- 12 dakika önce
THE SCARLET CLUE 1945 Sidney Toler as CHARLIE CHAN - Full MYSTERY Movie HD
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00:05:52İzlediğiniz için teşekkür ederim.
00:06:09Bu, Roush'un.
00:06:11Bu, Roush'un.
00:06:12Bu, Roush'un.
00:06:12Biriçin.
00:06:12Biriçin.
00:06:13Biriçin.
00:06:26Buna diyorlar.
00:06:29Ve chapk
00:06:46İy Radio Olmça.
00:06:47Ölürüz.
00:06:48Ölürüz.
00:06:48Ölüm hoppede bir birbola almalıza.
00:06:50Ölüm yapabiliriz.
00:06:51Ölüm hoppede bir k biggestörler.
00:06:52Ölüm yapma.
00:06:55Ölüm yapma.
00:06:59Ölüm yapma.
00:07:00Ölüm yapma.
00:07:02Ölüm bilini aç fulfillingi karı numar...
00:07:049B2X54.
00:07:069B2X54.
00:07:07Ölüm bilini açıyoruz.
00:07:08Hayat baktılar.
00:07:13iskun bu kadar
00:07:22televizyen
00:07:2311
00:07:2411
00:07:2412
00:07:2512
00:07:2615
00:07:2716
00:07:2812
00:07:29mü
00:07:3013
00:07:3115
00:07:3115
00:07:3716
00:07:4117
00:07:42If he ain't a black market man, my name ain't Birmingham, and I can prove it is.
00:07:46He's right. That man's business is as dark as a...
00:07:49It ain't exactly that dark.
00:07:50Can you identify him from a picture?
00:07:52Yes, sir. As mad as I am with that man, I hate to think of what I think of him.
00:07:56It makes me blush.
00:07:59Here, look through this.
00:08:01If it's in here, I'll sure find it.
00:08:03And I hope it's in there, too.
00:08:05Now, let me see. No, no.
00:08:08That's a funny little character, ain't it?
00:08:12No, no.
00:08:14Uncle Nicodemus. I wonder what he's doing.
00:08:16Look at that suit suit he got on. It's killing him, ain't it?
00:08:19Yeah.
00:08:19Big house sure makes some funny suits.
00:08:21There he is.
00:08:25Let's see. Right along here.
00:08:31Let's see. Now, no. That ain't him.
00:08:33Why did you turn that page over so quick?
00:08:35Oh, that page? Oh, that's a desperate character. You don't want to see that.
00:08:37Come on. We want to look over here.
00:08:38Now, right here. He's right over here, sir.
00:08:39Now, I want to look at it.
00:08:40All right.
00:08:44Uh-uh.
00:08:48Well, what do you know about that?
00:08:49What do you know about that?
00:08:51Well, you see, it's a little, uh...
00:08:52I mean, it's a little error.
00:08:55You see, I had that suit made for a masquerade.
00:08:58I went to a ball, you know, and I win the contest.
00:09:00And you should have seen me dance.
00:09:02I jumped up. Here's the step I did.
00:09:06You expect us to believe that?
00:09:09Well, uh, it could be.
00:09:11Are you two trying to kid us?
00:09:13I'm going to run you both in.
00:09:14No, wait a minute.
00:09:15You can't do that to us.
00:09:16I came here looking for Pop.
00:09:17Yeah, you don't know who he is.
00:09:19Hey, hey, hey, wait a minute.
00:09:20What's going on here?
00:09:21Who are these two?
00:09:21He says he's Charlie Chan's son.
00:09:23Well, so sorry I must apologize, Captain.
00:09:26What he say is true.
00:09:28This is number three son, Tommy.
00:09:30And this one is second assistant, Birmingham Brown.
00:09:34Both at times often feeble-minded.
00:09:37All right, boys.
00:09:40Now, you two are supposed to take baggage to a hotel.
00:09:44We did, Pop. Then we came looking for you.
00:09:45You know we have to look after you.
00:09:47You look after me until I'm out of sight.
00:09:50Oh, Pop, you know we're a big help to you.
00:09:52Your worries are our worries.
00:09:54In fact, no trouble is too big for us.
00:09:56Some of your trouble too big for me.
00:09:59Come, we must investigate slight case of murder.
00:10:02Murder?
00:10:03Well, here I come.
00:10:04Here I go.
00:10:10Uh-oh.
00:10:11The end of the line.
00:10:12Now, she can't do that to me.
00:10:14I paid her my alimony this morning.
00:10:15She can't do that to me.
00:10:16Mr. Chan.
00:10:17Mr. Chan, come get me out, please.
00:10:19I done changed my mind.
00:10:21Mr. Chan!
00:10:35Mr. Brett, the manager is coming right out, Mr. Chan.
00:10:37Thank you.
00:10:41I'm Mr. Brett, Mr. Chan.
00:10:43So happy to meet you.
00:10:44I'm sorry to keep you waiting, but we've just finished a broadcast.
00:10:48Now, why do you wish to see Miss Hall?
00:10:50Is she in trouble?
00:10:51I wish to speak to Miss Hall regarding her automobile.
00:10:56Oh.
00:10:56Oh, well, right this way, sir.
00:11:02I'm mopping, mopping, mopping, mopping, so why you walk on the floor till my nerves go yingle, yangle?
00:11:07Well, we haven't learned to walk on the ceiling yet.
00:11:10I speak serious stuff and you speak yorks.
00:11:12Who are you?
00:11:13What you want here?
00:11:14I'm Tommy Chan.
00:11:15This is Birmingham Brown.
00:11:16We're assistant to Charlie Chan, the world famous detective.
00:11:19Hold her.
00:11:19Miss Swenson.
00:11:20You've been nearly sorry, Mr. Brett.
00:11:23Right this way, Mrs. Chan.
00:11:27They told me to advertise on the air.
00:11:30Well, any program that smells like the one you people just put on needs the air.
00:11:34And you think I'm going to continue paying you?
00:11:39Well, this is radio.
00:11:41I try to put on a program and the manager himself lets in tourists to gape at us like goldfish.
00:11:47Mrs. Marsh, these people...
00:11:49Herbert.
00:11:49Herbert Sinclair.
00:11:51You were supposed to definitely inform the management that I wanted no sightseers in the studio while my actors were
00:11:56either rehearsing or broadcasting.
00:11:58Quiet!
00:11:59Never mind making excuses.
00:12:01Mrs. Marsh, these people are not tourists.
00:12:04This gentleman is here because, well, it's something I'm sure won't happen again.
00:12:09You've said that before.
00:12:10And so have you.
00:12:11Don't talk back to me.
00:12:14Well, what do you want?
00:12:15Really wish private conversation with Miss Diane Hall.
00:12:20You wish to see me?
00:12:22You are Miss Hall?
00:12:23Yes.
00:12:24Permit me to introduce myself.
00:12:26Permit me to depart.
00:12:28Breaking into conferences that I'm paying for.
00:12:31Come, Herbert.
00:12:36I am Charlie Chan, representative of federal government.
00:12:40Federal government?
00:12:41The law?
00:12:41Oh, well, when the law arrives, Willie ran to parts.
00:12:45Toolulu.
00:12:52Miss Hall, tonight you report car stolen.
00:12:55Oh, that.
00:12:57But it wasn't stolen.
00:12:59It was merely borrowed.
00:13:00By whom, please?
00:13:01Well, I...
00:13:02I don't know.
00:13:04You see, Gloria and I...
00:13:06Oh, excuse me.
00:13:07This is Gloria Bain, Mr. Chan.
00:13:10After rehearsal tonight, Gloria and I went out to the parking lot.
00:13:12And Diane's car was gone.
00:13:14So I, uh, telephoned police.
00:13:16Then we went to a restaurant.
00:13:18Ate, talked with some friends, and came back up here.
00:13:21And there was Diane's car right back in the parking lot.
00:13:23Your car missing about 8.30 tonight.
00:13:26That's right.
00:13:27But how did you know?
00:13:28And why should the federal government be interested in a stolen car that wasn't completely stolen?
00:13:33That is all.
00:13:34And most fortunate to have met such charming radio ladies.
00:13:38Hope to meet you again.
00:13:40Very soon, perhaps.
00:13:54Oh, I beg your pardon.
00:13:56Sir, to meet a gentleman who apologizes for bumping you in these days is a rare thing indeed.
00:14:02He is either a coward or a gentleman.
00:14:05I give you credit for the lack.
00:14:08Uh, Mr. Chan.
00:14:09This is Mr. Horace Carlos, the Shakespearean actor.
00:14:12Now of motion pictures and radio.
00:14:14And television, Mr. Brett.
00:14:16Of course.
00:14:16Yes, once the foremost Shakespearean actor of my time.
00:14:21But now, char.
00:14:23Now I am known only for the mask behind which I hide when I play the mad monster.
00:14:31On radio, screen, and television.
00:14:35Still, it is a living.
00:14:37And so, good night to you, one and all.
00:14:47Carlos acts on and off the stage.
00:14:49Did you learn everything that you came to see this all about?
00:14:53Yes, thanks for our kind assistance.
00:14:55Well, good.
00:14:56Now, if you will excuse me.
00:14:58Certainly.
00:14:59Pop, I don't get it.
00:15:01We came all the way from New York City following a man named Roush.
00:15:05Roush was murdered.
00:15:06Who killed him?
00:15:07Same person who leave that heel print on floor.
00:15:11Right shoe.
00:15:13Print is duplicate of one found in cabinet scene of Roush's murder.
00:15:20Killer, someone who walked here recently.
00:15:25Perhaps someone we all see.
00:15:29Most interesting place.
00:15:32We'll visit here tomorrow.
00:16:00Manager, please.
00:16:03İzlediğiniz için teşekkür ederim.
00:16:04Bu, Brett.
00:16:05Roush'a karşılıklıydı.
00:16:07Büyük bir şeydi.
00:16:08Büyük bir şeydi.
00:16:11Büyük bir şeydi.
00:16:12Büyük bir şeydi.
00:16:12Çünkü Charlie Chan'a karşılıklıydı.
00:16:14Büyük bir şeydi.
00:16:16Bir şeydi.
00:16:28İzlediğiniz için teşekkür ederim.
00:16:30İzlediğiniz için teşekkür ederim.
00:16:33İzlediğiniz için teşekkür ederim.
00:17:09İzlediğiniz için teşekkür ederim.
00:17:12İzlediğiniz için teşekkür ederim.
00:17:16İzlediğiniz için teşekkür ederim.
00:17:16İzlediğiniz için teşekkür ederim.
00:17:18Bizi'nin 2 ve Elgur, 2027.
00:17:21İzlediğiniz için teşekkür ederim.
00:17:25Adıl mı?
00:17:282011.
00:17:30Algon maisel.
00:17:31İzlediğiniz için teşekkür ederim.
00:17:48Yeni malayacak mısın?
00:17:50Gloria Bain'in radio lancı,
00:17:52ama birçok şarkı,
00:17:55şarkı şarkı şarkı,
00:17:56ama zorlukla,
00:17:58şarkı,
00:17:59birçok şarkı kolyan.
00:18:01Halkı şarkı,
00:18:02birçok şarkı başkı,
00:18:03şarkı,
00:18:03birçok şarkı şarkı şarkı,
00:18:03şarkı şarkı,
00:18:04az önce de birçok şarkı şarkı,
00:18:04birçok şarkı,
00:18:05yasak şarkı şarkı şarkı,
00:18:12benim listim olduğumun.
00:18:14Charlie, you mean to tell me that you really think that one of these people here is a murderer?
00:18:19Not only think so, but firmly believe so.
00:18:23But which one?
00:18:25We'll go now to try and find out which one is guilty person.
00:18:30That's easy, Pop. The murderer will be the one with the guilty look.
00:18:34Number three son have excellent head.
00:18:37Question have always been what it contain.
00:18:45Well, if it ain't, uh...
00:18:47Ben Carter is my name.
00:18:48Benjamin Carter, yeah.
00:18:50Boy, it's been a long time. I haven't seen you since...
00:18:52Longer than that.
00:18:53Yeah?
00:18:53The last time I saw you, you was living over...
00:18:56Oh, I moved from there.
00:18:57Yeah?
00:18:57Sure, I moved over to, uh...
00:18:59How can you live in that neighborhood?
00:19:00I don't know.
00:19:01Now, where I'm living, I only pay...
00:19:03It ain't that cheap, is it?
00:19:04Sure it is.
00:19:05Hey, look at you.
00:19:06What?
00:19:06Is you still married?
00:19:07No, I divorced her.
00:19:09Yeah?
00:19:10I know you have lots of...
00:19:12You got me wrong, you got me wrong, I got married again.
00:19:14No kidding.
00:19:15I sure did.
00:19:16Yeah?
00:19:16Say, not changing the subject, uh...
00:19:18Have you got a, uh...
00:19:19No, I don't smoke.
00:19:20No?
00:19:21Hey, look here.
00:19:22Wasn't you in the...
00:19:23Yeah, but I got an honorable discharge.
00:19:25You did?
00:19:25I sure did.
00:19:26What was the matter?
00:19:27Well, I developed a kind of...
00:19:29Oh, that's a terrible pain.
00:19:30Yeah.
00:19:30Yeah, it starts right along...
00:19:31No, more in the back.
00:19:33Yeah?
00:19:33What are you doing for it?
00:19:35Well, I was taking some...
00:19:36Don't take them, Ben.
00:19:37They'll make you sleep.
00:19:38Yeah?
00:19:39Sure.
00:19:39Oh, not what you should've taken.
00:19:41I did.
00:19:42You know what?
00:19:43What?
00:19:43That's how I'd like to talk to you.
00:19:45Yeah?
00:19:45Cause me and you seem to agree with each other.
00:19:47We certainly know it.
00:19:48Yeah!
00:19:55I wonder...
00:19:56Oh, it's about...
00:19:57Is it that late?
00:19:57It sure is.
00:19:58Well, thank you.
00:19:59I'll be seeing you, huh?
00:19:59Au revoir.
00:20:00Au revoir.
00:20:01Au revoir.
00:20:01Au revoir.
00:20:02Come and tell the food.
00:20:04Who's your friend?
00:20:05He didn't say it.
00:20:07Huh?
00:20:07No, he didn't say it.
00:20:13You know, Pop, I've got an idea about this case.
00:20:16Yes, well?
00:20:18Well, I had an idea, but it's gone now.
00:20:21Possibly could not stand solitary confinement.
00:20:26Quiet, please.
00:20:27We go now to watch studio rehearsal.
00:20:33No, Walter.
00:20:34You've broken your promise to me.
00:20:36Just when the landlord has broken our leaves,
00:20:39and Grandmama has broken her leg.
00:20:42Oh, Grandmama, what are we to do?
00:20:45Well, tears are all right to wash out your eyes,
00:20:48but they used up too many haggatures.
00:20:50So face the future with a smile, my children,
00:20:53for tomorrow is bound to be another day.
00:20:55It is just bound to be.
00:21:01What does the future hold in store for Jean
00:21:03and her so lovable family?
00:21:06Have you tried a Marsha's mellow mixed waffle
00:21:09covered with just oodles and oodles of melted butter and...
00:21:12Shut up!
00:21:14You two.
00:21:15Oodles and oodles of butter.
00:21:17Was butter ration so strictly?
00:21:18Who wrote that in?
00:21:20Well, I thought it sounded nice.
00:21:21You thought?
00:21:22That's a lie.
00:21:23The whole program sounds as stupid as you.
00:21:26I should cancel my contract here
00:21:27and give my account to some other network.
00:21:29Mrs. Marsh, if that's how you feel about it,
00:21:31why don't you, uh...
00:21:32Why don't I...
00:21:33What, Mr. Brett?
00:21:35Let us change the script and the announcement.
00:21:37Then do it instead of talking about it.
00:21:39And you, learn how to talk like a human instead of a gloop,
00:21:42or I'll change announcers too.
00:21:43Also, I...
00:21:47Sorry to interrupt again.
00:21:49Huh.
00:21:50You're sorry.
00:21:51If you want to speak to Miss Hall again,
00:21:53you'll wait till we are finished.
00:21:55So sorry.
00:21:56Must speak to everyone present.
00:21:59All of us?
00:22:00But why?
00:22:01Regarding a murder.
00:22:03Murder?
00:22:03But yesterday, you said you were investigating my stolen car.
00:22:07Person who steal your car commit murder.
00:22:09But who was killed?
00:22:11Hey, Mr. Roush.
00:22:13I never heard of him.
00:22:15Uh, thank goodness.
00:22:16You know what, Tommy?
00:22:18I'd like to get on the radio sometime.
00:22:20If I could get on...
00:22:21Oh, excuse me.
00:22:27Tommy!
00:22:30What's the matter?
00:22:31I got an urge that I want to leave,
00:22:33but my legs won't cooperate with me.
00:22:36You want to leave for where?
00:22:37I just saw something going there.
00:22:39is a combination between Dracula and a zombie.
00:22:43Just fresh out of a graveyard.
00:22:45A graveyard?
00:22:46Mm-hmm.
00:22:46But an old one.
00:22:47Well, that I got to see.
00:22:48Well, go ahead.
00:22:49I ain't no hope.
00:22:52What does thou wish, laddie?
00:22:54Oh, nothing, sir.
00:22:55Excuse me.
00:22:56A friend of mine was seeing things.
00:23:00Did you see it?
00:23:01Yeah, it's hanging right on the door.
00:23:03It's hanging.
00:23:03It ain't natural.
00:23:04Let's go.
00:23:06One moment.
00:23:08We go.
00:23:09Tenth floor.
00:23:10Come.
00:23:36Hey, fellas, yes.
00:23:37I got all this pretty...
00:23:40Charlie Chan.
00:23:41İzlediğiniz için teşekkür ederim.
00:23:43Bu, Hamilton.
00:23:45Bu, Tommy.
00:23:47İyi misin?
00:23:48Firminyumunma Browne.
00:23:49Başkanı yukarı.
00:23:52Bir araştırma ve sonuçlarımıza?
00:23:56Demek.
00:23:57Hemenin tarafından ekipi bu.
00:23:59Bu, bilgilerin de kürlerinin de kürlerinin de kürlerinin de izli.
00:24:00İzlediğinizde oku.製ımlar
00:24:02benim de kürlerinin kürlerinin de kürlerinin yerine.
00:24:05Ben, o'dan
00:24:06sonra önceden Kırmızı
00:24:07'nızla'nızla
00:24:07'nızla
00:24:08'nızla
00:24:08Önce'nızla
00:24:13bir bu uzak
00:24:13uzak
00:24:13uzak
00:24:14uzak
00:24:14uzak
00:24:14uzak
00:24:15uzak
00:24:16uzak
00:24:16bir
00:24:16Buna bakarın, temel olarak öyledim.
00:24:20Buna bakarın bir sürücü
00:24:21Ayrıca sürücüäteri var.
00:24:22Evet, ve kullanıcılar.
00:24:23Onlar için, yaşlısımızın yasını hızlıca
00:24:26ve buralarda çabuklarla çeşitli.
00:24:32Bu, çok çok şey.
00:24:35Evet, çok şey.
00:24:37Bu, çok şey.
00:24:38Burada çalışmalarıncılık için
00:24:40ilişkilerimizin
00:24:41ve
00:24:42kendilerini görüyoruz.
00:24:44Kaj.
00:24:45Bu, ne?
00:24:48Bu, ne?
00:24:53Bu, ne?
00:24:55Bu, ne?
00:24:56Bu, ne?
00:24:57Bu, ne?
00:24:58Birgitli, ne?
00:25:00Hiçbir habitat yaparsın.
00:25:02İnsanесen yok murder.
00:25:03Probabilirsin servi스를али bileni olarak söyleyen değilim.
00:25:05Ben JOHN guardsma bir sanat MBA.
00:25:07Ben demek neurotriskie.
00:25:12Değil bisa vernetin ki Deixa bu mu?
00:25:14Evet.
00:25:16İzlibarın altırin housing traveling wishedan uygunnego.
00:25:22.
00:25:22Tijininka espacio mutlu olan ekran.
00:25:24Ancak molasıyla.
00:25:25Ya bu konuli ki buzony.
00:25:28İzlediğiniz için teşekkür ederim.
00:25:30Bu ne?
00:25:36Help!
00:25:39Mr. Chance!
00:25:42Mr. Chance!
00:25:44Help!
00:25:54Mr. Chance!
00:25:56Help!
00:25:57Kimmy.
00:25:58When in strange laboratories,
00:26:01do not poke nose
00:26:02into strange machines
00:26:04like these.
00:26:08Also keep finger out of safe .
00:26:10Goodbye.
00:26:11Good-bye Charlie.
00:26:12Thank you for coming in.
00:26:13Happy to have met you.
00:26:14See you some more.
00:26:15Goodbye.
00:26:15Goodbye gentlemen.
00:26:19Come in.
00:26:28Can I speak to you for a moment, Mr. Brett?
00:26:30Mr. Brett?
00:26:32Why all the formality, Gloria?
00:26:33I'm here on business.
00:26:36I want better parts and more money, starting tomorrow.
00:26:40You say that as if you were ordering me to give them to you.
00:26:43I am.
00:26:45Now look here, young lady.
00:26:47Instead of getting more parts, you're liable to lose those you already have.
00:26:50I wouldn't be so hasty, Mr. Brett. You'd better let me finish.
00:26:53Please, Gloria. I'm busy.
00:26:55Remember these.
00:26:59Remember them? What do you mean?
00:27:01That's the last pack of my private matches, Mr. Brett.
00:27:03And I gave them to you yesterday morning in this building.
00:27:07Well...
00:27:08Does that entitle you to order me to give you better jobs?
00:27:11Diane's car was stolen last night.
00:27:14I found these later in the seat.
00:27:18Well?
00:27:22Is this blackmail?
00:27:24Blackmail.
00:27:26Oh, that's bad, isn't it?
00:27:28Perhaps I'd just better give these to Mr. Chan and see what he says.
00:27:31Oh, wait.
00:27:32I'll see that you get better jobs.
00:27:36Thank you so much, Mr. Brett.
00:27:52The manager, please.
00:27:54Who's calling?
00:27:55This is Brett talking.
00:27:58Listen.
00:27:59Gloria Bain, an actress here, knows that I used Diana Hall's car last night.
00:28:03She's blackmailing me.
00:28:05What'll I do?
00:28:19Personally, I think the program needs an entire change of personnel.
00:28:22However, I'll listen from my office, and then I'll decide.
00:28:26What did you say?
00:28:27Then don't say it.
00:28:28Come along.
00:28:32Pop, how can we solve a case just by watching people through a glass?
00:28:36What detective needs is great patience.
00:28:39Oh, I know that.
00:28:40When it comes to detective work, I know my P's and Q's.
00:28:43But are you familiar with rest of alphabet?
00:28:48Oh, Walter, to drink when your wife's in trouble.
00:28:51To say nothing of my broken leg.
00:28:54Drink.
00:28:55It seems as though I've heard that word before.
00:28:58What are we to do?
00:28:59Trouble.
00:29:01Nothing but trouble staring us in the face.
00:29:04We must move by the first of the month, and we've no place to go.
00:29:09Why can't we settle down and be like other people?
00:29:13Now keep your chin up, Mary, and look on the brighter side.
00:29:19Of course, Grandmama, you're always right. Always.
00:29:27I never had such a sudden headache in my life.
00:29:29I was all set to do some fancy ad-living myself.
00:29:32Uh-oh, the battle acts.
00:29:34Well, it wasn't bad.
00:29:36That is, not as bad as usual.
00:29:38You sounded poorly toward the end.
00:29:40Better stop gadding about.
00:29:42Come along.
00:29:43You want to stand here talking all night?
00:29:46Can I get you anything, Gloria?
00:29:48A cigarette might help.
00:29:50Oh.
00:29:52Thank you.
00:29:53Will you give me a light, Mr. Brett?
00:29:55Why, of course.
00:30:05Oh, that's better.
00:30:17What happened?
00:30:18What happened?
00:30:19Get young lady to dressing room.
00:30:21Quick, hurry.
00:30:21Bring her in here.
00:30:38I'll pay your pardon.
00:30:39Yes, please.
00:30:40Why is it that whenever anything happens around here,
00:30:43you're always on hand?
00:30:44That's just what they always tellin' me down at the office.
00:30:51Hey, Tommy.
00:30:52I know the cigarette shortage is tough,
00:30:54but that ain't no reason why you should snitch a cigarette butt
00:30:57from that old lady.
00:30:58You know I don't smoke, but what other people try to grab
00:31:00often turn out to be valuable clues.
00:31:02Clue to what?
00:31:03Well, I'll...
00:31:04That's what we'll have to find out.
00:31:06You just include me out.
00:31:08Did anybody call her doctor?
00:31:11Doctor, no use now.
00:31:12Young lady, already dead.
00:31:15Dead?
00:31:18The corner was right, sir.
00:31:19Well, he said Miss Bain was poisoned.
00:31:21Toxic reaction proved she was.
00:31:23But I don't know what type poison was used.
00:31:26I've never run into it before.
00:31:27Say, do you suspect any of the people who were present when she died?
00:31:31Suspect everyone on general principle.
00:31:35But two assistants already watching person who interests me most.
00:31:40Thank you so much, doctor.
00:31:42Good night.
00:31:43Good night.
00:31:45Good night.
00:32:10Good night.
00:32:11Well, what do you want?
00:32:13Why, Cooper...
00:32:15Broad.
00:32:16How are ya?
00:32:18Not broad now.
00:32:20It's predictable.
00:32:22Come on in.
00:32:38İzlediğiniz için teşekkür ederim.
00:32:52Oh, so you're the manager.
00:32:54The head man of the party, eh?
00:32:56Not me.
00:32:58I just answer the phone.
00:33:00Someone else, someone unknown to me,
00:33:03listens in.
00:33:04If the caller is okay,
00:33:06the caller is switched away from this line.
00:33:09I see.
00:33:12What do you care if we don't know who our boss is?
00:33:15We've worked that way before.
00:33:18I've got to know, Cooper.
00:33:19There's been two murders on this job already.
00:33:21Two murders?
00:33:25Yeah, I see what you mean.
00:33:29We should know the name of our boss to protect ourselves.
00:33:34Listen.
00:33:37Hello?
00:33:38Who's calling?
00:33:40Manager, please.
00:33:46See how it works?
00:33:48Yeah, I see.
00:33:51Well,
00:33:53if you learn anything, let me know.
00:33:55We'll need a lot of information.
00:33:57We have to squeal.
00:34:03What's the matter?
00:34:04Someone's coming.
00:34:05I'm going.
00:34:14You hear nothing which is said inside strange office?
00:34:17Just a mumble and a jumble, Mr. Chan.
00:34:19But outside in the hall, you overhear Mr. Cooper call Mr. Brett, Mr. Brought.
00:34:26That's right, Pop.
00:34:27Mean anything to you, Charlie?
00:34:29British intelligence-seeking espionage agent named Rolf Brought.
00:34:34Rolf Brought.
00:34:35Oh, and the radio station manager calls himself Ralph Brought.
00:34:40Nothing in office except table chair and telephone, huh?
00:34:44Yes, sir.
00:34:45It must have been a race book in office because it was just as clean as I is when I
00:34:49make a bet.
00:34:51Captain, please detail man to check all people coming and going from office 211 Algaard building.
00:34:58Right.
00:34:59Believe we make Mr. Brett surprise visit.
00:35:03Tom.
00:35:03Boy, here we go again.
00:35:05Surprise visit.
00:35:06No surprise me.
00:35:16Brett absent downstairs, also here.
00:35:19Do you think he's run away, Pop?
00:35:27Is that the heel print you're looking for?
00:35:30The person who wear this shoe killed Roush.
00:35:33By gosh, you mean Brett murdered this fellow Roush?
00:35:52Must locate Mr. Brett at once.
00:36:30Manager, please.
00:36:32Where's Carly?
00:36:33Brett.
00:36:36Listen.
00:36:37Charlie Chan knows all about the Roush murder.
00:36:39He's after me.
00:36:41You've got to protect me.
00:36:42What do I do?
00:37:06Right here in this building.
00:37:08You've got to protect me.
00:37:15This is taken care of.
00:37:15leaves.
00:37:26When I do...
00:37:42İzlediğiniz için teşekkür ederim.
00:37:57İzlediğiniz için teşekkür ederim.
00:38:27Say, it's eight hours since Brett has been seen.
00:38:30You know, he must have a hideout somewhere in this building.
00:38:33You have man posted at every exit?
00:38:36Sure, he can't get by them.
00:38:38Think we'll take a look on various floors.
00:38:41Good.
00:38:49I'm going to change the water before I'm cleaning some more.
00:38:56You know, Birmingham, everywhere we go, we bump into that woman.
00:38:59Oh, don't be so suspicious, Tommy.
00:39:01After a while, you'll be telling me I did the murder.
00:39:08Now, lookie here.
00:39:09Did you see...
00:39:10Not in the last ten minutes.
00:39:11No.
00:39:12No, but there was a fella here.
00:39:13Him?
00:39:13Yeah.
00:39:14Oh, he ain't the one.
00:39:15No.
00:39:15No, the fella I'm looking for here.
00:39:17I didn't see him.
00:39:18But if you wait until I...
00:39:19I ain't got time.
00:39:20No.
00:39:21But maybe if you could...
00:39:22I'm busy that night.
00:39:23Oh, sure now.
00:39:23Yeah.
00:39:24Say, lookie here.
00:39:24What?
00:39:25Do you think that, uh...
00:39:26Ah, no, it's getting late.
00:39:28Yeah.
00:39:28Why don't you...
00:39:29I ain't got a phone.
00:39:30No.
00:39:31But I could if you were...
00:39:32Well, my car's in the shop.
00:39:33Oh, yes?
00:39:33Mm-hmm.
00:39:33Well, I'll see you there.
00:39:34I'll be seeing you call me, huh?
00:39:36Okay, okay.
00:39:36Okay, so long.
00:39:36All right, goodbye.
00:39:38Do you know that he is...
00:39:39He can't be that bad.
00:39:42Look, the laboratory door is open.
00:39:44Yeah?
00:39:45Do you suppose Brett's in here?
00:39:46Well, if he is, let him stay in there.
00:39:47I'm tired of tangling with them gadgets.
00:39:52Well, it ain't no use to be in this lonesome.
00:39:55Uh, nobody home.
00:39:56Let's go.
00:39:57Wait.
00:40:00Oh, what's the matter?
00:40:02Look, the safe bin rob.
00:40:03Perhaps the robber is still in here.
00:40:05Robbers and murderers.
00:40:06Why, this is a regular cleaning and dying place.
00:40:08Let's get out of here.
00:40:09Come, come.
00:40:13Could have been a little light around here.
00:40:16Shh.
00:40:16Mm.
00:40:17Uh-oh, I'm surrounded.
00:40:19Come.
00:40:23Say, this looks like a good hiding place.
00:40:25Let's take a look.
00:40:27Let's take a look.
00:40:28And nothing will do him to go in and take a look.
00:40:32Uh, you know what told me?
00:40:33When you're hunting a killer, you're supposed to have a guard on the outside, just in case.
00:40:37So I think I'll stay on the outside, just in case.
00:40:40In case of what?
00:40:41That the killer's in here.
00:40:43Don't you stay with me.
00:40:44All right.
00:40:45Gosh, it's dark in here.
00:40:46It sure is.
00:40:47Wait, I'll turn on the light.
00:40:52Hey, viva.
00:40:53You stand of the right and stand on the skin and throw it.
00:40:55Come, don't you.
00:40:56Well, let's do it.
00:40:57Just straight, you're watching me.
00:40:59Woo-hoo!
00:41:00Woo!
00:41:02Woo!
00:41:02Woo!
00:41:03Woo!
00:41:04Woo!
00:41:05Woo!
00:41:05Woo!
00:41:05Woo!
00:41:06Woo!
00:41:07Woo!
00:41:08Woo!
00:41:11Woo!
00:41:12Woo!
00:41:13Woo!
00:41:16Woo!
00:41:31İzlediğiniz için teşekkür ederim.
00:41:47Hey, looks like the place has been robbed.
00:41:50Looks in this case not deceiving.
00:41:59Flashing light indicates someone in tunnel.
00:42:21Hello.
00:42:23Someone in here?
00:42:25Is that someone going?
00:42:27I guess.
00:42:29Yes.
00:42:29Yes.
00:42:31Well, well.
00:42:35What a little tunnel, Pop.
00:42:38It ain't a place to get a suntan.
00:42:41What you two do in here?
00:42:43Anybody else in tunnel?
00:42:46Do it, Pop.
00:42:47Or, what's Flicka like working when you come in here?
00:42:57Should we go again?
00:42:58Well, nothing now, Pop.
00:43:01I tell you, Pop, there's no one else in here.
00:43:04But the papers are missing from Hamilton State.
00:43:07Someone besides assistance in this blue.
00:43:34We've got Pat.
00:43:36But he's dead.
00:43:39The coroner's just finished, Charlie.
00:43:41He says Brett wasn't poisoned.
00:43:43He died of a fall from a great height.
00:43:47Brett last seen alive on second floor of Cosmo Building.
00:43:52Later, he found dead on 10th floor.
00:43:57Someone would have us believe victim fall eight stories up.
00:44:13Hello.
00:44:14I'll look at the telephone now.
00:44:16No one sent for you.
00:44:17Isn't the name Cooper?
00:44:18Why, yes.
00:44:24Go on with work.
00:44:27Mr. Cooper, alias Carper, alias Cowper.
00:44:32Charlie Chan.
00:44:34I remember you since last time I arrest you.
00:44:38Six years ago in Singapore, remember?
00:44:41Yeah, I remember.
00:44:44Very great pleasure to arrest you again, Mr. Cooper.
00:44:49For whom you work now.
00:44:51I'm not talking.
00:44:53You talked with your friend, Mr. Brett, yesterday.
00:44:56Now he is murdered.
00:44:59Brett, murdered.
00:45:01I had nothing to do with it.
00:45:03I don't know who I work for.
00:45:04I only answer the phone.
00:45:06Someone else switches the calls.
00:45:08I never hear a thing.
00:45:17What did you find out?
00:45:19There's a cut-in relay installed here, Mr. Chan.
00:45:21Calls can be switched.
00:45:22Can you locate place where calls switch to?
00:45:25Yeah, but it might take a couple of days.
00:45:28Keep working.
00:45:30You gentlemen will remain with Mr. Cooper.
00:45:33He will continue to answer phone calls as usual.
00:45:38I'll do it.
00:45:39I'm not getting mixed up in murder.
00:45:40Good.
00:45:45Mr. Dixon?
00:45:46Yes, the radio impersonator.
00:45:48Glad to meet you, Mr. Chan.
00:45:50Radio impersonator.
00:45:52Good.
00:45:52You know what you are to do?
00:45:55Death of Mr. Brett not yet made public.
00:45:58Wish to try experiment.
00:46:00I'm ready, sir.
00:46:16Hello?
00:46:19Who's calling?
00:46:21This is Brett calling.
00:46:23Hurry it up.
00:46:24Brett.
00:46:25Brett.
00:46:25I've got to see you.
00:46:31He hung up.
00:46:34Dead.
00:46:44Use service elevator.
00:46:48Come seventh floor.
00:46:52If I not there,
00:46:56come tenth floor.
00:46:59It's the unknown leader, Charlie.
00:47:01The one you're after.
00:47:02The killer, Pop.
00:47:03Thank you so much.
00:47:04Please say nothing of this to anyone.
00:47:06I understand.
00:47:15No one's in sight, Pop.
00:47:17We go tenth floor.
00:47:25Wait.
00:47:26Uh, we go tenth floor by stairs.
00:47:28Uh, you go in elevator.
00:47:30That way we have killer between us.
00:47:38Well done walking.
00:47:40Ha, ha, ha.
00:47:41Cause I never said...
00:47:42Ha!
00:47:44Hmm.
00:47:45There's a long way down.
00:47:48Ah!
00:47:49Oh, goodness!
00:47:50Help!
00:47:51Come here, somebody!
00:47:52Help!
00:47:58Elevator already arrived.
00:48:01Help!
00:48:01Help!
00:48:02Come here, somebody!
00:48:02Birmingham!
00:48:03Come out of there.
00:48:04Is that you, Mr. Chan?
00:48:06For heaven's sakes, come get me out of here.
00:48:08Well, well, get down.
00:48:09Get down yourself.
00:48:10Get down.
00:48:11Oh, not without a parachute.
00:48:12One drop of this is certain death.
00:48:14Birmingham, what are you talking about?
00:48:17Mr. Chan, what is you standing on?
00:48:19On the floor.
00:48:20The floor?
00:48:21Get down.
00:48:22Where did that floor come from?
00:48:26Well, what do you mean, what floor come from?
00:48:28What...
00:48:29Mr. Chan, when I was down on the seventh floor,
00:48:31that elevator floor went out from under me
00:48:33and left me standing on nothing.
00:48:34You can sure imagine things burning out.
00:48:37Imagine.
00:48:37No, I ain't, Mr. Chan.
00:48:38When I went in that elevator,
00:48:39the elevator door closed.
00:48:41That floor went out from under me just like a trap door
00:48:43and left me hanging on my fingernail.
00:48:45I was looking out eight or nine floors.
00:48:47Straight down.
00:48:48You mean to say bottom of elevator fallout?
00:48:51Yes, sir.
00:48:57Perhaps Mr. Brett received same message we get.
00:49:00You mean come to the seventh floor, then to the tenth, Pop?
00:49:02Believe fate save us from dying same way Mr. Brett died.
00:49:07He was killed by fall from great height.
00:49:12We descend to basement.
00:49:13Yes, Pop.
00:49:14No.
00:49:15Not by elevator.
00:49:17Come.
00:49:21Blood stains on floor of shaft.
00:49:24This is where Mr. Brett fall to death.
00:49:32You're getting to be a habit.
00:49:33Coming in here and interrupting my program rehearsals.
00:49:36It's an outrage.
00:49:37Murder also outraged.
00:49:39Do you know what I pay for my programs?
00:49:42I'm interested only that murderer shall pay for killing of Miss Bain and Mr. Brett.
00:49:48You all present when Miss Bain die.
00:49:51You're stupid thinking these people would murder anyone.
00:49:54They're too busy murdering the English language.
00:49:57Testimony is Miss Bain say she expect more work and more money.
00:50:02Gloria did say something like that.
00:50:04That's right.
00:50:04Who can give her more work and more money?
00:50:08Mr. Brett?
00:50:09Certainly.
00:50:10He's the slave driver.
00:50:11Or rather he was.
00:50:15Very friendly with Mr. Brett?
00:50:17Gloria couldn't stand him.
00:50:19She detested him and...
00:50:21Oh.
00:50:21Yes?
00:50:22I just remembered.
00:50:23Gloria did say she'd talked with Brett.
00:50:26Gloria said he'd promised her a lot more work.
00:50:29I was surprised because I knew he liked her no better than she liked him.
00:50:33Wait.
00:50:34Gloria, you did say something like that.
00:50:36Something about...
00:50:38About...
00:50:38Oh.
00:50:39Did she say what, Mr. Rant?
00:50:41Oh, I don't recall.
00:50:43You see, I gab a lot and other people gab back at me.
00:50:46I can't remember half of the things I hear.
00:50:49Please try to remember.
00:50:51Might be most important clue.
00:50:53Yes, surely.
00:50:54It'll come back to me.
00:50:55And when it does, I'll tell you right away, sir.
00:50:58Thank you.
00:50:59That is all.
00:51:00Thank you so much.
00:51:01Thanks indeed.
00:51:02Come, Herbert.
00:51:06Well, what do you make of it, Charlie?
00:51:09So many fish in fish market.
00:51:12Even flowers smell same.
00:51:16Much confusion.
00:51:22We go on in 20 seconds.
00:51:28This is television experimental station WXK9X, presenting Willie Rand, ace comedian, and his own conception of the dance of the
00:51:36spirit.
00:51:53What do you do here?
00:51:54Pop, we were just about to go out to look for you.
00:51:56So it seems.
00:51:58Honest, Pop.
00:51:58Mr. Rand said he remembers something important.
00:52:00He wants to see you right after this show.
00:52:26He wants to see you right after this show.
00:52:39I made a favor.
00:52:40I didn't ask for it.
00:52:42I...
00:52:43I...
00:52:44I...
00:52:44I didn't ask for it.
00:52:45I...
00:52:46Now, ladies and gentlemen, we transfer you to tele-studio number two, where Miguel Moreno and his marimba band carry
00:52:52on during the second portion of the program.
00:52:56Well, Willie, what happened to your closing speech?
00:52:58Did you forget it?
00:52:58Yes, Willie, what happened?
00:53:00I...
00:53:00I don't know what happened.
00:53:01You got a cigarette?
00:53:05Thanks, sir.
00:53:13Mr. Rand, number three son Tommy tell me you remember something you wish to tell me.
00:53:19Now I remember what Gloria told me.
00:53:21And I've got a lot of other good information for you, too.
00:53:23Yes, yes.
00:53:24This afternoon when I was up on the seventh floor I saw...
00:53:27Uh...
00:53:31I...
00:53:32I...
00:53:33What trouble, Mr. Rand?
00:53:39Charlie, he's dead.
00:53:41Dead?
00:53:43Get cigarette, he smoked.
00:53:45That same analyzed quickly.
00:53:47Mr. Chester, you come with me.
00:53:56Mr. Chan, my office is never locked.
00:53:58The people on television and radio are in and out of here at all hours.
00:54:14Mr. Chan, I've never seen that thing before in my life.
00:54:16One moment, please.
00:54:18This is obviously control switch for mysterious trap door in service elevator.
00:54:25Mr. Chester, we visit police headquarters.
00:54:31Rand was poisoned by the same stuff that killed Miss Bain.
00:54:34But there is no poison in the cigarette he smoked.
00:54:37They said Miss Bain smoked a cigarette just before she died, Pop.
00:54:39Yes.
00:54:40Also given her by Mr. Chester.
00:54:42That janitress.
00:54:43She picked this up right where Miss Bain fell.
00:54:45I took it away from her.
00:54:46This is cigarette smoked by Miss Bain?
00:54:49Yes.
00:54:50Tested.
00:54:51Why have you not mentioned this before?
00:54:53Just a slip my mind, Pop.
00:54:55Oh, slip mind.
00:54:59There's no poison in this either.
00:55:01Release, Mr. Chester.
00:55:03Oh, but Charlie, the gadget that worked the elevator, is in his office.
00:55:06Sure, he must be the unknown espionage leader we're after, Pop.
00:55:09The person who sends messages to Mr. Brett on teletype machine
00:55:13must have similar machine at other end of line.
00:55:17There is no teletype instrument in Mr. Chester's office.
00:55:22Release him.
00:55:30What are we to do?
00:55:31Trouble.
00:55:33Trouble.
00:55:34Nothing but trouble staring at his face.
00:55:38Why, this program is strictly slush.
00:55:40It is transcription of last program made by Miss Bain when she dies so strangely.
00:55:46Only wish to hear end of program.
00:55:50We must move by the first of the month, and we've no place to go.
00:55:54Why can't we?
00:55:56Hey, she must have stepped nearer the microphone.
00:55:58She did.
00:55:59Please, turn up volume.
00:56:01Now listen very quietly.
00:56:04Down.
00:56:05And be like...
00:56:09You hear strange noise?
00:56:12Yes, a popping noise when she was sobbing.
00:56:14We hear same noise on record of Mr. Rand's voice made during television broadcast.
00:56:23Believe now, know how both Miss Bain and Mr. Rand were killed.
00:56:27We'll need assistance of radio technician to prove it.
00:56:32Please?
00:56:32Right away.
00:56:44Hey, those look like bits of glass.
00:56:48Or gelatin used in making capsule.
00:56:52We have only part of proof.
00:56:55Now we visit Studio C, downstairs.
00:57:05Murderer ready to do more business.
00:57:08This is what we look for.
00:57:10Thank you so much.
00:57:13Doc, my radio man said that the studio microphones were rigged so that a shortwave radio beam sent from some
00:57:20part of the building, it would explode those capsules.
00:57:29There is some sort of colorless gas in the capsule, Mr. Chan, but it certainly is not poison.
00:57:35Uh, cigarette, please, doctor.
00:57:38When did you start smoking, Pop?
00:57:39Quiet.
00:57:40Would you kindly light same, please?
00:57:49Now, you will blow some smoke into the beaker.
00:57:55Uh, just, what is it, Pop?
00:58:09Well, that's it, Mr. Chan.
00:58:11Alone, either the gas or the cigarette is harmless.
00:58:14But if someone first inhaled gas and then pretty soon smoked cigarette,
00:58:18the combination of gas and nicotine becomes a poison and kills instantly.
00:58:23Thank you so much, doctor. That is exactly what I wanted to know.
00:58:29My men are at every exit with orders not to let any of our people leave the building.
00:58:33Good.
00:58:33Mrs. Marsh, Mr. Sinclair, and Miss Hall already here.
00:58:41Well?
00:58:42Chester, Nelson, and Carlos are in the building, Pop. Even that wacky janitor.
00:58:46Good.
00:58:47All suspects on hand. Come.
00:58:56Believe leader of enemy agents and killer of Roush have office somewhere on this floor.
00:59:03Office containing teletype machine.
00:59:06Okay. We'll soon find out.
00:59:13Birmingham, take another office.
00:59:15No, not me. I like company.
00:59:23Look.
00:59:25Pop, Captain Flynn, we found one.
00:59:35Do you suppose this is the machine we want?
00:59:38Could be.
00:59:51Hear a shortwave radio set used to explode death capsule.
01:00:07Deal with quick proof.
01:00:13Go, Tom.
01:00:15Go, Tom.
01:00:16Let's go, Tom.
01:00:19Get out.
01:00:24I'll have to go, Tom.
01:00:26The truth of this man, this man, you know.
01:00:34İzlediğiniz için teşekkür ederim.
01:00:37İzlediğiniz için teşekkür ederim.
01:00:49Evet.
01:00:50İlginç bir tanınma.
01:00:51İlginç bir tanınma.
01:00:53Evet, Pop.
01:00:55İlginç bir tanınma.
01:00:57İlginç bir tanınma.
01:00:58Evet.
01:01:00İlginç bir tanınma.
01:01:00İlginç bir tanınma.
01:01:02sona gömいう.
01:01:07Şimdi bir tanınma,
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