- 9 months ago
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TVTranscript
00:00We work here. If you want to make a living, you can go to other companies.
00:11Did you hear me?
00:13Of course I heard you.
00:15And...
00:17I give you my word, I promise you...
00:20I promise you, not just a superficial promise, but from the bottom of my heart...
00:26...that I will either take seriously what you said...
00:31...or I will look for another job.
00:38I wish you a good weekend.
00:47What the hell are you looking at me like that?
01:26What the hell are you looking at me like that?
01:32Victoria, what happened last night?
01:34I was waiting for you to leave.
01:36You told me to go to the bathroom and then you disappeared.
01:38I've been looking for you for an hour.
01:39Relax, you found me.
01:41I hope you don't get mad at me today, because we left something in the middle.
01:45I have a business meeting now, we'll talk later, ok?
01:48No, stay here for a while and when we leave, come pick me up.
01:51Of course, I won't forget you.
01:56Let me tell you, Vicky...
01:58...every time I ask you for a job, you kick me out.
02:00But this time, I have an offer for the premiere of Papathanasiou's opera.
02:04Tomorrow night, what do you say?
02:05Are you coming? Thank you.
02:06Tomorrow night I can't, baby, I have another job.
02:09Come on, Vicky, there will be a party later.
02:11Let me tell you, apart from the office, I don't want to have a relationship with you...
02:15...or with anyone else, ok?
02:17And I'll take care of my own business, if you want to see another job.
02:19Do you want to have a relationship with me?
02:22You are a foreigner, I'm sorry.
02:26Someone told me that Vicky is leaving with Teo tonight.
02:30And you, what do you think?
02:32No, I mean, what do you think?
02:34Nothing.
02:35And Vicky and I are together.
02:37Are you two in love?
02:40Personally, I really like the humor.
02:44Do you like it?
02:46Sorry, what am I asking?
02:48It's obvious.
02:50Yes, from what?
02:52From your black mask.
02:54Should I tell you a joke?
02:55Not now, another time.
02:57Is that how you talk to your friend?
02:59No problem, speak freely.
03:01Come on, I did it.
03:05Here, let me tell you.
03:07What are you doing on Saturday and Sunday?
03:09On Saturday and Sunday I do a lot, I have a lot of invitations.
03:13Why are you asking?
03:14Nothing, baby, I have an invitation for the premiere of Papa Thanasiou's opera.
03:19And I was saying...
03:20You were?
03:21I was going to give it to you to go with a friend, but since you have so many invitations...
03:25Bye.
03:37Good night, Julia.
03:38Good night, Mr. Argyris.
03:40And have a nice Sunday.
03:45Where are you going?
03:46In a bit.
03:47Don't worry, it's not an exaggeration.
03:49I'm not worried, my dear.
03:51And if you exaggerate, I'll pay you with my heart.
03:54You should know that I appreciate everything you do for the company.
03:57And I'm sorry if I'm interrupting you.
04:00What are you talking about, sir?
04:02You're my boss, and I'm just a receptionist.
04:04If you don't call me, who will you call?
04:06Your wife?
04:07Why are you paying me anyway?
04:09To have someone to understand you.
04:12Thank you, baby.
04:14You should know that I appreciate everything you do for the company.
04:17Go on, go and rest.
04:20Have a nice Sunday, ma'am.
04:21You too, Mr. Argyris.
04:22I'll see you on Monday.
04:31Come on, you idiot.
04:32You've been holding the elevator for an hour now.
04:34This idiot was your boss, Mr. Argyris.
04:37And be careful how you talk about the boss.
04:39Okay, okay.
04:40Let me tell you, where is Grigoris?
04:41He went to play ball.
04:43At the bar.
04:44They went to the bar and they drink like they always do after work.
04:46Do you know where the bar is?
04:47Of course I know.
04:49What are you waiting for then?
04:50Let me tell you.
04:52Do you want us to go out on Sunday so that we can re-determine our relationship?
04:58Don't be so cultural with me.
05:00I'm not going anywhere anyway.
05:02Okay.
05:04We'll meet one day anyway.
05:07One day.
05:08But not this Sunday.
05:10Nor any other Sunday until at least 2050.
05:27So, how do you feel about meeting on Sunday?
05:30I'm very busy on Sunday.
05:32I have a date, I have to see friends.
05:34Besides, where can we meet?
05:37At my hotel, of course.
05:38It's amazing.
05:40You have a pool of Olympic dimensions and a great Moroccan restaurant.
05:44I say we order food at my suite and we go.
05:47Are you trying to trick me?
05:49If I manage to make the others wait, I'll let you know.
05:52Okay.
05:53If you don't mind.
05:55I've got so much fun.
05:57I've got so much fun.
06:00I've got so much fun.
06:03Dad!
06:05You're all dressed up and going to the village?
06:09Don't you cut the humor?
06:11Do you want something?
06:12First of all, I want you to speak more politely to me.
06:14And secondly?
06:15How was your day?
06:17Perfect.
06:18As always.
06:20Grigori, we're ready. Let's go. Nikos is here.
06:22Great. Pack your things and let's go.
06:24Of course. It's Friday. Football.
06:26Don't be silly. It's not for women.
06:28You don't know we play football every Friday.
06:31It's obvious.
06:33And Lallos told me.
06:35Do you know how many times I've asked him to go out and play football?
06:38Come on, guys. Let's go. I want to play football.
06:40We have a derby on Sunday. Let's not forget.
06:43Yes, yes.
06:44Panathinaikos-Olympiakos. We'll rock again.
06:47What do you mean?
06:48I don't get it.
06:49I don't think you're Vaselaki.
06:50Of course I am. Like Lallos.
06:52After all, we're from the same birthplace.
06:54Our father's house is next to the grave of Indus.
06:58So, guys, we'll watch the match at my house, right?
07:00Yes, yes. Let's go.
07:01Okay, I'll come too. If it's a derby.
07:04Don't go to my house. Go to my friends'.
07:06We don't watch football with women.
07:08What's wrong with women?
07:10That you're going to eat four balls?
07:12What does that tell you?
07:14Let's go, guys.
07:15Let's go, because I can't listen to ideas from women who do what they know from football.
07:21Good weekend. And don't watch the derby.
07:24Do something that suits you more.
07:28You're all the same, Gavrilo.
07:33Trapped in Lola's body, Lallos began to experience it alone from the other men.
07:39And the company with women was the last thing that interested her.
07:43It was at such moments that the complaint caught her.
07:46It was at such moments that the complaint caught her.
07:49I'll have a nice weekend.
07:51I'm glad I have Chara, too.
07:57Chara! Charoula!
08:00Where are you?
08:02It's Friday and it's getting late.
08:06Do you want to go for a drink?
08:09Where are you, my friend, Chara?
08:11Come, my girl, I'll take you out to have fun.
08:15I would love to, but I have an appointment.
08:18With whom?
08:19I'm going to George tonight to talk to him.
08:22Didn't you break up? And what's with the suitcase?
08:25The suitcase is that I know when the conversation with George will end.
08:28I'm going to sleep at his house.
08:30And you're going to leave me alone tomorrow?
08:33Tomorrow I have to replace a producer at the station who has fallen ill.
08:36He's doing a show for monastic weekends.
08:39And what am I going to do now?
08:42If you want, I can cancel everything and stay here.
08:45No, come on.
08:46Monastic weekends have more need than I do.
08:49Well, you know what I'll do?
08:51I'll cancel George and I'll stay here with you.
08:54No, come on, you don't have to.
08:56Besides, I have the phone number of the delivery man in the fridge.
09:01Besides, we women, to tell you the truth, Chara, we need time for ourselves.
09:06And basically, we shouldn't forget about Sunday.
09:09I live for the moment when we will unleash the Olympians.
09:12I live.
09:13Well done. That's how I want you.
09:15And tomorrow, don't forget to listen to the show, okay?
09:18Yes.
09:19I'll give you a kiss.
09:24Be careful.
09:25Lock the door.
09:26I love you.
09:38Look at you now, Leonida.
09:40How are you going to get through the weekend?
09:57How many do you want?
09:58Two.
09:59Two what?
10:00Big ones.
10:01Come on.
10:02Two big pizzas, I mean.
10:03Oh.
10:04I'll bring half the money last.
10:07Only half?
10:10A lot of half.
10:18You're welcome.
10:20I don't have change?
10:21Yes, yes.
10:24Fifty euros.
10:29Sorry.
10:32I'll leave it to you.
10:34Bye.
10:35Bye.
10:37Bye.
10:38Bye.
10:45I'm perfect.
10:49Look at the difference now.
10:51If you saw the same scene,
10:53an empty box of pizza and beer,
10:55and a half-asleep man on the couch,
10:57trying to keep his eyes open with his teeth,
11:00to see the constant agony and action of an American on TV,
11:04what would you say?
11:06Would you feel sorry that on Friday night,
11:08instead of enjoying his life,
11:10a lonely man is sitting on a couch?
11:12Well, it would seem very normal to you.
11:15And it wouldn't seem normal to Leonida.
11:17Not to mention very annoying.
11:19But a woman alone on Friday night
11:22is the definition of an old lady.
11:24Anyway,
11:26a scene like this is not worth anything for a woman.
11:53A FEW HOURS LATER
11:56A few hours later,
11:58another man has left his house,
12:00looking for a quiet place to spend his Saturday.
12:03Will he be able to do it?
12:08God, what have I done in this life and I pay it like this?
12:13Yes, Elvira.
12:15I can't talk to you now, I'm in a meeting.
12:18Yes, that's who I was talking to.
12:21Yes, people.
12:22Of course there are people, a lot of people.
12:26My child, we don't have hours on Saturdays and Sundays.
12:29You see, we work. We work in general.
12:31So that you can enjoy your life.
12:34What can we do now?
12:36Yes, go to the girls by yourself.
12:39What can you tell them?
12:40Say hello? What can you tell them?
12:42That's all.
12:43Come on, bye now.
12:51Finally.
12:53Finally, a little peace.
12:58Oh, good loneliness.
13:03I can't reach you.
13:13I'm looking for you, I'm losing you.
13:21Oh, good loneliness.
13:26Oh, good loneliness.
13:30I can't reach you.
13:34I'm looking for you, I'm losing you.
13:39Oh, good loneliness.
13:44Oh, good loneliness.
13:46I can't reach you.
13:50I'm looking for you, I'm losing you.
13:57Oh, good loneliness.
14:21Oh, good loneliness.
14:27Late at night when you're all alone.
14:29Take a ride to the danger zone.
14:38If someone wants to cut you down to size.
14:40But you never argue with a lonely 45.
14:46Oh, no.
14:48It's when you've had enough.
14:52It's when you're getting tough.
14:54I'm ready for the heat between the eyes.
14:58Someone get me out of here alive.
15:04I'm ready for the heat between the eyes.
15:08Can't you see I'm much too young to die?
15:139.49 AM
15:19It's Saturday in the city.
15:21A day when some people see their friends and family and have fun.
15:25And others spend it alone.
15:27But you, my dears, are not alone.
15:30Because we are here to keep you company today.
15:34And to give you the opportunity to communicate with other lonely souls.
15:39You never know.
15:40Maybe you'll find yourself alone in the morning.
15:43But on Saturday night you'll be surprised.
15:47But those of you, my lonely weekenders,
15:50don't dare to call us to meet other people.
15:53It's time to love yourself.
15:56And realize that sometimes being alone
16:00is much better than being with other people.
16:04Oh, that voice.
16:07I adore her.
16:09I don't want to be alone.
16:12I want to spend my Saturday alone.
16:14With your adorer, Fonoula.
16:17Guys, I love your messages.
16:21Menios from Galatsi says,
16:23You really make me feel like I'm not alone.
16:26I can tell you that I feel more company with you
16:29than when I was on the island with my friends.
16:31Menios, thank you very much.
16:33You have us, but we have you.
16:37We have a phone call.
16:39And we have our first line.
16:42Good morning, my lonely existence.
16:44What's your name?
16:48Stella.
16:49Hello, Stella.
16:50Where are you calling from?
16:52From Hallandri.
16:53From here, close to us.
16:55We can hear you.
16:56What's up, Stella?
16:57Come on, let's hear your problem.
16:59I feel the silent loneliness.
17:02I don't know what's happening to me.
17:05I do everything to find people.
17:08I mean, men.
17:10To find a partner, how can I say it?
17:13But no one.
17:14No one takes me seriously.
17:17And you?
17:18Do you take them more seriously than you should?
17:22You can say that.
17:25I'm constantly talking to myself.
17:27Today will be a better day.
17:30But this day is the same as the previous one.
17:33And I feel bad.
17:36I understand you, Stella.
17:38I understand exactly how you feel.
17:41You know how I feel sometimes.
17:44Is it possible for people to say such things on the radio?
17:47They have nothing else to do.
17:54Stella, I have a phone call for you.
17:58Really?
17:59Really.
18:00His name is Marios and he's from Kalamaki.
18:03He wants to talk to you.
18:05Do you want to talk to him?
18:07Talk to him, Stella.
18:09Give him a chance.
18:11Come on, talk to him.
18:13Stella, what do you say?
18:15Should I connect you with Marios or not?
18:18Let's see.
18:19Do you want to connect me?
18:22Okay, I'll connect you.
18:24Marios, we're listening.
18:27Hi, Stella.
18:29I'm Marios.
18:31I called first because I like your voice.
18:34And second because...
18:37Sometimes I feel like you do.
18:40It doesn't matter.
18:42I feel like I'm invisible.
18:45I feel like I'm shrinking.
18:48Like I'm in the washroom.
18:50Small.
18:52On the other hand, I know that expensive scents...
18:55go in small bottles.
18:59But you're special.
19:02And to attract a woman as special as you...
19:07she has to be special too.
19:11Well done, my dear.
19:13You're very special.
19:15Marios, you killed her.
19:17Stella, are you alive?
19:20It's been a long time.
19:22It's been a long time since I've heard a man talk like that about me.
19:26Me too.
19:28It's been a long time since I've heard a woman talk like that about me.
19:32Marios, Stella.
19:35It's not easy to find people like you two today.
19:39And that's something magical.
19:41And I personally think you shouldn't miss this opportunity.
19:46Why don't you meet?
19:48Listen to me.
19:50Tell them to meet.
19:52I have an idea.
19:54Why don't you meet?
19:56Oh, yes.
19:58I would like to meet you, Stella.
20:01To get to know you.
20:03What do you say, Stella?
20:05What? I agree.
20:07To meet. To get to know each other.
20:10Well done, Stella.
20:12You made the right decision.
20:14I'll connect you to talk outside the air.
20:18How nice it is to find someone who understands you.
20:22To discover. To research.
20:25To meet new people.
20:28Oh, my joy.
20:29You, my girl, you don't do shows.
20:31You do social work.
20:33My joy. My joy.
20:35My joy.
20:36My joy.
20:38Hey, Alviras, is that you?
20:40My joy. I said my joy.
20:42How can I say it? My sadness?
20:44No, no, my girl.
20:46The show is not over yet.
20:48I mean the meeting. It's still late.
20:50Yes.
20:51I'll be late as well, as you understand.
20:54Go on your own.
20:56Yes, go on, my girl, and try to have a good time.
20:59Bye. Bye.
21:02What will happen with Stella and Marios?
21:06STELLA AND MARIOS
21:13Hey, Stella, it's Marios.
21:16Are you alone?
21:18Who's not alone?
21:20Me, too.
21:22I'd like to meet you.
21:26If you want to, of course.
21:28If I want to, he says.
21:30Can we meet tomorrow?
21:32Sure.
21:34Tomorrow?
21:37Unfortunately, I have an important obligation tomorrow.
21:41Grigoris and his son-in-law.
21:43Yes, and now that I think about it, I have an obligation, too.
21:47To stay home alone, to celebrate my fate.
21:50What would you say for Monday?
21:52What do you think?
21:53Perfect.
21:54I work, but we'll sort it out.
21:57Good.
21:58Okay, then I'll give you my cell phone
22:02and we'll talk on Monday.
22:04Okay, but don't hang up yet.
22:07I want to hear more from you.
22:10Your voice does something to me.
22:12I'm going crazy.
22:18I mean, what does it do to you?
22:21It lights me up.
22:23It warms me up.
22:25I want to learn everything about you.
22:28Do you have time at your disposal?
22:32Can we talk tonight?
22:41It was Saturday night.
22:43And Lalo was as empty as the page on his computer.
22:48He had to write a new article about women.
22:51But the more he thought about them,
22:54the more he realized that he didn't know them at all.
23:01I don't know what to do.
23:03I have no idea.
23:31I don't know what to do.
23:33I don't know what to do.
23:35I don't know what to do.
23:37I don't know what to do.
23:39I don't know what to do.
23:41I don't know what to do.
23:43I don't know what to do.
23:45I don't know what to do.
23:47I don't know what to do.
23:49I don't know what to do.
23:51I don't know what to do.
23:53I don't know what to do.
23:55I don't know what to do.
23:57I don't know what to do.
23:59I don't know what to do.
24:05What is she doing?
24:07Let me see.
24:11I feel as if I'm doing yoga.
24:19What is that?
24:21This is the aorta. It obviously also primarily focuses on the spine.
24:35It also stretches out the chest, opening up the lungs...
24:52I'm coming, Ipa!
24:55Who's so insistent?
24:59Natalia!
25:01Hi! Am I disturbing you? Can I come in?
25:04No, I mean... I don't want to seem rude, but...
25:09How did you get here?
25:10By car.
25:12I mean, how did you know my address? I don't remember giving it to you.
25:15Oh, by chance. I'm Mireia.
25:18My dad asked me to let you know, and...
25:22I'm sorry, I didn't mean to bother you.
25:25I'm getting you ready to go to the bathroom.
25:31The dishes! I'm getting ready to wash the dishes.
25:35You're late.
25:37And the water? Why do you need the water?
25:41I was going to wash the dishes and then go to the bathroom.
25:46Oh, I'm sorry.
25:49This is Irini. She's a co-worker.
25:54Oh, your mother! Nice to meet you!
25:59Irini, go check on the water. Is it okay?
26:02Of course, I'm going!
26:06Listen, Natalia...
26:07Yes?
26:09I know. I came at the right time.
26:12I'm sorry, I had to make a phone call.
26:14Yes?
26:16I wanted to surprise you with the Polynesian I know you like.
26:19I didn't do it on purpose.
26:21I believe you.
26:23But, look, we'd better talk on Monday.
26:26Okay. And I'm sorry if I bothered you.
26:29No, it's okay, but you understand, right?
26:32Yes, I understand.
26:34Good night.
26:35I'll be back.
26:39If it's possible.
26:41Dad, who was it?
26:43No one, son, no one.
26:45Go wash the dishes and go to bed.
26:48I'll come to read you a fairy tale.
26:50And tomorrow we're going on a trip, right?
26:52We're going to spend a great Sunday.
27:061, 2, 3...
27:081, 2, 3...
27:101, 2, 3...
27:12Not even the best Saturdays of his life had ended for Lalo.
27:16Fiona!
27:18Come!
27:20Come, come, come!
27:22Or maybe for Lola, because she was the only woman with the problem.
27:26But Sunday had dawned and it was a new day for her.
27:30Fiona, my faithful friend,
27:32when will you grow up?
27:33When will I train you?
27:36To go to the fair and bring me the newspaper, huh?
27:39Huh, my little one?
27:44What a team we have!
27:46We're going to tear down the trees today.
27:48We're going to send them for tea.
27:57Fiona, our breakfast.
28:04Hello.
28:06Hello.
28:08Welcome.
28:10Why are you looking at me like that?
28:12Why didn't you bring me the pizza yesterday?
28:15You don't know.
28:17Don't pay attention to them.
28:19They're new.
28:21I'll teach them a lesson now.
28:28Are you okay?
28:30Didn't you tell us you were going to be naked?
28:31I told you I was going to be naked.
28:59Is anyone here?
29:01Yes?
29:03Is anyone here?
29:07We're alone.
29:13Alone, in peace and quiet.
29:24Oh, damn it.
29:26It's my fault for throwing you out the window.
29:28It's my fault.
29:31Yes.
29:33Yes, Elvira, my love.
29:36What?
29:38Mr. Pantousas?
29:40I didn't make it, son.
29:42It was at the bottom.
29:44What do you mean, at the bottom?
29:46The bottom of my bag.
29:48How did it get there?
29:50No.
29:52No, son.
29:54I'll be late.
29:56I'll be late.
29:58How did you know?
29:59No, don't get me wrong.
30:01How do you know?
30:03I can't be late.
30:05I can't be late.
30:07I can't be late.
30:09Yes.
30:11Yes, yes.
30:13What am I asking for, son?
30:15What am I asking for?
30:17I'm asking for my peace of mind.
30:29My God.
30:52Good morning.
30:54Good morning.
30:56Thank you for the coffee.
30:57Sit down, please.
30:59Sit down.
31:05The one who came last night, is she Lola?
31:09Is she your boss, who Melina likes so much?
31:13She was like a swan.
31:15Calm down, kid.
31:17This is Natalia, the daughter of the owner of the magazine.
31:21So she's not a swan?
31:23Fotis, I've told you many times to be careful with the girls.
31:27Don't bring them here when Melina is at home.
31:30Don't make the kid get excited.
31:33How can you say that? Only Lola has come to the house.
31:36She has come to the house and you're telling me now?
31:40But the house, my boy, is sacred.
31:42Don't bring a woman in here again, please.
31:46Okay, okay. It's not like they bring more every night.
31:49I'm not that kind of person.
31:51I can't either.
31:52Natalia came last night and Lola has come too.
31:58Listen to me.
32:01I'm the first one to worry and I want the best for Melina.
32:07Okay?
32:08So, Natalia came yesterday because she's impulsive.
32:12She came without thinking.
32:14She's like a swan and she has you in her sight.
32:17It's her problem. What can we do?
32:19What about Lola?
32:21Lola...
32:23Lola is...
32:26a completely different case.
32:29The first time I saw her, I understood that she has something special.
32:35Is that so? Is that why she made you work all night yesterday?
32:39Okay, that was jealousy. Professional jealousy.
32:43Fotis, I'm the last one to tell you what to do in your personal life.
32:48What I'm asking you to do is to take care of your daughter and your house.
32:52Wait, wait. Don't go.
32:55Let me tell you.
32:57What do you say we go on a trip today? It's a very nice day.
33:01We can take the little one and go for a walk to the zoo.
33:04You two can go. You can spend the day together.
33:08Tomorrow is a new week and who knows what time Lola and her professional jealousy will start.
33:17Let's go.
33:33Let me tell you. What do you say about the sports channels?
33:36I don't remember exactly, but the package includes six sports channels, five with movies and series and two channels with shows.
33:42Shows.
33:45Let me control you a little bit. The guys are after 12 o'clock.
33:48Go bring the keys.
33:53Are you going to bring the mustard from the fridge too?
33:56Me?
34:01Yesterday was hell.
34:04We took you to an amazing restaurant.
34:06With some Russian girls, some Russian girls.
34:09Dimitris, you didn't know what to choose.
34:11You found an interesting business.
34:14Shut up, Spore. You learned from Russia.
34:16I also found an interesting business yesterday.
34:19I went to the premiere and then to the party.
34:21We talk about what the actresses do, right?
34:23First quality. Everything is ready for everything.
34:25Everything is ready for everything, but you don't like any of them, huh?
34:28Come on, Vano.
34:30What do you do when you approach them and change the sidewalk?
34:32Go, I had the question.
34:35Thank you very much.
34:37Come on, I'm kidding.
34:39I'm kidding to make you laugh, but don't take it the wrong way.
34:42Put some mustard.
34:53Are you going to bring the keys from the fridge too?
34:55Now, Katsa. Nikos should go.
34:57Why should I go? You should go.
34:59Are we going to play pool? Come on, shoot.
35:02I have an appointment tomorrow with a very interesting woman.
35:05Yes?
35:07Who?
35:09Your mother?
35:13We laughed again.
35:15Come on, I'm kidding.
35:17How did you meet this interesting woman?
35:21One of the games of fate.
35:25I don't know.
35:27I don't know.
35:29Katsa.
35:31Katsa, now.
35:33I'm starting the game, Katsa.
35:39Come on, team.
35:41Come on, team.
35:43A big club.
35:45There is no one else.
35:47There is no one else more dynamic.
35:50Come on, come on, the game is starting.
35:55What the hell is this?
35:59I'm a piece of shit.
36:03I broke up with Giorgos.
36:05Okay, okay, we'll talk about it later.
36:07I can't.
36:09I can't, I have a problem.
36:11I can't be in a relationship at this age.
36:17I always start something serious
36:19and in the end
36:21I do something and I ruin it.
36:24Give me the mustard.
36:28Can you tell me what I'm doing wrong?
36:30All my friends got married.
36:32I have something else.
36:34Do you like the song?
36:36The game is starting.
36:38The streets are empty.
36:40Do you remember?
36:42All my friends had children.
36:44They bought a house.
36:46They bought an expensive car.
36:48And I have nothing.
36:50I have no husband, no child,
36:52no house, no expensive car.
36:54I have to be the last Greek in this world
36:56who is on the streets.
36:58What the hell is this?
37:00You are a piece of shit.
37:02What is this?
37:04Leonida, are you watching me?
37:06Of course I am.
37:08Giorgos got bored.
37:10He can't stand my mistakes.
37:12How can I stand his mistakes?
37:16Be patient, guys.
37:18Be patient.
37:20I always start something
37:22and I ruin it.
37:26Don't be sad.
37:28Everything will be fine.
37:30I am Aek,
37:32just like Giorgos.
37:34See?
37:36Now that you broke up,
37:38it's a good chance to be Athenian again.
37:40Congratulations.
37:42Let me tell you something.
37:44The guy with the yellow shirt,
37:46Xanothos,
37:48he is sweet.
37:50See?
37:52Bye, Giorgos.
37:54How is Saravakos?
37:56Don't mention Domazos.
37:58Is Domazos still alive?
38:00He became Athenian.
38:06I see that Olympiacos is playing better.
38:08If they don't get their feet on the ground,
38:10they will surely score a goal.
38:12What are you talking about?
38:14Can't a woman watch a game
38:16without making a stupid comment?
38:18What is this?
38:20Aman?
38:22Aman?
38:24Where did they go?
38:26Where did they go?
38:28No, no, no.
38:30Get out of there!
38:32What kind of defense is this?
38:36I can't believe it.
38:38He threw her like a woman.
38:40I can't believe it.
38:44Olympi, Olympi,
38:46Olympiacos,
38:48my brothers,
38:50my great love,
38:54Olympiacos,
38:56my brothers,
38:58my friends,
39:00with your Saronikos,
39:02who you have for your bed,
39:04Olympiacos, my country.
39:06Are you from Piraeus?
39:08No, from Kalamagi, but it's the same sea.
39:10Let's take the Cypriot fish
39:12and make fun of them.
39:14I'd love to,
39:16but if it's a good one from her cousin,
39:18she'll give us the score.
39:20We're talking now.
39:22You'll be the third best.
39:24Cheers!
39:28I can't believe it.
39:30This stupid TV
39:32always ruins the worst moments.
39:34You think I shouldn't take the shock of the goal
39:36and that's why I got used to it?
39:38Don't go to the kitchen
39:40and bring my tools, girl.
39:42I never understood
39:44why men are so obsessed with football.
39:46What's the point of having 22 million men
39:48playing football?
39:56No, I'm sorry.
39:58I'm not right.
40:00Fine!
40:02Go help me
40:04and bring my tools.
40:06Don't mess with the wood.
40:16I'm sorry.
40:26Who's calling at this hour?
40:28A woman, Thanas.
40:30If you don't want to answer,
40:32give it to me.
40:34Don't worry, kid.
40:36It's for the old-timers like me and Grigoris.
40:38We know how to handle it.
40:40You're not an old-timer.
40:42You're just an idiot.
40:46Who is it?
40:50There she is!
40:52The old-timers!
40:56Who's calling at this hour?
40:58We're not here. We're missing you.
41:00Hey, Grigoris!
41:02You ruined my TV
41:04and I want to leave.
41:06Who is it?
41:08Lola.
41:10Who's here?
41:12Me. Tell me where you are.
41:14Sit where you are, old-timer.
41:16You're not supposed to step in here.
41:18Come on, Grigoris.
41:20Let's leave our differences.
41:22It's a competition.
41:24I want to see the crowd.
41:26You ruined my TV.
41:28She's not leaving for Lola.
41:30Listen!
41:32Listen to me!
41:34Listen to me!
41:36Listen!
41:38You can't go out at home,
41:40you can't go out on the street
41:42Go grab a bite,
41:44you should play football shortly.
41:46Go on!
41:57Call friends?
42:08Leonida, what do I do?
42:10How will I live without Giorgos? How?
42:12I don't know how you will live.
42:14I will live like another Olympic gold medalist.
42:18I'm leaving. Bye.
42:20Leonida!
42:22Leonida!
42:26Nice friend.
42:28I fell in love with you and you turned into a woman.
42:31As a man, you took care of me.
42:34As a woman, you take care of me again.
42:38What else do I have to do?
42:40Open a window to see below?
42:42Bah!
42:44Psyllai, I'm going to make a TV show.
42:48Come on, Psyllai.
42:50Come on, come on.
42:52Come on, come on.
42:54Come on, come on.
42:56Come on, come on.
42:58Come on, come on.
43:00Come on.
43:02Come on.
43:04Come on.
43:06Come on, come on.
43:08Look at the ball.
43:10Look at the ball.
43:12Look at the ball.
43:14Hey!
43:24Oh!
43:26Oh, my God!
43:36Thanks for watching.
43:37I'll see you next time.
43:38Bye.
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