- 9 months ago
Category
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TVTranscript
00:00Who is bothering you again?
00:02Fotis, my child. Fotis. He's staring at me.
00:05How can I avoid him? What can I tell him?
00:07I don't know. What did a woman tell you when you knocked on her door?
00:12I've never knocked on a door.
00:14Well, then...
00:17Tell me about what happened with Atalia.
00:19When you saw him kissing her.
00:22Yes, yes. Tell him that you don't like men who kiss here and there.
00:26And that you like single women.
00:27I don't know that kind.
00:29My child, those who are faithful to a single woman.
00:33Do you know what happened with Toto?
00:35What are you saying, my child? Those men don't exist.
00:37And those who say that they are monogamous are lying.
00:40Did you hear that, Leonida? The player knows.
00:59Don't press everything, everything, everything.
01:03Everything, everything, everything.
01:08Giorgo? Giorgo?
01:14Giorgo?
01:16Here you are, my child.
01:18Yes, my love. This is your friend's room.
01:21Leonida's room.
01:23Yes.
01:24This is Leonida's room.
01:26Yes.
01:27What is all this?
01:29Look at these things.
01:31Is this famous Leonida Lallos a transvestite?
01:38No, my love.
01:40These are not exactly his things.
01:43They are...
01:44They are from his coat.
01:46Do you know how many people have taken them in here?
01:49Really?
01:50Have you taken them in here too?
01:52No, my child. How can I tell you?
01:54Do you know whose shoes these are?
01:57They are not mine. Why?
01:59Because this one is 32C.
02:02And I wear 32B.
02:07And the shoes?
02:09Which ones did you take in here?
02:11Did you forget the shoes?
02:13Oh, my love.
02:16Are you making fun of me again?
02:19We have already said that.
02:21Isn't that the reason we broke up?
02:24Haven't I told you?
02:26That Leonida and I are just friends.
02:29There is nothing else between us.
02:33You are the man I love.
02:36I didn't love him.
02:38That's how I said it to calm him down.
02:40But the word love has lost its meaning.
02:43At that moment I wanted to be with someone else.
02:46But that someone else didn't exist.
02:48Or maybe there was someone else.
03:02What are you looking for?
03:04Sugar.
03:12I don't want it. It's too thick.
03:15Come here.
03:17Sit down.
03:26What's going on?
03:28You tell me what's going on.
03:30You are avoiding me.
03:32It's your idea.
03:35You have been avoiding me since this morning.
03:38You are looking at me.
03:40You are avoiding me.
03:42You are avoiding me.
03:44Can you please leave my hand alone?
03:47I'm sorry.
03:49Listen.
03:50Listen.
03:51We work in this company.
03:54Do you understand?
03:55And when we work, our mind is at work.
03:58Do you understand?
04:00No, I don't understand.
04:04Last night you were totally different.
04:07We almost kissed.
04:09Almost.
04:10Almost.
04:11Do you know why?
04:12Almost.
04:13Why almost?
04:14Why?
04:15Because at that moment
04:17I remembered another moment
04:19when you were avoiding me.
04:21Come on.
04:22We have discussed this and it's over.
04:26Let me tell you.
04:28You are jealous.
04:30Don't be crazy.
04:32I'm not jealous.
04:34Tell me what's going on.
04:36It's happening.
04:37What?
04:38It's happening.
04:40I don't like men like you.
04:43Don't you like sweet girls?
04:45What?
04:46Don't make me angry.
04:48Tell me.
04:49What kind of men am I?
04:51Like those who...
04:53Who?
04:54Who are jealous.
04:56Who...
04:57Who go from here to there.
04:59Am I one of them?
05:01Yes.
05:02Yes.
05:03Yes.
05:04Yes, you are one of them.
05:06You are one of those who change women like a rag.
05:09You play with them.
05:10You chase them.
05:11I can't tell you.
05:12Wait.
05:13Wait.
05:14What you are describing is the lalos.
05:17Oh, bravo.
05:18So, I don't like men like Leonidas at all.
05:22Not at all.
05:23They don't inspire me with trust.
05:25I don't care.
05:26I don't care.
05:27I don't care.
05:28I don't care.
05:29I don't care.
05:30I don't care.
05:31I don't care.
05:32I don't care.
05:33I don't care.
05:34I don't care.
05:36Women are crazy after all.
05:39And she is crazier than all of them.
05:43But who is the woman?
05:56What is this?
05:57A small example of the appreciation and special affection I have for you.
06:01For me?
06:02Please, accept it.
06:04I don't want you to feel that I'm pressuring you.
06:06Yesterday, you asked me for time.
06:08So, I will give you as much time as you want.
06:10I'm not in a hurry.
06:11I'm a fire engine.
06:17God.
06:20What can I say?
06:21I can't believe it.
06:22But I don't want you to believe it.
06:24I want you to wear it.
06:25It's wonderful.
06:27And it looks expensive.
06:29Not as expensive as you are, Victoria.
06:35Oh, my God.
06:38Hello.
06:39How are you?
06:40I'm fine.
06:41Can you help me?
06:43Yes.
06:44I will kill Natalia.
06:46I will drown her with my own hands.
06:48What happened?
06:49Ready.
06:50What happened?
06:51She took my idea and presented it as if it were hers.
06:53Are you sure?
06:54What are you talking about?
06:55I don't know my idea.
06:56I told her and she said she didn't like it.
06:59Don't you think I overreacted?
07:01No, you are good.
07:03Give me your mirror.
07:05It's ugly.
07:06But that's the way it is.
07:08Your father is the CEO of the company.
07:10He can do whatever he wants in here.
07:12You are crazy.
07:13Leave her alone.
07:14Your problem is not Natalia.
07:16Your problem is...
07:17Marios.
07:18Yes, Marios.
07:19He must see you like this.
07:20He must meet her like crazy.
07:21No, he mustn't.
07:22He must understand it.
07:23I'm trying.
07:24I'm trying to calm down and I can't.
07:26I'm so angry.
07:29What can I do?
07:30You will turn your anger into passion.
07:34Is it possible?
07:35Of course it is.
07:36And you will bring self-confidence.
07:38I will turn my anger into passion and self-confidence.
07:45Right?
07:46Almost.
07:47Look at me.
07:51What am I saying?
07:52I don't know.
07:53I'm a goddess.
07:57I'm a goddess.
07:58I'm a goddess.
07:59Yes.
08:00I'm a woman who is worthy of precious diamonds and jewelry.
08:05I'm a woman who is worthy of...
08:07What are you talking about?
08:08What precious diamonds?
08:09I will find out now.
08:10We still have time for precious diamonds.
08:12No, Eugenia.
08:13The longer you don't sit with them, the more they surround you with gifts.
08:16Do you understand?
08:17Go now.
08:18Good luck.
08:21I'm a goddess.
08:24Who is worthy of diamonds.
08:29I'm a goddess.
08:47Agiris?
08:48Are you leaving?
08:49Yes.
08:50Me too. Elvira is waiting for me.
08:51We will go out with some friends.
08:53These worldly things of a woman tire me.
08:55What can I do?
08:56This is her life.
08:57From one to the next.
08:58The ski?
08:59No, the restaurant.
09:01How do you call it?
09:02Yesterday we went and ate a baked turkey with loto.
09:06And a sauce of figs.
09:08We ate the figs and the garlic.
09:12What are you doing here at this hour?
09:14You had a working dinner, that's why you came.
09:17I heard you were eating souvlaki.
09:18Yes.
09:19How was it?
09:20Very tasty.
09:21Not souvlaki.
09:22I thought you were at work.
09:23Did you find something good?
09:24Yes, yes.
09:25Super, super.
09:26What is she doing?
09:27Come on, give me.
09:30Oh, my little bird, you woke up.
09:31Do you want to go home?
09:32No, later.
09:33I will finish the work I have for Alfred.
09:37And while Lola was trying to avoid Foti,
09:39he thought it was the best opportunity to show her
09:43that he wasn't so in love with her.
09:49Today, Natalia had an amazing idea for the next play.
09:54Lola?
09:55Yes, yes, of course.
09:57Very good.
09:59Argyris, your daughter is amazing.
10:02Lola?
10:03Very good.
10:04Excellent.
10:05Where is she?
10:08Now, what can I say?
10:09She is my daughter.
10:10If she wasn't amazing, she was good.
10:12That's what she told us.
10:13Well, I'm going to continue my work.
10:15And you continue talking about me.
10:17See you tomorrow.
10:18Yes, yes.
10:19Tomorrow.
10:20Tomorrow.
10:21I want the truth now.
10:22How is Alfred now?
10:23How does he look at work?
10:25Very good.
10:27Very good.
10:28He is still young, but he will make it.
10:30I was impressed.
10:33He has a lot of personality.
10:34Thank you very much, Foti.
10:36I know that you don't make kisses easily.
10:39But that's not true for Natalia.
10:41She is expressive.
10:42She is smart.
10:44She is active.
10:45Beautiful.
10:46Impressive.
10:47With personality.
10:49Lola?
10:51Leave him alone.
10:53He will come.
10:54He will come.
10:55When?
10:56Soon.
10:59Won't you come?
11:00No.
11:01I forgot my cell phone in the office.
11:03Bye.
11:10Will you come?
11:11No, no.
11:12I just opened it.
11:13I'm going to the office because you told me to.
11:15I forgot my cell phone.
11:21I'm going to hit him.
11:23How does he hang up?
11:42Are you going home?
11:43Maybe.
11:44Let's go for a drink.
11:46I can't see him.
11:48I can't see him at all.
11:50Do you have something with me?
11:51I do.
11:52A free relationship.
11:53Didn't we agree?
11:54These relationships are better than permanent relationships.
11:59I will be your fan.
12:02But I will also be your best friend.
12:04You are wrong, my boy.
12:06Diamonds are the best friends of a girl.
12:19I'm going to hit him.
12:42Are you waiting for a long time?
12:44No.
12:45I'm waiting for my boyfriend.
12:46I'm walking around.
12:47Petros.
12:48A whiskey for me.
12:49And what do you drink?
12:50Vodka.
12:51And a vodka.
12:55Maybe we should go somewhere more remote.
12:58We won't be able to...
13:02Aren't you in a hurry, girl?
13:05I'm sorry.
13:08Aren't you Marios?
13:09No.
13:10I'm Manolis.
13:14I'm so sorry.
13:15I'm so sorry.
13:16I'm so sorry.
13:17You know, I have a date.
13:20And he looks a lot like you.
13:24Don't bother me.
13:25It's nothing.
13:26Thank you for having me.
13:28Take care.
13:32She says that to me, too.
13:34I'm not for diamonds.
13:35I'm for men.
13:36I also get strangers.
13:46What's up?
13:47What's up?
13:48Are you ready for the fight today?
13:49Yes.
13:50What fight?
13:51With Tips.
13:52Do you remember what I told you?
13:53The winner's speech?
13:54Yes, yes.
13:55I'm a little nervous, but I remember it.
13:56I wrote it down.
13:57Because...
13:58You see?
13:59I have it here.
14:00So, pay attention.
14:08Right?
14:09Right.
14:10Write down the last and most important one.
14:11Which one?
14:13U.S.O. Chips.
14:17What chips?
14:18Chips?
14:19And I didn't get it right away?
14:20You're insulting me.
14:21Listen, Chips.
14:22Of course.
14:23With the girl, we'll pay half and half.
14:24Oh, wallet.
14:25Come here.
14:26What half and half?
14:27What?
14:28The winner's speech.
14:29U.S.O. Chips.
14:30With half and half, it's not the winner's speech, my boy.
14:32It's the speech of the taste.
14:39Come on, you won't make it.
14:40You have to be in the air in ten minutes.
14:41I have to get my bag.
14:43You delayed me.
14:44That wasn't a delay, my boy.
14:46That was pleasure.
14:48Come on, let's go.
14:51Lola.
14:52Giorgos.
14:53Lola Lalou.
14:54She's Leonida's ex-girlfriend.
14:55I told you she's been staying with us for a while.
14:57Nice to meet you.
14:59It's a shame we're leaving now that you're here.
15:01So, come on.
15:02Let's go or we'll be late.
15:03Bye, my boy.
15:04Bye.
15:05Bye.
15:11It's a shame we're leaving now that you're here.
15:13What kind of guy is he?
15:14I mean, he accompanies a girl and falls for another.
15:21You're accompanying a woman, Karagiozis.
15:36Isn't your friend coming?
15:38No.
15:39Yes.
15:40I mean, he'll come, but something happened to him.
15:43He called me and said he might be late.
15:48It's my turn to celebrate.
15:49Don't you drink whiskey?
15:52Yes.
15:53Yes, thank you.
15:57Excuse me.
16:00Come in.
16:01Where are you?
16:02In front of you.
16:03Where are you?
16:05Right now, I'm out of work.
16:08I have school.
16:09Are you crazy?
16:10We're working here and you're having fun?
16:13What kind of music is this?
16:15Are you going to a bar?
16:17Are we here to work and you're having fun?
16:21Come back to your office right now.
16:23Because tomorrow, there might not be an office for you.
16:27Do you understand?
16:28Or should I analyze it further?
16:30I'm coming.
16:31I'm coming.
16:38I'm sorry.
16:40I have to go.
16:43I'm sorry again.
16:44I'm sorry.
17:01What's wrong?
17:02Where have you been?
17:03What happened?
17:04What happened?
17:06I'm working like a slave in the pyramids.
17:08That's what happened.
17:09I was outside and the Pharaoh's daughter called me.
17:13I'm sorry.
17:16What have you been drinking?
17:17I've been drinking whatever I want.
17:18I've been drinking wine.
17:19Why?
17:20But I don't like this glass.
17:23Don't I have the right to drink wine?
17:25I'm asking you!
17:26Do I or don't I?
17:28No, you do.
17:29You do, but I don't care.
17:30You don't go to the Human Rights Association.
17:32No.
17:33What?
17:34No, because I'm not a human being.
17:36You are.
17:37I'm an animal.
17:38She's laughing at me.
17:39Animals.
17:40Only animals work like that.
17:42Do you understand?
17:43No, no.
17:44She's angry, guys.
17:45You're here at last.
17:46Well done, Natalia.
17:47I hope you're well.
17:48If you hadn't invited her back,
17:50she would have fallen into that crazy woman at the bar.
17:52Bye.
17:53Is Skonder going to fall for her?
17:55Leave us alone.
17:56I'm going.
17:57Bye.
17:58Fatty.
17:59Bye, old Pineza.
18:00I was going to tell you now, but she's brave.
18:02Bye.
18:05Natalia, I'm not staying long.
18:07Why not?
18:08You're going to stay as long as you need to finish these.
18:11You're going to get a contract,
18:13you're going to make a model,
18:14you're going to write the decor, the accessories,
18:16and you're going to find the right font for the articles.
18:18And the rest, I imagine you know how to read.
18:21Yes.
18:22Excuse me.
18:23What are you going to do?
18:26I'm leaving.
18:27I did what I had to do.
18:29I gave the idea.
18:30I'm not going to do the hard work.
18:33Oh,
18:34These have to be ready in the morning.
18:37I hope you make it tonight.
18:54Hara!
18:55You're here.
18:57Yes.
19:05What happened?
19:06What is this?
19:07Who?
19:08My picture is on the floor.
19:10Maybe Fiona threw it.
19:13Now we're going to throw it to the dog, Hara.
19:16Maybe the dog also tore the tie.
19:19Maybe she went upstairs and tore it.
19:21These things happen.
19:22And as she tore it and tore it again,
19:24she changed the tie.
19:26Let me tell you, Haroula.
19:28Did you have sex with the dog on my bed?
19:31Nice.
19:32I'm sorry.
19:33It wasn't planned.
19:34It just happened.
19:35Now you don't care.
19:36What do I care?
19:37I just threw a man on my bed.
19:39Because he's stupid.
19:40Stupid?
19:41Stupid.
19:42Didn't you see how he looked at me?
19:44Come on, Leonida.
19:45Since you became a woman,
19:46I think all men look at you.
19:47No, my girl.
19:48I'm telling you because I did the same thing.
19:50I was with one and looked at the other.
19:52Because you did it,
19:53it doesn't mean everyone does it.
19:54And he didn't look at you sexually.
19:56He just liked you.
19:58You misunderstood his look.
20:01He was thinking of making me his mistress.
20:04The Olympians?
20:05The bedbugs.
20:06And anyway, he doesn't love you.
20:08I don't like you either.
20:09Okay?
20:10Leonida, we've been talking for hours.
20:12You've become horrible.
20:13Okay, it's your house.
20:14I made a mistake.
20:15I'm sorry.
20:16I won't bring him here again.
20:17Next time, we'll meet somewhere else.
20:19No.
20:20It would be good if you didn't notice at all.
20:22My girl, this guy doesn't do it.
20:24Do you understand?
20:25He's a woman.
20:26Listen, Leonida.
20:27She knows something.
20:28She's talking about experience.
20:29About sleep.
20:30Oh.
20:31She knows.
20:32About nothing.
20:54I took the angels to foreign lands
20:58Good morning, Mr. Algiris.
20:59Good morning, girls.
21:00Let our eyes see.
21:02All men.
21:04Good morning, my girl.
21:05Good morning.
21:06Mr. Algiris, I see you beautiful today.
21:08You shine.
21:09You shine.
21:10Yes, the truth is that today I woke up with a completely different, so very pleasant mood.
21:14And do you know why?
21:15Why?
21:16Because Mrs. Elvira left me to sleep without her pillow.
21:20She had a sore throat and the doctor forbade her to speak.
21:25Good morning, my girl.
21:26Hello, Mr. Algiris.
21:27I was coming to you.
21:28What?
21:29You spent all night, she says, awake to prepare the project.
21:32Well done, my girl.
21:33Well done.
21:34You deserve congratulations.
21:35Yes, I worked all night, it's the truth, but I got Natalia's job.
21:38Did you know that?
21:39No.
21:40How so?
21:41And along with the job I want to give you, I want to give you this too.
21:47It's my resignation.
21:49And I'm not going to change my mind.
21:52And I'm not going to change my mind.
22:08Congratulations!
22:15Good morning, good morning.
22:19Why are you laughing?
22:20Why are you laughing?
22:21Do you see something funny?
22:23I'm not laughing.
22:25I'm smiling.
22:26To be precise, I'm smiling.
22:29But I don't like it when I see you smiling.
22:31It's ironic.
22:32What do you want to tell us?
22:33Me?
22:34Nothing.
22:35And what are you doing now for a smile?
22:38That's how I am.
22:39I'm doing it.
22:40And if I take a step back?
22:41It doesn't matter.
22:42Take a step back.
22:43Do whatever you want.
22:44I'm leaving.
22:45I don't know where you're going.
22:46But if you keep leaving me, I'm going to fire you.
22:49Hey, Lola.
22:50Seriously now.
22:52What's your problem with me?
22:54Tell me, Lola.
22:56I'm asking you.
22:57What's your problem with me?
22:58Me?
22:59Yes, you.
23:00What do you mean?
23:01What's your problem?
23:02What could I possibly have with you?
23:03Come on.
23:04I know too.
23:05The way you treat me is kind of...
23:07Me?
23:08You.
23:09You?
23:10You treat me?
23:11You say I'm weird.
23:12You judge me.
23:13You judge me, yes.
23:14Of course.
23:15Because I'm a director and because I'm a woman.
23:17Me?
23:18Of course.
23:19You and...
23:20Let me tell you something.
23:21I feel it.
23:22Have you heard about the female instinct?
23:23But I...
23:24In this case, look.
23:25No, look at how you look at me now.
23:26It's not right.
23:27How do I look at you?
23:28He's looking at you happily.
23:29Come on, get out of here.
23:30We've had enough.
23:31We've had enough.
23:32From madness and madness you learn to be honest.
23:33Anyway, listen to me now, Fotis.
23:34So this is how you look at me as if I were a man?
23:39But you're not a man.
23:40What kind of question is that?
23:41But it doesn't matter.
23:42You see?
23:43If I were a man, I would have your approval.
23:47But now you're looking at me because I'm a woman.
23:50So if that's how you look at me, it's better not to look at me at all, Fotis.
23:54Ah.
23:56Let me tell you something.
23:57Maybe I shouldn't talk to you at all?
24:00Very good idea.
24:01Perfect.
24:02We can communicate by post, by mail, by messages.
24:06Perfect.
24:07You know what?
24:08I think I don't have the problem with you, but you do with me.
24:12What do you mean?
24:13What do I mean?
24:14What do I mean?
24:15I mean that I don't understand.
24:18I mean, one day you're warm and friendly with me,
24:22the next day you're cold and distant.
24:25One day full of understanding, the next day a twist.
24:28Ah.
24:29It's all subtle.
24:32I don't know what you feel about me.
24:36Or how I feel about you.
24:38Listen.
24:40I want you to know that whatever happens,
24:45I like you and I think you're a unique woman.
24:54Yes, of course.
24:55That's the only goal I have.
24:57You can't imagine how much I have.
25:09What is this, my child?
25:13My resignation.
25:14Your resignation?
25:16And what do you do at the office?
25:18I usually resign at the boss' office.
25:21Ah, you mean that, right?
25:23So, tell me, what happened?
25:25You don't want to know.
25:27I always want to know.
25:31Not now, my child.
25:32Later, please.
25:33Later.
25:35Not now, my child.
25:37Later, please.
25:38Later.
25:40I'm waiting for an explanation.
25:43Well.
25:45My explanation will be monolingual.
25:48Natalia.
25:49My daughter.
25:50Let's leave it at that,
25:52because you won't like what I have to say.
25:56Please continue.
26:00I can't cooperate with her.
26:03Cooperation is not an easy thing.
26:05Yes, it isn't.
26:06Because Natalia doesn't want a partner.
26:09Natalia wants a slave.
26:11I'm not her employee.
26:12I'm yours.
26:13You've never treated me like that.
26:15Calm down, my child.
26:16Calm down.
26:17What does she do?
26:18She steals my ideas.
26:20She steals my proposals for the job
26:22and presents them as if they were hers.
26:32Last night,
26:34she made me work all night
26:36on my proposal
26:38to present it as if it were hers.
26:40Pretending to be my maid.
26:42Right?
26:44This time, she pulled it off.
26:47Yes, but she's your daughter.
26:49And she's your responsibility.
26:51That's why I quit.
26:53Put Natalia in my place,
26:54or you'll fire me.
26:55She told me.
26:56That's what she told you?
26:58Listen, Eugenia.
27:00Go get some rest.
27:02Go to sleep.
27:04Take care of yourself.
27:06Okay?
27:07Do a massage to relax.
27:09Manicure, pedicure.
27:10Go to the hairdresser.
27:12Dye your hair.
27:13Cut it.
27:14Go to the gym.
27:16Moisturize yourself.
27:17Get rid of toxins.
27:18We'll talk later.
27:19Excuse me.
27:20The problem is my appearance.
27:22Hairdresser, gym, and all that.
27:24Because even if that's the problem,
27:26I can't change in one morning.
27:29Even if all the plants of the Black Sea surround me.
27:32Even if my sportswear melts on the street.
27:35I can't become Dimitri Xanthia.
27:39Calm down, girl.
27:40Nobody wants a Dimitri Xanthia.
27:42I want a fashion designer.
27:44Please.
27:45Go over there and relax as best you can.
27:47We'll talk later.
27:49There's nothing to talk about.
27:51Please accept my resignation.
27:53Put Natalia in my place.
27:55And you'll all be much better without me.
27:59If you make a mistake, I'll prove it to you in the afternoon.
28:01As long as you come.
28:06I'll come.
28:07I'll come for you.
28:09Because I've known you for years and I appreciate you.
28:11But you should know that I've made my decision.
28:20Julia, please.
28:22When Natalia came, she sent me to the conference room.
28:25And she brought those antioxidants.
28:29Antioxidants.
28:31Antioxidants.
28:43Yes?
28:44Hi, dad.
28:46I'm getting ready for school.
28:48I put on the red tie you gave me.
28:52Dad.
28:53Do you want Lola to come play with us in the afternoon?
28:56No, honey.
28:58I can't do that.
28:59But why?
29:00Because today is a working day and Lola has work to do.
29:04Dad.
29:05Should I ask her?
29:07Listen, honey.
29:09I never forbid you anything.
29:11Right?
29:12But I don't want you to bother Lola.
29:15But why?
29:17Because she has a lot of work to do.
29:20You work a lot, but you say you get tired when she plays with me.
29:25I'm your dad, honey.
29:27Yes, but I'd like a mom to play with me.
29:31All the kids at school have one.
29:33Lola is not your mom.
29:35But she's like a mom to me.
29:37She's my best friend.
29:39Should we invite a normal friend of yours?
29:41Should we invite Elina, Akiozoulou, to play with us?
29:44Elina can't.
29:45I asked her.
29:46She'll go shopping with her mom.
29:49Then, honey, invite another friend of yours.
29:51Because Lola is not your mom.
29:53Don't make me say it again, please.
29:55Okay.
29:57Come on, baby.
29:58Let's go.
29:59We'll be late.
30:00Give me the phone.
30:05You have a meeting with the advertisers.
30:07At 2.30 p.m. the telephone notification from the commercial department.
30:10At 5.00 p.m., without having been confirmed yet,
30:13Panos wants to show you his file for the Thessaloniki Film Festival.
30:17Okay.
30:18Here is your file.
30:21There are several invitations for events.
30:24There is an invitation for the Toys for Big Boys event
30:28and for the upcoming Exclusive Cars exhibition.
30:31Okay, I'll go to all of them.
30:32I also have Lalo's file.
30:34What should I do with it?
30:36Give it to me.
30:37I'll send it to him.
30:39Ah!
30:40Please, don't call me, okay?
30:43Not even Paraskevopoulos.
30:45Yes.
30:46Okay?
30:47Are you okay?
30:49Yes, I'm fine.
30:52Thank you, Julia.
30:54The smell is feminine.
31:19It's familiar.
31:20Who was wearing it?
31:51I don't remember.
32:09Grigori.
32:10I came to give you the tickets for the trip to London.
32:13Do you remember?
32:14Okay, Eriko.
32:16I'll send Julia to bring you all the proofs and the tickets
32:19with the hotels and the planes.
32:21But Vicky told me that she didn't calculate the expenses in the budget.
32:26Your trip didn't get the approval from the financial department.
32:29Do you remember?
32:30Yes, it didn't go through the financial department because it happened all of a sudden.
32:32Never mind.
32:33Vicky probably forgot about it.
32:34I'll remind her.
32:35I'm sorry to insist, but it's my job and...
32:38I understand, yes.
32:39No, I want to be okay.
32:40If there is any intervention...
32:41I told you, I understand.
32:44Do you want anything else?
32:45Yes.
32:46There are some other expenses, like the hotel, the spa, the salary, the limousine...
32:51Okay, relax.
32:53I'll bring you the proofs today, tomorrow...
32:56I understand.
32:57Today, tomorrow...
33:06Hi.
33:09You look beautiful today.
33:12You chose the perfect moment.
33:14I thought you liked the perfect moments, Vicky.
33:17Don't touch it.
33:18If you break it, how will you pay for it?
33:21And how did you pay for it?
33:23Maybe from the company's expenses?
33:25Because I don't think from your salary.
33:28As far as I know, the only expenses that hang in the company are yours.
33:32You told me.
33:33Help me.
33:34I'll settle it.
33:36I heard, I heard.
33:37Today, tomorrow...
33:39It's a matter of time.
33:41But don't worry.
33:42If you're a good boy, I'll settle it.
33:45I know how to take care of my friends.
33:48But you didn't answer me.
33:50Did you pay for it, or is it a gift?
33:53It's a gift.
33:54From someone who understood how much I'm worth.
33:57Really?
33:58What is it?
33:59An award?
34:00Did the necklace go through your neck like a price tag?
34:04Really?
34:05How much do you cost, Vicky?
34:07What are you asking?
34:08I don't think your wallet can take it.
34:11When you fell in love with me, you didn't look at my wallet.
34:14Who came?
34:15Baby, did you forget that we have a free relationship?
34:21That's right, I forgot.
34:24Now you're with those who pay.
34:26Do whatever you want.
34:28Of course I'll do whatever I want.
34:30I don't need your permission.
34:31And let me tell you something.
34:33I'll enjoy it.
34:34I wish you could, baby.
34:36Although I don't think you can do it without me.
34:39She will.
34:40Don't bring up my subject again.
34:41Don't send Eirikos again.
34:43I said I'll get used to it.
34:47I wish you all the best.
34:50Try to get used to it soon.
34:53Otherwise I'll get used to you.
35:00Nice article.
35:02Very impressive.
35:05I don't know how to describe it.
35:08Minimalism in fashion.
35:11I don't understand it.
35:13Deconstructive.
35:17Where did he find it?
35:19If you want to understand it, you have to read Lauer.
35:23That's right.
35:24Of course, the kids understand it.
35:29Now listen, guys.
35:31What am I going to do with my life?
35:35Papa Koulini!
35:37Welcome.
35:41I went for a walk in Kolonaki.
35:43You bought it all.
35:45Slowly.
35:46I bought two pieces.
35:47A very nice busto with a decadent cell and a great dress.
35:51Buy as cut.
35:53If it's buy as...
35:55Let it go. It'll be good.
35:58Nice.
36:00You know, I came in the morning and found this article in my office.
36:06Well done.
36:08Congratulations.
36:10Is it yours?
36:11Yes.
36:12Do you like it?
36:13I worked on it all night.
36:15I like it.
36:16Although there are some points here that I don't understand.
36:20The word deconstructive.
36:22I like this point very much.
36:25I like it too, but I don't understand it very much.
36:28That's it, Natalaki.
36:30You have the kindness to make it a little more Greek.
36:33Yes.
36:34It's...
36:36What we say.
36:38Like...
36:39What's going on around us.
36:41But deformed.
36:44Which has to do with...
36:46Like fashion.
36:48You didn't understand it.
36:50Give it to me to clear it up.
36:52Well, you just wrote it yesterday.
36:54It was your idea.
36:55Did you forget everything?
36:56When I say mine...
36:58They have written a lot about her.
37:01And the general circulation.
37:03Circulation?
37:05Yes.
37:06They talk about her a lot.
37:08Everywhere.
37:09Especially in London.
37:11All the time.
37:12All the time.
37:13Not a single word is not yours from this article.
37:17Isn't that right, Natalia?
37:19Or am I wrong?
37:27Nikos, Nikos, Nikos.
37:28I want you to go to the bank to get the receipts.
37:31It will be ready today.
37:32Now?
37:33Now you start my break.
37:34Whenever I send you to work, you start your break.
37:36Is it random?
37:37Why?
37:38Isn't it fair to have a break?
37:39Ten minutes every hour.
37:40You have a break every hour for ten minutes.
37:42Now you're going.
37:43Besides, your break can last until the bank closes.
37:46Where are you, my child?
37:48What do you mean, my child?
37:50With that mouth you say I love you?
37:52Yes.
37:53But...
37:54To the right person.
37:55What?
37:56That is...
37:57Is there a person?
37:59We're not going to talk now.
38:01Fine.
38:02You owe me a discussion.
38:04And we will continue the discussion.
38:06Go.
38:12Why don't you believe me?
38:14It was my idea.
38:15Maybe I didn't write it, but it was mine.
38:17She's lying to you.
38:19You're lying.
38:20And you'd better stop.
38:22Do you believe a maid who has the same thing as her child?
38:25The family has been here for many years.
38:27I have her as my child.
38:28I gave birth to her.
38:29And I know very well that she's telling the truth.
38:31You never believed me.
38:32Never.
38:34Listen, my child.
38:35You're my daughter and I love you.
38:37And I have a lot of respect for you.
38:39But under no circumstances am I going to thank you.
38:43I've never been unfair to anyone.
38:45And I didn't do it for your sake.
38:46But I didn't do anything unfair.
38:48Let me explain.
38:49I don't want you to explain anything to me.
38:51I want you to apologize to Eugenia this afternoon.
38:54And try to convince her not to give up.
38:57But dad...
38:59I'm done.
39:01And if you want to stay here, you'll do what I tell you.
39:05You're very strict with me.
39:07You know it. Very strict.
39:08For your own good.
39:10One day you'll thank me for it.
39:12You're kicking me out of the job and you tell me it's for my own good?
39:15I'm not kicking you out.
39:16You can stay if you want.
39:17You have your place in the company.
39:19And I'll help you with Eugenia.
39:21But that's unfair.
39:22I can do it because I'm much better than her.
39:24You have to prove it at work.
39:26And you have to prove it with honor.
39:29Excuse me. Am I late?
39:31No, not at all. Come in.
39:32Natalia just left.
39:46Is everything okay?
39:48Yes, everything's fine.
39:49Vitamin? Antioxidant?
39:55You're late.
39:56I came to your office three times.
40:08Did you miss me?
40:09I wanted to thank you.
40:11Did I ask you something?
40:13You caught me.
40:14I was going to ask you the same thing.
40:16Did you miss me?
40:17No, not at all.
40:22I was in the bank and now...
40:25I'm looking for these papers.
40:33Don't mind me.
40:37Lola was afraid.
40:38This letter was scaring her.
40:40She was holding it in her hands like a bomb ready to explode.
40:43What could Romina have written to Leonid?
40:46Romina was the reason for everything.
40:49She had changed his life by turning him from a lioness to a woman.
40:54Lola was afraid because she felt there was no return.
40:58Who could she call for help?
41:01She didn't know the number for psychological support.
41:04So she called her personal psychological support.
41:16Leonid, what's up?
41:18She wrote me a letter.
41:19Who? Fotis?
41:20Who's Fotis? It's Romina.
41:22Which Romina? Romina Power?
41:24The one who sang to the priests when we were kids with Albano?
41:27That's right. Romina.
41:29Romina the witch.
41:32What does she say?
41:33I don't know. I haven't opened it yet.
41:35Come on, open it. What are you waiting for?
41:37I can't read it by myself.
41:39Can you hear how I read it?
41:41Of course. Go ahead.
41:47Hello, Leonid. How are you?
41:49I'm fine and very far from you.
41:52Don't try to find me. I know how to turn off my eyes perfectly.
41:56As you can see, I'm not as happy anymore
41:59as I was when I believed your lies and the vows of your love.
42:03They say that only those who adapt to change survive.
42:07Did you adapt to your own change?
42:10I don't doubt you can do it.
42:13I don't doubt you can do it.
42:16A man with your own power can do anything,
42:19even being a woman.
42:22How will you go to work with drugs?
42:25I'm sure they will eat you with their eyes.
42:28That's why I asked the witch to make you beautiful
42:31so that they would look at you and give you away,
42:34as you looked at yourself, Leonid.
42:36Do you like it now?
42:39I'm sure your body will feel everything differently now.
42:43And your heart, especially,
42:45because otherwise the woman's heart will feel it.
42:48You will learn to beat your heart, to wait for a phone call,
42:51to hang from a smile, a word.
42:54You will learn to believe, a sweet kiss, a I love you.
42:58You will learn to cry.
43:00We wish you to fall in love, Leonid.
43:03To suffer from love.
43:05To feel that your happiness, your sadness,
43:08is in the hands of someone else.
43:10That will be your punishment.
43:12To become a woman.
43:14To feel like a woman.
43:17I wish you to get used to your new body,
43:19because it won't change.
43:21Leonid will never come back.
43:25Never again.
43:35Never again.
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