- 2 years ago
Temporada 2 | Episodio 03
Category
😹
FunTranscript
00:00Look, I have new shoes.
00:02A friend of a friend of a friend told me that she was considered an insecure person in romantic relationships.
00:09What things!
00:10Nobody believes that about her because they see her determined and strategic.
00:14But one thing is what we think of ourselves and another, I don't know if it's more true, what others think we are.
00:21What will be the best concept?
00:23Oh no, what confusion!
00:25Which version do we stay with? With what we are or with what we seem to be?
00:29Cris, then Gracia is divorced or not divorced?
00:33She says she is separated.
00:36The difference between separated and divorced is a lawyer.
00:41Well, and a lot of money.
00:43Oh, Rodri, stop playing with the phone, stop playing, look at me.
00:47I doubt it, dear, it has more functions than your vibrator.
00:50Also, look at what the magazine has just published without letters.
00:53Without letters?
00:54And that didn't die years ago?
00:56Dear, she is more alive than ever and Alejo is on the front page.
00:59What? The killer is no longer the dog.
01:02No, everything seems to indicate that the killer is Cristina Oviedo.
01:05What?
01:07Cristina Oviedo is like napalm in bed.
01:57And so he declared the record of literary sales.
02:00The author of the killer is the dog.
02:02The very handsome Alejandro Botero.
02:05I can't believe he said publicly that I am napalm in bed.
02:10And why does that bother you, Cris?
02:12Because you are or because you have published it?
02:15Because I am.
02:16Because you are.
02:17Because you are.
02:18Because you are.
02:19Because you are.
02:20Because you are.
02:21Because you are.
02:22Because you are.
02:23Because you are.
02:24Or because you have published it.
02:26I really don't know what he meant.
02:28Napalm in bed.
02:30And it sounds to me like a candle in a can until the bottom goes out.
02:36Or a fire that ended everything.
02:38Oh, what a horror.
02:39Or the opposite.
02:41That you blow up anyone you touch.
02:44What good advertising they have made you.
02:47As if.
02:49It will be?
02:54And why don't you have clothes?
02:58Guys.
02:59Help.
03:00For tonight's interview, which one?
03:02Red or blue?
03:05Well, let's see.
03:06If you're going to tell lies, put the red one.
03:08And if you're going to whine, put the blue one.
03:10And as you know, only whining, then put that one.
03:14No wonder Graciosita liked red so much.
03:19I don't know what to do.
03:22Hey, you do say a lot of stupid things, don't you?
03:25Let's see.
03:26Where did this come from?
03:28Oh brother.
03:30Do you think he's the only one who has done interviews in life?
03:33Me too.
03:34Yes, but it will be hidden camera.
03:42Hi baby.
03:44At this time, if you are watching this video,
03:46you must already be the widow of your rabbit.
03:50You knew that I was unable to move a finger without you.
03:54And since we have been separated for so long,
03:58I made this stupid decision.
04:02It's just that it's the last straw that you don't even answer the phone.
04:06For God's sake.
04:07But don't worry.
04:08Because I'm not going to be a nuisance anymore in your life.
04:11Quiet.
04:12In fact, if you want, you can get me a replacement.
04:20Of course, chubby.
04:24If you want, I'll wait a little bit.
04:26Because I imagine that you must be just as sad as me, right?
04:30But...
04:32But how can you be so unfortunate?
04:37Your interview is going to be at dawn.
04:40Just so you know, Guillo is going to see my interview.
04:43And he's going to record it.
04:44Yes, yes, yes.
04:45Don't worry.
04:46At that time, the Champions League is going to be playing.
04:49And I can watch TV at that time
04:51because I'm no longer living with Graciosita.
04:56He was living with misfortune.
05:00No, no.
05:01Fresh.
05:02Fresh, brother.
05:03When we come back from the interview,
05:05we're going to bring some models.
05:07I already have a square.
05:09I didn't expect less from you.
05:11Of course I need your help, right?
05:13As I said, I didn't expect less from you.
05:18Look.
05:19Let's see, what's the rush?
05:20Have you ever thought
05:21that maybe I was in a decisive moment?
05:23Oh, yes.
05:24But look, this came to you.
05:27Look, look.
05:29Let's see, is it a letter from my baby?
05:31Oh, I hope so.
05:32But no, look.
05:33They are some receipts.
05:35The first receipt that came to you
05:37was that the car fee was already exceeded.
05:41This is a check that you sent over there.
05:45Why are you doing that?
05:49And this is the administration receipt.
05:52And you have to pay it today.
05:54Oh, don't worry.
05:56Because I can pay that with a credit card.
05:58No, you can't pay that with a credit card
06:01because here we only receive cash.
06:03And speaking of credit cards, look.
06:06It also came to you.
06:07And it's kind of hanging, right?
06:12You're my lamb.
06:18Come on.
06:19Today in the interview,
06:20don't even think about kissing the girl, right?
06:22I hope so.
06:24I say.
06:25I say.
06:27What's wrong if they ask me about Cristina?
06:30Cristina is a very important part.
06:32I mean, Cristina was a very important part of my life.
06:37Important.
06:42If that skinny buried you, brother.
06:46You have him there as a witch, all hairy.
06:51Come on, man.
06:52What you have to do is bury that skinny.
06:55How am I going to bury?
06:56How delicious.
06:58No, but I'm not talking about that.
07:00You understand me, better said.
07:02Forget about her and do it publicly.
07:05Today you have the opportunity to do it.
07:07Yes, man.
07:09You all your life waiting for the woman to be what you want.
07:13And in the end, it's not for you.
07:15Because you give your heart and it opens.
07:18And it gives you everything so that in the end
07:20don't leave a man there.
07:24Kikillo.
07:25Kikillo, maybe you need help
07:27a little more professional than ours.
07:29Me?
07:30No, no, me.
07:32I'm practically forgetting Gracia.
07:35Gracia, yes?
07:37That's a matter of the past, calm down.
07:41Yes, of course.
07:43Well, what's wrong with you, Alejandro?
07:45How so with a palm on the bed?
07:47Do you know, idiot, what I am or am I not in bed?
07:50You didn't have sex.
07:52Oh, no, it's a farce.
07:54Oh, Jana, for God's sake, of course we had.
07:56What happens is that my sexual life could have changed.
07:59Or disappeared.
08:01I think you are already part of the list of humans in life extension.
08:06Oh, no, let me guess, talking about sex again?
08:08Yes, it's a sect, but ...
08:11Oh, I had to come here with you because the house,
08:14the house alone is horrible.
08:22Oh, it was delicious.
08:24Oh, yes, yes, yes.
08:26Pure, pure landscape, but it was good.
08:29I would say that like an eight and a half?
08:33Nine, so that you repeat it.
08:35Nine, nine.
08:36Nine, nine what?
08:39Forks.
08:42Miguelito, you know that the cooking therapy
08:45it helped a lot, especially to remember,
08:47because they make me want to talk.
08:49This was Gracia's favorite dish.
08:51Well, he liked it a lot.
08:52I learned how to cook it on a cruise
08:54and we went out for a walk, sunbathe,
08:57we went shopping,
08:58and she told me what everything looked like.
09:01We were also going to the cinema.
09:02Change Chucky?
09:03Immediately.
09:05Killo, come sit here.
09:07Come on, come on.
09:09Sit down.
09:10And the first thing is that we are going to decommission this little game.
09:12No, no, no, Mr. Ingracio, please.
09:15No, no, no.
09:16Decommissioned.
09:17This little game doesn't let us see what's around, man.
09:19And I think we'll continue with the pig therapy.
09:24No, no.
09:25I want to clarify to you two
09:27that I'm not going to be any pig, any pig,
09:29here in this apartment.
09:31Me neither.
09:32Let's see, let's see.
09:33Pig therapy, Miguel, huh?
09:35Boo.
09:36Pig therapy, huh?
09:38So let me explain to you how this works.
09:41From this moment on, you can't think,
09:44talk, dream, or imagine Gracia.
09:48Because if you do, you have to put a bill here.
09:50That's a good idea.
09:51What do you mean?
09:52I can't dream, imagine, think, or say Gracia?
09:56Ah, ah, ah.
09:57Gracia.
09:58Gracia said it, come on then.
09:59What do you mean?
10:00No.
10:01He was trying.
10:02No, he said it.
10:03That's the rule, the rule of therapy.
10:06Yes, yes.
10:07And don't even think about looking for pictures of her on the Internet, right?
10:10I'm telling you.
10:11Hey, hey, Miguelito, what's wrong with you?
10:13How can you think that Gracia is going to have pictures on the Internet?
10:16Ah, ah, Gracia.
10:17No, but it's not worth it.
10:19No, he was talking, that's not worth it.
10:21Yes, talking, talking.
10:23Yes.
10:24That's therapy.
10:25Yes, therapy.
10:26Yes, yes.
10:27Yes, the door.
10:28Ask or not?
10:29Ask yes.
10:31He said, ask yes.
10:32No, you go.
10:33No, no.
10:34I'm explaining to you.
10:35But, all me, all me.
10:38Hello.
10:41Hello Jorge Enrique, how are you?
10:43I didn't know you were from school.
10:45Of course I remember you were dying for video games
10:48more than anything else.
10:50Yes, Napalm.
10:53Did you read it on the internet?
10:55No, I'm busy right now.
10:57No, I'm not with Alejandro.
11:00See you later.
11:02I can't take it anymore.
11:03It's the third call,
11:04not to mention the internet contacts.
11:06Thank God.
11:07I finally have a famous and decent friend.
11:10A friend who's a Napalm in bed?
11:12Yes.
11:14Alejandro, how long are you going to keep
11:16venting my secrets?
11:18First Madame Monamour and now this.
11:20No, the return of Crisistina?
11:22No.
11:23If you want, I can give you my psychologist's information.
11:25No, girl.
11:26What psychologist?
11:27What she needs is a nail
11:29that takes out that nail and...
11:30No, she needs a nail that fits better
11:32than the previous nail
11:33and so she forgets about Alejandro Otero.
11:35That's it.
11:36A magazine came out on the cover.
11:38Me?
11:39No, no, no.
11:40Look at this.
11:42Look.
11:43I'm talking about the girl with the reporters.
11:46What?
11:47Yes, look.
11:48Cristina Oviedo was a Napalm in bed.
11:52No, no, no.
11:53I never said that.
11:54What is a Napalm?
11:56It's a kind of bomb,
11:58but I didn't say that.
12:00No, the girl is going to kill me.
12:02But with the Napalm and everything.
12:06Yes.
12:10That interview with Alejandro Otero is going to be round.
12:13Excuse me, excuse me, excuse me.
12:15I'm sorry.
12:16Are you going to interview Alejandro Otero?
12:18Yes, yes, miss.
12:19The killer is...
12:20The dog.
12:21Yes, yes, I know.
12:22Can you turn on your camera?
12:24I have something very important to say.
12:26Of course.
12:27You are Cristina Oviedo, right?
12:29Yes, the same.
12:31The one from Napalm.
12:32Uh-huh.
12:35Well, I want to tell you that...
12:36Is it on?
12:38Yes.
12:39I want to tell you that if I was a Napalm in bed,
12:42it was because Alejandro was a short and off mecha.
12:50What happened? Did a dead man come or what?
12:53Cristina Oviedo just said that Alejandro Otero
12:55is a short and off mecha.
12:58Cristina said that?
13:01This is going to be news.
13:06Sir, how are you going to tell me
13:08that you don't know how to send a video from the camera to the Internet
13:10if you were the one who sold us this device?
13:14Manual?
13:15What manual?
13:16Why don't you respect me?
13:18My husband is the one who reads those things.
13:25What do I do now?
13:35Who do I call?
13:41Yes, from Mr. Santo Domingo's bank.
13:43He's in Italy.
13:47International purchases?
13:51Gucci, Prada, Cavalli...
13:56No, no, no.
13:57That's very shameless.
13:59No, miss, it's just that...
14:00One thing is for him to go and mess with that filth.
14:03And another thing is that I bought him my things, right?
14:07Can't I block his cards?
14:10Why? I'm his legal wife.
14:15Well, then why is he calling me?
14:17Why doesn't he have compassion for an abandoned and lonely woman?
14:27Oh, baby Santo Domingo.
14:30You spend your money on another woman
14:32and I'll show you how to spend it.
14:35Don't worry.
14:51Hello, Graciosita?
14:54Yes, hello.
14:55If you're out there, answer the phone.
14:57Don't worry.
14:58I was calling you because, I don't know,
15:00I thought you might be awake.
15:03And...
15:04What?
15:06Alejito is going to be on a show
15:10that airs at two in the morning, midnight.
15:14So I thought you might be interested.
15:17Well, if you call me, I'll be awake
15:20because I have a lot of work to do.
15:22And, well, we'll talk.
15:25Bye.
15:27Bye.
15:30Cris, I love the terrace of your new house.
15:33Oh, yes, and the view.
15:34Oh, how about this? It's divine.
15:36It's the best thing you have.
15:37Because the neighbors are unbearable.
15:39But handsome?
15:41No.
15:44Hey, that's crazy.
15:46Since that magazine published what Alejandro's big mouth said,
15:49my mailbox is full.
15:50The same thing happens to me.
15:52Since I changed my status on Call Face,
15:54they won't let me write.
15:55They're just stupid kids from kindergarten.
15:57They're idiots.
15:58But men are disoriented.
16:00They show up when you want to be alone.
16:02Or when we're satisfied with the one next to us.
16:05Who understands them?
16:07I don't know.
16:08We've seen worse things,
16:10but suddenly, among some of those reappeared,
16:13there's the person you need
16:14to really stop fighting with Alejandro.
16:16Oh, alert, alert.
16:18Cris, they just sent me a message from Alejo's fan club.
16:21Are you in Alejo's fan club, Otero?
16:25Of course, girl.
16:26I'm a founder.
16:29Wait a minute.
16:30Alejandro has a fan club?
16:33I can't believe it.
16:34People have nothing to do, right?
16:36Look, look, look.
16:37And they're telling me
16:38they're going to interview Alejo on TV tonight.
16:40So, get ready, dear.
16:41The night is long.
16:50This is so boring on TV.
16:52Well, one or two hours before, not at all.
16:54And cheap, because not a dime.
17:02Hey, are you wearing makeup?
17:06Yes.
17:08Or the lights, yes.
17:09Oh, the dream of a lifetime, right?
17:11Oh, that's good.
17:12Oh, to give you this cookie.
17:14No, it doesn't come out, right?
17:15Envy you have.
17:16Oh, envy.
17:17It's a mess, right?
17:19Come on.
17:20Don't piss me off.
17:21Hey, hey, hey.
17:22Look at that device.
17:23Very, very.
17:24Come here, come here.
17:25Casual, casual, casual, casual.
17:29Alejandro Otero.
17:30Hello.
17:31You look more beautiful in person than in the photos.
17:33Yes, really?
17:34Yes.
17:35No, you are beautiful anyway.
17:37Well, you are, you are...
17:39Well, I'm sorry.
17:41No, no, no.
17:42Oh, you are...
17:43Queen.
17:44You are the queen.
17:45Right?
17:46Miss Magdalena.
17:47Magdalena.
17:48She's our favorite.
17:49Yes, yes, yes.
17:51Oh, it's amazing to see you here in person.
17:53Yes.
17:54Now when you finish.
17:55Yes.
17:56Oh, do you remember the little bathroom dress?
17:59Oh, that little one that was put on.
18:01Oh, look at the legs that come out of here.
18:03Hey, I love this television.
18:04I love it too.
18:05I love it.
18:06Now I liked this.
18:07Amazing.
18:08Yes.
18:09Yes.
18:10This girl's name is Romy.
18:11I rented a room less than a month ago.
18:14Since you've met me, you tell me...
18:16Hello, Milly.
18:17Funny.
18:18Thank you.
18:19How are you?
18:20Put money in the piggy bank.
18:21In the piggy bank.
18:22In the piggy bank.
18:23Pay.
18:24Yes.
18:25Pay.
18:26Pay.
18:27Hey, brother.
18:28Brother, we are done.
18:29Can you imagine that, brother?
18:31Oh, a hand.
18:32What the hell is going on here?
18:34Brother, some models, queens of beauty.
18:38And best of all, how we like them.
18:41What do you think?
18:42Brutes.
18:43That the brain does not reach them.
18:45Not even to screw.
18:48Well, well.
18:49Hey, let's talk.
18:50Let's talk.
18:56We are going to record.
18:57Will you accompany me?
18:58Please.
18:59Yes.
19:00Yes.
19:01Yes.
19:02Good luck.
19:03Relax.
19:04Relax.
19:05Relax.
19:06And good, good.
19:07Where?
19:17Tonight, Yo Tito.
19:19Alejandro Botero presenting his book,
19:21El Asesino es el Perro.
19:23Don't forget the stick.
19:25Don't forget the stick.
19:27Oh, are they sending greetings?
19:30Welcome to Yo Tito.
19:33This is how we met the writer
19:35who occupies the first place of sale at the moment.
19:38Let's see some of his opinions,
19:40his readers.
19:44El Asesino es el Perro.
19:46Oh yes, I saw Alejandro in the autograph signing,
19:48he is so cute.
19:50Alejandro Botero.
19:51I want to be the killer.
19:52Do you want to be my dog?
19:56I want to tell you that if I was a palm in bed,
19:59it was because Alejandro was a short and off mecha.
20:04What?
20:05What?
20:11No, no, I didn't mean that,
20:13I meant the opposite.
20:15What?
20:17He said napalm again?
20:18He said the opposite?
20:20Oh, I don't know, I didn't understand anything.
20:23I hate him, I hate him.
20:25Take it, throw it away.
20:33We're supposed to have a traffic accident.
20:35I think that old lady was dead before the car...
20:38You're a young man from the country, aren't you?
20:41Of course, since it's raining and the women...
20:44I had her ready, Tatiarita, I had her ready, ready.
20:47Oh, you don't have anything ready.
20:49Your dog humor, no, no, no, no.
20:51Didn't you hear what Cristina said?
20:53Cristina, Cristina.
20:55Please understand, where does the comment come from?
20:59Well, it comes from her and that's why I care,
21:01it comes from Cristina.
21:04This guy is a fool.
21:12Hey, hey, Guillo.
21:14Gracia, Graciosita, my love.
21:16Pay, pay and pay.
21:18What?
21:19Pay.
21:20No, no, no, that's not fair, I was asleep.
21:22You're a bad guy, pay, pay.
21:24Let's see, let's see, let's see.
21:26No, you don't understand,
21:28I can't get Gracia out of my head all the time
21:30thinking about her.
21:32She's been the only woman in my life, man.
21:35Well, first of all, pay, pay.
21:38But I'll tell you one thing, it won't be the last.
21:40I hope so, right?
21:42The dog is going to fall.
21:44Come here, Chicholina.
21:46Hey, you didn't make it easy either, did you?
21:49No.
21:53Well, now, with Cristina,
21:55I think we're in our worst moment.
21:58Cristina is like a stick in the bed.
22:00A stick in the bed.
22:02A stick in the bed.
22:04A stick in the bed.
22:06A stick in the bed.
22:08A stick in the bed.
22:10Cris.
22:12Coco is under the bed.
22:15Who did you put under the bed?
22:17I can't sleep.
22:19Can I stay here with you?
22:21You're like big for this, right?
22:24No, it's a lie.
22:27I miss Guillo so much.
22:29It's horrible.
22:31I'm sorry.
22:32Come here, come here.
22:34Men are a disgrace.
22:43I painted my nails a while ago
22:45and they still smell like I've painted the whole office.
22:48I painted my nails a while ago
22:50and they still smell like I've painted the whole office.
22:55Hey, public confessions have an effect.
23:00They're like a real Christmas bomb, I was going to say.
23:06Since Alejandro Botero decided to ruin my life,
23:08I've received more calls than ever.
23:10I have to go out with someone.
23:12That's how I met Eduardo.
23:14Hi, chubby.
23:15And that's how you lost him, right?
23:17What are you doing here?
23:19Eduardo arrived.
23:20And you come to tell us the good news.
23:23So divine, chubby.
23:24But no.
23:25What I want is to have a surprise for him.
23:27So when he arrives, I'm going to remodel the whole house.
23:30All?
23:31But if last year the remodel...
23:33But we have new designs.
23:35Many designs.
23:37And you can pay in euros, in dollars, whatever you want.
23:39Do you want a tea?
23:40An aromatic water?
23:41Can you pay by credit card?
23:43In the amounts you want.
23:44What we have is to charge.
23:46I mean, to create.
23:48Follow me.
23:49Let's go to work.
23:50That.
23:51After you.
23:52Let's go to work.
23:54Let's go to work.
23:55No, you stay in case someone calls.
23:57With me?
23:58I just talked to him.
24:05Hey, it was very good, Guillo.
24:07Hey, do we get to go through the channel
24:09to see if we do the task to Tatianita,
24:11who is as she wants, that girl?
24:13Oh, brother, stop being so dragged.
24:15That woman just looked at him.
24:17Yes, but how?
24:21Hey, Guillo.
24:23You are not as pale?
24:25Like skinny?
24:26Hey, don't get sick.
24:27That's where a woman never gets up again.
24:30Well, the truth is that I have not felt very well
24:32and I think I will not be able to work with any woman ever again.
24:36What?
24:37No, no, no, no, brother.
24:39You can't say that.
24:40How do you think?
24:42In fact, I'm going to put you another task for your anti-ex therapy.
24:47Go and turn on the computer and have cybersex.
24:51That helps.
24:52Yes, yes.
24:53But hey, pay attention that I bought you a new camera,
24:55so be careful where you point, right?
24:57No, no, no.
24:58I'm going to tell you something,
25:00but promise me you won't laugh at me as always.
25:03Of course, I promise.
25:06The truth is that my funny girl had forbidden me
25:09to enter the Internet and to do it I had to ask for the password.
25:16Yes, come.
25:18No, no, no.
25:19No, no, no.
25:20Come on, come on, come on.
25:21Come on, you almost change sex, right?
25:26No, no, look, brother.
25:27Speaking seriously, speaking seriously,
25:29a man who does not check the Internet is annulled, right?
25:33But of course.
25:34Paragraph 4, line 5 of the decalogue.
25:36Yes, yes, yes.
25:37Paragraph 4 what?
25:38Tuto.com
25:39There it is.
25:40That's it.
25:49Pedro!
25:53How are you?
25:54I haven't seen you in a long time.
25:55Yes, you too.
25:57You look very explosive.
26:02Tulio, tell me what you're working on.
26:05Did you get married or are you alone?
26:08The truth, Cris, I changed sides.
26:11But I'm very curious to know if it's true that you're Napan
26:16or the opposite.
26:18Because when we were together,
26:20it was when I decided to leave the closet.
26:28Lucas, I had no idea you had joined the anti-terrorist division.
26:33What can I tell you?
26:35I'm addicted to danger.
26:38Hey, Cristina, is it true that you...
26:46Hello?
26:48Yes, it's her.
26:51From the bank?
26:54At your service.
26:58Yes, he's in Italy. Why?
27:01Just a moment, ladies. What did I do?
27:04It's an internal purchase.
27:07But my credit card has nothing to do with that.
27:11Wait a minute.
27:15Eduardo, I'm not going to forgive you for this.
27:18That you buy all the little things from that woman, perfect.
27:21But now you block my credit cards.
27:24And you don't.
27:29It's for Alejandro.
27:30For me? I didn't do anything.
27:33Come on, I'm the legal advisor and I have to review all this.
27:36Let's see.
27:39In gratitude for what he said in the program of Jotito.
27:44That's fine, that's fine. Can you sign it?
27:46Yes.
27:47No, brother, this is about fame.
27:49I'm loving it, really. Thank you.
27:52No, look, I don't care about fame at all.
27:54All I want is to talk to Cristina and clear things up.
27:57Hey, what about you? Are you stupid too?
28:00No, well, I'm going to buy you another pig so you can fill it up too.
28:03Am I going to become a millionaire with you?
28:06No, no, no, no.
28:07Rather, there is a public of desperate fans waiting for us there.
28:13Until we arrive.
28:14Hey, feed the bitch.
28:17And then when I'm free of all this, turn on the computer and see what she does, right?
28:21Yes.
28:23Miguel?
28:25Alejito?
28:29Hey, wait, half and half, right?
28:36There was not a single man who did not ask me about napalm, explosives, or the opposite.
28:41Men are definitely mononeuronal.
28:46Well, heterosexuals, right?
28:48But thank goodness, right?
28:49That the only neurone that men have is not precisely on the shoulders.
28:55I can't believe it.
28:56Alejandro, how long are you going to do what you want with my life?
29:00You know what?
29:02It has to serve me to have him on the same floor and the office in front.
29:06Cris, Cris, think about what you're going to do, Cris.
29:09Wait, Cris.
29:10Oh my God.
29:18Oh my God.
29:28Oh my God, Guillo, what are you doing here?
29:30You scared me.
29:32What am I doing here?
29:33What are you doing here?
29:36Is it my house?
29:38Yes, but what are you doing here with company?
29:41Who are you serving a drink to?
29:43I was calling you, I was ringing and you didn't answer me.
29:46Look, I'm not with anyone, I'm not with anyone.
29:48Guillermo, what happened to you?
29:49What did you say?
29:50That you were ringing me?
29:53And you thought I wasn't here, right?
29:56And you came in anyway.
29:57Yes.
29:58So you're spying on me, Guillermo.
29:59Yes, no.
30:00I'm spying?
30:01What need do I have to spy on you, Gracia?
30:03Please, I came to give you the keys.
30:07Besides, I'm living elsewhere.
30:09Don't worry about me.
30:11Oh.
30:13And...
30:15Is it comfortable?
30:17Well, to be honest,
30:19I understood the meaning of the word comfort
30:22after sleeping in the place where I'm sleeping.
30:25And you?
30:26Good, here trying to make my life again.
30:29You know, yes, yes, very good.
30:31Much more comfortable than before.
30:32Yes?
30:34Oh.
30:35Well, no.
30:36Well, I'm glad.
30:37I wanted to know that and that you are, as you say...
30:41Yes, yes.
30:42Good, right?
30:44Well, I'm leaving, I'm leaving now.
30:47Don't worry, you can stay here alone.
30:49Guillo, Guillo, Guillo.
30:50There's no need for you to scream, okay?
30:52I'm alone, there's no one.
30:54Yes?
30:55Yes.
30:56Ah, well.
30:57Well.
30:58Good, good for you.
30:59Yes, yes.
31:00Excuse me.
31:01Bye.
31:02Bye.
31:03Bye.
31:04Yes.
31:08Look, Miguel, I have money to buy my own beer.
31:11So if they give it to me, I feel...
31:13I feel like I'm forced to drink that and I don't like it.
31:15Let's see, brother.
31:16Alejo, that's what fame is about.
31:18Yes, see Cristiano Ronaldo.
31:20I don't think he buys condoms, no.
31:22They give it to him.
31:23And I don't think he forces them, really.
31:25Uh-huh.
31:26Brother, you see very well what comes out of that mouth
31:31because you found Aladdin's lamp.
31:34Ask and you will be given.
31:36Yes?
31:37Well, then I ask to talk to Cristina
31:39to be able to fix things.
31:41Well, give me the lamp.
31:43Ah, what's wrong with you?
31:44What's wrong with me?
31:48See?
31:49Ask for that mouth.
31:51This for the napalm.
31:56And that?
31:57On the contrary.
31:59Okay.
32:04Yeah?
32:05Oh.
32:06Oh.
32:07Hmm.
32:08¿Qué tal el tamaño de la mano de esa mujer?
32:11Gordita.
32:12Dios mío, qué pegada.
32:13¿Viste?
32:14Le voy a cambiar el nombre, lo voy a poner Cristina Paquiao.
32:17Solo hizo así, casi lo desfiguró.
32:19Ay, gordito, yo aquí espere y espere, buh.
32:21Claro que si es por un buen chisme que vale la pena,
32:24no importa.
32:25¿Qué le pasó a Cris?
32:27Tiene una enfermedad propagable.
32:29Lo mejor es que te vayas para tu casa
32:31porque después te contagias.
32:33Ay, tío.
32:34¿Y los diseños será que se alcanzan a estar
32:36para cuando regrese mi bebé?
32:38Ah, no, si es para cuando regrese tu bebé
32:40y alcasas a remodelar varias veces, querida.
32:42Cóbrale.
32:43Uy.
32:44¡Cris!
32:45Hablemos del adelanto.
32:48Ay, eh, gorda, pues, pues es que yo eso te iba a decir.
32:52Las tarjetas se me quedaron en la casa.
32:54Pero tranquila, yo, yo, yo mañana vengo
32:57y te las paso, no sé.
32:59¿Se te quedaron las tarjetas?
33:01Pero eso no es una extensión de tu piel.
33:03Pues...
33:04Tono de llamada.
33:05Tono de llamada.
33:06Tono de llamada.
33:07Tono de llamada.
33:08Tono de llamada.
33:09¿Aló?
33:10¿Aló?
33:11¿Aló?
33:12¿Aló?
33:13¿Aló?
33:14Eh, eh, un momento, ¿aló?
33:16Ay.
33:17Necesitamos una recepcionista.
33:19No, no, no, no, no, no, no.
33:22Ay.
33:23¡Necesitamos una recepcionista!
33:26¡No hay presupuesto!
33:31Ya sé, ya sé que me van a decir que estoy loca,
33:33que estoy, que estoy mal de la cabeza, que...
33:35Ay, sí, yo sé, yo sé, yo estoy, en Dios,
33:37¿por qué hice eso?
33:38Bueno, claro que esa cachetada fue...
33:41una palma.
33:42Pues yo creo que sería mejor no volver a mencionar
33:44ningún tipo de explosivo en esta oficina.
33:46Ay, yo no puedo salir más a la calle,
33:48no quiero volver a ver la luz, yo me muero de la vergüenza.
33:51Ey, no seas tan exagerada.
33:54O sea, en serio, Alejandro no es la primera persona
33:56que ha recibido una cachetada tuya.
33:58Y estoy segurísima que no va a ser la última.
34:02Ay, con razón, claro, mi mamá me pegó.
34:05Por eso yo no he podido estar con ninguna mujer.
34:09Ay, ¿tú estuviste con tu mamá?
34:11Ay, no seas cochina.
34:13Mi mamá me sorprendió jalándole la pita a mi primo Jimmy.
34:17¿Tú le jalaste la pita a tu primo?
34:18Ay, no más.
34:19Ay, ¿saben qué? Yo de verdad no puedo más.
34:21Si alguien llama o pregunta por mí o lo que sea,
34:23yo regreso.
34:24Yo no sé, yo no sé cuándo regreso.
34:26Yo me voy.
34:27¿Te vas?
34:39Hola.
34:40Te lo juro que si me corto las venas, me sale veneno.
34:43Ya somos dos.
34:45Cris, yo creo que es momento de que yo me regrese a mi casa
34:48Nada, suma esto yo solita.
34:52Bueno, pero ¿qué ha pasado con Guille?
34:54¿Por qué o qué?
34:56Hoy fue a mi casa,
34:57visque a regresarme las llaves,
34:58pero estaba espiándome.
35:00Claro, yo lo conozco.
35:02Pero bueno, en fin,
35:03yo creo que tenemos que ocupar cada uno nuestros espacios
35:06y salir de esto ya.
35:08De acuerdo.
35:11Bueno, ¿y tú qué?
35:12¿Por qué estás así?
35:13Ay, tuve un día terrible,
35:14una cantidad de citas horrorosas
35:16y al terminar de completarme a Alejandro,
35:18ay, todo fue peor.
35:20¿Un intento de asesinato?
35:22Casi.
35:24Le pegué dos cachetazos.
35:26Me siento que me quedó duriendo la mano.
35:27No, no, pero, pero, a ver, pero...
35:29Ay, ya, ya, ya, ya sé, ya sé, ya sé.
35:30No, no, no, Cristina, de verdad,
35:32es que ¿cómo se te ocurre hacer eso?
35:34A ver, la exagerada de la familia soy yo,
35:37pero esta vez sí tú me superaste.
35:39Ay, Almita, no más, por favor, no más.
35:41El señor me regala una copa de vino, por favor.
35:44De verdad, lo que te va a tocar hacer
35:46es, es, es, no sé, regresar a pedirle perdón,
35:48porque si no, quedas como una loca.
35:51Ya sé, ya sé.
35:53Ay, en verdad, lo que quiero es morir.
35:55Gracias.
36:00¿No es que le dieron un guapatazo?
36:03Yo lo vi en cámara lenta.
36:04Usted hizo como...
36:09¿Qué tal el tamaño de las manos de Cristina?
36:11Uy, sí son como...
36:14Ahora sí le puede decir una palo.
36:16Cuando estalla, estalla.
36:19No, pero ¿saben qué es lo peor?
36:21Que ni siquiera pude explicarle nada.
36:23Es que todas las mujeres son igualitas.
36:27Oye, ¿a usted qué le pasa?
36:30Felicítenme, hasta hoy llegó la terapia antigraciosita.
36:34Ah, ah, ah, paga, paga, paga.
36:36Sí, dijo antigraciosita.
36:38No, no, no les estoy diciendo, se acabó, no va más.
36:42No, no, no, sí va más porque viene la segunda etapa.
36:46Resistencia.
36:47Sí, resistencia.
36:49Además, déjeme decirle que aquí usted no dice cuando eso se termina.
36:52Lo decimos nosotros, los expertos.
36:54No, no, qué pena, qué pena.
36:56Pero es que les estoy tratando de explicar que se acabó.
36:59Le entregué las llaves del apartamento.
37:02¿Y se los mandó por correo express o qué?
37:05No, no, se las entregué personalmente en la mano.
37:08Ah, ah, paga doble, paga doble.
37:11Porque tuvo contacto con el enemigo.
37:13No, no, no, no paga, no paga.
37:16Esto es un gran avance.
37:18Sí, es un gran avance.
37:20¿Cómo se siente?
37:23Carita triste.
37:25Pero bueno, brindemos por las mujeres, ¿no?
37:27Aunque mal paguen.
37:29Aunque peguen y pequen.
37:31Eso, pequen.
37:33Sí, que pequen, que pequen.
37:36Salud.
37:37Salud.
37:43Aprendan, aprendan.
37:52Deme tres.
37:55Sabor.
38:07Sabor.
38:12Yo quería hablar contigo para pedirte disculpas
38:16por lo que pasó ayer.
38:18Yo sé que se me fue la mano.
38:20Literalmente, dos veces.
38:23Yo sé que nada justifica la agresión física.
38:27¿Me perdones?
38:29No, no sé.
38:32Con una sola condición.
38:35¿Cuál?
38:37Que me aceptes un café.
38:41Con una sola condición.
38:43¿Cuál?
38:44Que no vuelvas a mencionar mi nombre públicamente
38:46ni en internet ni en ninguna parte.
38:48Palabra de huéscado.
38:50Que, por supuesto, nunca fui.
38:53Hicimos el ridículo los dos, ¿no?
38:56Pero bueno, lo importante es lo que pensemos el uno del otro, ¿cierto?
39:01Pero, ¿sabes qué? Eso no estoy dispuesta a discutirlo ahora.
39:03Así que, felicidad.
39:08Buenos días.
39:10Hola, Cris.
39:12Gordita.
39:14Estaba aquí esperándote porque
39:16imagínate que ya tengo los diseños italianos
39:18traídos de la mismísima Italia.
39:20Me los mandó mi Edu.
39:28Ay, Pam, qué pena.
39:31Muéstrame los diseños, a ver.
39:33Sí, sí.
39:36¿Qué tal?
39:41No entiendo.
39:45Las tarjetas de Pam no pasaron.
39:50Perdóname un momentico, ya vengo.
39:54Cris, yo un momentico.
39:56Ok, ok.
39:59Hola, bebé.
40:01¿Qué haces tú?
40:03A esta hora, si estás viendo este video,
40:05ya debes ser el pibo de tu coneja.
40:09Tú sabías que yo era incapaz de...
40:11¿Han? ¿Han?
40:13Han, yo me encargo. Han, yo me encargo.
40:15Han, yo me encargo.
40:17Han, yo me encargo.
40:19Han, yo me encargo.
40:21Han, yo me encargo.
40:23Han, yo me encargo.
40:25Han, yo me encargo.
40:27Han, yo me encargo.
40:29Han.
40:35Vivimos rodeados de gente que tiene una opinión de nosotros
40:38y en cualquier momento puede cambiar.
40:41Han.
40:44Los...
40:48Los llamé porque les quiero presentar...
40:50Bueno, ya conocen a Pamela.
40:53Ella va a ser nuestra nueva recepcionista.
40:55Relacionista pública, gordita.
40:57Recepcionista.
40:59¿Relacionista?
41:01Bueno, recepcionista pública.
41:11Eso. Otra, otra, a ver.
41:13Otra, otra.
41:15Otros tratamos de agarrar fuerzas para cambiar
41:17la pobre opinión que teníamos de nosotros mismos.
41:26Y así volver a empezar.
41:36Pero una vez que las personas que nos importan
41:38se convierten en públicas y pueden dar opiniones
41:40sobre nosotros, entramos en el pánico
41:42de ser juzgados, fusilados en el paredón del chisme.
41:48Y pensar que yo nunca dije esto.
41:56Ay, Alejandro, tú sí dijiste eso.
42:00Una palma en la cama.
42:03¿Qué habrás querido decir?
42:06Por eso, preferimos quedarnos a buen resguardo,
42:09cuidando la opinión que realmente nos da más duro.
42:13La nuestra.
42:25La nuestra.
42:55Para que me vuelvas a mirar
43:03Para que no pierdas tu disfraz
43:10Si no reflejas ya, si no te puedes deshacer
43:19Vuelve a nacer por mí
43:21Yo te muero por ti
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