- 2 days ago
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00:00When we talk about this, we talk about it and we talk about it and we talk about it.
00:04I've heard that I'm not going to talk about it, sir.
00:06You don't have to worry about it in the fridge.
00:10I don't think that, sir, you don't have to buy it, you don't have to buy it.
00:13People have to buy a house, and they don't have to buy a house.
00:19But they don't have to buy a house.
00:21We're going to practice a pot in the morning.
00:24We're going to have to buy a pot.
00:26Shippee, Shippee, Shippee.
00:28How sweet.
00:29And I was like, I'm talking about Shippee.
00:31I have a baby, a mother, a Kaswa.
00:35And I don't have money in one place.
00:39My brother, you're not talking about Shippee.
00:41Because you're a jack.
00:43You're not going to get a jack.
00:44But if you're a girl, you're not going to get a jack.
00:48You're not going to get a jack.
00:48You're not going to get a jack.
00:49You're going to get a jack.
00:53You're not going to get a jack.
01:01You're not going to get a jack.
01:03You're not going to get a jack.
01:03My brother and my brother,
01:04his brother is a boy and his brother is a boy.
01:08My brother and his sister are a boy.
01:10My daughter is an actor like Kappus Konda.
01:13We have a team in the cinema.
01:16We are all in the film.
01:17Thank you, Shippee.
01:19I'm going to start your brother, Shippee.
01:21Shachin sir,
01:22Because we have a situation that has been going back to our house and she has a dog...
01:26In this house, one of the people who are in the house has been taken.
01:28One of the people who are in the house are in the house.
01:33Do you think it looks like a dog has a dog?
01:37What are the situation in this house?
01:40No, it doesn't exist in the house, but the dog has no idea.
01:45It's a problem because there are housemen in the house.
01:50And I think that's what I'm going to do with it.
01:53Because there's a lot of people who live in the house.
01:57That's how big they live.
01:59But they live in the house.
02:00And they live in the house.
02:03That's what you're doing.
02:06And that's what you're doing.
02:08Otherwise, you don't have to worry about it.
02:09Don't worry about it.
02:11If you have to worry about it,
02:13you don't have to worry about it.
02:15And we have a joint family.
02:17We have to worry about it.
02:17That's why I'm thinking about it.
02:21So, the superintendent said that
02:22we didn't have to worry about it.
02:23We will have to worry about it.
02:27I'm understanding how to get a lot of people in the house.
02:31I didn't know what to say.
02:33I don't know how to do it.
02:36I'm thinking about it.
02:37I'm thinking about it.
02:38But I'm thinking about it.
02:43There was a 6th floor, a maitrin was a flat in one bedroom
02:53It was a problem
02:54It was a problem
02:57It was a problem
02:58It was a problem
02:59It was a problem
03:02It was a 3rd floor
03:04It was a maitrin
03:07And there was a bad phone
03:08We had a bad phone
03:10He was a bad phone
03:13What was I supposed to do
03:15One guy said
03:17He said, what's going on?
03:18What's going on?
03:19I said, what's going on?
03:22I said, what's going on?
03:23He said, what's going on?
03:24He said, what's going on?
03:27I said to you, you're doing anything
03:29We say that we have to do the work, we have to build a studio apartment
03:36And Shriya doesn't have to work, we have to get it
03:40But we have to get it, we have to get it, we have to get it
03:43But we have to look at it and see what is it
03:49Why do we have to get it in the flat?
03:52We have to get it out of the flat, we have to cross it
03:56There is no connection with it.
03:59My house has no connection with it.
04:02When I opened the flat and I opened it and I opened it.
04:05Then I opened it with a German Shepherd.
04:07It was so cute.
04:11Then I opened it and I opened it.
04:14Then I said, this is the flat too.
04:17Then I said, this is what they do.
04:19Then I said, this is what they do.
04:20Oh!
04:21Oh!
04:22My father.
04:24I said, this is my mother's house.
04:28Then I said, this is what they do.
04:30They do it.
04:32They do it.
04:32They do it.
04:33They do it.
04:34They do it as a hobo.
04:37H-O-B-O.
04:39H-O-B-O.
04:39H-O-B-O.
04:40H-O-B-O.
04:40H-O-B-O.
04:41H-O-B-O.
04:41H-O-B-O.
04:42H-O-B-O.
04:50H-O-B-O.
04:51H-O-B.
04:53H-O-B-O.
05:16H-O-B.
05:18Who is the boss? Who is the boss?
05:20Who is the boss?
05:23Not the boss, right?
05:26I'm not saying that, sir.
05:29Boss? Not the man of the house.
05:31What is the boss?
05:33Why would you say that?
05:34Why don't you say that I don't want to do independence day?
05:40If you say that it was the 16th August
05:42and you say that it was the 3rd August
05:43and it was the 17th August,
05:44so I don't want to celebrate the 15th August.
05:50Anyway,
05:51one thing is that
05:52we have to stop the door.
05:55We have to stop the door.
05:57One thing is that
05:57when you have a phone,
06:00you have to hear the door,
06:02you have to stop the door,
06:03and you have to stop the door.
06:04You have to stop the door,
06:06and you have to stop the door.
06:08and you have to stop the door.
06:09You have to stop the door.
06:13You have to stop the door,
06:15and you have to stop the door.
06:38Yes, right.
06:38What is the problem?
06:41And,
06:41you have to stop the door.
06:45You have to stop the door.
06:46You have to stop the door,
06:46and you have to stop the door.
06:48Let's go and find something.
06:51What did someone want to say?
06:53They want to say something.
06:54They don't have to go to phobia.
06:56They don't want to go to our people.
06:58Oh.
06:59They want to go to our people.
07:01They don't want to go to our people.
07:05But nothing.
07:07They don't want to go to our people.
07:09I said, okay, you're a old person.
07:14I said, I've got a home.
07:16When I was in the house, I would go to the house and I would go to the house and
07:20I would go to the house.
07:22I would go to the bus.
07:26Because it was very protective.
07:29And that was great.
07:30The German chef had already.
07:32That was great.
07:33I would say, if I was in my house, I would go to the house and I would go to
07:36the house.
07:39I would say, my height is a complex.
07:46In the house then, I would go to the house and you would go to the house and sit in
07:50the back, all the�.
07:50I'd go to the house and come.
07:53And at the same moment, I will go to the house.
07:56I new people, all my maharadota is dull.
07:57I will stand in front to the house.
08:02After that expense.
08:03That's the deck.
08:03It's my back.
08:07It's my back.
08:09I said, I have come to come.
08:14When I come, I have come to come.
08:16I have come to come.
08:17I have come to a place.
08:20Now I have come.
08:22I have come to a place.
08:23I have come to a place when I live.
08:25I have come to my house.
08:29I will not be able to walk away from this place.
08:34It is a matter of emotion.
08:36That's right.
08:37But today, we have a jack.
08:40When we have a jack, we have a jack.
08:46And then we have a jack.
08:48And she has become a dog lover.
08:51Because of Hobo.
08:54Today, we have to do something like that.
08:57We have to live today.
08:58We have to live today.
08:59We have to live today.
09:00We have to live today.
09:01We have to live today.
09:03And it's unconditional love.
09:05That's right.
09:07That's not true.
09:08That's not true.
09:10That's true.
09:11A lot of love.
09:11That's true.
09:15That's true.
09:17That's true.
09:20That's true.
09:22Finally.
09:25Finally.
09:28I have to give a look.
09:30In other words, I would like to talk about Lahan.
09:30There is a lot of Lahan to talk about that.
09:33It's not a case of Lahan but there is a case of Lahan.
09:36I think we are a good person.
09:37What is your purpose?
09:40I was saying that I don't like Lahan but there is no reason to be here.
09:44No one is.
09:45We are able to practice with the other people who are like
09:48the other people who are not working with.
09:50They are not working with them.
09:51So, you know, I think that's the first time we are doing part of the day.
09:56Study table and fashion.
09:59So, it's not a girl, it's not a girl.
10:01So, she's a girl, she's a girl.
10:03She's a girl.
10:04She's a girl.
10:05She's a girl.
10:06She's a girl.
10:07She's a girl.
10:09She's a girl.
10:09She's a girl.
10:11She's a girl.
10:11She's a girl.
10:12She's like an old girl.
10:14She's like the other.
10:27It's a girl.
10:28She's come from the school.
10:29She's a girl.
10:30I was a girl.
10:30She's not a girl.
10:30She's a girl.
10:31I've never been that girl.
10:35She's a girl.
10:39She's a girl.
10:39I was like, no, I can't get it.
10:42So, I'm going to do this.
10:45But there is still a problem that the business is going to be a problem.
10:48I have to look at it.
10:50We will be able to get it.
10:52But, I don't think that the business is going to be a new one.
10:56But, it is a good thing to take a moment.
10:59I will be able to talk a little bit.
11:00I will ask the rest of the big ones.
11:02But, they are not going to be a big house.
11:04They are not going to be a big house.
11:07We don't have the money to do it.
11:08So I don't have to worry about it.
11:12They said,
11:14He said,
11:14He is the best that you have to do it.
11:17We can do it.
11:18I didn't say that the amount of money
11:21was like 1000 people.
11:24I couldn't say that even though
11:27What are these things.
11:30I think I was a doctor
11:33I was like,
11:35I think that's a good thing.
11:37You're tired.
11:39You're tired.
11:41And you're very good.
11:43I think that's what you're doing.
11:46I think that's what you're doing.
11:47Akshada, what's your best?
11:49You're doing it.
11:51I'm doing it.
11:52I'm doing it.
11:54I'm doing it.
11:54I'm getting a ticket to my house.
12:01I'm getting a ticket.
12:03My husband's daughter, my mother,
12:06I'm getting a ticket.
12:08And I'm doing it.
12:10We didn't make money.
12:11We didn't rescue all the white people.
12:16We didn't have any advice for us.
12:18We didn't have any advice on our kids.
12:20We just thought that we were good at all.
12:22We're doing it every day.
12:25We're going to be doing it every day.
12:26We're going to be doing it every day.
12:27We're going to be doing it every day.
12:30I'm doing something like this.
12:33And I've been doing so much for the lahan.
12:39I've been doing so many years, I think,
12:44but I've been doing so much for a while.
12:46I've been doing this in a year and
12:49I think that lahan is a pill,
12:53it's not a color, which is legally not right.
12:57And you shouldn't do it.
12:58Yes, yes, yes, yes. So, legally, you can not do it.
13:07You can't put it in the case, but you can't put it in the house.
13:12I think it's a house in my house.
13:15Yes, yes, yes, yes.
13:19When I was in the shelter, I would go to Sofia and go to the fridge.
13:25That's crazy.
13:27I have to buy the money.
13:29That's hard.
13:30When I was in the morning, I was not the last time to attend the school.
13:35I was in the morning and I was just a one-year-old,
13:37in college, at the front door.
13:41I was just a kid.
13:43I was in the first time.
13:45I was in the first-year-old mother.
13:47I was in the first society against them.
13:49Street dogs.
13:51I thought, you're against against them.
13:53I was in the middle of my house.
13:54They used to go to the house for now.
13:55I had to get to the house in the night when I was a girl.
13:59My friends asked me to write the house like this.
14:01I have never had the house only the night after the house.
14:05And I thought that's okay.
14:06I need to spend my family on the night.
14:08I have not had the house anymore.
14:11I thought that he had very much support.
14:15He gave me a lot of work.
14:19I thought that because of the way he learned,
14:21He gave me an ultimatum
14:23He said, I'll go to Lesterberg and he said, I'll go to Lesterberg
14:28I have nothing to say
14:31You said that 8th, I think
14:35I feel that we are willing to serve our family
14:41Our family is not working
14:47We can't do it
14:50Yes.
14:51Yes.
14:52Integral part.
14:53Yes.
14:53And he's going to say that we all know this Chitrapatt is good.
15:00And we have a bond.
15:02That's good.
15:04We know that we have a good family.
15:06We have a good family on screen.
15:08We have a good family.
15:10But we have a good family on screen.
15:14So, we have a strong bond.
15:19We have a good family in our house.
15:19That's a good bond.
15:22We have to make a good picture for our kids.
15:25Yes.
15:27We have to say that we have a film project.
15:31That's not a film project.
15:32That's a family project.
15:34We have to say that it's a family dog film.
15:37Yes.
15:38But I want to say that actors have the same scene as well.
15:42I want to say that your cinema is moving.
15:45So, you have to handle it, you have to handle it, you have to handle it, you have to handle
15:47it, but you have to do Docs for auditions, so how do you do that?
15:54Docs for the first year is the first year.
16:00Every team has told us that we can take a dog and take a photo.
16:05So, you have to do that.
16:07I am very proud of the dog.
16:15I am a trainer of the dog.
16:21I am a trainer.
16:22I am a trainer.
16:27Usually, they have two different dogs.
16:31They are very cute.
16:34I was like, sorry, I got to go and go and go and go, sorry.
16:42And there was also Indian, so now the hustler was a road like that.
16:48But I was clear that I had a cute girl.
16:52In my house, I had a phobia in my house.
16:56But then he was like, cute, man.
16:59So he's the reaction, he's the reaction to everyone.
17:04I have two shortlists.
17:07One of our hero's heroes.
17:09And he's a jack.
17:11He's a small boot.
17:13Okay, correct.
17:16And when I took the screenplay,
17:19I told him,
17:20I told him,
17:20I can't get anything.
17:23So I made a list of shots.
17:26And I told him,
17:27I told him,
17:28I was a good one.
17:29And in that month,
17:31I trained him.
17:33And every year,
17:35we got an update.
17:36I said,
17:36I don't think I should do it.
17:39But at the end,
17:40I got two rounds of auditions.
17:43So in that audition,
17:44it's so hard to get in the office.
17:48And the feeling is solid.
17:51Everybody is doing a lot.
17:52But one person is cuter, I want to make a selection.
17:58And one person is cuter, I want to make a selection.
18:00And one person is cuteness and indeed is smartness.
18:08I always think about it.
18:10I always think about it.
18:12What do I do?
18:12What do I do?
18:13I want to make a selection.
18:15That's it.
18:16I want to make a selection.
18:19That's it.
18:20You can take the selection other steps.
18:23You can take the selection.
18:24If you are doing a lot of shots, you will not take the selection.
18:27Okay.
18:30I'll move to a combination of this.
18:33This is when we start training of the last five minutes.
18:36And after that, one month, we're going to be able to do a job.
18:41If we start doing a job for our friends,
18:44we are going to ask you to go to get your friends.
18:47can you explain to your husband?
18:47I don't know.
18:48He makes a good job.
18:53I wouldn't say otherwise that,
18:54I raised my father as a man.
18:55I was raised in my mother.
18:59I was raised by my father.
19:01I don't know what I was going to do.
19:07That's why I get interested in the evil is.
19:09And I usually get into the evil.
19:11I don't know what you said.
19:12But I think that's why you don't have to say something.
19:12I don't know.
19:12But if you don't go to our old school,
19:13then I'll have to be back in your own school.
19:15Oh, I was like, I don't know.
19:15I don't know where I was at.
19:19I didn't have a little bit of time to get into the tune.
19:24I was like, I don't know what the tune is.
19:28I was like, I don't know what the tune is.
19:29You can listen to the tune is like, you can hear it.
19:33So, you can get into the tune.
19:35And then I started doing everything.
19:37But I was like, I think you were such a great deal.
19:39You need to be patient with dogs. You cannot, you call the dog's dog's dog's dog.
19:54You have to do some patience to do the work.
19:58Even if you work for Lan Moolan Guru, you always have to do some patience.
20:03That's right.
20:04That's right.
20:05You see?
20:06Currently, you don't have maturity.
20:08You don't have to pay attention.
20:12Animal is an animal.
20:14What do you do?
20:14You speak in your language.
20:17You speak in your language.
20:18Right.
20:20Do you think Jack Marathi is complete?
20:24Currently, the first time I will narrate.
20:27Yeah.
20:27I will tell you about the story.
20:32I will narrate.
20:33I will tell you about the story.
20:37Jack will be able to do it.
20:40The narration is a simple.
20:42You can take it,
20:43you can go and play,
20:44you can play,
20:45you can play.
20:46I will not be able to do the script.
20:49I will tell you about it.
20:51I've heard that
20:53Saran is a house.
20:54One house is a house.
21:03So that is his love for Jack.
21:08But this is a hook point, Sachin sir, because there is a lot of cinema and a lot of cinema
21:12is not a lot of cinema, but I think it's been a lot of 10 years ago, right?
21:16When you were 16 years old, you would choose a lot of cinema, but you would choose a hook
21:21point.
21:22But what do you think about the dog and the emotion?
21:26To cut the long story short, there was a role that there was a lot of emotion that I had
21:33a lot of emotion.
21:35So, I thought that the first thing was that I had to do the first thing.
21:39That's what I thought about it.
21:40That's what I thought about it.
21:41Oliver was the only one thing, but he was also able to see clarity and see it.
21:48The person who was able to see it was able to see the picture completed.
21:56But he said, I shouldn't have done a shooting, but I think he has to release it,
22:00but he has been able to see it.
22:03So the situation is, if he is able to see the picture,
22:07he will be able to see it.
22:08And I don't have to say that, but I think it's the same thing.
22:15Madhuri, I think there is a scene in the 19th century in the 19th century.
22:22And there is a scene in the 19th century.
22:23And there is a scene in the 19th century.
22:25No, no, sorry, sorry.
22:27There is a scene in the 19th century.
22:29No, no, no, no, no, no.
22:36You recently did not have been in the 19th century.
22:38Yes, no.
22:39You did not have to watch.
22:40Yes.
22:41That was a scene in the 19th century.
22:43I think that were very hard.
22:43So, I thought, no one thing should be saying that.
22:46It's important to me.
22:48If a lady's taking the scene, to see her face from the 19th century.
22:52Yes, I think it will be part of the 19th century.
22:55I thought the lady's face will be a bad thing.
22:58But, Sachin sir, we are going to try to work too long.
23:01What do you think?
23:02Do you know that he will be able to do the work at one time?
23:08There was no doubt about it.
23:10I mean, sir, you will come.
23:13You will come.
23:14You will come.
23:15You will come.
23:17I thought, sir, you are in the fridge, sir.
23:23Yes.
23:24I think that's the problem.
23:26But I think it's a bit different.
23:27That's why we have a lot of people in the world.
23:28And we have a lot of people working with this.
23:33We don't have any time to do anything.
23:37There is excitement.
23:39We have to learn more about it.
23:41I was thinking that in 20-20 years,
23:45we have a new film.
23:47We have two books.
23:49We have established a new film.
23:52And we have a new film.
23:57We are very proud of the work of the Shiva and the other people who are doing this work and
24:01the other people who are doing this work and the other people who are doing this work.
24:06But we are very proud of the people who are doing this work.
24:09So I think that the truth is that we have a little bit of a unit.
24:18So if we are senior actors and you have a nerve,
24:23He would have never given that power to the captain of the ship.
24:30I think Sachin Ji is a good friend.
24:33We get together, we are all on the two scenes, we are both sharing our friends,
24:37we are all sharing our friends, we are all sharing our friends,
24:39we are all sharing the Hindi songs.
24:42That's how we are talking about.
24:44But we are all sharing the time of the time.
24:45We are all sharing the film.
24:48So, I thought that was the first thing that Sachin Sir came to me and that was the only thing
24:55that happened to me.
24:57Because I thought it would be a surprise that I would like to learn that.
25:01I thought it would be a surprise that Sachin Sir came to me.
25:06But I thought I would share my screen.
25:09I thought it would be an opposite Uber.
25:11Exactly.
25:11So, I thought it would be an excitement.
25:13And I think, I had a good time with that.
25:17I think I had a good time with that.
25:20Thank you Sachin.
25:23And that suit was also good.
25:25And that is good.
25:27I was like, to give up a little bit.
25:30I think that in a year of the year of the year of the year,
25:33I was like, I don't think I got a good time.
25:39So, I feel like you were very happy.
25:40I hope you will have a good time.
25:42No, I don't know.
25:44No, I don't know.
25:46You know, Mooli has a good time.
25:48But now we have time to come back.
25:50We are working with the first few people.
25:55We are working with Sachin Sarans.
25:56We have a few tips for you.
25:59You can give some tips.
26:00What do you want to do with Vegardipan?
26:03I have to say, sir, you don't want to buy it.
26:05You want to do it.
26:06Yes, yes.
26:07Because there is a lot of knowledge in the world.
26:11Right from the light,
26:15that they have their camera, their trolley,
26:17that they are...
26:18I mean, what is it?
26:20I mean, there is a scene in the show.
26:24And my friend and my friend are in the show.
26:27And I am switching to the place.
26:29And I am like,
26:30I don't know,
26:31I don't know,
26:33but I am like,
26:33I am like,
26:34so my friend told me,
26:36what's your motive?
26:38and I just don't have a question about it.
26:40There is no question you have to take the picture.
26:44And there is no idea of it.
26:45It is going to be more useful.
26:47So,
26:47I think that we have some larges.
26:51And of course,
26:52there is a purpose.
26:53There is a break.
26:58And I think
26:59I have a little problem
27:01I was told, I had two hours in the theatre and I said in the movie we were 15 to
27:0920 minutes,
27:10and in the last few days I was thinking, no, I was like, you're like, you're right?
27:17I was like, you might have to get a chance, but I would have to get a chance.
27:23I don't know how many life circles are going to be here.
27:28Thank you so much, sir.
27:29What's your reaction now?
27:31When we finally did it, we got to work on Sachin Sarans.
27:34When we shoot a lot, it's a lot.
27:38It's a lot.
27:39It's a lot.
27:40It's a lot.
27:40It's a lot of baby's mom.
27:41What's my name?
27:45But in your trailer, you said that you had the same location.
27:51You shoot in the same location.
27:52In the same time, you shoot in the same location.
27:54So, that's why it's the same location.
27:57But in your trailer, you have the same location.
27:59Where is it?
28:00Where is it?
28:01Where is it?
28:01So, where do I shoot in the same location?
28:04That's a lot more difficult.
28:06You can see that as technical and how you can do it.
28:08As a maker,
28:09Because I waseremlying to the city, I talked to myself, at the same time I was able to do this
28:17outside.
28:18Because I was really scared about it.
28:22Yes, it is a very strange place.
28:31When I shoot my house, I was 99 years old.
28:37I was able to get the house in lockdown.
28:46I was able to shoot my house and I was able to shoot it.
28:52When I got out of the house, I was able to shoot my house.
28:57and when they got home, they lost a lot of people.
29:01I thought I had a lot of fun.
29:05I was doing a lot of shooting, and I got a lot of shots.
29:13I got a lot of shots.
29:15The shots were full.
29:18I had a house in one character, an open space where I had a house and I had three people
29:28in the house.
29:31But I had to do a little bit.
29:34I had a break and I had to do it.
29:37And I thought, if there is a weather forecast for a month, I wouldn't have to do it.
29:43Even we have taken parts of a place, we have taken parts of a place.
29:48We have taken parts of a place, and I have taken parts of a place.
29:53My queen and I arrived in the dark that was pious.
29:58I was in the dark, I was in the dark and I was in the dark and I was in
30:03the dark.
30:06I went to think, sir, what is that?
30:08And we have to do the same thing.
30:08Our team use continues.
30:12We are in the same mood.
30:14We are in the same mood.
30:16We are doing our work.
30:19And our team use goes through the same mood.
30:21And then we have another couch.
30:22Do you have any challenges?
30:25I have told you that this is an amazing show.
30:28We are shooting at Vali.
30:29We are shooting at the same time.
30:30We have to pack up to the first.
30:32The first shots are a few.
30:33We are shooting at a hotel and other types.
30:36In the second place, we shoot a ringan and we got to get to the ringan.
30:42And the ringan was 7-8.
30:45And in that hotel, we had a total of 18-18.
30:49And we had a total of 20-25 million people in the hotel.
30:58And we had a total of 7-8 ringan shooting.
31:03like that.
31:05What is that?
31:07What is that?
31:08I thought that you have to hear the hotel at 14.30.
31:09I thought you don't know.
31:12I don't know.
31:14I thought I was done.
31:16I thought you have to hear it.
31:19I'm in the lobby.
31:20Oh.
31:22I thought Madhurani and Saranath,
31:25I didn't even work.
31:30He didn't shoot three Divas Jami in the lobby.
31:32And it's a film that's in the film.
31:35And it's a good film.
31:38Plus, our climax is a film that we shoot in the film.
31:40Under, under.
31:41Under, under, under.
31:43And I think I'm the first time
31:45that we shoot in the film.
31:48We shoot in the film.
31:50And of course, the film is a film that we shoot in the film.
31:59But we have to see the film that we shoot in the film.
32:01I think that it's very important to me.
32:06But I think the virus has been viral in Pandalpur.
32:12And the virus has been viral in Pandalpur.
32:13So, the virus has been viral in such a few moments.
32:17So, there is a lot of virus in this virus.
32:21So, this virus will be such a virus.
32:21So, what do you think about it?
32:23What are the virus?
32:23If you want to share it with us, what are you going to do with us?
32:27No, there are many people in the world.
32:30And if you want to say,
32:32Ram Krishnahari, Ram Krishnahari,
32:35it's so cute.
32:37And it's nice to have a lot of time,
32:39if you want to come to the world,
32:42then you'll be able to come.
32:44But why is this important?
32:46But why is this important?
32:47I think it's important to me that
32:50that this one is a tree,
32:53and if you want to come to the world,
32:56then you'll be able to find it.
33:00But I don't want to go there.
33:02I'll be able to find it.
33:05I'm able to find it.
33:07I'm able to find it.
33:09I'm able to find it.
33:11And I and Madhur,
33:14I'll be able to find it.
33:16You know,
33:17I mean,
33:18I can't find it.
33:19I'm able to find it.
33:21I've tried to find it.
33:23I'm able to find it.
33:24It's all.
33:24It's a shoot.
33:25And if you are in the air,
33:27when some of you are released,
33:27you will appear.
33:28And what should you tell us?
33:30When a star is playing,
33:35I thought,
33:37I've made a white dream shoot.
33:40If you have any cinematography.
33:44You can see it.
33:45After you have a special member of the voltage,
33:46it's hard to find it.
33:46He said that Sachin is running, Madhur Hani is coming.
33:48Okay, do not do.
33:51He said no problem.
33:51He said, let's go.
33:53We're ready to go.
33:54He said, let's go.
33:55He said, let's go.
33:57I thought he said, you know?
33:58That's how many people have here.
33:59I thought, you know?
33:59That's about 60.
34:01That's about how you have to do it.
34:03That's about how you have to do it.
34:05And I said, you have to do something.
34:07Not about how you have to do it.
34:09But that's how you have to do it.
34:10Madhur Hani can do it in the shoot.
34:12In my opinion, there are a lot of ways to shoot and shoot.
34:20In March, there was a lot of work in the beginning.
34:26In March, it was 15 years ago.
34:29It was 15 years ago.
34:32But in the past, I met in America,
34:34I was thinking about the one who was a big person and the other person or the other person who
34:42had a child.
34:43I was thinking about the same person.
34:48They were a very good person and the other person who was a good person and who had a good
34:52person.
34:56And I think that's the one who was a real person.
35:00It was very good to shoot a channel.
35:03I have a few interviews with the anchoring.
35:07But in these words, we have to meet our friends for 3-4 months.
35:16And we get to know how we are.
35:17And we get to know how we are.
35:18And we get to know how we are doing it.
35:21And we get to know how we are doing it.
35:24I mean, we are seeing these things.
35:28And we are not going to do it.
35:31So we didn't do that because we didn't want to walk through the street.
35:39We couldn't get into this thing.
35:42No, we didn't do that.
35:43It's not that you were able to walk through the street.
35:44But we can't even do that.
35:45You were a part of the work.
35:47You were a part of the work.
35:48How did you get to the college?
35:50Did you get to the college?
35:51Did you get to the college?
35:53Did you get to the college and do that?
35:54No, the last schedule took us.
35:58I wanted to go back to our village.
36:00I was at the same time.
36:01So, when the shooting was shot, the couple of people came to the hospital.
36:10And they didn't have to go to the hospital.
36:12They didn't have to go to the hospital.
36:14But they were completely done.
36:17They were completely done.
36:19But they didn't have to go to the hospital.
36:24When you read your script, when you read the cinema, there are many cinematic elements that you have to do.
36:38You don't have those elements, but you have to do it.
36:43You have to be able to do the work of the work of the work.
36:46And you will react.
36:48You will be a person who's a person who's a person who's a person,
36:53and they will think about you.
36:55But you will find that you don't have to be an actor.
36:57So the person who has been doing this and who has been doing this,
37:02and who has been sitting on a chair,
37:05who has been sitting on a chair for you,
37:07and who has been sitting on a chair.
37:09So we will be thinking about this.
37:11About this time,
37:13And as we can see in the cinema, we can see that the art, the art, the art, the art,
37:23the art, the art, the art and the art and the art.
37:24To see what is happening and how to present.
37:30That's how we are going to see.
37:32What we are doing.
37:34I think we have been thinking about Pandharpur.
37:35I think I was thinking of it because I was a kid and I was a kid and I was
37:41a kid.
37:41So, that's what I wanted.
37:42So, that's how I was a kid.
37:44We started shooting in the Aqra Sadeh Karal.
37:48We were in the 21st of the day.
37:50We were filming the climax too.
37:51We were filming the show and we did it in the 2nd day.
37:54We were filming the daylight.
37:56We were filming the climax, we were filming the day light.
37:59We were filming the cameras and we didn't do anything.
38:02And I was a steady cam operator in Mumbai because I got shots by.
38:09And I was shooting the climax because there were lights.
38:12And it was just the beginning of the performance.
38:15And suddenly, I was like, a buddy, a buddy.
38:19He was 80-85.
38:22And I was like, docker, docker, docker, docker, docker.
38:27Because when I was sitting in the room, he was a piece of paper.
38:31He was shooting the camera and he was using the camera.
38:34So I was like, docker, docker?
38:37And then he was like, docker.
38:39And all the people do.
38:41He was just on camera.
38:42And I was like, docker, docker, docker, docker?
38:47And I was like, this is why I got this.
38:48So, this is why I got this.
38:48So, I got this.
38:53Because sometimes people don't have to take care of them.
38:59They don't have to take care of them.
39:01They don't have to take care of them.
39:04But when they do what they do, they don't have to take care of them.
39:08And they come in the same way.
39:13And I think that's the same thing.
39:14I don't know how many people do this.
39:17I don't know how many people do this.
39:19What is the cycle?
39:24What is the expression of Panduranga and Rupani?
39:31What is the cycle?
39:34What is the cycle?
39:37The cycle is complete
39:40What is the cycle?
39:43I don't know.
39:45What is the cycle?
39:45One question, Sachin Sir.
39:47I don't know about the cinema.
39:48But Sachin Sir, when the cinema comes to the cinema,
39:50you have a lot of love.
39:52You have a lot of love.
39:54You have a lot of negative comments.
39:56You have a lot of trolling.
39:57What do you think?
39:59What do you think about these comments?
40:01What do you think about it?
40:03What do you think about it?
40:04What do you think about it?
40:05And you don't know that I have no love.
40:10How can you presume?
40:11That you don't presume?
40:13That's right.
40:14Why?
40:15That's a work.
40:18That's what I can do.
40:19I can do my love too.
40:21That's right.
40:23You can't do the same thing.
40:25I can't do the same thing.
40:28That's right.
40:30I can't do it.
40:32I can't do it.
40:33You can't do it.
40:33Right now, I can change what you try to do.
40:37That's great.
40:39That's true so much.
40:39And then before I came from outside that are gonna jump down,
40:42children can oportun in the seat or lose a little.
40:48These are the numbers from me.
40:49They have their degree now.
40:51They know that they are sitting and they now do.
40:53But if they're Valiant, that is and they're sitting and doing this.
40:56That's my goal.
40:59Because I want to give it to them,
41:01then I will work with them.
41:05I don't know if you can,
41:07that Mahaburu doesn't know why
41:10because you have any wide comments
41:11or trolling.
41:13Do you know how to positively handle it?
41:16Not only that.
41:18I don't know about social media,
41:20but I think it's a team to handle it.
41:23There's strict instructions
41:24that they have taken.
41:25If you have a button,
41:27then you can stop the comments.
41:29Yes, you can stop it.
41:31Yes, you can stop it.
41:32That's not what you do.
41:35If you have strictly spoken,
41:37then you can do it.
41:40If you have a problem,
41:42then you can do it.
41:44You can do it.
41:46You can do it.
41:47That's what I do.
41:51I have to own them.
41:52I think that all of you can stop it.
41:54That Maharashtra was very good.
41:56We could do it for the last years.
41:59I wanted to work out.
42:00I heard about it.
42:03I have to go.
42:05I can get it.
42:08I can do it because I have to take it.
42:10I can do it for the Maharashtra.
42:16So, what do we have to do?
42:16And then, what is that? That's how it looks.
42:22You can't believe that you can troll yourself.
42:27That's how it looks.
42:29And that's how it looks, it doesn't have polluted it to get us.
42:37So, so you never laugh at this point too, because you don't want to think.
42:42Yes, mentally.
42:44But anyway, I would like to say that
42:46if you want to love this person,
42:50you will be able to love it,
42:51you will be able to love it.
42:52And then you will be able to comment
42:55but you will be able to get a picture.
42:58In social media,
43:00there is a lot of people,
43:01but there is a lot of people,
43:02there is a lot of people,
43:04there is a lot of people,
43:05there is a lot of people,
43:12there is a lot of people,
43:12and I will be able to love it.
43:16And I think,
43:18you have a lot of people
43:18I think, you have a lot of people,
43:19so I would like to tell you,
43:23you have a lot of people in the cinema.
43:26The characters,
43:27the characters,
43:28I do not know about the characters,
43:32I don't know about it.
43:33But I think,
43:34the characters are the characters
43:36and the Nishra.
43:38from the Latin language, the Language of Marath, and also the Urdu language.
43:45We all have a language curator in the form of Marath, a whole different scene of Marath.
43:57I can't speak to the same person, I can't speak to the same person, I can't practice it.
44:04And everyone is a very thrilling film.
44:08I'm not sure how to do it, I'm not sure how to do it.
44:12And in my language, I have a lot of experience in my language.
44:15I've learned something in my hand, I've learned something in my hand, I've learned something in my hand.
44:19I've learned something in my hand.
44:21I think that the film is a lot of great fun to be able to get into the film.
44:27I think that's a lot of great fun to be able to get into the film.
44:29I want to tell you something about the film.
44:34The tagline of the film is that everyone has confidence.
44:38Is it your confidence?
44:42If you have trailers and teasers,
44:45this film is not the same.
44:48It's 30% of the film.
44:51What kind of film is happening?
44:54Is that your own tagline on TV software?
44:58Also, a request.
44:59TV software is a friction.
45:03I'm not sure that you don't get a chance.
45:07I'm not sure that you have to get into the theater.
45:09I'm not sure about it.
45:10So, I don't want to give a spoiler.
45:12That's the second half of it.
45:14We don't want to give a spoiler.
45:17I don't want to give you a spoiler for this video.
45:20Thank you. Thank you very much.