Totò, Peppino e le fanatiche/1958 HD

Cinema Lumière

Due giovani finiscono in manicomio perché perseguitati dai familiari. Quando il direttore ascolta il racconto dei loro guai, i due riescono finalmente a dimostrare la propria sanità mentale e ad essere dimessi.  #commedia #comico

Transcript

00:00:00Thank you all

00:00:53Thank you all

00:01:26Thank you all

00:01:48Thank you all

00:01:53Thank you all

00:02:29Thank you all

00:02:37Thank you all

00:02:58Thank you all

00:03:26Thank you all

00:03:29Peppino Caprioli

00:03:33Peppino Caprioli

00:03:34Knight

00:03:36Knight rather

00:03:37I am a parastatal

00:03:38I won't forget you

00:03:39Parastatal

00:03:40I am...

00:03:41Bib guard

00:03:42I'm writing it

00:03:44Oh sure, I see you very well

00:03:46I can see very well that you are not equal

00:03:47But how crazy!

00:03:48It's clear

00:03:48Don't worry

00:03:49Thank you very much

00:03:50Thank you very much

00:03:51Good morning

00:03:51He writes it, eh

00:03:52I'll forget about this one

00:03:54Am I forgetting?

00:04:01No, you'll see that he won't forget it

00:04:32Good morning

00:04:34Good morning

00:05:02Good morning

00:05:04And in fact

00:05:05And in fact

00:05:06You are healthy

00:05:06Hey

00:05:07One moment

00:05:08I like to clarify things

00:05:09I am healthy

00:05:11What do I know about him?

00:05:12And to prove it to me you sat on two chairs that aren't there.

00:05:16Do you see it?

00:05:17I knew it

00:05:18He knew it too

00:05:19I thought

00:05:21The commentator

00:05:22No, I'm not a commentator

00:05:23Are you a commentator?

00:05:25No, I'm not a commentator

00:05:25Didn't they make him a commentator?

00:05:27No

00:05:27But what an injustice

00:05:28But look at that

00:05:29But how do so many people comment?

00:05:31He's a guy like him

00:05:32Who must be arch commentator

00:05:34For us he is a commentator

00:05:36Very good

00:05:36I thought, I say

00:05:38I was saying that being among the madmen

00:05:40He also has a brain

00:05:42No, no, no

00:05:43This was an exam

00:05:45The most common

00:05:46Ah, a municipal exam

00:05:47Municipal

00:05:48Joking

00:05:49Serious

00:05:50Serious

00:05:51Very serious

00:05:51Yes, sir.

00:05:52The reflex exam

00:05:54Yes, I do

00:05:54I'll explain to you later.

00:05:55Come forward

00:05:56Come forward

00:05:57Come forward

00:05:58I can?

00:05:59Yes

00:06:00At that time

00:06:00So I'm going to light up this screen now

00:06:02You have three seconds to fix

00:06:05It is true

00:06:05Secure?

00:06:06Yes, fix

00:06:07That there is not

00:06:07I'll explain to you later.

00:06:08Fix the images that will appear to you

00:06:10Are you ready?

00:06:11Yes

00:06:11Three seconds

00:06:12Three seconds

00:06:12Are you ready?

00:06:14No

00:06:14I'm not saying

00:06:14You have three seconds to spare.

00:06:15Are you ready?

00:06:17Ready

00:06:17Yes, sir.

00:06:18Ready?

00:06:18Ready

00:06:19Ready?

00:06:19Ready

00:06:19The Professor

00:06:20Still?

00:06:21And what does he want?

00:06:21He wants to work three seconds

00:06:23Silence

00:06:25Silence

00:06:26We must fight it

00:06:29Silence

00:06:30One two three

00:06:31What did you see?

00:06:32One two three

00:06:33What did you see?

00:06:34One two three

00:06:35What did you see?

00:06:36What time?

00:06:37An accident

00:06:37One two three

00:06:37What did you see?

00:06:39Have you seen?

00:06:40Did you see what I saw?

00:06:42Yes, sir.

00:06:42One two three

00:06:43What did you see?

00:06:44One with the bicycle

00:06:46With the shoe

00:06:47No, without

00:06:47A bicycle without shoes

00:06:48The bottle in the shoe

00:06:49A bottle on a bicycle

00:06:51A shoe in the hole

00:06:51A shoe without

00:06:52One two three

00:06:52I saw a car

00:06:54A car

00:06:55A car

00:06:55Me too

00:06:56West

00:06:57Because what does the car remind you of?

00:06:59Professor, we are victims.

00:07:01Of our families

00:07:02I too had to suffer

00:07:04My wife's impositions

00:07:05About my daughter

00:07:06Two crazy girls

00:07:07Two speed maniega

00:07:08I am sedentary by nature

00:07:10I was being dragged along

00:07:11At supersonic speed

00:07:12Going camping

00:07:14On a beach on the Tyrrhenian Sea

00:07:15We were running at two or three hundred kilometers an hour

00:07:17I don't remember well now

00:07:19I had been forced

00:07:20Despite myself

00:07:20Following that the madwoman

00:07:21About my wife

00:07:21And that madman

00:07:22About my son

00:07:23At the festival

00:07:23About the jazz of Vermicino

00:07:24Come on, come on

00:07:27Go, slowly

00:07:28Come on, then there's no collection

00:07:30Thank you all

00:08:23Thank you all

00:08:26The hottest

00:08:26But there are facts

00:08:27The hottest

00:08:28The hottest

00:08:30How are you?

00:08:31That the license

00:08:32To her

00:08:33I

00:08:34But how old were they?

00:08:36The one on the street

00:08:37But you understand me

00:08:38And what does it do to me?

00:08:39But are you doing it to me?

00:08:42But are you doing it to me?

00:08:43But you're making me feel like I'm pissed off

00:08:43Ah, a bear has them here

00:08:45Ah, yes

00:08:46But one day

00:08:46But no, the nose

00:08:47It's not at the wings

00:08:48Ah, the ear is on the wings

00:08:49I have the tent

00:08:50I am

00:08:51She was there

00:08:51I am a cobra

00:08:52I'm getting pissed off

00:08:54Did you understand?

00:08:54I remember you

00:08:55Ciovanotto, let's not go around! Keep your head still!

00:09:00Mom, get your jacket!

00:09:02Eh, now the car is burning.

00:09:04We need to call the fire department.

00:09:05What kind of firefighters are you letting her burn? I feel sorry for your mother?

00:09:09What do I care? It's my daughter's.

00:09:11But how come? Why doesn't she just shut up?

00:09:13But teach your son to drive!

00:09:18Now, at this time on Sunday, I would stay at home and calmly read The Three Muskets.

00:09:22Oh, look at this coincidence of an idea!

00:09:24At home, on Sundays, at this time, I read Treasure Island.

00:09:32These are three things that at least go down.

00:09:34Three things? Those are three things I can't stomach.

00:09:35Say, say, say!

00:09:36Weekend. Uh, goodbye, I hear weekend, the bag is going to my head!

00:09:39Sea bathing! Camping!

00:09:41Eh, camping, eh!

00:09:43You told the truth! Is it true?

00:09:45Oh, the truth! Excuse me, okay?

00:09:47You're welcome! Tell me!

00:09:49Ouch! Who is it? He's giving us back, but how tight you are!

00:09:52Excuse me, how strong are you? I mean, it's all painful.

00:09:57I mean, vignanelli.

00:09:58Accountant, vignanelli. Do you make vineyards?

00:10:00Yes, I make vignanelli. Excuse me.

00:10:01You're welcome. And you? Roe deer.

00:10:03No. Yes. Really?

00:10:04Yes.

00:10:05Did he make her deer? Yes, deer.

00:10:06Where is it? Yes, you understand.

00:10:08Will you do one for me? Of what? A somersault.

00:10:10But listen, who talks about overtaking, people like you?

00:10:12He should be in jail!

00:10:13Well, you said it right, my dear mother, to jail!

00:10:15No, no, stop it because it's here!

00:10:16No!

00:10:16Come on, look at our wives fighting.

00:10:20And let them fight, for heaven's sake they'll kill each other.

00:10:22It's their fault we're in this situation.

00:10:25As for their demands, you see, they are pretentious.

00:10:28Look what they did to me.

00:10:30Put on your sports jacket, put on your sports hat.

00:10:33Look, this stuff.

00:10:35Riding, looking at it carefully, she is really ridiculous.

00:10:37Put the pen to the hat.

00:10:39You are ridiculous.

00:10:40If you saw yourself with this ricotta on the right.

00:10:43No, no, no, no, no, no.

00:10:45Of the two, she is the more ridiculous one.

00:10:46No, no, no, no, no.

00:10:47Don't you believe it?

00:10:48You are ridiculous.

00:10:49Riding, she is ridiculous.

00:10:50Find out.

00:10:51I'll find out.

00:10:52Now we need to find someone here for these machines.

00:10:55Ada!

00:10:56This is his fault!

00:10:57Ada, we're going to find someone here who can help us with the cars.

00:11:01Yes, some people, some ropes, an ox, a horned animal.

00:11:07Oh yes, oh.

00:11:07Speaking of cuckold, Cavalire, I say sorry if first with the sign from the car...

00:11:13Oh yeah, you guys also apologize for the stupidity.

00:11:16No, no, it does have something to do with it, it does have something to do with it.

00:11:17If there's an idiot here then...

00:11:18Just me.

00:11:19Exactly, I say no.

00:11:20It's me.

00:11:20You've been up.

00:11:21But you're an activist!

00:11:25Oh, there's a guard over there.

00:11:27Shall we go and ask?

00:11:28Come on, it's a...

00:11:31Well, look at that.

00:11:32They even make wooden guards, they do.

00:11:34Eh, but I feel tired.

00:11:37And her?

00:11:37Shall we sit down for a bit?

00:11:38But yes, let's sit down, let's sit down.

00:11:40Oh, ah, ah, ah.

00:11:42Oh, oh, oh, oh, oh, oh.

00:11:44Dear Mr. Caprioli, this is life.

00:11:47Eh, that's life.

00:11:48Mr. Vignanelli, eh.

00:11:49But do we want to go back?

00:11:51No, for goodness sake.

00:11:52And who does it?

00:11:53These are so nice here, quiet, in the middle of the countryside.

00:11:56Meanwhile our wives are arguing.

00:11:59Eh, let's let them blur.

00:12:01Eh, really blurry.

00:12:01Let them run out.

00:12:03That's the word, exhaust.

00:12:05Run out.

00:12:05Eh.

00:12:06Ah, it's quiet here. Smell the heady smell of the grass.

00:12:10The aroma, that's aroma. Aroma, aroma. Smell, aroma.

00:12:14The song of the cricket, do I hear the song of the cricket?

00:12:16Chiu-chiu, chiu-chiu, chiu-chiu. Do I hear it there?

00:12:19No, this chiu-chiu, no. Can't I hear the chiu-chiu?

00:12:21I don't hear the chi-chi, no. It's better this way.

00:12:23That's better. We don't have a problem with wine.

00:12:26That chirping in the ear, sometimes it's annoying, after all.

00:12:30Joseph! Joseph!

00:12:33But where could he have gone?

00:12:35And he left us here alone too.

00:12:40Idiot! Moron!

00:12:43Madam, madam, I'm so sorry.

00:12:45We had a falling out before. But now I like her, you know?

00:12:48Yes, because I see that you have the same opinion of your husband as I do of mine.

00:12:54Antonio! Where are you in Ashkost?

00:12:58Imbecile!

00:13:01Well done! Well done, madam!

00:13:02Allow me to introduce myself, Ada Caprioli.

00:13:05Very happy, madam. Anita Vignanello, lady of the Lo Carità e Allegria Circus.

00:13:09Do you know him?

00:13:10Yes, yes. I couldn't hear anyone talking.

00:13:12Mr. Caprioli, I'd say, shall we have a nice cigarette in Santa Pace?

00:13:27Mr. Caprioli, I replied let's smoke it, that's it.

00:13:30I know, I replied let's smoke it, but if she doesn't offer it to me, I'll smoke, I'll smoke.

00:13:35If I had it, who has it?

00:13:37And do you think my wife gives me money to buy cigarettes?

00:13:40Yes, keep cool.

00:13:42For goodness sake...

00:13:43It was swallowed, then.

00:13:44So, I smoked my last cigarette at my son's baptism.

00:13:49Ah, this is good.

00:13:50At the baptism of...

00:13:53But like that...

00:13:54At the son's baptism.

00:13:57At the son's baptism.

00:13:58No, but Mr. Pignanello, please be patient.

00:14:00It's not something that makes me laugh.

00:14:02I had to argue, I'm exuberant.

00:14:03You hurt me.

00:14:05I thought my wife was a bastard, but since I saw her...

00:14:09For goodness sake.

00:14:10But it must be a lot of fun indeed.

00:14:11Yes, we have fun like this as a family.

00:14:12My daughter is also enrolled, you know?

00:14:14If you want, I can introduce you to Donna Maurizia, the president.

00:14:17But he will make me more execrable.

00:14:18I pay him a small fee and he immediately becomes a member.

00:14:21Well, ma'am, I'm counting on it if nothing else.

00:14:23And look, then we'll exchange phones.

00:14:25Yes, yes, as you wish.

00:14:26The phones, madam, for goodness sake.

00:14:27But where will our husbands be?

00:14:29Antonio!

00:14:31Peppino!

00:14:32Idiots!

00:14:33Where have you gone?

00:14:37They've been gone for almost an hour.

00:14:39But is it possible that in all this time they haven't found a mechanic, a guard?

00:14:44Didn't they start arguing again?

00:14:46I don't see why.

00:14:47Now it will be up to the traffic police or the magistrate to decide who is right.

00:14:52In my opinion, a psychiatrist would be enough.

00:14:55A driver's license shouldn't be given to a disabled person like you.

00:14:57Look, I'm not offended.

00:14:59Rather, if only we could take pictures while waiting.

00:15:02Yes, some nice family groups.

00:15:05Oh no, how inconsistent.

00:15:07Oh, and then I'm the handicapped one, eh.

00:15:10I'm talking about car photos to establish liability for insurance.

00:15:15But when it's like that, sorry.

00:15:17I have the camera.

00:15:19And does he know how to use it?

00:15:20But if he has it.

00:15:22Oh, that's why he also has a car.

00:15:24How stupid!

00:15:44Oh, what are you looking at?

00:15:45Are you enchanted?

00:15:46Have you never seen a torn skirt?

00:15:47I look at her.

00:15:48But who sees her at all?

00:15:51Oh, it's about time.

00:15:53Finally, after a long time, a car passes by.

00:15:56Now I'll show you if the others don't look at me at all, as you say.

00:16:07How spontaneous!

00:16:09Modern youth!

00:16:11They saw it!

00:16:13Turn around, you idiot!

00:16:17Oh my goodness, what a day.

00:16:20Young man, there's little to laugh about here.

00:16:22Here things get serious.

00:16:23Yes, only one car passed by in three hours.

00:16:25And it didn't stop.

00:16:26Witty.

00:16:27But I have an idea, you know?

00:16:28Which?

00:16:29It's night time here, those two can't be seen.

00:16:30We have curtains in the car.

00:16:32Let's look for a place of art china and make the pitch.

00:16:34What a great idea!

00:16:34I could take you under the stars

00:16:38And hold you tight to my heart

00:16:42Tell you many, many beautiful things

00:16:46What true love can say

00:16:49But I just don't see you

00:16:54If you speak I don't believe you

00:16:58You're beautiful, I don't deny it.

00:17:01But what does it matter to me?

00:17:06You have such beautiful eyes

00:17:09You have gold in your hair

00:17:13The coral lips

00:17:17But what does it matter to me?

00:17:22Yes, I'm looking for a girl who dreams

00:17:27And that you speak to me of love

00:17:30But let him keep sweetness in his eyes

00:17:35And tenderness in the heart

00:17:37But I don't see that in you.

00:17:41So I'm leaving

00:17:45You're beautiful, I don't deny it.

00:17:49But what does it matter to me?

00:17:54What does it matter to me?

00:17:58What does it matter to me?

00:18:08Bravino

00:18:09Do you like my voice?

00:18:11Oh, sure.

00:18:11It's the only way someone will finally come

00:18:14Maybe armed with a rifle

00:18:15Now she's the funny one

00:18:17And she is polite

00:18:18But why?

00:18:19What did I tell her?

00:18:20He comes here to mock

00:18:20Ah, nice phrasebook

00:18:22He forgot about today

00:18:23Of all the insults he said to me

00:18:25And she doesn't?

00:18:26I am a woman

00:18:28There is no doubt about this.

00:18:29She's a handsome little lady

00:18:31Here we are at the sentimental level

00:18:33Almost almost

00:18:33I prefer him when he's rude.

00:18:35It's more spontaneous

00:18:36Come on, confess that deep down you like them.

00:18:39If you want, I'll start singing them

00:18:40No, she won't sing

00:18:41Because if he tries

00:18:42A shoe hits her head

00:18:44I'm sure he won't

00:18:46It might hurt me

00:18:46And then she would be sorry

00:18:48But come on guys

00:18:49Don't start arguing again

00:18:50And let's hope that those two ill-advised fathers of yours

00:18:53Let them come alive

00:18:54Is she going to sleep too?

00:18:56I'll tell her

00:18:56Hearing her sing made me sleepy

00:18:59Cute creature

00:19:00Come on Carlo, be good.

00:19:02We are dead tired

00:19:03And that's why I brought you tranquilizer.

00:19:05Hold on young man

00:19:06One for you

00:19:07You need it

00:19:08Thank you

00:19:08Yes to mommy

00:19:09Daughter of a tranquilizer

00:19:10Daughter, let's go up

00:19:11Lady

00:19:11Even the cannon shots won't wake her up with this.

00:19:14Thank you

00:19:15Now we three women will go to sleep in the big tent.

00:19:18And you in that little one

00:19:19And your fathers when they arrive

00:19:21They will fix it with this

00:19:23Good night

00:19:27Goodnight dear

00:19:37Alas!

00:19:38We have arrived

00:19:39Ah, I see his wife

00:19:40And that's why I said oh dear

00:19:42Ah, but what are you doing?

00:19:44Look, please don't look at my wife's shadow.

00:19:47But listen, it could also be my wife's shadow, right?

00:19:50What do you say?

00:19:50Well yes

00:19:52Look, if your wife's shadow doesn't hurt us, you know

00:19:56But are they making plastic paintings?

00:19:58Wife, wife, wife

00:20:01Ah, finally

00:20:02Who doesn't die will see himself again?

00:20:04But are you alone?

00:20:05We've done more than 30 km, daughter of life

00:20:0830, 40 approximately

00:20:09About 40 km, without finding help

00:20:12Of course, but what could you expect from you?

00:20:15Eh, how was it, madam, please

00:20:16Madam, please.

00:20:18But what does he do to her?

00:20:19Have you put up the tents?

00:20:20And do you think we should have slept on the train?

00:20:23Instead of setting up the fields at Porta Erco

00:20:25We didn't mount it here

00:20:26It's the same thing

00:20:28Naturally, necessary, virtue

00:20:29Oh, yeah?

00:20:30Yes?

00:20:30Ah, you called that virtue to me?

00:20:32What are you doing?

00:20:32Here's your tent, put it up, okay?

00:20:34Good night

00:20:35Good night

00:20:37Shall we pitch our tent?

00:20:39Eh

00:20:40Sir, do you know how to put up the tent?

00:20:42The judge, leave me alone

00:20:43Sir, do you know how to put up a tent?

00:20:45Leave me alone

00:20:45But how can I leave you alone?

00:20:47Leave me alone

00:20:48Knight

00:20:49Come on, you always have the joke in your head

00:20:52I'm on edge all the way down to my hairline

00:20:54I can't sleep outside

00:20:55The doctor forbade it for me

00:20:56I suffer from rheumatism, arthritis

00:20:59My liver hurts

00:21:00I have a little bronchitis, a little asthma

00:21:02Then I have sinusitis

00:21:03Scabies and sweet feet

00:21:04Alright?

00:21:04Are these sweet feet?

00:21:05I don't know, all of you

00:21:06Ninth

00:21:07And you are the mess, my son

00:21:08The poultice?

00:21:09I'm of a certain age

00:21:10And that I was also your age

00:21:11Yet I feel like a lion

00:21:13I can tell you something in confidence.

00:21:15That I have a man in place

00:21:17I think, I'm an accountant

00:21:18I'm not saying what fun there is in camping with your wives

00:21:23With their wives

00:21:25I can't scream

00:21:26With your own what?

00:21:27With their wives

00:21:28Ah, with their wives

00:21:29I agree with you

00:21:32These campsites are often frequented by foreigners

00:21:36Foreigners

00:21:37Then one enjoys it

00:21:40Cavalì, can I confide something?

00:21:43You are secret

00:21:44Why do foreigners bother me?

00:21:46I like them a lot

00:21:48I like Dutch women

00:21:50Well done, Dutch

00:21:53Cavalì, who is Finnish

00:21:55Finnish

00:21:55What are you doing like this?

00:21:57Why am I ugly in Finland?

00:21:58But we want to take a Finnish one

00:21:59And we don't want to throw it away

00:22:00So let's throw in a Finnish one

00:22:02To make you happy

00:22:03But make that face

00:22:05But don't let them get on your nerves

00:22:06But have patience

00:22:07Here, I propose you a Finnish one

00:22:08You make me sulk like that

00:22:09But where is this Finnish woman?

00:22:11But let's say there was

00:22:12Don't scream

00:22:13There is no

00:22:13Oh

00:22:14We do what we have to do

00:22:15What time is it?

00:22:17It's half past ten

00:22:18And let's go

00:22:19Oh

00:22:20You will have here

00:22:21Here, here, you will have here

00:22:22Where are we?

00:22:24But what do we do?

00:22:25The bagpipes?

00:22:26Alcacciate

00:22:26You will have here

00:22:27Yes

00:22:27Come on

00:22:27Cavalì, what time is it now?

00:22:30Hey

00:22:30And it's midnight

00:22:32And do we want to hurry?

00:22:33It's been two hours already

00:22:33We're still here doing nothing

00:22:35Keep this one on

00:22:36And so

00:22:36On like this

00:22:37Yes, sir.

00:22:38And I'll take the other one

00:22:38The other one, on

00:22:39When I lift it

00:22:41You stick this in the ground

00:22:43I understand

00:22:43Yes, sir.

00:22:44Ready?

00:22:45Are you?

00:22:47That's it

00:22:48Ninth

00:22:49Where are you?

00:22:50One moment

00:22:51Knights

00:22:52Hey, where are you?

00:22:53Here, here

00:22:54Knights

00:22:54Where are you?

00:22:56Where are you?

00:22:56Is that you?

00:22:58I don't feel like it

00:22:59What are you doing?

00:23:01Knights

00:23:02Here you are

00:23:02One moment

00:23:03Here, where are you?

00:23:04Where are they?

00:23:05Here you are

00:23:06Excuse me

00:23:06Don't stop it

00:23:07We're not kidding.

00:23:08Let's get out of here

00:23:09You don't deserve it

00:23:10You don't deserve it

00:23:11You don't deserve it

00:23:12Here

00:23:13Here

00:23:14Here

00:23:14This is the first one

00:23:15What should be put

00:23:15Yes, sir.

00:23:16So, here

00:23:17Here it is

00:23:17Stay here well

00:23:19Here, here

00:23:20Up here

00:23:20Yes, while I

00:23:21Hey, look

00:23:22Ah!

00:23:23What happens?

00:23:23No, no, no

00:23:24Excuse me

00:23:25You don't...

00:23:26On this side

00:23:28But you do it right

00:23:29But I don't do it right

00:23:30You put your finger underneath

00:23:30What do I know?

00:23:31Let's do it in order

00:23:33Yes

00:23:33Oh mama

00:23:35Take a peg there

00:23:36This

00:23:37Pin it here

00:23:38Here

00:23:38Where?

00:23:39Here, here

00:23:39Where is my foot?

00:23:40Here?

00:23:41Here, eh

00:23:41But strong

00:23:42His col...

00:23:43Ah!

00:23:46And you have where my foot is

00:23:47How do I know?

00:23:48I won't do it to him anymore

00:23:49And neither do I.

00:23:49I won't do it to him anymore

00:23:50And I don't even do it to him anymore.

00:23:51Enough, I won't do it to him anymore.

00:23:52I won't do it to him anymore

00:23:53I won't do it to him anymore

00:23:54I want to kill her

00:23:56Here you are

00:23:56Where are you?

00:23:57Here

00:23:58Knight

00:23:59I suffer

00:24:01Where are you?

00:24:02But you let us sleep

00:24:03Yes

00:24:04It's a punishment

00:24:04But why are you making all this fuss?

00:24:06Why are you getting agitated?

00:24:07It's him

00:24:07It's him who's getting agitated

00:24:08Oh yes, always me

00:24:09Calm down, you have to stay calm

00:24:10Eh, that's the calm

00:24:11Who has it and who doesn't have it

00:24:12And I lost it

00:24:13Because you made me lose it

00:24:14And that's why I brought you the tranquilizers.

00:24:16You come

00:24:16One for you

00:24:17It's a

00:24:18What is this stuff?

00:24:19Tranquilizers

00:24:20Swallow it

00:24:21And let us sleep

00:24:22Don't make money

00:24:23Listen to me

00:24:23Good night

00:24:24Good night

00:24:25Good night

00:24:25Tomorrow

00:24:28The nerves

00:24:29Eh

00:24:31Eh

00:24:32But what do I know?

00:24:33Well

00:24:34Tranquilizers

00:24:35American pills

00:24:36That calm the nerve centers

00:24:38No, no, no

00:24:39I don't have confidence

00:24:40I don't have faith in it

00:24:41How can I not trust?

00:24:42I don't have confidence

00:24:42And the whole world takes these

00:24:44No because

00:24:44I wasn't used to it

00:24:45My wife got me used to it

00:24:46I'm feeling great

00:24:47Yes

00:24:47But yes

00:24:47Open your mouth

00:24:48Open your mouth

00:24:49Fairies

00:24:50She's a little red

00:24:53That's the humidity

00:24:54By force

00:24:54On

00:24:55Open your mouth

00:24:56Eh

00:24:56That's it

00:24:58Up down

00:24:59Go down

00:25:00In the hole of the air

00:25:01In the hole of the air

00:25:03And you are left with the air hole open

00:25:05On

00:25:05As

00:25:06As

00:25:07As

00:25:08It's gone

00:25:10Do you hear it?

00:25:12But what?

00:25:13He arrives

00:25:13The tranquility

00:25:15But what tranquility?

00:25:15The motorcycle

00:25:20Flying for that of this part

00:25:29Camping?

00:25:30Camping?

00:25:31As?

00:25:32Camping

00:25:32Camping?

00:25:33Camping?

00:25:33They ask if this is a campsite

00:25:35Camping

00:25:35It's not a campsite

00:25:36But if you want you can also camp.

00:25:38I would advise you to camp at low cost

00:25:41Oh, skies

00:25:42You didn't have a tent

00:25:44Understood?

00:25:45Too bad, we don't have a tent.

00:25:46Oh, when I'm sorry

00:25:48With permission, one moment

00:25:50Knight

00:25:51The girls tell me

00:25:53That is, they let me know

00:25:54Who don't have the tent

00:25:55And they would like to camp

00:25:56Eh, well, but

00:25:57Do we want to do our part?

00:25:59The

00:26:00But here near my wife's tent

00:26:02But it's already true

00:26:03I forgot about it

00:26:04You are married

00:26:05And you don't

00:26:05I do not

00:26:06But it's already true

00:26:07I'm married too

00:26:08At so many years

00:26:10And we want to make this tent

00:26:11No, gentleman

00:26:12This is a once in a lifetime opportunity

00:26:14Yes

00:26:14We're making the tent

00:26:15Shall we do it?

00:26:16And let's do it

00:26:16But yes

00:26:17One thing comes to another

00:26:19And let's do it

00:26:20Attention

00:26:20What a shock but

00:26:23A surprise

00:26:37Please

00:26:38Panschen

00:26:40Panschen

00:26:41Panschen

00:26:41Please

00:26:42Panschen

00:26:43Panschen

00:26:44Turn on the light

00:26:44Please

00:26:46Brave

00:26:47Good daughters

00:26:48Are you married?

00:26:50No

00:26:50And you?

00:26:51We are bachelors

00:26:52It's a real cavalier

00:26:53We are bachelors

00:26:54Very bachelors

00:26:55Please

00:26:56I wanted to say

00:26:56I wanted to ask something

00:26:57I like Italy

00:26:58Oh very much

00:26:59It's beautiful

00:27:00It's the Italians

00:27:00Very much

00:27:01Do you allow yourselves?

00:27:02Long live Italy!

00:27:03Long live Italy!

00:27:04You are grain of American doses

00:27:05No, I didn't understand this one.

00:27:07And do you like German girls?

00:27:09By Bacchus

00:27:09Ask if we like German girls

00:27:11Me personally

00:27:12I eat bread and Germans

00:27:14I really like Dutch women

00:27:17But let the Dutch do it

00:27:17It was a beautiful dream

00:27:18Headpiece

00:27:19Let the Dutch do it

00:27:20So you are bachelors

00:27:22We are bachelors

00:27:23I would say

00:27:24Why don't we have a nice getaway?

00:27:27Then from what

00:27:29What is born?

00:27:31What is born?

00:27:33At that time

00:27:34We want

00:27:35We want to combine this

00:27:36Breadcrumbs

00:27:37As they say

00:27:38Then you need a gis

00:27:39A gis

00:27:40Which gis

00:27:41A gis

00:27:42A kiss

00:27:43A kiss

00:27:44Oh no

00:27:44Here they can see

00:27:46Oh yes, that's true.

00:27:47So what?

00:27:48So what?

00:27:49At that time

00:27:49Good night

00:27:50Good night

00:27:51Good night

00:27:52Good night

00:27:54Cabbage

00:27:55What did he say?

00:27:55Good night

00:27:56What does goodnight mean?

00:27:57And he didn't say it in an inviting way.

00:27:59Are you sure?

00:28:00Safe

00:28:01So in act

00:28:02Hey

00:28:03He said good night

00:28:04But you're hungry

00:28:05He said good night

00:28:06But you're hungry

00:28:06What does goodnight mean?

00:28:08Oh

00:28:09So what do we do?

00:28:10Let's let freedom take over

00:28:12And what the hell?

00:28:14You have never seen a woman

00:28:16Oh

00:28:17And where are we going?

00:28:19Oh oh

00:28:20What's up?

00:28:21Oh oh

00:28:22What's up?

00:28:22Vito

00:28:23What does he do?

00:28:24Vito

00:28:24What does he do?

00:28:25Vito

00:28:26Vito

00:28:26Step

00:28:29Accountants

00:28:29Eh

00:28:31Accountants

00:28:31You can't see anything

00:28:33And already

00:28:33If I saw something

00:28:34I'll let you see for yourself

00:28:34I go

00:28:36Testing the waters

00:28:38We need to test the waters

00:28:39We have to feel both

00:28:40Accountants

00:28:41I'm going now

00:28:42Momè

00:28:42And I'm coming in hot pursuit

00:28:43In the wheel

00:28:44I'm coming next

00:28:45And just like Vito

00:28:45Here's who's here

00:28:47And permission for me too

00:28:48Viter

00:28:49I did not understand

00:28:51Viter

00:28:51Do you want a viter?

00:28:52No no no

00:28:54But what about the guy after?

00:28:55No later

00:28:56After after

00:28:57Knight

00:28:57A little preparation

00:28:59These are already prepared

00:29:00I know but by the way

00:29:02We haven't asked what their names are yet

00:29:05What are your names?

00:29:06Oh me Brigitte

00:29:07Trude

00:29:08Ah Brigitte and Trude

00:29:10I Pepe

00:29:11But what Pepe?

00:29:12Ah Pepe and I

00:29:13I Tony

00:29:14Tony Tony

00:29:15Bepe

00:29:16Brughi

00:29:17Hurray

00:29:18Hurray

00:29:19If she doesn't mind

00:29:20I would get engaged

00:29:22With Brigitte

00:29:23And I with Trude

00:29:24From what

00:29:25Ascecosa

00:29:26Oh

00:29:27Oh

00:29:29Tony

00:29:30And what does he do?

00:29:31There

00:29:32Spottiglia in front of the young lady

00:29:33And you

00:29:34You will not be the same

00:29:36I know it

00:29:36But if it's all heavy

00:29:37Heavy legs

00:29:38Unless you close your eyes

00:29:40Oh no, you have to open it.

00:29:41Otherwise, what kind of figure would we cut?

00:29:43At this time I always get sleepy

00:29:45But with my wife

00:29:46A natural sleep

00:29:47But now what will it be?

00:29:50I found

00:29:51The tranquilizers

00:29:52And right now

00:29:53They must be cold

00:29:55I didn't want to take them

00:29:57These tranquilizers

00:29:58I

00:30:00Cavalier

00:30:01Cavalier

00:30:02Italians have a beautiful name

00:30:03You have to do yourself some honor

00:30:05Tony

00:30:05Eh

00:30:06Was machen wir

00:30:09Scendich

00:30:10This Männer is not Italian

00:30:11Shame

00:30:13Cavalier

00:30:14All is lost

00:30:16Even the honor

00:30:20Pepper

00:30:20Pony

00:30:22Gutenacht

00:30:23Gutenacht

00:30:26Doctor

00:30:27It was a wave

00:30:28Which has fallen

00:30:29Across the nation

00:30:30It's my wife's fault

00:30:32And his damned ones

00:30:33Tranquilizers

00:30:34Here you are

00:30:35Excuse me, doctor.

00:30:36Don't keep him from doing his things

00:30:37This is the right leg

00:30:39Or the left leg

00:30:40The right, no?

00:30:42It looked like the left

00:30:43Indeed

00:30:43And the tail

00:30:44The right tail

00:30:45Or the left tail

00:30:46Horses have only one tail

00:30:47She thinks she's healthy

00:30:49Listen, I'm interested.

00:30:50For your case

00:30:51Yes

00:30:51But I don't see what that has to do with it.

00:30:52What you told me

00:30:54With the very serious

00:30:55Signs of mental imbalance

00:30:57Of which you are victims

00:30:58But now she doesn't want to convert

00:31:01Hey doctor

00:31:02Our families

00:31:03They are impossible

00:31:04Oh

00:31:06Who is?

00:31:07Here

00:31:08Yes?

00:31:09Director

00:31:09What he was waiting for has arrived

00:31:11What should I do?

00:31:12Take it over there and prepare it

00:31:14I'll be coming soon

00:31:16What happens?

00:31:17Nothing

00:31:18Nothing

00:31:18Not turned on

00:31:18The air conditioning

00:31:19So

00:31:20So you were saying

00:31:21We were saying

00:31:22That it's our families' fault

00:31:24One and two

00:31:24Excuse me but this morning

00:31:26I didn't have time

00:31:27To shave me

00:31:28Professor, but then

00:31:29She still hasn't understood

00:31:30Why are we here?

00:31:31He didn't understand

00:31:33Do you hear these noises?

00:31:34Eh

00:31:34Well these noises

00:31:36In front of those

00:31:37Some appliances in my house

00:31:39They're crazy like

00:31:40Here you are

00:31:41Doctor

00:31:41The household appliances

00:31:42They contributed a lot

00:31:45We are in the atomic century

00:31:46And in our house

00:31:47They still dry out

00:31:48The hair

00:31:48With the towel

00:31:49Be calm

00:31:50What a mother of yours

00:31:51He prepared you

00:31:52A nice surprise

00:31:53He's already thought of everything

00:31:54It's about time

00:31:55Marietta

00:31:56Marietta

00:31:57But what have you done?

00:31:58You mixed up

00:31:59The steam dust

00:32:00With the prize?

00:32:01Oh my god

00:32:02And here?

00:32:04And here but?

00:32:05But what have you done?

00:32:07What have you done?

00:32:09You put it in the water

00:32:10Acetol powder

00:32:11Instead of the avalanche

00:32:12But what do you want me to understand?

00:32:13Parona

00:32:14With all these labels?

00:32:15Yet it's so simple

00:32:16Of course

00:32:17The asetol

00:32:18As the label says

00:32:19In the house

00:32:20It's your sun

00:32:21So it's used for drying

00:32:22While with the avalanche

00:32:24Whiter fabric

00:32:25And healthier

00:32:26So it is used for washing

00:32:27If you then add to it

00:32:28A pinch of UU

00:32:29Wash faster

00:32:31And you wash more

00:32:31I confess to you

00:32:33Director

00:32:33What a pinch of UU

00:32:35I didn't care at all

00:32:37The only pinch

00:32:38That could interest me

00:32:39It was the pinch

00:32:40To be given to Marietta

00:32:41But anyway

00:32:42You don't understand anything at all

00:32:43Listen

00:32:44I'm exasperated

00:32:45You try to explain

00:32:46To this idiot

00:32:47How to read them

00:32:47Product instructions

00:32:49Come with your mother

00:32:50You come

00:32:52The products

00:32:54The instructions

00:32:54What a mess

00:32:55Sir

00:32:56Mr

00:32:57Mr

00:32:58Call me Tonino

00:32:59Your Tonino

00:33:00Tonino?

00:33:01Of course

00:33:01Your Tonino

00:33:02That will remain only with you

00:33:03As soon as this agenda

00:33:04He's going to war

00:33:07And it's about the instructions

00:33:08I think about destroying you there

00:33:09As it should be

00:33:10Did you understand?

00:33:11Why you my daughter

00:33:11I should take care of myself

00:33:13A lonely man

00:33:14It is affordable

00:33:15Do you think so?

00:33:17Come here

00:33:17No no no

00:33:18What does he make me do now?

00:33:20What do I make you do?

00:33:21What do I make you do?

00:33:22What would I do to you?

00:33:24Look

00:33:25This is just for you

00:33:26It's a little gift

00:33:26Nylon stocking

00:33:28Seamless

00:33:29How beautiful

00:33:30And what if here too

00:33:31The label

00:33:32The stockings

00:33:33Of the nine stars

00:33:34On ten

00:33:34The tenth is you

00:33:36Stellassa

00:33:37From Friuli

00:33:37Of the little

00:33:38Awls

00:33:39Polesine

00:33:40Po Delta

00:33:41Allugiorata

00:33:42Pegliabiri

00:33:42Four

00:33:43Anna

00:33:43And these soap powders

00:33:45That if it lands on the furniture

00:33:46It should be dusted immediately

00:33:47Otherwise it remains a shirt

00:33:48Understood?

00:33:49Do you understand everything?

00:33:51I explained everything

00:33:52I trained her the right way

00:33:53Now she knows

00:33:54What he has to do

00:33:55The girl is capable

00:33:57And if you want

00:33:58And also willing

00:33:59Understood?

00:34:03HI

00:34:03Hello my wife

00:34:05I'm going to the office

00:34:06To earn one's bread

00:34:07For you

00:34:08And for your daughter

00:34:09Why don't you eat?

00:34:11I don't eat bread

00:34:12You know it

00:34:12I eat alone

00:34:13Crissini

00:34:15Until we meet again

00:34:16Until we meet again

00:34:27Ready?

00:34:28Lektros Companies

00:34:30Can you bring that stuff?

00:34:32Yes yes

00:34:32Right away

00:34:33Then go to the office

00:34:34From my husband

00:34:35And you regulate everything

00:34:36Please

00:34:37Until we meet again

00:34:44After you

00:34:48Accountant

00:34:48Copy his balance sheets

00:34:49Do you want to sign them for me?

00:34:50What does the director bring them?

00:34:51Yes

00:34:52Certainly

00:34:53Signing with you is a pleasure

00:34:55I would sign for two or three years in a row

00:34:58Eh

00:35:00I wanted to tell you something

00:35:01Some time

00:35:02Let's go away alone

00:35:03In a quiet environment

00:35:05To film

00:35:05There is confusion here

00:35:06Telefra

00:35:07What

00:35:08But what does the accountant say?

00:35:09She feels like joking

00:35:10Ninth

00:35:10I'm serious

00:35:11What does an accountant do?

00:35:12Signature on the folder

00:35:13The sheets are finished

00:35:15Distracted

00:35:15When you come you distract me

00:35:16Oh listen

00:35:17Sometimes you don't feel like it

00:35:19To come to the office

00:35:20It does not matter

00:35:21I'll come to your house

00:35:22All right

00:35:22I'll come to sign at your house

00:35:23One thing leads to another

00:35:25We do the extraordinary

00:35:26But accountant

00:35:27She could be my father

00:35:36Well

00:35:37Father no

00:35:40A stepbrother

00:35:41An older stepbrother

00:35:43Accountant

00:35:44There is a gentleman who is looking for him

00:35:45After you

00:35:47Thank you

00:35:49Good morning accountant

00:35:50She doesn't know me

00:35:51 True

00:35:52I came to her

00:35:53For a few signatures

00:35:58Young man

00:35:58Sign with her

00:35:59No

00:36:00But you see accountant

00:36:01His wife sent me

00:36:02My wife

00:36:03Yes, the lady

00:36:04Come to our shop

00:36:05To buy some little things

00:36:07And he prayed to us

00:36:07To come to her

00:36:08For the signature of bills of exchange

00:36:10Bills of exchange

00:36:10Some small routes

00:36:12Bills of exchange

00:36:13But young men

00:36:14I don't know anything about it

00:36:14Oh I understand

00:36:15I understand

00:36:16The lady wanted to reserve them

00:36:17A little surprise

00:36:19And then I

00:36:20I won't tell her

00:36:21What is it about?

00:36:22And how do I treat it?

00:36:23The trade

00:36:23If I don't know what it's about

00:36:24I'll just tell you

00:36:25That the lady

00:36:27He purchased

00:36:28Fortune tellers

00:36:29And what are they?

00:36:30Some heli

00:36:32Helicopters

00:36:33No

00:36:33She

00:36:34Elephants

00:36:35I hate it there

00:36:36But how nice

00:36:40And the household appliances

00:36:42Yes

00:36:42Butlers today

00:36:43Waiter

00:36:44Washerwomen

00:36:44They are all replaced

00:36:46Electrically

00:36:48But what to replace?

00:36:49Substitute

00:36:50We have

00:36:51Marietta

00:36:51Our waitress

00:36:52Let him see it

00:36:53It's a piece of super-enhanced physics

00:36:55That I have the bo

00:36:56But the lady

00:36:57He fired her

00:36:58Just this morning

00:36:59Marietta

00:37:00Marietta

00:37:01Fired

00:37:02But these are crazy things

00:37:03Without telling me anything

00:37:04But this is one thing

00:37:05On the other hand

00:37:06But today we are in the century

00:37:08Of automation

00:37:09The waitress is no longer serving

00:37:10She says this

00:37:12The waitresses serve

00:37:13They are needed

00:37:13And how are they served?

00:37:15Once upon a time perhaps

00:37:16But today there are devices

00:37:17Who do all that

00:37:19What can Marietta do?

00:37:20But go go

00:37:21Do me a favour

00:37:22Everything Marietta does

00:37:24It's a word

00:37:25She talks like this

00:37:25Because he doesn't know her

00:37:26But I know her

00:37:27And then today the waitresses

00:37:29They are so expensive

00:37:31Oh yes

00:37:31Oh yeah

00:37:32Why those little sweets?

00:37:33What do you give?

00:37:34Those are given away

00:37:35Almost

00:37:35Because with the system

00:37:36Of the installment

00:37:37Of the wide breath

00:37:39With a little something a month

00:37:40One doesn't even notice it

00:37:42And how much would it be?

00:37:43This little thing

00:37:44That I shouldn't even notice

00:37:45Oh here it is

00:37:45In his case they are

00:37:4748 installments

00:37:48At 30,000 lire

00:37:50Per month

00:37:51They make a million

00:37:52440,000 lire

00:37:54What did she see more?

00:37:57Instead

00:37:58It's not much

00:37:59It's not much

00:38:0048 installments

00:38:0148 installments

00:38:02Young man

00:38:03I'll satisfy my curiosity

00:38:05She gives everything in installments.

00:38:07All

00:38:08But everything

00:38:09All

00:38:10All

00:38:11All

00:38:13Yes

00:38:14Let me give you some advice.

00:38:15With pleasure

00:38:16If I may

00:38:17Please

00:38:17Let him go away

00:38:18If I don't give it to her

00:38:19One million and 400,000

00:38:21Cash kicks

00:38:21He understood

00:38:22To me

00:38:22Go away

00:38:23But what manners are these?

00:38:24Go away

00:38:25I'm not used to it at all

00:38:26I see it

00:38:27Go away

00:38:29But back home

00:38:31I was welcomed

00:38:32From a hellish noise

00:38:45I see it

00:38:54I see it

00:38:55I see it

00:39:37Dear Doctor

00:39:39My house

00:39:40It had become a powerhouse

00:39:42And he knows this too.

00:39:43Take off your glasses

00:39:44Well yes

00:39:45Yes

00:39:46Actually today

00:39:47It's the craze

00:39:47What most afflicts humanity

00:39:49I can't blame her.

00:39:50Oh the usual mania

00:39:51The usual mania

00:39:52Eh

00:39:52The usual mania

00:39:53What a mania

00:39:54The usual mania

00:39:55Mania

00:39:56My

00:39:56Excuse me, doctor.

00:39:57Excuse me

00:39:58Do you understand a little?

00:40:00So then

00:40:01We want to say it

00:40:02Long live the face of the charcoal stove

00:40:04Well yes

00:40:04We want to say

00:40:05Long live the face of the sorghum broom

00:40:07Well yes

00:40:08It takes

00:40:08We want to say

00:40:09Long live the laundry dryer

00:40:10Oh let's say it

00:40:11Oh let's say it

00:40:12Eh long live

00:40:14Yes

00:40:15Professor

00:40:16If you want to sit down

00:40:17Everything's ready

00:40:17I'm coming right away

00:40:23Madora

00:40:24I'll tell you about some operations

00:40:26Swan

00:40:26I have an urgent operation

00:40:28What was I telling you?

00:40:29Three numbers

00:40:30I guess myself

00:40:30But if they want to attend

00:40:31I have not encountered anything

00:40:32But neither do I

00:40:33No frankly.

00:40:34It makes me sick

00:40:36My wife had a fallung

00:40:37But what

00:40:38But it's so much fun

00:40:40But come on, let's go back up

00:40:42And everything is ready

00:40:43He goes to four hits

00:40:44And off we go

00:40:45This is

00:40:46This is a satik

00:40:47A sexual psychopath

00:40:49Let's second it

00:40:50Ninth

00:40:50There is no one for me

00:40:51Come a wife

00:40:52Come a wife

00:40:55But what is he doing?

00:40:56But what is he doing?

00:40:58Die

00:41:00Open

00:41:01And leave me out

00:41:03You come

00:41:04Oh

00:41:05And the operation

00:41:07But this is a kitchen

00:41:08And the old-fashioned ones

00:41:10No gas

00:41:11No electricity

00:41:12Only coal

00:41:13Coal-operated

00:41:14I'm coal

00:41:15Washing it

00:41:17Beans

00:41:18Beans

00:41:19Oh how I like them

00:41:21And how they look at them

00:41:22Beans don't look

00:41:23How they look at them

00:41:24They are black-eyed peas

00:41:25I spend the happiest hours here

00:41:27Of my life

00:41:28Yes

00:41:28Bravo

00:41:30Don't touch

00:41:31Don't touch

00:41:32Come on, what are you doing?

00:41:33And if you move

00:41:44I can't break it

00:41:45Excuse me

00:41:46It's interesting

00:41:47You know how I like it

00:41:49Making the puff pastry

00:41:50Yes

00:41:50But the rolling pin

00:41:52You have it

00:41:52Oh what a question

00:41:55And this is the environment

00:41:56I knock on the door

00:41:57The nurse is gone

00:41:58I want two or three rolling pins

00:41:59Do you like fettuccine?

00:42:01To the Poloniera

00:42:01As

00:42:02When I go to Venice

00:42:03I'll make it for a nice dish like this

00:42:05She has never been to Venice

00:42:06What do you know?

00:42:07Certain

00:42:08A nice plate of fettucine

00:42:09I really don't like them

00:42:11No

00:42:12No

00:42:13And then I want to do

00:42:14A nice plate of spaghetti

00:42:15Mozzarella-anchovy

00:42:16And what I wish for you

00:42:17I didn't catch anyone

00:42:19Me every day

00:42:19I'm preparing some little plates for myself

00:42:20You take

00:42:21Then maybe

00:42:22The throw

00:42:22I eat bread and cheese

00:42:23Yes

00:42:24And my hobby

00:42:25As the Anglo-Saxons say

00:42:27What's up?

00:42:28What happened

00:42:29Here you are

00:42:29What happened

00:42:30Let me see you

00:42:31I don't look

00:42:32Let me see

00:42:32You have a potato

00:42:34Here you have a potato

00:42:35Lobby

00:42:36Lobby

00:42:37I because of the lobby

00:42:38I lost my job

00:42:39Because she also has lobbies

00:42:40Not me

00:42:41Not me

00:42:41I had my principal

00:42:45I didn't know that

00:42:46That my principal

00:42:47He had it

00:42:48I just knew

00:42:49That at that time

00:42:49My salary

00:42:50He was short

00:42:51And I needed a raise.

00:42:52I bet she

00:42:54Always think

00:42:55And exclusively

00:42:56To the money

00:42:57Eh

00:42:57At home

00:42:58In the office

00:42:59With his wife

00:42:59She thinks

00:43:00Money

00:43:01Money

00:43:01It is true

00:43:02But she's a fortune teller director

00:43:03Of course I think so

00:43:04To the money

00:43:05I have it as I eat

00:43:05Bad

00:43:06Very bad

00:43:07You don't have to think about it

00:43:09Well, I'll think about it, director.

00:43:11Unfortunately it is my persecution

00:43:12Dear Pecorelli

00:43:14My name is Caprioli

00:43:15Dear Caprioli

00:43:17I bet she

00:43:18He doesn't even have

00:43:19A little hobby

00:43:20Hobby

00:43:20Eh

00:43:21Hobby

00:43:22Well I can buy it

00:43:23What

00:43:24The obbo is the instrument

00:43:25You see

00:43:26She doesn't even know

00:43:27What is a hobby?

00:43:28Hobby is one thing

00:43:30What is it for relaxing?

00:43:32To relax

00:43:33Rest

00:43:35Each of us

00:43:35You see dear Caprioli

00:43:36Each of us

00:43:37He is forced to do

00:43:38A job he hates

00:43:39Just to earn money

00:43:40While each of us

00:43:42We would like to do

00:43:43One thing

00:43:43What do you like?

00:43:44To relax

00:43:46To relax

00:43:46To rest

00:43:47It is true

00:43:48It's true director

00:43:49It is true

00:43:50And who's stopping him?

00:43:51It's the money

00:43:52It's the money

00:43:52It's why I'm here

00:43:53But there are millions

00:43:55Of hobbies

00:43:56What can be done?

00:43:56Without money

00:43:57Yes

00:43:58Just choose

00:43:58That's what you like

00:44:00She just has to

00:44:01Choose

00:44:01What do you want to do?

00:44:02The cook

00:44:02The farigname

00:44:03The blacksmith

00:44:04The tinsmith

00:44:04Say

00:44:05Choose

00:44:05What do you want to do?

00:44:06I can say it director

00:44:08We are here

00:44:08The goalkeeper

00:44:09A nice concierge position

00:44:11The guardhouse area

00:44:12With the obbo

00:44:12I would console myself

00:44:14Roe deer

00:44:15Excuse me

00:44:16Director

00:44:16No

00:44:16Oddly guessed

00:44:17Pegonello

00:44:18No

00:44:18Kid

00:44:19Alright

00:44:20The important thing

00:44:21Roe deer

00:44:22Roe deer

00:44:23She has to fly

00:44:24Fly

00:44:26Flying with imagination

00:44:27It must fly

00:44:28Where am I flying director?

00:44:30She would like that

00:44:32PAINT

00:44:32Like painting

00:44:34Director

00:44:35It's always been my dream

00:44:36My passion

00:44:36As a child

00:44:37They said I was transported

00:44:39That I had the tendency

00:44:40Where

00:44:41And who's to stop him?

00:44:42The money my director

00:44:43Blessed

00:44:44The money

00:44:45The money

00:44:45And I

00:44:46What am I doing here?

00:44:48But why don't they send it to me?

00:44:50Roe deer

00:44:51I was saying

00:44:52I meant to say

00:44:53What am I doing here?

00:44:55I don't know director

00:44:56Let's look each other in the eye

00:44:58To the means

00:45:00Don't think about it

00:45:01I'll take care of everything

00:45:02Come to my house

00:45:03He will have everything that

00:45:04What do you need?

00:45:04Old Government Street

00:45:0532

00:45:06What time director?

00:45:07At 8

00:45:07It's not too early

00:45:09The sooner it comes

00:45:10And the more he paints

00:45:11A roll

00:45:12And a relaxed one

00:45:14A roll

00:45:18And a relaxed one

00:45:20Oh a nice relaxed one

00:45:22It promotes relaxation

00:45:24Of the nerves

00:45:24Yes director

00:45:25It's interesting as a hobby

00:45:27But I wanted to say

00:45:29If I may

00:45:30I believed

00:45:30That it was

00:45:31Of true painting

00:45:32The one with the easel

00:45:33True me sitting with the beret

00:45:35The velvet jacket

00:45:36Portraying a beautiful flowery meadow

00:45:38A woman's face

00:45:39A beautiful model

00:45:40Oh if it were possible

00:45:42Ninth

00:45:42And no

00:45:44Why that painting there?

00:45:45Engage the mind

00:45:46It doesn't relax

00:45:47This painting here

00:45:48Instead it engages the body

00:45:49Tired so relax

00:45:51Oh yeah

00:45:51Oh but dear Caprioli

00:45:52We are still nervous

00:45:53Oh no, I'm nervous

00:45:55Yes

00:45:55I do

00:45:56Why me

00:45:56I got up early

00:45:57I've already done the kitchen

00:45:58So what?

00:45:59Do you trust me?

00:46:01Yes

00:46:01I don't trust now

00:46:02But he trusts me

00:46:03Yes

00:46:04Let's try to do it

00:46:04Two rolls

00:46:05And a relaxed one

00:46:06Two rolls

00:46:07Two rolls

00:46:07And a relaxed one

00:46:08And a relaxed one

00:46:09Oh

00:46:10All right director

00:46:11Courage, eh

00:46:12A

00:46:15Two

00:46:17And a relaxed one

00:46:18Oh

00:46:20Do you have to?

00:46:21Director

00:46:22Eh

00:46:22I couldn't do it

00:46:23Two relaxed

00:46:24And a roll

00:46:25As you wish

00:46:26As you wish

00:46:27But he doesn't get tired

00:46:27Roe deer

00:46:29We have to get tired

00:46:30We have to

00:46:31We must die

00:46:32No

00:46:32We have to get tired

00:46:33Otherwise what kind of hobby is it?

00:46:35Oh yeah

00:46:35She knows the hobbies

00:46:37I obey

00:46:38Here you are

00:46:39So what?

00:46:39Two rolls

00:46:41Two rolls

00:46:42A

00:46:43A

00:46:44Two

00:46:45Two

00:46:46And a relaxed one

00:46:48Oh

00:46:48And while she relaxes

00:46:50I'm going to relax

00:46:52With my favorite hobby

00:46:54The solitary

00:46:59Oh, is this his hobby?

00:47:02Yes

00:47:02But I couldn't do it

00:47:05This hobby

00:47:05A little hobby

00:47:07No

00:47:08Because each of us

00:47:09It must arrive

00:47:10With difficulty

00:47:11When choosing your hobby

00:47:13Whichever is most suitable

00:47:14To relaxation

00:47:17But why her?

00:47:18The tired ones

00:47:19This hobby?

00:47:20I don't tell her

00:47:20Yes

00:47:21And to look

00:47:21A card

00:47:22And a relaxed one

00:47:25A card

00:47:26And a relaxed one

00:47:28Look, look

00:47:29I feel sorry for him

00:47:30A card

00:47:31And a relaxed one

00:47:34The four

00:47:35And no

00:47:36She doesn't have to put it on

00:47:37She has her hobby

00:47:39Do your part

00:47:39That I do my part

00:47:40And everyone has their own hobbies.

00:47:42And then if she interrupts

00:47:43We will never get there

00:47:44To relaxation

00:47:45Please

00:47:46Go

00:47:46Three rolls

00:47:47And a relaxed one

00:47:48Eh

00:47:48We weren't left with two

00:47:50Director

00:47:50Oh okay

00:47:51All right

00:47:51But it doesn't help her.

00:47:52Excuse me

00:47:52It doesn't help her

00:47:53After you

00:47:53Let's increase the dose

00:47:54Three rolls

00:47:55And a relaxed one

00:47:56Three rolls

00:47:58And a relaxed one

00:47:59I didn't know that

00:48:01That to relax

00:48:01It took a lot of rolling

00:48:03I only noticed it when

00:48:05Finished painting

00:48:06I had to put them in place

00:48:07The whole house

00:48:08To the

00:48:09Very good

00:48:10Very good

00:48:11Excellent

00:48:12Come on

00:48:12Come here

00:48:13Roe deer

00:48:13Excellent

00:48:14Now let's clean the windows

00:48:15Still?

00:48:16Oh yeah

00:48:16The glasses

00:48:17Yes

00:48:18Do you feel the relaxation?

00:48:20Yes but I can't feel my legs anymore

00:48:22I don't feel the cline anymore

00:48:23I feel like I need to give up

00:48:24The stems in the stomach

00:48:25Can I sit down for a moment?

00:48:26But does it seem to you?

00:48:27Come in

00:48:28Come here

00:48:28Enjoy it

00:48:29This is the most beautiful moment

00:48:31Below

00:48:31The relaxed one

00:48:32Oh

00:48:33Beautiful and relaxed

00:48:34Are you still thinking about the raise?

00:48:36Well I can tell you the truth

00:48:37Say say

00:48:38Let's get free

00:48:39I still think about it

00:48:40Oh

00:48:40Hey, what's serious?

00:48:42It's serious

00:48:43She is incurable

00:48:44We did not find

00:48:45Suitable lobby

00:48:45But where are they?

00:48:46Here we are

00:48:47I found a lobby for her

00:48:49For her, a lobby is needed.

00:48:50Of the...

00:48:51No lobbying by the president

00:48:53Of the United States

00:48:54The president?

00:48:55Do you like horticulture?

00:48:56But I really like horticulture

00:48:58I'll make them available

00:49:00My little garden

00:49:02Bravo

00:49:02As

00:49:03A shovelful

00:49:05She's a relaxed one

00:49:08A shovelful

00:49:09She's a relaxed one

00:49:13Bravo

00:49:15Bravo

00:49:16Bravo

00:49:18Bravo

00:49:18It doesn't work

00:49:19But what's happening?

00:49:21It doesn't work

00:49:22It doesn't work

00:49:22I feel more dead

00:49:24How relaxed

00:49:25It doesn't work

00:49:26It doesn't work

00:49:27For her it is necessary

00:49:28A more efficient hobby

00:49:30But don't worry.

00:49:31Why me

00:49:31I'll find it for you

00:49:32Thank you

00:49:35Here you are

00:49:36Here's director

00:49:37The shower

00:49:38Works

00:49:39That's better

00:49:40Please note that I have worked with eight companies

00:49:42But don't get hurt Caprioli

00:49:44Thank you

00:49:44I no longer have any business

00:49:46Can I let my family know that I'm coming home?

00:49:49Caprioli, without a doubt.

00:49:52Thank you

00:49:52Already

00:49:52It's all exhaust

00:49:53All exhaust

00:49:54It does not work

00:49:55It does not work

00:49:55Below

00:49:55But you said

00:49:56All right

00:49:57Now

00:49:57Come on Caprioli

00:49:58Courage

00:49:59Attention

00:50:00Be careful, Roe Deer

00:50:02At the head

00:50:02No

00:50:02At the sink

00:50:03Made of porcelain

00:50:04At the head

00:50:05And of meat

00:50:05Come on Caprioli

00:50:06On

00:50:06And remember

00:50:07A crazy person

00:50:08And a relaxed one

00:50:09A crazy person

00:50:10And a relaxed one

00:50:12And I help him

00:50:12I'm going to get you the pliers

00:50:14Yes

00:50:15Oh

00:50:15Behind

00:50:16Oh

00:50:17Hello Gabriella

00:50:18What are you doing

00:50:18You go out?

00:50:20The little saint

00:50:21We fired her

00:50:22Joseph too

00:50:23They were no longer needed

00:50:24We use employees

00:50:26About my husband

00:50:27With the excuse

00:50:28Some hobbies

00:50:29They do all the household chores

00:50:31Now we have

00:50:32An accountant

00:50:33Which is a wonder

00:50:34He does everything

00:50:35Whitewash the walls

00:50:36He digs the garden

00:50:37She does the laundry

00:50:38Repair drain pipes

00:50:40He doesn't notice anything

00:50:42A saving

00:50:44Of one hundred thousand lire

00:50:45Notices

00:50:46Sin

00:50:47Who doesn't cook well

00:50:48Oh

00:50:49Nothing

00:50:50I'm telling you nothing

00:50:51They all believe

00:50:52What fools at the hobby

00:50:54He thinks they are foolish

00:50:57Remember to let him bring the space to the dog

00:50:59Of course

00:51:00Do you also deal with wind?

00:51:02Poor thing

00:51:03He needed air

00:51:04Think that yesterday he took her to the Capanelle

00:51:06You go there

00:51:07Help

00:51:08A drowned man

00:51:09She's my aunt

00:51:10Help

00:51:11A drowned man

00:51:11At this moment

00:51:12Help

00:51:14Help

00:51:21Help

00:51:25We are victims of these manias

00:51:27Well, there's mania and mania

00:51:29No

00:51:30Good

00:51:31Very good

00:51:32Eat a forkful

00:51:33One by one

00:51:34No

00:51:35For goodness sake

00:51:38But how dare you?

00:51:40The professor doesn't eat them

00:51:41He makes them

00:51:42For yesterday

00:51:42Oh

00:51:43For a ride

00:51:44Now what are we preparing?

00:51:46The Florentine steak is a beautiful one.

00:51:48He called

00:51:50Yes yes

00:51:50But I can't take it anymore

00:51:52I can't take it anymore

00:51:54What happens

00:51:54Pertino look here

00:51:55Look here

00:51:56What happens

00:51:56I am a victim

00:51:57What happens

00:51:58I am a victim

00:51:59Everywhere I find these physical enhancements

00:52:02In the squares

00:52:03In the streets

00:52:04On the circular

00:52:05In summer

00:52:05Then sooner or later

00:52:06Let's not talk about it

00:52:07I can't take it anymore

00:52:08He knows it

00:52:08I can't take it anymore

00:52:09But how should I say it?

00:52:12You know, professor.

00:52:13That I am an accountant

00:52:14In an office

00:52:15I had to check

00:52:16Figures

00:52:17Ledgers

00:52:18I needed

00:52:19Of concentration

00:52:20Instead

00:52:21With these types of secretaries

00:52:23Which are going around nowadays

00:52:24For offices

00:52:25How can you concentrate?

00:52:27Director

00:52:288,944

00:52:338,748

00:52:35Boys

00:52:36I have to close the budget

00:52:37As the accountant says

00:52:38I have to close the budget

00:52:39He closes it

00:52:40Oh

00:52:42Despite the active ingredient

00:52:44The burden of stairs

00:52:46It makes us close the budget

00:52:47Always under two million

00:52:48Here it is

00:52:49Two million

00:52:50Allow accountant

00:52:51Please

00:52:51Two million

00:52:52Two million

00:52:55Two million

00:52:58Under the two melons

00:52:59Under the two melons

00:53:02Two melons

00:53:03And 450 thousand lire

00:53:05But what accountant melons?

00:53:07But our company

00:53:07Don't just contact intubations

00:53:08Intubations

00:53:09Melons

00:53:10Oranges

00:53:10Mandarins

00:53:11Peoples

00:53:11Etc

00:53:12Miss

00:53:12I'm playing the game

00:53:13Double

00:53:14And I'm already seeing double

00:53:15Let's move on to the active ingredient

00:53:17Then there was

00:53:19That new employee

00:53:20Hired last spring

00:53:22Dear Director

00:53:22That when he was beating in the car

00:53:24But it was a rumba

00:53:25A samba

00:53:26A calypso

00:53:27A rock and roll

00:53:28Which despite myself

00:53:29It made me lose my mind

00:53:33Go away go away

00:53:34Go away

00:53:40With blinders and guini

00:53:41To avoid getting the numbers wrong

00:53:43Reduce me to a nag

00:53:45Dear Director

00:53:46But the fact is that

00:53:47We are not nags

00:53:48We are men

00:53:49No

00:53:50See her again as an accountant

00:53:52Good morning

00:53:53Good morning

00:53:54Enjoy your meal, accountant!

00:53:56Thank you

00:53:56Added

00:53:57Seven of

00:53:58Good morning

00:54:09Yes

00:54:11Yes immediately

00:54:11And for you, miss

00:54:13Who is?

00:54:14Her boyfriend

00:54:14Oh thanks

00:54:16Little Puccetto

00:54:18Good morning Nicolino

00:54:19Good morning Mrs. Vinalelli

00:54:21My husband has already left

00:54:22It's inside

00:54:22Oh thank goodness

00:54:23Because today is his birthday

00:54:25Yes and I wanted to surprise him.

00:54:27I bought some gifts for him

00:54:29See if you like them

00:54:30Look at those beautiful ties!

00:54:31Beautiful

00:54:32Beautiful

00:54:33It's the color of the sweater

00:54:34Very nice

00:54:35And inside the sweater

00:54:36The little clock

00:54:37It's beautiful

00:54:37The announcement immediately

00:54:38No no no

00:54:39Call me on the phone

00:54:40As you wish

00:54:43Thank you

00:54:45Six hundred and six

00:54:48Ready?

00:54:49Ready?

00:54:49Who's speaking?

00:54:51Vignanelli

00:54:51Excuse me

00:54:52And who am I talking to?

00:54:53She knows me little

00:54:54I am an employee

00:54:56The new employee

00:54:58The new employee

00:54:59Yes

00:55:01It's really her

00:55:02The new employee

00:55:04And what do I owe this phone call to?

00:55:07Today is his birthday

00:55:08Here you see

00:55:10He had already forgotten about it

00:55:11And since I know that you have been wanting a certain thing for a long time

00:55:15I have it here ready for her

00:55:17Yes

00:55:18Inside the golf

00:55:19And she has it ready like this

00:55:20Let's say

00:55:21In his golf

00:55:22For me

00:55:22But what a little thought

00:55:23Yes

00:55:24Everything for her

00:55:26As?

00:55:27I said for her

00:55:28Miss

00:55:29And she these things

00:55:30He tells me like this

00:55:32That's right.

00:55:34He didn't understand

00:55:35That you

00:55:36Miss

00:55:37Please

00:55:38If I understand correctly

00:55:39And I didn't dream

00:55:40Give me another smile

00:55:42That I hold dear

00:55:44But nothing

00:55:44From the nearby office

00:55:45There's an idiot

00:55:46Who is looking at me

00:55:47He smiled at me

00:55:59It was a really terrible lesson.

00:56:02Excuse me

00:56:03Please

00:56:04We can sit down

00:56:04Please

00:56:05Make yourself comfortable

00:56:05Thank you

00:56:06Ready

00:56:06I'm here

00:56:08Who is?

00:56:09Oh

00:56:09The Countess

00:56:11How are you?

00:56:12Ah what a pleasure

00:56:13As a countess?

00:56:17Eeeh

00:56:17But not me

00:56:18But I don't know how to thank her

00:56:20Countess

00:56:21If everyone was like her

00:56:23Dear Countess

00:56:24How much suffering

00:56:25They would be alleviated

00:56:26Yes when you want Countess

00:56:28Countess without a doubt

00:56:31Thank you again Countess

00:56:33Yes good morning Countess

00:56:35Countess again

00:56:38Or are you here Countess?

00:56:40She was a countess

00:56:43A lady

00:56:44That every now and then

00:56:45Send some help

00:56:46For our home

00:56:47Of health

00:56:48Here we are

00:56:49And do you think?

00:56:50That didn't run away

00:56:51From charity

00:56:51And it was just this

00:56:53Professor charity

00:56:55What he gave us

00:56:55The push

00:56:56Here

00:56:56Of the asylum

00:56:57How do you say

00:56:59The vase that made

00:57:00To overflow the drop

00:57:01The vase after the drop

00:57:02The vase after the drop

00:57:03He understood

00:57:04He understood

00:57:05And already because my wife

00:57:06He has a mania

00:57:07Of the charity committees

00:57:09And what do they do?

00:57:11What do they do?

00:57:11In the evening

00:57:12They gather together

00:57:14While preparing the charity

00:57:16They eat

00:57:17And the more they eat

00:57:18The more they prepare charity

00:57:20The more they prepare charity

00:57:21And the more they eat

00:57:23Naturally

00:57:24In these committees

00:57:25It never fails

00:57:26Some authentic noble

00:57:27And some equally

00:57:28Authentic fool

00:57:29Seen like this

00:57:30Certainly

00:57:31They didn't inspire much confidence

00:57:32But on stage

00:57:34Then instead

00:57:34They didn't know how to do anything

00:57:36The only thing

00:57:37Which they knew how to do very well

00:57:39It was that of eating

00:57:40They ate like true professionals.

00:57:42They used the fork

00:57:43Like theirs

00:57:44Ancestors the sword

00:57:45They didn't back down

00:57:46In front of no dish

00:57:48Always ready

00:57:49To sacrifice oneself

00:57:49Until the last agnolotti

00:57:51And it was just that

00:57:52In one of these meetings

00:57:53What they decided to do

00:57:54The big show

00:57:55Of charity

00:57:56But tell me a little

00:57:58For the orchestra

00:57:58Have you thought?

00:57:59Already

00:57:59A little ensemble would be enough

00:58:00For 3-4 people

00:58:01Matrone's Susi

00:58:02On the harp for example

00:58:03But what does the harp have to do with it?

00:58:04We need modern stuff, right?

00:58:06Trumpet, saxophone, trombone, drums

00:58:08Listen

00:58:08I have an idea

00:58:09What would you say about Carosone?

00:58:11Hand

00:58:11But Carosone doesn't come to work

00:58:12With amateurs

00:58:13And what not?

00:58:14I think you accept

00:58:15He's a friend of mine

00:58:16I met him in Viareggio

00:58:17So why don't you try?

00:58:18To call him?

00:58:19Yes, if you want

00:58:20I don't think he can say no to me.

00:58:22One moment

00:58:22Here if there's anything to talk about

00:58:23With someone

00:58:24Well, I'll take care of it

00:58:25Don't worry

00:58:27He already said yes

00:58:28Let's hope so

00:58:29He's very good

00:58:30Gray cat phones

00:58:31But it's natural

00:58:32Oh, if only he would come

00:58:33I would be so happy

00:58:34I would be happy too

00:58:35Dear friends,

00:58:36All done

00:58:37Ah, you come to her

00:58:38And who said that?

00:58:40He's not coming

00:58:40But why?

00:58:42How come he's not coming?

00:58:42But he told him in my name

00:58:43Yes, he said

00:58:44That the same thing doesn't happen to us

00:58:45It seems he's forgotten about it.

00:58:47Well, I say

00:58:48We don't want to lose ourselves over this.

00:58:50No?

00:58:50With or without carosone

00:58:51The show will take place

00:58:53I can assure you

00:58:54From now on

00:58:54That everything is ready

00:58:55On the contrary

00:58:56Tomorrow if they can even start the tests

00:58:58Oh

00:58:59For the scenes

00:59:00I have an appointment tomorrow at Luna's.

00:59:02Where?

00:59:02At the theater?

00:59:03No, here at the restaurant

00:59:05It's better if I alone talk to him.

00:59:07Then tomorrow evening

00:59:08I always see myself here at the restaurant

00:59:10With us?

00:59:10With the printer

00:59:11To have tickets printed

00:59:13By invitation?

00:59:13No, no invitation

00:59:15All paid

00:59:16Five thousand lire each

00:59:17But there won't be too many

00:59:19When it comes to charity

00:59:20It's never too much, sir.

00:59:21Each of you will receive ten tickets

00:59:24And he will undertake to place them

00:59:25Between relatives and friends

00:59:27Agree?

00:59:28Agree

00:59:30The higher the takings

00:59:31And the greater the gratitude will be

00:59:34Some poor orphans

00:59:35Who are already praying

00:59:37For their dear benefactors

00:59:38Indeed

00:59:39The poor orphans

00:59:40They really prayed

00:59:42For their benefactors

00:59:43They prayed and waited

00:59:50Boys sitting

00:59:52And now we wait

00:59:59For my daughter

01:00:00Manage to place the ten tickets

01:00:02About the show

01:00:03It was the simplest thing

01:00:04Of this world

01:00:05I put them in my pocket

01:00:06And twisted

01:00:07From my wallet

01:00:08The equivalent

01:00:09In cash

01:00:11He said so much

01:00:12You sell them to your friends

01:00:13In a jiffy

01:00:14Okay

01:00:18Miss

01:00:20I would like to talk

01:00:21With the accountant

01:00:22Joseph Caprioli

01:00:24Look for it for me a bit

01:00:25If I read it

01:00:26As soon as it's ready, pass it to me.

01:00:27I am the device

01:00:32What an accountant Caprioli

01:00:34Pass it to me

01:00:35Dear Don Antonio

01:00:36Dear Don Peppino

01:00:37How are you doing?

01:00:38Well

01:00:38He who does not die resents

01:00:40Eh

01:00:42Come in

01:00:43Excuse me

01:00:43Ready

01:00:44How is the family doing?

01:00:45Well

01:00:46Well

01:00:46The lady?

01:00:47He's fine

01:00:47Your?

01:00:48Oh, not bad.

01:00:49Despite

01:00:50Sorry, can't you see what I'm talking about?

01:00:51Be patient

01:00:52Come in

01:00:52Ready

01:00:53My

01:00:54Despite his

01:00:56Manias

01:00:56For charity

01:00:58He's fine

01:00:58It's me who's feeling bad

01:01:00I am sorry

01:01:00For charity

01:01:02If only I knew too

01:01:03Ah Don Peppino

01:01:04I would need

01:01:05Urgent to see them

01:01:06Right away

01:01:07Oh

01:01:07It's really urgent

01:01:08Well yes

01:01:09I should talk to you

01:01:09Of a very important thing

01:01:11Oh if it's urgent

01:01:12Then you can see me

01:01:13Immediately

01:01:13I would come to you

01:01:14But I can't

01:01:15Leave the office

01:01:16Because the boss is coming

01:01:16In a moment

01:01:17I believe it.

01:01:18Not much work

01:01:19What do you have to do?

01:01:20You should come to me

01:01:21But of course

01:01:22Leave the phone

01:01:23I'm coming right away

01:01:24A sprint

01:01:25Word of honor

01:01:26Word of honor

01:01:27I'm counting on it

01:01:27Contact us

01:01:29Thank you

01:01:30That's it

01:01:31How good

01:01:32And where did you get from?

01:01:34I'm Don Andorio

01:01:34But how were they not on the phone now

01:01:36But I was here Don Andorio

01:01:37You didn't notice

01:01:38Of my presence

01:01:39In the seal

01:01:39And I was talking to you

01:01:41It was you who

01:01:42How are you?

01:01:43Well

01:01:43How beautiful

01:01:44You are an Easter

01:01:45You are a beauty

01:01:47Allow me

01:01:47Please

01:01:48So Don Peppino

01:01:49You see, I made you come here.

01:01:51Because I had prepared you

01:01:53A tribute

01:01:54Me too

01:01:54You too

01:01:55Yes

01:01:56Also

01:01:56Say

01:01:56But when to give us

01:01:58Let me hug you

01:02:01So Don Andorio

01:02:03I have prepared you

01:02:04A beautiful evening

01:02:06With music

01:02:06Singing

01:02:07And I understood

01:02:07No

01:02:09Yes

01:02:10No

01:02:11I understand

01:02:16And I understood

01:02:17Me too

01:02:18This is the source

01:02:19And this is mine

01:02:20How many do you have?

01:02:21Ten

01:02:22And you?

01:02:22Ten

01:02:23Who gave it to you?

01:02:23Your son

01:02:24My

01:02:24And you

01:02:25My daughter

01:02:265,000 lire per ticket

01:02:28But how will it be done?

01:02:28But who recovers?

01:02:29But who are your loved ones?

01:02:30But who spends 5,000 lire?

01:02:31To go

01:02:34You should help me with the tribute to friendship, you should take some.

01:02:40Okay, give me some. How many would you like to give me?

01:02:43I'd like to give you five. Do you want all ten?

01:02:46No, no, no, five is enough. But where is it anymore? Excuse me.

01:02:49Please.

01:02:49You should do me a favor too, since I find myself in the same situation as you.

01:02:54When I go home, I'm in pain. You should get a five from me too.

01:02:57Yes. One, two, three, four and five.

01:03:03Here you go. These are your tickets.

01:03:05Good health. Have a good evening.

01:03:09Have fun. You too.

01:03:11Excuse me, accountant. I brought you the papers to sign.

01:03:14I'll leave them here for you, so you can sign them at your leisure.

01:03:16Yes. I'll call you back later. Okay.

01:03:18After the call back.

01:03:20Don Andò, I've got an idea. But we won't take this one, a 5,000 note.

01:03:26Dear Don Peppino, on another occasion, I offered you a 10,000 lire note.

01:03:31Nothing doing. And they're not wrong.

01:03:33They're not wrong. Too much, too much, too much.

01:03:35Here, for two or three hundred lire, you can go and see an American film with Kim Novak.

01:03:38No, he didn't tell me about Kim Novak. I had a disagreement.

01:03:41Do you know her?

01:03:42No, I had an argument with my wife.

01:03:43Ah.

01:03:44Because I talk to her at night. With your wife?

01:03:47But no, with Kim Novak. Kim with the golden arm.

01:03:51Hey, just the arms, it didn't work. What about the rest? I know.

01:03:56Come on, boys, wake up.

01:04:06How beautiful, my love, to dream, to sigh like this, alone, alone in the shade listening to the calypso melody.

01:04:19A happy tomorrow will dawn with Day and the music will repeat the calypso melody.

01:04:34Laugh.

01:04:35A halo of kisses.

01:04:38One, a doctor.

01:04:39One of the doctors will appear in Heaven and they will be able to say those kisses to those who have in their heart all our love.

01:04:49How beautiful my love dreams of sighing like this, alone, alone in the shade listening to the calypso melody.

01:05:04I like it, catchy, right?

01:05:32How beautiful, my love, to dream, to sigh like this, alone, alone in the shade listening to the calypso melody.

01:05:46A happy tomorrow will dawn with Day and the music will repeat the calypso melody.

01:06:00A halo of kisses will fly in the sky and they will be able to say those kisses to those who have a heart all ours

01:06:15love.

01:06:16How beautiful, my love, to dream, to sigh like this, alone, alone in the shade listening to the calypso melody.

01:06:30The calypso melody, the calypso melody, the calypso melody, ah, the calypso melody, ah, ah.

01:06:40Not bad, maybe with a little study the voice could even come out.

01:06:44She could teach me.

01:06:45Look, look, rather than make me look bad.

01:06:48Am I making a bad impression? But do you know that there will be ten of us in Italy who will be...

01:06:51To be so presumptuous.

01:06:52How presumptuous are you? Playing the drums so wonderfully.

01:06:55Too bad you're neither a prince nor a king. Why?

01:06:58Because he would have gone down in history as Charles the Modest.

01:07:03It's no use, after our duet we definitely need another number.

01:07:06Otherwise there is no time to prepare dinner in the back.

01:07:09Excuse me, but isn't there the number of our husbands?

01:07:11Oh, right. It's already half past eleven and they still haven't shown up.

01:07:14I wonder where those two unfortunates ended up?

01:07:17Excuse me, excuse me.

01:07:18Oh, if you can imagine.

01:07:19Thank you.

01:07:19Here they are. They're coming.

01:07:21Who? Them?

01:07:21No, the substitutes.

01:07:27Come, come, come.

01:07:28Oh, here we are, thank goodness.

01:07:30Everyone stop. Ten-minute break. The substitutes have arrived.

01:07:33Give me one.

01:07:34Give me one.

01:07:37Hey, as usual I'm always late.

01:07:40And that made me late.

01:07:41We are all waiting for you.

01:07:43I wonder about these tickets, these for orphans.

01:07:47One is forced to do certain things, two poor old men like us.

01:07:51But which old people?

01:07:51Which old ones?

01:07:52I mean, we're forced to sell tickets.

01:07:54Oh, to sell, to unload.

01:07:55No, but well, but ultimately it's about resistance.

01:07:58Excellent.

01:07:58You need to prove your number.

01:08:00It's all ready, it's all ready.

01:08:01Everything ready, what?

01:08:03But I don't know anything.

01:08:05But you don't have to know anything.

01:08:06Who do you want to know?

01:08:06No, I don't know how to do anything.

01:08:08But you don't need to do anything.

01:08:09You just have to follow me on stage.

01:08:11I do everything.

01:08:12Yours is just a simple collaboration.

01:08:15Passive collaboration, you understand?

01:08:16Let's put the dots on...

01:08:18I don't do anything, you don't have to do anything.

01:08:20I take no risks, no risks at all.

01:08:24One for two.

01:08:26Card, one for two.

01:08:29Authority.

01:08:32But I say, nobody pays here.

01:08:36Authority.

01:08:37Company, tribute.

01:08:40Press.

01:08:41Authority.

01:08:42Oh, but you tonight, Giovanni, eh.

01:08:43Happy, sir.

01:08:44Relative, what did you say?

01:08:45Relative.

01:08:46Relative of whom?

01:08:47I'm the cousin.

01:08:47Yes, but whose cousin?

01:08:49Giovanni's cousin, this is his cousin.

01:08:50But who is Giovanni?

01:08:51It's me, Giovanni.

01:08:54But do you know him, Giovanni?

01:08:56No, it's her.

01:08:56I do not.

01:08:59Come on, come on, if it goes on stage, come on.

01:09:01There is no my spectology, there is no my spectology.

01:09:03There is no my spectology.

01:09:10Let's hope so, there's an audience tonight.

01:09:12But if no one paid.

01:09:13This is precisely why I'm more evil.

01:09:16Let's go, let's go.

01:09:17But where is he going?

01:09:18Over here.

01:09:23Look, fix my skin a little.

01:09:25Permit?

01:09:25After you.

01:09:27I wanted to wish you all the best on the show.

01:09:29I don't worry, you know.

01:09:30She will always be there to save any situation.

01:09:33Does that mean she's not even a little excited?

01:09:36No, not at all.

01:09:37As you wish, since you're so calm, I'll drink this cognac.

01:09:40All right.

01:09:41If you really want to know, I'm scared shitless.

01:09:43I was sure, but I wanted to hear him say it.

01:09:45Look, there's no cure for this damned fear.

01:09:49There is one that many consider infallible.

01:09:51So tell me, who are you waiting for?

01:09:52Many great actors, before going on stage, close their eyes, clench their fists and then repeat three times.

01:09:57I am good and I will succeed.

01:10:00I am good and I will succeed.

01:10:02Eyes closed.

01:10:03I am good and I will succeed.

01:10:05I am good and I will succeed.

01:10:08How good I am.

01:10:09How beautiful you are.

01:10:10I am good and I will succeed.

01:10:36We always sing with great passion.

01:10:40Life, life, life.

01:10:42Life, life, life.

01:10:43They greet the public like this.

01:10:47The radio, the radio, the radio to you.

01:10:55Damn, sir, you've got it all wrong.

01:10:57But not me, the wrong orchestra.

01:10:59Did you hear the outcome?

01:11:00They didn't even applaud us.

01:11:01But they didn't understand us.

01:11:02They didn't understand us.

01:11:06And now, ladies and gentlemen,

01:11:09two famous Claudios,

01:11:10Tony and Pepi.

01:11:21Let's hope these are a little better.

01:11:23Let's hope so.

01:11:23Ladies and gentlemen, I have the honor of reciting a dramatic poem.

01:11:44Professor, professor, professor, professor, professor, professor, you can't play here.

01:11:50This is new, huh?

01:11:52This is new, huh?

01:11:52Did you understand?

01:11:53All right.

01:11:55After you.

01:11:59The delicious misspa.

01:12:04United.

01:12:06Wait.

01:12:17Young man, professor, professor, professor, professor, you can't play here.

01:12:20One moment.

01:12:22You said you can't play there.

01:12:24And you can play here too.

01:12:26Why?

01:12:26Because I have to work.

01:12:28But I play.

01:12:29Ah, ring and wait.

01:12:39I told you it would end badly.

01:12:41If there aren't enough police here, they'll soon all be gone.

01:12:46Where are you going?

01:12:47Let me do it.

01:12:51And now, gentlemen, let's move on to the most difficult experiment of the evening.

01:12:54No, enough, enough.

01:12:55Silence.

01:12:56Silence.

01:12:58Pepi, are you the ecchere?

01:12:59Yes, yes.

01:13:00A newspaper.

01:13:01A newspaper.

01:13:02Here, go.

01:13:03Here, read.

01:13:05Light.

01:13:06As.

01:13:07As.

01:13:07And don't think about anything, eh?

01:13:10Voila.

01:13:12Voila.

01:13:13The June.

01:13:14Where are you going?

01:13:15Stand still there.

01:13:16That we have to help the orphans, right?

01:13:18For the orphans, eh?

01:13:22Be careful, Dad.

01:13:24Knight.

01:13:25Murderer.

01:13:26Damn you, my wife.

01:13:28Come down to me.

01:13:29Knight.

01:13:29Yes, yes.

01:13:31Put something on me.

01:13:32Yes.

01:13:33Did you put it?

01:13:34I don't see anything.

01:13:36He lets himself go.

01:13:37Yes, yes.

01:13:38At that time.

01:13:44Madam, didn't you tell her this?

01:13:46Yes, family.

01:13:46Stay calm.

01:13:47But what is killing him?

01:13:49Pepper.

01:13:50Mr. Pepe.

01:13:51Save.

01:13:52Is that okay?

01:13:53Leaves.

01:13:53Bullfighter.

01:13:55Bullfighter.

01:13:55South American base flavors.

01:13:59Garian tastes are in the cards.

01:14:02Bullfighter, bullfighter, ole.

01:14:04Why did he refuse to come and play?

01:14:06Da, da, da.

01:14:07Nobody called me.

01:14:08Those hyacinths.

01:14:10Then I beg you, come.

01:14:11Everything is going to pieces.

01:14:13But face it for me.

01:14:14Miss Clara, I'm working.

01:14:15But please.

01:14:16Wait a bit.

01:14:17Oh, bullfighter.

01:14:20South American base flavors.

01:14:24Garian tastes are in the cards.

01:14:27Bullfighter, bullfighter, ole.

01:14:32Hey!

01:14:35Renato, he has to come.

01:14:37There is not a moment to waste.

01:14:39But it's too late now.

01:14:40No, we'll come right away, right?

01:14:42Well.

01:14:43Go to the theater, come on.

01:14:44Thank you.

01:14:46Tell me a little, Mr. Pepi.

01:14:48What is this?

01:14:49I don't know, I can't see.

01:14:52He can't see.

01:14:53So let's do this.

01:14:55What is this?

01:14:56Ah!

01:14:57It's fire.

01:14:58The answer is correct.

01:15:00And what does it take to put out the fire?

01:15:02The water.

01:15:05There he is.

01:15:09This experiment was also successful.

01:15:27What is this?

01:15:29with a net-like coat of arms, a cappulella that had been stirred up there,

01:15:37he passes by to ring a little bell, with a soft hand he makes people look.

01:15:48You want to be American, American, American,

01:15:53listen to me what you do, you want to live in the mud,

01:15:57but if you drink whiskey and soda, you might be bothered,

01:16:03you dance rock and roll, you play baseball,

01:16:08draw lots for a camel, mommy's purse will give them to you,

01:16:12you want to be American, American, American,

01:16:17but she was born in Italy, listen to me, there's nothing wrong with that,

01:16:21I have such a lack of cleanliness, you want to be an American, you want to be an American,

01:16:26you want to be American, you want to be American.

01:17:13See you soon, see you soon, see you soon.

01:17:38You want to be American, American, American,

01:17:42but she was born in Italy, listen to me, there's nothing wrong with that,

01:17:47I have such a lack of cleanliness, you want to be an American, you want to be an American,

01:17:56you want to be American, you want to be American,

01:18:01you want to be American, you want to be American,

01:18:27Gentlemen, gentlemen, the numbers speak clearly.

01:18:30Organizational expenses, sets, sketches, one million eight hundred thousand

01:18:36Restaurant, six hundred thousand

01:18:38Flowers and supplì, two hundred and twenty thousand

01:18:41But in short it's not clear

01:18:42Expenses, stationery, tips and taxes, total, four million

01:18:45Why do we send the orphans?

01:18:47No, you have to pay, otherwise you'll all end up in jail.

01:18:51But it's impossible, it's the collection

01:18:53The proceeds, the proceeds were enough to buy drinks

01:18:56And those poor orphans

01:18:58Don't know how we can help orphans?

01:19:00How we did last year

01:19:02And while they were recovering, the poor hungry orphans were waiting

01:19:14My daughter's wonderful idea

01:19:16It was to collect funds for the orphans

01:19:20Going around selling pins

01:19:23And all in all, who was going to be affected?

01:19:26Even for the pins we, only we

01:19:40Orphans, orphans

01:19:42Do you want orphans, sir?

01:19:43Orphans

01:19:45Orphans

01:19:47Orphans

01:19:47Dear knight, I am Dolori

01:19:49How much did you make?

01:19:50And you?

01:19:51Well, almost

01:19:51I don't understand why no one cares about these orphans.

01:19:55Of course, it's a logical thing.

01:19:56Why?

01:19:57Sorry, they are orphans, no one has any

01:19:59No, at least ladies should be more generous.

01:20:02Do you want orphans, sir?

01:20:05Orphans, sir

01:20:06Orphans, sir

01:20:07Orphans

01:20:08Orphans, sir

01:20:08Orphans

01:20:09But these children, what a satisfaction!

01:20:11God first makes them and then they mate with each other.

01:20:15Orphans, sir

01:20:16Madam, orphans

01:20:18Orphans

01:20:19The fact is that the passerby, Don Nandone, does not collaborate with us

01:20:22It's not that it's getting close, please

01:20:23Let me buy an orphan tag

01:20:26Nothing

01:20:26It's not, he comes closer, he looks at the medallion

01:20:28He pretends to save, someone leaves

01:20:30Don Peppino, bold action is needed here.

01:20:32Cold blood

01:20:34Impetuosity

01:20:34Audax fortuna iubat

01:20:38Orzia

01:20:39Orphans

01:20:40Orphans, sir

01:20:41Let's help the orphans

01:20:42Without parents, without father, without mother

01:20:44Children of orphans at the time

01:20:45Thanks on behalf of the orphans

01:20:47Thank you on behalf of the orphans, sir.

01:20:4910,000

01:20:51Damn

01:20:51We need to watch them head on

01:20:53Eh, I know

01:20:54One moment, ma'am.

01:20:57But how?

01:20:58But it's up to you

01:20:59But how dare he?

01:21:00But barefoot

01:21:01Shut up

01:21:03You said it chest-on

01:21:04But not this way

01:21:05Excuse me so much, madam.

01:21:06Consider it a misfortune

01:21:08A cream

01:21:08Here, a hole

01:21:10Give us the delicate ones

01:21:11We'll tell him right away.

01:21:12Right away, right away

01:21:12And we put it on purpose

01:21:13Do you have the jack?

01:21:14Idiot, parrot

01:21:16If there was a guard

01:21:17I'd show him

01:21:18You're right, sir.

01:21:18Sorry so much

01:21:19Don Beppi

01:21:20You guys are grabbing me

01:21:21But I did it to defend

01:21:22Come to meet you

01:21:23Excuse me

01:21:24Encounter

01:21:24Good defense

01:21:29Don Beppi

01:21:30I have a wonderful idea

01:21:32Follow me

01:21:32We will do not 4

01:21:3312

01:21:34A good idea

01:21:37A good idea

01:21:46A good idea

01:21:50A good idea

01:22:04I don't know, I don't know.

01:22:15Who was the professor? Do you understand? They thought we were crazy,

01:22:19They boxed us in and brought us here.

01:22:20He thought I was crazy. I look like a crazy person.

01:22:24If you want to take someone, take him.

01:22:26He's always kind.

01:22:31What's up, miss?

01:22:32The director is visiting time.

01:22:33There are also the relatives of the gentlemen.

01:22:36No, for goodness sake! I don't want to see our relatives.

01:22:38I don't want to see them, the professor protect us.

01:22:40Please shield us.

01:22:42Give us a shield.

01:22:44May he shield us, protect us.

01:22:46Calm down, calm down.

01:22:47He has the goals.

01:22:50Don't lose your calm.

01:22:51We don't listen to it.

01:22:54Don't lose your calm.

01:22:55Think, professor, please.

01:22:56Let's not lose our calm.

01:22:58What is he doing? He's thinking.

01:23:00And what does he think? I don't know.

01:23:01The teaching book.

01:23:02Okay, but I have to think.

01:23:04I know, but I say...

01:23:06Ssss.

01:23:07You go to the visiting room now.

01:23:09Yes, in the visiting room.

01:23:10One moment.

01:23:11What's going on in the visiting room?

01:23:12How do you do it in the visiting room?

01:23:12This is a question that needs to be asked.

01:23:13In the visiting room, they talk, right?

01:23:14But I would say, when we go to the visiting room, is it better if he and I go together?

01:23:17We are older.

01:23:18So what are we going to do in the visiting room?

01:23:19Leave it, the professor knows what he wants.

01:23:21There you will find your wives and children.

01:23:23No, no, no, no, no.

01:23:26Of course not, of course not.

01:23:28No, no, no, no.

01:23:28I have no wife and no children.

01:23:29No, I have children.

01:23:30Come on, don't be children!

01:23:32Oh, I make babies.

01:23:33I'm sorry you say these things to me.

01:23:35I am a man of a certain age.

01:23:36And not be children?

01:23:37And how do I make children?

01:23:38And what guys?

01:23:39And what are they guys?

01:23:39And what are we doing?

01:23:40You, you come in.

01:23:41Come in.

01:23:43Without children.

01:23:44You come closer.

01:23:47So, let's be kids and go.

01:23:48No, no! You have to pretend nothing happened!

01:23:52You're welcome. Thank you.

01:24:11Listen, the director!

01:24:16The director says we are cured!

01:24:23Go! Go! Go!

01:24:32But we are not crazy!

01:24:34And maybe we were crazy!

01:24:37And now you leave us here!

01:24:39A little bit each, doesn't hurt anyone!

01:24:49Oh, long live freedom!

01:24:51Oh, what tranquility!

01:24:52What a beautiful thing, huh?

01:24:54Antonio, do you have any preferences for this evening?

01:24:56Well, what do you want me to tell you?

01:24:58This evening I would opt for a nightclub.

01:25:01Well, I'd opt for that too!

01:25:03I'm following you, Antonio!

01:25:05Hi beautiful!

01:25:06See you soon!

01:25:06How soon!

01:25:07Go!

01:25:23How soon!

01:25:38Thank you all.

01:26:09Thank you all.

01:26:38Thank you all.

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