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To celebrate the city of Los Angeles in the wake of last year's devastating fires, AD asked a group of iconic Angelenos to share their favorite local places. This is Lisa Kudrow's love letter to LA. Kudrow takes a walk through her career at Warner Bros. Studios, revisiting the iconic soundstages and backlots where ‘Friends’ and ‘The Comeback’ were filmed and sharing memories from her years spent on the lot. From Stage 24 to the famous fountain and beyond, the actor reflects on Hollywood history, Los Angeles, and the importance of the studio that helped shape her career.

AD is proud to partner with The Foothill Catalog Foundation and San Gabriel Valley Habitat for Humanity to help rebuild homes in Altadena. To donate, go to https://sgvhabitat.charityproud.org/Donate/Index/40825

Global Visuals Director - Michael Shome
Senior Visuals Editor - Melissa Maria
Visuals Editor - Lizzie Soufleris
Transcription
00:00Hi A.D. Come on in. Oh, welcome to Warner Brothers.
00:12I don't remember the very first time I came onto this lot, but it was exciting. Honestly,
00:34any lot I came onto to audition for something. It was really exciting. With friends, we spent
00:41the whole 10 years here. Well, I think we shot the pilot at the ranch, which is another location.
00:46But then our first season, once we got picked up, we were on stage five, which was a great small
00:52soundstage and right next to where ER was shooting. So we'd hang out with them a lot. You know, the show
01:00worked its first season and we moved to a bigger soundstage so we could have a 400 person audience.
01:06I think. Is that possible? Maybe only 200. I'm not good with numbers. That was stage 24 and that's
01:13where we were for 10 years. So for this third and final season of the comeback, Warner Brothers allowed
01:30us to shoot on two soundstages and one of them was stage 24, which is where Friends shot. So I got to
01:39finish Friends after 10 years and the comeback. Wasn't expecting to get emotional, sir. But yeah.
01:51So I guess this is it. This is harder than I thought it would be. It's going to be okay.
02:01After a point, we didn't leave the soundstage even for lunch because there were tours and things. It
02:07was just easier to stay on the stage. Coming back to write because Michael's office is here at Warner
02:14Brothers. He took me on like a little walking tour. He knows everything about it here. And it's the first
02:20time I've seen this lot, to be honest. There's a place where it's offices now, but they were apartments
02:27for actors. They would fly out from New York and they lived here while they were shooting. I mean,
02:34that's a lot of control over an actor. If they're late, you know exactly where to find them. You just
02:39walk over and drag them out of bed, I guess. But that was still really cool. All the Rose Gardens
02:44around here are so beautiful. And also the back lots, which I'm told I've worked on. I siloed
02:51everything I don't really remember. Come on! Let's go running! Let's go!
02:58It's been so long! Oh, so long. I can't believe you're still doing this.
03:03Ah, I know. But I quit smoking. Good for you!
03:07All right, so let's hop in a cart and see if there's anything exciting on this lot. There has to be, right?
03:13The fire department, my son had a lot of fun playing on the fire trucks. We're coming up on
03:35stage 24. The plaque that says friends wasn't there. That's after we left. But we shot
03:43this and the comeback. Hello, hello, hello. Welcome to my trailer on the studio lot. Come on in.
03:48Wouldn't it be great if the plaque that lists all the TV shows added the comeback to it?
03:55There's a set. My phone's ringing. Oh, the cemetery's calling. Oh, we did our table reads
04:00for the comeback in that movie theater. So we shot the fountain thing, the opening credits,
04:06I think after we shot a show and it was late and we were tired. They said it would just be real quick.
04:13We're just going to grab some stuff. It was like three hours later and then we're wet and trying to
04:19look happy and dancing and frolicking. And yeah, that was tough. But Matthew was so funny because
04:26they'd say, all right, we just need to do one more. And he'd say, oh, are we doing one more again?
04:32We're just doing one more. Okay. Can't remember a time I wasn't wet. Can't remember a time I wasn't
04:36cold. What are we in a fountain? Are we dancing in a fountain? And so when you see us laughing,
04:41it's because Matthew had just said one of those things.
04:47This is like where Ghost Whisperer was, right? And Gilmore Girls, I hear.
04:52I think we shot on this porch. Yeah, we did. And you go inside and it is like a house.
04:59See, look, you just have to furnish it. I mean, sure, it's fake wood floors or whatever, but
05:06look, it's a house. This was apparently Phoebe's dad's house.
05:10This was Phoebe's dad's house? Did we go inside it or just stayed outside? Anyone who saw the show?
05:23Watch out. You're going backward. Now I feel like Valerie Cherish. Careful.
05:27Every one of these structures is built out. You can shoot everything here. Everybody wants to shoot
05:35here. Look, we're in LA. Look at the weather. It's November. Okay. And it's the most gorgeous blue sky
05:43and it's not too hot and it's not cold. It's perfect here.
05:48It's hard for me to tell whether Warner Brothers is just special to me or if it's special to the whole
05:59city or industry. And I think it is. Everything changes ownership all the time and then you don't
06:05know what's going to happen. And I think most people really, really hope whatever happens next is that
06:12this studio lot is preserved as is. It works. I mean, we just shot here. Whoever buys it,
06:18you don't need to change anything. It works. It works great. It really does. So congratulations
06:24whoever's next. Please don't change a thing. Please, please don't remove Jack Warner's roses.
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