00:00first of all, welcome to INS. Thank you.
00:02First of all, welcome to INS. Thank you.
00:04First of all, you should know about RASA.
00:06What reason was that this film was a psychological failure.
00:10So, what role is your role?
00:12Can you tell us about it?
00:14First of all, I would like to thank RASA.
00:18I would like to thank RASA.
00:20I would like to thank RASA.
00:22I would like to thank RASA.
00:24When I was given this script,
00:28I could go into three steps.
00:32I was given it.
00:34It was good for the script.
00:36After reading, I felt that I could do this film.
00:40If anything could happen with dates,
00:44I could edit things,
00:46I was going to prepare them.
00:48Everything was beautiful.
00:50After reading, I felt very strong to the actor.
00:55I think this character is very important for me because there are so many characters that are very important.
01:04When you work in a solo film, there are other actors.
01:12But if you have to carry the film on your shoulders, this is a big responsibility.
01:22We were also using a very strong character, a very strong film.
01:31Well, I wouldn't say it's a psychological thriller.
01:34I would say it is a thriller with a lot of fantasy.
01:37Where there is a question of emotions,
01:42the emotions go through food.
01:47And if you've seen the trailer and if the audience has seen the trailer, please watch the trailer.
01:53It is more of fantasy.
01:56Yes, there is a bit of supernatural, if I can say so.
02:02But that is supernatural for a long time.
02:09You watch the film.
02:11I don't want to say too much about the film.
02:13I don't want to tell the story about the whole story.
02:16What will happen to the film release?
02:18Sir, how did you make a chef's idea of acting?
02:22Is it the actual cooking shock?
02:24Or is it just the camera on the camera?
02:26No, I am not.
02:27I am not.
02:28I am not.
02:29I am not.
02:30I am not.
02:31I am not.
02:32I am not.
02:33I am not.
02:34But when you wear a chef's apron or whatever you wear,
02:39you wear a mask,
02:42you wear a mask.
02:43Because you are a chef.
03:09you know must know how to plate the dish you must know how to keep the dish you must know how to
03:16arrange your kitchen platform you must also be very very clean and neat in your
03:25on your kitchen platform to harik cheese
03:27i would say i'm i'm a okay cook i have not excelled it and i have not really it's not a
03:48dish or a cooking range that will tell
03:53you can say that this dish is not good it's not a good dish
03:59sir
04:01sir
04:03i have a drama
04:05but in india food and film both dramas are more
04:07so your opinion is that it is more
04:09more
04:11actually
04:15if you look at food
04:17in the film
04:21ڈال دیتے ہیں لیکن اس فلم میں ویسا کچھ بھی نہیں ہے یہ بالکل پیور
04:26food کے اوپر film ہے ایک emotion ہے ایک philosophy ہے ایک amalgamation ہے
04:35between the chef and his philosophy chef reconstructing food into emotions that we
04:44have and that is being served on the table for the people who come to taste the food
04:53sir یہ فلم south indian firmical نے direct کیا تو کیا بولیوڈ اور
04:58south bollywood اب south سے story tellings رہا ہے کی کیا مجھے ایسا کچھ بھی نہیں
05:04لگتا ہے کہ آپ کہیں سے بھی ہو اس میں کیا فرق پڑتا ہے اب south سے
05:09ہو north سے ہو northease سے ہو کیا پڑتا as long as you are confident in making
05:17a film as long as you have the concept in your mind and you are so strong in your perception
05:25to make the film مجھے ایسا کچھ بھی نہیں لگتا ہے کہ آپ کہیں سے بھی ہوں
05:30آپ ایکٹر کہیں سے بھی لے لیجی وہ ایکٹر آپ کیوں لیتے ہیں اگر آپ
05:35film بنا رہے ہیں آپ نے کہا کہ شیشے صرف مجھے آپ سے ایک
05:38film کروانی ہے آپ کہیں سے بھی ہوں مجھے اس سے کوئی فرق نہیں پڑتا
05:43but the the script has to be engaging enough for me to say yes so i don't think
05:52these two directors angit and pritish although they're from from the south from kerala
05:58doesn't really matter they are they were very very clear in their head
06:04dhutuja was very clear in her head she is the writer that i want this
06:09period how you're going to deliver it is what you have to see
06:15sir
06:16uh
06:31uh
06:33I have no attention to this film that is for jingoism.
06:41I go to the script and if I feel like I should work, then I do it.
06:47I don't really fall into the bracket of comparing patriotism to jingoism.
06:53I want to remove that line.
06:59I don't want to get into any kind of controversies that you have this film or this film.
07:06No, it's the audience.
07:08If the audience says that it is jingoism, then they will have to accept it.
07:14But I don't have to accept it.
07:16The film is very popular.
07:19It's about patriotism.
07:21It's about jingoism.
07:24But I think that Uri was a surgical strike film.
07:31He clearly said that this is a surgical strike film.
07:38Razi was a spy film, a spy thriller.
07:42I won't say that this is a jingoism or a patriotism.
07:46It is a film.
07:48Very well directed, very well acted.
07:51And I think both of them were excellent, excellent films.
07:55Sir, if you talk about Bollywood,
07:58I'm an actor.
07:59I will do it.
08:00There's no problem.
08:01Sir.
08:02I will do it.
08:03There's no problem.
08:04Sir.
08:05Being a senior actor, sir,
08:06I mean,
08:07I will do it.
08:08There's no problem.
08:09Sir.
08:10Being a senior actor, sir.
08:11I mean,
08:12I will do it.
08:13There's no problem.
08:14Sir, I don't say that the role my middle school took is almost every time is waste,
08:20Wheel of Sarah's end,
08:23a gamble of my career in my age group.
08:25If I was at a father,
08:27a principal or my grandfather,
08:28can't I make difference?
08:29I'm an actor and I will do it.
08:31There's no problem.
08:32But this thing is sad,
08:33I don't say this is that time of waste.
08:36The new actors does nothing because of UX,
08:39why is it?
08:40So how about precisely done?
08:42time waste that is there that is the way they want to work
08:47when we started acting or
08:51in front of the camera when we started acting
08:54we never thought about it
08:56at that time there was no competition
08:58now the competition has increased
09:00so obviously if I did not do it
09:04then there will be something else to do
09:06or I will do it
09:08and I will not do it
09:10so the competition has increased so that they have to do
09:22the PR work
09:24and I don't think there is anything wrong in doing PR work
09:26there are no time wasting tactics
09:28they are trying to increase their knowledge
09:32so I don't think there is a problem
09:36sir according to
09:38according to
09:40OTT
09:42actors
09:44or confused
09:46see
09:48OTT
09:50many people have got
09:52no shock
09:54whether they are actors or technicians
09:56who are
09:58anybody who is
10:00who is wanting to work
10:02is most welcome to work
10:04or OTT
10:06which is a very very good thing
10:08of course everybody needs to
10:10in the case
10:12it is a very good thing
10:14in the time of the year
10:16when the COVID-19 time of the year
10:18in the year
10:20two years
10:22many people have been closed
10:24and everything was closed
10:26and when they came back
10:27they had to absorb them
10:28and they had to absorb them
10:30and they had to absorb them
10:32and they had to absorb them
10:34so, that is
10:35one of my experiences
10:36and that is
10:37so, that is
10:39my experience
10:40is a very good thing
10:41that we can imagine
10:42I have to have
10:43I can imagine
10:44and I will find
10:45what we can imagine
10:46as I am
10:47how we can imagine
10:48and I will see
10:49that
10:50is the case
10:51every time
10:52I have to do
10:53all
10:54every time
10:55it is
10:56the case
10:57of the
10:58Federal
10:59Federal
11:00Federal
11:01Federal
11:02Federal
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