00:00 [intro music]
00:04 [music]
00:16 [speaking in Tagalog]
00:28 [speaking in Tagalog]
00:46 That former slum boy is getting assertive.
00:48 [speaking in Tagalog]
01:00 I think we should file one consolidating case.
01:02 [speaking in Tagalog]
01:07 That is long dead and yet,
01:09 [speaking in Tagalog]
01:17 I don't think we will be forever free of this control.
01:19 [music]
01:26 [speaking in Tagalog]
01:42 No, I don't like...
01:44 [speaking in Tagalog]
01:53 But Mommy Margaret won't be.
01:55 [speaking in Tagalog]
02:02 [speaking in Tagalog]
02:08 Because she treats me as her own.
02:11 [speaking in Tagalog]
02:21 [crickets chirping]
02:30 Mom, are you okay with the voodoo fight that happened in Grandpa Gustavo's house?
02:36 Thanks for letting me know.
02:38 [music]
02:40 Dad's son from the slums is ruining his house already.
02:44 [speaking in Tagalog]
02:50 And now they're eating like monkeys off of our family banquet table.
02:53 [music]
02:54 It's just the thought of it.
02:56 Gross!
02:57 [speaking in Tagalog]
03:00 That bastard is destroying everything right under our noses.
03:03 Then we have to act quickly.
03:05 We need to get that bastard out of our lives.
03:09 Wait.
03:10 Are we not actually agreeing on something?
03:13 [music]
03:25 [sigh]
03:26 [music]
03:55 [music]
04:05 [music]
04:15 [music]
04:25 There's rice here.
04:29 Bro.
04:32 Hmm?
04:33 Who's that painter?
04:34 I might be able to paint my Jeep for him.
04:37 Tol, this guy is a master painter.
04:42 He's a national artist, right?
04:44 Hmm.
04:45 Then it's better if he's a national artist
04:47 so that your ex won't kill me.
04:49 He's married to a rich man who's allergic to the word "boundary."
04:53 Tol.
04:54 You know, I'm always like that.
04:57 I don't want to understand Diana because she's always like that.
05:03 But I'm always like that.
05:05 Excuse me.
05:06 Yes, yes.
05:11 [music]
05:19 Two before nine.
05:21 Okay.
05:23 Artic Liofe.
05:27 Sir.
05:28 We've got it, sir.
05:31 She Margaret Bernini, the young boy.
05:34 Get that, right?
05:35 I mean,
05:37 I can't believe I got it.
05:39 I don't know.
05:41 Um,
05:42 peace offering,
05:45 after the fight.
05:48 So,
05:55 there.
06:07 At the breath of God, they perish.
06:11 The blast of his anger, they are no more.
06:16 Huh.
06:19 That's amazing.
06:20 After the perish,
06:22 and immediately,
06:24 they don't even breathe.
06:26 The peace offering, Toto.
06:35 It looks like,
06:36 it looks like a guard.
06:38 [music]
07:02 He really commissioned the national artist to paint Sir Gustavo.
07:07 It means,
07:09 he really spent a lot of money.
07:11 That's what I said earlier when I interviewed Maestro Zicat.
07:15 Margaret didn't require that the father himself go there,
07:21 or the father to do it.
07:23 Instead, he just sent a picture.
07:25 And he said,
07:28 at first, he wanted to put a vine,
07:32 like a demon.
07:33 But of course, the one who is carving doesn't agree.
07:36 So, he just put the Bible verse.
07:38 It looks like their conflict is really deep, Father.
07:42 There, in a big and small thing, it's confusing.
07:45 It's really important to talk to Efrain's mother.
07:52 Because it's impossible.
07:57 Why would he ask me where we went yesterday?
07:59 Why would he run?
08:01 It just means one thing,
08:02 he's hiding something.
08:04 He doesn't want to know even for a while.
08:07 Sir.
08:19 [dramatic music]
08:21 Now you know
08:43 that Efrain and Margaret had a child.
08:48 [dramatic music]
08:51 [dramatic music]
08:53 [dramatic music]
08:56 [dramatic music]
08:58 [dramatic music]
09:00 [dramatic music]
09:03 [dramatic music]
09:06 [dramatic music]
09:09 [dramatic music]
09:12 [dramatic music]
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