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10 Most Frustrating Star Trek Moments
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8 months ago
10 Most Frustrating Star Trek Moments
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00:00
Frustration can be a really nice feeling like you can be teased with something to
00:04
the point where the payoff is worth it but it's actually the build that made it
00:08
even more fun. So when you have moments of Star Trek that frustrate you but the
00:13
payoff is wonderful it can be great. This is not that list. These frustrating
00:18
moments are such that they built and they built and they just left us
00:23
wanting more. So with that in mind I'm Sean Farrick for Trek Culture and here
00:27
are the 10 most frustrating Star Trek moments. Number 10. Dukat kills Jadzia.
00:33
This entry's our jumping-off point as it was so utterly unnecessary for Deep
00:37
Space Nine to lose Terry Farrell the way that it did. While the shocking nature of
00:40
Gul Dukat transporting into the Bajoran shrine, remorselessly killing Dax and
00:44
beaming away has still yet to properly fade from our minds, it's long since been
00:48
overtaken by the stories that came out of the way it came to be. Farrell had
00:52
after six years of more than 20 episodes a season approached the producers with
00:56
the request to be reduced to a recurring character. The response was that it was
01:00
all or nothing. Either she was going to be in every episode like the other
01:03
seasons or none at all. Presented with such a choice she elected to leave. It
01:07
was an unworthy exit for one of the main cast. To add further insult to injury the
01:11
seventh season saw both a Mirror Universe episode and a montage of
01:15
previous episodes neither of which featured Farrell. Both sides at one point
01:18
or another stated there was contract and permission issues yet it boils down to a
01:22
deeply unsatisfying exit for one of our most popular characters in Deep Space
01:26
Nine. Number 9. Warp Restrictions. While the next generation seventh season is
01:30
certainly not its strongest there are still many truly great episodes. One such
01:33
episode is the Pegasus. It opens with Captain Picard Day, a celebration on
01:36
board the Enterprise D to honor Picard. This draws the amusement of the Admiral
01:40
tasked with sending the Enterprise to meet with Pressman, Commander Riker's
01:43
former captain. Warp restrictions are lifted for the duration of this mission.
01:46
Ah yes, there it is. The only other mention of there being any sort of
01:50
restrictions on warp travel outside of the episode Force of Nature. The latter
01:54
episode, arriving earlier in the season, saw the explanation that warp travel was
01:57
doing damage to subspace and an alternative was badly needed. The
02:01
Soliton Wave was suggested instead, a method by which starships would ride the
02:05
current of an artificial phenomenon, dragging them along at warp speed. It was
02:08
an exciting, if slightly impractical idea, but one sure to address this hugely
02:13
important development that warp was harming the galaxy. Then outside of that
02:16
single mention in the Pegasus was never alluded to again. This feels less like
02:20
Starfleet managed to fix the problem and more so the writers simply weren't
02:23
interested in continuing to explore this idea. To this writer, it was less
02:26
frustrating that the idea was scrapped and more that it was such a massive deal
02:29
in one episode and then it was gone. Number 8. Her life could have been as
02:33
rich as any woman's. The final episode of the original series, Turnabout Intruder,
02:37
has the sad honor of finishing the show with a line that suggests women are
02:41
looking at a pretty grim version of the future. This would come after three years
02:45
of many, many missteps. A concerted effort to show that in the future, equality
02:50
really was possible. This is something that would be fixed in future series.
02:53
Here, it is suggested that Janice Lester was unable to become a starship captain
02:57
and thus lost her sanity owing simply to the fact that she was a woman. In a show
03:01
set in a future of equality and enlightenment, female starship captains
03:04
were considered too risque. While Star Trek would quickly work to brush this
03:07
aside, as early as the animated series with Uhura taking command of the ship
03:11
and Star Trek IV the voyage home with Madge Sinclair appearing as the captain
03:14
of the USS Saratoga, it is a deeply annoying stain on the show's history. It
03:18
is compounded by the fact that the final words spoken seem to confirm that Star
03:23
Trek of the 23rd century had a less than enlightened view towards women in
03:27
general. Bad enough that the idea is there, but that it's the last idea offered by
03:30
the original series to boot. Number seven, Leland dies before Discovery enters the
03:36
wormhole. Star Trek Discovery's second season finale, Such Sweet Sorrow, sees the
03:40
ship catapulted into the far future. The data in the ship's computer banks, full of
03:43
the information dunked there by a being hundreds of thousands of years old, has
03:47
the power to offer sentience to a computer virus that is not dissimilar to
03:50
the Borg. While there are several issues with the time travel plot in Discovery's
03:53
second season, it is the fact that they didn't really need to go to the future
03:57
in the end. Leland, who by this stage was the embodiment of Control, is killed by
04:01
Georgiou. This causes the rest of Control to die. Control was the only being
04:04
chasing the sphere data. Control is dead. Discovery goes anyway. Now, it is
04:08
explained that sending them into the future negated the risk of there ever
04:11
being a similar situation like that again, but it unfortunately felt more
04:15
like a desperate attempt to get Discovery into its own time period,
04:18
something which has absolutely benefited the show to be fair, rather than a climax
04:22
that was simply inevitable. None of this is to say that the episode itself isn't
04:25
fun and thrilling to watch, but that moment with Leland just sticks out too
04:29
much to be accepted. This, coupled with the slightly ham-fisted explanation that
04:32
Discovery must never be mentioned again for reasons as a way to explain why
04:36
Spock never spoke about Michael Burnham, was simply a little too underwhelming
04:40
for such a large storyline. Number six, why are the locks only on one side of
04:44
the doorway? Honestly, did Admiral Cornwell have to die? And if so, was it
04:48
really necessary to kill her simply to highlight the need for locks on both
04:52
sides of a blast door? When a torpedo impacts the saucer section of the
04:55
Enterprise in Such Sweet Sorrow Part 2, Cornwell volunteers to go down in an
04:59
attempt to disarm it. She's joined by Una, then later by Pike. None of them are able
05:02
to disarm the warhead, so they need to seal the blast door in order to contain
05:05
the explosion. Now, wouldn't you know it, the only access to the locking mechanism
05:09
is on the explodey side of the door. Cornwell pulls rank and orders Pike to
05:12
leave the room. She locks the blast door and, as the torpedo detonates, Pike
05:16
watches from behind one of the sturdiest pieces of transparent aluminum known to
05:19
Starfleet. While Such Sweet Sorrow Part 2 has appeared on this list twice, it's
05:23
not a truly bad episode by any means, but both of these gaps in logic stuck out
05:28
awkwardly. If the crew at the front of the saucer section were able to evacuate
05:31
with enough time, why not simply pull back a deck or two, then try a different
05:34
blast door? Or was this torpedo sitting in the only room on the Enterprise with
05:38
blast doors installed? If so, handy. Much like the blatant decision that
05:41
Discovery needed to jump to the future, this feels awfully like it was decided
05:45
early on that someone recognisable had to die in this episode. Cornwell was well
05:49
known enough for this to hit the right emotional beats, sure, but it still felt
05:53
completely unnecessary. A nod in the good, oh no, their pointless death has affected
05:57
me greatly kind of way. This felt like, so that happened, right so. Number five,
06:01
Admiral Forrest deserved better. Star Trek Enterprise, in its fourth season,
06:06
delivers an excellent three-part story that's set on Vulcan. The Forge trilogy
06:09
sees the reintroduction of T'Pau to the Star Trek universe, along with the
06:12
gradual lessening of restrictions around mind melds. This, in turn, leads to T'Pol
06:16
being cured of Panar Syndrome. So far, so good. So, what's wrong with the story? The
06:21
opening chapter kicks into life with the bombing of the Starfleet embassy on
06:24
Vulcan. In the course of saving Ambassador Soval's life, Admiral Maxwell
06:28
Forrest is killed, a heroic death for one of Archer and Enterprise's greatest
06:32
supporters. However, the way that it is handled is far from heroic, or even
06:36
barely satisfactory. For a start, though we see Forrest dive to protect Soval, we
06:40
don't actually find out his fate until it is discussed by Archer. That's right,
06:44
this character, who had been, from the beginning, was given an ignoble off-screen
06:48
death. Adding insult to this, there's no memorial service for the man. Though Von
06:51
Armstrong would thankfully return later in the season as a mirror universe
06:54
version of the character, that was it for Admiral Forrest. It just felt so rushed,
06:57
and the emotional beats are missing entirely. Rather than feeling grief for
07:01
this character, there is instead only a deep frustration to have removed a
07:04
character so quickly and coldly from the show without giving them anything
07:07
like the appropriate respect or honours. While that other death from These are
07:12
the Voyages might seem like a sure bet for an entry here, this one occurred
07:15
within the established timeline of Enterprise. That is not to say, much as we
07:19
don't want to say it, that Voyages isn't canon, but those events took place on a
07:23
holodeck recreation that was being watched back. There's even a scene with
07:26
Trip after he dies. There's no such moment with Forrest. He is simply a
07:30
semi-core player for three and a half years, and then he's gone.
07:33
Number four, the copy-and-paste fleet. The finale of Picard's first season was
07:38
meant to offer a fist-pumping, cheer-inducing moment toward the climax.
07:41
Unknown to the Romulan fleet, which has apparently been hiding just over there,
07:45
Picard has requested that the planet Julianne 4 be given Federation
07:48
protection. Having done this, acting Captain Riker arrives to save the day.
07:52
The groans were heard around the world. The fun part of the episode is of course
07:56
seeing Riker in uniform, totally in control, storming to his former captain's
08:00
aid. The ship that he's on, the Inquiry-class Zhang He, isn't even a bad
08:04
design at all, depending on how you feel about deflector dishes. It's the fact
08:07
that there are hundreds of them, almost all identical, dotted through the scene.
08:11
This is coupled with a similar situation on the Romulan side. To put it simply,
08:14
there were absolutely no stakes to this face-off at all. As the title suggests, it
08:19
really does feel like the copy-and-paste buttons were used a lot while putting
08:22
this together. Now, while we must acknowledge that there were four
08:24
distinct versions of the Inquiry-class, best identified by the length of their
08:27
nacelles, that really does seem like a bit of a pointless change. The second
08:31
season of Picard saw an immediate addressing of this problem. The very
08:34
first episode, The Stargazer, introduced the new Sagan-class ship, with ships
08:38
like the Sovereign and Akira returning and the Luna making its live-action
08:41
debut, and several ships previously seen in Star Trek Online appearing for the
08:45
first time on screen. It was, quite frankly, bloody obvious what they were
08:48
doing, and considering how the copy-and-paste scene was received, very,
08:51
very much appreciated. Number three, Admiral Nechayev underestimates the
08:56
Maquis. This one stings because of the character of Nechayev overall. While she
09:00
was presented initially as a thorn in Picard's side, not to mention Riker's, she
09:04
slowly was shown to be a bit more than simply a Starfleet badass, ready to slap
09:08
our favourite characters down to size. This is best evidenced in Journey's End,
09:12
where she reacts positively to Picard's attempts to make her feel comfortable by
09:16
providing her favourite food. Though barely an icebreaker, it offers the
09:19
slightest warming of the character, thus allowing the audience to see her as more
09:22
than one note. This is then undone in Deep Space Nine. While the Maquis is one
09:27
of the strongest stories of the show's early years, it unfortunately just
09:30
deposits an intransigent Nechayev back to us. She arrives at the station, ready to
09:34
address the Maquis threat, then effectively barks at Sisko that he just
09:37
needs to try harder. She clearly is only there because she has to be, badly
09:40
underestimates the Maquis, and then leaves. It's so frustrating as Journey's End
09:44
should have been a lesson to her character about just how far the Maquis
09:47
were willing to go to protect their homes. Whatever growth had been shown in
09:50
that episode was washed away in one short scene. While it sets up a fabulous
09:54
exchange between Sisko and Kira, it comes at the expense of a character who had,
09:57
for better or worse, started to melt away the icy exterior, only to have that
10:01
suddenly freeze up again. Number two, Janeway destroys the Array. Now, for the
10:06
most part, Caretaker is a strong pilot episode of Star Trek Voyager, and to be
10:10
very clear, we know that Janeway had to destroy the Array. Otherwise, the show
10:14
doesn't have a catalyst to keep it stranded, so we're not suggesting that
10:17
it shouldn't have happened. Or are we? With the Kazon closing in around them,
10:20
and their sights set firmly on the Caretaker's technology, Janeway orders Tuvok to
10:23
fire two tricobalt devices directly at the Array. This serves to keep the
10:27
technology out of the hands of the Kazon, but strands the Starfleet ship in the
10:30
Delta Quadrant. First, as is later mentioned by Seven of Nine in the
10:33
Voyager conspiracy, tricobalt devices are not standard issue on Starfleet vessels.
10:37
Why would Janeway fire the only two in their arsenal at the Array? Next, despite
10:41
the fact that they were outnumbered, Voyager could have turned the tide
10:44
against the Kazon by firing tricobalt devices at them. Now, the real frustration
10:48
here is the pitfalls of Caretaker itself. The Array had to go, sure, but did it have
10:52
to go in such a way? Did the Valjean have to be destroyed? Did the Maquis have to
10:56
suddenly put all of their uniforms into the Replicators and then adopt Starfleet
10:59
field commissions? As has been stated about Voyager before, the second the
11:03
Maquis members put those uniforms on, the most interesting part of Voyager's
11:06
premise, two crews learning to work together, died. There was a version of
11:10
Star Trek Voyager that would see the ship face struggles, take a beating, learn to
11:13
overcome, and have genuine peril. It's called Year of Hell. The toothless way in
11:17
which Voyager is stranded, while also looking like it's been to a space dock
11:20
every week, is one of the most frustrating things in all of Star Trek's
11:24
history. Number one, forgive my friend, he's a... The City on the Edge of Forever is
11:29
regarded as one of the greatest episodes of Star Trek, one that keeps its premise
11:32
throughout the story, one that shows off strong performances from all, and one
11:36
that ends on such a dark note that it was honestly quite a shock for Trek at
11:39
the time. It also contains the line, you'll have to forgive my friend, he's a
11:42
Chinaman. This is Kirk's attempt to explain Spock's strange appearance to a
11:46
contemporary police officer. The story of the making of this episode is as
11:49
interesting as the show itself, though in any version of the episode, this ill-thought
11:52
racist attempt at humour leaves a bad taste in the mouth. Another version of
11:56
the story would have seen a crewman selling drugs to Starfleet officers, then
11:59
escaping through the Guardian of Forever. Roddenberry absolutely vetoed this idea,
12:03
along with several others, leading writer Harlan Ellison to remove his name from
12:07
the episode altogether. While the episode is one of the all-time great one-episode
12:10
love stories in Star Trek, with Joan Collins playing the doomed Edith Keeler,
12:14
it's just impossible not to notice something as overtly racist as the
12:18
assumption that one's perceived oddness could be explained away as them simply
12:22
being Asian. Star Trek has addressed its own past many times through the years.
12:26
This is not to say that they've shied away from problematic portrayals. Perhaps
12:29
this one hits much harder because, there but for the grace of a line, the city on
12:33
the edge of forever could be one of the greatest pieces of television in history.
12:37
That's everything for our list today, folks. Did we include everything that you
12:39
found most frustrating in Star Trek? Let us know in the comments below. You can
12:42
reach out to us over on Twitter, at Trek Culture. You can catch myself, at Sean
12:45
Ferrick, on all the various socials as well. Until I see you again, make sure
12:48
that you live long and prosper, make sure that you stay well. Our friends in
12:51
Ukraine, keep fighting, stay strong, we love you. Everyone, have a wonderful week.
12:54
Make it so.
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