00:00I don't know what's going on in the coat.
00:01My mind is still very tight.
00:03All the pictures, all the videos that I've seen.
00:06What's going on in the face, I don't know what's going on.
00:10It's very dramatic and thrilling.
00:12Finally, how did you get into it?
00:16If someone says that your job is very good,
00:17the film is very good.
00:20Of course, I haven't left a lot in my work.
00:22I didn't want to say that I didn't want to say that
00:25you didn't have to work.
00:27That's why I didn't want to say that.
00:33Today's film is not a blockbuster film.
00:37You should have such a film.
00:39You should be a director, music, screenplay.
00:43You should have such an actor who can raise the film.
00:49If we talk about such actors,
00:52then Rajkumar Rao is such a name
00:55which we can say versatile, most talented actors.
00:59There are so many good films.
01:02There are low budget and big budget.
01:06But Rajkumar Rao is left behind it.
01:10We are with Rajkumar Rao.
01:12Thank you, sir.
01:14Prahar, you are a biopic.
01:16You are leading the film.
01:19What was your love about watching this film?
01:24What did you think about watching this film?
01:27You thought you could do it.
01:28There are many reasons for this film.
01:29First, this film is Avinash Arun.
01:32It is a great impression of my work.
01:34We were both from the same film school, from the film institute in Pune.
01:37He was a junior in my first year.
01:39So I always admire their work.
01:42I always admire their work at the time of the time of the institute.
01:44So it was that I always had to work together.
01:46They had made a village, a village, three of us.
01:49Then they listened to me a story,
01:51so I wanted to do this very well.
01:54The other reason was that Madoc Films, Dinesh Vijan,
01:58which is our producer, I worked so much before.
02:00So it was a very comfort in working with them.
02:03And it was a very good story.
02:04And I know that the film should be taken to where they are.
02:09They give so much love and passion.
02:12And then the story itself, I think Ujwal Ji's story and case we are talking about,
02:17it's very deep in everyone's mind.
02:21All the pictures, all the videos we have seen.
02:24And I also, as a layman, I don't know what happened in court.
02:28What happened inside?
02:29In that case, what happened in court, the case,
02:32what happened inside, what happened in the case, I didn't know.
02:34We were just reading about the media, all the media.
02:37So, in this film, the court's details,
02:42what happened in court, what happened in the case,
02:43what happened in the case, what happened in the case,
02:45what happened in the case.
02:46As a result, the case we started,
02:48and finally, how did Ujwal Ji,
02:50that he got into the fight.
02:53That was a very impact.
02:57Sir, I've seen all of your biopics films,
03:00from the show, and to the show.
03:03I felt very good about that.
03:06It's also a screenplay,
03:08and it's also a self-awareness.
03:11But when it's done,
03:14like Newton was a small role,
03:17but it was different.
03:18But in the same way, he gave us the idea that Rajkumar Rao is also remembered.
03:23It was also the same in the show.
03:25The film was removed from the leak, the screenplay.
03:28And Omreta was a national and international canvas.
03:32So when you read stories, you can see the director behind it,
03:37or the producer behind it,
03:41or the reach or logical end.
03:45Honestly, let's look at the story first.
03:47I think the story should be very exciting.
03:50And I have a lot of fun to push this work.
03:54I feel like this is a bit scared.
03:57How will this story be?
03:58How will this story be?
03:59So I have a lot of fun to do this work.
04:01It's a lot of comfort.
04:03There are all the names that you can do.
04:06I will also add Shrikanth to Shrikanth.
04:08Shrikanth was the reason for the visually impaired director.
04:12I don't know.
04:13But how do we change it?
04:14We have seen this before.
04:16We have seen many actors in this work.
04:18So this is the reason for the story.
04:21The story is very exciting for me.
04:24And of course, because the film making is called director medium.
04:28And the theater is called actor medium.
04:29So it's very important to be a good actor.
04:30That she's a good actor.
04:32I think the story is very important.
04:32Because you can see it,
04:34You have had the exact power of it.
04:35You have done great work.
04:36You have done great work.
04:38You have done great work.
04:40The story is good.
04:40But if the director is not good,
04:44So there is no benefit.
04:57the film is very good, so the film is very good, no one doesn't want to listen to the audience
05:05and the film is very good, so the film is very good and the film is very good, so the
05:11film is the top
05:12of it and the film is the director, so I want to make sure that the film is the most
05:19important
05:20Sir, today you are in this place that a star-dum has come to you and you can say that
05:29no
05:29this film will be my solo film, I have so many people you have stood up in the stream,
05:37I will also say that you have to get married, this film doesn't seem to be your solo
05:43film, you have to get married, you have to get married, so how does this happen?
05:48It happens a lot of times, we have talked about it, we have done it, but now we will
05:54say that I will keep my career 2-4, so how does this happen?
05:58Sir, I think this is a very strange thought that I want to make solo film, we came here
06:03and a solo film doesn't do it, I think I have done a solo film, I have done a solo
06:10film
06:13and the story of the film doesn't make me so much, I have never seen this, it's just a
06:18very small, very small, very small, you can see a lot of movies, especially the film
06:22that is my solo film, I think we all are, who are my generation, seniors, all
06:29guys, they love the film and they are the ones who enjoy that.
06:32If I have to watch a movie on weekend and if I have no idea, then I will not
06:39If there is a little time for the time pass or something that I need humor, then I need to
06:45see some scenes in a marriage or some scenes in a street.
06:49So, when you do this, you enjoy it and then you go to the whole screen?
06:54Yes, absolutely. Especially in comedy, it's important that you enjoy it yourself as much as you enjoy the audience.
07:02And in comedy, it's very necessary to be free and improvising.
07:07It's very necessary.
07:09There are only lines that are written, but I can add what I can and add to it.
07:15It's very important.
07:16I can create so much for our audience.
07:20So, I always try to do it.
07:23If the director has taken me, I can think about it.
07:25So, what do you think about it?
07:27So, I try to make it more and more.
07:32I will not say comedy.
07:33I will say humor or humorous movie.
07:36Because if you watch comedy, you don't feel like it.
07:41It's a humorous movie.
07:43Yes, yes.
07:44So, what is humorous movie?
07:45Is it in real life that you have a humorous movie?
07:48Yes, it is.
07:49I think I depend on the situation.
07:51I am in real life.
07:52I am in real life.
07:52But I am in real life.
07:54There is a wit that we say about being witty.
07:58I am in real life.
08:01I am in real life.
08:02I am in real life.
08:04I am in real life.
08:19I am in real life.
08:20I am in real life.
08:21I am in real life.
08:22But I am in real life.
08:27I came from there, and in Mumbai country, I didn't open it. I made my life. How is this whole
08:34journey?
08:36Sir, I think this is only my job and my mother-in-law.
08:41I always wanted to do this. I was an actor in films.
08:45It started very early in school.
08:47I decided to do this. I had a lot of work.
08:51There was a lot of theatre in Delhi. I went to film school.
08:55There was a lot of teaching and acting.
08:57After that, I went to Mumbai in 2008.
09:01I don't know how it happened.
09:03It was my passion.
09:04Of course, I didn't leave my work.
09:07I didn't want to say that I didn't have my work.
09:11I didn't leave my work.
09:13I didn't leave my work.
09:14I didn't want to leave my work.
09:15I think the rest of my work was great.
09:21Look, what is great is that I am a hard-core journalist.
09:25Whatever you have in Mumbai or in India,
09:30I have covered my work.
09:34Some of your films are like a reference film.
09:38Like Newton.
09:38When there is an EVM or an election,
09:42you can see Newton.
09:44How do people work in the same way?
09:48How do people work in the same way?
09:49How do people work in the same way?
09:49The show is different.
09:52The show is different.
09:52It means that we see many advocates and lawyers
09:57who live the show's life.
09:59The show is different.
10:02It's different.
10:05It's different.
10:05The show comes to the show.
10:07This is a very big film.
10:08We are doing it.
10:10Honestly, I think,
10:11when the show comes to the show,
10:11it seems to me,
10:12the material that I provided.
10:14I can get so much faith in my work.
10:16And then,
10:17the show is travel,
10:18you don't know what to do.
10:20Some times,
10:20it will become so big.
10:24I thought it was a nice and entertaining film, I thought it was a nice and entertaining film.
10:30But as far as it became a cult film, or Shrikant, I would like to meet a lot of children,
10:38who come and say that Shrikant was very good.
10:43I never thought that Shrikant would like to see Shrikant and they would like to see it.
10:47So I think this is the thrill of the film, you don't know which film, when and where and where.
10:54Sir, if you have to have a wedding, if you have seen the first half,
10:59you are struggling in your own life.
11:03And in the second half, you become an I.S. officer, collector.
11:07You have seen a transformation.
11:09In very few films, you have seen a transformation.
11:13It is naturally that you have to work very hard.
11:17I think, because there are so many studies in acting,
11:23there is a training.
11:25Whatever you get, you get the conviction.
11:30When you look at it, you have to trust.
11:32When you look at it, you have to trust.
11:33You have to trust.
11:42I don't think that the character is a man who lives in a life.
11:46So we are quite believing in that someone.
11:49You have to trust.
11:52But you have to see it from the moment,
11:54that you are not afraid that you can't be afraid of a stereotype.
11:57What we've had before, I also have to do that.
12:00That is why you are doing this.
12:03No, I don't think I'm scared of the stereotype.
12:05I think that this is sometimes a complaint that I do a lot of small town characters, but I don't
12:12have any complaint.
12:15I think that as long as the story is different, and people are watching it, people are enjoying it and
12:19entertaining it, then why not?
12:20There are a lot of examples in the world of actors and legends,
12:25which has been a part of the world of actors and has been very entertaining.
12:29And today we are talking about legends.
12:31So as long as, of course, I'm watching this film, Shrikant, Prahar, Dad and Ravtar,
12:38I don't think anyone's fault.
12:40If I'm going to entertain you in such a tense life,
12:45then why not?
12:49Sir, one last question.
12:50There are so many OTT platforms.
12:54There are also films and films.
12:55There are only web series.
12:58OTT films are also being made.
12:59And then there is also a box office cinema.
13:04In other languages, there are also films in the same way.
13:08Only Hindi is not a monopoly.
13:10In such a way, where will this film go forward?
13:13Where will this film go forward?
13:15Sir, cinema, I think, is always a theater-going audience.
13:20It will always be alive.
13:21Because there is a lot of talk about television.
13:24It seems that maybe cinema will die.
13:26People are watching television.
13:28Then the cinema is still alive.
13:30After that, when there is cable TV,
13:33then the cinema is still alive.
13:35Then the OTT platforms are still alive.
13:37Then the cinema is still alive.
13:38I think because a story-telling is so important.
13:42On the long run by thousands of people,
13:46you can't take away the time alone.
13:49It comes to you, to be in the theatre.
13:51To be able to come to the theatre.
13:52To be able to come to the theatre, to be able to come to the others, to be able to
13:53be able to smile, to be able to be able to face.
13:54Because you are involved in that story.
14:00foreign
14:05foreign
14:06Of course, in a way, you can go out and get away from your friends and family, but you can
14:13get away from the cinema.
14:17You can only get a big surprise from the cinema.
14:19Sir, you are from Gurgaon and now you are from Mumbai.
14:24What did you tell me about Mumbai?
14:26What did you tell me about Mumbai?
14:30I think that Mumbai has given me so much. Mumbai has given me so much. Mumbai has given me my
14:35family. This city has given me my first home.
14:40You know, there are so many of us.
14:42And the most of the love I got in this city, I will give up for it for my life.
14:49I think that it is the only city that we can do.
14:52We all know that people come here in the whole country. They say their dreams.
14:58And they all take their dreams.
15:00And the most important thing is that it gives you a chance.
15:03But you have to be prepared for that chance.
15:06It doesn't send anyone's free.
15:09So I love Mumbai, Sinbadhi. I love it.
15:12I don't think so.
15:14I don't care about this city.
15:16This city doesn't send anyone's free.
15:18But you all know that we will send you a good note.
15:20We'll stand on this note.
15:21Nice talking to you.
15:22This is your time.
15:23Thank you, Mr.
15:23Thank you, Mr.
15:24Thank you, Mr.
15:25Thank you, Mr.
