- 5 hours ago
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00:00How many followers are you?
00:02Hello, hello.
00:03How many followers are you following?
00:05Yes, I'm following.
00:06How many followers are you?
00:07You've got 4 million.
00:10It's not like that.
00:13When you look at your house, it was close for almost 15-20 years.
00:17So, you've got your pictures.
00:19One point is that, when you read the word,
00:23you've got your pictures.
00:23You've got your pictures.
00:27Oh, my God!
00:30But, I have a question.
00:43It's like you said,
00:46we're talking about Marathi.
00:48Sohola, it's a wonderful word.
00:50And that's the word of Marathi cinema.
00:53Sohola is our daughter.
00:55And we're going to go to the show.
00:58Sohola's team is here.
01:01Sohola's team is here.
01:01I'm very happy to see you in the film.
01:05Sohola's family is here.
01:09We're going to be Marathi cinema.
01:11Sohola's family is here.
01:12Sohola's family is here.
01:13And you're not here.
01:14I'm not here.
01:15We're not here.
01:15And it's the same thing.
01:20Sohola's family is here.
01:21And you're not here.
01:22Even you have to sit there on the film.
01:23That's the same thing.
01:23Sohola's family is there.
01:25I'm looking at the film.
01:26So, I'm hearing it.
01:32And there's the same thing.
01:33That's true to me.
01:34I don't know.
01:36I don't know.
01:37I don't know.
01:39I don't know.
01:40No, but you know, you're going to live.
01:44Because there's a lot of things that you don't live.
01:49You're going to live.
01:50And I think that this film is more of a way to get it.
01:55And it just fell into place.
01:57So I think that I'm a young girl.
02:00I'm a young girl.
02:01It's a young girl.
02:04How many of you are?
02:06Noda is the example of a living.
02:11Sohda is a dream.
02:13It's a dream.
02:14It's a dream of a father's place.
02:15While the birds grow, the birds grow up.
02:20But it's very, very great and deep and peaceful.
02:24That's the main point of the story.
02:27So I have a very neat and simple question of the story.
02:32The truth is that the virtue of the father has value and the struggle of the father.
02:37If the father has adapted to it, it will be used to our lives.
02:43Kichani, you thought that the truth is a big deal.
02:46We have to fight the trailer.
02:48But we don't think that the truth is a bug.
02:51be
02:51I
02:52I
02:54I
02:58I
03:03I
03:03I
03:03I
03:03I
03:03I
03:03I
03:04I
03:04I
03:05I think we have to have a good time for our culture.
03:09We have to talk about the cinema.
03:15What is the fact that the cinema is very good.
03:17The cinema is very good.
03:19But we have to take our hands.
03:22We have to talk about it.
03:23We have to talk about it.
03:25We have to talk about the very good thing.
03:27We have to talk about it.
03:34I was a woman who came to this city.
03:38But at Ramdas's point, I was told that the people were very angry.
03:44I said that you were very angry, and I was very angry.
03:48But that was very angry that you couldn't see the bad one.
03:50You couldn't see the bad, you didn't see the bad, you didn't see the bad.
03:54But I was very angry, and I was like,
03:56but the house was so intense that I am a hero.
04:00That is so good.
04:02As well as other представителей across the state were also familiar with local comic books.
04:08The same time I got to read about me, I won't be the one to read books.
04:14I was the one to read books of the book.
04:17I won't read books on the book.
04:17When you read books of the book, I've read books.
04:21Then, the books of the book and the book is full.
04:25We need to be out there.
04:27I just wanted to think about dialogues.
04:31If you were to write a book,
04:32there are very important dialogues.
04:33Dialogue is an icon.
04:34I mean, there are many challenges.
04:38This is the same thing.
04:40I mean,
04:41I mean,
04:41I mean,
04:44there are many dialogues.
04:47But,
04:47I mean,
04:50it's a small thing.
04:53But, it's a small thing,
04:54there are layers,
04:56there are life lessons.
05:02it's heavy.
05:02You know,
05:04it's a small thing.
05:07But,
05:08It's a small thing.
05:14It's a small thing.
05:15But,
05:16it's not a small thing.
05:18But,
05:25it's a small thing.
05:29It's a small thing.
05:29I mean,
05:37it's a small thing.
05:43I mean,
05:44I think,
05:45I think,
05:47it's a small thing.
05:49I'm here.
05:52I'm here.
05:53I'm here.
05:53I'm here.
05:54I'm here.
05:56I'm here.
05:58I'm here.
06:00I'm here.
06:02I'm here.
06:04I'm here.
06:06They were they included.
06:09So I guess I may be one person in this room.
06:16I never checked at all.
06:18I believed that there were words of such and such.
06:20I was a so-called in- starvation.
06:24We were given this to this in-starvation.
06:24I also said that it was one person who was the one person who was like, haven't I?
06:24I have an answer to that.
06:26I think that they were saying, I have written this script and I have tried to say that
06:34I was going to try this way.
06:35I know it's all about the time.
06:36I like to talk to my family,
06:37and I'm a master of my family.
06:41We're not going to talk to you,
06:45but we're not going to talk to you.
06:46We're not going to talk to you,
06:49but we are going to talk to you.
06:50I feel like I'm a writer,
06:54and I just think
06:56that I did it
06:59and I'm going to talk to you
07:03that I'm doing it
07:03and I'm going to talk to you,
07:33Thank you very much.
07:35Thank you very much.
08:10Thank you very much.
08:17Thank you very much.
08:28Thank you very much.
08:36Thank you very much.
08:47Thank you very much.
08:50Thank you very much.
09:49Thank you very much.
10:42Thank you very much.
10:57Thank you very much.
11:23Thank you very much.
12:55Thank you very much.
13:44Thank you very much.
13:50Thank you very much.
14:38Thank you very much.
14:50Thank you very much.
15:37Thank you very much.
16:18Thank you very much.
16:37Thank you very much.
16:54Thank you very much.
17:22Thank you very much.
17:53Thank you very much.
17:58Thank you very much.
18:00Thank you very much.
18:03Thank you very much.
18:11Thank you very much.
18:15Thank you very much.
18:21Thank you very much.
18:51No, sir, he's a hero from inside. He's not a hero. He's a born actor.
18:58He's a fan of Salman's face in his face.
19:01And in the songs, sir, he's a fan of Salman's face.
19:05He's a great character. He's a great actor.
19:09He's a great actor.
19:12I'm Salman's fan.
19:14I'm Salman's fan.
19:15You're a saint.
19:17You're a saint.
19:17No, no, Salman, I've got a song in here.
19:24You're a saint.
19:30I feel that even though I don't know how to do it,
19:32they are saying that Salman's son,
19:36they are allergic to them.
19:39They are talking in their style.
19:41I don't think Salman's son.
19:43I was waiting for Salman to get to sleep, but you don't have to go to Akshay Kumar.
19:48What do you think?
19:50Cancel.
19:51I'm going to get a big deal.
19:56I'm going to get to sleep with Salman.
20:00I'm going to get to sleep.
20:02Who is the heroine?
20:04The heroine is...
20:05Sonali man.
20:07Who is that?
20:09Sonali man.
20:10What?
20:11Akshay Kumar.
20:13Sonali is coming.
20:14Sonali is coming.
20:15I've already done that.
20:16So you're welcome.
20:18Who is the heroine?
20:20No, it's the heroine.
20:22Who is the heroine?
20:24Akshay Kumar is coming.
20:26Sonali, can you see this picture?
20:29Sonali, can you see it?
20:30Sonali.
20:34Sonali is coming.
20:35He is coming.
20:37Sonali is coming.
20:37Sonali, can you see it?
20:39But he's going to have the heroine's word.
20:42He is coming.
20:43I think that's Jacqueline's name.
20:46But you know?
20:47Thanks.
20:48Of course.
20:49But I went to the first shooting every week.
20:49Then I was able to shoot all the pictures.
20:50How is the picture?
20:52How many years, how many years have you been shooting?
20:55I was shooting every week every year.
20:57What about that?
20:57Yes yes.
20:58In 25 days, we had a shooting full.
21:02And we had a great dream.
21:06I thought that we had a great mandir in the village.
21:10They were in that village.
21:11And the village was so neat.
21:15And the house was very neat.
21:20And it was closed for almost 15-20 years.
21:26So, we had a lot of pictures.
21:29We had a lot of pictures.
21:31And we had a lot of pictures.
21:34And the point is that there are people.
21:38We have so much support.
21:41I was told to shoot at night.
21:45And we were late in the village.
21:49And we were off the street lights.
21:51And it was the main center lights.
21:55So, we had a lot of pictures.
22:00I had a lot of pictures.
22:02And we had a lot of pictures.
22:03And we had a lot of pictures.
22:06And we had a lot of pictures.
22:06And the people were not able to talk to me.
22:10And we were so supportive.
22:12But Sonali, I was convinced that we were able to get to the cinema, so there was a struggle
22:18that...
22:19I don't think it's going to happen.
22:24In the year, I would say that a circle would be completed.
22:28I don't think it's just our destiny that Sonali would be present.
22:33But what's the problem that someone would have to do with you?
22:37I think it's going to be a soda, right?
22:41I'm going to say, I don't think it's a great film.
22:45But I think that it's that it will be a good film.
22:49I hope that those people are in the world.
22:52I think that's the best film.
22:57That's how I enjoyed it.
22:58That's the most important film.
22:59I was surprised, and I was surprised,
23:01but the film was so believable.
23:04Yes, the movie shows that the movies are covered and they're also made the movies.
23:11The presenter of this movie was very important because it is a great movie.
23:16If you have seen that movie, you have seen a movie, you have seen a movie.
23:22Like, I've said this thing.
23:24When I read this movie, there is a point of view that the movie is a movie,
23:35I think that's the hope of the journey that we have completed.
23:41Let me ask you a question.
23:43Goldie and I have a question about this line.
23:49We have a very good question.
23:51We have a very good question.
23:53I think that's the best of our films.
23:57You are the best of your friends.
23:59And you don't get the release of those types of people.
24:09And you don't get the best of them.
24:11But you don't want to be able to get the best of them.
24:19I wish people see it, but then I thought if you wish it, maybe you should do something about it.
24:28And then I thought, okay, what can I do?
24:30I don't know. I thought I thought a cinema script would be shooting with 50% of the journey.
24:4150% of their journey would be proper eyeballs.
24:46They would have good publicity because they would want to make the theatres.
24:52They would want to make shows or not.
24:54They would want to make a good job.
24:56So literally, we need to do a lot of work in the cinema.
25:00That 50% of us is a lot of effort, but even, you know, monetarily, there is a certain amount
25:09that is needed to be invested.
25:11That means that you have a picture like that.
25:15And we've been through the times, when we thought that we had a film like that,
25:18and we didn't have a release, we didn't have a release.
25:21So, we need to think that what we have to do is we have a audience.
25:26But now, there are a lot of people who say that we can release a release.
25:32Because we have an artist's mind.
25:35As an artist, I will say that we have to be able to present those people's lives.
25:40If we can do that, then we are happy about it.
25:49It's a good idea.
25:55It's a good idea.
25:56It's a very good idea.
25:57Maybe we have a lot of people.
25:59Yes.
26:00I'm going to ask Salman.
26:02I promise.
26:03Just to see what they have done.
26:03I promise, I will show you the same.
26:07Enjoy the long time.
26:10We are presenting.
26:14I will show you the same.
26:15So animi will give up,
26:17You are the same.
26:18You're the same.
26:21You are the same.
26:23And your next time,
26:25thank you so much.
26:33You