- 2 years ago
Temporada 2 | Episodio 02
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😹
FunTranscript
00:00It's definitive, if women want to take the initiative in love, we have to do it without
00:25showing hunger, because before love there is self-love, don't you think?
00:29What are you doing here?
00:30Well, it's...
00:33Oh, what a surprise! Hello!
00:36Good morning.
00:37Good morning. Alejandro, I've been waiting for you for a long time. Hurry up because I have a meeting with the editorial team.
00:44I... I thought...
00:46No, no, it's just that...
00:49Oh, you didn't tell Cristina anything? Alejandro is working for me again, look how life is, right?
00:55And my office is right next to yours.
00:57Incredible. Hurry up.
01:08Alejandro!
01:28Ale!
01:39Hey!
01:57I know perfectly well that you rented this office to bother Cristina, but I warn you one thing, I won't let you...
02:15Oh, look, look, look, look, look, lower your tone and respect me.
02:18Rather, be grateful that I got you a nice and clean office so you can write your next book.
02:24What? And let's see, when do you decide where I write my books?
02:28No, I don't. But the contract you signed with the publishing house, yes.
02:33It's just that since you're signing everything you find, why don't you get a... I don't know, a legal advisor?
02:54Door bell.
03:01I'm coming!
03:11Gracia, my love, what are you doing? You're sleeping at 10 in the morning.
03:15Look at yourself, you have the sheet painted on your face, what a horror.
03:20What are you doing here, mom?
03:22Well, since you weren't answering, I decided to come and show you this.
03:28What is this?
03:29The invitations to Guillo and your birthday party.
03:33I'm going to make you a coffee to see if you wake up.
03:35Am I dreaming?
03:38Hello! Look, surprise! How are you?
03:43I've always, always wanted to give it to someone.
03:46And I wanted, well, there was another one that was like bigger and for the house, it was perfect.
03:51But this one is divine. And well, it comes out of the office or not.
03:55I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't know.
04:03But this one is divine. And well, it comes out of the office or not.
04:08Yes, the colors come out.
04:10Where do I put it? Because we can put it here.
04:12As if I were working with you in a meeting.
04:16Or I'll put it back here or here with you so you can hug it.
04:20Look, oh, soft, right? How delicious.
04:23Yes, but it's like, it's giant.
04:27Well, not so much, not so much because I wanted something like, like, disguised for the office, right?
04:35Oh, that's my divine girlfriend.
04:40Girlfriend?
04:43No.
04:45Well, I'll pick you up later then?
04:49No, imagine that Rodri has a horrible gut and I have to accompany him all night.
04:54Yes, I have a gut, but terrible, I don't recover from it.
04:59No.
05:00I imagine.
05:02Well, then tomorrow?
05:04No, tomorrow I will also be, tomorrow I will be worse.
05:06Worse, tomorrow and the day after tomorrow.
05:09Yes, it lasts years, years, years in the gut.
05:13Well, it will have to be tomorrow.
05:15I will accompany Hanna and we will accompany him there when his gut comes out.
05:19Yes, well, bye my divine girlfriend.
05:24Well, take that cough out quickly, it hurts less.
05:27Sure?
05:28Sure.
05:31Melcochita.
05:32He didn't tell me.
05:34Rodri, let's go to work.
05:35Pass me, where is my phone, where are the things?
05:38Rodri, seriously, no more.
05:40I love you.
05:44Mom, don't you think all this is a bit exaggerated?
05:48Let's see how much you spent on the invitations.
05:50Me?
05:52No, no, no, no.
05:53Your dad pays for that.
05:55Besides, my love, this anniversary, just this one, you have to celebrate it in the clouds.
06:01Mom, what happens is that Guillermo and I are ...
06:03Yes, yes, I know, precisely.
06:05The worse they are, the better they have to see each other.
06:10Yes, but what happens ...
06:11Oh, Grancia, please, stop the drama, okay?
06:14Enough for Guillo to have forgiven you and come back, don't you think?
06:18Well, I do think that will never happen.
06:20Well, besides, this is the time you have to take advantage of to tie him up definitely before he regrets it.
06:26And that's what the celebrations are for.
06:27Look, the more brazen this Guillo is with you,
06:30the more face of Ponqué he will have to make in front of the guests and commit to his marriage.
06:34Believe me, that works.
06:36It worked with your dad.
06:37And if not, you wouldn't be here.
06:39Mom.
06:48Cris.
06:50May I?
06:51Well, the door was open.
06:53You already entered.
06:57Cris, I wanted to explain to you that I have nothing to do with all this.
07:00You know, the group Jupiter, which is my editorial, bought Esther's magazine.
07:04And without realizing it, it turns out that Esther has the rights to my book.
07:08Ale, I'm really tired of all your explanations.
07:15Look, I know that everything Esther did to you with the blog was ...
07:19I am no one to tell you where and with whom you have to work.
07:23What bothers me is that you sit here in front and you don't care what I feel.
07:26No, no, I do care. I care a lot.
07:28But it's not really my fault. It was Esther who did it.
07:30Oh, Esther, Esther, Esther.
07:33All you know is to blame Esther for everything that happens to you.
07:36Grow up, Ale.
07:39Grow up?
07:41You're telling me to grow up?
07:45When you're not even able to admit that you had my autograph the other day.
07:49What are you talking about?
07:50Now it turns out that because you are the living, well, the living of the moment,
07:53we all have to fall at your feet.
07:57Oh, please, Alejandro.
08:02Please don't be so anxious, I'm on my way.
08:04Anxious?
08:07A surprise?
08:08No, don't tell me.
08:10Let me guess, do you have Alejo in front of you?
08:12Obviously.
08:13Obviously I love fusion food.
08:16And do you take a long time?
08:17No, don't worry, don't worry.
08:19You don't have to come for me, I'll drop you off.
08:21Bye.
08:22Okay.
08:23Bye.
08:26What?
08:28A date?
08:30Now it turns out that you are the only one who can have a social life.
08:35Oh, Alejandro, you're laughing, huh?
08:42Well, I'm not laughing.
08:47Hey, good evening, good evening.
08:52I can say if my husband, husband, husband, love, love, wait, wait.
09:02Inside this hotel.
09:05El mio esposo, Santo Domingo, Santo Domingo.
09:14Santo Domingo, me capicha, Santo Domingo.
09:19Señorina, Santo Domingo, el mio esposo, cuesto albergo.
09:28Gracias.
09:31Gracias.
09:38¿Y de dónde sacó Alejo que te desmayaste en la firma de autógrafos?
09:42No tengo ni idea.
09:45No te creo.
09:47A ver, yo podrÃa hacer lo que sea, pero dignidad sà tengo.
09:51Yo no entiendo cuál es el rollo con la fama de Alejandro ni que fuera Lady Gaga, pues.
09:58Salud.
10:03Pues para hacer su primer libro, en éxito.
10:07Cris.
10:09Cris.
10:10Cris, antes no me hagas eso que me gusta.
10:13AvÃsenme cuando se vaya para salir corriendo.
10:19¿Dónde se fue?
10:29No me cabe en la cabeza cómo me estás pidiendo esto, Gracia.
10:35A ver, Guillo, ¿cómo yo le iba a decir a mi mamá que nos estábamos separando?
10:39Y ella ahà con las invitaciones listas y todo.
10:41Guillo, yo no pude, no pude.
10:43¿Cómo? ¿Cómo?
10:45Muy fácil.
10:46Sientas con tu mamá y le dices, mamá, me estoy separando de Guillermo.
10:49Ay, qué triste.
10:50Lo que sea, lo que sientas.
10:52Pero uno no se puede echar para atrás en las decisiones que toma.
10:55Algún dÃa ella se va a tener que enterar, Gracia.
10:57Pues sÃ, algún dÃa después del aniversario.
11:00Mi amor, hay un bude, me encanta.
11:02No, no, no, está perfecto, perfecto.
11:04Lo vamos a reservar todo.
11:06Ok, ok, perfecto.
11:08Ya reservado.
11:10Pero no creo que sea necesario reservarlo todo.
11:12Luego, ¿cuántas personas vas a invitar?
11:16La lista.
11:17A ver.
11:20¿Cómo?
11:21Creciste un montón de gente, hombre.
11:24Guillo y Gracia necesitan un verdadero baño de popularidad en este momento.
11:27Por favor, confÃa en mÃ.
11:31Alejandro Botero no ha terminado con Cristina, pues.
11:33¿Qué se ha notado aqu�
11:35Dios mÃo, dame paciencia.
11:38Guillo, todo esto ha sido muy difÃcil para mÃ.
11:41Como para además tenerle que decir esto a mi mamá justo antes de esta fecha.
11:46Pero entonces tú lo que quieres es que yo me venga aquà a vivir contigo
11:51para que ni tu mamá ni tu familia te estén echando cantaletas, ¿cierto?
11:56No, no, no.
11:57¿S�
11:58SÃ.
11:59Guillermo, que eso no es verdad, eso no es verdad.
12:03Perdón.
12:04Eso no es asÃ.
12:06Yo solamente quiero que tú me acompañes al evento.
12:09Y ya después tú eres libre para hacer lo que tú quieras.
12:14Si me quieres olvidar o si no me quieres nunca más volver a ver, está bien.
12:18Pero, Guillo, de verdad, por favor.
12:21Mira, es lo último que te pido, el último favor, ¿s�
12:24Ay, carita triste.
12:26¿Carita?
12:27Ninguna carita triste.
12:28Ya no hay caritas en esta relación.
12:30Yo lo siento mucho, pero tú tienes que ser firme como yo
12:33y uno no se puede echar para atrás en las cosas.
12:35Lo siento mucho.
12:36No cuentas conmigo.
12:39Ay.
12:47Bueno, graciosita.
12:48Gracias.
12:49Ay, gracias.
12:50Está bien.
12:51Gracias, ven.
12:54No más, no más.
12:56Ni caritas tristes, ni besos, ni nada.
12:59Mi vida, los periodistas no se mueven si uno no les pone
13:03por lo menos una carnadita.
13:05Y hacer este fiesto, no, no, no, no, no.
13:08Ahora ni siquiera salir una foto en una revista,
13:10en un periódico, pues, tampoco.
13:13Gracias.
13:14¿Cuánto me va a costar esta pendejadita?
13:17No, no, no, casi nada, pero tranquilo que yo arreglo con
13:20ello.
13:21Ay, Dios.
13:22Qué peligro.
13:24¿Cómo as�
13:27Bueno, según estos planos, la oficina de Alejandro
13:30debe quedar al lado derecho, al fondo.
13:33O sea, esta de acá.
13:36Y si no es cierto, su baño privado debe limitar con la
13:40pared de la cafeterÃa.
13:44Y se conecta con el ducto del aire acondicionado.
13:49¿Y?
13:51Ya ustedes entienden, ¿no?
13:53No.
13:54Bueno, no importa.
13:55Yo sà entiendo lo que estoy diciendo.
13:58Rodri, ¿te acuerdas de la idea que me diste de las flores?
14:03Si yo pido las flores y dijo, las vamos a mostrar,
14:06de pronto, ¿verdad?
14:07SÃ.
14:08Asà que Alejandro se ve cuenta.
14:09Y aquà va el piso.
14:10Y yo me voy a quedar en la sesión espiritual.
14:12SÃ.
14:18SÃ.
14:19Ay, Dios mÃo.
14:20¿Qué es eso?
14:21Ay, Dios mÃo.
14:22¿Qué es eso?
14:23Ay, Dios mÃo.
14:24Ay, Dios mÃo.
14:25Ay, no entiendo nada.
14:27No importa, yo entiendo.
14:29Gracias.
14:30¿Talento?
14:31Qué suerte.
14:33Venga, por aquÃ.
14:35Esta es.
14:37¿Esta es?
14:38SÃ, pase.
14:39Guau.
14:42Uy, hermano, qué oficinota, ¿eh?
14:46Uy, no, esto sà se lo merece usted.
14:48Lo felicito.
14:49Maravilloso.
14:50Qué bueno, qué bien, qué bien.
14:53Venga, tómeme una foto para mandarle a mi novia, ¿s�
14:55Venga, a ver.
14:56¿Dónde me hago?
14:57AhÃ, ahÃ, ahÃ.
14:58¿Dónde?
14:59Espere, ¿acá?
15:00AhÃ.
15:01Eli.
15:02Un momento, un momento.
15:04Con cara de bobo.
15:05¿Cuál cara de bobo?
15:07Un momento, un momento.
15:09Qué envidia.
15:10Al menos tiene novia para mandarle fotos.
15:13Ay, ¿está deprimida?
15:16Habló con la flaca, ¿cierto?
15:19Habló con la flaca.
15:22O sea, yo no hablo y hablo ella.
15:24ImagÃnese que la flaca cree que yo me mudé aquÃ
15:27al lado de su oficina solamente para molestarla.
15:31Asà son todas, hermano.
15:33Eso se llama, eso es el idioma de mujer.
15:37Ellas dicen algo y lo que quieren decir es todo lo contrario.
15:42¿Seguro?
15:43Ella lo que quiso decirle a usted es,
15:45estoy feliz que estés acá.
15:47Esa vieja lo adora, hermano.
15:49SÃ, ¿no?
15:50Claro, se le nota, se muere por usted.
15:52Vea, vea a Jana, por ejemplo.
15:54Jana, Jana, yo le he hecho un piropo
15:57y hace una cara de piedra, de furia,
15:59que me quiere matar.
16:00Y lo que quiere decir es todo lo contrario, está feliz.
16:03A ella le encanta que yo le eche piropos.
16:06Eso es normal.
16:07Mire, créame que yo soy un experto en psicologÃa femenina.
16:12¿Experto en qué?
16:13PsicologÃa femenina.
16:16Alejandro, no sé si te lo habÃa dicho,
16:18pero está prohibida la entrada de personal externo
16:20sin mi autorización.
16:22Este, solamente le estoy mostrando la oficina, Miguel.
16:26Oiga, ¿será cierto eso que dicen que
16:28entre más bravo el toro, es mejor la correa?
16:31Pues, claramente eso depende del matador, ¿no?
16:34Ah, no, lo que aquà hay es matador.
16:36Ja, ja, ja, qué faena.
16:38No sean ridÃculos.
16:40Que esto se convierta en el tour
16:42para tu club de fans, ¿ok?
16:44No, no, no te preocupes, tÃa,
16:46que aquà tú tienes la exclusividad de este pechito.
16:50¿Verdad?
16:51Dale, dale.
16:52Ja, ja, ja.
16:54Ya sabes.
16:57Ja, ja, ja.
16:58¿SÃ, tÃo?
16:59Vea, vea, por ejemplo.
17:00Ahà está clarÃsimo.
17:02Ella lo que quiere es las tocadas finales.
17:04¡Olé!
17:05Ja, ja, ja, ja.
17:11Según los planos de la oficina,
17:13ese ducto que tienes ahà al frente
17:15se conecta, adivina con la oficina de quién.
17:18¿Te alejo?
17:19Ajá.
17:20¿Y cuál es la idea?
17:21¿Dar golpecitos en clave de morse?
17:23Ay, no, tengo una idea buenÃsima.
17:25¿Qué?
17:26ImagÃnate que Chubi,
17:27el esposo de mi tÃa Fadi,
17:28tiene unos micrófonos buenÃsimos.
17:30Yo se los pido, él me los presta,
17:31y chuzamos a la jo...
17:33No.
17:34Yo tengo otra idea mejor.
17:36Guillo y Gracia te invitan a su aniversario.
17:41Bueno, por lo menos todavÃa quedan parejas felices.
17:48Ay, hola, ¿cómo estás?
17:51Gracias.
17:52Gracias.
17:53Gracias.
17:54Anoche se pasó increÃble.
17:55Yo no sé cómo hice para levantarme con el chihuahua.
17:57Ya.
17:59¿Sabes qué?
18:00Salió la pena.
18:02Total.
18:07Obvio que hay que repetir.
18:09Obvio.
18:10Pero, ¿sabes qué?
18:12Hoy no puedo,
18:13porque un amigo ya me invitó a una exposición,
18:16pero me encantarÃa.
18:19Ay, por favor, no sigas diciendo esas cosas.
18:22SÃ, estás deliciosa, eres una delicia,
18:24pero, shh, entra con el teléfono,
18:26porque no sabemos quién nos puede estar escuchando.
18:29Ay, qué delicia.
18:31Bueno, hablamos más tarde.
18:33Se lo dejamos para cuando estemos
18:35a frente, a frente.
18:37Chao.
18:40Ay, ¿qué es esto?
18:41¿Qué es esto?
18:42¿Qué es esto?
18:43¿Qué es esto?
18:44¿Qué es esto?
18:45¿Qué es esto?
18:46¿Qué es esto?
18:47¿A qué está jugando?
18:48¿Qué quiere?
18:49Ah, nada, nada.
18:50Está desesperada, loca, hablando con las paredes.
18:53Vamos.
19:18Mira, dejó un mensaje.
19:20Era una mujer y estaba en italiano.
19:23Lo que pasa es que no entendà qué decÃa.
19:25Pero bueno, decÃa algo asà como, como de leto,
19:29como leto.
19:31Ay, leto no significa cama.
19:47¿Cómo está?
19:56Ya, 7 y media, nos llegó.
20:09Vámonos ya, vámonos ya.
20:10¿Qué?
20:11Hola, ¿qué hubo?
20:12¿Qué hubo?
20:13Hola, hola, mi amor.
20:14¿Cómo estás?
20:15Ah, bueno, si, bueno, pues,
20:16a usted ya se le quitó la tusa, ¿no?
20:18¿Cuál tusa?
20:19Pues, la que tenÃa por el mexicano.
20:21¿No estaba entusadÃsimo?
20:22Ah, no, sÃ, sigo entusadÃsimo.
20:25SÃ, se nota.
20:26Mal.
20:27¿Y cómo estás, mi amor?
20:29Te traje, te traje un regalo, pero, espera, espérate.
20:32Ya vengo.
20:33Dale, bebé.
20:34Hola.
20:37Mi amor.
20:38No, te lo dijo a ti.
20:39A mÃ.
20:40Yo vi, te dije que te miró y te dijo mi amor a ti.
20:41No, yo me aproveché, mi amor, te lo dijo a ti.
20:42No, yo vi, no quiero más regalos.
20:44It's beautiful!
20:47How are you?
20:49Is it a plushie?
20:50Tell me, is it a plushie or not?
20:52Yes.
20:53It has a name, it's called Chichulita.
20:55It's a pedigree name, right?
20:58I don't know where I got it from.
20:59It sounds familiar, but I liked it.
21:02It's delicious.
21:03You wake up early,
21:04you take it out to pee,
21:05it's poop, you give it to the bunny.
21:08It peed on my leg!
21:11Guess your dog!
21:13No, no, no.
21:15It peed on my leg.
21:16Guess your dog!
21:18Delicious.
21:20Sit!
21:23I'm waiting for you here in my bed.
21:25Come soon.
21:37Eduardo, my dear.
21:41I'm waiting for you in my bed?
21:44Many kisses?
21:51You're going to pay for this, bunny.
21:57Miss, I'm sorry,
21:58I can't wait any longer.
22:00I have other deliveries to make.
22:01No other deliveries.
22:03Do me a favor, wait for me.
22:04It's 9.05,
22:05in ten minutes.
22:06How about that?
22:07I'll give you a very good tip.
22:09But I've been waiting for more than half an hour.
22:14Who's sending them?
22:17It's like a foreign name.
22:19The card says.
22:20Let's see.
22:22Oh, Erick Ekman.
22:24He's handsome.
22:25Hi, Leo.
22:26Hi.
22:27Do me a favor.
22:29Can you help me take them to the office I have to open?
22:34At least you have enough suitors.
22:36Oh, no.
22:37Look who says it.
22:39And these flowers?
22:41They were sent by Erick Ekman.
22:45And who is that?
22:47It's a pseudonym that Chris invented
22:49to send himself flowers.
22:51Oh, no, really, Chris?
22:53Let's say it's like an expression of self-love.
22:56In German.
22:57Or it's a way to make the neighbor jealous.
22:59Ah, Alejandro.
23:01What else?
23:02Oh, please.
23:03How jealous are you going to feel?
23:05I want to show him that I can also have fans and followers.
23:09Hey, now that I remember,
23:10my mom also sent him an invitation.
23:12Do you want me to tell him that I know...
23:14No, no, no.
23:15No, it's perfect,
23:16because that way I can close my plan in no time.
23:18So he's not going?
23:19No.
23:20And to accompany Guillo?
23:22He's sleeping with the cockatoo, brother.
23:24And is that a reason for celebration or what?
23:27Well, yes.
23:28Now who's going to clean?
23:29And iron.
23:30And cook.
23:31He's going to cook.
23:33He's going to cook.
23:34He's going to cook.
23:36No, I'm kidding.
23:37But why am I going?
23:38To see my face with Cristina?
23:39So that one of her companions will crush me?
23:41No.
23:42But you're leaving.
23:44You're not a big boy anymore.
23:45You can't go out with whoever you want,
23:46whenever you want.
23:48Well, yes.
23:49What happens is that I would like to go out with Cristina.
23:56Brother, get your dignity back.
24:00Yes.
24:01Well, the girl doesn't do anything but crush the guy she wants.
24:04She does whatever she wants.
24:06Everything is for her face.
24:08Now.
24:10Wake up, wake up, get up.
24:15Look, I'm telling you not only as a friend,
24:17but as your legal advisor.
24:19That's why he named me, right?
24:21I didn't name you anything.
24:22You named yourself.
24:23Yes.
24:24Instead of being you,
24:26concentrating on Sandra.
24:29Look at this.
24:31Look at this.
24:33Besides, she doesn't want a commitment.
24:35What else does she want from you?
24:38Her body.
24:42And what are you going to do?
24:43Make a George Clooney clone to invite him to the party or what?
24:46No.
24:47If Alejandro is with his fans up and down,
24:50why can't I have mine?
24:52Because you haven't written a book.
24:54And because you're not a bestseller.
24:56And please leave me here.
24:58Well, but if you want to go with her,
25:00there's no problem because the invitations are double.
25:02Oh, great.
25:03Then Jana can take her boyfriend and introduce him to society.
25:06How so? Did you get a boyfriend?
25:08Yes.
25:09She got a boyfriend, a stuffed animal,
25:11a dog with the name of a porn actress,
25:13and Pulgas, who hit the bitch.
25:14The other bitch.
25:16Pulgas?
25:29Sandrita.
25:30Yes, my love.
25:31I'll pick you up in 15.
25:33Perfect.
25:34See you.
25:35Another brute that falls into your clutches.
25:38See you tomorrow, Estel.
25:40Eight points.
25:41Not a minute more, please.
25:43Hey, if you're going to spend a long time,
25:44don't go to that motel that is very far away
25:46and who knows what time you'll get here.
25:48Hey, why don't you leave me alone?
25:51Because peace is boring.
25:55You know, I think I know what's wrong with me.
25:57The thing is, you've never been able to get over me.
26:00And why do you say that?
26:02Oh, very easy.
26:03Because, look, for a beautiful, successful, nice woman like you,
26:07it must be very difficult to lose.
26:09And with me, you lost.
26:11So for you, I'm unforgettable.
26:14Yes.
26:16Unforgettable.
26:19I don't understand why you did this to me, Alejandro.
26:23Because I...
26:25All I've done...
26:29is love you.
26:32No, wait, Estel.
26:34I wasn't serious.
26:35I was just trying to bother you, but...
26:37Hey, are you okay?
26:41You're so old and you still haven't met women.
26:45Can I tell you something?
26:46We don't need big reasons to be witches.
26:53Eight, period, period, period.
27:05One moment.
27:06Wait, not yet.
27:08Without the drink, my love.
27:09Because then you'll get drunk and you won't be able to take it.
27:11Can I have a miserable whiskey?
27:13I'm the one who's paying the bill.
27:19Thank you.
27:20Give it to them.
27:23Can you pretend to be a little happier to be here?
27:27I'm sorry, but I don't know how to lie as well as you do.
27:31Come on, Guillermo, please.
27:33They're almost here, right?
27:34Hi.
27:36How are you, my love?
27:37Hi, nice to meet you.
27:38What's up?
27:39Hi.
27:40Hi.
27:45I was just saying that I thought you weren't coming.
27:49I wonder if you regretted it and decided to leave everything behind.
27:55It was a joke, wasn't it, Gusto?
27:58Hey, don't get drunk.
28:00Camila, I have something important to tell you.
28:03Dad, don't give her too much to drink. She's already drunk.
28:08Oh my God.
28:09You're beautiful.
28:10Thank you.
28:11How long have you been dating?
28:14Us? A couple of weeks.
28:17Yes.
28:18Love is beautiful because you never imagine that someone like you can get involved with a woman like her.
28:25No?
28:26No.
28:27It's true, it's true.
28:28And it's beautiful.
28:29Yes, it's true.
28:30I haven't seen such a beautiful story since The Lady and the Tramp.
28:32Oh, the puppies.
28:34Oh, yes, it's true.
28:36Of course, but I don't remember that movie.
28:38I was so, so, so little.
28:41No, all of them.
28:43Yes, it's just that your name is...
28:46Marta Estela.
28:47Marta Estela.
28:49No, Marta Estela was already at the university when they released the first version in black and white.
28:54Hi, chubby.
28:55Oh, my chubby.
28:56Cute.
28:57Hi, Hanna.
28:58Hi.
28:59My chubby.
29:00I haven't seen you in a while.
29:02Oh, no, no, no, Mom.
29:03Why did you invite Pamela?
29:04Can you explain?
29:05Because I shouldn't have invited her.
29:06She's Cristina's best friend.
29:07I know she doesn't like her, but anyway, she's her childhood friend.
29:14Oh, please, don't drink so fast, okay?
29:16Yes.
29:17Remember that you were on the plan of reconquista and the last time you got drunk.
29:21Mom, look, I haven't told you one thing.
29:22Well, you haven't let me talk.
29:25Guillermo and I are not well, Mom.
29:28He left days ago.
29:32Not here at the party, please.
29:34After the party, anything you want.
29:36Please.
29:38Hey, and you?
29:39Even in the soup, right?
29:41Oh, look, Hanna, if it hurts you, I'm part of this family, my chubby.
29:47Oh, are you together?
29:51Yes.
29:52Oh, me too.
29:55In the end, love is blind, isn't it?
29:57And have you set the wedding date?
30:00Because you are already of age for your first child, right?
30:02A long time ago, my chubby.
30:04Yes, we have to plan something with that father of mine.
30:07His name is Luquio.
30:09Bye.
30:10Don't make me laugh.
30:13Look, I'm going to the bathroom to have children.
30:19Do you really mean it?
30:20Sure, sure.
30:22Oh, wait, wait.
30:24Hi guys.
30:26Oh, are you in the corner?
30:28Ready, perfect, we'll wait for you here.
30:30Bye, bye.
30:32They're almost here.
30:34Rodrigo, swear to me that they are very manly, that they don't throw flowers.
30:37Cris, please, you offend me.
30:39They don't notice anything, they are very macho.
30:40Like me.
30:47There she is.
30:48Hi.
30:49Hi, how are you?
30:50No kisses or anything.
30:51She is Cris, she is.
30:53Hi Cris.
30:54How have you been?
30:56She is the girl you have to accompany all night.
30:58But for example, you, you come here, come here.
31:00Here, next to her, very, very flirtatious.
31:02They follow the conversation like that and it is very hard.
31:04Sometimes it is tiring.
31:06No more, no more.
31:07They understood each other.
31:09It doesn't matter.
31:10Guys, thank you very much for helping me, really.
31:12This is for a fair exchange.
31:14No, with all due respect.
31:15Don't worry, we're waiting for someone else.
31:17A friend, but it shouldn't take long.
31:19Ok.
31:20Perfect.
31:22Hi.
31:23Hi.
31:24Are you Alejandro Botero, the writer?
31:26Yes, it's me.
31:29The author of The Killer is the dog?
31:31Yes.
31:32Oh!
31:34No, no.
31:35No!
31:37Keep going, keep going.
31:39Guys, please, we were supposed to meet.
31:41For God's sake.
31:42And these are boys?
31:44I don't know what happened, I don't know what happened.
31:46They are actors.
31:48My aunt Faly recommended them to me.
31:49The wig?
31:50Yes.
32:03I think that's it.
32:06Yes, that's it, that's it.
32:08That's it.
32:13I'm fine now.
32:16My baby.
32:19My what?
32:21My baby.
32:23Well, I say it because of the dog.
32:25My baby.
32:26No, Miguel.
32:28Look, this isn't working anymore.
32:31What?
32:32No, no, it worked very well.
32:33I'm already breathing.
32:35No, no, believe me, it worked.
32:37Yes, it went down the old path, but ...
32:39Miguel, this between you and me isn't working.
32:41It didn't work?
32:44What do you mean?
32:46Look, I know.
32:48I know I gave you that kiss in public
32:50and it messed everything up.
32:52Oh, but this isn't working, Miguel.
32:54And your dog, the pretty girl, the flowers,
32:56the chocolates, the stuffed animals,
32:58and all the things,
33:00they're going to get to you.
33:01Thank you very much,
33:03but you can keep all that.
33:08Are you breaking up with me?
33:10Yes.
33:12Well, yes, well, yes.
33:21But for sex,
33:24well, I mean,
33:26we have to cut it off completely.
33:28Yes.
33:29No, we have to cut it off completely
33:31or one day if the two of us meet
33:33and we feel like it and ...
33:39Don't untie me.
33:46And how long is Eduardo staying in Italy?
33:49Oh, well, I don't know, chubby.
33:51Look, the truth is,
33:53I hope it's a few days
33:55because the poor thing is dying there without me.
33:57I'm sorry.
33:59I didn't know they were going to get like this,
34:01that they were going to get messy.
34:03Alejo must have an ingredient
34:05that drives you crazy.
34:07Look, I'm just nervous.
34:09Enough, enough, enough.
34:11It's the biggest ridiculous thing in my life
34:13with some gays.
34:15But he also came alone.
34:17You can't get close to him,
34:19you invite him to dance, talk.
34:21Yes?
34:23Are you crazy?
34:24You invite her because you are still interested in her.
34:28Really?
34:32That's my cell.
34:34The cell?
34:36No, no.
34:38Dear Alejo,
34:40you and I can't be
34:42separated for more time.
34:44Come to my arms now.
34:46L, L, A, now.
34:48Now?
34:50Now.
34:52Did you send it?
34:54Yes, I sent it.
34:56Of course, now we have to wait for him to come to your arms
34:58like the blue prince.
35:00My love.
35:02Oh my God.
35:04You have your hand.
35:06Give Alejandro a chance.
35:08Do you think, do you think?
35:10Hello.
35:12Am I interrupting?
35:14No, no.
35:16Cristina, this is my friend Sandra.
35:18Hello, how are you?
35:20Alejo, I need an urgent favor.
35:22Can I borrow your cell phone?
35:24Yes, of course, take it.
35:26Wait for my text message.
35:28No, no, it's very urgent.
35:30No, no, it's serious.
35:32Thank you, thank you.
35:34Sorry, I'll be right back.
35:36Guys, will you accompany me to the bathroom, please?
35:38Let's go, let's go, let's go.
35:39Let's go.
35:54Look what you did.
36:01Great, you can have 20 men in your life per week,
36:04but I, I go out with one person and you get involved.
36:07Alejo, sorry.
36:09It was my fault.
36:11No, it wasn't your fault.
36:13You did it on purpose.
36:16You're so high.
36:18Do you think I did that out of jealousy?
36:20No, not out of jealousy, out of ego.
36:22You did it out of ego.
36:24You don't want to be with me, but you don't want to see me with anyone either.
36:27How long are you going to cross yourself in my life, Cristina?
36:29Let's see, Alejandro, I'm sorry about you,
36:31but I wasn't the one who put the office in front of your daughter.
36:33No, but neither was I, I already told you, it was ...
36:35Ester?
36:37Of course, of course, Ester.
36:39You're never to blame.
36:41And you never listen.
36:44Do you know what your biggest flaw is, Cristina?
36:47That you think you're right in everything you say.
36:50And you don't even know what I'm feeling.
36:53Well, if you want me to know how you feel so much,
36:55why don't you tell me?
36:57And for what?
36:59For what do you want me to tell you?
37:01So that tomorrow you come and tell me about your conquests,
37:03one of your fans, of your men?
37:05Oh yes, of course, since I have so many men
37:07who invite me to restaurants, to the theater,
37:09to the movies.
37:11I'm not an imbecile.
37:13No, no, no, no, wait, wait, wait, wait.
37:15I don't understand you, Cris.
37:21At least in something we agree.
37:28Hello, everyone come closer.
37:32Can you hear me?
37:34Good evening to all of you,
37:36dear friends and family.
37:37First of all, I want to thank you
37:39for being here with us,
37:41accompanying my daughter, my son-in-law, and me
37:43on this special night.
37:45Above all, we want to thank
37:47friends as important as Alejandro Botero,
37:49the famous writer.
37:51Almost my son-in-law.
37:53And any detail you can ask Cristina.
37:59Hi, cutie.
38:01My fatty.
38:03There you are.
38:05What are you doing here?
38:07Oh, my fatty.
38:09Your mother invited me.
38:11So divine, right?
38:13Well, no, I don't want to extend myself much.
38:16I leave you with the star couple of the night.
38:19Protagonists of a love story
38:21of five years.
38:23A round of applause for them.
38:29Oh, you calm down, my fatty.
38:31Cris, look, one day you will also get married.
38:33You will be able to celebrate your anniversaries.
38:35You will be able to do everything
38:37you want to do.
38:39There is no rush, my fatty.
38:41The important thing is that you have faith.
38:43That you visualize it and ask God
38:45just as you want it, my fatty.
38:47Don't cry.
38:49The one who is going to cry is another one.
38:51Oh, my Cris.
38:53I mean, I'm going to put you on the wiki list.
38:55Look.
38:57And you know the rules?
38:59Well, more or less.
39:01But my fatty has taught me.
39:03The point is that you have to leave
39:05your negative feelings, my fatty.
39:08Well, yes.
39:11Yes.
39:13I want to thank you.
39:15Because...
39:17Well, thank you, Alma.
39:19This is much more
39:21than we expected.
39:23Actually, this...
39:25We, thankfully,
39:27we didn't expect anything, honestly.
39:30Enough, please.
39:32The lady of the house is telling me
39:34that enough.
39:35Enough.
39:37No, thank you very much.
39:39Because the truth is that we
39:41have already celebrated each one
39:43on our side.
39:45In the Argentine style.
39:48And, well, this
39:50looks more like the celebration
39:52of the Oscars.
39:54Or rather, let's say,
39:56in Argentine, right?
39:58Of the Oscars, crazy!
40:00Yes, please, don't be so unfair with me.
40:02I'm asking you, please, no more.
40:03I'm the one who's unfair with this relationship.
40:05Well, if you didn't want to come,
40:07why are you here?
40:09If you weren't going to do me this favor,
40:11why did you come?
40:13Well, because I love you.
40:15But you're right, I shouldn't have
40:17lent myself to this ridiculous lie.
40:19Well, that's it, it's over.
40:21Let's cut it now.
40:23I'm going to ask everyone present
40:25to leave their homes
40:27because this marriage is over.
40:29No, no, no, no, no, no, no.
40:31I'm going to ask you
40:33to leave your homes.
40:35Excuse me.
40:40Sorry.
40:42A little family problem
40:44that I think
40:46can be fixed in five minutes,
40:48so don't leave, please.
40:50But you also know
40:52that my relationship with Miguel
40:54is over.
40:56Now Hannah is available again.
40:58Yeah!
41:00Oh, yes, yes, yes.
41:01And I also...
41:03I left like a rag.
41:05But I'm also single
41:07and in order.
41:10No, no, no, no, no.
41:14Oh, Maria.
41:20The sad thing is that
41:22self-love sometimes leads us
41:24to want to cover the sun with a finger.
41:26Bye, Mar...
41:32Or to deny the things
41:34that hurt us
41:36and we don't want to accept.
41:44There are some
41:46who for their own love
41:48are willing to lie
41:50until the last moment.
42:02Some
42:14use self-love
42:16to feel free.
42:21Or simply
42:23to fuck the lives of others.
42:32And others, like me,
42:34use it to scare
42:36the man we love
42:38and make a fool of himself.
42:40Do you really learn
42:42anything from this?
43:01No.
43:32No, no, no, no, no.
43:34No, no, no, no, no.
43:36No, no, no, no, no, no.
43:38No, no, no, no, no, no.
43:40No, no, no, no, no, no.
43:42No, no, no, no, no, no.
43:44No, no, no, no, no, no.
43:46No, no, no, no, no, no.
43:48No, no, no, no, no, no.
43:50No, no, no, no, no, no.
43:52No, no, no, no, no, no.
43:54No, no, no, no, no, no.
43:56No, no, no, no, no, no.
43:58No, no, no, no, no, no.
43:59Hoy me voy y no vuelvo a verte.
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