- 9 months ago
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12:36Wow, wow, wow, wow, wow.
12:38Does it hurt?
12:40Yes, a lot.
12:45It seems to me that I'm a complete woman now.
12:50And it's time to say goodbye forever
12:54and find a good gynecologist.
12:57I'll call him.
13:01Come on.
13:07Good morning, Fotis.
13:09Are you feeling better?
13:11Oh, you're writing your article. Perfect.
13:14Let me tell you, send me what you've done
13:17so I can start thinking about the images we're going to use.
13:20It's done. See you later.
13:23Bye.
13:28Hi, Fotis.
13:30Hi. What's up? How are you?
13:32I'm fine. How are you?
13:34Me? What am I doing?
13:36As usual. We were talking about Lola.
13:39What happened last night? Why did she disappear?
13:42She didn't feel well and she left so she wouldn't ruin our radio show.
13:46How sweet.
13:48Fotis, I want to thank you. I had a great time yesterday.
13:52Yes, it was great. You dance wonderfully.
13:56When I have a good partner. And yesterday I came.
13:59Come on, what are you talking about? I'm not great at dancing.
14:02I wasn't saying that. But I think we're a great couple.
14:06Really?
14:08Fotis.
14:10Do you know anything about Lola's article? I'm worried.
14:14Yes. I was talking to her. She's a bit sick.
14:18But she'll send me the material so I can start working.
14:22Perfect.
14:26Perfect.
14:32Lola.
14:39Lola, in a distant past, when she was a man,
14:44was very angry with the women who used the woman's peculiarity
14:48on difficult days to get out of work.
14:51In a few words, she considered them to be pussies.
14:56Leonidas Lallos, like most men,
14:59was angry that women wanted equal rights,
15:03equal opportunities to grow professionally,
15:06and at the same time, free motherhood,
15:08extension of the pension,
15:10and special treatment some days of the month.
15:16He considered all this to be female hysteria
15:19and exploitation of their nature.
15:21Now, however, he didn't believe it anymore.
15:31I have to explain to you, my child,
15:33that one of the principles of this company
15:35is the avoidance of emotional situations
15:37between the members of the staff.
15:39And why are you telling me all this so formally?
15:41You know very well why I'm telling you all this so formally.
15:44Because I don't want to be a burden to you.
15:47I don't want to be a burden to you.
15:49That's why I'm telling you all this so formally.
15:51Ah, you mean Foti.
15:53Bravo, my girl. You found it.
15:55Oh, dad, please, don't preach to me.
15:57I'm not preaching to you, Anatalia,
15:59but you have to know that these are the principles of this company,
16:01which keep...
16:02From the Middle Ages.
16:03Please, don't intimidate me.
16:05Here, you've been doing this since you were a child.
16:07Let me tell you, Anatalia, let me tell you.
16:09In full, if you don't understand.
16:10Look, you're not my daughter in here.
16:12You're just an employee.
16:13And I don't make distinctions.
16:15And are you sure you know all my personal feelings?
16:18Is this how you receive people?
16:20What do you mean by Lola?
16:22I don't understand.
16:27Mail from Lola.
16:29She must have sent it to the editor.
16:31Julia, come here, please,
16:34to unlock the computer.
16:36Yes, it has this thing on it.
16:38How do you call it?
16:39The connector, my girl, come here.
16:49Lola.
17:00She's cute.
17:01Well done, my boy, well done.
17:10He's good.
17:12But I know him somewhere.
17:14I know him somewhere, but from where?
17:19I don't know.
17:29I knew you'd come.
17:31I was waiting for you.
17:33I was waiting for you.
17:47Lola.
17:48Lola, what's going on?
17:50What's wrong?
17:51I can't believe it.
17:53Calm down, Lola, please.
17:56How can I calm down?
17:58You can't imagine what's happened.
18:00Everything will pass.
18:02Don't talk to me like that.
18:04It will never pass.
18:06It's the first time I see you so upset.
18:09It's the first time I cry in front of someone.
18:12That's not bad.
18:13Cry, cry.
18:14How is it not bad, Fotis?
18:16It's stupid.
18:17It's stupid crying in front of me.
18:19Don't talk like that about yourself.
18:21Lola, don't deny your sensitivity.
18:24It's like you hate your feminine nature.
18:26Huh?
18:29Did I say something I shouldn't have?
18:31What did I say?
18:32Nothing. You said the truth.
18:34Lola, it's not bad to express your emotional world.
18:39What?
18:40It's not bad to express your emotions in general.
18:43What are you talking about, Fotis?
18:45The last time I acted in public or in the movies
18:50when Darth Vader defeated Luke Skywalker
18:55and then I was just a little boy.
18:59A little girl.
19:01It's not bad.
19:02Even big girls cry.
19:04Cry, Lola. Cry.
19:06No.
19:08I don't want to cry.
19:09Let it go. Stop it.
19:11Stop it now.
19:12No, it's not bad.
19:13Let's talk about something else.
19:14No, no, no.
19:15Let's talk about work.
19:16That's why you're crying.
19:17About work.
19:19Yes.
19:20Yes.
19:21That's why I'm here.
19:23Can you tell me something else?
19:27No.
19:28It's just that you couldn't come to the office today.
19:31That's why I'm here.
19:32Because we have to finish TEFCO today
19:34and decide on some issues.
19:36The two of us.
19:39And that's why you're here?
19:41Yes.
19:42If Mohamed doesn't go to the mountains...
19:44I went back to the mountains.
19:46No, no, no.
19:47I didn't mean it like that.
19:49No.
19:51Come on, Lola.
19:52I'm begging you.
19:53It's okay.
19:54I'm fine.
19:57What are these?
20:02These are...
20:04flowers.
20:07Yes.
20:09For whom?
20:13For you.
20:16For me?
20:22You're welcome.
20:27Are you crying, you idiot?
20:35In the end, I decided to go on a date with Grigori.
20:38I didn't say anything to Lola
20:40and I went to meet him in Barracuda.
20:42I thought that this way I would help her.
20:45I was sure that I would make Grigori talk to me.
20:48I was sure that I would learn his intentions
20:51and I would understand his strategy.
20:53I knew he was a dangerous guy
20:55but I believed that I could handle him.
20:58Anyway, this disappearance of Leonidas
21:00seems a bit strange to me.
21:02What do you mean?
21:03I mean that he's not used to giving up his job.
21:06He's never done it with his style.
21:08He's never had a serious family problem
21:10and Leonidas doesn't usually talk about his family.
21:14Maybe.
21:15Anyway, it's strange.
21:16He leaves suddenly and sends his cousin.
21:18He never told me that he has a cousin who works in the field.
21:21Do you know Lola for a long time?
21:23Yes, of course.
21:24Almost as long as Leonidas.
21:26We grew up in the same neighborhood.
21:28In Sampelokipos.
21:30How old was Lola?
21:34She was a young girl.
21:35She was always playing ball with the boys
21:37and she used to hit the wood for a high jump.
21:40What about you?
21:41Me?
21:42I used to play with iron and nails.
21:44Have you seen Maria?
21:45The ugly one?
21:46Much uglier.
21:47But now you're more beautiful than beautiful Helen.
21:51Come on, Grigori.
21:52Don't exaggerate.
21:53I'm not joking.
21:56I was trying to handle him.
21:58But he was also trying to handle me.
22:01The match was a draw.
22:07Well, I know him somewhere.
22:10For sure.
22:11But from where?
22:12Good morning.
22:13What are you doing?
22:14Nothing.
22:15I'm shopping.
22:16Who is this guy?
22:17Who?
22:18It's Marios.
22:19Who is Marios?
22:20Your Marios?
22:21My Marios.
22:22Not yet, I hope.
22:25I'm telling you, Eugenia.
22:26I know him somewhere.
22:27I've seen him recently.
22:29Me too.
22:30Me too, me too.
22:31But I can't remember from where.
22:33Oh, I just remembered.
22:34I saw a picture of him.
22:35He was wearing a necklace.
22:36Natasha's?
22:37Angelina's, my love.
22:38He's Brad P.
22:41You're right.
22:43He looks so much like him.
22:44Yes.
22:45Yes.
22:46But Brad P. has lost some weight lately.
22:48But he's a fresh guy.
22:50He's better than Brad.
22:52Get him.
22:53Get him, don't look at him.
22:54I'll get him, my love.
22:55I'll get him.
22:56I'm afraid he won't get you.
22:58Why?
22:59Eugenia, you're not Angelina Jolie anyway.
23:02Okay, I'm not Angelina Jolie
23:04because she has a more exotic beauty.
23:07But with a few small changes
23:09I can look like Jennifer Aniston
23:12who also has a Greek origin.
23:14That's great.
23:15Science has done wonders.
23:16Dieta, Botox, liposuction,
23:18liposuction,
23:19facial transplantation.
23:22Excuse me.
23:23Are you trying to say that I'm so ugly
23:25that I need plastic surgery?
23:26Plastic surgery.
23:27A plastic bag on your face is what you need.
23:29Have a nice day.
23:33Don't tell me it's because of the towels.
23:40Lola.
23:42It's very good.
23:45It's...
23:46It's the most interesting thing ever published in Meester.
23:50Really?
23:51Really.
23:52Really.
23:54I don't do this job, you know that, right?
23:56Yes.
23:59It's...
24:00It's full of revelations.
24:03You know that we men
24:05don't have a lot of information about women.
24:09Yes, the truth is that we don't.
24:11We don't?
24:13Yes, of course.
24:14Don't you?
24:15Yes.
24:16And the most important thing for me is that your article
24:18follows a telegraph
24:19that you dedicated to the previous issue.
24:22You introduce us to the world of women.
24:25A world full of surprises.
24:28Surprises, nothing else.
24:30What are you saying?
24:31I'm saying...
24:32Nothing, baby, nothing, nothing.
24:34Let's find something else to say.
24:36Really, Poti.
24:37What happened yesterday?
24:38After I left with Natalia?
24:40Did you dance?
24:42No.
24:43We left after you left.
24:45What did we do?
24:46We went to her car.
24:48And then I came back home.
24:50Home alone.
24:51And I called you.
24:53Why are you asking?
24:57Nothing, baby.
24:58I'm worried.
24:59I'm worried that something might happen to the company.
25:02What are you saying?
25:03I don't know, but as you know
25:05I don't want to mix up my personal life with...
25:08With your professional life, I've heard.
25:10Exactly.
25:11And because, you know, everyone in the company is a nutjob...
25:14Yes, it's the sport that they like.
25:17And because I think that Natalia,
25:19especially in this sport, is a pioneer...
25:21Look, now,
25:22from the little I know of her,
25:24Natalia doesn't seem like a nutjob to me.
25:27Guess who I saw last night
25:29eating tete-a-tete in a Greek restaurant.
25:31Who?
25:32Fotis and Lola.
25:33Really?
25:34How did they miss it?
25:35Tell me, tell me.
25:36What do you want to know?
25:37Details.
25:38If they were holding hands, if they were looking into each other's eyes, things like that.
25:40No, they were just eating.
25:42It can't be.
25:43Why?
25:44I don't know, I have a feeling.
25:45It can't have been just a professional dinner.
25:47Yep!
25:48I heard you.
25:49What happened?
25:50Do we have a new show on our hands?
25:52Welcome to Tatiana, Lampiri and Chios,
25:54in the package of UNOS.
25:55And in the size of a bag.
25:57Here.
25:59I can't forget the last time we played ball with Lala.
26:02A team of juniors against a commercial division.
26:05We always had a competition with them.
26:06We lost 3-2.
26:07And in the last minute, I give a crazy pass to Lala
26:10and he, with an amazing shot,
26:12scores the right wing.
26:14He played good ball.
26:16I mean, he plays.
26:17Yeah.
26:18You know, I often think about the last time I saw him.
26:21We were here.
26:22We were hungry and we were talking.
26:25The thing is, I don't remember exactly what we were talking about.
26:27Because we were blind.
26:30I know.
26:31When you hang out with someone,
26:32all the details become important.
26:34I think about it all the time,
26:35because I wonder if I said something that offended him.
26:38Maybe this is the reason
26:39why he didn't want to give me his phone number.
26:41But you said you were talking.
26:43Here.
26:44Yes, we were talking,
26:45but I don't remember what we were talking about.
26:46After ten shots.
26:48I understand.
26:50Are you sure he doesn't have his number?
26:52Yes.
26:53Only Lala has it.
26:57I can't wait to go back.
26:59Me too.
27:01I can't imagine how long it will take.
27:31I'm sorry.
27:49Hello?
27:50Just a minute.
27:51Nikos, Nikos.
27:52I'm taking a picture.
27:53Can you send it to me, please?
27:54Right away.
27:55Yes, tell me.
27:57Yes.
27:59Oh, yes, yes.
28:00Yes, yes, yes.
28:01Okay, yes.
28:03Goodbye.
28:04Chris?
28:05Who is this girl?
28:06This girl, my friend,
28:08is my star.
28:09Stella.
28:11Are you kidding me?
28:12No.
28:13Are you serious?
28:14Hey, I'm telling you.
28:15You told me she's a goddess,
28:17but she's not a goddess.
28:21I didn't tell you
28:22you could hit such a part.
28:23Let me tell you.
28:24Never underestimate a man
28:25with my experience, right?
28:27There's a lot here.
28:29I'm a magician, my boy.
28:30And if you like,
28:31you can take classes, right?
28:32I'll give you a good price.
28:41Something's missing.
28:42What's missing?
28:43Something's missing.
28:47I found it.
28:48We need more
28:49semi-naked women.
28:50The background
28:51shouldn't be too sexy.
28:52What?
28:53What, what, my boy?
28:54Why are you looking at me like that?
28:55We're a men's magazine.
28:56We can't change the style.
28:58But the style has changed.
29:00The magazine has changed
29:01thanks to you.
29:03Lola, your article
29:05is very strong.
29:06It doesn't need
29:07naked photos
29:08to be read.
29:09To be read?
29:10No.
29:11But to be sold?
29:12Don't forget.
29:13Naked is our strength.
29:16What did you just say?
29:17What?
29:18The exact same thing
29:20I've heard from Lalo.
29:23Yes.
29:24Okay, then why
29:25are you so impressed?
29:26Because you're a woman.
29:27You write like a woman.
29:28You think like a woman.
29:30And now
29:31you talk like a man.
29:32Yes, but it's not true.
29:35Foti, don't worry.
29:36We'll believe you.
29:37We'll believe you
29:38and everything will be fine.
29:40The magazine
29:41won't be sold like that.
29:42So, did you bring the plotter?
29:44Yes, but
29:45no one gave me anything.
29:47Seriously?
29:48Yes.
29:50This was Grigori's job.
29:51Now he won't listen to you.
29:57Unbelievable.
29:58A doll.
29:59Yes.
30:00Did you see how I hit the doll?
30:04Yes?
30:05Grigori?
30:06Where are the plotters?
30:08The plotters?
30:10Where are they?
30:11I don't know.
30:12You should know.
30:14Who do you think
30:15I should ask?
30:16I'll find them.
30:17I'll take care of it.
30:18When do you want?
30:19Yesterday.
30:21And you won't take care of it.
30:23You'll manage it
30:24in the next hour.
30:25Do you understand
30:26or should I paint it?
30:27Okay.
30:28Okay.
30:29I'll take care of it.
30:31I'll wait for you
30:32in an hour.
30:33You're the manager.
30:35It's your job
30:36to know where the material is.
30:37Look,
30:38I have a difficult request.
30:40Let me tell you something.
30:41It's more difficult
30:42than mine.
30:43I'm at home,
30:44I'm sick
30:45and I'm finishing the material
30:46from here.
30:47Do you understand?
30:48I could do anything else
30:49and leave it
30:50in the hands
30:51of my clients.
30:52I'll find them.
30:53Don't worry.
30:54Everything is under control.
30:55It's worth it.
30:56Don't tell me
30:57that it's worth it.
30:58It's up to you
30:59to do your job.
31:00Don't worry.
31:01It will be done.
31:02It's simple.
31:03That's why
31:04the simple dismissals
31:05don't count.
31:06What do you mean?
31:07You're dismissing me?
31:09I'm not dismissing you.
31:10I'm just putting you
31:11in your place
31:12because you probably forgot it.
31:13What do you mean?
31:14I mean, Grigorakou,
31:15that as much as it hurts you,
31:16your position
31:17is under mine.
31:18So, instead of wasting time
31:19asking about my article,
31:20it's better to take care
31:21of the overall content
31:22of the magazine.
31:23Do you understand?
31:25That's why you're paying.
31:36Lola,
31:37be careful.
31:39It's not the right time
31:40to turn him against you.
31:42Grigoris is a dangerous enemy.
31:44And as a friend,
31:45he's dangerous.
31:47You're right.
31:49The strange thing is
31:50that Lallos
31:51considered him his friend.
31:55Lallos made a mistake, Grigoris.
31:57And for a few other things.
32:04Hello.
32:06Everyone is talking about Lallos today.
32:08Who else is talking about Lallos?
32:12These are beautiful flowers.
32:14Who brought them?
32:15Fotis.
32:19Nice?
32:21Yes.
32:23I have to go now.
32:24Take your time.
32:32We need the simplest,
32:33the shortest possible.
32:34Are we agreed?
32:35You have half an hour
32:36to bring them to me.
32:37Half an hour?
32:38Yes, half an hour.
32:39I want strong topics.
32:40With character.
32:41Find me the one
32:42that has a fridge and bring it to me.
32:43Of course. Let's go.
32:45This Lola
32:46is the worst
32:47that could happen to me.
32:48So bad?
32:49Worse.
32:50I want revenge.
32:51I want to humiliate her
32:52the way she humiliates me.
32:55Why are you smiling?
32:56Because I have some information
32:58that could be very useful.
33:00Do you know
33:01which one she was eating
33:02last night?
33:03Which one?
33:04Lola, my child.
33:05Focus.
33:06With Fotis.
33:07Aha!
33:09Lola!
33:10Lola!
33:11Lola!
33:12Lola!
33:13Aha!
33:14I knew it!
33:15They're planning something behind my back.
33:16No, no.
33:17I don't think
33:18it was professional
33:19the reason for the meeting.
33:20Something is cooking.
33:21Slowly, Papadia.
33:22I didn't even realize
33:23that Fotis liked it.
33:24I don't care if Fotis,
33:25Argyris,
33:26Giulia,
33:27my grandma,
33:28my aunt,
33:29even my mother,
33:30even you like it.
33:31They are going to
33:32stab me in the back.
33:33We don't know that for sure.
33:35Because when we find out
33:36it will be too late.
33:37I already took the measures.
33:39What do you mean?
33:41I met Chara today.
33:43We had a good time.
33:45She is ready to talk.
33:46Really?
33:48I will see her a couple more times
33:50and I will learn what I want.
33:51Yes,
33:52but you don't have to
33:53use the big media
33:55to learn.
33:56It would be a shame
33:57for this bunch.
33:59If you don't make a bunch
34:00you won't build, baby.
34:02And I want to build my career
34:04on this bunch
34:06as a general manager
34:07of the Ministry.
34:11No.
34:13No.
34:41There's no guarantee
34:43that if I knew the answers
34:45it would put my mind at ease.
34:49So I'll just keep on going
34:51the way I've gone so far
34:54and maybe I'll end up
34:56trying to catch the falling star.
35:00But I don't wanna think about
35:02what's gonna come around for me.
35:04I'll just take it day by day
35:06cause it's the only way
35:07to be the best that I can be.
35:10Woo!
35:12Why don't you talk to me?
35:14Are you still mad at me?
35:16We're closing soon.
35:17I don't have time.
35:18Next time.
35:19Don't you miss Julia?
35:22Come on, come on.
35:23Come on, my Sunday boy.
35:24Get to work.
35:25Get to work.
35:26That's it.
35:27Bravo, bravo.
35:28Bravo.
35:29I like that.
35:30That nerve.
35:31That intensity.
35:32That intensity.
35:33That's my oxygen.
35:34My vitamin.
35:35My nervousness.
35:36Julia, the antioxidants in my office, please.
35:38Hey, Pano.
35:39Where's Fotis?
35:40I want to know what he's doing.
35:41Fotis?
35:42He's not here.
35:43He's not here?
35:44He's not here today
35:45when we're closing in Tefkos?
35:46Where is he?
35:47Julia!
35:48And the pills for the pressure, please.
35:50Fotis isn't here.
35:52Nor is Lola.
35:53Fotis went to Lola's house
35:55to close in Tefkos.
35:57Lola didn't come again
35:58cause she wasn't feeling well.
35:59Really?
36:00Yes.
36:01Poor thing.
36:02What's wrong with her?
36:03Who knows?
36:04Maybe she's having an affair
36:05with Mojitos last night.
36:06Did they beat him up?
36:07Mojitos.
36:08Not Moskitos.
36:09Oh.
36:10Yes.
36:11They're going to talk
36:12in her house in Tefkos.
36:14Last night
36:15they were out.
36:16The two of them.
36:17Yes.
36:18This Tefkos
36:19they've been talking to him for hours.
36:20Something good will come out of it.
36:21Yes.
36:22Yes.
36:37I'm glad.
36:38Fotis was enthusiastic
36:39about my article.
36:40I was the first
36:41to say that it was good.
36:42Fotis said it was
36:47I said that too.
36:48Forgot.
36:49Didn't he?
36:50He's the best
36:51person you've written
36:52with in your life?
36:54Really?
36:55Yes.
36:56Yes, Leonida.
36:57Or rather, Lola.
36:58Cause this article
36:59belongs to Lola.
37:00Leonidas couldn't
37:01believe it.
37:02You should.
37:03Right?
37:04It's a good
37:05article.
37:06Leonidas would never be able to write such an article.
37:09Let me ask you something.
37:11When you came in, were you talking to someone about Lalo?
37:15Who?
37:16Who? With who?
37:19With Giorgos. You don't know how he is with his jealousy.
37:23I'm late. I have to go to the station.
37:26I'll talk to you later. Bye.
37:36LALOS WOULD NEVER BE ABLE TO WRITE AN ARTICLE
37:39Lalos would never be able to write such an article.
37:57You don't look like a woman.
38:00Think of yourself as a woman.
38:06LALOS WOULD NEVER BE ABLE TO WRITE AN ARTICLE
38:09LALOS WOULD NEVER BE ABLE TO WRITE AN ARTICLE
38:12Vanna, bravo. Very good.
38:14Stelio, bring me the drafts for the final edits so I can print them out.
38:19Now. Wait a minute.
38:23Two sugars, right?
38:25Yes.
38:26What a day.
38:29We're in the closing.
38:31We worked a lot, but it's coming out very well.
38:34Thank you for everything you did with Lola.
38:36Here it is. Bravo, Stelio.
38:39Let me see.
39:05What a day.
39:07Eugenia.
39:09Yes?
39:11I was thinking about this morning.
39:13What?
39:15What we said about Mario.
39:17What? That he's handsome?
39:19No. Mario is handsome.
39:21What we said about you, about your appearance. I don't think it was a lie.
39:25Look, the truth can't hurt you, but sometimes it hurts me.
39:30You know, maybe it sounded a little harsh.
39:32But I said all that to annoy you, to get involved with yourself more.
39:37Okay, you're right.
39:38And it was a little impulsive, but Stelio is like that.
39:41Now, if your friend sees this, he'll get mad.
39:44Yes. The truth is that I feel you, too, my friend.
39:47You may be a little crazy, but I love you.
39:50What do you mean, crazy?
39:52What do I mean, crazy? I mean your way.
39:55A little impulsive, a little over-the-top.
39:58You say bad things. Sometimes I think...
40:00Maybe you're confused between anger and rage, because you're angry, too.
40:05I don't give a damn. Then we'll get drunk.
40:25I'm so lucky.
40:26The host of the show came to show off his star.
40:29Yes, I'd say he came to check out his work.
40:33Okay.
40:37It's a little late. You're not even preparing the show.
40:41You know how I work.
40:43I do my show with the Socrates brothers. I never prepare my themes.
40:47You've always liked my ability to self-design.
40:49Yes, but...
40:52But lately, you've lost your freshness.
40:56You've started to repeat yourself.
40:59Last night, I lost my freshness for a minute.
41:01What's wrong, George? Is there a problem?
41:59I have a problem.
42:00You're not even here to tell me what it is.
42:02I'm not here to tell you what it is.
42:04I'm here to tell you what it is.
42:06You can go to hell.
42:07I don't need one of your excuses.
42:09I'm not doing anything.
42:11I'm doing a show.
42:12I'm not doing anything.
42:13I'm just here to show you how I work.
42:16I'm doing it for my friend.
42:17I'm not doing it for you.
42:18I'm doing it for me.
42:19I love you.
42:21I love you.
42:23I love you.
42:24I love you.
42:26I love you.
42:27Melina, my little girl, what are you doing here?
42:33I wanted to see you.
42:35And how did you get here?
42:40You are Lola?
42:42Yes.
42:43How are you?
42:44Fine.
42:45I am Elena, Myrto's mother, Melina's friend.
42:51Oh, yes, yes, of course. Come in.
42:57Come in.
43:06I'm sorry we came so early.
43:09I went and picked up the girls from school today,
43:12because they have arranged to play.
43:15And Melina insisted that we pass through here,
43:18because she wants to give you something.
43:20Yes, that's why.
43:22We will be waiting in the hall.
43:27Bye.
43:29Your house is very beautiful.
43:31Really? Like you?
43:33Very.
43:47Is this for me?
43:49Yes.
43:51Thank you very much. I will take care of it.
43:54Is this your friend?
43:56No, no, this is my cousin.
43:59Your cousin is very handsome.
44:01Thank you very much.
44:03He will like you very much, too.
44:05You know what? When you return from his trip,
44:08I will arrange for you to meet.
44:10Is he on vacation?
44:12I don't know.
44:14I don't know at all.
44:17Thank you very much, Elena.
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