- 9 months ago
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TVTranscript
00:00Why isn't he picking up?
00:10Yes, Voula?
00:14Hi, I'm Harai Tsalikoglou.
00:17Yes, is George at the station?
00:21Ah, he's in a meeting.
00:23Ok, ok, no, no, don't hang up, I'll pick up later.
00:27Thank you very much.
00:29Hi.
00:31Are you Harai Tsalikoglou?
00:33The one who does the radio show?
00:36I'm very happy to meet you.
00:38I listen to you every day.
00:40So, tell me what you see.
00:49Tell me the truth.
00:51I see...
00:54Lola was very sure of what she saw.
00:57But she knew she couldn't say it.
01:00Something else had to be hidden.
01:02But what?
01:04I see...
01:06I see...
01:08a monkey.
01:09What do you see, Lola?
01:12I see a bear.
01:15What do you see, Lola?
01:18I don't see anything.
01:20Is this how you imagine yourself?
01:23Yes, I prefer men's clothes.
01:25What do you see?
01:27I see what I see.
01:29Like a boy
01:31I have a heart that beats
01:33Boom, and long hair
01:35Ah, Lola
01:37Like a boy
01:39It's the first time for me
01:41That your eyes make me
01:43Boom, boom, boom, boom, boom, boom, boom, boom, boom
01:47Oh, Lola, you're
01:50Boom, boom, boom, boom, boom, boom, boom, boom
01:54We're in Cyprus.
01:56Okay, Giorgos, see you later.
02:00I'm sorry, we got cut off.
02:02It's okay.
02:04So you were telling me that this guy in Balsami
02:06did a pregnancy test without your consent.
02:09Exactly.
02:10And that's how you found out you were pregnant and that they rejected you.
02:13Yes, as soon as I did the tests
02:15and the psychological tests required by the company.
02:18What you're telling me is terrible.
02:20And it's not the first time.
02:22I know other girls have done it too.
02:24Officially, you can't prove anything.
02:26They reject you by decision.
02:28But in reality, because you're pregnant.
02:31I've heard many times about companies
02:33that do a pregnancy test secretly
02:35and the result is an accident.
02:37It's inhumane.
02:38All so they don't have to pay.
02:40Because they have to give us permission
02:42and pay us for a period of time before and after the birth.
02:45Society is what we live in.
02:47But it's the Balsamis' fault for doing their job.
02:50I won't make it.
02:52I've been waiting for hours.
02:54Do you understand what they're doing to me?
02:56I lose my job when I need the money more than ever.
03:00How many children do you have?
03:02Two.
03:03And what were you thinking?
03:05I'll run as a pregnant woman to find a job.
03:07Do you understand?
03:09What kind of people are there?
03:11We have to do something for them.
03:13They can't do this to you and be unpunished.
03:15What can I do?
03:17You have to find a way to get back to work.
03:19Yes.
03:20Don't let them paint me red.
03:40Come on.
03:41I'm late for the doctor's appointment.
03:43Come on, come on, come on.
03:45Come on.
03:47Come on, Grigori.
03:49I got you in two minutes.
03:51Why did you tell me to get your crazy girlfriend?
03:53She almost drove me crazy, too.
03:55I'm telling you, she's a pain in the ass.
03:57Listen.
03:58In the psychological tests, you answered like a man.
04:00Yes, yes.
04:01A lost personality.
04:03Look, with the report I'm going to send to HI5,
04:05they're going to kick her out.
04:06You can be sure of that.
04:08Yes, I see her more on the wrong side now.
04:10Grigori, let me tell you something.
04:12Because I have a full wardrobe there,
04:14I have to lock you up, right?
04:15Don't worry.
04:16Everything's going to be fine.
04:17Come on.
04:18I'll call you, Grigori.
04:19Come on, bye.
04:20Bye.
04:35Tell Eugenia that we've chosen the clothes.
04:37And tell her to prepare the return tickets
04:39for the ones we won't need.
04:41We don't need return tickets, Eugenia.
04:44And tell my love what I'm telling you.
04:46Also, tell her to call the hygiene department
04:48and the police department.
04:49I want them.
04:50Okay.
04:51Ah!
04:52Tell her to prepare and arrange
04:54the expenses for their department.
04:56Sit down, Anatalia.
04:57Go, my love, bring me some maintenance.
05:01Here you go.
05:02Be careful.
05:03Okay.
05:04Goodbye, Mrs. Anatalia.
05:06Anatalia, come back in a bit, please.
05:08I can't, dad. I have work to do.
05:10You'll do it 20 minutes later.
05:13I'll tell him about my show,
05:15but I can't say names.
05:17Neither the biomedical department
05:18nor your company.
05:19Because we didn't catch them red-handed.
05:21Except if there are false complaints.
05:23Then come out and talk.
05:25I understand.
05:26I'll say that I have serious information.
05:28But since we don't have proof,
05:30we can't do anything else.
05:32I understand.
05:33Thank you very much.
05:34I'll go to the bar for a moment
05:36to get a chocolate.
05:38The baby wants it.
05:43I'm so happy.
05:45What?
05:46I'm so happy, my child.
05:47The doctor and Grigori
05:48want to put me in jail.
05:50What?
05:51It's the new plan of eviction
05:52from my old bad friend, Grigori.
05:54I heard him talking to the doctor
05:55when I was in the bathroom.
05:57I heard.
05:58From what it looks like,
05:59they're playing big games here.
06:01They've made an agreement with the company.
06:03What do you mean?
06:04The girl I was talking to before.
06:06What does she mean?
06:07The one who was shouting.
06:08This morning.
06:09So,
06:10Valsamis tested her pregnancy
06:12without her consent.
06:14He found her pregnant,
06:15brought it to her company,
06:16and her company fired her.
06:18Come on now,
06:19this is a story for wild people.
06:21Do you know what it means
06:22for a woman to be fired
06:23when she's pregnant?
06:24No,
06:25and I don't care
06:26because I'm in danger
06:27of losing my job now.
06:28This is one of the worst forms
06:29of labor racism,
06:31and you should know it.
06:33Why?
06:34Because now you're a woman.
06:35Yes, that's what I was told,
06:36so that I don't end up pregnant.
06:38Listen to me, my boy.
06:39No, you listen to me.
06:41We have to get Valsamis' report
06:43before she sends it to HIFI.
06:48You're still here?
06:49We're done.
06:50You can go, Mrs. Varouf.
06:54What you did was illegal.
06:56I'll make a statement.
06:57We're not animals.
06:58There are personal details.
07:00I'll lock you up.
07:01Calm down, ma'am.
07:03Valsamis, let me tell you something.
07:05Let's go inside.
07:06I want to talk to you.
07:10Let's go.
07:21My dear,
07:22I don't want you to think
07:24that I don't love you
07:25or that I want to ignore
07:26your value in what I'm about to tell you.
07:28What are you going to tell me?
07:29I want to tell you
07:30that we're a company
07:31and in the company
07:32you're a worker,
07:33like everyone else.
07:34Yes,
07:35but at the same time
07:36I'm your daughter.
07:37My daughter,
07:38yes,
07:39but I don't want you
07:40to take advantage of that.
07:41Yes,
07:42but I don't want you
07:43to blame me
07:44for stealing your company's money.
07:46I mean, me.
07:47My dear,
07:48no one blamed you.
07:49At that time
07:50we were all innocent.
07:51I don't want you
07:52to think otherwise.
07:53OK,
07:54can I go to work now?
07:55If it's your job,
07:56go.
07:57But lately
07:58you've been getting in the way
07:59of the family.
08:00I'm getting in the way?
08:01I'm trying to fix her mistakes.
08:05My daughter has been working
08:06for many years
08:07with us.
08:08She's been supporting us.
08:09You shouldn't talk like that
08:10about her.
08:11Did she tell you
08:12to tell me that?
08:13No, of course not.
08:14I tell her.
08:15I tell her by myself.
08:18Come here,
08:19my dear.
08:20Come here.
08:21I'm worried about my daughter.
08:24Daddy loves you.
08:25He loves you a lot.
08:27But I want you to know
08:28that this is a job.
08:29And in the job
08:30there are some limits.
08:31Yes, my dear.
08:33Where are you crying?
08:37You're my swan.
08:51Hi, Rini.
08:52Welcome.
08:53How come you're so early?
08:54I came to get some things
08:55that I need at work
08:56before I leave.
08:58Is the little one still at school?
09:00She's in her room
09:01playing with a gift
09:02that her boss brought her.
09:05Lola?
09:06Yes.
09:07He sent her a gift
09:08with a boy yesterday
09:10and then she came here.
09:14Did Lola come here yesterday?
09:18Foti, my boy,
09:19I'm sorry.
09:20You know,
09:21I don't want to interfere
09:22with your personal life.
09:24But Melina
09:25is very excited
09:26about this woman.
09:27Yes, yes.
09:28I understand.
09:30Be careful, my boy.
09:31What should I be careful of?
09:32Just be careful.
09:33She shouldn't be disappointed
09:34after the baby.
09:36I don't understand.
09:37What do you mean?
09:38Nothing.
09:39Nothing.
09:40Don't pay attention.
09:41Say that you heard
09:42these things
09:43from a wild dog.
09:44Come on.
09:45Come on.
09:46It doesn't matter.
09:47A wild dog.
09:49I've got it in my head.
09:50Don't worry.
09:51I'll be careful.
09:55So,
09:56let's get straight to the point.
09:57I know that you get them
09:58from companies
09:59and that you do
10:00illegal tests
10:01like pregnancy tests
10:02and that you
10:03publicize personal data.
10:04I also know
10:05very well
10:06that your report
10:07to my company
10:08will be negative
10:09and I will lose my job
10:10just like you lost
10:11the little girl outside.
10:12The little girl
10:13has nothing to do with me.
10:14Bullshit.
10:15Now, listen to me.
10:16You will send
10:17a fake report
10:18to my company.
10:19Do you understand?
10:20And not only that,
10:21the next time
10:22you make such a mess
10:23you will find me in front of you
10:24and go outside
10:25and apologize
10:26to the little girl
10:27who lost her job
10:28because of you.
10:29You are exaggerating,
10:30and you haven't seen
10:31anything yet.
10:32You haven't seen
10:33the little boy
10:34beating up the little girl
10:35and kicking her mother
10:36and making you jealous
10:37in all the TV media.
10:38Please, please.
10:39You haven't understood
10:40how far I can go.
10:41I am a director
10:42of a newspaper
10:43and I have
10:44a lot of acquaintances.
10:45Why do you think
10:46that I don't have
10:47acquaintances?
10:48You are provoking me.
10:49No, no, no.
10:50No.
10:51Okay, okay.
10:52Do you understand
10:53that I can turn
10:54all the women
10:55against you?
10:56Your clinic
10:57can close
10:58because of racism.
10:59You can do
11:00illegal tests
11:01like pregnancy tests
11:02and end up
11:03with women
11:04losing their jobs.
11:05Nikos Evangelatos
11:06is nothing
11:07to my friend.
11:08And why should he
11:09have personal protection
11:10against me
11:11now that I think about it?
11:12But let me tell you
11:13the truth, Valsani.
11:14I don't want you
11:15to do all this
11:16for nothing.
11:17I want to get
11:18a very good excuse
11:19to close
11:20the clinic.
11:21Ah!
11:22I will tell my friend
11:23Grigoris
11:24about this.
11:30I thought a lot
11:31about you
11:32Lola.
11:38Rini is
11:39very naughty.
11:40Why?
11:41I told her
11:42not to tell you
11:43anything.
11:44It was our secret
11:45with Lola.
11:46Oh, yeah?
11:47And where is
11:48this album?
11:49I want to see it.
11:50What's wrong?
11:51Come on, please.
11:53I will put the tears.
11:55If you put
11:56the tears...
11:59Come on!
12:01I had one like this
12:02when I was little.
12:03Really?
12:04Yes.
12:05And now Lola
12:06gave it to you?
12:07Yes.
12:08Although her wife
12:09likes football.
12:10She is like me.
12:12There was a player missing.
12:13It was the rarest card.
12:15Lola
12:16has lost
12:17her hopes.
12:19She will never
12:20find her.
12:21Twanvakoulas.
12:24It really was
12:25the rarest card.
12:30Do you understand?
12:31She makes it difficult
12:32for us
12:33and she takes
12:34her walks.
12:35She writes.
12:36Two skirts
12:37and three blouses.
12:39Normally,
12:40it's her job.
12:41Why do you
12:42do the recording?
12:44But of course,
12:45you take advantage
12:46that she is
12:47the boss' daughter.
12:48The fat one.
12:49Listen, Stefania.
12:50Because I can't see you
12:51very well,
12:52can't you go down
12:53to relax
12:54and drink some water
12:55and an orange?
12:56And I will do the editing.
12:57No.
12:58No.
12:59No.
13:00I will sit here
13:01and help you.
13:02I'm not going anywhere.
13:03Come on, I'm telling you.
13:04I'm telling you.
13:05I'll do it.
13:06But you are
13:07the fashion manager.
13:08You can't just
13:09do the editing.
13:10I won't get hurt.
13:11Don't worry.
13:12Go.
13:13That's why
13:14everyone loves you.
13:15There is no other
13:16manager like you.
13:17You are
13:18a very good kid.
13:21A good kid.
13:23A good kid.
13:24I don't fit
13:25into the good ones.
13:26I exaggerate
13:28Hi.
13:30Hi.
13:31Is everything under control?
13:33Yes.
13:34Do you want
13:35to take a look?
13:36To be interested?
13:37Why?
13:38Can't you tell me?
13:39I can.
13:40Of course I can.
13:41Everything is fine.
13:42Perfect.
13:43Where is the file
13:44with the sponsors?
13:45I must have
13:46left it
13:47somewhere in the drawer.
13:48Can you bring it?
13:51I'll bring it.
13:53I'll bring it.
13:57I'll bring it.
14:13Here it is.
14:15Tell Vicky
14:16that I'll get
14:17some tickets
14:18and I'll be back.
14:23Oh my God!
14:24I can't believe it!
14:25What happened?
14:26My file is gone!
14:27What?
14:28My file is gone!
14:29What happened to the file?
14:30I don't know.
14:31I don't know.
14:32All of a sudden
14:33it's gone.
14:34All the work
14:35we did in the morning
14:36is gone.
14:37What do you mean
14:38it's gone?
14:39They save them,
14:40my love.
14:41What can you do?
14:42Everyone
14:43who has a mind
14:44has legs.
14:45Start
14:46going through
14:47everything again.
14:48But Mr. Argyris.
14:49The many words
14:50are poverty.
14:51Start going through
14:52them again
14:53and stop crying.
14:54Are you coming,
14:55Vicky?
15:00She's the one
15:01who erased it.
15:02Forget it, Stefani.
15:03Forget it.
15:04I don't want
15:05to discuss it at all.
15:06So
15:07let's try
15:08to see
15:09if we can
15:10restore it.
15:11Let's see.
15:21Hello, Mr. Panos.
15:23Hello,
15:24Come on, work. Sit down.
15:26Yes, sir.
15:27What do you say, Pano? Have you seen Grigori?
15:30No, I haven't seen neither Grigori nor Vicky.
15:33Come on, smartass. I was talking about Grigori.
15:36Well, didn't you eat together at the barracuda?
15:38Well, I see you know everything, huh?
15:40Whoever turns, smells.
15:42And the only shit I learned today is that they ate with you.
15:46Ah, here they are, guys.
15:50And they look like people who had a good time five minutes ago.
15:54Two minutes.
16:05Thank you very much.
16:06Why are you thanking us?
16:08If I didn't find you, I would never find my job.
16:11And you will never find a job?
16:13What job can I find now? Where will they take me pregnant?
16:16Come on, photographer. Let's make an appointment.
16:19Work for us.
16:20What can I say?
16:22You are my good angels.
16:24I am very happy to have you.
16:26You are as good in reality as you are in your show.
16:30See you tomorrow. Bye.
16:35I really don't understand her.
16:37What don't you understand?
16:38My child, she made so much fuss just to hear an apology.
16:41I don't understand you women.
16:43You still have a lot to learn about us women, Leonida.
16:47Anyway, congratulations.
16:48For what?
16:49You are right.
16:50You have started and you are changing.
16:52As a man, you must be interested in this matter.
16:55Leonida, welcome to the world of women.
16:59Thank you very much, but I won't take it.
17:01I intend to leave this world as a woman.
17:03Well, I have to go now because we have gone with George to look for a house.
17:07Yes?
17:08Come on, did you tell him to come here?
17:10I didn't even tell him that we would be together.
17:13The house is nearby. You will see.
17:15No, how did he come?
17:17He didn't come to me, he came to you.
17:19The house?
17:20George.
17:21Where is he?
17:22There.
17:27Oh my God, what are we going to do now?
17:30I told him that we would go with Leonida.
17:32I don't know.
17:47Hello.
17:48Hi.
17:49She is a good girl.
17:51What are you waiting for, my girl?
17:53I was at the doctor all day.
17:55And what doctor?
17:56Well, I'm going inside to get something to go home.
17:59How are the exams going?
18:01I suppose.
18:02Lola.
18:03Where have you been all day?
18:05Sorry.
18:06Last night, okay, I was informed.
18:09I was at the doctor's.
18:11And?
18:12I was at the doctor's.
18:14Last night, okay, I was informed.
18:17Why?
18:18You were at my house.
18:20Ah, yes, yes, yes, I was at the doctor's.
18:23Anyway, I'm laughing now, right? It's funny.
18:27More.
18:28More and more.
18:29You told me that I make things up, while you come to my house every day.
18:36Yes, I said it, I said it, but I wanted to give a gift to my daughter.
18:41Okay, I accept.
18:43Does it bother you?
18:44Not at all.
18:45No, it helps.
18:47What?
18:48That things come from the past, good memories.
18:51Today, for example, when I was looking for a flashlight, look what I found.
18:56This one.
18:57What is this?
18:59For you. Open it.
19:07Oh, Favakoulas!
19:10Wait, wait!
19:13What is it?
19:19Thank you very much, it was very sweet of you.
19:22I'm glad.
19:25Of course, there is a problem.
19:27What problem?
19:29You know, I don't want to get involved with the students, with the staff.
19:34Come on, are we going to discuss this again?
19:36Yes, yes, yes, again and again and again, until you compensate me, Favakoulas.
19:40Because it seems to me that you have not compensated him.
19:43We may be together professionally, but personally, you are at home and I am at home.
19:48I agree.
19:49Nice.
19:50I do not disagree.
19:51But the point is that you are against it and you came to my house and brought a gift to my daughter.
19:56Right?
19:57But don't worry.
19:58I know that your choices are of a different type.
20:02I have compensated him, he does not need to repeat it over and over again.
20:27Why are you complaining now, George?
20:29I'm complaining.
20:30I've been waiting for you all day to see the apartment and I'm glad I'm waiting for you.
20:34Did anyone tell you that the owner will be waiting for you?
20:36The appointment was seven hours ago.
20:38Okay, you're right, I'm not late because...
20:41And do you know what motivates me the most?
20:43That you lie to me.
20:44I didn't tell you any lies.
20:45Really?
20:46But you didn't tell me that you were with Leonidas and you were with Lola.
20:50I can't tell you Leonidas, because Leonidas is in Germany.
20:54I'd probably tell you Lala, because with the impudence I've been shouting at him since I was a kid.
20:58And you would think Lola.
20:59Lola, Lala, you've driven me crazy.
21:02And you don't tell me, how do I know that all this is not a fairy tale, so you can look me in the eye.
21:06You're lying.
21:08You go to stay with Lalo, but Lalo travels and you stay with Lola, who stays at Lalo's house.
21:14That's what you said, didn't you?
21:16Come on, George, we're fighting over an insignificant explanation.
21:20But for you everything is insignificant.
21:22You haven't even met my best friend.
21:25And you should know something, please.
21:27Anything that has to do with you and him is not insignificant for me.
21:31Are we going to start with the same thing again?
21:33Why? Do you find it difficult?
21:36And please don't explain it to me too much.
21:38How come you never met me?
21:40I've explained to you that Lalo is a special type.
21:44Yes, indeed.
21:46And Lola must be a special type, too.
21:48Why don't you want to meet me either?
21:50Now, why is that important?
21:53Because you keep me out of your life, Hara.
21:57A lifetime of complaining that I don't care about my friends and the environment.
22:01And you're right.
22:02Now that I'm trying, why don't you leave me?
22:05Come on, tonight we're all going out with Lola.
22:08I can't tonight. I made a rule to go out alone with her.
22:11She wants to introduce me to her new friend.
22:14I see.
22:16And why shouldn't I be with her?
22:28Nice.
22:30Nice ending to our day.
22:33My love, instead of crying over a bucket of biscuits,
22:36it's better to go to work.
22:38You'll only succeed with a hard job.
22:40I work. I work very hard, actually.
22:42But there's a whore in here who wants to kill me.
22:46You have to be very careful. How many times do I have to tell you?
22:50What do you mean? It's my fault.
22:53Eugenia, stop blaming me, my dear.
22:56I'm just trying to help you. Don't you want to understand what I'm saying?
23:00She deleted my file.
23:03It took me hours to fix it.
23:06And in a second, she deleted it.
23:09Stop crying. Stop crying and go to work.
23:13I can see you sitting here until Monday.
23:18Now, my idea is...
23:21What?
23:22You're with someone.
23:23I'm always with someone.
23:25But lately, you've been all huggy, haven't you?
23:29Huggy? With whom?
23:31With the fridge.
23:33In order not to interrupt this flamboyant show, I'm leaving.
23:36Bye.
23:49Hello.
23:51Dr. Balsamis is sending these tests.
23:54Where are you going?
23:56Aren't we going to see the results of your tests together?
23:59No, you don't have to. You're not alone.
24:02And then send the results to the Department of Human Dynamics, okay?
24:05I'm going home because I'm a piece of shit. I can't keep you company.
24:08Oh, and the keys.
24:11Oh, I forgot.
24:13Tomorrow morning at 11 a.m.
24:15A girl from the Department of Human Dynamics, Dr. Balsamis, will come to pick her up.
24:18She's very nice.
24:20Bye.
24:23I don't get it.
24:25Here it is.
24:34What is this?
24:36I'm asking for the truth, Mr. Sfetis.
24:39Tell me, what happened with Vicky?
24:41I saw you leaving the chancellor's office.
24:43Us?
24:44Yes, and you went in different directions.
24:46Classic.
24:47Don't tell me, man, what are you drinking and not giving us?
24:50I don't get it. You don't want us to talk about you.
24:53Okay, then. Since you're here, let's talk about me.
24:56So, tell me, how am I?
24:58What do you mean?
25:00Man, your pre-selection, Eugenia, made me feel very uncomfortable.
25:04I mean, really, am I that stupid? Don't I count at all?
25:07It depends on the environment you live in.
25:09If you were, for example, in a village called Papua,
25:11you would have certainly won the title for the best actress.
25:14Come on, man, don't make fun of me.
25:16Who's making fun of you?
25:17I'm not making fun of you. I don't have anything addictive.
25:20Let me see you.
25:21Come here for a second.
25:23Sit here for a second.
25:25Move your belly in a bit.
25:28You're a doll.
25:31Yes.
25:32Wait, I see something now.
25:34What?
25:35It's a bit unclear.
25:36What is it?
25:38You're a pleasant guy.
25:40We know that, man. We're in character.
25:43We're in character. Let me see you.
25:45I don't have anything addictive. Let me see you.
25:47Give me three days to answer you.
25:51Okay, I got it. I'm going to tell Kyada.
25:53Okay, good idea.
25:55You might find a girl.
25:56They might have dumped one of them.
25:57You might even get laid.
25:59We were laughing.
26:00It's my fault, man, that I'm taking you out of my soul.
26:02Come on, man, you know I love you.
26:04What happened with that date with that girl? Who was it?
26:07Stella.
26:08Well, the first date went perfectly.
26:10Yes, and?
26:11The second?
26:12The second?
26:13We haven't gone out yet, but I'm thinking of calling her.
26:16Don't think too much about it and give her time to feel it.
26:19Take her now.
26:20Really?
26:21Okay, I'll do it, but let me tell you.
26:23Thank you for saying you love me.
26:26You're kidding.
26:27You're the best friend I've ever had.
26:29And I don't need to take you out for a walk.
26:35We were laughing again.
26:42The next day.
26:46Well, that's okay.
26:48I'm going to the bathroom.
26:49Right away.
26:50Okay.
26:56What's going on?
26:57It's boiling and boiling.
26:58Why are you behaving like this?
27:00Because you're bothering me while I'm working.
27:02Don't you have work to do?
27:03I have.
27:04I'm going to deliver these packages.
27:05Come on, get out of my way.
27:08Why are you still sitting here, my child?
27:10For you.
27:12Nikos.
27:13Didn't they hire you to sit and look at me?
27:16Of course not.
27:17But I can't look at you, you're very beautiful.
27:20You told me to look at you.
27:22Don't worry, I'll look at you.
27:24My grandma told me.
27:26Nikos.
27:28Go to your work.
27:29Because the companies will close.
27:31I like it when you say that.
27:34Let me tell you.
27:35What would you say if we did it together?
27:40Come on.
27:58What are you looking at?
27:59Are you trying to tell him what you really think
28:01and call Stella on your own?
28:04No, but...
28:05What do you mean?
28:06Do what you have to do.
28:08it's really shameless.
28:09Oh, please. I don't accept that.
28:11So...
28:20Yes?
28:21Hi Stella.
28:23Do you recognize me?
28:24I do.
28:25I'm Marios. How are you?
28:28I'm fine.
28:29You didn't sound well.
28:30Is something wrong?
28:32No, it's nothing.
28:35Did you want to talk to me?
28:36I was wondering if we could meet tonight.
28:40I mean, in a little while, if you don't have work.
28:43Not only do I have work. I'm drowning in work.
28:47It's not a good day today.
28:49Oh, I get it. One of the same.
28:52Okay, but if something changes, call me.
28:55Well, I don't see many things changing today.
28:59Maybe we'll talk some other time.
29:01Okay? I'm hanging up. Bye.
29:05So, what happened?
29:08What happened? I've got her.
29:35I'm so happy.
29:37I'm so glad I made it all the way here.
29:40I'm exhausted. I'm exhausted.
29:42I can't imagine what I was thinking when I left you.
29:47I had a mess with Fotis.
29:49Do you want me to tell you?
29:51Later, I say.
29:53Now, I want to ask you for a favor.
29:56What is it?
29:59So, take a breath.
30:01Go take a shower, freshen up a bit, and get ready for dinner.
30:07You're not good. There's no chance.
30:09Darling, we're going somewhere nearby. George will pick us up.
30:13George? What are you talking about?
30:15I don't want to have anything to do with him.
30:17Come on, I'm not talking about you.
30:20Because I don't.
30:21I mean, when you were a baby.
30:23Okay, I'm going to sleep.
30:25Why are you so selfish?
30:27I'm not selfish. You don't have anything to do with him.
30:31I know what kind of person George is.
30:33But I don't want to lose him.
30:36You should start preparing yourself.
30:38Leonida, you don't let me preach.
30:41You ask me for favors, and I do them.
30:43Every time I ask you for a favor, you ignore me.
30:46I'm not ignoring you.
30:47I'm doing it for you, so you don't make the same mistakes.
30:50George is trying to change. At least give him a chance.
30:55I see.
30:57Okay, fine. I'll give George a chance.
31:00I don't know what else we'll do.
31:02Yes.
31:04Erm...
31:06I mean...
31:07I'm fine.
31:08Erm...
31:10You have to do something else.
31:15George wants to meet Lola and her boyfriend tonight.
31:27Her boyfriend?
31:28Who is her boyfriend?
31:30That's the point. We have to find you a boyfriend.
31:34Me.
31:36Leonida Lani's boyfriend.
31:39Right?
31:40Do you want me to hit you? Do you want me to hit you in the face?
31:43Leonida, don't overdo it.
31:46I didn't ask you to do it with him.
31:48I just asked you to try to have a relationship and help me.
31:52That's stupid and stupid.
31:54Either you do it, or I'll leave the house.
31:57You can't be so stupid anymore.
31:59Don't worry about it.
32:05Good night, Mr Pano.
32:07Good night. Meow, meow.
32:12Vicky, are you ready for the interview?
32:14I'm leaving. I'll give you a pre-order tomorrow.
32:15No, I don't want a pre-order.
32:18Are you sick?
32:19No, I want to ask you something.
32:22Erm...
32:25What would you say are my good qualities?
32:28I mean, externally.
32:30None. Any other questions?
32:31Come on, Vicky, please.
32:33I asked Grigoris, but you're a woman and your opinion matters more.
32:36Come on, help me out.
32:38My good qualities.
32:40Let me think, because you're making it hard for me now.
32:42Ah, I found one.
32:44You're a pleasant guy.
32:46Yes, that's what Grigoris told me.
32:47My sweet boy, yes, we're already in touch.
32:49Yes, you're in touch, but I asked you externally.
32:52It's nice to be pleasant, but not to go too far.
32:55Yes, to go too far, Pano, you have to go up the ladder.
32:58And if you want to hear my opinion, you have to be ready to hear the answer.
33:06Good night.
33:08Good night.
33:17Bye.
33:20Bye. I'm leaving.
33:22It's a shame, it's a shame, I had so much to tell you.
33:25Really?
33:26I don't know, it's just things that people talk about in our situation.
33:29You know, I'm a man who prefers action over words.
33:35This is for you.
33:37I think it will go well with your necklace.
33:45Don't let your mind wander.
33:47It's not a ring, I'm sorry.
33:50What can I say? Thank you very much.
33:52I confess, you're very kind.
33:54Thank you. What do you say, let's go eat?
33:56Tonight?
33:57Me, you and Grigoris. Oh, and our client, I forgot him.
34:00No, I can't.
34:01With the money we're going to get out of this job,
34:04we can even go to Rome for our wedding.
34:08I'm paying.
34:09FIVE MONTHS LEFT
34:165 MONTHS LEFT
34:18The thing is, who are we supposed to look for?
34:22We have to find someone.
34:23Shouldn't the old guy have figured it out?
34:26He isn't reallyrogenic.
34:28There has to be some family relationship going on now.
34:31Maybe they knew each other.
34:32Finding someone that works in my office?
34:34You must be out of your mind!
34:36And the new chef?
34:37Nikos!
34:39Nikos, why don't you go and make them better?
34:41Why? Isn't it a bad idea?
35:10Do you still think it's a good idea?
35:12Bah! I said you're a boy, not a virgin.
35:15We reject him.
35:18The other one? The short one?
35:21The tall one?
35:23Ah, of course! That's if he's going to succeed.
35:39The other one?
36:00Do you have the picture?
36:02I have it and I'm throwing it away.
36:04I have another alternative.
36:06It's a bit late, but what would you say about Grigori?
36:10This is going to be the pinnacle.
36:36Let him be. He's going to ruin mine.
36:45Don't worry about it.
36:48I don't know. What if I become Leonidas' friend?
36:53I like that you never lose your humor.
36:56Well, we're leaving Argyris outside because he's married.
37:00So, who's staying?
37:03Come on. Who's staying?
37:06Calm down.
37:10I'm a big boy, okay?
37:12I know how to protect myself from Lola and every Lola.
37:16I'm not worried about you. I'm worried about Melina.
37:20What could happen to her?
37:22My child will be confused. You don't understand.
37:25She doesn't have a mother and you see her in Lola's face.
37:29She's starting to bond with her. Can't you see that?
37:33I can see that she found a friend in Lola.
37:37Melina is still a child. She can't tell things apart.
37:42Don't let her develop hopes.
37:45She's a little girl. If she doesn't develop hopes now, when will she do it?
37:49Hopes are not good when they are bad. You have to protect her from that.
37:55Okay. What should I do?
37:58I'll cut everything with Lola except work. Okay?
38:05Lola. She won't let me say hello.
38:09Why doesn't she pick up now?
38:14Please.
38:16Foti. It's Lola.
38:18Hello, Lola. Did something happen at the office?
38:21No. Everything is fine at the office. It's just that...
38:25It's about something else.
38:27What?
38:29I want to ask you for a favor.
38:31A favor? From me?
38:33I'm very curious. After everything that happened this afternoon.
38:37What I told you this afternoon is true. Nothing has changed.
38:41I just have a problem and you're the only person who can help me.
38:44I'm all ears. What do you want me to do for you?
38:49Be my son.
38:55Good night, Julia. Good night.
39:10I'm here.
39:12Be quiet, please. I'm reading.
39:15I can see that. What are you reading?
39:18Some lessons for my school. I have an exam.
39:22And you work and you study.
39:24You don't like it, do you? It's not your style.
39:27I didn't know I'd spend my years at the university to end up picking up the phone.
39:31Let me inform you that when I get my degree, someone else will be in this position and pick up the phone.
39:36I hope at least they'll hire someone who's funny.
39:40Do you know what's the funniest thing?
39:42That you'll still be here and you'll do what you do.
39:51What are you looking at, kid?
39:53You. It's the best thing I can do in here.
40:01Julia, stop. Julia, where are you going, kid?
40:04I'm going to get some fresh air. When I get back, I don't want to find you here.
40:09I'm going to get some fresh air. When I get back, I don't want to find you here.
40:15Girls. I'm crazy. Crazy.
40:21That's it. He's very quiet.
40:24Are you serious? I'm like a girl with a scarf.
40:27George likes women who dress like me.
40:30Let me tell you something. Doesn't George look better what he wears?
40:35Ah, that's what you mean.
40:39Are you crazy? What impression will he make of you?
40:43Believe me, the last thing I care about is what impression George will make of me.
40:47That's bad, because the only reason we're all going out tonight is so he'll like you and stop bothering me when I'm with you.
40:56Nice.
40:57That?
40:59George doesn't like pants.
41:02Let me tell you something. George doesn't like one thing, George doesn't like the other.
41:06What kind of person is he? Where did you find him? He's a psycho.
41:10Leonida, you're not the right person to judge my erotic choices.
41:15Maybe I should remind you of Romina, because she was a psycho, not George.
41:23What do you want now that you reminded me of her? Can't you explain?
41:26But at least Romina was very pretty.
41:29You know, that was one of the reasons I liked her. With her necklaces, with her...
41:35Lola, we're not going to choose clothes based on what you liked as a man.
41:39Because as a man, the clothes you liked were the Tsoules Oles.
41:43And if you show up like that, we've lost the game.
41:49Anyway, a soul that comes back to life...
41:53I'll stay with this one from Thitsa.
41:59So, this one?
42:02Very dark.
42:03Very dark, my dear.
42:05I'm stuck here.
42:08This one?
42:09No, I don't like it.
42:11You don't like underwear? What are we going to do? Change colors?
42:15So, carefully, look. This one?
42:18This one suits you perfectly.
42:19If you say it suits me perfectly, I'll keep it. Come here.
42:22Wait, I'll put it on you.
42:24Oh, my God, I've fallen. Come here, come here.
42:42Your outfit is very nice.
42:45What did I tell you? Thank you.
42:48Thank you very much.
42:50What are you saying? I thank you.
42:52I don't know how you saw me.
42:54Thank you for the invitation. It's a pleasure to be here with you.
42:58What's going to happen with this table? We're going to sit down sometime.
43:02What's wrong with you now? Relax a little.
43:06Here are the flowers for our two flowers.
43:12My dear, I'm very lucky to have you here.
43:15But you're not going back either. Nice dress, Lola.
43:18The table is ready. Please, come in.
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