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00:00:18The End
00:00:35Let's go.
00:01:00Let's go.
00:01:30Let's go.
00:02:12Let's go.
00:02:21Let's go.
00:02:23Let's go.
00:02:25Let's go.
00:02:26Let's go.
00:02:28Let's go.
00:02:33Let's go.
00:02:41Let's go.
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00:02:48Let's go.
00:02:49Let's go.
00:02:56Let's go.
00:02:58Let's go.
00:03:11Let's go.
00:03:15Let's go.
00:03:17Let's go.
00:03:17Let's go.
00:03:19Let's go.
00:03:33Let's go.
00:03:34Let's go.
00:03:45Let's go.
00:04:00Let's go.
00:04:06Let's go.
00:04:09Let's go.
00:04:15Let's go.
00:04:16Let's go.
00:04:18Let's go.
00:04:21Let's go.
00:04:25Let's go.
00:04:26Let's go.
00:04:49Let's go.
00:04:50The chief is waiting for you now.
00:04:53Well, every vacation has to end.
00:04:55You are, sir.
00:04:56Why all this disorder here?
00:04:58No one has touched a thing, sir.
00:04:59You'll find all your papers are exactly where you left them.
00:05:01Get everything in order.
00:05:03Yes, sir.
00:05:03What's that cat doing here?
00:05:05Nothing, I hope, sir.
00:05:06It's the janitor's cat.
00:05:08Well, get him out of my office.
00:05:10And I want flowers here from tomorrow on.
00:05:12Did you say flowers, sir?
00:05:14That's right, flowers.
00:05:14I thought I'd misunderstood.
00:05:16You've changed, I must say.
00:05:17Yes, I've changed.
00:05:18I'm a man in love.
00:05:19I'm going to get married.
00:05:20Seems to me you should do the same.
00:05:22I know I should.
00:05:23But my wife wouldn't like it.
00:05:25It hurts me to see you so happy.
00:05:27Why?
00:05:28Because the chief is waiting.
00:05:30After you've seen him, you won't feel quite so happy.
00:05:32You think so, eh?
00:05:34I'm afraid you're wrong about that.
00:05:37We're satisfied with your work, Tanner.
00:05:39You did quite well on the Carter murder.
00:05:41That case was very easy.
00:05:43Simple routine.
00:05:44Oh, you're too modest.
00:05:46Now I'm going to give you something much more difficult and important.
00:05:49That's a great honor.
00:05:50You won't regret it, sir.
00:05:52It's a case that could very well make you famous.
00:05:54Here's the file.
00:05:55Case number 3253.
00:05:59That's the case of the four women who disappeared, isn't it?
00:06:01No, it's now five women who disappeared.
00:06:04Another one missing?
00:06:05Here's the situation.
00:06:07Five women have disappeared in three months.
00:06:10All under identical circumstances.
00:06:12At night, they disappear, leaving no trace.
00:06:15Not even a button.
00:06:16They just vanish.
00:06:18We didn't pay much attention to the first two
00:06:20because they were women of rather doubtful reputation,
00:06:23and we surmised they'd merely gone off with men
00:06:25and would come back soon.
00:06:27But they've never been heard from since.
00:06:29Now, after three months of calm, these disappearances have resumed.
00:06:33Three women in 20 days.
00:06:34There were definite traces of violence in their rooms.
00:06:38Tables were overturned and all that.
00:06:39Why?
00:06:41My name?
00:06:42Ursula Camille Marianne Frances Schneider.
00:06:45Your age?
00:06:4622.
00:06:47Married?
00:06:47No, I'm not married.
00:06:49That isn't because men don't chase after me,
00:06:51but only that I'm quite hard to please.
00:06:53I'm sure you are,
00:06:54but all I want you to do is answer my questions.
00:06:56Oh, sorry.
00:06:56When you get me talking, I go on and on.
00:06:59Ask me anything you want.
00:07:01The night of the incident.
00:07:02The incident?
00:07:03Oh!
00:07:04That's hardly the word for it, Inspector.
00:07:05It was horrible.
00:07:07Awful.
00:07:08Did you see his face?
00:07:09It was terribly dark, you know,
00:07:11but my impression is that he was quite pale and creepy looking.
00:07:14Could you recognize the man if you saw him?
00:07:17Yes.
00:07:18His walk was peculiar.
00:07:20What was peculiar about it?
00:07:22It seemed to me he walked with the step of a sleepwalker
00:07:25or a mourner following a hearse to a funeral.
00:07:28You must know what I mean.
00:07:29And otherwise ordinary?
00:07:32Extraordinary.
00:07:33Amor, amor,
00:07:36dame al pasar de tus caricias el calor.
00:07:47Amor, amor,
00:07:51ven junto a mí.
00:07:53Y si me abandonas,
00:08:23Mi pasión se apagará
00:08:31Amor, amor
00:08:35Why say that?
00:08:36I didn't think you'd be here.
00:08:39Danny, I promised to come.
00:08:40But that was yesterday.
00:08:42You know, a lot of men promise to come back.
00:08:45But generally, they forget the next day.
00:08:48How could anyone forget you?
00:08:50You're so very pretty, my dear.
00:08:58Is that for me?
00:08:59Cuando el adiós de mí te separó
00:09:04De mi vida te alejó
00:09:07Yo fui muy feliz
00:09:11Por ser libre al fin
00:09:13De tu pobre y viejo amor
00:09:19Cuando un señor
00:09:21Canoso el ricachón
00:09:23Pronto de sus títulos
00:09:26How beautiful you are.
00:09:27Your lovely hair.
00:09:29Your mouth.
00:09:31I'm fascinated by your skin.
00:09:34What about my skin?
00:09:36Ah, it's perfect.
00:09:38So soft and fresh.
00:09:40So very smooth.
00:09:45You like it?
00:09:47Oh, it's wonderful.
00:09:49And you're the most wonderful man I've ever known.
00:09:53Say you'll keep me with you forever and ever.
00:09:57You're lovely.
00:09:59Oh, what a tragedy that all this youthfulness,
00:10:02this freshness must vanish and never more be seen.
00:10:06Why do you say things like that?
00:10:10Forgive me.
00:10:11At my age, men sometimes tend to talk foolishly.
00:10:16Oh, but you're not old.
00:10:17You're mature, that's all.
00:10:19And a real gentleman.
00:10:21I wouldn't like you so much if you were old.
00:10:25And you do like me.
00:10:28Yes.
00:10:33What's the matter?
00:10:35Why do you stare at me like that?
00:10:38Nothing's the matter, dear.
00:10:39More champagne?
00:10:40Oh, yes.
00:10:42Much more.
00:10:43Tonight I want plenty of champagne.
00:10:53Oh, I'm drunk.
00:10:55Good evening.
00:10:56You need someone to take care of you.
00:10:58You're in no shape to go home alone.
00:11:00Someone's waiting for me.
00:11:01You see that carriage?
00:11:02The Duke's waiting in the carriage.
00:11:04See how generous he is?
00:11:06Say, that's some necklace.
00:11:08You're lucky.
00:11:09Mm-hmm.
00:11:19Did I keep you waiting too long?
00:11:22Huh?
00:11:23Where are you taking me now?
00:11:25Home for some more champagne, dear.
00:11:27All right?
00:11:28Yes, dear.
00:11:29Anything you say.
00:11:30But I ought to warn you, you won't find it easy to get rid of me.
00:11:34I'm a clinging barn to get rid of me after it kill me.
00:11:38Mm-hmm.
00:12:05Here you are.
00:12:08Here you are.
00:12:08Thank you, sir.
00:12:09Say, it's nice out here.
00:12:12This place is just grand.
00:12:14Oh dear, what did I do with my bag?
00:12:17Oh, here it is.
00:12:22Can't you open it?
00:12:49This must be a beautiful garden.
00:12:52Too bad we can't see anything.
00:12:54Why don't you strike a match?
00:13:02Oh, how beautiful.
00:13:05It's so green.
00:13:07And I just love gardens.
00:13:34Open the door.
00:13:36You scared me.
00:13:37Open the door.
00:13:43Open up.
00:13:44What are you doing?
00:13:47Where are you?
00:13:54Are you there?
00:13:57Are you there?
00:14:01Are you there?
00:14:02Are you there?
00:14:03Are you there?
00:14:06Are you there?
00:14:06Come on now.
00:14:08Come on.
00:14:08Where are you hiding?
00:14:10All right.
00:14:11I'll find you.
00:14:13I'll find you.
00:14:14Just wait.
00:14:15I'll find you.
00:14:21Are you there?
00:14:22Are you there?
00:14:25From your home...
00:14:26From your house...
00:14:30Barbara.
00:14:34Go join us there.
00:14:37We are.
00:14:41How do you feel?
00:14:46There!
00:14:47I can't find you today.
00:14:56Now, where are you hiding?
00:14:59Huh?
00:15:01Where are you, dearie?
00:15:11I can hear you.
00:15:25I can hear you.
00:15:54I can hear you.
00:16:19I can hear you.
00:16:21I can hear you.
00:16:22I can hear you.
00:16:49I can hear you.
00:16:53I can hear you.
00:16:58I can hear you.
00:17:01I can hear you.
00:17:35I can hear you.
00:18:14I can hear you.
00:18:21I can hear you.
00:18:31I can hear you.
00:18:48I can hear you.
00:18:54I can hear you.
00:19:12I can hear you.
00:19:13I can hear you.
00:19:13I can hear you.
00:19:14I can hear you.
00:19:15I can hear you.
00:19:16I can hear you.
00:19:17I can hear you.
00:19:19I can hear you.
00:19:30Let's go.
00:19:55Let's go.
00:20:21Let's go.
00:20:53Let's go.
00:21:25Let's go.
00:21:25Where's the necklace?
00:21:36Let's go.
00:21:37Let's go.
00:21:39Let's go.
00:21:41Let's go.
00:21:41Let's go.
00:21:41Let's go.
00:21:41Let's go.
00:21:48Let's go.
00:22:04Let's go.
00:22:12Let's go.
00:22:30Let's go.
00:22:36Let's go.
00:22:39Let's go.
00:22:41Let's go.
00:22:42Let's go.
00:22:54Let's go.
00:22:55Let's go.
00:22:56Let's go.
00:22:59Let's go.
00:22:59Let's go.
00:23:03Let's go.
00:23:24Let's go.
00:23:26Let's go.
00:23:32Let's go.
00:23:45Let's go.
00:23:55Let's go.
00:24:05Let's go.
00:24:14Let's go.
00:24:16Let's go.
00:24:32Let's go.
00:24:39Let's go.
00:24:42Let's go.
00:24:47Let's go.
00:24:50Let's go.
00:25:04Let's go.
00:25:16Let's go.
00:25:25Let's go.
00:25:28Let's go.
00:25:30Let's go.
00:25:31Let's go.
00:25:32Let's go.
00:25:32Let's go.
00:25:33Let's go.
00:25:35Let's go.
00:25:36It's a real picture.
00:25:42Ladies and gentlemen, you have come here today to help carry out an experiment
00:25:46which may reveal the identity of the man who abducted those poor women.
00:25:50A man who has aroused your just indignation.
00:25:53You've all supposedly caught sight of this man and have given us more or less complete descriptions.
00:25:58Now, together, we're going to try to reconstitute his portrait
00:26:02with the assistance of our artist, Mr. Klein.
00:26:06Well, now, in chronological order, I understand that you were the first person who saw the kidnapper.
00:26:13That's right, sir. It was terrible.
00:26:15You sell flowers in front of the Black Cat Tavern, I understand.
00:26:19Is that correct?
00:26:20Well, I used to.
00:26:21But lately, though, I've gone in more for caramels than cupidals.
00:26:25One evening, I remember that a special friend of mine, Polly Patterson, left with a companion.
00:26:32Was he tall?
00:26:34Average height, more or less.
00:26:36Well-dressed, wearing dark clothes.
00:26:39He had on a black coat and an opera hat.
00:26:48Like that?
00:26:52Well, yes.
00:26:54I'm sorry, but he was much taller and thinner.
00:26:57Black is correct.
00:26:58Only it was a cape.
00:26:59It was a cape as I remember it, sir.
00:27:03Did he look like that?
00:27:04No, much taller.
00:27:06And his face was a great...
00:27:07We'll talk about his face a little later.
00:27:08Yes, sir.
00:27:10So now, now we seem to have two versions of this strange Mr. Rex.
00:27:16May I now ask for descriptions from others present?
00:27:20May I have a word?
00:27:22I should say that your second drawing is an amazing likeness of the man I saw.
00:27:26And you mustn't forget the way he walks, though.
00:27:28Slow, heavy, measured steps, moves like a robot.
00:27:30Not at all.
00:27:32Quiet, please.
00:27:33One at a time.
00:27:35Now the driver.
00:27:36Seems to me the first picture is a good likeness, but he was a little heavier.
00:27:40I saw him when he left the tavern.
00:27:42Looked perfectly normal to me.
00:27:44Same as the first picture.
00:27:45That's exactly right.
00:27:46I saw him and we even exchanged a few words together.
00:27:49Quiet, quiet, ladies and gentlemen.
00:27:52If I am not mistaken, you have seen two very different men in this case.
00:27:57How about the faces?
00:27:59Describe the man you saw.
00:28:01I don't remember his face well.
00:28:03It looked normal.
00:28:05How old?
00:28:06Not very old, not very young.
00:28:08What do you say?
00:28:09His eyes were large and cruel.
00:28:12Cruel?
00:28:13Yes, I'd say so.
00:28:19His nose was rather hooked.
00:28:22Like that?
00:28:23More or less.
00:28:25What do you say?
00:28:26I didn't see much, you know.
00:28:28I admit that, but I did observe this.
00:28:30He had a large mouth.
00:28:31His jaw was massive, square and powerful.
00:28:38Do you agree?
00:28:39That's right, his jaw was large and square.
00:28:41And what's your opinion?
00:28:43No, his face wasn't a bit like that.
00:28:44Absolutely not.
00:28:46Why, the man I mean was very young, about 30.
00:28:48And the one I saw was also a young man with a cadaver's face.
00:28:52Most amazing looking fellow.
00:28:54I noticed that he had a great big scar on the side of his face.
00:28:58It was on the right side, left side, from his forehead to his mouth.
00:29:11That's right.
00:29:12But the amazing thing though, was his eyes.
00:29:15They had a kind of glare.
00:29:17When I struck a light, his eyes didn't even blink.
00:29:20Most unusual, as if the fellow were blind.
00:29:31That's amazing.
00:29:32That picture is the man.
00:29:33I would swear it's him.
00:29:37Thank you very much.
00:29:39You may go now if you like.
00:29:48Have you made any progress?
00:29:50I don't know.
00:29:51We have two murders instead of one.
00:29:54Sir, the commissioner told me to give you this.
00:30:00While the city's new blue beard continues his reign of terror,
00:30:04the inspector in charge of the case is spending all of his time with a young ballerina.
00:30:09What sort of investigation is he conducting?
00:30:34the entire standing on one's tree.
00:30:36You know, his face is still not as an tactile and the other.
00:30:36The only and the other, when he wasead in the house.
00:30:36And now he's got to carry the tower in the house.
00:30:36The two Samuel's new name is the one that he lives in the house.
00:30:36And he's got to be in the house.
00:30:38And he's got to build his own way.
00:30:38The two of his new brothers and back now.
00:30:38And so he's got to deal with his own hands.
00:30:38And they're all this,
00:30:38they're all that same thing.
00:30:40You're all this.
00:30:42And it's not as good as your own people.
00:30:45We have to do like.
00:30:46You're all this.
00:30:46The Two of your mother's new is dead.
00:31:14Tell Morpho to bury this body.
00:31:17So, one more victim for you? And what for? Does it mean you failed once more?
00:31:22Yes. But now I know why.
00:31:26At the cost of killing those five girls.
00:31:30Five girls and all of them worthless. Utterly worthless.
00:31:34Not one of them was worth even one minute in the life of Melissa.
00:31:37They were human and you had no right to do it.
00:31:42Yes, I know. And I'm sure I deserve divine punishment.
00:31:47Now, though, I shall continue.
00:31:49It's useless. You must realize that.
00:31:51No. Now I know the reason for all my failures.
00:31:55It was the kind of skin grafts I used.
00:31:58Taken from girls who were dead so the cells were dead cells.
00:32:01That's why I always failed. That's what was wrong.
00:32:04And from now on I must use grafts from living women only.
00:32:07And then my triumph will be complete.
00:32:10Do you mean you torture those poor women? Is that it?
00:32:14But it would be done quickly.
00:32:16And what would you do with them afterwards?
00:32:19I'd let them die then.
00:32:22Or on second thought, I could, yes, I could use them for further experiments.
00:32:28I'm leaving.
00:32:30I'm not staying here any longer.
00:32:32I'm sick of all this.
00:32:33I'm sick of you.
00:32:34You murderers.
00:32:34You'll stay right here.
00:32:36I'll kill you if you try to get away from me.
00:32:39But so slowly and painfully you'd beg me to let you die immediately.
00:32:45But why do you want me to stay here?
00:32:47Because I won't have you reveal my secrets.
00:32:49I'll say nothing.
00:32:51I swear it.
00:32:51Too much of a risk for me.
00:32:54What's more, you are mine.
00:32:58I saved you from prison, Arnie.
00:33:00It was a life term.
00:33:02Remember that.
00:33:03You should have left me there.
00:33:07That isn't the way you talked then, Arnie.
00:33:10Have you forgotten when you were in the infirmary in that wretched prison?
00:33:16I remember how different you were then.
00:33:20Yeah.
00:33:23I was just a poor physician, a physician in a prison.
00:33:28And I was probably in love with you.
00:33:31Yes, I don't doubt it.
00:33:32Or you would never have saved me and risked your situation.
00:33:36All those nights spending devising the best method to get you out of that hell hole.
00:33:42But at last the means were found to accomplish it.
00:33:45It was simple, just an injection of insulin and you went into a state of coma.
00:33:49That was justification for a death certificate.
00:33:53I spent hours and hours in suspense until I had a chance to get you out of your casket just
00:33:58before the burial.
00:34:00And then I carried you in my arms for nearly ten miles through the night.
00:34:09I sometimes wonder what made you go through all that.
00:34:12I suppose it was to bury me again in this place, along with poor Morpho.
00:34:17Oh yes, poor Morpho.
00:34:18He's a killer, a sadist, a 20, he was a parasite.
00:34:23I also took him out of prison since I wanted to use his body and mind for various research projects.
00:34:28And now he's only a sightless idiot.
00:34:31An animal obeying the orders of a master who is even more heartless and criminal than he.
00:34:38Yet I always tried to benefit mankind until that day when the fire destroyed the laboratory and disfigured my daughter.
00:34:47Now I have only one goal in life to bring her loveliness back to her.
00:34:51Yes, for three months I struggled to preserve her from death.
00:34:56I will succeed.
00:34:57I know I haven't much time.
00:35:00I shall be implacable.
00:35:02I know.
00:35:03All I need is one or two women more and I shall succeed in curing Melissa.
00:35:21Wait just a moment, dear.
00:35:25I want to give the officer these portraits so that he can begin his inquiries.
00:35:28Don't be long. This neighborhood makes me nervous.
00:35:41Good evening, Inspector. Drawings of the murderer.
00:35:43I want you to find out if anybody recognizes them, Sergeant.
00:35:45Yes, Inspector.
00:35:46Fine.
00:35:47Oh, Inspector, you want it urgently at headquarters.
00:35:49Right.
00:36:18I want you to find out.
00:36:20What do you want?
00:36:24Please forgive me.
00:36:26I mistook you for someone else.
00:36:28Someone who is terribly ill.
00:36:31It is strange how much you resemble that girl.
00:36:41Martin found the necklace in the shop of an antique dealer at Hartog 50 miles from here.
00:36:45I must go there at once.
00:36:48Martin is there now. I told him to have the seller arrested.
00:36:50He is a vagrant with a bad reputation.
00:36:53What is it, Wanda? What is it, dear?
00:36:56I saw him, Edgar. He spoke to me.
00:36:59Who?
00:37:00He is the killer.
00:37:01He is the murderer. He spoke to me.
00:37:03What makes you say that?
00:37:05He was... he was the man in the first portrait.
00:37:08What did he say?
00:37:09That he had mistaken me for another woman.
00:37:12I know he is the man.
00:37:13The murderer.
00:37:15The same hat. The same coat.
00:37:17There he is.
00:37:20Stop the carriage.
00:37:34Yes, sir. What is it?
00:37:38Please forgive me, sir.
00:37:39I confused you with someone else. I am sorry.
00:37:42That is quite all right.
00:37:44Good evening, sir.
00:37:57I hope you are not going to start recognizing the murderer on every street corner.
00:38:01The town is full of men wearing capes and top hats.
00:38:04Yes, I suppose you are right.
00:38:06I have an obsession, I guess.
00:38:08Where are we going now, Edgar?
00:38:09I will have to leave you on my way home.
00:38:11I will change and leave for Hartog immediately.
00:38:13When will you be back?
00:38:14I don't know. I should think tomorrow night.
00:38:17Why?
00:38:18Nothing.
00:38:31I will try to come home earlier if possible.
00:38:33Think about me, huh?
00:38:34I will be thinking about you every second.
00:38:36This case will be finished soon if everything turns out the way I expect.
00:38:40Then we can get married and leave for our honeymoon.
00:38:44Yes, dearest.
00:38:45Leave me here now. You have a lot to do.
00:38:48Wanda, do you love me as much as ever?
00:38:49No, much more.
00:38:52No, much more.
00:39:43When did you come in, Wanda? I didn't hear you.
00:39:46And what are you doing with that dress?
00:39:48Are you going to a masquerade?
00:39:50How right you are.
00:39:52And what are you masquerading as?
00:39:55A shameless hussy.
00:40:05Well, the rain's finished anyway, that's something.
00:40:07I should be lucky if I don't catch pneumonia.
00:40:17Here it is, Inspector.
00:40:27Good evening.
00:40:34This is Mr. Hogan, the antique dealer who bought the necklace from that tramp.
00:40:41Here's the necklace.
00:40:42Do you want me to show you the shop?
00:40:44No, don't bother.
00:40:45How did you get this?
00:40:46I already told your assistant the story.
00:40:48Well, now suppose you tell me.
00:40:50How many times do you expect me to repeat it?
00:40:53Just as many times as you're asked.
00:40:55How did you get this?
00:40:57I paid for it.
00:40:58Paid who?
00:40:59Jeannot.
00:41:00What's the rest of it?
00:41:00His last name is Roussel, but everyone calls him Jeannot the tanker.
00:41:04Why? A drinking man?
00:41:06That is correct, sir.
00:41:07You're extremely perspicacious.
00:41:09I don't need your irony.
00:41:10Where will I find this Jeannot?
00:41:12He is at home, that is in the tavern.
00:41:16Come on.
00:41:20Your name?
00:41:22John Roussel.
00:41:23Listen, Roussel.
00:41:25You'd better tell me the truth of no ifs and buts if you know what's good for you.
00:41:28I don't know what you mean by good, but go right ahead.
00:41:32How did you get this necklace?
00:41:33I caught it, Inspector.
00:41:34Caught it out of a lady's handbag.
00:41:36I was fishing in the river and caught it on my line.
00:41:39What river?
00:41:39There's only one river.
00:41:41I'm a fisherman.
00:41:42Not for my pleasure, for my supper.
00:41:44So I'm fishing one day.
00:41:46Throw my line in the water and bing, I get a bite.
00:41:48So I haul her in.
00:41:49And there's the necklace.
00:41:50That's right.
00:41:51You have a job?
00:41:52No, I'm on my vacation.
00:41:54I spend my time fishing.
00:41:56You mean drinking, don't you?
00:41:59Yeah, I drink to forget.
00:42:00To forget what?
00:42:01People and things.
00:42:02Have you forgotten what you were doing on the night of the 23rd of last month?
00:42:07The night of the 23rd.
00:42:10Well, that's quite a while ago.
00:42:11Ten days.
00:42:12Well, that's simple.
00:42:13I was fishing.
00:42:14We'll have to verify that, you know.
00:42:16All right with me, but how?
00:42:18You'd better go question the fish.
00:42:20Fish have memories like elephants.
00:42:21Well, that's all for now.
00:42:23While we are trying to check up on your fish story about the necklace,
00:42:27you will have to do your resting in jail.
00:42:29We'll see you later.
00:42:30Fine.
00:42:31I've been in much worse places.
00:42:32Jail isn't so bad, you know.
00:42:34The food, well, it's not always the best, but who wants chicken every day?
00:42:38Hey, hey there.
00:42:39Wait.
00:42:41Look here.
00:42:42You're not so bad.
00:42:44Better than him.
00:42:46I've known worse people than you.
00:42:48That's very kind of you.
00:42:49That's all right.
00:42:50I know you're in a spot.
00:42:52Ah, yes?
00:42:53I can save time for you.
00:42:54Just listen to me.
00:42:55Right near here.
00:42:56I know where there's something going on.
00:42:58What do you mean?
00:42:59I mean, it's something I'm afraid of.
00:43:03It has the smell of death about it.
00:43:05And don't think I'm drunk.
00:43:07You know, I have to go right past this place when I go fishing.
00:43:10It's not pleasant.
00:43:12A place like that should be looked at, Inspector.
00:43:14Yeah, I think you'd better have a look at that place.
00:43:16You must be hiding something.
00:43:18Look, if I knew anything, Inspector, I'd tell you.
00:43:21I only know there's something fishy.
00:43:27All right, friend.
00:43:28Escort me to your prison before I change my mind.
00:43:31Get going.
00:43:56Where are you going all dressed up?
00:43:58That idea of your business?
00:43:59What do you have?
00:44:06What will it be, sister?
00:44:09What have you got?
00:44:11How about some brandy?
00:44:12Makes you frisky.
00:44:13Oh, that's for me, then.
00:44:14Hello, beautiful.
00:44:15You know how to sing.
00:44:16Sure I do.
00:44:17Come on, then.
00:44:18Let's have a song, huh?
00:44:20We'll sing a song together.
00:44:23Well, why don't you sing?
00:44:26Well, let me be.
00:44:27What are you so mad at?
00:44:28Your heart, your brandy.
00:44:30I love to sing.
00:44:50Come with me.
00:44:51You should have to let you be.
00:44:53Well, I'll come and you'll sing.
00:44:55Anything you say.
00:44:56We'll sing duets.
00:44:57Well, women are all alike, I guess.
00:44:59I just don't know what she sees in him.
00:45:08Here, we'll take a carriage.
00:45:10Whatever you say, Pat.
00:45:11Are you free?
00:45:12No.
00:45:14Are you free?
00:45:15No, you'll have to pay me.
00:45:16I want you to sing.
00:45:18Get in.
00:45:27Go.
00:45:38Go.
00:45:40Go.
00:45:41Go.
00:45:53Go.
00:46:03Are we home already?
00:46:04I am, yes.
00:46:05And I am too.
00:46:06No, you'll be late for your recital.
00:46:08All the girls are waiting for you.
00:46:10That's what I want.
00:46:11Take him anywhere he likes.
00:46:13Right, miss.
00:46:13Night.
00:46:14Night.
00:46:14Why, wait.
00:46:15Where did you say all those girls are?
00:46:22Well, enough work for tonight.
00:46:23Raymond, wait just five minutes while I change.
00:46:26Hurry up, though.
00:46:27I'm all tired of it.
00:46:40Irma?
00:46:45Irma?
00:46:48Who's there?
00:46:49What?
00:47:02Raymond?
00:47:04I'm ready.
00:47:05Raymond!
00:47:07Raymond!
00:47:14Raymond!
00:47:16Raymond!
00:47:16Raymond!
00:47:22Let's go.
00:48:11Come, Morpho.
00:48:13Come, I say.
00:48:26Come, Morpho.
00:48:28Come, Morpho.
00:48:30Come, Morpho.
00:48:44Come, Morpho.
00:48:46Come, Morpho.
00:49:02Come, Morpho.
00:49:29Come, Morpho.
00:49:46Come, Morpho.
00:49:46Take her away.
00:49:47Put her in the tower.
00:49:49She may still be of use to me.
00:49:54Come, Morpho.
00:49:55Come, Morpho.
00:50:19Come, Morpho.
00:50:20Come, Morpho.
00:50:29Come.
00:50:39Come, Morpho.
00:50:42Come, Morpho.
00:50:43We have some peace and quiet.
00:50:44Sorry, sir.
00:50:48Could I speak to you, Inspector?
00:50:49Oh, what a surprise. So here's the hard-working man.
00:50:52I wasn't addressing you, my man, but the inspector.
00:50:56Come in, Giano.
00:51:01Sit down.
00:51:03What do you want, Giano?
00:51:05Get him out of here.
00:51:06Get him out.
00:51:07Because I want to speak to you privately.
00:51:09Tell this clown to leave.
00:51:10You heard him, Martin.
00:51:12You're not going to listen to him, are you?
00:51:13Yes, please leave.
00:51:14Yes, sir.
00:51:15Beat it.
00:51:19Want to talk to me?
00:51:20Yes, Inspector.
00:51:22I want to say thank you for letting me get out of jail.
00:51:25Well, that's only justice.
00:51:26Your statements were all verified.
00:51:28But I have more things that I'd better tell you.
00:51:30There wasn't a bit of wine in the prison.
00:51:32I had time to think about things.
00:51:34I thought about you because you're not like all the others.
00:51:37I haven't much use for policemen.
00:51:39No, no, please.
00:51:40You didn't come to tell me that, did you?
00:51:42You're a gentleman, sir.
00:51:43First policeman I ever saw knows how to be a gentleman.
00:51:47Well, if you go along the river east of here,
00:51:49say around 10 miles, you'll find a dock in a boathouse.
00:51:52The place looks abandoned.
00:51:54That's the way it looks, but it isn't.
00:51:55Because I've seen boats there, brand new.
00:51:57I've seen people around there at night, and then I...
00:51:59I don't see what your boathouse has to do with the case.
00:52:02Ooh, nothing to it.
00:52:03Put your head to it.
00:52:04Who do you think owns it?
00:52:05No one knows.
00:52:06Is there a watchman there?
00:52:08No.
00:52:08I'll bet you that boathouse has something to do with the girls who disappeared.
00:52:12Someone who could have taken them in a carriage to the dock
00:52:15and taken a boat across the river.
00:52:16Then he might just go right past Hartog and end up at the castle on the other side.
00:52:21What castle?
00:52:23Uh, it's a small castle the other side of Hartog.
00:52:26It's right near the place where I found the necklace.
00:52:28But I know the necklace came from further up the stream on account of the current.
00:52:33I say that because it wasn't all covered with muck.
00:52:35And where I fished it out, the bottom was very muddy.
00:52:38The necklace should have been dirty.
00:52:40Extremely powerful current there.
00:52:42And it might have carried those beads a long ways to where I was.
00:52:46But anyway, that's for you to decide.
00:52:48Remember, it won't cost anything.
00:52:50Go take a look out there.
00:52:51Believe me, it's worth it.
00:52:52It's a spooky place.
00:52:53You don't look like someone who scares easy.
00:52:56No.
00:52:57I'm told that folks living there only go out after dark.
00:53:01Anyway.
00:53:02Told you everything.
00:53:03Thanks very much.
00:53:04Maybe I will go have a look.
00:53:05Don't forget the boathouse.
00:53:07Hurry up, too, or you'll miss the boat.
00:53:10I'm at your service.
00:53:12You'd better stay around here for a day or two then, Jeanneau.
00:53:15All right.
00:53:16Count on me as a friend, Inspector.
00:53:17Where will I find you?
00:53:19At Albert's Tavern.
00:53:21That's my home away from home, in a way.
00:53:23That's an invitation.
00:53:24Thank you, Jeanneau.
00:53:26Goodbye, Inspector.
00:53:29I know just where you belong.
00:53:32Where?
00:53:32The circus.
00:53:33You'd be a real big hit.
00:53:35Ha!
00:53:36Ha!
00:53:36Ha!
00:53:36Ha!
00:53:37Ha!
00:53:38Ha!
00:53:38Ha!
00:53:43Martin?
00:53:43Yes, Inspector?
00:53:44I want you to pay a little visit to a small chateau just outside of Hartog.
00:53:49At the same time, try and find a boathouse and an old abandoned house a few miles upstream.
00:53:56Yes, sir.
00:53:56You may find fingerprints there, too.
00:53:58If so, check the files.
00:54:00Right, Inspector.
00:54:01Meanwhile, the boss would like to see you when he's in a terrible mood.
00:54:04My daughter, she's gone all night long, and that never happened before.
00:54:10She sometimes works late, and although she knows I've been sick for months, she's never
00:54:15left me alone like this, though.
00:54:17What is her name?
00:54:18Emma Gold.
00:54:20She's all I've got.
00:54:21She sings every night in a cabaret, the Vieux Colombier.
00:54:26And the first thing this morning, I went over to the place.
00:54:29They said that my daughter had to practice some special numbers.
00:54:33Alone?
00:54:34She often stayed late with the pianist.
00:54:37Oh, I'm so frightened.
00:54:39But something's happened to her.
00:54:41That they killed my daughter.
00:54:43And I'll never see her alive again.
00:54:45The same as those other poor girls.
00:54:50You mustn't be so upset.
00:54:51I'm sure this is only a false alarm.
00:54:54Anyway, we'll do everything possible to find your daughter.
00:54:57Will you please take this lady home?
00:55:09Thank you, sir.
00:55:12You've both been so kind.
00:55:15May God bless you all.
00:55:20This situation can't go on.
00:55:23You've got to get that kidnapper right away.
00:55:25Mobilize the whole force.
00:55:27This time a murder has been committed.
00:55:29The murder of that poor pianist.
00:55:31We must warn everybody.
00:55:33It's the only way.
00:55:35What do you mean?
00:55:35Publish those drawings of the man we want in the Daily Gazette.
00:55:39Then everybody will think we don't know which way to turn.
00:55:41They'll always come.
00:55:42Yes, I suppose you're right.
00:55:45But the most important thing is to save other women.
00:55:48The rest doesn't matter.
00:55:50I propose to draft a warning to put everyone in town on guard.
00:55:54Let's assign all agents to this murder.
00:55:56I'll stay with the case day and night.
00:55:58And if I finally fail,
00:56:00I shall submit my resignation.
00:56:04If you should fail,
00:56:06we shall both submit our resignations.
00:56:13Our careers are at stake.
00:56:15Mine as well as yours.
00:56:25Is there anyone else?
00:56:27Just one.
00:56:28He insists that he knows the killer personally.
00:56:30I've spoken to 30 people who say they know or believe they know him.
00:56:34And every last man talks like a moron, Martin.
00:56:36Well, what'll I do?
00:56:37Send him in.
00:56:38One more.
00:56:39I might as well.
00:56:44I'm happy to see you, Commissioner.
00:56:47Commissioner?
00:56:48No, just Inspector.
00:56:50So sorry, Inspector.
00:56:52I know the murderer.
00:56:54I'll tell you who he is.
00:56:55That's fine.
00:56:56Tell me his name.
00:56:58Those faces in your drawings,
00:57:00you know they aren't real faces.
00:57:02Ah, no.
00:57:02No, they're masks consisting of the faces of dead men.
00:57:05That's all they are.
00:57:06Ah.
00:57:09Then who's behind the masks?
00:57:11Elias Hausmann.
00:57:12The man lives right next door on the top floor.
00:57:15He's a very great writer.
00:57:18Ah.
00:57:19Is it possible to meet the genius?
00:57:21That's perfectly easy.
00:57:22He's right here.
00:57:23Here?
00:57:24Oh, yes.
00:57:25Here.
00:57:26Elias Hausmann, the thrill killer.
00:57:28It is I.
00:57:30Perfect.
00:57:31You're under arrest.
00:57:32Naturally.
00:57:33Elias Hausmann, the thrill killer.
00:57:35At last I shall have my name in the paper.
00:57:38Even if I die on the scaffold.
00:57:41Handcuff him and send him to the lunatic asylum.
00:57:43No, I won't go back there.
00:57:45I'm a respectable criminal.
00:57:46I'll write to the papers about this.
00:57:48No, no, no.
00:57:49No, no, no.
00:57:50No, no.
00:58:01You see, all you've achieved is to make a living corpse of Melissa.
00:58:05Silence.
00:58:06The reward for your murders.
00:58:08The cries and screams of all those women still ring in my ears.
00:58:12You monster.
00:58:13Silence.
00:58:14I have achieved the most difficult thing.
00:58:17Look, Arnie.
00:58:18Look at her face.
00:58:19Very soon my success will be complete.
00:58:24How?
00:58:25With more of your murders?
00:58:29I intend to see if I can make further use of the last woman.
00:58:34If she dies, I'll carry on with others.
00:58:37What with all the police looking for you and your description posted up on every wall?
00:58:41The whole town is on the alert.
00:58:42You'll be captured.
00:58:44I'll run every risk necessary for success.
00:58:48Now all I need is to find one certain woman.
00:58:51What woman?
00:58:54She's the image of my daughter.
00:58:56Yes, she's just as beautiful as Melissa.
00:59:00I'm sure that if I can get her here, I won't have to look for any more subjects.
00:59:06You're mad.
00:59:08You've gone crazy.
00:59:09You're possessed by the demon of torture and murder.
00:59:11You've committed your last crime.
00:59:16I hate her.
00:59:17She's the cause of all this.
00:59:22She's the cause of all this.
00:59:39She's the cause of all this.
00:59:58You always liked Melissa.
01:00:01Don't you want her to get well again?
01:00:05She was always good to you.
01:00:08She wasn't afraid of you.
01:00:11Don't you want to see her happy again?
01:00:16Arne has left and won't return for a few days.
01:00:20She'll come back in time to aid us.
01:00:22In our ultimate victory,
01:00:24I've caught a glimpse of a young woman like Melissa.
01:00:28We'll try to get her here.
01:00:32If we succeed, she'll be yours, Morpho.
01:00:48Did you see the papers today?
01:00:50Yes.
01:00:52See what they said about me and the courier?
01:00:54Well, I hope the critics will be kinder to me tomorrow.
01:00:57They recognize your qualities.
01:01:04And yours. Otherwise, they wouldn't write about you.
01:01:08Miss Wanda, on stage, please.
01:01:10Last call, Miss Wanda.
01:01:12I'll meet you after the show.
01:01:14Good luck.
01:01:15Don't be so sad.
01:01:17Make you feel bad?
01:01:18Of course. I love you.
01:01:19I love you.
01:01:36An inspector.
01:01:46I've just got word I must go to the office right away.
01:01:49Please make my apologies to Wanda.
01:01:57Inspector, these are identical fingerprints, and I'm sure they're from the same person.
01:02:02These were found at the boathouse, and they were made recently.
01:02:04Consulting the records, we found out who they belonged to, and this is the big surprise.
01:02:12Morpho Lautner, sentenced to be hanged for the murder of his father and for several other violent crimes.
01:02:18On the 12th of May, 1905, the man died in prison of a heart attack just three days before his
01:02:25scheduled execution.
01:02:28That was seven years ago.
01:02:30Are you really sure these are the same fingerprints?
01:02:33Oh, there's no mistake about it.
01:02:35That's why I had these prints enlarged, sir.
01:02:38They're the same.
01:02:40Go and look up the records on Morpho Lautner in Central Archives.
01:02:43Yes, sir.
01:03:36Well, now, where have you been all my life, sweetheart?
01:03:40Of course you want a brandy.
01:03:42How did you know that?
01:03:43Because I recognized him.
01:03:54A gentleman asked me to give you this, miss.
01:03:58He's waiting for you in a private room.
01:04:05He looks very distinguished. You're in luck.
01:04:11Show me the way.
01:04:18Hello, Fletch. Hello, Fletch.
01:04:24Here it is.
01:04:26If you need anything, just let me know.
01:04:28Have you anything to write with?
01:04:29I sure do, my dear.
01:04:32You think I can make a living selling flowers?
01:04:34In the old days, flowers were enough.
01:04:37Men were more romantic things.
01:05:00I must have startled you.
01:05:02A bit, yes.
01:05:03I'm sorry.
01:05:09My name is Orloff.
01:05:11And I'm very pleased to make your acquaintance.
01:05:14My name is Tanya. Tanya Feld.
01:05:16Tanya, sit down, won't you?
01:05:25Now, no one will bother us here.
01:05:28Champagne?
01:05:28Oh, yes, with pleasure.
01:05:47He was abnormal.
01:05:48A monster who killed for pleasure.
01:05:50Committed his first crime at the age of 17.
01:05:53He murdered a 12-year-old girl.
01:05:55With that background, he'd be the ideal suspect.
01:05:58I'm afraid there's one hitch.
01:06:01He's been dead and buried for seven years.
01:06:12The death certificate was signed properly by the prison physician, Dr. Or...
01:06:17Orloff.
01:06:18Orloff.
01:06:19Yes, I know him.
01:06:21Orloff.
01:06:22Orloff.
01:06:25Orloff.
01:06:26Just about the time he signed that certificate.
01:06:28He was extremely intelligent.
01:06:30Good reputation.
01:06:31I wonder what he's doing now.
01:06:33Orloff.
01:06:34Go get me the record on Orloff.
01:06:36Yes, sir.
01:06:40You know it's already one o'clock in the morning.
01:06:42And we've got a lot more things to do tonight.
01:06:44Yes, I know, but this is much more important.
01:06:46Please bring me that record.
01:06:47Yes, sir.
01:06:54I'm mad about you, Tanya.
01:06:56I've never met a woman quite like you.
01:06:58I want you to come with me.
01:07:01Come to my house.
01:07:01I'm sure you won't be sorry.
01:07:04Please say yes, darling.
01:07:07Of course I will.
01:07:10Oh!
01:07:11Oh, my hair's a mess.
01:07:22Don't you think I look awful?
01:07:24Honestly.
01:07:25You look marvelous.
01:07:26One more drink?
01:07:27Oh, yes.
01:07:28Yes.
01:07:33Buy me some flowers.
01:07:47Here you are, the flower girl.
01:07:49Oh, yes, the flower girl.
01:07:51I'll take this.
01:07:54Wait.
01:07:55I've got a big surprise.
01:07:57Wait a minute now.
01:07:59While I make myself pretty for you.
01:08:01Don't stay too long.
01:08:02Oh, no, no.
01:08:03I'll be right back.
01:08:10I'll be right back.
01:08:17I'll be right back.
01:08:21I'll be right back.
01:08:24I'll be right back.
01:08:25I'll be right back.
01:08:26I'll be right back.
01:08:28I'll be right back.
01:08:31I'll be right back.
01:08:46Here, give this to a policeman right away.
01:08:49There's one across the street.
01:08:50I saw him earlier.
01:08:51I'd say it's urgent that it's a matter of life or death for me.
01:08:58Here, give me a few more.
01:09:11How do I look?
01:09:18You're just ravishing.
01:09:22Are you coming now, dear?
01:09:25Whenever you say.
01:09:26Let's go home, then.
01:09:28It's rather far away.
01:09:30It's very, very peaceful there.
01:09:33You'll never want to leave the place.
01:09:45Let's go out the back way, shall we?
01:09:47The carriage is waiting for us.
01:09:49Yeah.
01:10:05Oh, I'm so drowsy.
01:10:07I know I've drunk too much tonight.
01:10:10Are you angry with me?
01:10:12No, of course not.
01:10:14Sleep now.
01:10:17You're so good to me.
01:10:28Driver, faster, please.
01:10:29I don't know just how to get to that boathouse you want, sir.
01:10:33Go straight ahead.
01:10:34Keep going.
01:10:34I'll show you the way.
01:10:36You see, this Orloff lives in a chateau near Hartog.
01:10:38Yes, he retired there a long time ago.
01:10:40It certainly would be remarkable if that tramp were right.
01:10:43Oh, officers, I'm happy to see you.
01:10:45The murderer was after me with a great big knife in his right hand.
01:10:47How interesting.
01:10:49Everybody around here has gone crazy.
01:10:59Hello, Krause.
01:11:00Hello, Inspector.
01:11:01Anything new here?
01:11:02Nothing much.
01:11:03Oh, by the way, I have a note for you here.
01:11:05What is it?
01:11:06A flower girl gave it to one of the men on the beat.
01:11:08Said it was from some woman.
01:11:09A little bit worse for the weather.
01:11:13Well, written with lipstick.
01:11:14Another crazy girl who was chased by a stranger, I guess.
01:11:17Come on, Martin.
01:11:18Right.
01:11:19Say, we'd better be getting back to the office and back to our paperwork.
01:11:22Right you are.
01:11:22Good night.
01:11:23Carry on.
01:11:23Good night, sir.
01:11:24Good night, Krause.
01:11:25Good night.
01:11:41Thanks.
01:11:41Want a hand?
01:11:42No, she's just a little tipsy.
01:11:44Thanks all the same.
01:11:46Come on, dear.
01:12:02Morpho!
01:12:05Here!
01:12:06I'm here.
01:12:15Come on.
01:12:43Come on.
01:12:59Morpho, take her into Melissa's room.
01:13:02She won't be waiting for several hours.
01:13:04I have to give her an injection before I operate.
01:13:23Come on.
01:13:37Come on.
01:13:38Come on.
01:13:53Come on.
01:13:57Come on.
01:13:58Come on.
01:14:06Come on.
01:14:24Come on.
01:14:47Come on.
01:14:50Come on.
01:14:55Come on.
01:14:56Come on.
01:14:56Come on.
01:15:42Come on.
01:15:53Come on.
01:15:55Come on.
01:16:07Come on.
01:16:09Come on.
01:16:10Come on.
01:16:11Come on.
01:16:17Come on.
01:16:19Come on.
01:16:22Come on.
01:16:37Come on.
01:16:54Oh, my God.
01:17:20Oh, my God.
01:17:43Oh, my God.
01:18:18Oh, my God.
01:18:19Oh, my God.
01:18:42Oh, my God.
01:19:25Oh, my God.
01:19:27Oh, my God.
01:19:29Oh, my God.
01:19:30Oh, my God.
01:19:30Oh, my God.
01:19:40Oh, my God.
01:19:47Oh, my God.
01:19:56Oh, my God.
01:19:58Oh, my God.
01:20:04Oh, my God.
01:20:11Oh, my God.
01:20:39Oh, my God.
01:20:42Oh, my God.
01:20:43Oh, my God.
01:20:44Oh, my God.
01:20:44Oh, my God.
01:20:56Oh, my God.
01:21:14be able to find him around here.
01:21:17That's right, there he is.
01:21:23Hello there, my friend.
01:21:25Come on, have a drink with us.
01:21:27Yeah, what are you doing?
01:21:28I want you to come along to the castle, Jeannot.
01:21:30Right away.
01:21:30Castle? Castle? What castle?
01:21:31The one at Hartog.
01:21:32What you told me was absolutely right.
01:21:33Hurry, the life of a woman depends on it.
01:21:36I don't believe all that.
01:21:37I was only joking with you.
01:21:48You're going to take me to that castle, Jeannot.
01:21:50The carriage is waiting outside.
01:21:52Hurry up now, will you?
01:21:54Sure thing, Inspector.
01:21:55Why didn't you say so?
01:21:56Come on.
01:22:08There, that's the boat landing.
01:22:30I must operate now, Mofo.
01:22:33I must operate now, Mofo.
01:22:44I must operate now, Mofo.
01:23:13What are you doing?
01:23:19What are you doing?
01:23:21No, no.
01:23:38Morpho.
01:23:40What have you done?
01:23:42Morpho.
01:23:59This way.
01:24:06Come on.
01:24:32Let's go.
01:24:34Give it up!
01:24:37Look!
01:24:41Let's go.
01:25:33It's too great a risk.
01:25:41Look out, Wanda!
01:25:43Ah!
01:25:55Ah!
01:26:17We were right, weren't we, dear?
01:26:18Yes, darling.
01:26:20And you're the best detective in the whole world.
01:26:23And you're my right-hand woman from now on.
01:26:29You