Episodes by Dardasha podcast - Dailymotion

Dardasha podcast

برنامج يستضيف شخصيات فنية ثقافية إعلامية وصناع محتوى يعرض على قناة العالم سورية<br /><br />

Transcript

00:00:00During this time, we are suffering from a lack of morals.

00:00:05Your mother describes you as a contrarian.

00:00:07Yes, I am a contrarian.

00:00:09But Aleppo inside me doesn't come out.

00:00:11When I get angry, I say to him, yes.

00:00:13Aleppo's mind comes out.

00:00:15How is Aleppo?

00:00:16It bites you.

00:00:18I wear heavy clothes in the summer.

00:00:20The temperature is 50 degrees and we are wearing...

00:00:22I took the role of the wife of Prince Najd III.

00:00:27I told them, I wish I took the role of my neighbor.

00:00:29I am the one who wears light clothes.

00:00:31In one word, the artist has a big responsibility.

00:00:34His message is big.

00:00:36He must always include big human concepts.

00:00:40And he must know how to reach them.

00:00:42He said that there are calculations in the Naqaba.

00:00:44And there is an election.

00:00:46Why are you surprised?

00:00:48I said he said.

00:00:50Yes, he said.

00:00:52There are a lot of things.

00:00:54There are all kinds of things.

00:00:56How happy are you?

00:00:58www.Arabic plane www.Arabic plane.tv

00:01:22Salam Narem Abdulaziz.

00:01:24Welcome to Dar Dasha Podcast on Alam Syria channel.

00:01:27Welcome

00:01:29You're absent from the media talks, we missed you

00:01:32Not that you missed me

00:01:35Because I'm always in the talks and I'm always on the screen

00:01:38It's a big problem

00:01:40I mean, my steps are studied even in the interviews

00:01:43So it's against the frequent media appearances

00:01:45Of course

00:01:47Because it becomes a kind of consumption

00:01:49And then the viewer gets bored

00:01:52Even bored of your speech

00:01:54That's why I'm keen to have a well-studied appearance

00:02:00At the right time, with what I'm presenting

00:02:02It shouldn't be free

00:02:04I'm against free speech in general

00:02:06Usually, there are actors who take a long time in the media appearances

00:02:10Because they leave a space to talk about the media

00:02:14And there are actors who are afraid of the media

00:02:16They're afraid of their statements

00:02:18Because today social media

00:02:21You say a word and they analyze it for 2,000 times

00:02:24That's right

00:02:25Even though this shouldn't exist

00:02:28But the problem is that they took it in a negative direction

00:02:31Social media should be more studied

00:02:36And not a source for people who have nothing to do with the story

00:02:40Or a source for ignorant people or hypocrites

00:02:46At the moment, we're suffering from a lack of morals

00:02:52Everything has become permissible

00:02:56It's permissible to talk about anything and in anything

00:02:59So I'm against it

00:03:01Especially the injuries

00:03:03There are a lot of injuries

00:03:05And there are no values that lead us or prevent us

00:03:09Anyone can talk about anything

00:03:13In addition, it's painful

00:03:17By the way, it hurts and hurts

00:03:21Anyone who is writing a hurtful word

00:03:26Or who is being humiliated or attacked

00:03:30If he thinks for a moment

00:03:33That this person who is taking a long time in the media

00:03:37He should go back

00:03:39Because this person has a family

00:03:42He has a family

00:03:43He has people who love him

00:03:45So think a little bit about humanity

00:03:48There's something else

00:03:49Maybe you'll see it after the episode

00:03:51The comments

00:03:53Negative comments on the guest

00:03:55You comment on the pictures of the artists

00:03:58Especially the famous ones

00:04:00You see negative comments

00:04:02Unfortunately

00:04:04I didn't tell you

00:04:06There are a lot of exaggerations

00:04:08It's not a mix of good and bad

00:04:13It's something annoying and painful

00:04:16And we get to this point

00:04:18All the wars that happened and the epidemics

00:04:22And the family disintegration

00:04:25And the bad things in the society

00:04:29We leave everything

00:04:31And we sit and comment on an interview with an artist

00:04:35This is what he wore, this is what he said

00:04:38Take advantage of the interview

00:04:40Do you love this person?

00:04:43Look at him

00:04:45A lot of people say

00:04:47When they see me, they say

00:04:48Reem is different than on TV

00:04:51I tell them, in my interviews

00:04:53You see Reem Abdelaziz

00:04:55On TV, I'm presenting the character

00:04:58Whether it's Malak, Huda, Radhiya

00:05:01Whatever

00:05:03But in the interview, you see Reem

00:05:05Do you love Reem?

00:05:07Look at him, how he thinks

00:05:09What he says

00:05:10How much he understands people

00:05:13His horizons

00:05:15We have a problem

00:05:17We take this person and go

00:05:19And this is a general attack

00:05:21Unfortunately

00:05:22There are people who criticize us

00:05:25I'm not against criticism

00:05:27I accept criticism with a warm heart

00:05:29But there is something

00:05:31My attitude, my attack

00:05:33And my morals, unfortunately

00:05:35Right

00:05:36Reem Nazmi Abdelaziz

00:05:38Yes

00:05:39Your name is related to the great Lebanese poet

00:05:41Habibi Baba

00:05:43Mr. Nazmi Abdelaziz

00:05:45What does your mother's name mean to you?

00:05:47Habibi Baba means

00:05:49Everyone knows me

00:05:51I'm her mother and father

00:05:55When I came to the world

00:05:57I look a lot like my father

00:06:01My father is one of the founders of the Syrian song

00:06:06Together, he and my mother

00:06:08Because my mother has a beautiful voice

00:06:10She sounds like Fayrouz

00:06:12But she influenced

00:06:14She has three daughters

00:06:16We call her Reem Samar

00:06:18To raise us, she doesn't want to be in the art world

00:06:21But my father, since he is one of the founders

00:06:23He wrote many songs

00:06:26For most of the singers in the Arab world

00:06:28And many of the Aleppo poets

00:06:30Which were sung by the great artist

00:06:32Sabah Fakhri

00:06:34That's why

00:06:36The word had a lot of impact

00:06:38On our choices

00:06:42It affected our hearts

00:06:44I pay a lot of attention

00:06:46Before I say the word

00:06:48I pay a lot of attention

00:06:50To choose the text that suits me

00:06:52And suits my feelings

00:06:54Nazmi Abdelaziz

00:06:56He is one of me and I am one of him

00:06:58Welcome

00:07:02Your mother described you as a contrarian

00:07:04Yes, I am a contrarian

00:07:06You are a contrarian

00:07:08Why did she describe you like that?

00:07:10The middle child is always a contrarian

00:07:12I am not a contrarian

00:07:14Thank God

00:07:16I used to make movies for my mother

00:07:18She used to tell me

00:07:20Nada is humiliating me

00:07:22She used to humiliate me

00:07:24She used to humiliate both sides

00:07:26I am a contrarian

00:07:28Because I am the first one

00:07:30To wake up in the morning

00:07:32I make coffee for everyone

00:07:34I was a fighter

00:07:36To enter the art world

00:07:38My mother didn't want that

00:07:40Neither did my father

00:07:42People who are close to me

00:07:44Know that

00:07:46They were afraid

00:07:48The house without a child

00:07:50Is not enough

00:07:54When I was a beginner

00:07:56I wanted to live in the Levant

00:07:58And marry an artist

00:08:00My life was decided

00:08:04We were in Aleppo

00:08:06All the artists used to come to Aleppo

00:08:08If you went to Aleppo

00:08:10And didn't go to Nazmi Abdelaziz's house

00:08:12You didn't go to Aleppo

00:08:14One of the main reasons

00:08:16A sign of Aleppo

00:08:18I lived in this environment

00:08:20But our environment is full of singers

00:08:22Composers, musicians, poets

00:08:24But my feeling

00:08:26Towards acting

00:08:28And directing

00:08:30I have a beautiful voice

00:08:32Most of Aleppo's people have beautiful voices

00:08:34My father is an actor

00:08:36But my mother has a beautiful voice

00:08:38Samar took the beautiful voice from my mother

00:08:40I wanted to present this

00:08:42Through my works

00:08:44I sang in a play

00:08:46Ayoub El Ghadab

00:08:48There is a voice

00:08:50But my abilities

00:08:52I have my tools

00:08:54As an actor and director

00:08:56But since I was raised

00:08:58In a house full of singing

00:09:00And I love singing

00:09:02They say

00:09:04Go where there is singing

00:09:06There are no evil

00:09:08And the evil do not sing

00:09:10I always tell them

00:09:12If there are two evenings

00:09:14Where there is singing

00:09:16I go there

00:09:18Because I love beautiful words

00:09:20Singing

00:09:22Soul music

00:09:24This is what made me

00:09:26The first director of a video clip in Syria

00:09:28That's why I approached

00:09:30Music, poetry and singing

00:09:32In my own way

00:09:34There is a point

00:09:36I would like to talk about

00:09:38We always see

00:09:40Many artists

00:09:42Who do not advise their children

00:09:44To enter the art world

00:09:46Whether it is singing or acting

00:09:48Why is this?

00:09:50Because

00:09:52It is a difficult path

00:09:54A difficult path

00:09:56It has many problems

00:09:58It has obstacles

00:10:00Like any other path

00:10:02I mean

00:10:04Every path has its problems

00:10:06Its difficulties

00:10:08But

00:10:10They love the easiest

00:10:12For their children

00:10:14Without feeling

00:10:16You like the advanced path

00:10:18With order

00:10:20Sometimes the art path

00:10:22You may work hard

00:10:24But you do not get what you want

00:10:26There was a certain medium

00:10:28Certain things

00:10:30But the normal path

00:10:32Engineer, doctor

00:10:34Did you get what you wanted?

00:10:36Not yet

00:10:38I do not like to talk in this way

00:10:40Do you have ambitions?

00:10:42Of course, I have a lot of ambitions

00:10:44The problem is that some artists

00:10:46They say we are oppressed

00:10:48Or we have not reached what we want

00:10:50Or we have not achieved a part

00:10:52They eat the egg and peel it

00:10:58I do not say that

00:11:00I say I am satisfied

00:11:02And satisfaction is very beautiful

00:11:04Blessing

00:11:06And I am satisfied

00:11:08With what I have achieved

00:11:10Because of my hard work

00:11:12And my following

00:11:14And my dancing

00:11:16I am always a fighter

00:11:18And I dance

00:11:20A fierce fighter

00:11:22A fighter

00:11:24But I wish

00:11:26There is still time

00:11:28I want to do more

00:11:30Sometimes the story comes to you

00:11:32Easily

00:11:34The city of Aleppo

00:11:36This ancient city

00:11:38Which is a landmark

00:11:40In its history

00:11:42The flag

00:11:44It is connected

00:11:46With the Aleppo borders

00:11:48And music

00:11:50What does this city mean to you?

00:11:52It means a lot to me

00:11:54Aleppo lives inside us

00:11:56Even if I live in Damascus

00:11:58As the capital

00:12:00Aleppo does not come out

00:12:02When I get angry

00:12:04I tell them

00:12:06Aleppo's mind comes out

00:12:08Aleppo's mind is hard

00:12:10And its decisions are fixed

00:12:12And its positions are very strong

00:12:14And its men are strong

00:12:16So I tell them

00:12:18Take care

00:12:20Aleppo

00:12:22Is a very special story

00:12:24Very special

00:12:26And it remains in our hearts

00:12:28And by the way

00:12:30Our house is still in Aleppo

00:12:32I live in Damascus

00:12:34But our house is still in Aleppo

00:12:36In Mogambo

00:12:38We do not give up our origins

00:12:40And you can see this

00:12:42When you meet someone from Aleppo

00:12:44They tell you

00:12:46I can't

00:12:48I have a house in Aleppo

00:12:50This is my first place

00:12:52You can't leave your house

00:12:54Aleppo before the war

00:12:56And Aleppo after the war

00:12:58Aleppo suffered a lot

00:13:00During the war

00:13:02All the countries

00:13:04All of Syria

00:13:06And you suffered in Lebanon

00:13:08The whole Arab world

00:13:10But

00:13:12What happened in Syria

00:13:14Was very difficult

00:13:16We suffered a lot

00:13:18And Aleppo suffered twice

00:13:22Because it is a nerve

00:13:24Of course

00:13:26It is an important economy

00:13:28An important economy in Syria

00:13:30But I told you

00:13:32They couldn't go to Aleppo

00:13:34And they kept working

00:13:36Some people said there was no bread

00:13:38The women started

00:13:40To make bread at home

00:13:42And distribute

00:13:44Aleppo will not be broken

00:13:46And this is a blessing from God

00:13:48And the great joy

00:13:50When

00:13:52Aleppo was very

00:13:54Suppressed

00:13:56We presented

00:13:58A gift

00:14:00A Aleppo gift

00:14:02Words

00:14:04The poet

00:14:06And the great singer

00:14:08Nihad Najjar

00:14:10And the singer

00:14:12Samar Abdel Aziz

00:14:14And the director

00:14:16We made a clip

00:14:18Aleppo greets you

00:14:20And it made a lot of noise

00:14:22A week after Aleppo was liberated

00:14:24They considered it

00:14:26A point

00:14:28Of great light

00:14:32In the difficult path

00:14:34That we were living

00:14:36And we were very happy

00:14:38Because her words

00:14:40Are very influential

00:14:42Can you remember her words?

00:14:44Of course

00:14:46She says

00:14:48Don't be afraid of it

00:14:50Because her voice is still in her hands

00:14:52And her passion

00:14:54God is watching her

00:14:56Her people are all men

00:14:58Aleppo greets you

00:15:00It is still in my heart

00:15:02Because we made the song

00:15:04For a while

00:15:06It was very beautiful

00:15:08I made it

00:15:10In a drama

00:15:12As a director

00:15:14It is always related to drama

00:15:16I don't do anything for free

00:15:18I make a story

00:15:20I put Aleppo's stories

00:15:22And the war

00:15:24And the destruction

00:15:26And we ended it

00:15:28With Aleppo's people

00:15:30And its sacrifices

00:15:32And it will stay

00:15:34So it was very influential

00:15:36And God willing

00:15:38People who are listening

00:15:40Will say yes it is true

00:15:42And people remember it

00:15:44But every year I try to make a clip

00:15:46For Samar

00:15:48Because it is a message

00:15:50For our country

00:15:52Our country needs

00:15:54Your love and support

00:15:56So every year

00:15:58We try to make a song

00:16:00For Syria

00:16:02First of all, hello to our people in Aleppo

00:16:04The importance of peace

00:16:06Also

00:16:08The Syrian drama

00:16:10Gave a lesson

00:16:12To the city of Aleppo

00:16:14There are many important works

00:16:16In the history of the Syrian drama

00:16:18For the Aleppo environment

00:16:20But not as much

00:16:22As we see for Damascus

00:16:24Syrian works are always related to Damascus

00:16:26And now

00:16:28There is a scary regression

00:16:30The last time we saw it

00:16:32I think it was for Rosana

00:16:34The last time we saw it

00:16:36It was for Mr. Arif

00:16:38And Samar

00:16:40By the way, Samar was a participant

00:16:42You are right

00:16:44Why didn't you believe me?

00:16:46Now

00:16:48Not all Aleppo works

00:16:50Must be

00:16:52I worked in all the Levant

00:16:54In Aleppo

00:16:56For example

00:16:58I worked in

00:17:00Three Aleppo works

00:17:02Only

00:17:04Sometimes it is not easy

00:17:06The houses of secrets

00:17:08Yes

00:17:10And the third one

00:17:12What was it?

00:17:14When I started

00:17:16Green Hearts

00:17:18Those three works

00:17:20I worked in Aleppo

00:17:22Sometimes people

00:17:24Don't have enough characters

00:17:26To suit you

00:17:28This happens

00:17:30There is not enough

00:17:32As you said

00:17:34To choose

00:17:36To be present

00:17:38In cinema

00:17:40You worked in

00:17:42Aleppo

00:17:44Yes

00:17:46Cinema

00:17:48My first and last love

00:17:50Cinema means a lot to me

00:17:52That's why I started

00:17:54As a director

00:17:56So people say

00:17:58Noreen is a director

00:18:00But she is not

00:18:02In two films

00:18:04The first one

00:18:06And the second one

00:18:08Was produced by the same company

00:18:12When I started

00:18:14When I started

00:18:16I was offered

00:18:18Trab El Ghraba

00:18:20By Samir Zikra

00:18:22But at that time

00:18:24I gave up

00:18:26Because I was still

00:18:28A beginner

00:18:30He gave me an important role

00:18:32A special role

00:18:34In Trab El Ghraba

00:18:36With Abdel Rahman Al Kawakby

00:18:38A teacher in Aleppo

00:18:40The plot of the drama

00:18:42Is very personal

00:18:44But it has some stories

00:18:46A certain courage

00:18:48Yes

00:18:50A certain courage

00:18:52Mr. Samir

00:18:54Impressed me

00:18:56With his innocence

00:18:58And his feminine features

00:19:00At the same time

00:19:02I told him

00:19:04If he offers me this role

00:19:06After 5 years

00:19:08I will accept it

00:19:10But now

00:19:12I will put myself in a position

00:19:14That is not like Reem Abdel Aziz

00:19:16This position doesn't suit me

00:19:18After 5 years

00:19:20After people know Reem Abdel Aziz

00:19:22And what is his style

00:19:24And what is his mentality

00:19:26And his way of thinking

00:19:28And his choices

00:19:30I told him

00:19:32Because he is an artist

00:19:34But now

00:19:36He convinced me

00:19:38My mind is hard

00:19:40My mind is Aleppo

00:19:42Your mind is Aleppo

00:19:44But your accent is not

00:19:46I am Syrian

00:19:48I am from Aleppo

00:19:50I live in the Levant

00:19:52They say I look like Hamas

00:19:54Or the people of the desert

00:19:56I am Syrian

00:19:58But

00:20:00Everything about me

00:20:02Belongs to Syria

00:20:04That is why I feel like

00:20:06I am from every city in Syria

00:20:08I speak a dialect

00:20:10I made a series in Tartous

00:20:12They thought I am from Tartous

00:20:14I told him

00:20:16An artist must be present

00:20:18He has the ability

00:20:20To adapt

00:20:22To train himself

00:20:24To speak dialects

00:20:26I lived in Aleppo

00:20:28As much as I lived in the Levant

00:20:30That is why your dialect is in the Levant

00:20:32My dialect is white

00:20:34It is close to the spoken dialect

00:20:36I can do any other dialect

00:20:38I spoke in Egyptian

00:20:40I lived there for 3 years

00:20:42They used to tell me

00:20:44You don't look like we are from Aleppo

00:20:46But your soul is Egyptian

00:20:48We were happy

00:20:50Why

00:20:52What we see lately

00:20:54Aleppo blood

00:20:56Or Aleppo characters

00:20:58I will say it as it is

00:21:00Heavy blood

00:21:02Liquid

00:21:04Why

00:21:06Look

00:21:08For example

00:21:10Aleppo's blood

00:21:12There were

00:21:14Real characters

00:21:16Our dialect is heavy

00:21:18We are talking about

00:21:20How to present

00:21:22When there is a common mistake

00:21:24In Arabic

00:21:26A common mistake

00:21:28A common mistake

00:21:30It is fixed

00:21:32The common mistake in Arabic

00:21:34The common mistake

00:21:36Is that Aleppo people don't push

00:21:38They have

00:21:40Enthusiasm

00:21:42Anger

00:21:44They are real

00:21:46That is why

00:21:48My dialect

00:21:50Because

00:21:52They say the blood is heavy

00:21:54I say any heavy dialect

00:21:56Is not beautiful

00:21:58You can't convey what you want

00:22:00But in the Aleppo series

00:22:02There were many characters

00:22:04Attractive

00:22:06And beautiful

00:22:08For example

00:22:10The great artist I love

00:22:12Because the first series

00:22:14Was from his production

00:22:16When he presented the character

00:22:18In the Syrian series

00:22:20How amazing

00:22:22How real

00:22:24And educated

00:22:26And understanding

00:22:28And attractive

00:22:30In Aleppo dialect

00:22:32But sometimes

00:22:34Some bad performance

00:22:36Makes you reach this

00:22:38Some artists don't know how to

00:22:40Perform the Aleppo dialect

00:22:42Many works were criticized

00:22:44For example

00:22:46They criticized

00:22:48Zizi

00:22:50Thank you

00:22:52Thank you

00:22:54I can't say thank you

00:22:56We will get to that

00:22:58I want to say thank you

00:23:00But

00:23:02When I was born

00:23:04I was drowned

00:23:06It is very difficult

00:23:08To master the Aleppo dialect

00:23:10You need a linguist

00:23:12She is trying

00:23:14They break the Aleppo dialect

00:23:16But not everything is broken

00:23:18They make the dialect

00:23:20But not everything is broken

00:23:22You need a linguist

00:23:24Or a very attractive character

00:23:26For people who speak

00:23:28Aleppo dialect

00:23:30But what happens

00:23:32You have a reaction

00:23:34Aleppo dialect is annoying

00:23:36Like when a negative character

00:23:38Talks about the people of Homs

00:23:40It is annoying

00:23:42It is not like that

00:23:44You watch a video

00:23:46And say

00:23:48No, we are not like that

00:23:50You need to fix it

00:23:52Even Mohamed Kheir El Jarrah

00:23:54He is Aleppo

00:23:56And many girls said

00:23:58That his character

00:24:00Was too much

00:24:02The Aleppo accent

00:24:04But is it allowed?

00:24:06Of course

00:24:08It is allowed

00:24:10The exaggeration is part of the drama

00:24:12Of course

00:24:14In some places

00:24:16I know

00:24:18A girl did a light comedy

00:24:20She can handle

00:24:22Drowning

00:24:24But the great artist

00:24:26Bassam Kousa

00:24:28Did a character

00:24:30That blows the mind

00:24:32We enjoy it

00:24:34The character of the Aleppo merchant

00:24:36We will not say

00:24:38He is Aleppo

00:24:40But there is a quality

00:24:42That is similar

00:24:44He did details

00:24:46A modern style

00:24:48He was drowning

00:24:50But it was close to the heart

00:24:52You welcomed him

00:24:54With all the negatives

00:24:56It depends on the artist

00:24:58Who offers you the character

00:25:00And how he gets it

00:25:02But the Aleppo accent affected it

00:25:04Of course

00:25:06Where ever we go

00:25:08Samara or I

00:25:10Or anyone

00:25:12They speak Aleppo

00:25:14They say

00:25:16The Aleppo accent is affected

00:25:18Everyone tries to speak Aleppo

00:25:20No one tries to speak

00:25:22Hamwi or Homsi

00:25:24No

00:25:26They want to speak Aleppo

00:25:28They say it is affected

00:25:30Tell us how Aleppo is

00:25:32It is very beautiful

00:25:34They kiss you

00:25:36And say

00:25:38Don't forget it

00:25:40Because it is worth it

00:25:42In Aleppo?

00:25:44Tell us about Aleppo food

00:25:46I love Aleppo food

00:25:48By the way

00:25:50We ate Aleppo food

00:25:52I cook

00:25:54Aleppo people know how to cook

00:25:56I like Kebbeh

00:25:58Kebbeh

00:26:00Kebbeh

00:26:02We have a dish in the Levant

00:26:04It is called Shakria

00:26:06We have another dish called Orman

00:26:08But it doesn't have onions

00:26:10Shakria has onions

00:26:12It is a cooking lesson

00:26:14But in general

00:26:16It is meat with cherries

00:26:18It is very tasty

00:26:20Some people don't know

00:26:22It is only available in Aleppo

00:26:24It is small

00:26:26It is sour

00:26:28It is like blood

00:26:30It is sweet and sour

00:26:32It is a specific type of cherries

00:26:34It is very tasty

00:26:36Aleppo food is amazing

00:26:38After the break we will go to work

00:26:40We have a lot of work to talk about

00:26:42With Reem Abdelaziz

00:26:44Let's take a break

00:27:00He said there are a lot of people in the cabinet

00:27:02There are a lot of people

00:27:04Why are you surprised?

00:27:06I said he said

00:27:08Why did he say that?

00:27:22Reem Abdelaziz, we are watching you

00:27:24On Dar Dasha Podcast

00:27:26I am so happy for you

00:27:28We took the first step

00:27:30To a new place

00:27:32My stomach is rumbling

00:27:34My stomach is rumbling

00:27:36The questions

00:27:38I am also happy for you

00:27:40I am happy for your persistence

00:27:42To do something beautiful

00:27:44And new

00:27:46Thank you

00:27:48We will talk about your works

00:27:50It won't be enough

00:27:52Don't be sad

00:27:54It won't be enough

00:27:56It is enough

00:27:58But you have a social and comedy

00:28:00That is not enough

00:28:02At all

00:28:04I just have a historical point

00:28:06Historical

00:28:08You feel like you are not enough

00:28:10Historical

00:28:12Not because I am not enough

00:28:14I did Abu Zaid Al Hilali

00:28:16Historical is tiring

00:28:18Very tiring

00:28:20Excessive

00:28:22Exhaustion

00:28:24Wigs

00:28:26Wigs

00:28:28Long hair

00:28:30Heavy clothes

00:28:32We have been filming for 7 months

00:28:34Heavy clothes

00:28:36In the summer

00:28:38I took the role of

00:28:40The wife of Prince Najd III

00:28:42I told them

00:28:44I wish I took the role of Jari

00:28:48Heavy clothes

00:28:50And dresses

00:28:54I told Mr. Basil

00:28:58The historical experience

00:29:00The historical experience

00:29:02The historical experience

00:29:04The historical experience

00:29:08People remember you

00:29:10Or still remember you

00:29:12You are the only one

00:29:14You are Omri

00:29:16House of Secrets

00:29:18Do you have more important works?

00:29:20There are a lot of important works

00:29:22More important than him

00:29:24There are a lot of important works

00:29:28We are talking about people

00:29:30What do you remember?

00:29:32I want to add

00:29:34I want to add a lot

00:29:36I want to add Hadasa in Dimashq

00:29:38I want to add Rijal Al Ezz

00:29:40I want to add Elezza and Ketret Galaby

00:29:42I want to add

00:29:44What else?

00:29:46Behind the Wall

00:29:48I want to add

00:29:50A lot of works

00:29:52Really

00:29:54The Ramadan season

00:29:56I did the role of the widow

00:29:58It was the first time I did the role of the widow

00:30:00They told me

00:30:02You should have taken the role of the widow

00:30:04Our beloved actress

00:30:06I want to give her a big hug

00:30:08Of course

00:30:10Hoda Shaarawi

00:30:12She played the role of the widow

00:30:14But there is no update

00:30:16You can change

00:30:18Make a new look

00:30:20For me it was a challenge

00:30:22People loved me

00:30:24It was the first time

00:30:26I played the role of the widow

00:30:28With the director

00:30:30Ammar Tamim

00:30:32People loved her

00:30:34Not only because of the house

00:30:36She had a story

00:30:38She had a story

00:30:40We were happy with the result

00:30:42This year you played the role of the widow

00:30:44And Dima Qandlaf

00:30:46Yes

00:30:48Dima played the role of the widow

00:30:50It is closer to the fantasy

00:30:52It is not the widow

00:30:54The widow should be like

00:30:56Mzaki

00:30:58I told you

00:31:00The widow has her own features

00:31:02I saw her features in Arbaji

00:31:04Clothes, makeup

00:31:06It is related to the fantasy

00:31:08It is different

00:31:10It does not look like the widow

00:31:12It is a shame

00:31:14I always say

00:31:16We present works

00:31:18We should not put anything next to anything

00:31:20Everyone has his own beauty

00:31:22Everyone has his own place

00:31:24She presented it in a beautiful way

00:31:26Dima is precious to me

00:31:28She is a very important artist

00:31:30Her tools are excellent

00:31:32Of course

00:31:34Welcome

00:31:36We should go back to the question

00:31:38Welcome

00:31:40I have a special place in my heart

00:31:42I will tell you one thing

00:31:44One thing for each work you mentioned

00:31:46Welcome

00:31:48I was still new

00:31:50I have not been an artist for a year

00:31:52And I have not been

00:31:54Living in Damascus for two months

00:31:56Because I was busy

00:31:58I was married

00:32:00When you got married

00:32:02And you welcomed me

00:32:04Of course

00:32:06I greet the great director

00:32:08Mr. As'ad Eid

00:32:10I worked with him

00:32:12A few months ago

00:32:14With the great artist

00:32:16Mr. As'ad Fodda

00:32:18And the great artist

00:32:20I used to call him Uncle Adnan

00:32:22I had the honor

00:32:24I played his daughter

00:32:26Mr. As'ad met me

00:32:28As an actress

00:32:30He was new

00:32:32He wanted to meet me

00:32:34To show me my talent

00:32:36Comedy is difficult

00:32:38It is easy to make people cry

00:32:40If you are honest and sincere

00:32:42But it is very difficult

00:32:44To make them laugh

00:32:46So I joined Ahlan Hamati

00:32:48And we have great artists

00:32:50Who are important

00:32:52The artist Najah Hafiz

00:32:54The artist Hala Hasni

00:32:56The artist Issam Obadi

00:32:58And the artists

00:33:00Who are dear to my heart

00:33:02The artist Wafaa Musalli

00:33:04The artist Lina Hawarne

00:33:06The artist Hussam Eid

00:33:08The artist Jihad Sa'ad

00:33:10The artist Andres Kap

00:33:12But I joined

00:33:14They all know each other

00:33:16And they are famous

00:33:18And they are good at comedy

00:33:20So I joined

00:33:22And I told myself

00:33:24Give it to me

00:33:26Thank God

00:33:28Wafaa is very talented

00:33:30She is very talented

00:33:32And she is a teacher

00:33:34In comedy

00:33:36The love of my heart

00:33:38Wafaa

00:33:40My love

00:33:42Wafaa is not one of us

00:33:44She is very dear to me

00:33:46But I was new

00:33:48And she was getting to know me

00:33:50She was getting to know me

00:33:52So we were shooting

00:33:54And she told me

00:33:56Come here

00:33:58I told her yes

00:34:00She told me it's not easy

00:34:02I told her no it's not easy

00:34:04Honestly

00:34:06And I love her

00:34:08When you love someone

00:34:10You accept anything

00:34:12She told me let's make a deal

00:34:14Because in comedy we don't meet

00:34:16You do something

00:34:18I do something

00:34:20I told her ok

00:34:22And since then we became friends

00:34:24And the second experience

00:34:26With Anta Omri

00:34:28With Suad

00:34:30Suad

00:34:32Thank you

00:34:34I want to send my love

00:34:36To the great artist

00:34:38Hisham Shorbadji

00:34:40May God bless him

00:34:42Who I worked with in this project

00:34:44They were shooting

00:34:46This project

00:34:48They were shooting

00:34:50And we were hearing

00:34:52They were shooting

00:34:54I called him

00:34:56Hello I am Hisham Shorbadji

00:34:58Hello how are you

00:35:00I was surprised

00:35:02He said are you ready to be with us

00:35:04I told him

00:35:06You have been shooting for 2 months

00:35:08Do you want me to rehearse with you

00:35:10He told me to take care

00:35:12He told me to take care

00:35:14You are decorating your house

00:35:16We are not there yet

00:35:18I told him I agree

00:35:20Hisham Shorbadji is a great artist

00:35:22He is a great director

00:35:24His voice is very clear

00:35:26And it was

00:35:28And it was Suad

00:35:30It was Suad

00:35:32And it was the best moment

00:35:34And we continued

00:35:36Directly with Elezzo

00:35:38And the doctor

00:35:40People love it

00:35:42But before Elezzo

00:35:44Who was the best cook

00:35:46You or the doctor

00:35:48We will ask Mr. Ayman

00:35:50Ask Ayman

00:35:52But it was a great experience

00:35:54It was fun

00:35:56The comedy was great

00:35:58But it was hard

00:36:00The house is a secret

00:36:02The house is a secret

00:36:04The house is a secret

00:36:06The house is a secret

00:36:08With the late artist

00:36:10Our great director

00:36:12Najeeba

00:36:14Najeeba

00:36:16She is painful

00:36:18She is like many ladies

00:36:20At that time

00:36:22Because we are connected

00:36:24To a specific time

00:36:26To a specific time

00:36:28Because

00:36:30The difference of time

00:36:32Makes a woman different

00:36:34And her self defense

00:36:36Becomes stronger

00:36:38The house is a secret

00:36:40Was in 2001

00:36:42I was happy

00:36:44Because Najeeba

00:36:46Was an influence

00:36:48I gave her from my heart

00:36:50And

00:36:52One of the comments

00:36:54I still remember

00:36:56One of the comments

00:36:58One of our friends

00:37:00Said to me

00:37:02If I didn't know

00:37:04That you brought your daughter

00:37:06I would have said

00:37:08You don't bring kids

00:37:10I was a new mother

00:37:12Thank you for this blessing

00:37:14God doesn't deprive anyone

00:37:16Of this blessing

00:37:18And

00:37:20It is a big responsibility

00:37:22Of course

00:37:24And I wish it for everyone

00:37:26But I also say

00:37:28This is God's will

00:37:30I don't object to

00:37:32God's will

00:37:34How much did you feel responsible

00:37:36To present this character

00:37:38It is sensitive

00:37:40A lot

00:37:42How many people will watch

00:37:44And say I am like this

00:37:46I don't bring kids

00:37:48It is very difficult

00:37:50The responsibility of the artist

00:37:52Is very big

00:37:54Why did I tell you

00:37:56In the beginning

00:37:58When there are bad comments

00:38:00To the artist

00:38:02To think about it

00:38:04We are put in very difficult situations

00:38:06When you embody a character

00:38:08How much responsibility

00:38:10To convey the right image

00:38:12How much you need to be real

00:38:14To reach people

00:38:16To make them believe you

00:38:18To reach the stage of truth

00:38:20How much all this

00:38:22Cleanses you from inside

00:38:24Your feelings

00:38:26There are a lot of things

00:38:28I can't get out of

00:38:30I was upset

00:38:32In front of someone

00:38:34I knew

00:38:36I was very upset

00:38:38I was watching

00:38:40What affected me

00:38:42I felt like

00:38:44How much it hurts

00:38:46But in one word

00:38:48The artist has a big responsibility

00:38:50His message is bigger

00:38:52It must always include

00:38:54Humanistic concepts

00:38:56And know how to reach it

00:38:58If he wants to cry

00:39:00Or laugh

00:39:02You want to tell me

00:39:04It was very painful

00:39:06With Mr. Rahel Ghassan

00:39:08God have mercy on him

00:39:10It was very painful

00:39:12At the moment

00:39:14When he reached the truth

00:39:16The moment he realized

00:39:18The truth

00:39:20That he won't have children

00:39:22She stood by him

00:39:24Fought against the world

00:39:26He was from a very poor family

00:39:28She was a daughter of honor

00:39:30She dealt with him

00:39:32There is an old saying

00:39:34I love old sayings

00:39:36I feel it's true

00:39:38Take what he had

00:39:40Not what happened to him

00:39:42What happened to him is a blessing

00:39:44He won't be full

00:39:46But what he had

00:39:48He will be full

00:39:50She tried

00:39:52To stand by him

00:39:54To make him a human

00:39:56But he was reluctant

00:39:58She loves him

00:40:00He forced her

00:40:02To marry her

00:40:04He did horrible things

00:40:06To her

00:40:08That's why the moment

00:40:10When he realized

00:40:12That she will have children

00:40:14That was the big shock

00:40:16This is a part of life

00:40:18There are many women

00:40:20Who couldn't leave their husbands

00:40:22They are not able

00:40:24To have children

00:40:26Because of love

00:40:28On the other hand

00:40:30There are many husbands

00:40:32Who left their wives

00:40:34Because they couldn't have children

00:40:36It's painful

00:40:38When something

00:40:40Is not in your hands

00:40:42I say anything

00:40:44Can change your nature

00:40:46Your life, your behavior

00:40:48Fight me

00:40:50But something is not in my hands

00:40:52Don't fight me

00:40:54It's painful

00:40:56It's painful

00:41:00I mean

00:41:02With my love

00:41:04My respect

00:41:06For you and all the men

00:41:08For the few

00:41:10The real man knows himself

00:41:12Right?

00:41:14And the similar ones know themselves

00:41:16That's why I wish

00:41:18That men excel men

00:41:20Over similar men

00:41:22What is more

00:41:24The war or the men?

00:41:28Tell me

00:41:30No, no

00:41:32The war

00:41:34Exposed people

00:41:36Men and women

00:41:38Exposed them

00:41:40It became

00:41:42Everyone takes his turn

00:41:44The man takes his place

00:41:46And the woman her place

00:41:48The roles are mixed

00:41:50No one knows where

00:41:52I am

00:41:54It doesn't happen

00:41:56Everyone has his role

00:41:58Equality is equality in thought

00:42:00Equality in rights

00:42:02But you have your role

00:42:04As a man

00:42:06And I have my role as a woman

00:42:08It doesn't happen

00:42:10I take your role and you take mine

00:42:12It doesn't happen

00:42:14There is something against nature

00:42:16That's why now

00:42:18Men depend on women

00:42:20They like to climb

00:42:22To reach something

00:42:24They like to seize opportunities

00:42:26And women

00:42:28There are many of them

00:42:30Unfortunately

00:42:32I don't blame men

00:42:34I blame women

00:42:36Society is based on two people

00:42:38Not on one person

00:42:40But the woman

00:42:42Has a bigger role

00:42:44Because she is building generations

00:42:46The mother is the country

00:42:48Who raises men and women?

00:42:50Both

00:42:52Everyone gives something

00:42:54But the mother

00:42:56The house

00:42:58The mother is the main support

00:43:00And I say

00:43:02And I always admit

00:43:04May God keep my mother

00:43:06Above my head

00:43:08Because she is by my side

00:43:10Because I left

00:43:12I decided to separate from my husband

00:43:14And my daughter is 4 years old

00:43:16Pray for her

00:43:18I took her and told her

00:43:20Mom, continue raising me and my daughter

00:43:22And if I don't feel safe

00:43:24That my daughter is in my hands

00:43:26Who is my mother

00:43:28I can't move forward

00:43:30Or go or come

00:43:32Or become Reem Abdulaziz

00:43:34Who is now in front of you

00:43:36Because a child needs stability

00:43:38A child needs to be raised

00:43:40A child needs to be embraced

00:43:42It doesn't happen

00:43:44No one can convince me

00:43:46The man completes

00:43:48The case

00:43:50We saw during the war

00:43:52The mother who sacrificed

00:43:54And gave birth to martyrs

00:43:56She gave birth

00:43:58The mother is a big thing

00:44:00And because she is a big thing

00:44:02She doesn't resemble the country

00:44:04That's it

00:44:06Mr. Omar Alfarra Alward says

00:44:08The country is like the mother

00:44:10Of course

00:44:12Exactly

00:44:14If she didn't have these qualities

00:44:16She wouldn't have resembled the country

00:44:18Exactly

00:44:20Since you talked about marriage

00:44:22Mr. Salem Alkardi

00:44:24Was your husband

00:44:26Your personal and professional experience

00:44:28With him

00:44:30How do you evaluate it?

00:44:32It is an experience

00:44:34In life

00:44:36We are destined to get married

00:44:38And have a daughter

00:44:40Then we meet

00:44:42And then

00:44:44The journey ends

00:44:46And each one of us

00:44:48Has a path

00:44:50Did you work with him before marriage?

00:44:52I worked with him once

00:44:54Behind the wall

00:44:56And then we connected

00:44:58If you could work with him today

00:45:00Would you accept me?

00:45:02I would work with him

00:45:04Like any other director

00:45:06If you liked the script

00:45:08I would work with him

00:45:10Like any other director

00:45:12Do you communicate with him?

00:45:14Very little

00:45:16Because he is in Amman

00:45:18And we are in Damascus

00:45:20We don't communicate at all

00:45:22You don't communicate with his daughter?

00:45:24Very little

00:45:26I respect his name

00:45:28Because it is related to my daughter

00:45:30End of the story

00:45:34The decision to separate was from you

00:45:36We are not talking about his personal life

00:45:40The decision to separate

00:45:42Was from everyone

00:45:44Whether a man or a woman

00:45:46I feel that we are done

00:45:48What made you reach this point?

00:45:50I don't want to be

00:45:52I am a very positive person

00:45:54I am not convinced

00:45:56That someone told me

00:45:58Love forever

00:46:00This topic

00:46:02Needs

00:46:04Something from you and me

00:46:06From both sides

00:46:08To continue

00:46:10It doesn't need more than you

00:46:12No

00:46:14This love

00:46:16Needs both sides

00:46:18To feed it

00:46:20To understand it

00:46:22So when you reach a point

00:46:24Of no understanding

00:46:26No coming back

00:46:28The best for both sides

00:46:30There should be a decision

00:46:32I am brave

00:46:34I was raised in a house

00:46:36With a lot of honesty

00:46:38With a lot of love

00:46:40With a lot of responsibility

00:46:42I am brave

00:46:44I am a fighter

00:46:48Your mother called you a fighter

00:46:50I didn't

00:46:52I want to congratulate you

00:46:54And the Dardasho Podcast

00:46:56With your commitment

00:46:58To the artists

00:47:00You started

00:47:02The Drama Library

00:47:04Let me tell you something

00:47:06I am already

00:47:08In the Central Council

00:47:10Head of the Culture and Media Library

00:47:12For a short time

00:47:14We wanted

00:47:16The Drama Library

00:47:18To be more active

00:47:20To be more collaborative

00:47:22So Mr. Ali Al Qasim took over

00:47:24And as the Drama Committee

00:47:26We were three

00:47:28Mr. Saad Eid and Mr. Kamal Hariri

00:47:30So that the decisions

00:47:32Would be well thought out

00:47:34Some problems

00:47:36Would be solved quickly

00:47:38And dynamically

00:47:40Because it deserves our love

00:47:42Of course

00:47:44You are in a difficult situation

00:47:46But you are doing your best

00:47:48What is the nature of your work?

00:47:50What is the nature of this task?

00:47:52As we said

00:47:54It is a job

00:47:56It is a task

00:47:58It is a big responsibility

00:48:00To be in the Central Council

00:48:02The Central Council

00:48:04Is 10 members

00:48:06Elected

00:48:08And the Deputy

00:48:10We are 11 people

00:48:12One of the members

00:48:14Is the Deputy

00:48:16And there are 3 chairs

00:48:18Elected by the Deputy

00:48:20The Secretary

00:48:22The Secretary of the Secretariat

00:48:24And the other chairs

00:48:26Are distributed by the elected people

00:48:28The elected artists

00:48:30By mutual understanding

00:48:32I see myself here

00:48:34You see yourself here

00:48:36And we all work together

00:48:38Together

00:48:40In order to protect

00:48:42The artists

00:48:44To demand their rights

00:48:46To be a main supporter

00:48:48The Central Council offers many important things

00:48:50The demand for the artists' rights

00:48:52On all levels

00:48:54Whether it is employment

00:48:56Of course the Central Council

00:48:58Is a comprehensive council

00:49:00We are a council of artists

00:49:02Directors

00:49:04Representatives

00:49:06Musicians, composers, artists

00:49:08No, the authors are members

00:49:10Of the Arab Authors' Union

00:49:12Popular arts

00:49:14Everything

00:49:16You know how?

00:49:18All of this is in this field

00:49:20The artists' work

00:49:22There is a health insurance

00:49:24There is a stay-at-home insurance

00:49:26But the artists are complaining

00:49:28No, I swear

00:49:30Some say that the stay-at-home insurance

00:49:32Is not enough

00:49:34By the way, last week

00:49:36We took a decision

00:49:38We increased your salary by 50,000 or 100,000

00:49:40We all depend on each other

00:49:42On the ratio and proportion

00:49:44If you make a stay-at-home insurance

00:49:46With the public income

00:49:48The stay-at-home income

00:49:50Will cover all the artists' work

00:49:52Around 2,200

00:49:54But Mr. Zured Reham

00:49:56Recently said

00:49:58His stay-at-home salary

00:50:00Is $18

00:50:02Now, regardless

00:50:04I want to tell you

00:50:06What we cut from the members

00:50:08To make a balance

00:50:10From the stay-at-home insurance

00:50:12To make this savings

00:50:14Now, last week

00:50:16Almost 100%

00:50:18I told you

00:50:20You extended your hand

00:50:22Yes

00:50:24We are trying

00:50:26Real and well-studied attempts

00:50:28Nothing comes

00:50:30Complete

00:50:32But there should not be more support

00:50:34For these committees

00:50:36By the way, we are trying

00:50:38To limit the efforts

00:50:40You are being supported more

00:50:42As a committee

00:50:44By following and supporting

00:50:46We are trying to be present

00:50:48With all the colleagues

00:50:50In all circumstances

00:50:52Nothing is perfect

00:50:54We are real

00:50:56No one is perfect

00:50:58There are gaps

00:51:00But we are trying to cover them

00:51:02To be present

00:51:04As much as possible

00:51:06Perfection is for God

00:51:08It is said that there are calculations

00:51:10In the committee

00:51:12Every time there is an election

00:51:14Why are you surprised?

00:51:16I didn't tell you

00:51:18Why is there such a view?

00:51:20That there are calculations

00:51:22We already know

00:51:24Who is going to run

00:51:26No, no one knows

00:51:28Who is going to run

00:51:30This is my story

00:51:32Any election

00:51:34Anywhere

00:51:36Whether it is a committee of lawyers

00:51:38Engineers, doctors

00:51:40Professional or artistic committees

00:51:42There are calculations

00:51:44Calculations of a project

00:51:46You

00:51:48You love me

00:51:50So you want to support me

00:51:52He doesn't love me

00:51:54He won't vote for me

00:51:56How are the calculations?

00:51:58For example

00:52:00We are asked

00:52:02To elect 10, 11, 5, 6

00:52:04Members of the branches

00:52:06Five

00:52:08Members of a conference

00:52:10According to each branch

00:52:12A number of members

00:52:14From a list

00:52:16For example, there is a conference

00:52:18With 10 members

00:52:20According to the number of members

00:52:22In each branch

00:52:24For example

00:52:26This group says

00:52:28I give my trust

00:52:30To Karam

00:52:32Because Karam is able to deliver my voice

00:52:34He is able to solve important situations

00:52:36He is able to help me

00:52:38And he is real

00:52:40He has a word and a position

00:52:42We were just talking

00:52:44Not all people have the same understanding

00:52:46Courage

00:52:48Steps

00:52:50And the search for the truth

00:52:52Therefore, it is your right

00:52:54As a member of a branch

00:52:56To give your voice

00:52:58To the one you see as your priority

00:53:00Or to the one you see

00:53:02As deserving of your vote

00:53:04To certain achievements

00:53:06This is the right of the project

00:53:08There are no exceptions

00:53:10We try as much as possible

00:53:12To see who is the best

00:53:14Who is deserving

00:53:16If there is a little

00:53:18Intermediate

00:53:20In every field

00:53:22By the way, in every field

00:53:24Of course

00:53:26In every field

00:53:28The artistic medium

00:53:30Because it is under the light

00:53:32Of the people

00:53:34It is their right to speak more

00:53:36To be available

00:53:38No

00:53:40In every field

00:53:42It is the same

00:53:44Therefore, no one understands us

00:53:46Let's talk about your election experience

00:53:48It is time to respond

00:53:50To some of the criticisms

00:53:52And also to thank those who supported

00:53:54Your nomination

00:53:56You were nominated to the People's Assembly

00:53:58Of course

00:54:00Of course

00:54:02What made you take this step?

00:54:04I have been thinking about this for a long time

00:54:06I wanted to expand my circle

00:54:08More

00:54:10And I talked about it

00:54:12I was visiting

00:54:14By the way

00:54:16The Lawyers' Committee

00:54:18My friends

00:54:20I love them a lot

00:54:22And I was thankful for their support

00:54:24I visited them from many branches

00:54:26And they love Reem

00:54:28The artist not only reflects

00:54:30The image of the artist

00:54:32I reflect the image of the artist

00:54:34Who I know his worries and problems

00:54:36But also I am a reflection of the society

00:54:40In general

00:54:42Because I understand your pain

00:54:44And I understand his pain

00:54:46And his tiredness

00:54:48And his problem

00:54:50So maybe the artist is able to convey his voice

00:54:52But you didn't reach it

00:54:54I didn't reach it, no problem

00:54:56It was my first time

00:54:58And I am very happy

00:55:00And I told them

00:55:04I was happy

00:55:06Because I saw the love

00:55:08Before I reached the success

00:55:10I told them I succeeded before the results came out

00:55:12So I am satisfied now

00:55:14In the first stage

00:55:16Those who came out

00:55:18Congratulations

00:55:20I was happy with their success

00:55:22They are our friends and they deserve it

00:55:24But we were a large number

00:55:26It is not easy

00:55:28To enter

00:55:30A very large list

00:55:32A very large list

00:55:34I wish I was one of them

00:55:36What was your voice?

00:55:38What voice do you want to convey?

00:55:40I told you

00:55:42Not only the pain of the artist

00:55:44Or his needs

00:55:46The whole world

00:55:48Everyone feels in Reem

00:55:50That he is able to convey my voice

00:55:52So that I can solve it

00:55:54What are the problems and needs

00:55:56That you need to reach today?

00:55:58Everything in the field

00:56:00Everything in the field

00:56:02I am talking to you as a member of the council

00:56:04I am considering you a member of the council

00:56:06No, no

00:56:08For all positions

00:56:10When you are a member of the council

00:56:12You speak louder

00:56:14Your voice is different

00:56:16But there are artists who speak

00:56:18They say I criticized this and that

00:56:20Bashar Ismail

00:56:22I salute you

00:56:24He is not joking

00:56:26It is very nice

00:56:28Every person expresses

00:56:30In his own way

00:56:32I am a responsible person

00:56:34My style is required

00:56:36A little bit of diplomacy

00:56:38Others may say it

00:56:40In a nervous way

00:56:42Or directly

00:56:44Or indirectly

00:56:46No, I say it

00:56:48I am strong, clear and daring

00:56:50But in my own style

00:56:52So any problem

00:56:54That you may face

00:56:56Come to me

00:56:58I will solve it

00:57:00What is the responsibility of the people's council?

00:57:02Their responsibility is very big

00:57:04Many things

00:57:06You must start

00:57:10From the infrastructure

00:57:12I am talking to you as a citizen

00:57:14Not as an artist

00:57:16The most important thing is education

00:57:18This is very important

00:57:20Haifa and Samar, how are they today?

00:57:24Samar, thank God

00:57:26Samar fell ill

00:57:28With your prayers

00:57:30We had a difficult time

00:57:32God bless you

00:57:34We had a very difficult time

00:57:36Very painful

00:57:38From the inside

00:57:40We were sick with Samar

00:57:42At home

00:57:44When Samar fell ill

00:57:46God bless you

00:57:48I want to tell you

00:57:50Honesty

00:57:52And your path

00:57:54During your artistic journey

00:57:58You will find it

00:58:00In difficult situations

00:58:02In Samar's shortcomings

00:58:04And me

00:58:06Because we are like garlic

00:58:08They think we are like garlic

00:58:10But I am bigger than Samar

00:58:12I felt

00:58:14The love we found

00:58:16In people's prayers

00:58:18For her healing

00:58:20This helped her

00:58:22To feel better

00:58:24And she overcame the illness

00:58:26Thank God

00:58:28God bless you

00:58:30She is now in the safe side

00:58:32We will soon

00:58:34Film a video clip

00:58:36For Samar

00:58:38I am preparing a new song

00:58:40Will you sing it now?

00:58:42No

00:58:44I will tell you later

00:58:46But now I am preparing

00:58:48A new song

00:58:50Last year

00:58:52She participated

00:58:54In a show

00:58:56With Ammar Tamim

00:58:58She was the first

00:59:00To get out of the illness

00:59:02She asked for advice

00:59:04She said

00:59:06You are cuter

00:59:08You are cuter

00:59:10Haifa

00:59:12She is a lawyer

00:59:14In March

00:59:16She will be a lawyer

00:59:18God bless her

00:59:20God bless you

00:59:22Will I see you as a bride again?

00:59:24Now I want to marry my daughter

00:59:26I will see you as a grandmother

00:59:28I have nothing

00:59:30Against the relationship

00:59:32Because I am not connected

00:59:34To your marriage

00:59:36Because

00:59:38The circumstances

00:59:40Didn't allow

00:59:42This person

00:59:44To tell me

00:59:46Someone has to force me to marry

00:59:48I love sharing

00:59:50I love my family

00:59:52I love cooking

00:59:54And going out

00:59:56And sharing

00:59:58There is nothing better than sharing

01:00:00By the way

01:00:02My friends

01:00:04They tell me

01:00:06No marriage

01:00:08I say no

01:00:10I don't mind

01:00:12The field is open

01:00:14But the partner

01:00:16Who deserves it

01:00:18I am not like men

01:00:20Of course

01:00:22I enjoyed it

01:00:24I didn't expect

01:00:26To talk to someone like you

01:00:28Thank you

01:00:30We are happy

01:00:32We are happy

01:00:34To have you here

01:00:36I am happy

01:00:38To have you

01:00:40And all the people

01:00:42The photographer

01:00:44The makeup artist

01:00:46Thank you

01:00:48I send my greetings

01:00:50To the channel

01:00:52I didn't feel the time

01:00:54And don't get mad at me

01:00:56Why?

01:00:58It didn't come from my heart

01:01:00I want to tell you

01:01:02It is nice to be real

01:01:04It is nice to be spontaneous

01:01:06And people feel your honesty

01:01:08By the way, you are popular

01:01:10And people love you

01:01:12And by the way

01:01:14He is the nicest

01:01:16Thank you

01:01:18I am happy to have you

01:01:20I hope you are always excited

01:01:22And following this level

01:01:24The beauty

01:01:26That you bring to the public

01:01:28You light up places

01:01:30That are not lit up

01:01:32And you show them

01:01:34So it won't be forgotten

01:01:36Exactly

01:01:38This is amazing

01:01:40Thank you for inviting me

01:01:42Thank you

01:01:44Thank you

حلقة جديدة مع الممثلة ريم عبد العزيز

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