- 1 year ago
Category
📺
TVTranscript
00:00I can't believe what I've been through! My legs are like a drumstick!
00:03What?
00:04My baby was torn off my underwear and I felt the harsh reality!
00:07What do you mean?
00:09I'm in a rut, my little girl, and I thought that with women's hormones, the ruts would disappear!
00:15Is that what you thought?
00:17Yes, of course I thought that, because all the girls I had, none of them had ruts.
00:20I have news for you. All of them had, I was just taking care not to reveal it.
00:24Seriously?
00:26What do you mean now? How did I take care? Should I take care of it too?
00:29Yes, they had ruts.
00:31Ruts? What if I don't take care of it? What if I light a lamp and go to Panagia's aunt?
00:35I can go to her aunt if I need to.
00:37Well, we don't need to go there.
00:39Let's go in the afternoon and have a drink.
00:41What's that?
00:43Something like the big service you do at your jeep.
00:47You go and they change your tires, oil, brakes.
00:50In general, they change your glory.
00:52So, I'll see you in the afternoon.
00:54Kisses.
00:57Listen to me! Great! You did something else again!
01:00I'm telling you, we'll go to the poems together and you'll write me.
01:02It's serious. Lola has a big problem.
01:04Ok, Karoula, ok, Karoula, do whatever you want, I don't care at all.
01:07But you should know, there will come a time when you'll look for me and the problem will be much more serious.
01:26Boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, Lola, sit down there.
01:47I've never asked you.
01:49Except when you work and study, you have other differences.
01:52I'm not in the mood for talking. I'm working now.
01:55Don't be silly, girl. You're working all the time.
01:57Live a little. Let me get close to you.
01:59I'll teach you things to improve the quality of your life.
02:02What exactly do you want to teach me?
02:04Corridor?
02:06How do you know that I have lumbers, not a corridor?
02:09You don't need a special mind to understand it.
02:12It's obvious that you often visit there.
02:15Do you like the corridor, the square of freedom?
02:18Christ and the Virgin Mary, far from us.
02:21You're a snob. You don't like the boo-boo.
02:24Are you a geographer, my child?
02:26Since when has the corridor become a north-east corner?
02:29You see, it has nothing to do with it.
02:31When we say boo-boo, we don't mean north-east corner.
02:33We mean north-east corner.
02:35The others are foreign.
02:37Well, shall I distribute them to the staff?
02:40Julia, did you do what I asked you to do?
02:43Yes.
02:44And? Did you find the number?
02:46No.
02:47T. doesn't give this kind of information.
02:50The number was a mystery.
02:52They told me that you need a notice.
02:54I also need a notice from the Prime Minister.
02:56You're all incompetent.
02:58I asked you to find me a number.
03:00And we did it in the east.
03:02Grigori, it's not my fault.
03:04I tried and they didn't give me the information.
03:06You can ask me anything and I'll do it.
03:09Leave it.
03:10You don't need to. I'll do it myself.
03:12Incompetent.
03:14I have my way.
03:17What's his problem?
03:19Don't get down on your knees.
03:21Go and distribute the papers now.
03:25You're a pain in the ass.
03:36Come now, Mrs. Zouzouni, it's difficult.
03:39You've done more difficult things in the past.
03:43I can't wait to hear from you about Arsepouritou.
03:47Do you know me?
03:51I've given you information many times.
03:55You've made a career out of me.
03:57If you want to learn from scratch,
04:00find me the owner of the number.
04:03Not now.
04:04Yesterday.
04:08That's right.
04:11I'll be waiting for your call.
04:29Did I interrupt you?
04:31No, I didn't.
04:33You look a bit upset.
04:35As if you were hiding something and you got caught.
04:37Me?
04:38What did I hide?
04:40I don't know. Do you have it?
04:42Yes, Grigori. What do you want?
04:44Answers.
04:45About what?
04:46Your cousin called me.
04:48Yes.
04:49Yes.
04:50He told me to arrange a teleconference with the three of us.
04:53He has some ideas for our new show
04:55and he wants to tell us.
04:57He told me to call him right now.
04:59You have his number.
05:01That's strange.
05:02Before I spoke to him, he didn't mention anything like that.
05:05Maybe he'll think about it later.
05:07Did he give you his number to call us?
05:09No.
05:10No?
05:11No. Why not?
05:13Because he told me not to give his number to anyone,
05:15and I have to respect that.
05:17Besides, I'm here. What do you want?
05:19That's what I told him.
05:21Since Lola is in your position, Leonida,
05:23I told him.
05:24What are you worried about?
05:26I told him you're a capable person,
05:28but he insists.
05:30He feels bad that you're miles away
05:32and he wants to help you.
05:34Really?
05:36Okay, since you feel bad...
05:48You're closing early.
05:50You're going to the hospital.
05:52Your dad is very serious.
05:54Give me his number.
05:56I want to express my condolences.
05:58I told you no.
06:00I'll leave you now because I have work to do.
06:02I'm not going to leave
06:04if we don't talk to him.
06:06What's wrong with you?
06:08If I want him now,
06:10I'll call him and contact you.
06:12Go now, I have work to do.
06:14Where are you going? We're not done yet.
06:16To the ladies' room.
06:18With your permission, of course.
06:20With your permission, of course.
06:30Today, my dear Croats,
06:32we're going to talk about
06:34non-exit relationships.
06:36Relationships that,
06:38even though we know they don't lead anywhere,
06:40we insist on keeping them either out of habit,
06:42out of fear,
06:44or out of insecurity.
06:46These are the relationships
06:48that we can't escape from.
06:50Even though they hurt us,
06:52we put our finger in their face
06:54and refuse to see the truth.
06:58We want to tell you to escape,
07:00but he won't let you.
07:02Of course,
07:04you can react,
07:06you can not answer,
07:08you can shut him up.
07:12Come on, get up.
07:14Come on, get up.
07:16He insists, of course.
07:18Because even though you set
07:20your own limits,
07:22he knows your weaknesses
07:24and knows how to overcome them.
07:30I'm waiting for your calls,
07:32my dear Croats,
07:34to share your personal stories.
07:38To talk about sick,
07:40exhausted,
07:42desperate relationships.
08:12I feel lonely
08:14with your fake kisses.
08:18I feel lonely.
08:20Stefan, what are you doing?
08:22Your friend has a problem.
08:24What happened again?
08:26I feel lonely.
08:42I feel lonely.
08:58I have you here, my little bird.
09:12I have you here, my little bird.
09:18Come on, Nikos, where are you?
09:20I want you, it's important.
09:22I don't care about your card
09:24that Giulia gave you to manage.
09:26Fuck off and come to my office.
09:28It's extremely urgent.
09:42What are you doing here, old man?
09:44Are you cleaning up?
09:46You've caught something.
09:48What is it this time?
09:50I'm chasing something.
09:52What is it?
09:54Just give me a few hours
09:56and you'll find out.
09:58Come on, tell me.
10:00I have only one thing to tell you.
10:02The curse is ready to fall into the trap
10:04and then I assure you
10:06that we will all come out victorious.
10:08Are you done?
10:10What are you going to do now?
10:12Are you going to chase me to the bathroom?
10:14I want to continue what we haven't finished yet.
10:16I see.
10:18But now you can't.
10:20I'll call you when I can.
10:22Bye.
10:32What did you start that you haven't finished?
10:34Don't tell me you're playing LOL
10:36and you're going to the office.
10:38Wait
10:40and you'll see.
10:46Some men
10:48have the heart of a nightingale.
10:50Why can't I have it?
10:54Tell me you're going to make it.
10:56I'm trying, I'm trying.
10:58I need a little time.
11:00But you have to continue my show.
11:02How many more hours do I have to play?
11:04Do you want to make a show
11:06or do you want me to kill you?
11:12Here you go.
11:14LOL, what happened?
11:16Save me.
11:18If I don't talk to you in the next five minutes
11:20I'll see you smoking in jail
11:22and I won't smoke.
11:24Of course.
11:26Of course.
11:28Of course.
11:30Grigorakos just got here
11:32and he wants to talk to you.
11:34Leo?
11:36Leonida?
11:38Leo?
11:42I lost him.
11:44It's not good that we're in Germany.
11:46It's terrible. We have a big problem.
11:48You don't leave your shoes, LOL.
11:50Here you go.
11:52Tell me who you are
11:54and where the LOL is.
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22:54I'm so happy to see you.
22:57What you know about coming in when I finally catch your face?
23:03Wow, what a great teacher!
23:06I wish I lived that long.
23:15Excuse me, what are you doing?
23:17I'm recording new things, I'm learning.
23:19This is going to be my next article.
23:21The fascinating world of beauty.
23:25I'm sure in a few minutes you won't find this fascinating.
23:29What do you mean?
23:31Nothing, just go inside and tell me what you think.
23:36Your turn, are you coming with me?
23:38What do you want from me?
23:52The good that I want from you.
24:08The good that I want from you.
24:38The good that I want from you.
24:53Natalia, what are you doing here?
24:56You finally came, I was looking for you.
24:59What's going on?
25:00What's going on?
25:01I don't know, you tell me.
25:03What are you doing in my computer?
25:04Sorry, I didn't know it was yours.
25:06I was looking for photos, I didn't know where to find them.
25:09You should have told me, I would have found them.
25:12I'm sorry, I was waiting for so long to see them.
25:16I didn't want to open your computer.
25:19I'm sorry.
25:20It's okay, calm down.
25:23Except if you found out my secret.
25:27What secret?
25:29Come on, stop joking.
25:30Come on, Foti, don't joke.
25:33I'm very stressed, I don't know what to do.
25:40I think I should start Tai Chi again, I don't know if you know.
25:44Tai Chi, my favorite.
25:46If you want, I have a very good teacher for you.
25:50Yes, I'm interested, of course.
25:52I have to do it for a long time.
25:54I have to do it since I was in Tibet.
25:56Have you been to Tibet? Seriously?
25:58Yes, and in Tibet, and in Cuba.
26:00Come on, we travel to the same places.
26:04What do you want from me?
26:06We go from here and there, and the most beautiful places are in our country.
26:10In Chania, magic, Foti, magic.
26:13Have you been to the diving center?
26:15Don't talk to me about diving, I'm crazy.
26:17Half of my life I've been underwater.
26:20And in Chania, yes, they have a very good center.
26:22Do you want to tell me? I don't know.
26:24Well done, Natalia, well done.
26:27I'm starting to appreciate you more.
26:30The more you know me, the more you impress me.
26:33Well, it's late, you can show me the photos later, if you want.
26:37I'll be here.
26:39You call me and I'll come.
26:41Okay.
26:48It's six o'clock.
26:50Where is Lola and her article?
27:00Keep young and beautiful
27:03If you want to be loved
27:06Don't fail to do your stuff
27:09With a little powder and a puff
27:12Keep young and beautiful
27:15If you want to be loved
27:17If you're wise, exercise all the fat off
27:20Take it off, off here, off there
27:23When you're seen anywhere with your hat off
27:26Wear a Marcel wave in your hair
27:28Take care of all those charms
27:31And you'll always be in someone's arms
27:34Keep young and beautiful
27:37If you want to be loved
27:58Keep young and beautiful
28:01If you want to be loved
28:04If you're wise, exercise all the fat off
28:07Take care of all those charms
28:10And you'll always be in someone's arms
28:13Keep young and beautiful
28:16If you want to be loved
28:19If you're wise, exercise all the fat off
28:22Take care of all those charms
28:25And you'll always be in someone's arms
28:28Keep young and beautiful
28:31If you want to be loved
28:34If you're wise, exercise all the fat off
28:38Take care of all those charms
28:41And you'll always be in someone's arms
28:45If you want to be loved
28:49If you're wise, exercise all the fat off
28:52Take care of all those charms
28:55And you'll always be in someone's arms
28:58Mr. Leonidas is missing.
28:59Good. I'll wait for him to come back.
29:01I have his keys. We're friends, you understand?
29:03I understand. You don't understand.
29:06Mr. Leonidas is out of Greece.
29:09He's gone to Germany to see his father.
29:14I see.
29:16And...
29:17Who's staying at Lallos' house now?
29:19This information is not allowed.
29:21Take Mr. Leonidas and ask him.
29:24I don't want to bother him.
29:26I'm sure you can help me too.
29:29But...
29:30Come on, come on, come on.
29:31You're a tormented woman.
29:33I don't want to offend you, but I'm sure you need it.
29:36The truth is that I have my son in Bulgaria, who's studying.
29:41Bravo.
29:42Bravo for the child to study and become worthy.
29:46And now tell me, who's staying at Lallos' house now that he's not here?
29:50Mrs. Lola.
29:51A wonderful lady.
29:53A little strange, of course.
29:55A mystery fruit, if you know what I mean.
29:59I understand you.
30:01And what does Lallos have with this Lola?
30:03A cousin.
30:04His father.
30:05And her father is a cousin.
30:07Oh, I see. I see you know all the details.
30:10Of course. What can we do?
30:12Good.
30:15On the condition that you never see me again.
30:18Oh, that's impossible.
30:21How do I know that you're really friends?
30:23Do you want me to find out?
30:25It's impossible.
30:27Maybe this will help you understand better what I'm saying is true.
30:32Then...
30:34You seem like a serious person.
30:36You probably don't have a bad intention, do you?
30:38Don't worry.
30:40I just want to surprise them.
30:42They'll be happy when they see me.
30:45Go on with your work. I'm going upstairs now.
30:50A lazy man.
30:52He knows how to choose friends, Mr. Leonidas.
31:00Tell me you won't be in pain.
31:03I won't be in pain.
31:05No, because all the others were in pain. That's why I'm telling you.
31:09Well, this one will be in pain too, but less.
31:12Oh, okay. I'm off.
31:14Wait a minute, kid.
31:16Wait a minute, kid.
31:18The halawa is the most effective way to get rid of the wrinkles.
31:22The other solution is the laser.
31:24But this one hurts ten times more.
31:26Come on, stop it. I'm off.
31:28Leonidas!
31:29They're right when they say that you men are worse than women.
31:32When you see me, I come here at least once a month.
31:36Once a month?
31:37How much of a runner are you?
31:39I'm a female, my love.
31:41Do you know what they say about women who have grown up to be runners?
31:44They're much, much, much sexier.
31:49What was that?
31:50It was a joke. But you'll get used to it.
31:52The first ten times are hard.
31:54Are you kidding me? And I'm going to go through this mental trauma ten times?
31:57You'll be fine, my girl.
31:58Don't you dare!
31:59I'm going to go crazy in football.
32:01I'm going to be in pain. I'm going to get hit.
32:03I'm going to get it.
32:04I'm going to suffer for ten runs.
32:06There's no way. I'm off.
32:08Come on, my love.
32:09Come on, what's the pain?
32:11Come on, Leonidas.
32:13After Leonidas Lallos, she learned how precious it is to be a woman.
32:16And the struggle we women have to be beautiful and selectable from the other sex.
32:22Everything we shoot for the sake of men, everything we build,
32:27but at the same time we love to shoot.
32:30In a few words, she learned how beautiful it is to be the beautiful sex.
32:34Grigoris, again, learned nothing.
32:43I'm a legend, I'm a legend, I'm a legend every which way, oh yeah.
32:48I'm a legend, I'm a legend, I'm a legend every which way,
33:00but I'm like that not away from out here.
33:05You know I'll bring her in some...
33:08Where are you, Lallos?
33:11Who is this woman?
33:18Excuse me, but why is the lady screaming?
33:21It's the laser room, ma'am.
33:24Like the torture room?
33:27Not the torture room.
33:29The laser is the best way to get rid of the hairline.
33:33Anyway.
33:34Yes?
33:35I've been through a lot in this life.
33:38It hurts a little.
33:39You say it hurts a little? Because I say it's like you're torturers.
33:43You exaggerate.
33:45Is there anything that doesn't hurt at all, girl?
33:48How?
33:49The razor.
33:50The razor?
33:51I mean, my old stage.
33:56Lola.
33:57Ah, Vicky.
33:59What brings you here?
34:00I came for a service.
34:02Service?
34:03Good, I haven't heard that before.
34:05Vicky, let me ask you something.
34:07Do you scream like that in there?
34:09Me? Scream?
34:10Ah, yes.
34:11The laser hurts a little, but then you're a different person.
34:16Of course, I agree.
34:18I mean, I see you.
34:19You're on a huge rise.
34:21After all, wherever you look at it,
34:23you women are huge masochists.
34:27Why us?
34:28Why do you expose yourself?
34:31Come on.
34:32Why do you expose yourself?
34:34First of all, she hasn't done this before.
34:38Ah, first of all.
34:40Didn't you discover her hair loss when you were a little older?
34:42How did you take it out?
34:44Lola doesn't have any hair at all.
34:47I wouldn't say so.
34:49I mean, she didn't,
34:51but she started a stroke with some drugs
34:54and they caused her hair loss.
34:56Oh, poor thing.
34:57Poor thing, I'm sorry.
34:59I don't know about you, Grigori, but you're not alone.
35:01A lot of women have this problem.
35:03Well, I have to go now.
35:05I have a meeting for Botox.
35:07Are we going now?
35:08Lola, I'll see you in the office tomorrow.
35:11Bye.
35:12Bye.
35:16Vicky is doing Botox.
35:18Why? She doesn't have any hair at all.
35:20Exactly, because she does it often.
35:22Most women after the age of 30
35:24quarantine their hair.
35:26Don't look at me.
35:27I'm not a hairdresser.
35:29I can even do a peeling.
35:30You know something.
35:32There are a lot of things that women do
35:35that I don't know about.
35:36And because there's no reason for you to do Botox now,
35:38I'm telling you to understand it.
35:41I'm telling you to get informed by your experts.
35:43Because the next article I'm going to write
35:45will be the price of being a woman.
35:47Oh!
35:49And while we're on the subject of women...
35:54Dora!
35:55Where did Dora go?
35:57Dora!
36:26No, no, no.
36:39Sexy, sexy, sexy, sexy movie.
36:43Sexy, sexy, sexy, sexy movie.
36:47A film by
36:53Mystery.
36:55A lot of mystery.
36:59Everything is about Leonidas.
37:03And Lola is nowhere to be found.
37:06She's basically a ghost.
37:17Eh!
37:20Don't look at me like that, my boy.
37:22There's no other way for me to go up psychologically.
37:25Dora!
37:27Make me an ugly ghost.
37:30As you wish.
37:46An unbearable sight.
37:54This is a journal for the new revolutionary method of cold compressing.
37:58Ah, very nice.
38:00What is this?
38:01We take yeast from our young age,
38:04the oldest, 25 years old.
38:06We keep them in the fridge
38:08so we can use them whenever we want
38:10to renew our cells.
38:12A few years later.
38:13It's a good phase, but we're 25 years old.
38:15Do we have anything else?
38:17No, I've given you a journal for everything.
38:21Study them and for whatever you decide,
38:23we're here at your disposal.
38:25I'm going to study them and write a book.
38:27My little doll, let me kiss you.
38:30I can't imagine how much you've helped us.
38:32We're indebted to you.
38:38Chara, I can't imagine how much I thank you.
38:40You've brought the source of knowledge.
38:42Yes, but you didn't do the math.
38:44Don't worry, I'll do it at home.
38:46And they'll give me a candle.
38:48Will you help me do it?
38:49She says it's harmless.
38:51Leonida, I've had enough of you for today.
38:55I'm kidding, but I have a show.
38:58The creatures of the night are waiting for me.
39:00And I have to write.
39:02I've had a lot of trouble today.
39:03I ate a lot, but I hope the article comes out well.
39:07Come on, let's go.
39:14THE NIGHT
39:19Oh, Lalo.
39:22Most of the time I wanted to kill you.
39:25But now that I've lost you,
39:28I miss you.
39:32However,
39:34I prefer you to the antipathetic ghost.
39:44THE ANTIPATHETIC GHOST
40:15THE ANTIPATHETIC GHOST
40:17THE ANTIPATHETIC GHOST
40:43I'm ready.
40:47THE ANTIPATHETIC GHOST
41:09I'm ready.
41:12I'm ready.
41:15Oh, Vicky.
41:17The pain she suffered today.
41:19I remember her.
41:21And I miss her.
41:24How long has she been here?
41:27Three, two, one.
41:39Let's see what we can do now.
41:44How do you use the candle?
41:46Using the tip of the spatula,
41:49you spread the candle on your foot,
41:52in the opposite direction of this cloth.
41:57Oh, my God.
42:05Oh, good.
42:07Good footwork.
42:10Nice.
42:12And here a little.
42:17Immediately,
42:19place the cloth over the tip of the candle.
42:34Nice.
42:36What happened?
42:38I'll leave it to cool down a little.
42:43Nice.
42:47Now the important thing is the pull.
42:54Oh, God, give me strength.
42:56So, three,
42:58two,
43:00one.
43:02Oh, I can't, I can't, I can't, I can't.
43:04I'm afraid. What should I do?
43:06Come on, Anita.
43:08Come on, my girl, come on.
43:10Are you afraid or are you crazy?
43:12Are you out of your mind?
43:14Have you opened your head to the ball?
43:16Have you played with wood?
43:18Have you done everything?
43:20Now, now, don't run around.
43:25One,
43:27two,
43:29three.
43:31Ah!
43:38I'm dying.
43:44Who is it again?
43:54Lola, are you okay?
43:56No.
43:57What happened? What did you do?
43:59What did I do, dad?
44:01I'm dying, I can't breathe.
44:03I think she's going to leave me.
44:08What's wrong with you?
44:10I came to take you to the Latin Restaurant.
44:12We've arranged it.
44:16I can't breathe. I have to call the ambulance.
44:18I have to go to the hospital.
44:20They have to give me a sedative.
44:22I'm dying, I'm telling you.
44:25Oh, God.
44:29Oh, God.
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