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Agostina fa la cameriera ma, nell'immediato dopoguerra, decide di prostituirsi e consegna il denaro al parroco del suo paese perché glielo conservi. Questi, ignaro della provenienza dei soldi, li utilizza per costruire un orfanotrofio.

#commedia #drammatico
Trascrizione
00:00:00Thank you all.
00:00:46Thank you all.
00:01:07Thank you all.
00:01:42Thank you all.
00:02:21Thank you all.
00:02:28Thank you all.
00:02:31Thank you all.
00:03:07Thank you all.
00:03:28Thank you all.
00:03:54Thank you all.
00:04:51Thank you all.
00:05:08Thank you all.
00:05:37Thank you all.
00:06:31Thank you all.
00:07:07Thank you all.
00:07:24Thank you all.
00:07:52And now...
00:07:53with this cursed piece of paper.
00:07:56What do you buy...
00:07:59did you tell yourself?
00:08:29a million...
00:08:30My God...
00:08:33but Agostina...
00:08:34you're rich...
00:09:04millionaire...
00:09:05I don't care...
00:09:06I don't care...
00:09:09you know they're the shirts...
00:09:11you know it's the shirts...
00:09:12you know it's the shirts...
00:09:15No, so it means that men buy shirts.
00:09:18Now I know how to make men's shirts well, I've never done anything else in my life, I'm a
00:09:23bad.
00:09:24Let's set up a nice, modern little shop.
00:09:27You don't know how many times I've thought about it.
00:09:30I already know where to put my hands.
00:09:33We'll give you 500 meters a month, or a fixed minimum of 500 to 1000 meters.
00:09:37Just send us the fabrics to our warehouse, as you use them.
00:09:40For you it will be like an income without any hard work.
00:09:42I'm sorry, but I like to work hard.
00:09:45I only do these deals with companies that I can trust.
00:09:49I can't risk making a profit with my factory.
00:09:52If you don't pay for the goods after I've guaranteed them...
00:09:54But which ones are thin, which ones, what risks.
00:09:56We trust him, we have everything, ability, will, the money to start the shop.
00:10:00Come on, Agostina, show them to him, otherwise he'll think we're joking.
00:10:04But I don't have the money.
00:10:05All right, good, clever girl, show him the warehouse.
00:10:07But I don't even have the deposit.
00:10:09What?
00:10:11Did you see?
00:10:12I have the money, but in the country it's mine.
00:10:14Are there banks in your country?
00:10:16No, I sent them to the parish priest to keep.
00:10:18As?
00:10:19To Don Giuseppe.
00:10:20You know, I was always on the go, I didn't trust myself to carry them around.
00:10:23When I arrived they stole my savings account.
00:10:25But you don't have a receipt, anything?
00:10:27Oh, yes, I have the receipts for the money orders.
00:10:30Oh, thank goodness.
00:10:31Don't you see what a phenomenon I've got as a partner?
00:10:34Now the parish priest has gone fishing.
00:10:36You tell me who could cheat us with a guy like this nearby.
00:10:38It's one million four hundred and fifty-six thousand lire.
00:10:41You didn't trust me, huh?
00:10:42And then you sent them to...
00:10:44To the parish priest, yes.
00:10:45What is your name?
00:10:46Agostina Bortolozzi.
00:10:48Augustine.
00:10:48Good.
00:10:49I like.
00:10:50You must always do this in life.
00:10:52Never trust anyone.
00:10:53Not even banks.
00:10:55Good.
00:10:56We need people like you in the business.
00:10:58Guys like you.
00:10:59Yeah, okay, let's get to the point.
00:11:01Can you send me the tow?
00:11:01No.
00:11:02What?
00:11:03No, I'm sending them to her.
00:11:04Are you sending them to her?
00:11:06You are a treasure, a love.
00:11:08We won, Agostina, we won.
00:11:19Here is the glass counter, the wardrobe covered with plaster, the pendant.
00:11:23And the upholstery?
00:11:24Light blue background with robins on white almond trees.
00:11:27But won't it be a little lively?
00:11:28Well, but what makes it stand out, instead, because it matches the light wood of the furniture and the upholstery of the red chairs.
00:11:33Yes, of course, and that's it.
00:11:35I wonder what those two are doing.
00:11:37Hey, can we help you?
00:11:38If he doesn't stop, I'll call the captain.
00:11:41Can't we even give a compliment?
00:11:43We only talk to people we know.
00:11:46How mean you are.
00:11:49Oh, they got it.
00:11:52Ah, how beautiful.
00:11:53I feel like I'm on vacation.
00:11:55Southern.
00:11:56Lauretta.
00:11:57Lauretta.
00:11:59I feel like I've become quite the lady.
00:12:01But it's not what you think.
00:12:02We are not ladies.
00:12:04They will queue up to come and measure themselves with us.
00:12:07And we were all clean, cute, and tied up.
00:12:09Don't make me think about it, otherwise I'll feel bad.
00:12:12I bet it's been less than a year since you got married.
00:12:15And not with a bumpkin, you know.
00:12:16With a professional or a lawyer, perhaps.
00:12:19And who knows?
00:12:20I try on a shirt today or a shirt tomorrow.
00:12:23But what?
00:12:25We have arrived.
00:12:55Oh, it's about time.
00:12:56That's better.
00:12:56Marshal.
00:12:56No, no, no.
00:12:57First the parish priest, the money.
00:12:58And then with the money in hand from the marshal.
00:13:00I'll talk to him and we'll explain the case to him.
00:13:01God, what a shame.
00:13:03Let's pass by here.
00:13:04You meet fewer people.
00:13:06Yes indeed.
00:13:07I don't like bloody events.
00:13:09Do you have any boyfriends waiting for you?
00:13:11Ninth.
00:13:12He remained a prisoner, I don't know where.
00:13:14The family, then.
00:13:15And I have a sister married to a butcher.
00:13:18Not even a brother, nothing?
00:13:19No.
00:13:20Oh, then.
00:13:21Brothers are dangerous.
00:13:22I have three.
00:13:23The minor wrote to me that he also started boxing.
00:13:26I have two jealous boyfriends that I won't tell you about.
00:13:28Yet when I come home I don't make the fuss you do.
00:13:30But yes, I know.
00:13:31But you know, here they get shocked over nothing.
00:13:33My sister-in-law kicked me out of the house because she was going out with her boyfriend that evening.
00:13:37Sorbole, but I'm backtracking here.
00:13:47Walk, walk.
00:13:47What's up?
00:13:48Something I know is happening.
00:13:49Okay, but I just don't understand what this fear is.
00:13:52Maybe he would have supported you in the town hall if you stayed in the village.
00:13:54No, so what?
00:13:54You have to go with your head held high, don't give a damn.
00:13:57Yes, I know, but you know.
00:14:01What's up?
00:14:02What do you want?
00:14:02Is the parish priest here, please?
00:14:04The parish priest doesn't receive, he's sick.
00:14:05But I have to see it in every way.
00:14:07But now he can't.
00:14:08Tomorrow, tomorrow.
00:14:10Hey, young man, calm down because Miss Agostina Bortolozzi has come from the devil's house to see him and she's opening the door.
00:14:16Tomorrow.
00:14:20What did she say?
00:14:22Agostina, Agostina Bortolozzi.
00:14:27Agostina Bortolozzi?
00:14:29Agostina Bortolozzi?
00:14:31What a surprise.
00:14:32Oh my God, have a seat.
00:14:34Come in.
00:14:35But no, I can't do it.
00:14:36I can do it, I can do it.
00:14:38I think so.
00:14:39And who knows how happy Francesca and the Reverend will be.
00:14:44And Miss Agostina here?
00:14:46But who would have ever imagined it?
00:14:49And who would have hoped for that?
00:14:51And I'm going to call Francesca right away.
00:14:54Francesca!
00:14:55Francesca!
00:14:56Miss Agostina?
00:14:57Miss Agostina Bortolozzi?
00:15:00Impossible, impossible, really.
00:15:02Agostina, good heavens, it really is her.
00:15:04But how is he?
00:15:04When did it arrive?
00:15:05But what is it?
00:15:06But could he warn?
00:15:07We came to welcome her upon landing.
00:15:08But let's see how elegant it is.
00:15:11He made me money, huh?
00:15:13Good.
00:15:13And who knows how happy the reverend will be.
00:15:16I'll let you know right away.
00:15:16He's so sick, poor thing.
00:15:18It's more there than here.
00:15:20But then don't bother, I'll come up.
00:15:22We wouldn't be short of it.
00:15:23With permission.
00:15:24With permission.
00:15:25Reverend!
00:15:26Agostina has arrived!
00:15:27Miss Agostina!
00:15:29But tell me.
00:15:30Everyone is so fanatical in this country.
00:15:32Maybe the expulsion order hasn't arrived yet.
00:15:34Okay, but here it looks like you've won the war.
00:15:43But?
00:15:54Good morning.
00:15:56Good morning.
00:15:57Come on up.
00:15:58There won't be any lions here, will there?
00:16:01And away, away, children.
00:16:02Go to the oratory.
00:16:03Go.
00:16:04Excuse me if the lady are children.
00:16:06Go, go.
00:16:06You'll see it later.
00:16:07And it goes down right away.
00:16:09She finishes getting dressed.
00:16:10I am sorry.
00:16:11But what's wrong with him?
00:16:11And who knows.
00:16:12Heartache.
00:16:13He even caught fever in the concentration camp.
00:16:15It's so delicate.
00:16:16In a concentration camp?
00:16:18Yes, in Germany.
00:16:19Who?
00:16:19Don Andrea.
00:16:20Francesca, where are you?
00:16:22Oh, good morning.
00:16:23Welcome.
00:16:25Good morning.
00:16:25No, this is it.
00:16:26Here it is.
00:16:27She, welcome.
00:16:28What an honor.
00:16:29I'm so pleased to meet you.
00:16:31Pleasure.
00:16:32You're welcome, you're welcome.
00:16:34Please take a seat.
00:16:35Sit down.
00:16:36And who would have expected it?
00:16:37I really didn't count on you coming.
00:16:39And then, without even warning me.
00:16:41But isn't Don Giuseppe there?
00:16:43Ah, but it's true.
00:16:44The young lady doesn't know it yet, of course.
00:16:46She still doesn't know that Don Giuseppe is dead.
00:16:50As?
00:16:51Yes, the gentleman wanted him with him.
00:16:53Eh, that must have been a year and a half ago, poor thing.
00:16:55But it was almost a good thing.
00:16:56He was half paralyzed.
00:16:58He spoke all wrong, didn't he?
00:16:59He spoke like that, poor thing.
00:17:02Died?
00:17:03But it's not possible.
00:17:04And why not?
00:17:05I put it in its nice little box, didn't I?
00:17:08How beautiful it was.
00:17:08He seemed to be smiling.
00:17:10Well, but you shouldn't take it too seriously.
00:17:12Blessed creature.
00:17:1492 years old.
00:17:15And how much he wanted to walk.
00:17:17But not because I had relationships...
00:17:20For the money he sent, he says?
00:17:22Here, yes.
00:17:23If that's the case, don't worry.
00:17:25Did she take note of every time they arrived?
00:17:28No, no, don't worry about the money, everything's fine.
00:17:31I wanted to write to her countless times, but I didn't have her address.
00:17:35Yeah, I wasn't...
00:17:37Yes, yes, I was always moving.
00:17:40I understand.
00:17:41Business, travel, natural.
00:17:44Well, Francesca, are the girls ready?
00:17:46But yes, they are ready, they are ready.
00:17:47But stay calm, or you'll get a deal.
00:17:50Come, come and see.
00:17:52They told me that she attended kindergarten as a child.
00:17:55Well, I...
00:17:56If you see it now you won't recognize it anymore.
00:17:58All refurbished.
00:17:59Don't worry, she's not feeling well.
00:18:01But of course.
00:18:03A former student who returns after making an immense fortune.
00:18:06Oh well, good luck.
00:18:07And of course, Don Giuseppe told us.
00:18:09And she had inherited it from that old lady where she was in service
00:18:12who then put it into business.
00:18:14He made millions of them.
00:18:16Come, come and see, how beautiful.
00:18:18This guy must have gotten it into his head that you're a billionaire.
00:18:21Well, we have all of Europe in the asylum.
00:18:23But what am I saying about Europe?
00:18:24The whole world, right Francesca?
00:18:26Orphans, daughters of soldiers who happened to be passing through Italy.
00:18:30English, French, Australians.
00:18:33Over here, over here.
00:18:34Be careful of the step.
00:18:36Here are the girls.
00:18:44Here are the girls.
00:18:47Here are the girls.
00:18:51Here are the girls.
00:18:57Here are the girls.
00:19:03Here are the girls.
00:19:05Here are the girls.
00:19:08Here are the girls.
00:19:15Here are the girls.
00:19:29Sea.
00:19:30Here are the girls.
00:19:33Here are the girls.
00:19:34About Don Andrea, eh?
00:19:35Words and music, all his stuff.
00:19:37Bravo.
00:19:56Sing that if I have it, he'll take your snort.
00:19:59But I don't know the words.
00:20:12Sing that if I have it, he'll take your snort.
00:20:23They heard, huh? What little voices!
00:20:26But who is that?
00:20:27It's Miss Agostina. I took the liberty of having an enlargement done.
00:20:30I wanted it to always be in plain sight.
00:20:32Come on, girls. Come on, come on.
00:20:34I feel like Mother Agostina. You can see her so close.
00:20:38How do you say?
00:20:39What a great group, Mamma Agostina!
00:20:43Good morning.
00:20:44Cute, huh? That's Marta, German.
00:20:47Corinna, American.
00:20:49Luisa, Filipina.
00:20:51And this here is Giovanna, English.
00:20:55All mixed, in short. But as they say, the base is Italian.
00:20:58There's also the daughter of a black brigade.
00:21:01Yes, but I don't pay attention to politics.
00:21:03There's that one. And her daughter is a partisan from Turin.
00:21:06But red, fiery red.
00:21:09Well, for me they're all the same.
00:21:11Am I not doing well, perhaps?
00:21:12Oh, sure. It's very good.
00:21:14He's really good.
00:21:15Seconds!
00:21:18This morning we only found these.
00:21:21Mom Agostina will appreciate them just the same
00:21:23when he knows that they were destined for St. Joseph.
00:21:26Let her do it, let her do it.
00:21:27I taught him that.
00:21:28Maria, the speech you prepared.
00:21:32No, no, thanks. I...
00:21:34On behalf, on behalf, on behalf of all the comrades
00:21:38we thank you for, for...
00:21:44Come on, come on, courage.
00:21:50Courage.
00:21:52On behalf of...
00:21:54You must forgive me, I'm so annoyed.
00:21:57Come on, girls. What do you say?
00:21:59From me, thank you, mother Agostina.
00:22:02Excuse me, but thank you for what?
00:22:05But of all that Miss Agostina did for them.
00:22:07If it hadn't been for her sending all that money,
00:22:10Who knows where they would have ended up by now, poor things.
00:22:13Like money?
00:22:14Yes, money, yes.
00:22:17Ah, maybe she didn't want the girls to know.
00:22:20I understand.
00:22:21But I preferred that they remember.
00:22:24Look over there.
00:22:35They must remember that even in a time like this,
00:22:38where everyone tries to deceive each other like so many beasts,
00:22:41not everything is bad, not everything is bad,
00:22:44because the loving flames of human solidarity
00:22:47they are not turned off and will never turn off.
00:22:49What's wrong, miss? You feel sick.
00:22:51But no, nothing, it's the emotion.
00:22:53Philip, a glass of water here.
00:22:55Come on, come on, miss, it's nothing.
00:22:57But it's nothing, come on.
00:23:00You see, everything is marked here, down to the last pin.
00:23:03Look, look.
00:23:05Received one million four hundred and fifty-six thousand and five hundred, correct?
00:23:10Yes, you forgot five hundred lire.
00:23:13So, therefore, therefore, given what is given,
00:23:17everything is specified here.
00:23:19Forty-eight covers,
00:23:21the little sheets of canvas,
00:23:22the little shirts,
00:23:23the colored glasses.
00:23:25Total?
00:23:26One million four hundred and fifty-six thousand five hundred.
00:23:29Is everything finished?
00:23:31Everything, everything.
00:23:32For a while now, almost immediately.
00:23:34Is that true, Francesca?
00:23:35Of course, with what stuff costs today,
00:23:38it's all top-notch stuff.
00:23:39Look, their good covers,
00:23:41always laundry,
00:23:42their little shirts.
00:23:44Look, look here.
00:23:46Geranium plants always fresh.
00:23:49I've thought of everything, look.
00:23:52Come over there.
00:23:53Come and see what you work on,
00:23:54the painter, the decorator.
00:23:56But Don Giuseppe didn't tell her anything before he died.
00:24:00And what was he supposed to say?
00:24:01His mouth was crooked.
00:24:02He recommended that I do everything to the best of my ability.
00:24:04But I think it's better than this.
00:24:06But the letter?
00:24:07He didn't receive the letter.
00:24:09A year ago I sent a letter to Don Giuseppe
00:24:11to explain to him what he was supposed to do with the money.
00:24:15No, I haven't received any letter.
00:24:18But why didn't I do it well, maybe?
00:24:20I didn't invest it well.
00:24:22She is not happy.
00:24:26Yes, but...
00:24:27You see, Father, it's not that Miss...
00:24:30Yes, mother Agostina is not happy because of the girls.
00:24:33But it's just that...
00:24:35Don Andrea.
00:24:37Oh, goodness Don Andrea, calm down.
00:24:39Remember that he is sick.
00:24:41Now it passes, now it passes.
00:24:42Miss, please be careful.
00:24:44Thank you, thank you.
00:24:45It's passed.
00:24:47Come on, let's go, don't worry.
00:24:48The young lady didn't say she wasn't happy, did she?
00:24:54No...
00:24:54If we go over there, I'll show her.
00:24:57No, no, I'm leaving.
00:24:59Preferably, it's ready.
00:25:00Oh, yes.
00:25:01I'm coming, I'm coming.
00:25:03Do you mind if we continue later?
00:25:05The girls are hungry.
00:25:06Yes, yes, after.
00:25:07If you would be kind to us, to the girls, it would make them so happy.
00:25:11If only she knew how much they love her.
00:25:12Of course, where does he want them to go?
00:25:13There is no work until tomorrow.
00:25:14With your permission, then.
00:25:16And don't worry, you know, everything's fine.
00:25:18I thought of everything.
00:25:19Yes, yes.
00:25:23Yes.
00:25:37Yes.
00:25:48Thank you all.
00:26:09I'm sorry I can't offer you anything else, but unfortunately the Lord wanted to test our faith today too.
00:26:18We're starving here.
00:26:19Other than black hunger.
00:26:23But look.
00:26:24Not counting the debts, imagine that there is still the wall to pay and the bricklayer wants to come to
00:26:29throw it back down.
00:26:30Possible.
00:26:31You're surprised, aren't you?
00:26:32Yet people no longer live in God's grace.
00:26:35He has become selfish, with a heart as hard as stone.
00:26:39He only cares about his own business.
00:26:41There's the mayor, he would like to be re-elected and he promised kindergarten to the town's children.
00:26:47He says these people have to go because they're bastards, that they have nothing to do with this island. Understand?
00:26:53He's the knight, the landowner, you know? He also wants to be elected mayor and he promised the villagers that he will do the
00:26:59cinema here, right here, yes, because he says the land is his.
00:27:04And meanwhile they're waging war on us. They're gossiping about us. They've turned everyone against us. And they're even picking on me.
00:27:09in particular.
00:27:10Everyone. Well, because you know, I call a spade a spade, wine a wine. And people don't like to know.
00:27:17How bad she is. She doesn't want to know.
00:27:20So, no more money is collected from the emosin. Not even half a penny. These poor creatures have been repeatedly...
00:27:26they only eat what they eat.
00:27:28But there's no need to despair. There's a providence. She's here. Let's thank the gentleman that the young lady has arrived.
00:27:49Wanting a pittance. And that guy now even ships fabrics. I didn't trust banks. I...
00:27:57sent to the parish priest of my town.
00:27:59Now you're served. It's over, my God, it's over.
00:28:05God, what a wretch I am. I'm going to kill myself.
00:28:09And maybe not me. My friend also lost out. It's not just the shirt business.
00:28:22Mom Agostina, what's wrong? Are you feeling ill?
00:28:26I don't have it.
00:28:38Why are you crying, mother Agostina?
00:28:40Because you're so nervous, you have a stomachache, can't you see? Go to bed.
00:28:44Sssh. Shut up.
00:28:47Go up to sleep. It's late.
00:28:50I can't sleep if you're sick.
00:28:55I'm fine now.
00:28:56Is it true that there is a castle made of gold where you take the best little girls?
00:29:01There are two. Three. Like Eulalia Torricelli.
00:29:05But come on, you're getting cold.
00:29:07Mom Agostina, I'm good.
00:29:10Well, good.
00:29:12When I was good, my mother used to let me sleep in the big bed with her.
00:29:17If you continue to be good, you'll see that one day your mother...
00:29:23Mom died.
00:29:29Come here with me.
00:29:40Are you sick too?
00:29:43Yes.
00:29:44But aren't you crying?
00:29:45No, I'm crying inside, you can't see it.
00:29:48I'm so sorry you're feeling sick.
00:29:50Imagine me.
00:29:51But how much chatter this one has.
00:29:53But, but, hey, what's wrong with you?
00:30:01Sara, she even looks like someone I know.
00:30:05Go away, go away, Agostina, she's not here, she hasn't arrived.
00:30:08We didn't arrive.
00:30:09But where didn't it get to? I saw it.
00:30:11But no, it hasn't arrived yet.
00:30:13But how come she didn't arrive? Did he see her last night?
00:30:15But it didn't arrive.
00:30:16But remember, you're in fiesa.
00:30:17I have the sacred right to see her.
00:30:20Let them talk to you.
00:30:20When she wants, she will call you.
00:30:22No, doubtful.
00:30:23And then he has the right to see up at his aunt how those four bastards saw her.
00:30:26I don't want to seem indiscreet, but if you would make just one more small effort for these poor creatures...
00:30:32Here, if we don't get out of here soon, they'll even steal our suitcase.
00:30:37But what's happening?
00:30:38There are a lot of poor people over there who would like to see her.
00:30:41To me?
00:30:42And they knew it had arrived.
00:30:43If you want me to let them in...
00:30:45No, no, please, Reverend.
00:30:47I advise you not to show yourself.
00:30:49Later he goes out through the sacristy, down through the garden, two kilometers and takes the vaporetto to Micciola's house.
00:30:54Nobody sees it like this.
00:30:57Augustine, Augustine, we're here, they won't let us in.
00:31:00My sister.
00:31:02Oh, well, the little sister too, eh.
00:31:04No, I didn't pass by, I'm the little sister, you can come in.
00:31:08Agostino, finally, what a nice improvisation.
00:31:10She would be the one who kicked you out of the house.
00:31:12Yes, nice.
00:31:14Show yourself how good you are, how elegant you are.
00:31:18Look who's here, Cerdinandi, come here.
00:31:20If only you knew how bad he is, poor thing?
00:31:21He didn't know I took it so tragically.
00:31:24Come on, hug each other, make peace.
00:31:27Augustine.
00:31:32Marietto, wipe your mouth and give your aunt a kiss.
00:31:35Come on, Marietto, go.
00:31:38Here you are...
00:31:40You don't know this, it's new.
00:31:43Felicino, see?
00:31:44Yes, yes, yes, come here.
00:31:46Do you know this one?
00:31:47This aunt is beautiful.
00:31:50For grandpa killed the piglet, come with us.
00:31:53Let's have one of those lunches that you'll remember for a long time.
00:31:55I told the lady not to go out.
00:31:58Eat here with the girls, but let's go buy something.
00:32:01The girls, who are his relatives.
00:32:03All that she's done for these four brats isn't enough for her.
00:32:06He wants to make them take their own garbage too.
00:32:08There are no garbage here.
00:32:09It's coming, the marshal has arrived.
00:32:18This wise girl, this simple and humble girl who left the village alone and succeeded only thanks to her many virtues,
00:32:30to his tenacious will, to his silent sacrifice in making a fortune,
00:32:38this girl who in her fortune has not forgotten the people who suffer,
00:32:43is nothing other than the living demonstration of individual initiative,
00:32:48the clear result of the good that intelligently employed capital can bring to society.
00:32:58That's not true, no.
00:33:00Augustine is a daughter of the people.
00:33:01She was a servant.
00:33:03It's the classic example of the working class.
00:33:05And it is to her that all the workers of the municipality send their greetings.
00:33:09It is also of the spirit.
00:33:11And the country lacks the bread of the spirit.
00:33:15It lacks a small monument, the memory of the sacrifices made,
00:33:19of the victories achieved by the population while being mayor.
00:33:24No, I mean, well, after all, there's not just the church in a town,
00:33:30the town hall also has its importance.
00:33:33And when you consider that only the modest figure of one million
00:33:38is missing to realize this spiritual ornament of our square,
00:33:42we fervently trust that the virginal goodness
00:33:45and the high civic sense of our beloved fellow citizen
00:33:49He will soon fulfill our wishes.
00:34:15But what was it?
00:34:17Nothing, nothing, you're moved.
00:34:20How touching, shall we go?
00:34:21That one has arrived, wow, wow, a million, Jesus, Jesus.
00:34:24Oh well, it's not just the church.
00:34:28Look, mayor, leave it alone.
00:34:30She's now obsessed with that priest.
00:34:32That priest up there doesn't deserve anything, you know.
00:34:34And why?
00:34:35He's such a good guy.
00:34:37That's a good guy.
00:34:40Ah, very good!
00:34:41She fell too.
00:34:43For him, any means is good to make money.
00:34:45He put the asylum there on purpose.
00:34:47The girls are a gimmick, really, a pretext to extort money from good-hearted people.
00:34:53But he should hear it on Sunday in church.
00:34:55But he doesn't preach, he insults.
00:34:58But Scalzoni, Scoundrels, where is your heart?
00:35:00Oh, what is it?
00:35:01And then he is loyal.
00:35:02But he doesn't know that he threatens to send to hell all those who don't do the anemosina,
00:35:06as if it depended on him.
00:35:09And then he sends the little girls out to spy.
00:35:11And if he knows that there is someone who is about to make some little mess,
00:35:14you're as swoopy as a hawk.
00:35:16I had to give him two quintals of wheat.
00:35:18Two quintals of wheat.
00:35:21To prevent him from reporting me as a draft dodger.
00:35:24We've put up with it so far, compared to Miss Agostina.
00:35:27And then, because if someone says something,
00:35:30steepen the values, take out the concentration camp.
00:35:33That guy gets heartache when it suits him.
00:35:36Look who's here, huh?
00:35:38What did I tell her?
00:35:39Good morning, bon appetit, bon appetit.
00:35:42Enjoy your meal, mother Agostina.
00:35:44Hey, what was I telling you, eh?
00:35:46Come here.
00:35:47He sent her to spy, huh?
00:35:49No, Don Andrea sent me here to tell you
00:35:52to absolutely remember that thing
00:35:54that he has already prepared the letter for the Domenica del Corriere.
00:35:58As?
00:35:59As?
00:35:59Oh, bad.
00:36:00But have you heard?
00:36:01We've reached blackmail, haven't we?
00:36:03To blackmail.
00:36:04But what is it about?
00:36:05About the monument, you understand?
00:36:07He wants the 700,000 lire they managed to scrape together for the monument, yes.
00:36:11He says he needs them for the girls,
00:36:13that if I don't give them to him,
00:36:15writes to Domenica del Corriere to denounce the outrage.
00:36:18He says, the dirty one.
00:36:20I write the dirty stuff from above.
00:36:22I'll write about how well he educates these young ladies here.
00:36:26Come here.
00:36:29I say to you, come here.
00:36:34What do you have in your hand?
00:36:35Let me see.
00:36:36Let me see.
00:36:37Where did you get it?
00:36:38Where did you get this?
00:36:39Answers.
00:36:42Here, do you understand?
00:36:43You go around stealing corn.
00:36:45And do you know who does it next?
00:36:46Look, look.
00:36:50Do you understand the game?
00:36:51She, little step, little step,
00:36:53he takes them to the rectory.
00:36:55Bullies keep on pecking
00:36:56and when the rectory rings...
00:36:58And what was seen, what was seen, eh?
00:37:02Augustine, be careful!
00:37:11Marco?
00:37:15My dear Madonna, my daughter, I'm running away!
00:37:16I'm running away, that sworn woman will kill you!
00:37:18Go.
00:37:18But who's here, should I run away?
00:37:24I'm taking the boy home.
00:37:26I'm leaving!
00:37:27If I'm leaving right now, you know?
00:37:35How are you?
00:37:36If you don't leave her, man, slap her!
00:37:39Leave me alone!
00:37:39I swear, I never cheated on you!
00:37:41Leave me alone!
00:37:42Marco!
00:37:43You're hurting me!
00:37:45The mother!
00:37:46But you're not coming!
00:37:48Let me stay!
00:37:49Leave it alone!
00:37:50If I go away, I'll go away again!
00:37:52Yes, the dish!
00:37:53What do you want to do?
00:37:54Leave her alone!
00:37:56Hate!
00:37:58Little farm, help!
00:37:59Leave me alone, help!
00:38:00And forget about the young lady!
00:38:02You got it!
00:38:03Otherwise!
00:38:04My dear Mazzino, where are you taking her?
00:38:05But leave him alone, give him a baby!
00:38:06But why don't you see it?
00:38:07No, no, I know him!
00:38:08It's the boyfriend she had before!
00:38:09He's a guy with nothing to lose!
00:38:10He takes it from me, shoots it, and then the innocent people get caught in the middle!
00:38:12But wait, look!
00:38:14But I'm going to kill her!
00:38:15But what to kill, to kill?
00:38:16Which way did it go?
00:38:17Towards the place!
00:38:18Jesus, Jesus, he's going to throw a stone at my neck!
00:38:42It's been a long time since you came back!
00:38:44Yes!
00:38:47And what are you doing now?
00:38:50I don't have millions like you at all!
00:38:53I have a wretch like before!
00:38:56Even worse!
00:38:59I disgust you, huh?
00:39:00I know!
00:39:01But I can't do anything about it!
00:39:03Oh, no!
00:39:05Six...
00:39:06You're more handsome, you speak better!
00:39:08You've improved too!
00:39:11I admit you bathe every day now!
00:39:13Well...
00:39:14Almost!
00:39:15Oh, sure!
00:39:17War never comes for nothing!
00:39:19They learn a lot from you!
00:39:21And many others are forgotten!
00:39:24Just like you did!
00:39:25Marco, I didn't mean to leave you!
00:39:28I haven't written to you anymore because...
00:39:32I didn't know where you were!
00:39:33It's been a year since I came back!
00:39:35I never forgot you, Marco!
00:39:37I swear!
00:39:38Never!
00:39:40Better!
00:39:41Because this time I'm not letting you go!
00:39:44Marco!
00:39:45And if you have commitments, you can postpone it!
00:39:48How did you do with what you had promised me!
00:40:09Look, the bicycle!
00:40:13Look, the bicycle!
00:40:38What are these stegni?
00:40:40Who happened to hit you?
00:40:41No, I fell off my bike!
00:40:44Yes, I imagine that bike!
00:40:47But you're a real pig to dirty a poor girl like that!
00:40:51Do you want to end up on the ground again?
00:40:52Listen to him, kill him, little gentleman!
00:40:55Tell me, where did you study?
00:40:57Shut up, or he'll hit you too!
00:41:00As?
00:41:00But what's the point?
00:41:02And how does this get there?
00:41:03It's not that, you know, he's had a lot on his mind these last few years!
00:41:08But is he the only one who has thoughts?
00:41:10We would be cool then!
00:41:12There it is!
00:41:13Calm!
00:41:14Calm!
00:41:14Calm!
00:41:15Calm!
00:41:17Marshal, who's waiting to arrest him?
00:41:18Look at those signs, look!
00:41:19I fell off my bike!
00:41:20A kidnapping, Marshal!
00:41:22A kidnapping, a kidnapping!
00:41:23Wait a minute!
00:41:24Miss, have you been kidnapped?
00:41:27Ninth!
00:41:29She stayed here of her own free will!
00:41:32Yes!
00:41:33So what can I do?
00:41:34There are no extremes, there is no crime!
00:41:36If it had been a rat, then yes, but not like this!
00:41:39No, go, go, go, it's freedom, go!
00:41:41But what about you freedom?
00:41:42Well yes!
00:41:42So tonight, you understand?
00:41:43It's a simple way of looking at matters!
00:41:44There is no crime!
00:41:45But there is no crime!
00:41:46But there is no crime!
00:41:47Aren't they making you a saint this time?
00:41:49I'm shaving it off, I can't take it anymore!
00:41:51I just can't take it anymore!
00:41:52Oh no, now we're staying, didn't you hear what they were saying about the please?
00:41:55I don't want to know anything, I want to go away, otherwise I'll go crazy!
00:41:58This is about walking 20km with a suitcase!
00:42:01If you get a deportation order, that's what's going to kill me!
00:42:04But he's not coming now, it's Sunday, at least don't worry until tomorrow!
00:42:07She's not talking, little girl, right now!
00:42:09And then, maybe the money isn't lost yet!
00:42:12I got an idea!
00:42:13Agostino, come home because Ferdinando is going to kill another piglet tonight!
00:42:16I'll kill you if he comes home!
00:42:19Love, love!
00:42:20Love what?
00:42:23But, love!
00:42:24Love, right?
00:42:26And why?
00:42:28Why?
00:42:29There, just to say, isn't it said?
00:42:33No!
00:42:36Listen, do you really not remember receiving a letter addressed to Don Giuseppe?
00:42:41What month did you send it?
00:42:43In January!
00:42:44Here, in January of last year!
00:42:46Eh, in January of last year!
00:42:50Well, you know, it's not easy to remember!
00:42:53Maybe it was a registered letter!
00:42:55But, try to remember, he came from Livorno!
00:42:57From Livorno?
00:42:59A letter?
00:43:01But, yes, now I remember!
00:43:03The letter with a pink envelope!
00:43:04Here, yes, yes, that one!
00:43:06But yes, I received it!
00:43:08Ah, I remember everything!
00:43:10Especially the letters from Miss Agostina, just imagine...
00:43:13And do you remember who gave it to?
00:43:15And of course, to Don Andrea!
00:43:17But is it safe?
00:43:19Would you be willing to testify?
00:43:20But absolutely!
00:43:22Everything that came for Don Giuseppe, bless his soul, I always handed over to Don Andrea!
00:43:28But why?
00:43:29Which perhaps has been lost?
00:43:31No, no, it's not lost!
00:43:33Thank you!
00:43:33We needed it to check a date!
00:43:35Until we meet again!
00:43:37Until we meet again!
00:43:38What was I telling you, the broken son of a priest, then he knew that he had to touch the folders!
00:43:43She even put it in her pocket anyway!
00:43:45This is his own improper action, he cheated you!
00:43:48Comedian!
00:43:50Look at her!
00:43:51Miss, Miss Agostina!
00:43:53Thank goodness, I was just looking for it!
00:43:54But really?
00:43:55And how did he know we were here?
00:43:56Don Andrea told me, I feel so bad!
00:43:58He says if he can stop by the rectory for a moment, he urgently needs to talk to you!
00:44:01Oh look, how lucky, eh!
00:44:03This is telepathy!
00:44:06Okay, let's go!
00:44:07We were just thinking about coming to visit him!
00:44:10I don't recognize him anymore, I don't understand what happened to him!
00:44:15It's changed so much in a while, it's changed so much!
00:44:19You must forgive me for telling you, but when the letter arrived, the money had already run out!
00:44:25She is so rich!
00:44:27Great thing, you let the rich steal!
00:44:30Don't say that!
00:44:32We were starving, we were waiting for the bishop's subsidy and I thought I could fix everything!
00:44:38I considered it a loan!
00:44:40But look, keep going!
00:44:44But then new facts came to light!
00:44:46They turned the whole country against me!
00:44:49The grant helped me feed the girls!
00:44:53And I couldn't do it anymore!
00:44:54She ruined me!
00:44:57Ruined, you understand?
00:44:58Ruined?
00:44:59But why isn't she rich?
00:45:01No, she's not rich!
00:45:03She's a poor thing!
00:45:04Those few pennies were all he had!
00:45:06She deprived herself of everything for four years!
00:45:08She came back because she has a deportation order, if you want to know!
00:45:12The expulsion order?
00:45:14Yes, the expulsion order!
00:45:17I'm not going back to that life!
00:45:20I'm fed up!
00:45:22My God!
00:45:23Safe!
00:45:24And she gives him all the money back, one on top of the other!
00:45:28But I...
00:45:30I have nothing!
00:45:32I'm sorry, but she does what she wants!
00:45:34She invents whatever she wants, with all the imagination she can muster!
00:45:38But she'll kick them out tomorrow morning before nine!
00:45:40She pulls them out from under the mattress!
00:45:42Otherwise, lean pre-lean, let's go to the marshal!
00:45:45We report it!
00:45:47Let's write to the archbishop!
00:45:48We're sending him to jail!
00:45:49To jail!
00:45:49For goodness sake, think of the little girls!
00:45:52And who's thinking about me?
00:45:54Who ever thought of that?
00:45:56And we warn you that tricks are useless with us!
00:45:58Last night was the last time we were moved by memories!
00:46:01Come on, this guy is a fainting specialist!
00:46:04And before nine we'll be understood!
00:46:07He thought I had ruined my life to put two stained glass windows on him!
00:46:11Do you understand me?
00:46:12He's not used to dealing with those peasants!
00:46:14What do you want to do?
00:46:21He's not used to dealing with those peasants!
00:46:25He's not used to dealing with those peasants!
00:46:28You did well to come visit me today before going out for a walk!
00:46:36I really needed to see you!
00:46:41Sometimes I'm afraid I won't be able to have this joy anymore!
00:46:46It's just fear!
00:46:48But I've been wanting to tell you for a long time...
00:46:51Yes, if one day...
00:46:54If by chance one day I were to abandon you...
00:46:58If you were to be left without my support...
00:47:01You don't have to scare me!
00:47:04I will always be with you!
00:47:05Always!
00:47:07As long as you don't lose faith in people!
00:47:10People aren't bad, you know!
00:47:13She's just afraid of being good!
00:47:15And if you don't have this fear...
00:47:18The others will take courage too!
00:47:20And they will love you so much!
00:47:23How I wanted them for you!
00:47:24Don Andrea, why are you saying these things?
00:47:27Now go!
00:47:29Go!
00:47:29Whatever you want, but we'll be out for a short time!
00:47:33Let's go!
00:47:34Let's go!
00:47:34Come away, children!
00:47:35Come!
00:47:47Viva!
00:47:49Viva!
00:47:50Viva!
00:48:06Dronchi, watch out, go!
00:48:23She...
00:48:24Tell me, tell me, you!
00:48:26Where is she from?
00:48:27From Bologna, can't you hear?
00:48:29Well, I don't know, but it brought here like a wave of cities.
00:48:34Ah, he says!
00:48:36Oh yes, muscle too!
00:48:38Why doesn't she try it too?
00:48:40Why doesn't she try it too?
00:48:42Ah, but, you know, I really don't...
00:48:44Courage, today is a holiday!
00:48:47Oh, no, I can't!
00:48:48No, no, because I'm on duty!
00:48:52There, you see, that's coffee.
00:48:53It's a good place, always crowded.
00:48:55And then we'll set aside a percentage for you, so you can even get a deal, doesn't that speak to you?
00:48:59Yes, yes.
00:49:00The owner has had a lot of misfortunes, he is in great need.
00:49:03We almost took him away, didn't we, Ferdinand?
00:49:05Yes, not at all.
00:49:07And let's face it, it's a really good coffee.
00:49:11God, will you buy me the trumpet?
00:49:14No, I don't have any money.
00:49:16He said, well, do you have the money?
00:49:18It's been said a lot that you suck.
00:49:20Marietta!
00:49:24No, no, blow!
00:49:26Hand!
00:49:26Yes!
00:49:41Campania, Martin!
00:49:42What happens?
00:49:44I do not know.
00:49:44Come here.
00:49:46I'm taking the boy home.
00:49:49But what is it?
00:49:50Something is burning.
00:49:51But what?
00:49:52I don't know, come on.
00:49:58It's raining, it's raining!
00:50:20But what's going on?
00:50:22Eh, who knows?
00:50:23Yet it sounded different.
00:50:24It's a mystery.
00:50:27Senniore, be careful, look, look!
00:50:29Look, go, go, go, forward, forward!
00:50:31Look!
00:50:32Look, forward, forward!
00:50:34Look!
00:50:35Where?
00:50:35Distant?
00:50:36Eh, the fire?
00:50:37Burn it on my barbecue.
00:50:39But this is nice.
00:50:40Don Andrino,
00:50:42you will prevent.
00:50:42And what's happening here?
00:51:08Revere,
00:51:09would you be so kind?
00:51:10show us where it's burning?
00:51:12Nothing burns.
00:51:14Nothing happened
00:51:16than you imagined.
00:51:18Nothing!
00:51:20But it's the same thing
00:51:21of something very serious.
00:51:24Miss Agostina
00:51:25he can't give anything more.
00:51:26She's already given too much, poor thing.
00:51:29Everyone gives what they can in life.
00:51:31That's just it.
00:51:34The mayor has the money,
00:51:36but he doesn't want to give them.
00:51:38I?
00:51:38But what would I look like?
00:51:39I?
00:51:40But his reasons, I know.
00:51:42The monument is important.
00:51:44Everything has its importance.
00:51:45These little girls are bastards.
00:51:48They have nothing to do with you others
00:51:49that you did not bring them into the world.
00:51:51This nursery can be used
00:51:53much better
00:51:53for your children
00:51:55or for a cinema
00:51:57which is a good pastime.
00:51:58Yes I know.
00:52:00They all have their reasons.
00:52:03But I can't take it anymore
00:52:04to see him wasted away by hardship
00:52:06under the eyes.
00:52:07And then something happened today
00:52:10which makes me feel very bad.
00:52:13I am no longer able
00:52:14to fight for them.
00:52:17To move forward
00:52:18it would take some money.
00:52:20Lots of money.
00:52:21And I don't have any money.
00:52:24Then I'm forced
00:52:25to close the nursery.
00:52:26I can't do otherwise.
00:52:29I'm entrusting it again
00:52:30these creatures
00:52:30to divine providence.
00:52:33I put them back on the road
00:52:35where I found them
00:52:37with hope
00:52:38that you too see them
00:52:39as I saw them
00:52:40for a long time
00:52:41and that each of you
00:52:43feel for them
00:52:44what I heard.
00:52:46Thank you all.
00:53:32and comes to spoil us
00:53:34the party
00:53:34to tell us
00:53:35these stories.
00:53:36But it really is needed
00:53:37a real cheek.
00:53:38Hey, Remenè!
00:53:40Now you're exaggerating.
00:53:42It would be gold
00:53:42to finish them
00:53:43with these methods.
00:53:44But what maybe?
00:53:45he's asleep
00:53:46to scare so much
00:53:47a whole country.
00:53:48Crazy, but you must be crazy.
00:53:50That
00:53:51it has never been
00:53:52Wise as now.
00:53:53But you still haven't figured it out.
00:53:55We are
00:53:56divine providence.
00:53:58That
00:53:59he wants the threat
00:53:59to palm off the girls on us
00:54:01because we give him the money.
00:54:03Do you understand?
00:54:03Money!
00:54:05But it is, Remenè!
00:54:06She, the little girls,
00:54:08you can even throw them away
00:54:09down from the bell tower
00:54:11if he wants.
00:54:11It was her
00:54:12to make them come to the island
00:54:13and she has to think about it
00:54:14all the way.
00:54:16But we don't care at all
00:54:18and can open
00:54:19from now on.
00:54:19And remember
00:54:20then we'll do the math
00:54:22because it doesn't end
00:54:23not like that?
00:54:24Because it's not perverse
00:54:25ring the bells
00:54:26hammer
00:54:27just for fun.
00:54:29it is forbidden.
00:54:30You are truly forbidden.
00:54:31And she should stop it
00:54:33to be a bully.
00:54:35She stop it
00:54:36Why...
00:54:37Let's go, let's go.
00:54:39No, no, no.
00:54:40One moment.
00:54:40And the girls?
00:54:41Oh, no?
00:54:42Little girls are not touched.
00:54:44It's him
00:54:44who has to take them back.
00:54:46And what do we have to do with them?
00:54:47Oh, yeah, right.
00:54:47So let's go, let's go.
00:54:49You'll see that it will reopen.
00:54:51Let's go, let's go.
00:54:51Go away, go away.
00:54:52Don Andrea,
00:54:54open
00:54:54a face for these
00:54:55poor little girls.
00:54:57For goodness sake,
00:54:57in the name of God
00:54:59don't leave us here alone.
00:55:01My God, Australia,
00:55:02a scandal happens here.
00:55:04Come, come away.
00:55:05and come, come away.
00:55:11Come, come, come, come...
00:55:44Thank you all.
00:56:23Thank you all.
00:56:40Thank you all.
00:57:17Thank you all.
00:57:45Thank you all.
00:57:48Thank you all.
00:57:56Thank you all.
00:58:23Thank you all.
00:58:47Thank you all.
00:59:22Thank you all.
00:59:46Thank you all.
01:00:04Thank you all.
01:00:27Thank you all.
01:00:37Thank you all.
01:00:40Thank you all.
01:01:12Thank you all.
01:01:45Thank you all.
01:01:48Thank you all.
01:02:48But how do you...
01:02:50Thank you all.
01:03:14Thank you all.
01:03:41I...
01:03:42I cannot...
01:04:12don't forget...
01:05:10you...
01:05:12but...
01:05:14and we...
01:05:44let's go...
01:05:45to me?
01:06:44And...
01:06:45And...
01:06:48For...
01:07:44And...
01:07:45For...
01:08:15I read it...
01:08:45Well...
01:08:50And...
01:08:55And...
01:08:56orm...
01:08:58And...
01:08:58Understood...
01:09:00Where...
01:09:02And...
01:09:02And...
01:09:32And...
01:10:03And...
01:10:33him...
01:10:34...
01:10:35And...
01:11:05And...
01:11:07...
01:11:37...
01:11:37...
01:12:22And...
01:12:23...
01:12:53...
01:12:54And...
01:12:55And...
01:12:55And...
01:12:55And...
01:12:55...
01:12:55...
01:13:25...
01:14:25...
01:14:55......
01:14:56...
01:15:26...
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