00:00We are loving your look, please tell us about your look.
00:11You see, whenever you look at him with a different setup, you should understand that he is starting and working
00:19in a character.
00:21So, you should listen to him?
00:24Yes.
00:25Well, I am working on a film right now.
00:26So, he starts working.
00:29Like the producers do pre-production.
00:31So, the actors start from the beginning.
00:34We will make a body in the garden.
00:36We will do this.
00:39That's why he is so versatile.
00:42I think he is the only male star and lead star.
00:47Lead star is very difficult for us.
00:49We will make a body of a character in a character.
00:58Because he is playing again and again.
01:01And this man has gone beyond all those limits and played every character as a new character.
01:10He loves to shop people.
01:12He loves to shop people.
01:15Shopping man.
01:16Sir.
01:20How do you see it?
01:21There are many students too.
01:23There are many people above those.
01:25I am very fun when I go to wrestling hoods.
01:28Because under the students, the energy that is being affected by each other is different.
01:34And with this young, hopeful faces, it is wonderful to see you.
01:38Sir, you have started this school.
01:39I started a lot of work, I had an opportunity for the youngster to learn cinema, to come to a
01:47new field.
01:50So it's really wonderful that you've given this opportunity to so many youngsters over the years.
01:57And I really congratulate you.
01:59And I always enjoy it.
02:00Whenever you get your phone, I always say it again.
02:03I don't hesitate.
02:04Yes, always, always.
02:05I always like to sit with students and I also enjoy it.
02:14You've done a lot of work in the Lion King.
02:17You've done a lot of work in the Lion King.
02:19So what was the surprise that you both have done a film in a film?
02:25Yes.
02:26You've said that you've done a lot of work in the Lion King.
02:30You've done a lot of work in the Lion King, which is a lot of work.
02:34You've done a lot of work in the Lion King.
02:39Actually, when I was an actor, I had a list of directors that I want to work with.
02:49And the list is Subhash Ji's name.
02:51You don't know about it, sir.
02:54I've been dying to work with Subhash Ji.
02:56But it's a script, a character, sometimes.
03:03It's a coincidence that we didn't work with it.
03:08But I really was looking forward to working with Subhash Ji.
03:12And what I've learned about Subhash Ji's work,
03:16and our directors, Chantaram Ji, K. Asif, Vaibhub Sahib, Gurudad Ji, Subhash Ji,
03:25we've learned everything.
03:27So these are institutions for us.
03:29How do you see the changes in AI?
03:32Look, AI is a technology, you know.
03:34So when a new technology comes in, it gets absorbed in films.
03:41People use it, it's a good effect, it's a good effect, it's a good effect,
03:44it's a good effect.
03:45But when it's not good, it's not good reaction.
03:50So it really depends on how you use it.
03:52Technology is a technology.
03:54It's not a good idea.
03:57We don't have knowledge in it.
03:58We don't have knowledge in it.
03:59Or we don't have our work in it.
04:00As a technology.
04:02It's a good idea.
04:03It's a good idea.
04:06It's a good idea.
04:06It's one and the same thing almost.
04:07As far as a filmmaker,
04:08I'm going to be aware of it.
04:08Because it's a good idea.
04:09the other thing was that you thought about it.
04:19It's a good idea.
04:19You've got to realize how many things are all right.
04:21Because the time you could think about it,
04:22there were facilities and technology.
04:24But today you can imagine anything.
04:26So it's a good idea of what you can imagine.
04:27So it's a tool,
04:29which you should know how to use well.
04:31In students'
04:32and three idiots are prepared for students.
04:59Sir, what about Khandaz Afra Prattu?
05:02We all are looking forward for that movie and the entire script is done.
05:07So, I am also looking forward to that.
05:10Let's see what happens.
05:18Do you have any official announcement about which film I am doing?
05:22Do you know which film I am doing?
05:25No, no.
05:26When everything is set, I say yes or no.
05:31Because every film is a process.
05:33And if I say something quickly and say,
05:36No, no, no, this is not happening.
05:37So, it doesn't seem good.
05:39When the thing is ready and it is completely final,
05:42we will have to keep it in front of you.
05:43Why are we looking forward to you?
05:47Thank you very much.
05:48Thank you very much.
05:48Are all mala.
05:48,
