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00:00:02THE END
00:00:37THE END
00:00:48THE END
00:00:49THE END
00:00:55THE END
00:00:56The Oldest Tricks in the World.
00:00:58And yet with these tricks, the Bunko Racketeer robbed the public of $200 million every year.
00:01:05There's an abundance of evidence in the police files that palm reading and mind reading and the like are rackets
00:01:12And the so-called wheels of fortune are almost invariably manipulated by the operator to bilk his victim
00:01:19And yet I don't imagine there's one of you here who hasn't lost money on at least one of these
00:01:24bunco games at some time in your life
00:01:26The doorway peddler usually starts by saying he found what he has for sale when it fell off a delivery
00:01:32truck
00:01:34He always says he he doesn't know the value of what he's got and asked what you will offer
00:01:40The fur is genuine mink and the victim knows it
00:01:43His instant thought is to take advantage of the peddler's ignorance that's when he falls into the trap
00:01:50The sale is made the peddler helpfully provides a bag and wonders if anyone is coming
00:01:56The victim obligingly turns his back the bunco man makes the switch
00:02:12You can see now why the bunco artists are responsible for the expression left holding the bag
00:02:25Now you people make the law and you should help your police enforce it
00:02:28As you know I represent a special section of the police department called the bunco squad
00:02:34It's our job to help you
00:02:36So won't you please help us
00:02:38Thank you
00:02:47Steve, Steve
00:02:48Captain Edwards wants us right away
00:02:49I'm sorry folks, excuse me
00:02:51Thanks for getting me off the hook
00:02:53No, it's on the level, they'll want it down at headquarters
00:03:07You know Rand of Homicide?
00:03:08Sure
00:03:09How are you, Rand?
00:03:10Yeah
00:03:10Just came from covering a suicide at the Guillermo Hotel
00:03:13A retired Midwestern banker by the name of Burke
00:03:16Taken for his life savings in a phony stock deal
00:03:18Going over someone's belongings, I came across these magazines about horoscope, astrology and fortune telling
00:03:25Thought it might be an angle to the bunco squad
00:03:28Well, if I can leave any further help
00:03:29Thanks Rand, see you later
00:03:32This suicide is the third tragedy caused by Swindler in the last three months
00:03:36You know people come out here to retire, spend a vacation
00:03:39And they get taken to these con men and bunco artists
00:03:42Every time this happens, the newspapers and the public raise a how
00:03:45But do you suppose he was steered into this by a fortune teller?
00:03:48We've certainly got all kinds out here
00:03:50I'm not sure, but this looks like the work of a big time operator
00:03:53So far he's been smart enough to cover up his tracks
00:03:56But they all need an organization
00:03:58The Stooges, the Shills, the Ropers
00:04:01If the real brains is using any of the phonies we have here in Los Angeles
00:04:05That's the way we'll get to him
00:04:07I want you to case every faker in town
00:04:09If any of them look suspicious, pull them in
00:04:12I warn them, we mean business
00:04:14But never forget, it's the head man we're after
00:04:17I don't know who or where he is
00:04:19But I do know one thing
00:04:22He's out there
00:04:23Someplace
00:04:30It was very nice meeting you, Barbara
00:04:31Will I see you again?
00:04:33I certainly hope so, Tony
00:04:34How about dinner tonight?
00:04:36Oh, I don't think we should until she...
00:04:38Oh, yes, of course
00:04:38We'll say in a week or so
00:04:39Will you call me?
00:04:41Mrs. Royce, may I express my deepest sympathy?
00:04:44Thank you, Mr. Royce
00:05:01Hello, Fred
00:05:01Hello, Tony
00:05:02Would you put the bags in the back sleeve?
00:05:04Yes, sir
00:05:04Did you have a good trip?
00:05:05Very interesting
00:05:06You hear about our friend, Bert?
00:05:09Yes
00:05:09Suicide, huh?
00:05:10That's too bad
00:05:11Yeah, too bad
00:05:12Who are those women?
00:05:13Oh, that's a Mrs. Jessica Royce
00:05:15A widow with two million dollars
00:05:16And a very charming secretary
00:05:18Who happens to be penniless and lonesome
00:05:19Who are you interested in?
00:05:21Both of them
00:05:42It's been a wonderful day, Tony
00:05:44Won't you change your mind
00:05:45And have dinner with me tonight?
00:05:46Oh, you forget
00:05:47I'm a working girl
00:05:48Is Mrs. Royce complaining about my taking up too much of your time?
00:05:51Oh, no
00:05:52Neither am I
00:06:12Hello, Barbara
00:06:12I'm glad you're back
00:06:13Oh, Mrs. Royce
00:06:14This is Tony
00:06:15Mr. Wells
00:06:16The gentleman we met on the train
00:06:17How do you do, Mr. Wells?
00:06:18How do you do, Mrs. Royce?
00:06:19Nice to see you again
00:06:20You're looking extremely well
00:06:21Oh, I'm feeling very much better, thank you
00:06:23Did you want me for something, Mrs. Royce?
00:06:25Just a few letters, dear
00:06:26There's no hurry
00:06:26Would you excuse me, Mr.
00:06:27Surely
00:06:28I have to be going myself
00:06:31Just a few weeks ago
00:06:32She was the most grief-stricken woman I've ever known
00:06:34What's happened to cause this extraordinary change?
00:06:37The gentleman who just left
00:06:38Dr. Largo is responsible
00:06:40Dr. Largo?
00:06:41He must be a remarkable physician
00:06:43Is he a specialist?
00:06:44Oh, actually
00:06:45He's neither a physician nor a specialist
00:06:47I believe he's called a consulting psychologist
00:06:50Consulting psychologist?
00:06:52Two visits a week
00:06:53She never makes a move without him
00:06:55Hmm
00:06:55Surely she doesn't believe that that sort of
00:06:57Completely
00:06:58But as long as she's happy
00:07:00I don't care what she believes in
00:07:02I must go, Tony
00:07:03Thanks again
00:07:04Call me soon?
00:07:05Real soon
00:07:10This is a fine way to track down a big-time bunco operator
00:07:13You got any better ideas?
00:07:14I have to talk to one more phony fortune color
00:07:23Your future looks very gloomy
00:07:26The cards are not bright
00:07:28Yeah, well, I got news for you, sister
00:07:29Your future don't look so bright either
00:07:31I see bars and you behind them
00:07:34Very sorry
00:07:35Do not understand
00:07:37My English, she is not very good
00:07:39Oh, you'll catch on, honey
00:07:40When you talk to the judge
00:07:41Thirty days is thirty days in any language
00:07:44Oh, why don't you lay off?
00:07:46Look, you guys got nothing on me
00:07:47I'm running a clean place, see?
00:07:50See that you keep it that way
00:07:51Got a lot of class, hasn't you?
00:07:56And, uh, so you see, gentlemen
00:07:59The power of numbers has had a great influence on men
00:08:02Most of their lives
00:08:03I'll lay off, will you?
00:08:04This is the oldest numbers racket in the world
00:08:06And you know it
00:08:07Numerology, sir
00:08:08Is a great science
00:08:09Okay, Professor, but remember
00:08:12One complaint
00:08:12We'll introduce you to the science
00:08:14Of making little ones out of big ones
00:08:16But, Grace, I've been busy
00:08:20Well, you know
00:08:21Work
00:08:24Oh, but
00:08:25But, Grace
00:08:26Keep quiet, Steve
00:08:28Just hold on
00:08:40Honey
00:08:41Are you all right?
00:08:42Cut
00:08:42Dean
00:08:43Okay
00:08:43Of course I'm all right
00:08:45That was just the scene from the picture
00:08:47I'm working in
00:08:48Let's bring that one
00:08:49Cut it short, will you?
00:08:52I've got to go
00:08:53I'll pick you up tonight
00:08:56That's the toll with being a cop
00:08:57You always got a legitimate excuse
00:08:59To give your wife a sweetheart
00:09:00But they don't believe you anyhow
00:09:01I don't know about you
00:09:02But when you lose a draw
00:09:03I'm taking Grace to dinner tonight
00:09:05Who's next?
00:09:06Annie Cobb
00:09:07I saw she was still writing
00:09:08For the San Quentin Times
00:09:16Just a warning, Annie
00:09:18Don't get too clever
00:09:19With your customer signatures
00:09:21We don't want them showing up
00:09:22On forged checks
00:09:23My profession
00:09:24Is to judge a man's character
00:09:26By his handwriting
00:09:28Especially when the letters
00:09:29Turn up in court, huh?
00:09:30Which is where we'll see you, Annie
00:09:31If you get ambitious
00:09:38Buffalo Bill
00:09:45Hello?
00:09:46Hello, dearie
00:09:48The Badge Boys
00:09:49Are on a sightseeing tour
00:09:50Thanks, Annie
00:09:52I had a client waiting
00:09:54Bye
00:09:58I'm sorry, Miss Dilby
00:09:59But we can do no more today
00:10:00I just can't go on
00:10:01But you were telling me
00:10:02When I'm forced to come out of the trance
00:10:04My powers are always weak
00:10:05We'll try again
00:10:06At your regular time next Monday
00:10:08I'll be looking forward to it
00:10:10I'm so anxious to know about Arthur
00:10:30Come in, Sergeant Johnson
00:10:31Sergeant McManus
00:10:33She's psychic
00:10:34Yeah, especially when the law's around
00:10:36Twenty bucks
00:10:37Your regular fee, Leanne
00:10:38I have no fee
00:10:39I accept only goodwill offerings
00:10:41Did you gentlemen wish something?
00:10:44Just wanted to tell you
00:10:45Not to steal your clients
00:10:46Into any phony deals
00:10:47Oh, I never advise my clients
00:10:49I only tell them
00:10:50What I see in the crystal ball
00:10:52You tried that excuse
00:10:53On a Denver judge
00:10:54And got three years
00:10:55Or have you forgotten?
00:10:57Is this a pinch?
00:10:58No
00:10:59Just a warning
00:11:00You boys don't have to worry about me
00:11:05Goodbye
00:11:13I wouldn't mind going into a trance
00:11:15Without myself
00:11:15I wasn't married, of course
00:11:27Come in
00:11:30Hello, Princess
00:11:34Been a long time, hasn't it?
00:11:35Not long enough, Mr. Weldon
00:11:37Uh-uh
00:11:37Not Weldon
00:11:38Her name is Wells
00:11:40Anthony Wells
00:11:41What'll it be tomorrow?
00:11:43Do me a favor, Mr. Anthony Wells
00:11:45Blow
00:11:47Leanne
00:11:48I'm terribly sorry
00:11:49About that little unpleasantness
00:11:51The time you had to go to prison
00:11:52You will not make friends
00:11:53And influence people
00:11:54By discussing prison
00:11:55With someone
00:11:55Who's recently been in one
00:11:57Especially since
00:11:58You should have been there, too
00:11:59I said I was sorry
00:12:00Don't be
00:12:02Prison diet agreed with me
00:12:04Everybody says I have a lovely figure now
00:12:06Goodbye
00:12:10Well
00:12:12I see you finally made the big lead
00:12:15Crooning over a crystal ball, huh?
00:12:18Playing around for peanuts
00:12:20In a dingy walk-up
00:12:21I make a living
00:12:23Ah, you're not really satisfied
00:12:24With nickels and dimes
00:12:25You deserve much better
00:12:28Listen, do you know
00:12:29What I could do for you?
00:12:30All right, Spill it
00:12:31Let's stop kidding each other
00:12:32I need your special talents
00:12:35I have a proposition
00:12:36That's worth a great deal of money
00:12:37Are you interested?
00:12:39How much is a great deal?
00:12:40Sit down
00:12:44Two million dollars
00:12:48All right
00:12:50Let's hear about it
00:12:53Ready me, sir
00:12:54Table for two, please
00:12:55Right this way, sir
00:12:58Say, uh
00:12:59What about the booth in the corner?
00:13:00Surely
00:13:08Shall I start you with a cocktail?
00:13:11Yeah, a couple of martinis
00:13:12Very dry
00:13:13Thank you, sir
00:13:15Do you realize
00:13:16This is the first date
00:13:17You haven't broken
00:13:18In the past two weeks?
00:13:19And what about all the dates
00:13:21You broke
00:13:21Because of your career?
00:13:23Are you still jealous
00:13:24Of my career?
00:13:26Oh
00:13:26How could I be?
00:13:27The last time
00:13:28I went to see you
00:13:29In a picture
00:13:29I went out for a bag of popcorn
00:13:30And missed your entire performance
00:13:34Grace, honey
00:13:36If I can crack this case
00:13:37I'm a cinch for a promotion
00:13:38Your salary
00:13:40Has nothing to do
00:13:40With our getting married
00:13:41If that's what you're driving at
00:13:43Oh, I see
00:13:44You, uh
00:13:46You're having time
00:13:47For marriage right now
00:13:48There's something in you
00:13:49That has to come out
00:13:50You have to express yourself
00:13:52What's the use?
00:13:55It's just that
00:13:56Creative people have to
00:13:59Well, they have to create
00:14:00That's all
00:14:01Oh, that'll look great in print
00:14:03Yeah, I can see it all now
00:14:05Grace Bradshaw
00:14:06Rising young screen star
00:14:08Says, quote
00:14:09Creative people have to create
00:14:11Unquote
00:14:12Thank you
00:14:17Advice on love
00:14:19Business
00:14:19And personal problems
00:14:21Maybe we ought to ask Swami
00:14:23That's all I need
00:14:25Set my promotion back ten years
00:14:28Swami Kulakan
00:14:29His real name is Drake
00:14:31Strictly a phony
00:14:32He's over there
00:14:35Well
00:14:36Get a lot of that, will you
00:14:39One faker
00:14:39Having her fortune
00:14:40Told by another
00:14:41Now I've seen everything
00:14:43The change will be very soon
00:14:46Very soon
00:14:47Now
00:14:53Hey, what do you know?
00:14:54Drake's leaving with her
00:15:00Maybe they have a date
00:15:02Is that illegal?
00:15:04No
00:15:05But I bet what they're thinking about is
00:15:07Now that you've seen the place
00:15:10Let's get down to business
00:15:15Our organization will be known as the Rama Society
00:15:18R-A-M-A
00:15:20Devoted to the science of the occult
00:15:23Leanne here will be in charge
00:15:25You'll address her as the princess
00:15:27Where are you going to be?
00:15:29Reed will know where to contact me
00:15:32What about the scenery?
00:15:33We're going to have to dress this place up a little
00:15:35It's on its way
00:15:37Any suckers that you trim are your own affair
00:15:39I'm only interested in Mrs. Jessica Royce
00:15:41Do you understand?
00:15:43And Drake
00:15:45I want you to be extremely careful
00:15:49What's her next move?
00:15:50I have all the information I need on Mrs. Royce
00:15:53But not enough on her son
00:15:54So all of you get busy
00:15:55We already have competition
00:15:57Who?
00:15:58I'll tell you later
00:16:00Just a minute, Tony
00:16:02You haven't answered my question
00:16:04Where are you going to be?
00:16:07Don't worry about me
00:16:08I'm not worried about you
00:16:10But if anything goes wrong
00:16:12I'm not going to stand by and take another rap for you
00:16:37Oh, I'm so sorry
00:16:40Aren't you a maid at the Royce home?
00:16:42Yes
00:16:43Oh, that poor woman
00:16:44I read where they finally brought her son's body home
00:16:47The paper said such nice things about him
00:16:50He deserved them
00:16:51He was such a wonderful boy
00:16:53Oh, you knew him
00:16:54I was his governess
00:16:56He was such a little doll
00:16:57I can remember as if it was only yesterday
00:17:00The first time he tried to say his mother's name
00:17:02He couldn't say Jessica
00:17:04All he could say was sicker
00:17:06He was so cute
00:17:09No, that section's not for sale
00:17:11That belongs to Jessica Royce
00:17:13Jessica Royce?
00:17:15Oh, she must be the woman whose son came home with some more dead recently
00:17:18That's right
00:17:18That's Philip
00:17:19When he was killed at Normandy
00:17:21A lot of us felt like we lost a boy of our own
00:17:24Sounds like he was a fine chap
00:17:25Well, he was
00:17:27I remember about the time he started to go to school
00:17:29He used to ride his bike down that hill right out there
00:17:34He hit a tree once
00:17:36And he wouldn't let his mother watch the docks show him up
00:17:39Said it hurt her worse than it hurt him
00:17:42And then I remember another time
00:17:43The day we'd heard he'd been killed
00:17:45We felt as sad as if we'd known him personally
00:17:47Oh
00:17:49Then you really didn't know Philip Royce
00:17:51No, but Mrs. Royce was so proud of him
00:17:53She told us everything he'd ever done
00:17:55Like the story of his first allowance
00:17:57He spent it buying ice cream for the neighborhood kids
00:18:00He told his mother that being happy by yourself was no fun
00:18:04So he just bought a lot of happiness and spread it around
00:18:07Then another time he
00:18:10Fine
00:18:11Good work
00:18:14You have more information on Mrs. Jessica Royce and her son than she knows herself
00:18:19How do we steer you into coming here?
00:18:20What about the competition you said we had?
00:18:23I'm working on both those items
00:18:24Our competition is Dr. Largo
00:18:26Dr. Largo? Who's he?
00:18:28Well, here he's known as a consulting psychologist
00:18:31In Cincinnati, St. Louis and Points West
00:18:33He uses the name of Mike Finlayson
00:18:34The only psychology Mike Finlayson knows is how to avoid the police
00:18:39And Jessica Royce is one of his best patients
00:18:41And he'll never let you take a sucker away from him
00:18:44You're right, Annie
00:18:44That's where you come in, Reed
00:18:47Now, Largo doesn't know you
00:18:49You're going to become a patient of Dr. Largo
00:18:55Hello, Doctor
00:18:57I'm very glad you were able to see me so quickly
00:19:00Sometimes the pressure of mental distress is more vital to our well-being than physical ailments
00:19:05I'm glad you appreciate that fact, Doctor
00:19:07I know that what I'm about to say will cause you considerable mental distress
00:19:11I'm used to hearing all sorts of problems
00:19:14My problem concerns a patient of yours
00:19:17Jessica Royce
00:19:19I'm sorry, Mr. Reed
00:19:21But I make it a practice never to discuss
00:19:23All right, Doc
00:19:23I'd much rather discuss a man named Mike Finlayson
00:19:27Alias Benjamin Lozetti
00:19:28Alias Dr. Largo
00:19:31Prison terms, Cincinnati
00:19:33Cleveland
00:19:33Shall I continue?
00:19:35No, no, that's enough
00:19:37What do you want?
00:19:39All I want you to do is to send Mrs. Royce to one of our meetings
00:19:44And if I refuse?
00:19:46Don't forget the address and make it soon
00:19:50Tomorrow will be fine
00:19:55Yes, Doctor
00:19:56Call Mrs. Royce
00:20:03You don't believe in this
00:20:05You mustn't be so skeptical, Barbara
00:20:07Anything that Dr. Largo recommends must
00:20:10Won't you come in, please?
00:20:15I'm Mrs.
00:20:16No names are given here
00:20:17Except in the sanctity of the seance room
00:20:19This way, please
00:20:43In the world of the occult
00:20:45We are advancing onward
00:20:47As in all other branches of science
00:20:50Mysterious powers
00:20:51And secrets that have long been lost
00:20:53Are being rediscovered
00:20:54Princess Leanne is gifted with powers
00:20:57Which enable her to penetrate
00:20:59Into that land of mystery
00:21:00Which lies beyond material life
00:21:02And yet is all about us
00:21:04As you presently will witness
00:21:07Please
00:21:09Do you think she can contact
00:21:11Or I mean
00:21:12Get in touch with the dead?
00:21:14Dead
00:21:14We do not recognize that word here
00:21:17Our loved ones are in another world
00:21:19As much alive as you and I
00:21:22If you believe that man has a soul
00:21:24Then you must believe in Princess Leanne
00:21:50The spirits of the outer world were
00:21:52Where they are and they are and they shall be
00:21:55Oh Rama
00:21:56You are the gate to the outer world
00:22:00Where past, present and future
00:22:03All are one
00:22:05Oh Rama
00:22:07Open the gate to me
00:22:10Akko
00:22:11Be my guide
00:22:17We are not alone
00:22:18I feel the presence of beings great and good
00:22:24We come in friendship
00:22:26In love
00:22:28Fear us not
00:22:30But make pure presence known
00:22:33I feel a cold breeze
00:22:37It's a sign
00:22:38They are here
00:22:40Look, the candles
00:22:46Oh wonders of the great terrestrial plane
00:22:50Speak to us
00:22:52I implore you
00:22:55Even as you implore
00:22:57So do we answer
00:22:59Who are you?
00:23:02We are the multitude that together
00:23:05Make the spirit which puts you forth
00:23:13There's someone bearing a message for
00:23:17Mary
00:23:19John?
00:23:26Mary, do not weep
00:23:28You've been sad long enough
00:23:30You know that by your love
00:23:33You can enter into communion with me
00:23:35Oh God
00:23:38My message is as before
00:23:41Let happiness fill your heart
00:23:43Enjoy it
00:23:45And grow with love
00:23:50Did you see it?
00:23:52Here?
00:23:54Maybe Philip
00:23:55No, Mrs. Roy
00:23:56Don't
00:23:56Don't
00:23:57You disturb them
00:23:59Robert
00:24:02Alice
00:24:03Oh Robert
00:24:04My new world is so friendly
00:24:06Stop
00:24:07Let me alone
00:24:09Alice, what's wrong?
00:24:11Someone's pulling me back
00:24:12Away from you
00:24:17Why do you force your way in here?
00:24:20Who are you?
00:24:22Speak
00:24:23Speak
00:24:25Let the spirit speak
00:24:27Sica
00:24:29Sica
00:24:31Sica
00:24:32Let the spirit speak
00:24:37Sica
00:24:39Sica
00:24:41Sica
00:24:43Sica
00:24:43Come back
00:24:53Barbara
00:24:53Barbara, it was Philip
00:24:54I know
00:24:55When he was a boy
00:24:56Oh, Mrs. Royster
00:24:57Was just a trick
00:24:58It couldn't be
00:24:59He called me Sica
00:25:00That was his name for me
00:25:02When he was a child
00:25:03You should never cry out
00:25:04At a seance
00:25:06You might harm Princess Leanne
00:25:16Oh, Princess
00:25:17I'm so sorry
00:25:18Forgive me
00:25:19I didn't realize what I was doing
00:25:22An unexpected message is always a shock
00:25:25Was it
00:25:26Was it someone you knew?
00:25:28It was my son
00:25:28Philip
00:25:29He tried so hard to reach you
00:25:32I
00:25:33I cannot understand why he did not stay
00:25:35I
00:25:37Oh
00:25:38It was you
00:25:40You do not believe
00:25:41No
00:25:42We're accustomed to that
00:25:45The presence of an unbeliever
00:25:47Often prevents a manifestation
00:25:49Barbara, will you wait for me in the car?
00:25:51I'll be right out
00:25:53Excuse me, please
00:25:55It's been a strain
00:25:58I want to see her again
00:26:00I must
00:26:01The Princess will be very happy
00:26:03To have you return
00:26:04Our next service will be held on Wednesday
00:26:06Do I have to wait till next week?
00:26:09But the sign outside mentioned private sittings
00:26:12Yes, private sittings may be arranged
00:26:14Is that what you wish?
00:26:15Oh, by all means
00:26:17Tomorrow?
00:26:24Tomorrow, too?
00:26:25Oh, thank you very much
00:26:27I'm Mrs. Jessica Royce
00:26:28Mrs. Jessica Royce, the two
00:26:31Oh
00:26:32I forgot
00:26:33What
00:26:35How do I pay for this?
00:26:36There is no fee
00:26:37Our society is supported entirely by
00:26:39Love offerings from friends
00:26:41In the words of Rama
00:26:42Freely we give
00:26:44And freely we receive
00:26:48Thank you
00:26:53Good night, Mrs. Royce
00:26:57What do you think of this, Chief?
00:27:00I was making my rounds
00:27:01And finally lost a customer
00:27:02Annie Cobb's gone
00:27:03She left a for rent sign
00:27:05But no forwarding address
00:27:06I'd better call Leanne
00:27:07If she and Annie were pals
00:27:09Maybe she'd know
00:27:13Get me done, Kirk
00:27:142-1-1-9-9
00:27:15Right now I want to know
00:27:17What happens to all those phonies
00:27:20What?
00:27:22Thank you
00:27:24Disconnected
00:27:25Disconnected
00:27:27Leanne's quit, too
00:27:28Maybe the warning we gave them scared them out
00:27:30A routine talk never scared those two
00:27:31I'm getting curious
00:27:33You better follow this up
00:27:34Drake
00:27:35Leanne and Drake
00:27:37Where to?
00:27:38We're gonna see Drake
00:27:38I thought I'd see Leanne
00:27:46Thank you, madame
00:27:50Hi, boys
00:27:52Hi, Swenson
00:27:53What happened to Drake?
00:27:55Don't ask me
00:27:56The job was open
00:27:57So I took it
00:27:57When did you start?
00:27:59Yesterday
00:27:59When Drake quit
00:28:01That makes three of them now
00:28:03You boys got a problem?
00:28:06Maybe if I read your palm
00:28:07I could
00:28:08You just keep your own palm clean
00:28:09And we'll try to forget you're in town
00:28:14First Danny Cobb
00:28:15Then Leanne
00:28:16Now Drake
00:28:17Put three small rocketeers together
00:28:19And what have you got?
00:28:20One big one
00:28:20You're brilliant
00:28:21Thanks
00:28:22Now all we have to do is find them
00:28:25Ever see this guy before?
00:28:27No
00:28:28How about this girl?
00:28:31No
00:28:32How about this one?
00:28:35No
00:28:47Well, so long, Joe
00:28:49So long
00:28:52Cut
00:28:53Okay
00:28:54Print
00:28:56Lunch
00:28:57Hi
00:28:57Hi, honey
00:28:59You know, it isn't every man
00:29:00That can lure a young lady away
00:29:01From a movie set
00:29:02Well, I didn't know
00:29:03You detectives took time
00:29:04To have lunch
00:29:05All the detecting
00:29:06I've been able to do
00:29:07The last couple of days
00:29:08I could take all day for lunch
00:29:09No luck yet, huh?
00:29:11Not a sign of any of them
00:29:13How's everything with you?
00:29:14Oh, I spoke my three lines this morning
00:29:16And took four steps backwards
00:29:17In my career
00:29:18Good
00:29:19Uh, maybe I can interest you
00:29:21In a little more talk
00:29:21About career versus marriage
00:29:24I warn you
00:29:25My resistance is very low today
00:29:26Well, they told me
00:29:27The best time to propose to a woman
00:29:29Is in broad daylight
00:29:29Then she's got to believe you
00:29:32Well, what are we waiting for?
00:29:33Car 404
00:29:35Calling car 404
00:29:40Steve Johnson
00:29:42Yeah?
00:29:45Hillcrest Cleaners
00:29:46On Westwood Boulevard
00:29:46Between Santa Monica and Pico
00:29:48Right
00:29:49The laundry's ready to be picked up
00:29:51Anytime after one o'clock today
00:29:52Got it
00:29:53They traced Leanne's laundry ticket
00:29:55And you have to go to
00:29:56Hillcrest Cleaners
00:29:57On Westwood Boulevard
00:29:58Between Santa Monica and Pico
00:29:59Right away
00:30:00That's right
00:30:00Goodbye, darling
00:30:01I knew it
00:30:02I knew it
00:30:03I'll take a rain check on that proposal
00:30:05On Westwood Boulevard
00:30:06Got it
00:30:06I knew it
00:30:07I knew it
00:30:08I knew it
00:30:08I knew it
00:30:10I knew it
00:30:34Got it
00:30:35Oh, my God.
00:31:14Well, real highbrow stuff, huh?
00:31:19Hey!
00:31:27What can I do for you, sir?
00:31:30Who are you?
00:31:31I'm Frederick Reed.
00:31:31And you, sir?
00:31:33Police.
00:31:34Well, everyone is welcome here.
00:31:36Whom do you wish to see?
00:31:38Leanne.
00:31:39You mean Princess Leanne?
00:31:41Okay, Princess Leanne.
00:31:43Where is she?
00:31:51Princess Leanne, this gentleman wishes...
00:31:53She doesn't need an introduction.
00:31:54We've met before.
00:31:55Often.
00:31:56Hello, Steve.
00:31:59Well, looks like old home week.
00:32:03Something on your mind, Sergeant?
00:32:05Yeah.
00:32:06The Rama Society.
00:32:08The Rama Society is a religious organization...
00:32:12...supported solely by love offerings.
00:32:14Which is entirely within the law.
00:32:16Well, you certainly know all the angles.
00:32:19Are you in charge here?
00:32:21Princess Leanne is our leader.
00:32:23You?
00:32:25Who are you trying to kid?
00:32:32The three of you never had enough cash for a layout like this.
00:32:36Which brings me back to you again.
00:32:38I just work here.
00:32:39With whose checkbook?
00:32:40Mr. Johnson, your intrusion into a private home is unpardonable.
00:32:45So unless you have a warrant...
00:32:47Oh, now, you're not going to get technical, are you?
00:32:50Show him out.
00:32:51Never mind, never mind.
00:32:52And I'll find my way out.
00:33:01After you.
00:33:09This way, please.
00:33:23This way, please.
00:34:03What's up?
00:34:04We had a visitor from the Bunker Squad.
00:34:06Anything wrong?
00:34:07No, but Miss Roy showed up as the cop left.
00:34:10He took her license number.
00:34:11I warned you that if anything went wrong...
00:34:12The cop didn't tell me he was coming.
00:34:14It isn't my fault he knows Leanne, Drake, and Annie.
00:34:16You picked them.
00:34:17This deal is going through and nobody's going to mess it up.
00:34:20You stay with them.
00:34:21Okay.
00:34:22Hello, traffic.
00:34:24Steve Johnson.
00:34:25Hey, what'd you find on that license number, Mike?
00:34:29Who?
00:34:33What address?
00:34:36Right.
00:34:38Get a load of this, will you?
00:34:40Jessica Royce.
00:34:41She in our files?
00:34:42No, she's in who's who and worth plenty.
00:34:46Better have a talk with her.
00:34:47Right.
00:34:49See you, Mac.
00:34:50You bet.
00:34:52Yeah.
00:35:19Let's go.
00:35:56But you've got to believe me.
00:35:58I have definite proof that Princess Leanne has been...
00:36:00Has been in prison.
00:36:01Is that what you were going to say, Mr. Johnson?
00:36:03And that her friends, Mrs. Cobb and Mr. Drake, also have police records?
00:36:07Oh, well, if you already know, there's no point...
00:36:09I do. Princess Leanne told me.
00:36:12She told you?
00:36:14She told me of her mistakes in the past.
00:36:17Of how she prayed for forgiveness in her prison cell.
00:36:21And as if in answer to prayer, she discovered her strange psychic power.
00:36:25Well, certainly you don't believe that, Mrs. Royce.
00:36:27My belief in Princess Leanne is complete and unquestioning.
00:36:31Nothing you can say can shake my faith in her.
00:36:35Or the Rama Society.
00:36:36They're helping me.
00:36:37And helping themselves to your money.
00:36:39I have made one contribution, $50, which the Society refused to accept.
00:36:45They refuse money?
00:36:47Well, this is a new switch.
00:36:49I understand you have your duty to perform, Mr. Johnson.
00:36:53But the Rama Society has given me the will to live.
00:37:03Didn't get very far, did I?
00:37:05I've tried to tell her, too.
00:37:08Now there are thousands like her.
00:37:09That's why the psychiatrists are doing such a good business.
00:37:11She goes to a consulting psychologist of Dr. Largo.
00:37:16Dr. Largo, huh?
00:37:18Well, there's not much more I can do around here.
00:37:20She's happy.
00:37:21It hasn't cost her anything yet.
00:37:24Give me a ring if anything comes up, will you?
00:38:35I know you've been worrying when we begin separating Mrs. Royce from her bankroll.
00:38:38We start today.
00:38:39How much do we go after?
00:38:41All of it.
00:38:41I happen to know she's very grateful to our society.
00:38:44So we'll allow her to mention us in her will.
00:38:46Now start playing that angle.
00:38:48Just hint her to will without mentioning it by name.
00:38:51Play it so she believes she thought of it herself.
00:38:54And that the society will bring comfort and consolation to humanity for many years to come.
00:38:58All because of her and her contribution.
00:39:00And most of all, her son will be very happy if she does it.
00:39:04Now you've got it.
00:39:05We've been putting out for weeks, Tony, with nothing coming in.
00:39:08We need cash right now.
00:39:09What do you want me to do, Leanne?
00:39:10Paint you a picture?
00:39:11I just told you how we're going to get it.
00:39:12But when?
00:39:13The old dame's liable to live forever.
00:39:16After she signs her will in our favor?
00:39:18Mm-mm.
00:39:20But the minute we start to collect, the cops will be on our necks.
00:39:22That's been covered, too.
00:39:23The Rama Society is a registered corporation.
00:39:26Our names will never appear.
00:39:27All we have to do is be patient.
00:39:29Sit back and collect.
00:39:41Doctor, what about Mr. Johnson in room 102?
00:39:43He's okay for discharge.
00:39:58Hi, honey.
00:39:59What are you doing out of bed?
00:40:00The doctor says I'm okay.
00:40:01I've got to get back to work.
00:40:02But you've been in an accident, a bad accident.
00:40:05I know, I know, dear.
00:40:06I was lucky.
00:40:07Just when I was beginning to get close to an answer in this case,
00:40:09something happens to my breaks.
00:40:11I just had them checked last week.
00:40:13Steve, please be careful.
00:40:15Well, they would decide to fall in love with a cop.
00:40:18Hi, Mac.
00:40:19I've got news for you.
00:40:20New York just reported on Reed.
00:40:22For two years, he worked with Tony Weldon, alias Thomas Wilton, alias Wells Anthony.
00:40:26Tony Weldon.
00:40:28Leanne.
00:40:29She worked with Weldon in Denver.
00:40:30Got three years, he got away.
00:40:32And he's still missing.
00:40:33Let's go.
00:40:33I've got to talk to Edward.
00:40:34Steve.
00:40:36All right, go have your talk, but I'm going with you.
00:40:38Yes, dear.
00:40:38And when you're true, I'm going to be able to go straight home to Bedford.
00:40:41Yes, dear.
00:40:41I mean it.
00:40:42Yes, dear.
00:40:44I tell you, it's a setup.
00:40:46This guy, Weldon's got a record that goes back 15 years in 20 states.
00:40:50And yet nobody's ever been able to catch him.
00:40:52Why?
00:40:52Because he's always been smart enough to have somebody front for him and take the rap.
00:40:56This way, we not only smoke him out, but we get Mrs. Royce off of the hook at the same
00:40:59time.
00:40:59I tell you, it'll work, Cap.
00:41:01I don't know.
00:41:02Who'd you get to do it?
00:41:03A policewoman.
00:41:05Too apt to be recognized.
00:41:07Yeah, you're right.
00:41:10Hey, wait a minute.
00:41:13Got an idea.
00:41:20Brindley?
00:41:22Do you want to be an actress?
00:41:24Do you want the chance of a lifetime?
00:41:26Wait a minute.
00:41:27Are you a cop or an agent?
00:41:28Both.
00:41:30Steve, I think I'd better get you home.
00:41:31On the level, darling.
00:41:32The department wants your help.
00:41:34And a detective by the name of Steve Johnson needs it badly.
00:41:41How can an actress help the police department?
00:41:43Don't ask questions now.
00:41:44All I want to know is will you do it?
00:41:46Well, if it'll help, I'll do anything you say, Steve.
00:41:48Oh, that's my girl.
00:42:09No one will take that for a police car.
00:42:11Should be a good stakeout.
00:42:12Pretty nice sitting for your act, huh?
00:42:17Hello, Steve.
00:42:18Hi.
00:42:20So this is the young lady.
00:42:21Grace, this is Mr. Dante.
00:42:23This is Bradshaw.
00:42:24You know Mac.
00:42:25Sure I know Mac.
00:42:26This way, please.
00:42:33When you're ready, this will be your seance room.
00:42:36Your instruction starts below.
00:42:40Hello.
00:43:02How did you get here?
00:43:04The trade secret.
00:43:05He's known professionally as Dante the Great.
00:43:07A magician?
00:43:09Retired now.
00:43:10Now I want to perform for friends and to help out the law.
00:43:15Trying to save people from criminals.
00:43:17Use the tricks of my profession to fleece the public.
00:43:20I consider it part of my work to expose any imposter who we're wasting time.
00:43:25We get a lot to do.
00:43:27We'll have a record of all that is set upstairs.
00:43:30The microphones are concealed in the foyer and the seance room.
00:43:35Please sit, Mr. Bradshaw.
00:43:39You've got a big job ahead of you.
00:43:41You've got to learn all the medium's tricks in a very short time.
00:43:47I had a crystal around here someplace.
00:43:51Here it is.
00:43:54You can't afford a single mistake.
00:43:57So you must concentrate on what you see and hear.
00:44:03I said concentrate.
00:44:05Concentrate.
00:44:06Concentrate.
00:44:26Well, I didn't know Phil Royce very well.
00:44:29Well, just tell me anything you remember about him.
00:44:31Sure.
00:44:32You ought to get a hold of Danny Bowman.
00:44:35He was from Tulsa.
00:44:36Danny Bowman?
00:44:37Yeah.
00:44:38He and Royce were pals.
00:44:39They hit the beach at Normandy together.
00:44:43How's it going?
00:44:44Great.
00:44:45She's wonderful.
00:44:46Working very hard.
00:44:47Good.
00:44:49At the moment of death, the soul leaves...
00:44:52Deeper in the throat.
00:44:54A spirit is supposed to be talking through you.
00:44:57The soul leaves the body
00:45:00and lives for a time in the invisible world.
00:45:05Barrett at this time is able to communicate with...
00:45:10I can't remember the words.
00:45:12Go on. Keep talking. Keep talking.
00:45:13Cat, it's no use.
00:45:15Take it easy, honey.
00:45:16I'm sorry.
00:45:18Let's try it again.
00:45:20Hello.
00:45:21Steve, Captain Edwards.
00:45:26Yes, sir.
00:45:29Oh, that's great.
00:45:31Right away.
00:45:32Yes, sir.
00:45:33Honey, I've got to leave.
00:45:34Stick with it, will you?
00:45:36Where are you going?
00:45:37They found Danny Bowman in Kansas City.
00:45:45Passengers for Flight City 8, Chicago and New York.
00:45:48Please go to gate 4.
00:45:50Sorry to interrupt our talk, Mr. Johnson.
00:45:52I'm free now.
00:45:54Well, you know the story, Bowman.
00:45:55Mrs. Royce is in trouble,
00:45:56so naturally we need all the help we can get.
00:45:58Well, I'll tell you all I know.
00:46:00Good.
00:46:01Phil Royce and I started out as rookies together.
00:46:04You seem so sad lately, dear.
00:46:07Because of the suffering I feel all about me, Mother.
00:46:11Earthly goods mean nothing in my world.
00:46:14But the lack of them causes so much pain in yours.
00:46:19Happiness should be shared.
00:46:20You always felt that way, dear.
00:46:24But more than ever now, I feel the suffering of others.
00:46:29But I have no earthly goods.
00:46:32I can do nothing.
00:46:35Nothing.
00:46:37Nothing.
00:46:43Philip seems so unhappy today.
00:46:46He wants to bring others here to share the peace and happiness he and I have found.
00:46:51I am troubled also when I think of the multitude of such people.
00:46:56I can help now, but when I am gone, who's going to carry on the work we have started here?
00:47:04Philip keeps mentioning earthly goods.
00:47:06I have so much, it would have been Philip's.
00:47:09I could use it to bring others here.
00:47:11She's getting the idea now.
00:47:14Princess, I think I know a way.
00:47:18I want to speak to Philip now.
00:47:21My powers are too weak to reach him now.
00:47:23And the spirits visit us only when they wish.
00:47:36It's your money, Jessica.
00:47:37Exactly.
00:47:38But you can't leave it to an unknown organization headed by a medium.
00:47:43If you won't draw up the will, John, I'll get a lawyer who can.
00:47:47Very well.
00:47:48Good night.
00:47:51He's right, Mrs. Royce.
00:47:52You don't know them and I've got a good reason for doing it.
00:47:56It'll make Philip happy.
00:48:01Will you need me any more tonight?
00:48:14Funko Squad, Sergeant Irvin speaking.
00:48:16Detective Johnson, please.
00:48:21Please tell him that Barbara Madison called.
00:48:34Hello, Barbara.
00:48:36I'm so sorry I'm late, Tommy.
00:48:38I understand.
00:48:39Sit down.
00:48:40I've ordered for us.
00:48:42You seem upset.
00:48:43Anything wrong?
00:48:43You know, sometimes it helps to talk to someone.
00:48:45Well, there's nothing you can do to them.
00:48:48Well, I can try.
00:48:50It's about Mrs. Royce.
00:48:52The police warned her that those people running the Rama Society are criminals and they were right.
00:48:57Well, what's all this about?
00:48:59Criminals and the Rama Society?
00:49:01Oh, you know.
00:49:02It's in connection with that medium she's been seeing.
00:49:04Don't you remember?
00:49:06Oh, yes, of course.
00:49:07And you said they wouldn't accept a donation?
00:49:10Donation?
00:49:11They want everything she has.
00:49:13They've tricked her into making a will, leaving her entire estate to their phony society.
00:49:19Did she sign the will?
00:49:20She's just having it drawn up, but I'm doing everything I can to stop it.
00:49:24Is there anything I can do to help?
00:49:26No, I've already called Detective Johnson.
00:49:29He wasn't in.
00:49:30As a matter of fact, I think I'll call him again.
00:49:32Oh, Barbara.
00:49:34Is your car outside?
00:49:35Yes, why?
00:49:36Well, I know how you feel about Mrs. Royce, and I think we ought to go to police headquarters and
00:49:41not wait for the call.
00:49:42Oh, I hate to bother you, Tony.
00:49:43No bother.
00:49:44It's a pleasure.
00:49:56I just found a message on my desk that she tried to reach me last night.
00:50:00Maybe she was trying to tell us something.
00:50:05Get me traffic.
00:50:09Traffic, Steve Johnson.
00:50:11That car that Barbara Madison was killed in last night.
00:50:14Have those brakes checked right away and let me know, will you?
00:50:16Right.
00:50:17Good idea.
00:50:19Now, what did you find out from Bowman?
00:50:20The most important thing was a letter that Phil Royce wrote to his mother before he was killed.
00:50:24Here's a copy of it.
00:50:27Bowman found it when he was collecting Royce's things to send home.
00:50:30Figured it would only bring more grief, so he didn't mail it.
00:50:32This would give Dandy and Grace a real angle.
00:50:34Get it to them right away.
00:50:35We're fighting against time.
00:50:36And don't forget to see Mrs. Royce's phony psychologist.
00:50:39I'll take it right over, and I'll see Dr. Largo.
00:50:44Oh, please come in, Mr., uh, the name is Johnson.
00:50:49Detective Johnson.
00:50:51Oh, what brings you here?
00:50:53Well, I don't have a warrant in my pocket, if that's what's bothering you.
00:50:57Just a few questions.
00:50:58About what?
00:51:00You and Princess Leanne.
00:51:02I've never met her.
00:51:03Okay.
00:51:04We'll play it your way.
00:51:07Now, look.
00:51:08I didn't come over here to cause you any trouble.
00:51:11However, we have enough in our files on you.
00:51:13What do you want to know?
00:51:16Why did you send Mrs. Royce to the Rama Society?
00:51:21I had to.
00:51:22What do you want me to do?
00:51:23Not very much.
00:51:24We just want you to send her to a new medium, that's all.
00:51:29She took your advice once.
00:51:32See that she takes it again.
00:51:34I'll try.
00:51:37But Dr. Largo, Princess Leanne has helped me so much.
00:51:42Why should I leave her?
00:51:44My only wish is to add to your present happiness.
00:51:47To prepare you for the time when Philip ascends to a higher plane,
00:51:51and it becomes more difficult for him to reach you.
00:51:54You mean, I couldn't see him?
00:51:58Talk to him anymore?
00:52:00You can if you are prepared.
00:52:02New doors will be open to you.
00:52:04You will become the object of special protection and guidance.
00:52:09And that is why I urge you to visit Madame Bradshaw, 1209 Sunnydale.
00:52:16Dr. Largo recommended you very highly.
00:52:19Dr. Largo is very gracious.
00:52:21I hope you won't be disappointed.
00:52:32You should be very happy.
00:52:36I see an aura about you.
00:52:38An aura of love.
00:52:52It is someone whose love is trying to reach you now.
00:52:59I see writing, a letter, a soldier.
00:53:06Philip was a soldier.
00:53:07A letter reaching across the years.
00:53:20Philip, you never received the last letter I wrote you before I left your world.
00:53:27You must get it.
00:53:29But where?
00:53:30My friend, Danny Bowman.
00:53:32He took it.
00:53:33I hear voices.
00:53:36I hear a roaring sound that shakes the ground.
00:53:40I see a man working.
00:53:44In uniform.
00:53:45An airport.
00:53:48The name of the city is not clear.
00:53:53I get the initials.
00:53:55K.
00:53:57Z.
00:53:59Kansas City.
00:54:12I hope I've been helpful.
00:54:15You have.
00:54:28Honey, you were swell.
00:54:30Everything worked like magic.
00:54:32Like a charm.
00:54:33Does Bowman know what to do in Mrs. Roy's kiss there?
00:54:35He knows what to do.
00:54:36Now all you have to do is keep her coming here.
00:54:38She's so nice, Steve.
00:54:39It's a shame to trick her this way.
00:54:41But we're only trying to protect her.
00:54:43Once she believes in you, we'll show her how she was taken in.
00:54:47Don't you see?
00:54:47The brakes on Barbara Madison's car and mine were tampered with the same way.
00:54:51We're up against killers.
00:54:52Why not grab them now and get it over with?
00:54:54Not yet.
00:54:55We want to get the head man.
00:55:04Relax.
00:55:04It's just a social call.
00:55:05I've been trying to get you on the phone.
00:55:07Why don't you tell me where you live?
00:55:08What's on your mind?
00:55:09Bad news.
00:55:09Above what?
00:55:10Mrs. Roy's phone to cancel another date.
00:55:12Something's wrong.
00:55:13Did you talk with her?
00:55:14No.
00:55:14Maid just left the message.
00:55:15Get her on the phone.
00:55:21Oh, no, Princess Leanne.
00:55:23You've been most helpful.
00:55:25But the most amazing thing has happened.
00:55:29I have a letter.
00:55:30A real letter from Philip.
00:55:33How wonderful for you.
00:55:35Tell me about it.
00:55:37Madam Bradshaw.
00:55:39Oh, yes.
00:55:39I'd very much like to meet her.
00:55:41Where does she live?
00:55:441209...
00:55:45Sunnydale.
00:56:11Madam Bradshaw.
00:56:13Yes, but I receive visitors by appointment only.
00:56:15It's very important that I talk with you.
00:56:18Very well.
00:56:19Drake.
00:56:24Please be seated.
00:56:28What is your problem?
00:56:30Are you sure that no one else will hear what I say?
00:56:33We're alone in the house.
00:56:35We're alone in the house.
00:56:36Then we can talk business.
00:56:37I don't understand.
00:56:38I'm telling you.
00:56:39Lay off for Mrs. Roy's.
00:56:41But Mrs. Roy's is a client...
00:56:42He's a client of the Rama Society.
00:56:44Now you send her back to us fast if you know what's good for you.
00:56:47I don't know.
00:56:47I don't know.
00:56:57I don't know.
00:57:00I don't know.
00:57:04I don't know.
00:57:06I don't know.
00:57:08I don't know.
00:57:08I don't know.
00:57:11I don't know.
00:57:13I don't know.
00:57:15I don't know.
00:57:16I don't know.
00:57:16I don't know.
00:57:16I don't know.
00:57:21THE END
00:57:57THE END
00:58:22THE END
00:58:22What happened to you?
00:58:23Bradshaw's muscleman worked me over.
00:58:24She says she's hanging on to Mrs. Royce.
00:58:26Oh, you...
00:58:31Who is that?
00:58:32It's a clunker cut, Johnson.
00:58:34Drake, you keep him here as long as you can.
00:58:50I have a little accident?
00:58:51A personal matter.
00:58:53Is there something I can do for you?
00:58:54Yeah.
00:58:55I'd like to have a talk with you.
00:59:00What do you want to talk about?
00:59:01Why, Sergeant, how nice to see you.
00:59:06Where's your friend Reed?
00:59:07Well, I haven't...
00:59:07Would you like a cup of tea?
00:59:39I have so much it would have been Philip's.
00:59:43I could use it to bring others here as he wishes.
00:59:47I could use it to bring others here.
01:00:23Look at this.
01:00:31That's the place set up.
01:00:32I could use it to bring others here.
01:01:04Everything all right?
01:01:05Yeah, where are you?
01:01:06Rama Society.
01:01:08Oh, I get it.
01:01:08You followed Drake.
01:01:09Did you find anything?
01:01:10I'll tell you later.
01:01:11I'm leaving right now.
01:01:14Don't worry, Holly.
01:01:14Steve will be here soon.
01:01:35You're early, Mrs. Roy.
01:01:36I know.
01:01:37I have so much to talk about today.
01:01:38I hope you don't mind.
01:01:39Of course not.
01:01:40I must discuss something very important with Philip.
01:01:44It's about my will.
01:01:45Your will?
01:01:46Yes.
01:01:46You see, Mr. Bowman gave me Philip's letter, and it was full of plans for the future he never saw.
01:01:52I want to make those plans come true.
01:01:54But I've already made my will, leaving my estate to the Rama Society.
01:02:11Spirits of the outer world, you seek your guidance.
01:02:18Appear and speak.
01:02:20Appear, spirits.
01:02:22Give us your counsel.
01:02:30Spirits hesitate to appear.
01:02:33They sense danger.
01:02:35Danger to you because of your will.
01:02:38But I made it to please Philip.
01:02:41And it's going to stay that way.
01:02:42She'll never change that will.
01:02:45Give me your gun.
01:03:02Their voices say that you must change your will.
01:03:05You think Philip will understand?
01:03:07He understands.
01:03:09It is his wish that you change.
01:03:11What?
01:03:11Oh, Mr. Wells.
01:03:13Stand up and turn around.
01:03:15Dad!
01:03:17Dad!
01:03:18Dad!
01:03:19Dad!
01:03:21Dad!
01:03:21Dad!
01:03:23Dad!
01:03:23Dad!
01:03:25Dad!
01:03:25Dad!
01:03:25Dad!
01:03:26Dad!
01:03:27Dad!
01:03:30What about the two downstairs?
01:03:32They didn't say us come in.
01:03:33They don't know who we are.
01:03:34They saw Drake here.
01:03:35He has the best alibi in the world.
01:03:36He was miles away being watched by a cop.
01:03:51Well, can we get that Mrs. Royce?
01:03:53Where'd the two downstairs?
01:03:58Now?
01:04:12Oh, my God!
01:04:14Of course!
01:04:14Why?
01:04:15Oh, my God!
01:04:17How, my God, how comes out.
01:04:21You couldn't see Larry Ma hamm messages.
01:04:23I had того, you could see them from all directions sometimes.
01:04:26The End
01:05:00The End
01:05:30The End
01:06:02Johnson
01:06:03Bunko Squad
01:06:04Yes, sir
01:06:05Looks like a case for the coroner
01:06:07You take over from here, will you?
01:06:08Right
01:06:09Hey, Bill
01:06:11Call the coroner
01:06:12And you better get a tow truck down here, too
01:06:19All suspects and all of society have been taken into custody
01:06:22Sergeant Johnson, return to headquarters
01:06:26And I now pronounce you man and wife
01:06:34Cut
01:06:35Okay, print it
01:06:39Very good
01:06:40Thank you
01:06:41How was I?
01:06:42You were terrific
01:06:44Wonderful
01:06:44As a matter of fact, you were so convincing
01:06:46You think you could borrow the dress for a few days?
01:06:48Why, Mr. Johnson
01:06:49Mr. Johnson?
01:06:51You mean Lieutenant Johnson?
01:06:52He's my press agent
01:06:52How wonderful
01:06:53Cut
01:06:55Okay
01:07:14You mean Lieutenant Johnson?