- 9 months ago
Yeimy Montoya cumple condena en Nueva York por un delito que no cometió. Con el paso de los días, solo desea escapar y vengarse de quienes la perjudicaron.
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00:00Thank you very much.
00:30Oh
01:00Es que es la luz para mí, mi vida cambiaste, ya se volvió interesante
01:06Era lo que faltaba, era lo que es importante
01:09La inspiración a una obra de arte
01:12No puedo dejar de mirarte
01:14Soy un loco que no para de soñar
01:17Y que quiere el mundo ponerte a viajar
01:19Lady, yo quiero amarte
01:30Yo a usted conozco pero de otra parte, ¿de dónde será?
01:36No sé, la Alcantara Roja, mucho gusto, también trae
01:41Casa Talentos y productora musical
01:43¿Casa Talentos?
01:45Si nos hubiéramos conocido antes, de pronto me hubieras podido casar
01:52¿Pasa algo o qué?
01:55Una rabia que me da no verte casado antes
01:59Ah, pero nunca es tarde
02:01Bueno, pues ya que estamos acá entonces
02:05Nada, me estoy erradicando en Medellín
02:07Me acabo de independizar y nos gustaría, me encantaría trabajar con vos
02:10Ah, sí
02:12Estás abriendo nuevos estudios, ¿no?
02:14Necesitas gente que te traiga artistas con mucho talento, excelentes
02:20Así es, así es
02:22¿Sabes qué?
02:24Hablemos de negocios
02:26Pero no ahora
02:28Perfecto, paso por tu oficina entonces
02:31Ah, veámonos en un restaurante, se llama La Hacienda
02:34Yo te escribo y te mando toda la dima, ¿qué te parece?
02:38Dale
02:39Bueno, quedamos así
02:42Ok
02:44Princesa, te presento a Tami Andrade, Casa Talentos
02:49Mucho gusto, Gemma de Cruz
02:52Mucho gusto
02:55Los productores de Barcelona
02:59Como siempre
03:00Como siempre
03:25¡Eh, viejo Eric, parcero!
03:28Mijo, no te preocupes, que eso no son penas
03:31Gracias a mi raza
03:33Gracias a mi raza
03:35¿Sabes qué, mi amor?
03:37Pues lo que tenés es familia
03:39¡Ah, eso es!
03:40Tómate una folita
03:42¡Gracias a mi raza!
03:44¿Sabes qué, mi amor?
03:46Pues lo que tenés es familia
03:48¡Ah, eso es!
03:49Tómate una folita
03:51Tómate una folita
03:54Eso es lo que necesitas
03:56Eso, hombre, eso
04:00Ya, ya, ya me di mucho látigo, muchachos
04:02Ahora me toca es aprender a dejar el miedo
04:04Ah, si es que se habla, ¿sí o qué?
04:06Nada más que vos no te debes preocupar
04:08Porque estás penalizado, pero te había quedado otra pelea
04:11Con otro de los gallos que perdió
04:12Así que, mijo, ya no son penas
04:14¡Salud, parcero!
04:15El huevo largo y desquite, ¿o no?
04:18¿Qué, firma?
04:19¿Ya le hice el seguimiento a la que es el señor?
04:22Sí, reporta, pues
04:23¿Se imagina dónde es que se vuela el muchachito este?
04:26¿Dónde?
04:27Está aquí en la comuna nororiental, firma
04:30Sí, sí, yo mismo le estoy viendo, señor
04:32Y le digo una cosa, firma
04:34Este muchachito parece que se hubiera quedado acá
04:38Porque ya tiene un parchecito de puras neas y todo, ya lo distingue
04:42Carrancho, ya ve lo que tienes que hacer
04:45Listo, firma
04:48Gracias
04:50Ey, pite, gracias
04:51Ven, parcero, llóren, ¿no?
04:54¡Oye!
04:57Despega la que necesito hablar aquí con el amiguito
05:00Todo bien
05:08¿Pues qué está diciendo acá?
05:09¿O es que me está siguiendo o qué?
05:10No, niño
05:12La firma me mandó a llevar los niños
05:14Ah, ¿no me trajeron niñera o qué?
05:16¿No va a decirle que yo voy después?
05:18Ay, ostras
05:19No me la ponga de para arriba, ¿sí?
05:21Que si me toca llevarlo de las mechas, lo hago
05:23Entonces, decilo, ¿a la buena o a la mala niña?
05:27¿Eh?
05:30Excelente
05:31Así es
05:33Ma, ¿y Eric no va a venir?
05:37Bueno, debe estar por ahí, búscalo
05:40Pues ya, Axel me dijo que no había llegado
05:42Es más, yo creo que no va a venir
05:44¿Vos sabes cómo es el rebelde como el sol?
05:48Ma, ¿yo para qué vine?
05:49Mira, no conozco a nadie, estoy más aburrida
05:52Sin hacer muecas, Vanesa, diva, reje, costosa
05:55Mira la cantidad de gente que hay
05:57Anda, hace amigo
05:59Sí, definitivamente yo a ti no te puedo decir nada de lo que siento, ¿cierto?
06:04Mira, Vanesa
06:05Yo ya tengo suficiente con tu papá para que vos me hagas berrinche
06:08De verdad que no
06:10Hey, Gemma, qué pena íbamos, que te necesitan allá afuera un momentico
06:14¿Y vos no tenés un celular para avisar?
06:16¿Qué te dije ahora, que solo tenía el radio?
06:19Anda, po
06:20Ma
06:21Ya vengo, Vanesa, ya vengo
06:27Hola
06:29Hola
06:30¿Cómo estás?
06:31Bien
06:32¿Quieres tomar?
06:33No, gracias, no me lo tomo
06:35¿Por qué? ¿No te gusta o qué?
06:37Soy menor de edad
06:39¿En serio?
06:41No parece que fueras menor de edad, la verdad
06:44Es más, creo que te he visto en el... ¿No eres modelo?
06:48No
06:50Pareces bien
06:51¿En serio?
06:52Sí, la verdad
06:53No, pues soy la hija de Charlie
06:56¿O sea que vas a ser cantante como tu papá o qué?
07:00No, no, yo creo que canto más un cerdo ronco que yo
07:06¿En serio?
07:07Sí
07:08Creo que tienes mucho talento, la verdad
07:10Pues de hecho eres muy guapa
07:13¿Te gustaría ser modelo de pronto?
07:15Sí
07:16Creo que tienes el potencial y tienes como lo que se necesita para poder ser modelo
07:22¿En serio?
07:23Alberto Triana
07:25Vanesa Cruz
07:26Un gusto conocerte
07:28Tengo una agencia de modelos y me gustaría hacerte un casting
07:32Creo que tienes todo
07:33Mi vida, ¿dónde está la mamá?
07:36Mi mamá, no sé, creo que bajó, se fue, no la he visto
07:41Ahora ya entiendo pues que la belleza se hereda
07:45Señora, mucho gusto, encantado de conocerla, Alberto Triana
07:50Pues nada, bueno, las dejo que sigan compartiendo la velada, que sigan disfrutando de Charlie
07:57Un gusto conocerte
07:59Estás muy bien
08:00Señora, con permiso
08:04¿Y ese tipo qué? ¿Ese quién es?
08:06Abuela, es un amigo de mi papá
08:09¿Segura?
08:10Ay, abuela
08:11No, a mí no me gustó como te estaba mirando, amor
08:14Ojo con esos hombres mayores que persiguen muchachitos
08:17Ay, abuela, no
08:34Y esperarlo por ti, por ti
08:38Parcero, muchas gracias por venir, muchas gracias por todo, en la buena, muchas gracias, se les quiere
08:43Ey, a todas las princesas, no dejen de escuchar mis canciones, se les quiere
08:48Besos, abrazos, y a todos los parceros los llevo aquí, en la buena
08:53¿Vos venís solo qué, Char?
08:55Todo te ha salido divino
08:56¿Sí? Me alegra, me veo más contenta
09:00Charlie, Charlie
09:01¿Necesitamos cerrar la nota o es que acaso me está evadiendo?
09:04Ey, ¿sabes qué? Te voy a responder, pero con un pedazo de mi última canción que dice así
09:09Y la verdad, yo sé que no estás de más
09:12Quiero comerte, besarte y darte sin parar
09:15Sé que tú eres mala y yo quiero malda
09:17Pótelo en la boca y quédate calla
09:20Eso es pa' vos
09:26Vámonos, ¿qué, Char?
09:27Ah, vamos, vamos
09:29Y ni creas que vas a manejar
09:30¿Y por qué no? Oigan
09:33Ey, Axel
09:34¿Cómo?
09:37Seguime
09:38¿Cómo así, pa' la casa ya?
09:40Sí
09:41Yo cambié los carritos, hombre, no jodas
09:49Rey, ¿y esa mujer con la que vos estabas hablando, qué?
09:53¿Qué?
09:54Nada
09:56Dice que trabajó con el Jack del Castillo
09:59¿Y de qué estaban hablando?
10:02De camello
10:04La vieja está buscando camello
10:06Cosa que me interesa porque es casatalento
10:10A vos cualquier es un gatepelo al diente y vos ya querés que trabaje con nosotros, pues
10:14Mamá, ¿y es que tú no entiendes que mi papá está hablando de trabajo?
10:17Vos cállate, Vanessa, que vos no tenés ni idea de lo que yo estoy hablando
10:19Ey, ey, ey, no le hables así
10:22Princesa
10:25Me voy
10:26¿Cómo así, me voy?
10:28Charly
10:29¡Ey!
10:31¿Es que vamos a celebrar o qué?
10:33Ey, seguínos, seguínos
10:34Sí, que favor, vos no dijiste que tenías mucho sueño
10:36Tenía
10:37¡Eh, parce, vamos de rumba!
10:38¡Cállate que estamos en una casa de fratosez!
10:42¿Para dónde vas a ir?
10:43Voy a celebrar con los muchachos
10:44No es el momento
10:45No es momento para que te vayas de rumba, Charly
10:47¿Sabes qué?
10:48No me esperes despierta
10:49Charly
10:50Te amo
10:51No es el momento
10:52Charly, no es el momento de que vayas
10:53¡Vamos de rumba, papá!
10:55¡Eh, eh, eh!
11:06Escándalo, ¿no?
11:12¡Eh!
11:13Que no me lo vayas a dobletear así que mis amigos no saben quién es mi papá
11:15Eso es bien raro
11:16Primero, creo que no le gusta que sepa que tiene billete, pues
11:20¡Eh!
11:26¿Qué mierda estás haciendo metido en la comuna?
11:30¡Harto me empartilló el verracolomo para sacarte de ese hueco!
11:32¿Para que ahora te la paseas allá metido todo el día perdiendo el tiempo?
11:36¿No has metido en pandillas metiendo vicio o qué?
11:39Papá, yo no meto vicio
11:43A mí lo que me gusta es cantar, componer, reggaetón
11:47Es que me voy para la comuna porque allá nadie me juzga
11:49Y ya, otro bailarín de mierda, cantante
11:54Vos vas a terminar el colegio
11:56Y te vas derechito para la universidad a estudiar para que legalicen mis negocios
12:00¿Me entendés?
12:02Pues, ¿sabes qué? Eso no es lo que yo quiero
12:04Yo quiero ser cantante y no le doy ningún problema
12:06Porque mi hermano también es cantante y nunca le ha ido mal
12:09Y porque Charly es de buenas, pero vos no
12:11Oye, tu vida no va a ser pasarte en la calle perdiendo el tiempo cantando reggaetón con amiguitos
12:19¿Estás advertido?
12:29Ya contacté con éxito al objetivo
12:31El siguiente paso es entrar a trabajar con él para dar con Manín
12:34Espero concretar eso mañana mismo
12:37¿Visto? Informe
12:41Enviar
12:49¿Qué hubo, Jack?
12:50Ya te iba a llamar
12:52Me vi con Charly
12:53No me reconoció
12:55¿Y cómo fue verlo de nuevo?
12:56Aterrador, yo pensé que no lo iba a lograr
12:59Pero bueno, al final las cosas fluyeron
13:01Bueno, pero entonces lo que sigue es más fácil
13:03No sé, Jack, no sé
13:05Porque Charly es un tipo acostumbrado a tener lo que él quiera
13:08Pero yo sé que se fijó en mí
13:09Eso era obvio
13:10¿Le gustaste?
13:11Qué va, le gustan todas
13:26También vi a su esposa, a Gemma
13:28No me reconoció tampoco
13:30Pero lo más importante es que mañana me vuelvo a ver con Charly
13:33¿Dónde?
13:35En un restaurante
13:37Obviamente, sus intenciones son otras
13:39Las mías que me contraten
13:43Bueno, como sea, ten cuidado, por favor
13:46Que se cuide de él
13:48Porque le encontré varias debilidades
13:53Uno, la prepotencia
14:00Dos, su matrimonio con Gemma
14:02No, pues es que el matrimonio no es tan perfecto como lo pintaban en la revista
14:06¿Todo bien o qué?
14:07¿Y no qué diga?
14:09Ey, después comparte, no, después comparte
14:12Él, un perro
14:14Ella...
14:16Pobre
14:18Creo que me le metí en la cabeza a esos dos
14:26¡Ostro!
14:27Ah, pues
14:28Vamos
14:29Entonces
14:30Es que mamacitas
14:32Sí
14:34Ey, princesa
14:35¿Por qué no me conseguís un whiskycito?
14:37Listo, pues, mi amor, de una
14:39Así le pues, mi amor
14:42Y vos
14:45¿Por qué no me traes hielito?
14:46Vale
14:47Sí, princesa
14:49Así le pues
14:50Chao
14:52Uy, eso está divino
14:53¿Cómo me hice ahí, pues?
14:54Te vi bien, mijo
14:55Eso sí
14:56¿La cuentas que da la vida así o qué, maricón?
14:58No, pues, dígalo, muestra
15:00¿Recuerdas que antes vos y yo éramos así?
15:02Que te tenía aquí
15:03Entre ceja y ceja
15:04Ah, yo sé, me extrañas
15:06Y ahora mira
15:07Ahora sos mi perro fiel
15:09Ah, pues, ¿cuál perro fiel?
15:10Con una albergue así
15:11Ay, vos sabes que sos mi perro fiel
15:12Vos sabes que yo te quiero, perro
15:15Ey, venís
15:17¿Vos viste a esa vieja disqueta a mí, András?
15:20Mi pala buena, que llegó en la inauguración
15:22Está buena, ¿sí o qué?
15:24Dale chastelo
15:25Ah, no, ¿qué tal ese rabo que tiene?
15:27La futura ex, aunque es niña
15:29Ah, vos sabes cómo es
15:31Mañana voy a comer con ella disqueta para hablar de negocios
15:34Ey, y hablando de eso
15:36Quiero que me averigües absolutamente todo de esa vieja
15:40Se me hace muy raro que viviendo en Puerto Rico
15:42Y estando tan buena como está
15:44Este pecho no la haya conocido
15:46Eso está raro, ¿no?
15:47Pues sí
15:48Ay, qué niña
15:50La veas una cueva al lado mío
15:52Me extraña
15:53Pues eso sí, después de la farrita y me disculpando
15:56Ahora nos vemos, mi niño
15:57Nos vemos enseguida
15:58Disfrutá
16:00Pues qué, esto está muy muerto, pues
16:09¿Dónde estará esa hermosura?
16:21Óyeme, bonita
16:23Dame una sonrisa
16:25Tú sabes que muero
16:27Por esa carita
16:29Es que no quiero perderme un instante
16:32En tu boca quiero que me atrapes
16:35Y cada noche
16:38Que no te tengo
16:42Siento por dentro
16:44Este
16:46Deseo
16:48De ver tu cuerpo
16:54Ey, ey, ey
16:55¿Qué haces acá?
16:56Es que a partir de hoy
16:57Lo voy a llevar al colegio, niño
16:58No, yo soy muy grande
16:59Para que me sean andando niñeras
17:01Eso no es cosa mía
17:02Son órdenes propias
17:03Bájate, pues
17:04Bájate, pues
17:06Te vamos a llevar a la contraria al duro, mijo
17:08Bájate
17:10Bájate, pues
17:13Sigue así de lambón
17:14Que vas a llegar muy lejos
17:15Ah, sí, sí
17:16Subite, pues
17:22Bájale, pito
17:24Bájale
17:25Bájale
17:26Bájale
17:27Bájale
17:42Ey, yo a vos te conozco
17:48Mucho gusto, también, Dr. Debo
17:50Casa Talentos, Improductora Musical
17:52Casa Talentos
17:54If we'd known each other before, you could have married me.
18:03Producer, Constantina Jack Castillo.
18:06You've worked with the heavyweights, kid.
18:08I hate that chick.
18:09I think she's staying with you and telling you what's coming up.
18:12Well, it seems like it.
18:15Producer, musician...
18:18That's what I'm talking about.
18:22Did something happen?
18:23What's going to happen?
18:24I feel like fucking.
18:25What's going to happen?
18:26One goodbye and we're leaving, kid.
18:38Hey, baby.
18:39I'm here.
18:41I took a long time.
18:43I'm going to bed. I'm exhausted.
18:45Why don't you come
18:47and watch the dance you did yesterday?
18:49Did they upload it?
18:50Yes, they did.
18:51I imagine it must have a million views by now, right?
18:55And even more.
18:56I watched it last night, baby.
18:58Oh, baby.
18:59Exclusive footage.
19:07Watch what she says later.
19:09This witch.
19:13We're wondering if the parents of Charlie Flow's fans,
19:17among those who are several minors,
19:20are used to their children listening to such vulgar lyrics
19:23as ode to infidelity, sin, and excesses.
19:27The lyrics of his last song make this clear.
19:30So we leave you with the doubt.
19:32For the 8 o'clock news, I'm Yosef Surma Lopez.
19:34Good evening.
19:35I just read the comments, which were several.
19:37For example, this one that says...
19:41Degenerate.
19:43How is he going to sing that in front of his own daughter?
19:46I love this one.
19:48This is brainless music for brainless people like Charlie.
19:53And there are several comments like this, Charlie.
19:57You know what?
19:58That's okay.
20:00People will forget about that tomorrow.
20:03Don't worry about that.
20:05Charlie, don't you realize this is the worst thing you could do?
20:08Sing that in front of that reporter who's a whore.
20:12And what about you?
20:13Divine.
20:14A party boy.
20:16Right?
20:17While your career is going down the drain.
20:20Well, if you want, I'll take care of it.
20:24Really?
20:26How?
20:28You know how.
20:46Okay.
21:04Well, gentlemen, is everything okay?
21:08They're for me.
21:10My love, what do you know?
21:12I have some flowers for you here.
21:15These are to decorate the office
21:17because it looks like a kind of notary or funeral.
21:20I don't know.
21:22Mancho, are you still going to the cemetery?
21:27Well, yes.
21:28Well, yes, my love.
21:29I know it's silly for you,
21:30but for me it's like a moral duty.
21:32Don't you understand?
21:33And you know what?
21:34Something very strange happened to me.
21:36What was it?
21:38Well, there were white roses in the grave
21:40and I didn't put them on because I smell.
21:44Well, I don't know.
21:45There are people who get emotional
21:46when they see abandoned graves
21:47and leave flowers like you.
21:50Well, to what I came for.
21:52Look, these are the samples of the invitations.
21:54So you have to look at the letter,
21:57the type of paper, the number.
21:59Let's choose them all at once.
22:01No, I can't because I'm super late.
22:03I'll let you look at them.
22:05Bye, Orlando.
22:06Bye.
22:07I love you.
22:09You got dumb again here.
22:15Hey, man, tell me a favor, okay?
22:17I'll give you 50, Lucas.
22:19Lend me your bike and put this bag on.
22:22Go down the main street, okay?
22:23Yes.
22:24I'll put the hood on for you.
22:26Go.
22:27Okay, okay.
22:28Ready, ready.
22:29Go.
22:30♪♪
22:40♪♪
22:50♪♪
22:59¿Entonces qué, parce? ¿Listo o no?
23:01Yo, Erene, no te vas a vomitar como la otra vez
23:03porque aquí la única gallinita soy yo, güey.
23:05Estás boicando toda, pite.
23:07Ah, sí, eso que lo hizo cambiar de opinión, ¿ok?
23:09Te voy a demostrar, mon pucho, que yo sí puedo olvidar la música.
23:12Ay, pero eso es que es mío.
23:14Ahorita, préstame tu saco.
23:16¿Mi saco?
23:17Sí.
23:18¿Te lo vas a poner, parce?
23:19Ah, ahora sí es que vas a ganar, güey.
23:21Mira.
23:23El pesco hay nada mejor en la oscuridad.
23:26De las frías aguas de la antigua China.
23:29Unas viaturas que no le temen a nada.
23:32Un ser misterioso como ustedes.
23:34¡El pesco!
23:38¡Gol!
23:39¡Gol!
23:40¡Gol!
23:41¿Estás seguro?
23:42¡Gol!
23:43¡Gol!
23:44¡Gol!
23:45¡Gol!
23:46¡Gol!
23:47¡Gol!
23:48¡Gol!
23:49¡Fuele, fuele!
23:50¡Fuele, fuele!
23:51¿Es que tengo esto fácil, Uribe?
23:53¿Qué mi amor?
23:58¿Cara o seca?
23:59Cara.
24:36You and I
24:41We close our eyes to heal again
24:47The wounds that have us crazy
24:50They eat us little by little
24:52And they don't let us breathe
24:58And every night that I stop
25:03I feel it inside, inside, very inside
25:08This desire of your body
25:13Next to mine
25:16I mean it
25:18We are losing time
25:22Even though I see your kisses in the morning
25:27Come, don't go
25:30We are losing time
25:33Even though I see your kisses in the morning
25:38Come, don't go
25:40You're beautiful in a smile
25:43You know I die for that little face
25:45I don't want to lose you, you are my treasure
25:48I can't leave you, I feel like I'm drowning
25:51I don't want to lose a moment
25:54In your mouth I want you to catch me
25:57Because with you I give myself everything
25:59You are the most beautiful thing that looks in my eyes
26:15You are on the island
26:18Hey, it's good to see you.
26:19How are you?
26:20I think we haven't seen each other in a long time.
26:22From Panama.
26:23From Panama.
26:24You said you had a show, but you did it, I loved it.
26:26No, you did it.
26:27How's everything?
26:28All good, working hard.
26:29What are you doing in Medellín?
26:30I came to set up a studio.
26:31Studio?
26:32Yes, imagine.
26:33That's a hit here.
26:34This city, go down.
26:35Yes or what?
26:36I hope so.
26:37Hey, excuse me a second.
26:38Come on, come on.
26:39Princess.
26:40Charly.
26:41What a joy to see you.
26:42Hey, come on, go on, go on.
26:44You are my special guest.
26:46Hey, I introduce you to a friend.
26:48I imagine you already know her.
26:49Carol G.
26:50How are you?
26:51Carol G.
26:52How are you?
26:53Nice to meet you.
26:54How are you?
26:55Good, here talking to Charly.
26:56But hey, I'm going by the way, I'll leave you.
26:57I love to see you, success with everything.
26:59Bye my love.
27:01Bye.
27:02I hope you invite me to the studio.
27:03Of course, beautiful.
27:04Princess.
27:06Hey, very difficult the arrival or what?
27:07No, no, smooth.
27:08All right?
27:09Yes.
27:10Well, what do you drink?
27:11What?
27:12So far, water.
27:13Hey, how so?
27:14How so?
27:15What water?
27:16Water.
27:17Water.
27:18Water.
27:19Water.
27:20Water.
27:21Water.
27:22Water.
27:23Water.
27:24Water.
27:25So what, water?
27:26In some place in this world at this moment, they are 7 or 8
27:29at night.
27:30So I asked champagne.
27:31Please give me water with ice and lemon.
27:32Do you want it with gas?
27:33No, without gas.
27:34That normal, thanks.
27:35Well, Charly, I know you are a very busy man,
27:38so let's get into it.
27:42You are like that for everything, right?
27:43For business.
27:45Obligatory.
27:46Charly, you're opening your studies.
27:48Need new blood.
27:50All we need to do is square my fee and
27:53Let's start making history.
27:55But you know what, princess?
27:58I don't know you.
28:00That's the least of it, Charlie.
28:02Refer to me to what you find.
28:04Look, you can see my website here.
28:06You can talk to Jack del Castillo too.
28:08Wait, wait.
28:10I want you to talk to me about yourself.
28:13Tell me what you like, what you don't like.
28:17Relax.
28:19You know you and I have a lot in common.
28:22Really?
28:23Of course.
28:24We like the same music.
28:27We come from the same place.
28:30I left when I was very young.
28:32And you settled in Puerto Rico, didn't you?
28:35And you know what I think is weird?
28:37That being in the same city and in the same environment,
28:43we didn't meet.
28:47I never stopped.
28:49For me, Puerto Rico was just one stop.
28:53I never stopped, Charlie.
28:54I traveled, I went to Europe, I went to the United States.
28:58I'm very restless, you know?
29:01I love it.
29:03I love that you're so restless.
29:06Because I'm very restless too.
29:10We already know each other.
29:12How about we stop wasting time and start working, Charlie?
29:16Let's start making history.
29:20If you want me to hire you right away,
29:24you'd have to bring me a new talent.
29:27That's it.
29:28But a real talent.
29:31A talent with style, a talent with flow, just like me.
29:34Look, Charlie, I swear I have the ear to know
29:38who will succeed you if you produce him and launch him.
29:41I'm a man of my word, princess.
29:43Get me what I'm asking for
29:46and we'll talk business.
29:52Okay.
29:53Thanks for your time.
29:54What's the rush?
29:56No rush.
29:58I'll show you what I'm capable of.
30:01Don't you think? Stay there.
30:09I have to find a way to get rid of that idiot,
30:12but I can't think of anything, Jack.
30:15I swear, I look at him and I want to kill him.
30:18The first thing you have to do is calm down.
30:21Infiltration is a process. You've already made progress.
30:24There's something about this second meeting
30:26that could help you.
30:27Look, Charlie loves to use women and he couldn't with me.
30:31He probably didn't like that.
30:32And that's why he put you to the test.
30:36But this idiot is so immature, so immature,
30:39but I have to earn his trust.
30:42Offer him a brilliant concert with a famous artist
30:44and make it a big deal.
30:46With a ticket in the way, he'll look you in the eye.
30:49Good idea, but who do you do that with?
30:52I think there's a tough guy like X-Chack
30:54who still hasn't been able to do anything.
30:56I saw him in an interview.
30:57I don't remember who, but I'll find out.
30:59In the meantime, go hire the best logistics
31:01and equipment in the city, okay?
31:03I have someone in mind, but I don't know if I should call.
31:06Why don't you know?
31:07Because it's Juancho, Jack.
31:09My lifelong friend, and I don't know.
31:11I still don't feel like I can face him.
31:14If you passed the fire test with Charly Flow,
31:16it'll be a lot easier with a life-long friend.
31:22And this is the list of equipment, okay?
31:24Yes, sir. I know the address.
31:26Good.
31:27Good.
31:42Hello.
31:43How can I help you?
31:44I'm looking for the best sound for a concert.
31:46I was told to talk to you.
31:48Thank you for your trust.
31:50Nice to meet you. Juan Camilo Mesa.
31:52Nice to meet you.
31:53I'm Andrade, too. Nice to meet you.
31:55I'm sorry to bother you.
31:57I'm here to take care of a matter, but I'm with you.
32:00So, I'd need to know, you know,
32:02date, place...
32:04Thank you, brother.
32:05Size of the place...
32:08Are you allergic?
32:09What? No way.
32:11How many are my favorites?
32:12Okay.
32:13As I was saying, place, size, and capacity of the place.
32:22Okay, this is me.
32:23This is Charly Flow, you should know him.
32:28And this is my little fish.
32:30That's what I called her.
32:33You were musicians?
32:34Yes.
32:35We had a band called Soul and Bass.
32:38What happened?
32:39Charly became arrogant, and my little fish...
32:44died.
32:47But that was a long time ago, so...
32:49Oh, sorry.
32:50Just a second.
32:52Hi, honey.
32:55Okay, I'll wait for you.
32:57Okay, I'll wait for you, too.
32:59Kisses.
33:00Bye.
33:02What were we doing?
33:03You had a music band with the famous Charly Flow
33:07and a stranger.
33:08But the stranger was the most talented of them all.
33:11Really?
33:13Oh, no.
33:14You'll have to tell me now.
33:17Okay.
33:38I'll wait for you.
33:57Hello?
33:58Alberto, this is Vanessa Cruz.
34:01We met last night, remember?
34:03How could I forget about the next supermodel in Latin America?
34:06Wait, I'll call you back.
34:08Don't tell me you decided to register.
34:12Yes, I did.
34:14Great.
34:15I'll be waiting for you this afternoon at the agency.
34:17I'll send you the address.
34:18Princess, I'm going to the studio.
34:21Go ahead. Have a good day.
34:23Were you talking to someone?
34:24I was talking to Cata Gomez.
34:27So?
34:28We're going to do an assignment.
34:32That's great, honey.
34:33I'm glad you have friends.
34:35If you need anything, let me know or tell Axel.
34:38Okay, Dad.
34:39I love you, honey.
34:40I love you too.
34:44This is my world now.
34:46I didn't quit music, but I did start making music.
34:51The band was like a kid's dream.
34:54When you're not a musician, you never forget that.
34:57Passion never dies, don't you think?
35:01Yes.
35:03Hi, Rat.
35:04Hi, honey.
35:06This is Cata.
35:08Nice to meet you.
35:10How are you?
35:11She's a client, right?
35:12Yes, I'm sure she is.
35:15I didn't want to interrupt.
35:17We're getting married and I'm so excited.
35:20Really?
35:21Congratulations.
35:23I'll leave you to get on with your work.
35:25Is everything ready?
35:26Yes, it is.
35:28Thank you. Bye.
35:29It was a pleasure.
35:30Congratulations.
35:36Congratulations.
35:43My niece!
35:45Uncle!
35:48You're all grown up and pretty.
35:51How was the ride?
35:52I'm here for a modeling audition.
35:55I didn't know you liked that ride.
35:57I do, but I don't know if I like it.
35:59I have to try it. What if it doesn't work?
36:02Of course it does.
36:03You're prettier than all those crazy girls.
36:05Let's go.
36:07Do your parents know you're here?
36:08No, they don't.
36:09They think I'm a little girl and they wouldn't have let me in.
36:13They've always had you as a bubble.
36:15I know. That's why no one can find out.
36:17Don't worry.
36:19We all have secrets we don't tell our parents.
36:27Hi, I'm here to see Alberto Triana.
36:30That's it. I love it.
36:32Great. I love it when you're so natural.
36:35Very good.
36:36Now I want you to give me your expressions.
36:38You're very happy.
36:39That's it. Very happy.
36:41Up. Very happy.
36:42That's it. I love it.
36:43Now very sad. You're very sad.
36:45That's it. Very good.
36:46I love it.
36:47I'll give it to you.
36:48Give it to me.
36:51Your girlfriend is beautiful.
36:53No.
36:54What girlfriend?
36:55That's my niece.
36:56She's beautiful.
36:57She's beautiful.
36:58What girlfriend?
36:59That's my niece.
37:02What do you mean your niece?
37:04How long have you been together?
37:06Almost a year.
37:07Yes, I know it's weird, but that's how it is.
37:10Okay.
37:12All right, we have what we need.
37:14Let's see.
37:15I want to see.
37:18Excellent, niece.
37:20What talent!
37:21What talent!
37:22What was that?
37:23What a bear.
37:24What do you mean what a bear?
37:25No bear.
37:27You're doing it very well.
37:28You know what?
37:29I think I can have your first campaign.
37:32Really?
37:33Yes, really.
37:34I'm going to make a couple of calls and then I'll tell you.
37:37Finally!
37:38I finally have my first job.
37:40Yes, but take it easy.
37:42Don't show off your hair before you buy it.
37:45Yes, but come with me.
37:46Come.
37:49All right, I already have the sound.
37:52For my part, I already have the artist ready.
37:54I'm going to leave nothing more and nothing less
37:57than with Sebastián Yatra.
38:00Are you also waiting for me?
38:02Sebastián Yatra?
38:03Yes, Sebastián Yatra.
38:05How did you get that?
38:06I found out he's the only artist with whom I can chat.
38:09Flow hasn't been able to do anything yet.
38:11And you know perfectly well that this guy
38:13is the musical revelation of the moment.
38:15But apart from that, he's tremendous to me.
38:17So I told you the idea of the concert and you loved it.
38:20You're amazing, Jack.
38:21Amazing.
38:23Thank you. I'll call Charlie right away.
38:25Okay.
38:29What I like most about this plan is that I'll see you again.
38:33Jack, do you know that Yatra has a song
38:37that she wants to do on the day of the concert?
38:45That's exactly what he wants.
38:46He has a songwriter to release.
38:48Really?
38:49Oh, that's perfect.
38:51That's what I need to destabilize Charlie.
38:53Jack, he's going to want one too.
38:55And that's what I'm here for, to compose for him.
38:58Do you want me to hire you as a songwriter too?
39:01No, I want him to remember Jay.
39:04His way of composing.
39:10Nice.
39:11Yes, nice, but I already knew him.
39:14Hey, hey.
39:15Live and in person, you hadn't seen him.
39:19Look, Charlie, you called me and you said
39:21you had an exclusive for me, right?
39:23But we both know that's not true.
39:25That I am here because of the piece I got.
39:28What happened?
39:29Are you going to scold me?
39:31Because your song didn't hit?
39:33No, a scandal always favors an artist.
39:37But not you.
39:39Because you have painted yourself as a family man.
39:44A God-fearing believer.
39:45I don't think your fans like a bold letter
39:48You don't have to be so vulgar.
39:50Oh, shh.
39:53Hey, how about a drink to soften us up?
39:57Relax.
39:58Sit down.
40:02What about your team?
40:03I fired them all for today.
40:06I told you I'd give you an exclusive, didn't I?
40:10Mm-hmm.
40:13Kelly, can you tell me what we're playing for?
40:19To improve things.
40:21How about we start with the left foot?
40:25I think it's better for us to be allies than enemies.
40:33No.
40:35Cheers.
40:36Cheers.
40:38♪♪
40:42Hold on a second.
40:48Princess?
40:50I have a proposal for you.
40:52If it's indecent, you can count on me.
40:56How about a concert with a reggaeton star?
41:02I've been to all of them.
41:05Not with Sebastian Yatra?
41:07No, not with him. He's too busy.
41:09He made a little space in his schedule for me.
41:13And for you, of course.
41:16Beautiful, what do you propose?
41:18Let's do a concert with Yatra.
41:21He'd be willing to come to Colombia,
41:22but it has to be now because it's packed later.
41:26Charlie, this is a golden opportunity.
41:31I know he's going to be honest,
41:33but I think we're way ahead of him.
41:36We have Yatra, which is the hardest part.
41:38What is it?
41:39Logistics and promotion?
41:41He also wants to release a song of his own at your concert.
41:46All right, count on me.
41:48But I don't understand.
41:50He wants to sing a song of mine at the concert?
41:55No, he's going to sing his songs and release one of his own.
41:59I have someone working on something very special
42:02so you can have your own release.
42:05All right, count on me.
42:07I came to your life to make all your dreams come true.
42:13I'll talk to Yatra's people and I'll let you know.
42:16Bye.
42:23Come here, where are you going?
42:26Don't you want the exclusive?
42:28Charlie, I really don't have any more time to waste.
42:31Oh, no?
42:32You're not going to the concert, are you?
42:34No, I'm not going to the concert.
42:36Oh, no?
42:37So the exclusive to a surprise concert with Sebastián Yatra
42:41is not for you?
42:44I just made it clear.
42:46There's your exclusive.
42:49And what about me?
42:50How am I going to go there?
43:06No.
43:14Perdón, perdóname.
43:17Espera, espera, espera.
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