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In an exclusive throwback interview with Lehren, Padmini Kolhapure opens up on various aspects of cinema including acting, direction & production. The leading lady got candid about her super-hit films like Prem Rog (1982), Woh 7 Din (1983), Souten (1983) & many more in turn expressing gratitude for working with great directors like Raj Kapoor & Bapu. Padmini reveals what type of cinema she loves to watch and also expresses her fondness for movies like Khamoshi & Hum Dil De Chuke Sanam (1999). From commenting on achieving big in Bollywood at the age of just 21 years to getting married and cherishing her family life, Padmini Kolhapure shares her magical professional & personal tale like never before on Lehren Retro... #padminikolhapure #premrog #rajkapoor #woh7din #souten #bapu #shaktikapoor #shraddhakapoor #padmini #marathi #bollywood #rishikapoor #khamoshi #humdildechukesanam

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Transcript
00:05Do you want to do acting now?
00:09Yes, I want to do it.
00:13Because I think every actor, who is a actor, doesn't die.
00:20And now it's time for me.
00:22So I think that if a film or a role get into such a film,
00:27I'm open to it. But I'm not dying to do it,
00:30and I'm not even not wanting to do it.
00:32I'm not averse at all.
00:34What kind of film is it?
00:35What kind of film is it?
00:38What kind of film is it?
00:43It's a big film.
00:46I don't have a particular role,
00:47but something that will suit my personality.
00:51And I should be convinced of that particular character.
00:55And it definitely has to be pivotal.
00:57What kind of film is the dream role?
01:01Nothing.
01:02I'm quite happy with what I've done.
01:05And it's mainly to sort of,
01:06creative urges,
01:08that I would want to do films.
01:14You have proved yourself as in acting,
01:16as well as business-wide.
01:18Are you also applying direction?
01:21No, not direction.
01:22Right now I have an acting school in Delhi and London.
01:24That's all I'm busy with,
01:26at the moment.
01:28But if you want to talk about direction?
01:32Not yet.
01:33I mean, you never know what's in store for you.
01:35But direction is not everybody's cup of tea.
01:38I mean, everyone thinks that I'll become a director
01:40or even a producer for that matter.
01:43Not everybody who's got money can become a producer.
01:50So you never know.
01:52I mean, I think I'd rather stick to acting, if at all.
01:55You have similarities here.
01:58What is the similarity with acting and produce?
02:01Is there any similarity or it's a major vast gap?
02:05Between being an actor and a producer?
02:07Oh, there is a vast, vast gap.
02:10Because, you know, when you're a producer,
02:12you have to look at the business aspect
02:15and, you know, look at everything into the minutest of things.
02:20Whereas being an actress is just being creative
02:23and just performing, acting, you know, just...
02:26That's it.
02:27I mean, nothing more than that.
02:31It's...
02:31Now, after being a producer, you know,
02:33I realize what it takes to be a producer.
02:37Halaki, I'm not...
02:40I'm not totally a producer.
02:41My husband, obviously, is making films.
02:46And very few artists, I would say, you know,
02:51consider or how do you say, you know,
02:53treat it as their own.
02:55It's just, they just come and...
02:57Well, I used to do that when I was an actress myself.
03:00But I think if we have a bit more of professionalism
03:05in the making of a film,
03:08and I think then you can, you know, really...
03:14Then, you know, there is absolutely no looking back.
03:17But do you still remember your old and golden days?
03:20Oh, yes, I do.
03:21I do.
03:22I do.
03:23So, by saying that you should also go back to those days,
03:26not to say acting should have been...
03:28Well, not those days.
03:29I mean, those days you can never get back
03:32because the kind of directors we had in those days,
03:37you can't have them now.
03:39The trend has changed and...
03:43I think...
03:45I personally think...
03:46I mean, I could be wrong.
03:48It's more shallow, you know, today.
03:51The depth is not there, I feel.
03:54I could be wrong maybe because I'm not into it.
03:57I have not worked for almost eight, ten years now.
04:02But this is the kind of feeling I get.
04:05What could be the case?
04:06Is it because of the technology or the new ideas?
04:10Maybe that's the reason I think it is because of the technology
04:14and...
04:17And I think there are...
04:18I think this, the entire, you know, thing today
04:21lacks emotions and sensitivity.
04:27Which one do you remember?
04:29My own?
04:32Prem Rogue, of course.
04:34And Ahissa Ahissa.
04:38That seven days, seven days,
04:39and time,
04:41Although time,
04:42the film doesn't work in those days,
04:45but...
04:45when it comes to TV,
04:51it's liked by a lot of people
04:53and I enjoy watching it myself.
04:55Prem Rogue was a different kind of...
04:58but...
04:58I was very emotional about that.
05:01That seven days was like...
05:02like...
05:03like...
05:04like...
05:04like...
05:05like...
05:06like...
05:06how did you mold it yourself?
05:10Like...
05:11like...
05:12like...
05:12like...
05:14Well, I would give a lot of credit to my directors.
05:18Like...
05:18like...
05:19there was Raj Kapoor behind me.
05:21And...
05:22like you mentioned,
05:22that seven days,
05:23I had Mr. Bapu.
05:26Uh...
05:27uh...
05:29uh...
05:29you know...
05:35I've worked with Bharti Raja as well.
05:38And it was wonderful working with him too.
05:41He had a different style.
05:43And I...
05:43I guess if...
05:44if an artist can mold himself or herself...
05:47uh...
05:47according to the director's...
05:49uh...
05:50uh...
05:50wants and requirements,
05:52I think...
05:53I think you can come out with what he wants.
05:55It was the most memorable thing that did it?
05:58Was Prem Rogue?
06:00That's one.
06:01Yeah.
06:02Uh...
06:02Yes, of course.
06:03Prem Rogue.
06:05Uh...
06:05But a lot of people have liked Ahissa Ahissa as well.
06:09But...
06:09to me, of course, Prem Rogue was my most memorable...
06:12film, performance, experience all together.
06:18Uh...
06:18Uh...
06:18Kya box office hit thi?
06:20Asli hit to thi?
06:21Ha?
06:22Ha?
06:22Ha?
06:23How would you like?
06:27Um...
06:28Well, to some extent, because...
06:30there's a lot of money involved.
06:32The box office hit...
06:33uh...
06:34uh...
06:34uh...
06:34uh...
06:36uh...
06:36because...
06:38there's a lot of money involved,
06:39the distributors ka paisa laga hai,
06:41and you know, I mean...
06:42uh...
06:43even when...
06:44uh...
06:44a viewer goes and...
06:45uh...
06:46the audience goes to see a film,
06:48they pay money to see a film.
06:49So they have to come back...
06:51uh...
06:51feeling good and liking the film,
06:53you know.
06:53They should feel that they've got their money's worth.
06:57But...
06:58uh...
06:59there are some people,
07:00jo apne conviction se filme banate hain,
07:02and...
07:03uh...
07:03they don't do well at the box,
07:04but it is liked by the audiences.
07:06You know, there is...
07:07one section of the public which...
07:09which like...
07:10uh...
07:11likes these kind of films.
07:12For instance,
07:13Khamoshi.
07:14I loved that film.
07:16It was...
07:17a very well-made film,
07:18and brilliant performances.
07:21Unfortunately,
07:22that film didn't do well.
07:23You know?
07:24But it did leave an impact.
07:26And people do talk about Khamoshi.
07:29You know?
07:30So...
07:32but...
07:33at the end of the day,
07:34you feel, okay, fine.
07:35That film didn't do well.
07:37Do you like serious kind of films?
07:40Do you like serious kind of film,
07:40or do you enjoy...
07:41total time pass?
07:44Um...
07:44I...
07:45I...
07:46I like watching comedies.
07:48More so.
07:49But I like serious kind of films as well.
07:52I mean, I...
07:53loved Khamoshi.
07:55And...
07:56in the recent times,
07:57I've liked Ham Dil De Chu Ke Sanam.
07:59It had its...
07:59its light moments as well.
08:01It was a very well-made film.
08:04What kind of film do you do?
08:07Do you stay?
08:08Do you want to stay?
08:10Do you want to stay?
08:11Or do you stay?
08:11Well, I am.
08:12I mean,
08:13obviously,
08:14when...
08:15you know,
08:16when an actress gets married,
08:17if she's in the same field,
08:18she is involved,
08:19whether you like it or not.
08:21But if you're outside the...
08:23if you get married outside films,
08:25fine,
08:25you are recognized as,
08:26you know,
08:26what you were,
08:27or what you have been.
08:30That goes on.
08:31But...
08:32you're not directly involved.
08:34What was really the reason
08:36beyond acting thing?
08:38Well, I mean,
08:39it's simple.
08:40I got married.
08:41I wanted to give up acting
08:42because I was extremely overworked
08:44at that time.
08:45I was young,
08:46and...
08:46I had absolutely no time
08:47to myself.
08:49So I got married,
08:50and I wanted to,
08:51you know,
08:52spend, obviously,
08:53more time with my husband,
08:54and I wanted to start a family.
08:56and...
08:57I have always been
08:59a family-oriented person.
09:01So I enjoyed,
09:04you know,
09:05that...
09:05those years of my life
09:08with my family,
09:09and my parents,
09:10and my sisters.
09:12Up to adulthood,
09:14how much are you satisfied?
09:17Well,
09:18I'm satisfied
09:19because I have done...
09:21as a...
09:23you know,
09:23as a career,
09:24I have...
09:25I have achieved,
09:26I mean,
09:26what I think
09:27every woman
09:29dreams of.
09:30I had everything
09:31until the age of 21.
09:32I had, you know,
09:33done the best of films,
09:34best of...
09:35I had the best of banners,
09:36best of directors,
09:38and the best of roles.
09:40So I would say...
09:41I'd say that...
09:45people...
09:46I mean, women start
09:46at the age of 21.
09:48Whereas I had...
09:50achieved everything
09:50at that age,
09:51and...
09:52I was quite happy about that.
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