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00:10 I mean, we're super excited, super excited because it comes such a long way.
00:22 Originally I was actually wired up, like I'm gonna be electrocuted.
00:26 And now they're separate.
00:28 And so it was very, very exciting, but I still feel Daniel knows.
00:31 I'm always like, we wanna go, we wanna take it to the next level.
00:35 So it's very exciting that now we have more flexibility.
00:39 And the technology, the variation of dynamics,
00:43 the variations of tones, it's much more in depth.
00:46 >> Strategically placed around the entire stage.
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00:58 >> For an orchestra, I'm gonna have the violins across the chest.
01:02 And I'm gonna put the cello and the bass elements in the back.
01:05 And then we'll have some horns and stuff over the shoulders.
01:09 But if I was to use it for a techno gig, it would be kick drum,
01:14 snare, hats maybe on the shoulders.
01:16 So it's a little bit of a different approach.
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01:26 >> So I'm a hearing person.
01:29 But I think that the idea of immersive, of immersive experience for
01:33 a hearing person is going to be exciting.
01:35 Because music happens at so many different levels.
01:38 And of course, the physics of music and all of that.
01:41 So the idea of having access, even as a hearing person,
01:45 to some of that bodily, it's very exciting.
01:48 [MUSIC]
01:58 [MUSIC PLAYING]
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