52I'll let you know in 15 minutes.
10:54I'll keep it a secret.
10:56Foti.
10:57Please.
10:58What?
10:59At this point, the paper has no editor-in-chief and no editor-in-chief.
11:03That's why I'm asking you to do something.
11:06I will.
11:07Yes.
11:10Why am I afraid of Lola?
11:12I'm not afraid of the other officer at all.
11:14He's a dog.
11:15If they put him in the cell, he'll get her out clean.
11:19Flore.
11:20You open your hole and I'll shove you in.
11:23What did you say, Alban?
11:26You didn't go to your country, you son of a bitch.
11:29We filled it up with plaster.
11:30You're a whore.
11:32What did you say, Balame?
11:33Plaster?
11:34Didn't your mother teach you that we're called Roma?
11:37Shut up, you son of a bitch.
11:39Man!
11:40Abdul!
11:41Get up!
11:42Kill the Nazi!
11:43No, don't do it!
11:45They're killing me!
11:47Yes?
11:48Excuse me, Mr. Director.
11:50Come in, my friend.
11:55We had news about these nasty things.
11:58We looked everywhere.
12:00We found her cell phone,
12:02but we haven't identified her identity yet.
12:05Suspect.
12:07What's your explanation?
12:09What can I say, Mr. Director?
12:11She may have lost it before the raid.
12:20Something's wrong with me.
12:23I'm sorry.
12:29Make sure you check her weight.
12:33If we catch a thief,
12:35I have the lead in my pocket.
12:38And tell her that someone has to come here
12:40to verify her identity.
12:43Yes, Mr. Director.
12:45I have a nose.
12:48A bad omen.
12:54If we dig deep into this case,
12:59I'm sure
13:01that we'll find Petrenio.
13:06Don't let him get away!
13:08Help!
13:09Help!
13:10Help!
13:11Help!
13:12Help!
13:13Help!
13:14Help!
13:15Help!
13:16Help!
13:17What's going on here?
13:20They're beating me.
13:22What's he saying?
13:24We didn't touch him.
13:26Yes, but I see him limping.
13:28What are you saying, Mr. Policeman?
13:30He's limping here and there.
13:32Yes.
13:33Yes.
13:34You're a masochist.
13:36You're limping here and there.
13:38I'll have to take action
13:40and you won't like it.
13:42No, Mr. Policeman!
13:43They're lying!
13:45Don't leave me!
13:46They're all together!
13:47Don't leave me!
13:48Don't leave me!
13:49Don't leave me!
13:50Don't leave me!
13:51I'll have to take action.
13:53Don't leave me!
13:54What?
13:55Don't worry.
13:56I'm not sending you to the hospital.
13:58Go on.
14:01Don't leave me!
14:02They're all together!
14:03Don't leave me!
14:04Don't leave me!
14:05Don't leave me!
14:06They're all lying!
14:09What happened?
14:10Are you out of your mind?
14:12What would you do if you were hit?
14:14The kids hit you here.
14:16What happened, Grigori?
14:18I heard you're here because you didn't see a woman.
14:21What did we do?
14:22You didn't see a woman?
14:23We're in my country.
14:25Do you know what we do to men who hit women?
14:28No, wait.
14:29There's an explanation.
14:30A woman is a sacred thing.
14:32That's why they're wearing burqas.
14:34Don't leave me!
14:36Don't leave me!
14:38Don't leave me!
14:39Don't leave me!
14:40Don't leave me!
14:41Don't leave me!
14:42Don't leave me!
14:43Don't leave me!
14:44We searched everywhere.
14:47And we couldn't find your identity.
14:50How do you explain this?
14:52I can't explain it, Mr. Director. It's inexplicable.
14:54That's what I was saying.
14:56Inexplicable and suspicious.
14:59Not suspicious, Mr. Director.
15:01Not suspicious.
15:02Maybe I'm mistaken.
15:04I left it at home.
15:06We have to take your fingerprints and send them to the police.
15:10Before we do that,
15:12do you have anything to confess?
15:15I'll give you another chance.
15:17If you speak now,
15:20you'll be relieved of your position.
15:23You're a bad example.
15:27No, Mr. Director.
15:29I have nothing to say.
15:30I'm very clear.
15:31Very clear.
15:32I'm...
15:33Shut up!
15:35Something is fishy in your case.
15:38You're a bad example.
15:40And I'll never confess.
15:42No, Mr. Director.
15:43Mr. Director, let me explain.
15:45First of all...
15:48Tell me, Mr. Director.
15:51I...
15:52You see me.
15:53I'm innocent.
15:55And...
15:56Could I make a phone call?
15:58Of course.
15:59When?
16:00Who would you call?
16:02Someone who can help me.
16:29So, what about Madonna?
16:31J-Lo?
16:32I think you're better.
16:33Sorry, my phone is dead.
16:42Yes?
16:43Good.
16:45Come on, Lola.
16:46I picked you up from your phone.
16:48Where are you taking me?
16:49From prison.
16:52From where?
16:53From the police station.
16:55What happened?
16:57Nothing serious.
16:59I had a fight with Grigori.
17:01Come on.
17:02And you know what else?
17:04I can't find my identity.
17:08Let me tell you something.
17:10I can't show my identity to Stefanos.
17:13He'll kill us both.
17:16Yes, yes.
17:17Stop it.
17:18Let me tell you something.
17:20You're a sweet girl.
17:22Don't you look for your identity at home?
17:27I'll ask Stefanos and we'll see what we can do.
17:30And quickly.
17:31Yes, yes.
17:32I'll get it.
17:33Don't bother the people.
17:36Bye.
17:37Stefanos, do you remember the identity we made for Lola?
17:41Of course.
17:42Of course I remember.
17:43I did a great job.
17:44Do you recognize it?
17:45I recognize it.
17:46But if a police officer sees it,
17:48there's a chance he'll understand it's fake.
17:51No, you're a police officer.
17:53We did a good job.
17:55We're not exaggerating.
17:56So, we don't show it to the police?
17:59Not at all.
18:00Unless we want to be bullied.
18:03Fine.
18:05Where are you going?
18:06To save Lola.
18:08This Lola has become a serial killer.
18:10Tell me the truth.
18:20Okay, okay.
18:21I'll go from there.
18:22Thank you very much, Thanassis.
18:23See you.
18:24She's at Maroussios Police Station.
18:26I'm going.
18:27Thassis, where are you going?
18:28I'll go with you.
18:29Come on.
18:31Where are you going?
18:32To the police station.
18:33Lola and Grigori are there.
18:34I'll go with you.
18:35Come on, let's go.
18:44Lola's hands are bruised.
18:46And it's very easy for me to stab Grigori.
18:48But it takes a lot of courage
18:50to be able to stab a man.
18:53Lola is a dangerous woman.
18:55She can sleep with someone for a contract.
18:58She can stab someone with a knife.
19:00Didn't you say that you would do the same thing?
19:03That's why I'm telling you.
19:04I know how dangerous it can be.
19:08Julia, we're going to the police station.
19:10If anyone calls me, keep in touch, please.
19:13Are you looking for the police?
19:14Is there a problem with a contract?
19:16Now he found it.
19:17Anyway, tell him that I'm dealing with a personal matter.
19:21Anyway, I'll call him as soon as I can.
19:23Be careful.
19:24Keep your mouth shut.
19:25Keep your words to yourself.
19:26I don't want to hear anything from anyone.
19:28Do you understand?
19:29I understand.
19:30Boss.
19:31Boss.
19:32Everyone is talking about Lola
19:33who stabbed Grigori.
19:35Come on, dad.
19:36They're going to arrest us.
19:38Let's go.
19:43Guys, why couldn't I be in the police station?
19:48Why couldn't I see you in the cell
19:50surrounded by the guards?
19:52If you had caught me too,
19:54we would have had a great time together.
19:56Do you know why I like you?
19:57Why?
19:58Because you look like me.
19:59I have to say one thing.
20:01Lola is a worthy opponent of Lalo.
20:04She stabbed Grigori exactly as Lalo would have done.
20:07Be careful.
20:08I don't want to become Lalo, right?
20:17Please, young man.
20:18Is there a reason for me to talk to these people?
20:20It's not possible, sir.
20:21Do me a favor.
20:22Do you know who I am?
20:23I am Argyris Paraskevopoulos.
20:24Do me a favor.
20:25He is my employee.
20:26I told you, sir.
20:27It's not possible.
20:28Do me a favor and hire a better man.
20:30We will meet again.
20:32Sir, is it necessary?
20:36Excuse me.
20:37How are you?
20:38He is Foti, my father.
20:39Congratulations.
20:40What's going on here?
20:41Do me a favor.
20:42I have to tell you something.
20:43It's about my company.
20:44I have to talk to them.
20:45I'm sorry, sir.
20:46You can't come in.
20:47They are checking in.
20:48There is a problem.
20:49You will sit here and wait.
20:50What problem?
20:51I don't understand.
20:52There is a problem with whom?
20:53With the employee, I told you.
20:54There is a problem.
20:55Check in.
20:56Do you understand?
20:57There is a problem with the director of my magazine.
20:58I can't come in.
20:59Do me a favor, sir.
21:00Do me a favor.
21:01Do me a favor.
21:02Do you know who I am?
21:03I am Argyris Paraskevopoulos.
21:04I am the editor of the magazine Mister.
21:05Are you in the mood to go for a walk with the people of the municipality?
21:08I don't understand, sir.
21:09Are you threatening me?
21:10Should I arrest you?
21:11No, no.
21:12I'm sorry.
21:13I'm not threatening you.
21:14I'm not threatening you.
21:15I mean...
21:16You said you would send me to the municipality.
21:18No, no.
21:19I mean to the municipality.
21:20I'm a servant, boy.
21:21Do you understand?
21:22I'm a servant.
21:23Did you hear the song that Lavrentis Magenitsas wrote?
21:24Yes.
21:25And the municipality blues.
21:26He wrote it for me.
21:27For me.
21:28The municipality blues.
21:29I'm a man in the city.
21:30Please sit down.
21:31Let me tell you.
21:32I guess you're going to get a salary now.
21:33I imagine.
21:34Don't bother me now.
21:35Yes.
21:36And from what I see, you have a great right.
21:37Did you see it?
21:38I was in love.
21:39Very good.
21:41I'm a politician.
21:42I go to Mykonos.
21:43Girls.
21:44No, no.
21:45I don't mean that.
21:46I mean...
21:47Are you married?
21:48Are you married?
21:49Yes.
21:50Are you married?
21:51Do you have children?
21:52I have two.
21:53Two?
21:54Two, huh?
21:55Look.
21:56I don't want you to misunderstand me now.
21:57I'll give you a small gift for your children.
21:58In return, you'll let me in, right?
21:59It's nothing.
22:00It's a small gift.
22:01I don't understand, sir.
22:02What are you doing there?
22:03Are you going to give me a gift?
22:04No.
22:05I'll take everything from you.
22:06No.
22:07I beg you.
22:08I beg you.
22:09In return, I'm going to pick up the package.
22:10No, thank you.
22:11I'm begging you.
22:12I'm begging you.
22:13What are you doing?
22:14The full 11 was dropped in the bar.
22:15It might be you, too.
22:16There's been a misunderstanding, and we need to go in.
22:17Because only we can solve it.
22:18You understand?
22:19Listen to me.
22:20Listen to me.
22:21There's a problem, and you can't go through.
22:22They're in and they're being checked.
22:24If you want, you can wait here.
22:25Otherwise, I'll pick up the package.
22:27No, no, no, no.
22:28You hear?
22:29We'll wait here.
22:30We'll wait here.
22:31Package.
22:32All right.
22:33We'll wait here.
22:34All right.
22:35All right.
22:36Stay away.
22:37It's a good thing you went to the police station.
22:40We would have been caught by Brian De Palma.
22:44Are you going to betray him?
22:46Dad!
22:47You ruined my reputation.
22:49I was going to show him who I really am.
22:52And he showed up.
22:54Let me hold her.
22:56You found the opportunity.
23:00Where does Lola come from?
23:03From Theodoras of course.
23:05There is a name here, Theodora Lallou.
23:08Really?
23:09Yes, it's me.
23:11But this woman is 83 years old.
23:14Well done.
23:16You are still 83 years old.
23:20Shut up, you traitor.
23:22I was wrong.
23:23You made us all laugh.
23:25But this is the police station and you can't get away easily.
23:27The time of crisis has come.
23:29It seems that Mr. Chief is a very smart man.
23:32And he has a good sense of humor.
23:35Thank you very much, Mr. Chief, for your kind words.
23:39You can leave.
23:41It seems that the lady is not going to give you a stay.
23:46Why would she do that?
23:48Ask her who she is.
23:50And what is her relationship with Leonidas Lallou.
23:53Who has disappeared from the face of the earth.
23:57If you forget this case...
24:01...you will go to jail.
24:04Get out, sir.
24:06I was very happy to meet you.
24:08And forgive me if we bothered you a little.
24:11What are you saying now, Mr. Chief?
24:13My pleasure.
24:17I will not stop until I discover your soul.
24:30I will not stop until I discover your soul.
24:38I have no choice. I have to go.
24:40Teo will look for me and I have no other excuse.
24:42Please, Foti, look for me.
24:44Let him go.
24:46I have a well-known lawyer.
24:48He is very good.
24:50Let's see what will happen.
24:52We must avoid scandal.
24:54Foti, please, I beg you.
24:56Natalia, will you come with me?
24:58No, dad. I want to be with Foti.
25:00Don't go with him.
25:02You will do better together.
25:04I'm leaving.
25:09Where is he? I can't find him.
25:11Don't worry. I know a lawyer.
25:13He is a friend of my mother.
25:15If he is a friend of your mother, let him go.
25:17No, Foti. He is very trustworthy.
25:19Dad, I don't have him here.
25:21I have him in my house.
25:23I will come with you.
25:25If you don't find him, we will call my mother's friend.
25:27Okay, let's go.
25:34You are here.
25:36You are always on my friend's side,
25:38no matter how much you try to talk to me about her.
25:40You are also in the school's trap, right?
25:42Be careful.
25:44Because you and your friend
25:46won't have a good ending.
25:48Don't threaten me.
25:50You should be careful.
25:52We are much better students of Lalo than you think.
25:55And we are much smarter than you.
25:59Maybe that's why I'm out,
26:01while she is still inside.
26:16You will leave her in the cell
26:18until she breaks down and confesses.
26:20Bad luck.
26:23And keep looking
26:25until you find something against her.
26:27Yes, Mr. Director.
26:31Good evening.
26:33I'm looking for Lola Lalou.
26:35Do you know where she is?
26:37I came to confirm her identity.
26:39Yes.
26:41Do you have her with you?
26:43No.
26:45You know,
26:47we are roommates.
26:49We live in the same house.
26:52And thieves broke into our house.
26:54Bad luck.
26:56Yes.
26:58They stole the house
27:00and her wallet.
27:02Her identity was in the wallet.
27:04I see.
27:06Identity theft.
27:08Give us the report of the theft.
27:12What?
27:14Since you insist that you were stolen,
27:16you must have a report in the police.
27:18Yes, right.
27:20We haven't done it yet.
27:22But maybe it's better
27:24for the time being
27:26to give you my identity.
27:28Here you are.
27:33Good luck.
27:38Good luck.
27:40Aren't you the one
27:42who does the show at the FM?
27:44Yes.
27:46What are you talking about?
27:48Do you know that the police
27:50recognized your wife?
27:52I'm not surprised at all.
27:54Do you know how many couples
27:56have been recognized by my show?
27:58What about you?
28:00Are you alone?
28:02Would you like me to do something for you?
28:04I would be grateful
28:06if you would get me rid of my wife.
28:10I'm kidding.
28:12Tell me,
28:14is it my idea
28:16or is it just my imagination?
28:18What are you talking about?
28:20You are offending me.
28:22Nothing is planned in my show.
28:24And to prove it to you,
28:26tomorrow I want you to come
28:28as my guest
28:30to talk to the acrobats
28:32about the success of the Greek police.
28:34What would you say?
28:36Except if you have a truck.
28:38Me, a truck?
28:40What are you talking about, ma'am?
28:42I have appeared
28:44on TV.
28:46Do you know what I do
28:48when I appear?
28:50Of course I will come.
28:52I want to present
28:54my personal vision
28:56for the police force.
29:10Petros!
29:12What's going on?
29:14Think about it.
29:16What's going on in our company?
29:18It's like we are in a movie.
29:20Mr. Argyris is panicking.
29:22Of course.
29:24If he finds out about the scandal,
29:26not even 10 gypsies will save us.
29:28And since we are talking about scandals...
29:30Did you misunderstand me?
29:32Yes.
29:34We are responsible now.
29:36It's not my fault.
29:38Lola did everything.
29:40But we are twins.
29:42We will do the same.
29:44No.
29:46You can't blame Lola
29:48for what you told us.
29:50You woke us up.
29:52It's not Lola's fault.
29:54She gave you the chance to expose him.
29:56Exactly.
29:58I'm talking about Lola.
30:00She is a smart woman.
30:02I would say the same about you.
30:04I would say the same about you, too.
30:06Lola is paranoid.
30:08It's a mistake.
30:10I will prove it.
30:12It's not right.
30:14It's not right to talk about a person
30:16who is not present.
30:18Where is she now?
30:20In prison.
30:22Where she belongs.
30:24You know what?
30:26I always wondered
30:28how a man can be a woman.
30:30It's a matter of comparison.
30:32When I was a kid,
30:34when the rest of the boys
30:36were playing,
30:38I used to draw Barbie dolls.
30:40I see.
30:42I used to play ball and war.
30:46What?
30:48I smell something.
30:50Don't misunderstand me, my love.
30:52You smell something.
30:54Something?
30:56Like a man.
30:58What?
31:00Wait.
31:02It's too late.
31:04You will tell me
31:06that I used to be a man.
31:08Don't laugh at him.
31:10Many people have seen me.
31:12I could write a book about my experiences.
31:14Like someone else.
31:16We don't say names.
31:18No.
31:20Anais,
31:22if we get out of here
31:24would you like to give me
31:26an interview in the newspaper?
31:28If I give you an interview,
31:30you will tear your newspaper.
31:32I am the vice-president
31:34of the Atikis Society.
31:36I fight for IKA,
31:38for women
31:40and for their professional employment.
31:50Get up.
31:52You are free.
31:54Your identity has been confirmed.
31:56Nice.
32:02I want you
32:04to keep this.
32:06So you won't forget me.
32:08Ok?
32:12When you feel ready
32:14for the interview,
32:16call Mr.
32:18You work for Mr.
32:20He is in charge of Leonidas.
32:22Do you know Leonidas?
32:24If I know him, he says.
32:26Years may have passed
32:28but Leonidas is forgotten.
32:30And I said
32:32whatever he reminds me of, he reminds me of.
33:00Yes, hello.
33:02Mr. Saxonis' house.
33:04I am sorry for being late,
33:06but I have to talk to him.
33:08He is away from Greece.
33:10When is he coming back?
33:12In two weeks.
33:16I am sorry again.
33:18He is away on a trip.
33:20I have to talk to your mother's friend.
33:22Yes, I have to find his phone.
33:24Give me two minutes to see
33:26what Melina is doing.
33:30Ok.
34:00So, did you find him?
34:02We are not lucky.
34:04He doesn't answer his phone.
34:06Did you leave a message?
34:08Of course, but he hasn't picked it up yet.
34:10I'll go get something to drink.
34:12You try again.
34:14Yes, yes.
34:20Nothing, it's closed.
34:24Anyway,
34:26thank you for helping me.
34:28It's the least I could do for Lola.
34:32Helping someone you don't like
34:34is not the least you can do.
34:36Ok.
34:38I don't like you very much,
34:40but we are not enemies.
34:42Well,
34:44cheers.
34:58My daughter.
35:00Welcome, my little girl.
35:02My dear,
35:04the prison's iron is for the lions.
35:06I am a lion,
35:08but I am a corpse, too.
35:10I am one of the same.
35:14Let me tell you something.
35:16I am not a lion.
35:18I am a corpse.
35:20I am a corpse.
35:22I am a corpse.
35:24I am a corpse.
35:26Let me tell you something.
35:28I will ask for a job tomorrow.
35:30I think I deserve it after what I went through.
35:32What do you think?
35:34I wish I could get a job, too.
35:36But tomorrow
35:38I have to be at the station.
35:40I have to prepare the show
35:42for the station's inauguration.
35:44And I have invited your boss, too.
35:46Let me tell you something.
35:48Please, don't remind me of that idiot.
35:50Come on, come on.
35:52We are in trouble.
35:54Come on.
35:56You will tell me.
35:58Anyway,
36:00I am going to take a shower
36:02to get rid of the prison's smell.
36:04Don't be afraid.
36:06I have hypertension.
36:08Do you mind if I watch some TV?
36:10No, I don't mind.
36:12You know me.
36:14When I fall asleep,
36:16I can't hear anything.
36:20Oh, my poor girl.
36:22You were locked up in a cell
36:24with porn and porn stars.
36:28Don't say that.
36:30I had a good time.
36:34That's right.
36:36I had forgotten
36:38that you are still Leonidas Lallos.
36:40You put me in a difficult position.
36:46You know how much I appreciate you.
36:48You are a very kind girl.
36:50We are co-workers.
36:52We work in the same office.
36:54It's not right to be so close.
36:56You agree, don't you?
37:02You helped me a lot tonight.
37:04Thank you very much.
37:06But it's better
37:08to go home and rest.
37:10You have work tomorrow.
37:12I know why you feel uncomfortable.
37:14Because I am the boss's daughter.
37:16That's true.
37:18I have to go.
37:20See you tomorrow morning.
37:24See you.
37:26Good night.
37:28Good night, Natalia.
37:48Irini!
37:54Irini!
37:58Irini!
38:00What is it, my child?
38:02Is Melina with you?
38:04No.
38:06Why?
38:08Because she's not here.
38:14Lala!
38:18Lala!
38:26Lala!
38:28Lala!
38:34Lala!
38:38Lala!
38:40Lala!
38:46Melina!
38:48What are you doing here, my love?
38:50Who brought you here?
38:52No one. I came alone.
38:54Alone?
38:56Yes. She wants to be with you.
39:00Come on. Let's go inside.
39:02Let's go inside.
39:10Come on. Let's go inside.
39:14Melina, how many times
39:16do I have to tell you this?
39:18You shouldn't kick him out of the house,
39:20my sweet girl.
39:22Your father will be disappointed.
39:24I don't think so. He was kissing a girl.
39:26He was kissing a girl?
39:28A girl from the office. I don't know her name.
39:30Let me tell you something.
39:32Was it a brown girl with long hair?
39:34Unable?
39:36Yes.
39:38Was she ugly?
39:40No. Very ugly.
39:42It was Natalia.
39:44Who is Natalia?
39:46Natalia is the boss' daughter and I don't like her at all.
39:48Neither do I.
39:50She said she wanted to help you.
39:52Help me?
39:54Who does she think she is?
39:56She just wanted to come to your father and figure it out.
39:58Anyway.
40:00Melina,
40:02no matter how angry you are right now,
40:04because I understand you,
40:06I will call your father and he will be worried.
40:08No. He will want me to go back home
40:10while I want to stay with you.
40:12Listen to what we will do.
40:14Do you want us to call him
40:16and ask him to stay here until nightfall?
40:18You are very smart.
40:20That's why I'm leaving you.
40:22I'm leaving you too.
40:36What happened?
40:38She's not on the street.
40:40Neither are the neighbors.
40:42I have to go to the police.
40:44You stay here.
40:46Don't make any calls, okay?
40:48Oh my God!
40:50Our little girl!
40:52Do you think someone stole her?
40:54What are you talking about?
40:56Leave me alone!
40:58Please!
41:00I have to go to the police.
41:02Please!
41:04I have to go to the police.
41:10Melina?
41:12Not Melina. Lola.
41:14Lola?
41:16Did she let you go?
41:18Yes.
41:20Lola, this is not the right time.
41:22I have a big problem.
41:24I know. I have the solution.
41:26What do you mean?
41:28Melina is here with me.
41:30So...
41:32I come to take her, right?
41:34No, no. Basically, Fotis.
41:36I wanted to ask you this.
41:38We were wondering if we could sleep here tonight.
41:40It doesn't matter to you tonight.
41:42We want it very special.
41:44Don't you feel heavy?
41:46Exactly the opposite.
41:48Take Fiona and go inside.
41:50Hurry up.
41:52Okay.
41:54I was crazy what I did.
41:56But at least now she's fine.
41:58I have a heart attack.
42:00I understand.
42:02I'll put her in bed and call you later.
42:04Okay?
42:06Thank you very much, Lola.
42:10Go to sleep.
42:12Everything is fine.
42:14Thank God.
42:16If it's Lola, I'm calm.
42:22Fotis was happy that Melina loved Lola.
42:24Of course, Lola didn't deny his feelings for her.
42:28But he knew how to insist.
42:30After all, she was the only woman who cared for him.
42:34The woman who woke him up from his slumber.
42:40And one and two, as Trifilara says,
42:42started for Wembley
42:44the year of salvation
42:461971.
42:48In the years of the dictatorship.
42:50Do you know what the dictatorship was?
42:52It was a dictatorship
42:54that controlled the world.
42:56Well done, my love.
42:58You're a great star.
43:00Where were you?
43:02In the end,
43:04Wembley won.
43:06Of course.
43:08We played with Ajax.
43:10Our players were the best we ever had.
43:12Domazos,
43:14Antoniades,
43:16Kamaras,
43:18Sourpis,
43:20and you.
43:24Melina,
43:26we're glad you're asleep
43:28because the paramedic didn't have a good ending.
43:30We lost 2-0.
43:50Come on, Lola.
43:52Come on, go to sleep.
43:54Good.
43:56You don't know
43:58how happy I am
44:00with Melina's strength.
44:02Yes,
44:04and me too.
44:06I'm so happy.
44:08I'm so happy.
44:10I'm so happy.
44:12I'm so happy.
44:14I'm so happy.
44:16I'm so happy.
44:18Yes,
44:20I'm so happy too.
44:22It's really rare.
44:24And you know what they say.
44:26From a child and from a madman you learn the truth.
44:28And the truth for you
44:30is that
44:32you're a very special woman.
44:34A woman that,
44:36if I were to describe her in words,
44:38I wouldn't believe that she exists.
44:42A woman with whom...
44:44Yes?
44:46A woman with whom...
44:50with whom I'm very in love.
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