00:00 I am not an ambassador, I was a color messenger.
00:04 When Bharat Rang Mahotsav started in 1999,
00:08 Ram Gopal Bajaj, the director of NST, started it.
00:13 I performed in the first Bharat Rang Mahotsav.
00:17 There are three stories of Renu, Renu's colors.
00:19 Who is Renu? Parishwanath Renu, who was the co-writer of the third film.
00:23 After that, I performed in the second year as well, Raga Darbari.
00:27 So, this is my association, my school, my institution.
00:32 The institution that not only gave training for acting, but also for becoming a good person.
00:38 So, it is my responsibility, when I got the order from the drama school,
00:42 the current director is Mr. Chitranjit,
00:44 that you come and start promoting this.
00:47 So, I have started as a color messenger through you all,
00:50 through my own social media handle,
00:52 that I can promote this drama festival.
00:56 More people came to see.
00:58 It is in 15 cities, apart from Bombay and Delhi, there are 13 other cities.
01:01 The name is on the board.
01:03 So, come, often, in small cities, where is the drama?
01:06 How is acting learned?
01:08 How did you become an actor? I come from the village.
01:11 So, people come, see Bharat Rang Mahotsav in their cities.
01:15 And drama is a wonderful thing.
01:17 As we said earlier, it quenches your thirst, your anger.
01:21 It fills you with joy and knowledge.
01:23 You become a better person, by watching the drama.
01:26 Thank you so much.
01:28 Sir, any favorite drama, in which you have not worked?
01:32 Taj Mahal's tender. I am excited to watch it.
01:35 And there is a Babuji, in Shivaji Natyam Temple, on 3rd.
01:39 Because I like that story a lot.
01:41 It is a story of Mithishwarji.
01:43 So, I am going to watch that on 3rd.
01:50 Sir, center.
01:52 There is a screen distance between me and the audience.
02:01 Who doesn't want this distance to be removed,
02:03 and we can see the art form with our eyes.
02:06 Art form, live art theatre, theatre means life.
02:11 The actor is performing in front of you.
02:14 You can see his mistakes.
02:16 So, this is an experience in itself.
02:19 When people go to watch a theatre,
02:21 and see an actor performing live,
02:24 then they will understand,
02:26 that his experience is something else.
02:29 Thank you, sir.
02:31 Madam, please come this way.
02:42 That door.
02:44 Madam, look at the tender.
02:45 Madam, come here.
02:46 Madam, look at the tender.
02:47 Madam, here.
02:50 Thank you.
02:52 (upbeat music)
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