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Sherlock Holmes - The Secret Code (1942) - Full Movie in 1080p HD - Basil Rathbone, Nigel Bruce
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00:00:38THE END
00:01:00The END
00:01:30Isolated from the outside world by walls of granite.
00:01:45They say you could get out of here by merely telling what you know.
00:01:50You may or may not be another Scotland Yard bloke, but I'll give you the same answer I gave the
00:01:57others.
00:01:59I still have two years, eight months, and six days left in which to make musical boxes.
00:02:06That'll be sold at auction for the benefit of this delightful sanctuary.
00:02:12And I intend to sell them.
00:02:20Move along.
00:02:23And now we come to the next object on our list, or I should say objects, because there are three
00:02:28of them.
00:02:29Now, ladies and gentlemen, these can be bought together or separately.
00:02:34Now, these beautiful little musical boxes only arrived this morning, and I didn't intend to put them on the auction
00:02:38block until later, but I'm going to sell them now.
00:02:41So, good friends, as our old pal Mark Antony used to say, lend me your ears.
00:02:47And what do you hear?
00:02:50Right.
00:02:51The beautiful tinkle tinkle of a musical box.
00:02:55What a lovely trinket.
00:02:57What a beautiful gift.
00:02:58Created unmade by loving hands.
00:03:00A thing of beauty and utility.
00:03:03I was going to start with five pounds.
00:03:06It's a bargain, five pounds.
00:03:09Do I see any hands?
00:03:11If there's a connoisseur in the house, it'll go three pounds for it.
00:03:15Two pounds.
00:03:18One pound.
00:03:21Ten shillings.
00:03:24Thank you, sir.
00:03:26Ladies and gentlemen, ten shillings is offered for a musical box you couldn't buy anywhere in London for less than
00:03:31five pounds.
00:03:33It'll be stealing to let it go for ten shillings.
00:03:35Like taking milk from a baby.
00:03:37All right, we're selling for ten shillings.
00:03:38Ten shillings, ten shillings is offered, ten shillings is offered, ten shillings is offered.
00:03:41Anybody give me one pound?
00:03:42One pound.
00:03:44One pound.
00:03:45Give me a pound.
00:03:46A pound.
00:03:46One pound is offered.
00:03:47One pound is offered.
00:03:48Ladies and gentlemen, one pound is against you, sir.
00:03:50Have you got it two pounds?
00:03:51Have you got it two pounds, sir?
00:03:54Two pounds.
00:03:54Two pounds is offered.
00:03:55Two pounds is offered.
00:03:56One once.
00:03:57Twice.
00:03:58Third and the last call.
00:04:00Sold to the gentleman for two pounds.
00:04:03Sorry, my dear.
00:04:04Now, ladies and gentlemen, comes the opportunity to purchase an exact duplicate of the beautiful little musical box just brought
00:04:11by this gentleman for the ridiculous low price of two pounds.
00:04:15It's exactly the same.
00:04:16It's exactly the same.
00:04:17Made with the same hands.
00:04:19You hear that?
00:04:19Isn't that lovely?
00:04:21That tinkle, tinkle, tinkle, tinkle, tinkle.
00:04:23Sounds like bow belts to me, you know, with little angels pulling on the ropes, eh?
00:04:26We'll give me two pounds for it.
00:04:28Who's starting with two pounds?
00:04:29Will anybody start me with two pounds?
00:04:31Oh, come, come, ladies and gentlemen.
00:04:34You know, from your enthusiasm, we might all be in Scotland instead of London.
00:04:37Please buy it for me, Daddy.
00:04:38Two pounds, certainly not.
00:04:40We all might be in Scotland.
00:04:42Besides, I don't like his manner.
00:04:44One pound, ten shillings.
00:04:45One pound.
00:04:46One pound is asked.
00:04:48One pound.
00:04:48One pound is offered.
00:04:49One pound is offered.
00:04:49One pound.
00:04:50Any advance?
00:04:51Work once.
00:04:52One twice.
00:04:53The third and the last call.
00:04:56Sold to the lady for one pound.
00:04:58Smart bidding, my dear.
00:05:00Thank you.
00:05:01We come to the third and last of these beautiful little musical boxes.
00:05:05Exactly the same.
00:05:06Tinkle, tinkle, isn't that lovely?
00:05:08Ladies and gentlemen, I don't bring you here to gullion and swindle you.
00:05:11This is the exact replica of those two I just sold before.
00:05:21We're closed.
00:05:23But this is extremely important.
00:05:27Come in, sir, come in.
00:05:28I'm sorry to disturb you, but I was unfortunately delayed from arriving in time to bid on certain articles which
00:05:35I was rather anxious to obtain.
00:05:36Oh, perhaps they weren't sold, sir.
00:05:38We are carrying several things over.
00:05:41What might the articles be, sir?
00:05:43Three identical musical boxes about so large.
00:05:46Oh, I'm sorry, sir, but they were sold.
00:05:49Pity you weren't here to bid on them.
00:05:51They didn't bring anything like the real value.
00:05:53I'm most anxious to obtain them.
00:05:55I wonder if your records would show who the purchasers were.
00:05:59Oh, we don't usually give out that information, sir.
00:06:02For certain, shall we say, sentimental reasons, I'm most anxious to get in touch with the purchasers.
00:06:08I'd be willing to pay, shall we say, five pounds.
00:06:13Well, for certain sentimental reasons, sir, we'd be very happy to oblige.
00:06:17Alfred, today's sales.
00:06:19Three musical boxes.
00:06:20Musical boxes, yes.
00:06:21Ah, here we are.
00:06:23The first purchase for two pounds from Mr. Julian Emery, 52, Portman Square.
00:06:27Write this addresses down, Alfred.
00:06:28Yes, sir.
00:06:29Second didn't leave any name.
00:06:31Oh, how unfortunate.
00:06:32I think she's a dealer.
00:06:33You see, they don't like us to know where the things are going.
00:06:35On account of the profits.
00:06:37You say the second purchaser was a woman.
00:06:41Can you give me a description of her?
00:06:43Oh, she was a young woman, fairly tall, slender,
00:06:47had a light complexion and dark hair, and she was wearing a...
00:06:51A gray suit, don't you remember?
00:06:52That's right.
00:06:53She probably runs a gift shop.
00:06:55She paid one pound.
00:06:58You say she, uh, comes here fairly frequently?
00:07:01No, I didn't say so.
00:07:03But she does, sir.
00:07:05Like us not, she'll come in on Thursday.
00:07:06We have sales on Mondays and Thursdays.
00:07:09Ah.
00:07:10And the, uh, third box?
00:07:11The third?
00:07:12Oh, Mr. William Kilgore, 143B Hampton Way.
00:07:16For ten shillings.
00:07:18Hmm.
00:07:18Quite a drop from two pounds.
00:07:20Mr. Kilgore was a Scotchman.
00:07:22Oh.
00:07:23Well, thank you.
00:07:24You've, uh, been most helpful.
00:07:26Oh, thank you, sir.
00:07:28And any time you're passing, dropping,
00:07:30we always have lovely things for sale.
00:07:32Oh, I'll cart you.
00:07:33Uh, thank you.
00:07:34I'll, uh, be back Thursday.
00:07:43The message reached us too late.
00:07:47Musical boxes are being sold.
00:07:51Well, let's get out of here.
00:08:00Someday you'll go too far.
00:08:05Reaching for a star, you fool.
00:08:08Yet a fool may touch a star, Colonel Cavanaugh,
00:08:11if he but reach high enough.
00:08:13But not possess it as you would.
00:08:17The musical boxes, they've been sold.
00:08:19What a pity for you, my dear Colonel.
00:08:21Is it my fault that the message reached us only an hour ago?
00:08:25Is it my fault that they were sold?
00:08:28She can't hold me responsible for that.
00:08:31I hope for your sake you're right.
00:09:04Then we'll call upon you tonight at a quarter to eight,
00:09:07a gentleman who desires to consult you
00:09:09upon a matter of the very deepest moment.
00:09:12Remember that letter, Holmes?
00:09:14It was written over two years ago.
00:09:16An interesting case.
00:09:18Devilously interesting.
00:09:20Hmm.
00:09:20Irene Adler.
00:09:22What a striking looking woman
00:09:23from the brief glance I heard of her.
00:09:25Seems only yesterday.
00:09:27What charm.
00:09:28Hmm.
00:09:29What poise.
00:09:30And what a mind.
00:09:31Sharp enough and brilliant enough
00:09:33to outwit the great Sherlock Holmes himself.
00:09:37I take it the new issue of the Strand Magazine is out,
00:09:40containing another of your slightly lurid tales.
00:09:42It is indeed.
00:09:44And what do you call this one?
00:09:45I call it a scandal in Bohemia.
00:09:48Not a bad title, eh?
00:09:49Hmm.
00:09:50If you must record my exploits,
00:09:53I do wish you'd put less emphasis on the melodramatic
00:09:56and more on the intellectual issues involved.
00:09:59More on the intellectual?
00:10:00What do you mean by that?
00:10:01Well, I do hope you've given, uh,
00:10:04the woman a soul.
00:10:06She had one, you know.
00:10:07By the woman,
00:10:09I suppose you mean Irene Adler.
00:10:11Yes.
00:10:13I shall always remember her
00:10:15as the woman.
00:10:26Sorry.
00:10:31Hi, Stinky.
00:10:33That's it, old boy.
00:10:34How are you?
00:10:34How are you, old boy?
00:10:35I haven't seen you for years.
00:10:36I want you to meet my old friend Sherlock Holmes.
00:10:38Holmes, this is Stinky.
00:10:40In other words, uh, uh, Julian Emery.
00:10:42How do you do, Mr. Emery?
00:10:44Watson has often spoken of you.
00:10:45Oh, has he?
00:10:46Yes, we were at school together.
00:10:47Yes, more years ago than I care to remember,
00:10:49but you didn't come in here
00:10:50just to remind me of that.
00:10:51No, I just happened to be in the neighborhood
00:10:53and saw your lights burning,
00:10:54so I took the liberty of looking you up.
00:10:57Still writing your mystery stuff?
00:10:58Yes, there's a new one out this week.
00:11:01Good, I never miss them.
00:11:02Oh, good, thanks.
00:11:03I say that bandage makes you look very interesting.
00:11:06Still poking your nose
00:11:07into other people's business as usual?
00:11:09Who hit you?
00:11:10I haven't a foggy's notion.
00:11:11Somebody knocked me on the head
00:11:12in my own living room
00:11:13and then proceeded to commit
00:11:14the most idiotic burglary you ever heard of.
00:11:17The fellow must have been barmy as a coot.
00:11:18Barmy, why?
00:11:20Come sit down, old boy.
00:11:22Would you, you like a cup of tea?
00:11:24Oh, all right.
00:11:26I'll go and tell Mrs. Hudson about it.
00:11:31Why do you say the robbery was idiotic, Mr. Emery?
00:11:34Oh, simply from the fact that
00:11:35with about 5,000 pounds worth of musical boxes
00:11:38in my living room,
00:11:38the thief who I caught in the act
00:11:40made off with one that isn't even worth five pounds.
00:11:43I gather you're a collector of musical boxes.
00:11:45Yes, I am indeed.
00:11:47Some of them are very beautiful,
00:11:48but not the one that was stolen.
00:11:50The thief evidently grabbed the first thing
00:11:52that came to his hand
00:11:52when he heard me coming into the room.
00:11:55Still, it's rather odd, isn't it,
00:11:56that having disposed of you,
00:11:58he didn't pick up something more valuable.
00:12:00Was there anything unusual about the stolen box?
00:12:03No, nothing at all.
00:12:05I picked it up in the south of France
00:12:07Oh, several years ago.
00:12:09You say you have many valuable music boxes,
00:12:11and yet the thief made off
00:12:13with one that isn't worth five pounds.
00:12:15Sounds like rather an intriguing little problem.
00:12:17That's where I take it
00:12:18that you were just an ordinary petty thief
00:12:20and didn't know the value.
00:12:21That is a possible explanation,
00:12:22and yet I venture to say
00:12:24that the average petty thief
00:12:25has a more extensive knowledge
00:12:26of the value of object dar
00:12:27than the average collector.
00:12:29Well, anyway, that's got in the odds theory.
00:12:31They didn't get very excited about it.
00:12:33That's consistent, anyway.
00:12:35I wonder if I might see your collection,
00:12:37Mr. Emery.
00:12:38Of course you could, yes.
00:12:39Nothing a collector likes more
00:12:41than showing off his trophies.
00:12:43When will it suit you?
00:12:44No time like the present.
00:12:45Good.
00:12:46My place is just round in Portman Square.
00:12:48Shall we?
00:12:49Yes, right.
00:12:54Hello?
00:12:55Where are you going?
00:12:56Stinky hasn't had his tea yet.
00:12:57Oh, I'm sorry.
00:12:58We're going round to my place,
00:13:00where I'm going to give you
00:13:00something better than tea.
00:13:04Now, this one was made for the Royal the 15th,
00:13:06and is one of the very few
00:13:08still in existence from that period,
00:13:09and a particularly fine specimen of death.
00:13:15Charming, isn't it?
00:13:16Quite.
00:13:19They all sound to me like a lot of mice
00:13:21running about on a tin roof.
00:13:23I'm afraid you have no ear for music, Watson.
00:13:25Give me a good old band playing a rousing march.
00:13:28You have all your silly little tweet-tweets.
00:13:36Another room.
00:13:41This is me.
00:13:51Stupid thing.
00:13:52Singing rabbit.
00:13:55What would you say offhand is the value of a box like that,
00:13:58Mr. Emery?
00:13:59Well, it's hard to say offhand,
00:14:00but I think we'll bring about five or six hundred pounds a day.
00:14:03It's the gem of my collection.
00:14:05Yet a thief who steals an oddity like a musical box
00:14:07passes up one worth five hundred pounds
00:14:09for one of almost no value at all.
00:14:12Odd.
00:14:13Very odd.
00:14:14What was a stolen box like, Mr. Emery?
00:14:16Oh, just a plain wooden box about so big.
00:14:20As a matter of fact, I have one over here.
00:14:22I'm almost exactly like it.
00:14:24I picked this up yesterday at an auction room in Knightsbridge.
00:14:28Paid only two pounds for it.
00:14:30Of course, I wouldn't in the ordinary way
00:14:31add one like this to my collection,
00:14:33but the tune intrigued me.
00:14:36I'd never heard it before.
00:14:55You have a remarkable ear for music, Hermes.
00:14:57Rather an unusual melody.
00:14:59Sit down.
00:14:59Thanks.
00:15:02You, uh, you see, you bought that box at an auction sale yesterday.
00:15:05Yes, the Gaylord auction rooms in Knightsbridge.
00:15:08Run by old, uh, what's his name?
00:15:11Crabtree.
00:15:12Handsome man.
00:15:13At what time is the robbery committed?
00:15:14Oh, about, uh, three o'clock this morning.
00:15:17You know, Mr. Emery,
00:15:19that box and the robbery might well be cause and effect,
00:15:21especially since you say that the stolen box
00:15:24outwardly resembles this one a great deal.
00:15:26And, uh, Scotland Yard were not particularly interested, eh?
00:15:30Oh, yes, but I, I wouldn't blame him for that.
00:15:32Especially as I told him,
00:15:33I was quite unable to describe the thief.
00:15:35Except, of course, for the fact that, uh,
00:15:37it was definitely a man.
00:15:38All you remember is that you came in here
00:15:40and someone struck you on the head.
00:15:41Yes, and the next thing I knew,
00:15:42my man was trying to revive me.
00:15:44It might be wise for you to put that box away somewhere
00:15:46and lock it up.
00:15:47Oh, I don't think that's necessary.
00:15:49Besides, everything's insured.
00:15:50Well, at least if any further attempts at robbery are made,
00:15:53I'd suggest that you call the police
00:15:55rather than running into any personal danger.
00:15:57Oh, come, Hermes,
00:15:58aren't you being a bit of an alarmist?
00:16:00Possibly.
00:16:00Oh, I must agree with old Stinky.
00:16:02It seems to me you are making rather a mountain
00:16:04out of the Moleskier.
00:16:06Moleskier is the word, old boy,
00:16:07and it's time you were in bed.
00:16:09Thanks so much for letting us see your place.
00:16:10Well, it's been great meeting you.
00:16:14Holmes, I can't understand why you were so mysterious.
00:16:17It seems to me the petty thief explanation
00:16:19was the only sensible one.
00:16:20Really?
00:16:21Yes, I can't see how you can believe it was anything else.
00:16:23I didn't say I believed it to be anything else.
00:16:25The petty thief theory is the obvious one, I grant you.
00:16:27However, it's often a mistake to accept something as true
00:16:29merely because it's obvious.
00:16:32The truth is only arrived at
00:16:34by the painstaking process of eliminating the untrue.
00:16:38We are not able to do that in this case
00:16:40without further doubter.
00:16:42Rubbish, you're pulling my leg.
00:16:44You're trying to turn a
00:16:45a tuppany hapenny robbery into an international plot.
00:16:49No, I'm not.
00:16:49I just hope that your friend Stinky
00:16:51is a little more cautious in the future.
00:16:53Just in case.
00:17:18Hello?
00:17:20Yes?
00:17:21Julian Emery here.
00:17:23Who?
00:17:26Why, of course I remember you, Mrs. Courtney.
00:17:30Yes, yes, you're the one bright spot
00:17:32that they're upholding the dull affair of Lady Sampson's.
00:17:36Huh?
00:17:37Of course it isn't too late to come round.
00:17:39Yes, I shall be delighted to give you a drink.
00:17:43I tell you what, come straight up
00:17:44and now leave the door unlessed.
00:17:47Right, well, 15 minutes?
00:17:49Good.
00:17:51I shall be counting each moment.
00:17:53No, no, no, I mean that really.
00:17:57Right, goodbye.
00:17:59Goodbye.
00:18:16Boo!
00:18:17Boo!
00:18:18Oh, he startled me.
00:18:19Did I?
00:18:21Yes.
00:18:22Must be the pixie in me.
00:18:23I know I shouldn't have called you so late,
00:18:26but I was at a party just around the corner
00:18:28and I remembered your invitation
00:18:30to see your collection of musical boxes.
00:18:32My dear, Mrs. Courtney,
00:18:33the pleasure is all the greater
00:18:34for being so unexpected.
00:18:36My friends called me Hilda.
00:18:38Oh, thanks.
00:18:39Mine called me Stinky.
00:18:40Stinky, how quaint.
00:18:42Oh, what a perfectly wonderful collection
00:18:44of musical boxes.
00:18:45You know, when you told me you had a collection,
00:18:47I had no idea it was so attractive.
00:18:49Yes.
00:18:50They appealed to the ear
00:18:51as well as to the eye.
00:18:54Oh, what a plain little one.
00:18:57Mine looks just like a country cousin
00:18:58amid all this grandeur.
00:19:00No, no, no, no.
00:19:01You mustn't underestimate the country cousin.
00:19:03Only last night a burglar broke in here
00:19:05and with all these to choose from
00:19:06went off with one very much like it.
00:19:08Really?
00:19:08Yes, I don't mind the loss of the box so much,
00:19:10but I do resent this crack on the scalp.
00:19:12But it makes you look so interesting.
00:19:14Oh, do you think so?
00:19:16It's funny, that's what old Fatso said.
00:19:18Fatso?
00:19:18I mean, Dr. Watson.
00:19:20He was here this evening with a friend,
00:19:22Mr. Holmes.
00:19:23He's interested in my collection too.
00:19:25Sherlock Holmes?
00:19:26Yes.
00:19:27Do you know him?
00:19:28I've heard of him.
00:19:29Yes, he seems to think
00:19:30I'm in some sort of danger.
00:19:33What a haunting tune.
00:19:34It takes me right back to my childhood.
00:19:36Really?
00:19:37Do you know, it's odd that you should be interested
00:19:39in that particular musical box.
00:19:40Odd?
00:19:41Why?
00:19:41Because Mr. Holmes is also interested in it.
00:19:43He may have been more interested
00:19:45in the tune than in the box.
00:19:47I get you, that's right.
00:19:48I remember now,
00:19:49he whistled it note for note,
00:19:51having heard it only once.
00:19:52Really?
00:19:53He must be a remarkable man.
00:19:55Bit of an alarmist, if you ask me.
00:19:57Don't you believe in warnings?
00:19:59Of course not.
00:20:00Who'd want a box like that?
00:20:02I would.
00:20:04You're not serious?
00:20:05Oh, but I am.
00:20:07Well, you put me in a very awkward position.
00:20:09I'm a collector, you know.
00:20:11And the collector buys, but never sells.
00:20:14But if the price were high enough.
00:20:17The price has nothing to do with it.
00:20:19It's the principle of the thing.
00:20:23Yes, well, we haven't had our drink.
00:20:25No thanks, I must be getting along.
00:20:29Must you, really?
00:20:30I'm afraid so.
00:20:33You're not walking out on me, are you?
00:20:36My reputation.
00:20:38Stinky.
00:20:40I say, you know, you are an attractive woman.
00:20:43Frank.
00:20:51You fool.
00:20:52I told you to wait outside.
00:20:54What did you have to kill him for?
00:20:56All I had to do was walk out with us.
00:20:58He held you in his arms.
00:20:59Don't touch him.
00:21:01Don't touch anything.
00:21:02Now get out.
00:21:04I'm sorry.
00:21:04You're sorry?
00:21:06What about me?
00:21:07This is murder.
00:21:09What about Scotland Yard?
00:21:11What about Sherlock Holmes?
00:21:13Now get out!
00:21:42Did you get it?
00:21:46Good.
00:21:47Did you have any trouble with him?
00:21:50It's just a matter of murder.
00:21:56Ah, Mr. Holmes.
00:21:58Hopkins.
00:21:59Thanks for coming so promptly.
00:22:00Inspector Moustraud suggested that I call through to you.
00:22:04Mr. Emery was a client of Mr. Holmes, Inspector.
00:22:06Indeed.
00:22:07You didn't mention that when I telephoned you, Mr. Holmes.
00:22:09Well, not exactly a client, Inspector.
00:22:11Dodgen Thompson?
00:22:12He was killed between the hours of 11 and 2 o'clock this morning, Mr. Holmes.
00:22:18It must have been someone he knew, someone of whom he had no suspicion.
00:22:22Poor old Stinky.
00:22:24It's all my fault.
00:22:25I should have prevented this.
00:22:27Well, there's no time to start talking about that now, Doctor.
00:22:30Apparently, it's gone.
00:22:32That's the second attempt on the musical box that Emery bought at the auction sale.
00:22:36And this time, it was successful.
00:22:38But that box was only worth two pounds.
00:22:39It was worth a man's life, Watson.
00:22:41I think we'd better pay a visit to Gaylord's auction room and that fellow Crabtree.
00:22:45Inspector, may I suggest that you make a complete search of this flat
00:22:48for a small, plain, musical box about that size.
00:22:52Thank you.
00:22:53Come on, Watson.
00:22:55You say the first box went to Mr. Julian Emery.
00:22:58The second to Mr. Kilgore, 143 B. Hampton Way.
00:23:01And the third to the unidentified young lady
00:23:04who presumably has a shop and lives near Golders Green.
00:23:06That's right, Mr. Holmes.
00:23:07Isn't it rather strange, Mr. Crabtree,
00:23:09that you should have had three identical musical boxes
00:23:12all playing the same tune.
00:23:13Where'd they come from?
00:23:14Dartmoor Prison.
00:23:15Dartmoor?
00:23:15Yeah, we get a regular shipment from there every month.
00:23:18The inmates manufacture them.
00:23:19They make all kinds of things, you know, pipe racks,
00:23:21waste paper baskets, musical boxes.
00:23:23Did you happen to notice
00:23:24if anyone showed any particular interest during the auction
00:23:27in the purchasers of these three boxes?
00:23:32Oh, come on, Mr. Crabtree.
00:23:33This is very literally a matter of life and death.
00:23:36Well, since you put it that way, Mr. Holmes,
00:23:38there was a gentleman came in here
00:23:39about an hour after closing time
00:23:41and he was in an awful state, he was.
00:23:44He gave me five pounds to tell him
00:23:46where the boxes had gone to.
00:23:47He said they had a sentimental value for him, sir.
00:23:49Oh, expensive sentiment.
00:23:50Can you describe him?
00:23:51He was tall, distinguished looking
00:23:53and he had grey hair and a moustache.
00:23:55Always quite a gentleman, sir.
00:23:56Now, what was his reaction
00:23:58when you were unable to supply him
00:23:59with the address of the young lady who owned the shop?
00:24:02I told him the young lady usually come back on Thursday.
00:24:04He said he'd come back on Thursday.
00:24:06Now, that's tomorrow.
00:24:07Thank you, Mr. Crabtree.
00:24:08You've been very helpful.
00:24:09Thank you.
00:24:09Come along, Watson.
00:24:11Where are we going now, home?
00:24:12We're home with Mr. Kilgore.
00:24:13The man who bought the third box.
00:24:21But hang it all, Holmes.
00:24:23How do you know those other two musical boxes
00:24:24are of any importance?
00:24:26I don't, but I certainly have no intention
00:24:27of waiting until the owners are murdered to find out.
00:24:31No one at home.
00:24:33I hope that's the explanation.
00:24:35Well, have a look through this window.
00:24:43Doesn't seem to be anyone there.
00:24:46Well, the place seems deserted, as far as I can see.
00:24:50Yes.
00:24:51Mr. and Mrs. Kilgore at home?
00:24:52No.
00:24:53When do you expect them?
00:24:54Oh, in an hour or so.
00:24:56There's no use your hanging about.
00:24:58They don't buy nothing from peddlers.
00:24:59Peddlers?
00:25:00My good woman.
00:25:01This is Mr. Sherlock Holmes.
00:25:03Sherlock Holmes?
00:25:04Oh, go on.
00:25:05Do you mind if we come in and wait?
00:25:06My business is rather urgent.
00:25:08Well, I've got to go out and do my shopping.
00:25:11And I don't know if Mrs. Kilgore
00:25:13like any stranger's nosing about.
00:25:14It's quite all right, I assure you.
00:25:16Well, I've got to be off.
00:25:18It's all right in the parlour.
00:25:19And no smoking, either.
00:25:21Mrs. Kilgore says it smells up the house.
00:25:26Funny old girl home.
00:25:46Park Lane.
00:25:47Park Lane?
00:25:48And what would the likes of you be doing in Park Lane?
00:25:50Now, don't worry about the fair ducky.
00:25:52If you know how to get the Park Lane, I'll bet.
00:26:00You know, Holmes, I've been thinking.
00:26:02There must have been something hidden in that box of old stinkies.
00:26:07Stolen jewellery, possibly.
00:26:10What's up, Holmes?
00:26:11What's up, Holmes?
00:26:14What, just the steam in the water pipes?
00:26:23Watson!
00:26:26Great Scott!
00:26:28Come on, Holmes.
00:26:29Get on the chair here.
00:26:33It's all right, my dear.
00:26:36There, there, there.
00:26:37Now, don't worry.
00:26:39It's all over.
00:26:42There you are, dear.
00:26:43Don't cry any more.
00:26:44She tied me up and shut me in the cupboard.
00:26:47I know, I know.
00:26:48She won't come back.
00:26:50Did you show her your new musical box?
00:26:53Yes.
00:26:53She said she wanted to hear it play.
00:26:55And as soon as I showed it to her, she grabbed all of it.
00:26:58I know, I know.
00:26:59Now, don't worry.
00:27:00Nobody will buy you a new musical box.
00:27:01Yes, my dear.
00:27:02The best one in London.
00:27:04Watson.
00:27:06Oh, what a fool.
00:27:07What a fool I've been.
00:27:08What do you mean, Holmes?
00:27:09She took the musical box out of this house in that market basket.
00:27:12Right under our very noses.
00:27:14Why could the Kilgore charwoman want to take the music box?
00:27:17She isn't the Kilgore charwoman.
00:27:18She's a consummate actress.
00:27:20An extremely clever, unscrupulous woman who will stop at nothing.
00:27:23Take care of the char, will you, Wolf.
00:27:24I'll learn till her, till her parents get back.
00:27:26Explain everything to them.
00:27:27Of course I will.
00:27:27But, Holmes, where are you going?
00:27:30Somewhere, somehow.
00:27:32I must get to the young lady who bought that third musical box
00:27:34before our opponents find her.
00:27:36I only hope that I won't be too late.
00:27:41Oh, no.
00:27:43No, no.
00:27:44No, no, no, darling.
00:27:45You mustn't cry anymore.
00:27:47Now, cheer up.
00:27:48Would you...
00:27:49Would you like to hear old uncle make a noise like a duck?
00:28:02Oh, sorry.
00:28:29And now, ladies and gentlemen, how much am I offered for this beautiful lace Dresden China figurine?
00:28:35A lady of the French court.
00:28:37Now, this is the genuine article.
00:28:40What a beautiful ornament for your mantelpiece.
00:28:43Or you could use it as a centerpiece on the dining room table.
00:28:45Now, will somebody start me for ten pounds?
00:28:47Will somebody start me for ten pounds?
00:28:49Eight pounds.
00:28:51Seven pounds.
00:28:52All right.
00:28:53Five.
00:28:53Five pounds is offered.
00:28:54Five pounds is offered.
00:28:55Five pounds is offered.
00:28:56Five pounds, ten.
00:28:57Five pounds, fifteen.
00:28:58Five pounds, fifteen.
00:29:00Six pounds is offered.
00:29:01Six pounds.
00:29:02Six pounds.
00:29:03Going once.
00:29:03Going twice.
00:29:04The third and the last call will be all done.
00:29:06Sold to the lady from Twickenham for six pounds.
00:29:10Next, we have a real museum piece, ladies and gentlemen.
00:29:14A fine 19th century doll.
00:29:16The costume and exact replica of the holiday clothes worn by the Hungarian peasant women.
00:29:21Now, ladies and gentlemen, an article like this would cost you from 15 to 20 pounds in a Western shop.
00:29:26I'm not going to ask for anything like that.
00:29:28Who will give me two pounds for it?
00:29:30Two pounds.
00:29:30Anybody offer me two pounds?
00:29:31Two pounds for the Hungarian?
00:29:33Two pounds?
00:29:34One pound.
00:29:34What?
00:29:35Anybody give me one pound?
00:29:36Anybody offer me one pound for the doll?
00:29:37One pound is offered, ladies and gentlemen.
00:29:39One pound is offered.
00:29:40Now, I'm not going to waste your valuable time or mine in trying to get one half of what this
00:29:45beautiful doll is worth.
00:29:46If the young lady can steal it for one pound, that's her good fortune.
00:29:50That's why it's going once.
00:29:51It's going twice.
00:29:51The third and last call.
00:29:53Anymore?
00:29:54Sold to the young lady for one pound.
00:29:57And now, ladies and gentlemen, may I draw your attention to something which may be a great surprise to you,
00:30:01worthy of any collection.
00:30:03The only other one like it is in the British Museum.
00:30:05It's a Ming vase of the Seventh Dynasty.
00:30:09This vase lay in a large collection somewhere outside Rome for over two centuries, I understand.
00:30:15It was as discovered there by the noted antiquarian, Sir Andrew Copplestone.
00:30:19Now, some of you may remember Sir Andrew Copplestone.
00:30:21Besides being a noted traveling antiquarian, he's also a gentleman rider.
00:30:29The girl with the parcel in her hands, that's her.
00:30:32Are you sure that's the girl?
00:30:34She fits perfectly the auctioneer's description.
00:30:37Follow her, Hamid.
00:31:16It's lovely, dear.
00:31:18And only one pound.
00:31:19We can get at least three for it.
00:31:21Easily.
00:31:21I'll go make some tea.
00:31:23I could do with a cup.
00:31:24Right.
00:31:29Good afternoon.
00:31:31Good afternoon.
00:31:31I'm looking for a birthday gift for a seven-year-old girl.
00:31:34What would you suggest?
00:31:35We have some lovely dolls.
00:31:37Now, this Hungarian present...
00:31:38I think she has enough dolls already.
00:31:39Books are always welcome.
00:31:41Well, I'm looking for something a little different.
00:31:43Well, that's rather cute.
00:31:45What is it?
00:31:45Oh, that's a musical box.
00:31:47Children always love them.
00:31:49And this is an exceptionally nice one.
00:31:52It plays many tunes.
00:32:00Have you any others?
00:32:01Yes.
00:32:02If you'll just get this way.
00:32:04I have only two left.
00:32:10How nice.
00:32:16Are you sure this is all you have?
00:32:18I'm sorry.
00:32:19They're rather hard to find, you know.
00:32:21That's our entire allotment.
00:32:23I did have one other, but I sold it earlier this afternoon.
00:32:26But it was only a plain wooden one.
00:32:28It wouldn't have been a very nice gift for a child.
00:32:30Really?
00:32:32Do you happen to know who the purchaser was?
00:32:35Why, yes.
00:32:36He left his card.
00:32:37Just in case anyone should inquire for him.
00:32:47How interesting.
00:32:51I'm sorry, but I'm afraid I'll have to look a bit further.
00:32:53Thank you, anyway.
00:32:56Ah, good afternoon.
00:32:57Thank you.
00:33:23Thank you.
00:33:27Follow that cab.
00:33:28Here, now. What?
00:33:30Gotland Yard.
00:33:31Hop in.
00:33:39Sherlock Holmes.
00:33:41I might have known.
00:33:42We thought we were the hunters.
00:33:45Instead of which we were the hunted.
00:33:47We've been fools.
00:33:48We played right into his hands.
00:33:51Of course.
00:33:53He's had us followed.
00:33:55Don't look.
00:33:56The man in front of the toy shop.
00:34:01Hamid.
00:34:02Turn sharp right at the next corner and again at the next.
00:34:12No photograph of her, Commissioner.
00:34:14As I expected.
00:34:15She's not a known criminal.
00:34:17But I'd expect to know if you do find her.
00:34:19After all, she was disguised as a charwoman.
00:34:22Don't worry, old fellow.
00:34:23If I ever see her again, I'll recognize her.
00:34:26Well, it won't be long till we know who they are and from where they operate.
00:34:30Who's covering them?
00:34:31Sergeant Thompson's following them, sir.
00:34:33They won't get away from him.
00:34:34He's a good man.
00:34:35We could have arrested them at Clifford's toy shop if we had any proof.
00:34:38But we know that they killed Emmerer.
00:34:40Proof, my dear fellow.
00:34:41We must have proof.
00:34:45We've x-rayed it, sir.
00:34:46There's nothing whatever concealed in the box.
00:34:48We'll have a look at the plates.
00:34:57There must be some clue.
00:35:00And it's probably been so obvious that we've all overlooked it.
00:35:02Seems to me we're up against a bunch of lunatics.
00:35:07Not lunatics, my dear fellow.
00:35:09Extremely astute, cold-blooded murderers.
00:35:11What can these little musical boxes have in them so important?
00:35:15Don't forget they were made in Dartmoor Prison.
00:35:17You can smuggle stuff into prison but not out.
00:35:20Do you want us to break the box apart, sir,
00:35:22to see if there's anything the x-ray hasn't caught?
00:35:24No, not yet.
00:35:26Do you mind if I take it?
00:35:27Certainly.
00:35:27Thanks.
00:35:38The governor of Dartmoor Prison informed us, sir,
00:35:40in answer to Mr. Holmes' question,
00:35:43that all three musical boxes were made by the same convict,
00:35:46John Davidson.
00:35:47Serving a seven-year term, sir.
00:35:48Davidson.
00:35:49The Bank of England plates.
00:35:50That'll be all.
00:35:51Yes, sir.
00:35:53Now we're getting somewhere.
00:35:54If...
00:35:55Wait a minute.
00:35:56How did you know about the plates, Mr. Holmes?
00:35:58I'm a student of crime, Inspector.
00:36:00I make it my business to know about such things.
00:36:02And when the name of Davidson was mentioned...
00:36:04Well, who is this fellow Davidson?
00:36:06As long as Mr. Holmes seems to know all about it already,
00:36:08I suppose there's no harm in telling you.
00:36:13Two years ago in London, there occurred a robbery of such tremendous importance.
00:36:18Although the stolen articles themselves have no intrinsic value whatsoever,
00:36:22that the Home Secretary was instrumental in seeing that not a word of it appeared in any newspaper.
00:36:26But you never told me anything about this, Holmes?
00:36:29You were away at the time.
00:36:31Articles of no intrinsic value and yet of such importance?
00:36:34Huh.
00:36:34I don't understand.
00:36:36Davidson was apprehended within 15 minutes of permitting the theft.
00:36:40But by that time, he'd hidden the articles in question and they've yet to be found.
00:36:45Before going further, Dr. Watson,
00:36:47I must inform you that this matter is not to be mentioned outside of this room.
00:36:50Of course not.
00:36:51Do I look like a man who'd gossip?
00:36:53Let's not go into that now, old fellow, shall we?
00:36:56Davidson had been employed for years in a position of extreme trust
00:37:00by the engravings department of the Bank of England.
00:37:02The articles he stole were nothing less than a complete duplicate set of plates for printing five-pound notes.
00:37:09What? The Bank of England's own plates?
00:37:12Precisely.
00:37:13And with those plates, a gang of crooks could flood England with five-pound notes,
00:37:17not forged in the usual sense of the word,
00:37:20but notes undetectable from genuine Bank of England notes in any way whatsoever.
00:37:24Good heavens.
00:37:25Any whisper at all might have resulted in enormous damage
00:37:28in shaking public confidence in the Treasury.
00:37:30We tried everything after we arrested Davidson.
00:37:33Offered him a shorter sentence if he'd tell us where he'd hidden the plates.
00:37:35Why, we even put in Scotland Yard men with him as cellmates, but no results.
00:37:40Obviously Davidson is a man of strong character and infinite patience.
00:37:45Yet suddenly he feels impelled to smuggle out the secret of the hiding place of the plates to his Confederates.
00:37:51Why?
00:37:52I don't understand, Mr. Holmes.
00:37:55Well, for example, has the Bank of England made any plans to radically change the design of the five-pound
00:38:01notes,
00:38:02so that in, say, seven years from now, notes made from the stolen plates would be worthless?
00:38:07Confidentially, Mr. Holmes, such a move was discussed.
00:38:10But replacing all the five-pound notes in circulation would be such a Herculean task that nothing's been done about
00:38:16it as yet.
00:38:16I see. Of course, there is another possible explanation.
00:38:20Davidson didn't have much time to find a hiding place before he was captured.
00:38:24He may be afraid that the plates will be accidentally discovered before he's released.
00:38:30Hence his anxiety to communicate their whereabouts to his Confederates as soon as possible.
00:38:35I believe you've hit it, Mr. Holmes.
00:38:38I'm sure that the message is contained in this musical box.
00:38:43Or rather, in all three musical boxes, since possession of all three seems to be essential.
00:38:48Our opponents have two-thirds of the puzzle. We have one-third.
00:38:52Well, what are you going to do, Holmes?
00:38:54Try to deduce the message from the one-third that we have.
00:39:19That's what I am indeed!
00:39:20Go ahead!
00:39:20This is what you say.
00:39:36It is very brief, but not lonely, Mr. Holmes.
00:39:37O bir şarkı tepkide bir şarkı çalıyor.
00:39:42Ama çok farklı.
00:39:44Bu şarkı o.
00:39:46Bu şarkı.
00:39:49Bu şarkı çapkide bir şarkı çalıyor.
00:39:54Bu şarkı çapkide.
00:39:56Bu şarkı çapkide üç şarkı çapkide bir şarkı var.
00:40:00Sarkısı ile şarkı mı?
00:40:04Evet.
00:40:05Evet.
00:40:07Bu, Inspector.
00:40:08Teşekkürler.
00:40:11Hapkırın.
00:40:13Ne?
00:40:16Ne?
00:40:19Goulders Green Station.
00:40:20Goulders Green Station.
00:40:20Sgt. Thompson's body.
00:40:22Tire marks on his clothes.
00:40:24He apparently ran over that taxi.
00:40:27An unfortunate accident.
00:40:29Not an accident.
00:40:32I'm afraid it's murder.
00:40:35Oh, you never know just who you're going to meet.
00:40:41When you're walking down a busy London street.
00:40:45Mrs. Orchid, Mrs. Brown, any subject of the crowd.
00:40:50Oh, you never know just who you're going to meet.
00:40:54So, you better hold your topper in your hand.
00:41:01Just in case you meet a lady on the strand.
00:41:06Girls will think you're kinda sweet.
00:41:08And your day will be complete.
00:41:11Oh, you never know just who you're going to meet.
00:41:14Now a gentleman is judged by his appearance.
00:41:20Yes, a gentleman is judged by how he talks.
00:41:24Now he's much better off when he's actin' like a toff.
00:41:30Especially if he's takin' him a walk.
00:41:33What on earth is this outlandish place?
00:41:36A rendezvous for actors.
00:41:38Actors?
00:41:40Buskers, old boy.
00:41:41You've seen them a thousand times.
00:41:43Actors who entertain the queues.
00:41:46Waiting outside theatres.
00:41:47So, you never know just who you're going to meet.
00:41:52When you're walking down a busy London street.
00:41:57So, you better wear your vest.
00:42:00Hell with pies to look your best.
00:42:02Cause you never know just who you're going to meet.
00:42:06So, you better keep your manners right in view.
00:42:13Just in case a lion gives a how to do.
00:42:18Keep your trousers in a pleat.
00:42:20Shine your shoes and keep them neat.
00:42:23Cause you never know just who you're going to meet.
00:42:27Blimey.
00:42:28Mr. Holmes.
00:42:31How are you, Joe?
00:42:32Never pet him.
00:42:34And yourself?
00:42:34Fine, thank you.
00:42:35I want you to meet a friend of mine, Dr. Watson.
00:42:37Joe Sisto.
00:42:38Oh, well, any friend of Mr. Holmes is a friend of mine.
00:42:40Hi, Joe.
00:42:41He did me a good turn once that I'll never forget.
00:42:43Yes, I cleared Joe of a most unpleasant charge.
00:42:46Murder, no less.
00:42:47Oh, really?
00:42:48By proving to the satisfaction of the police
00:42:50that he was busy at the time blowing open someone's safe.
00:42:52That's right, Governor.
00:42:53Good gracious me.
00:42:55Now, Joe.
00:42:57Now you can help me.
00:42:59Come on.
00:43:00Buzz off.
00:43:00Buzz off.
00:43:01Come on, up here.
00:43:02Up here.
00:43:02Can't a gentleman have some peace and quiet around here?
00:43:08And you too.
00:43:11There you are, Mr. Holmes.
00:43:13Now we can have some peace and quiet around here.
00:43:14Thank you, Joe.
00:43:16There's five pounds in this for you.
00:43:18Well, I wouldn't want to take it on myself, sir.
00:43:21But I can get somebody to do it for you for half of that.
00:43:23You don't know what the job is yet.
00:43:25For five pounds?
00:43:26Murder, ain't it?
00:43:27What?
00:43:28No, Joe.
00:43:29Not murder.
00:43:29Just music.
00:43:31I want you to identify a song for me.
00:43:33Oh, there ain't a song that's been written that I don't know.
00:43:35That's why I came, Joe.
00:43:37Of course, the violin is more my instrument, but, um...
00:43:40Oh, well.
00:43:41Here we go.
00:43:42Now listen to this, Joe.
00:43:49Wait a minute.
00:43:50You're playing that wrong.
00:43:51That should be E natural, not E flat.
00:43:53You know the song?
00:43:54Oh, yes.
00:43:55It's an old Australian song called, uh...
00:43:58The Swag Man.
00:43:58But you're playing it all wrong.
00:44:00That's what I hoped you'd say.
00:44:01Now listen again, Joe.
00:44:09That's the same tune, all right.
00:44:10But you're making different mistakes than you did the first time.
00:44:13No, not mistakes, Joe.
00:44:14Call them variations.
00:44:15Here.
00:44:16Play the song for me.
00:44:17We're near the way it's written.
00:44:39Here you are.
00:44:41Thank you, Joe.
00:44:42What's it mean, Holmes?
00:44:44Are you on to something?
00:44:46Perhaps.
00:44:47I don't know yet.
00:44:49It's probably a code of some sort.
00:44:52Joe.
00:44:54Are you on to something?
00:44:55İzlediğiniz için teşekkür ederim.
00:44:57Emel değil, O işin alayısını?
00:44:59Güzel 1 unos.
00:45:00Ama bir hafta biraz.
00:45:01Evet.
00:45:02Mabel.
00:45:05Pale Ale.
00:45:06Alın, o da hiç değil.
00:45:07Ancak ülke değil.
00:45:20Bu, üçüncü şeyin sенermi.
00:45:22Değil mi?
00:45:22Nelîsiz.
00:45:22Bu ne menele söyler.
00:45:25Evet, ilk lira yasak çoğun temeli.
00:45:26Önceli storyiğimizin emeryi birisi delimi.
00:45:30Yoksa ne?
00:45:31Önceli bir прогi.
00:45:31Çok tehlike.
00:45:31Doğru.
00:45:33Tanışma, bu şarkı çakışma.
00:45:35Bir tanışma, ne?
00:45:37O, nurum ya.
00:45:37İzlediğiniz için teşekkür ederim.
00:45:39Birinci sorun kalmasın içerisinde
00:45:42bir şey olmadığınızda, ne kadar çok trivial.
00:45:44Ben üçe bir tane var.
00:45:46Çünkü bir tane var.
00:45:50Bir tane var.
00:45:52Bu üçün bir tane var.
00:45:53Bir tane de bir tane var.
00:45:54Bir tane var.
00:45:56Evet.
00:46:00Yüz bir bakım.
00:46:03Bu, bir tane var.
00:46:05İzlediğiniz için çok kolay bir soru var.
00:46:13Merhaba.
00:46:14Bu ne?
00:46:18Bu ne?
00:46:19Bu ne?
00:46:20Bu ne?
00:46:32Evet.
00:46:38İzlediğiniz için teşekkür ederim.
00:46:39Mrs. Hudson?
00:46:41Evet?
00:46:43Oh, bu ne?
00:46:45Bu ne?
00:46:47Bu ne?
00:47:02Merhaba, Mr. Holmes.
00:47:07İzlediğiniz için teşekkür ederim.
00:47:19İzlediğiniz için teşekkür ederim.
00:47:21İzlediğiniz için teşekkür ederim.
00:47:27İzlediğiniz için teşekkür ederim.
00:47:29İzlediğiniz için teşekkür ederim.
00:47:31İzlediğiniz için teşekkür ederim.
00:47:32ve
00:47:32ne?
00:47:33İzlediğiniz için teşekkür ederim.
00:47:34Bir şey.
00:47:37İzlediğiniz için teşekkür ederim.
00:47:37All right, now don't worry, Mrs. Hudson.
00:47:43Don't worry.
00:47:44İzlediğiniz için, her musical box var.
00:47:47They didn't get it.
00:47:48Didn't get it?
00:47:50Where is it?
00:47:51It's in your hand.
00:47:53In the biscuit jar.
00:47:57Pek the biscuits off the top.
00:48:02Now, put your hand inside, and you'll find the music box.
00:48:06İzlediğiniz için teşekkür ederim.
00:48:44İzlediğiniz için teşekkür ederim.
00:49:06İzlediğiniz için teşekkür ederim.
00:49:08İzlediğiniz için teşekkür ederim.
00:49:27İzlediğiniz için teşekkür ederim.
00:49:58İzlediğiniz için teşekkür ederim.
00:50:05İzlediğiniz için teşekkür ederim.
00:50:08İzlediğiniz için teşekkür ederim.
00:50:23İzlediğiniz için teşekkür ederim.
00:50:34İzlediğiniz için teşekkür ederim.
00:50:39İzlediğiniz için teşekkür ederim.
00:50:40İzlediğiniz için teşekkür ederim.
00:50:50İzlediğiniz için teşekkür ederim.
00:50:57İzlediğiniz için teşekkür ederim.
00:51:01İzlediğiniz için teşekkür ederim.
00:51:02İzlediğiniz için teşekkür ederim.
00:51:03İzlediğiniz için teşekkür ederim.
00:51:07İzlediğiniz için teşekkür ederim.
00:51:11İzlediğiniz için teşekkür ederim.
00:51:13ederim.
00:51:15İzlediğiniz için teşekkür ederim.
00:51:16ederim.
00:51:17İzlediğiniz için teşekkür ederim.
00:51:27İzlediğiniz için withholden de
00:51:29ALLİ ZEDPsion
00:51:45Yardımın ilk başı.
00:51:48Bu yüzden 10,000 Docteurs'a İndir.
00:51:53Evet, fakat.
00:51:54Evet, bütün yıldır.
00:51:56Bu nedenle, bu işçiler için bir işçiler.
00:51:59Bu işçiler, değil.
00:52:01Bu işçiler, çeyrek ve haystekler.
00:52:04Bu yüzden, bu işçilerin yerleştiriyorum.
00:52:05Eğer ve yöntemlerle işçilerin geliştirme.
00:52:12Evet, Dr. S.
00:52:14Thank you.
00:52:15Meantime, I intend to follow up a little clue concerning a cigarette.
00:52:25You are certain of the identification of the tobacco?
00:52:28Absolutely.
00:52:29I have made up this special blend for only three customers.
00:52:33It is almost pure Egyptian,
00:52:35with admixture of Latakia for added body
00:52:39and a pinch of Perique.
00:52:42Merely a whisper, as one might say, for elusive fragrance.
00:52:46Yes, yes. And the three customers?
00:52:49Major Wilson in Bombay, India.
00:52:51Mm-hmm.
00:52:52Mrs. Catherine Leamington-Smith in Ireland.
00:52:56Yes, and the third?
00:52:57Mrs. Hilda Courtney of Park Mansions, Bryanston Square.
00:53:02Thank you. Thank you very much. You've been most helpful.
00:53:04It is a pleasure to have been of service, Mr. Holmes.
00:53:17Yes?
00:53:18Mrs. Courtney?
00:53:19Yes.
00:53:20My name is Sherlock Holmes.
00:53:22Oh, do come in.
00:53:23Thank you.
00:53:25I've heard of you, of course, Mr. Holmes.
00:53:29I believe we have a mutual friend in Sir Edward Brookdale.
00:53:32He's spoken to me of you quite often.
00:53:34Indeed.
00:53:38And to what good fortune am I indebted for this visit?
00:53:41I think you know, Mrs. Courtney.
00:53:44Well, I did get a summons for speeding last week.
00:53:47But outside of that, I don't think I'm of any interest to the police.
00:53:51Oh, come now, Mrs. Courtney.
00:53:52You seem to forget that you and I have met before.
00:53:55I'm sorry.
00:53:56I'm sure I would have remembered meeting the great Sherlock Holmes.
00:53:59Please sit down.
00:54:00Thank you.
00:54:02You say we met before?
00:54:04Yes.
00:54:05At the home of Mr. and Mrs. Kilgore, 143 B Hampton Road.
00:54:11Kilgore?
00:54:12I don't think I know anyone of that name.
00:54:15Well, I didn't say you knew them.
00:54:17As a matter of fact, you called on them when they were out.
00:54:21I don't understand, Mr. Holmes.
00:54:24Really?
00:54:25And you were dressed rather differently.
00:54:27Indeed.
00:54:29Cigarette.
00:54:32Thank you.
00:54:49You know, Mrs. Courtney, people generally forget, in assuming a disguise,
00:54:55that the shape of the ear is an almost infallible means of recognition and identification to the trained eye.
00:55:01Evidently, you've mistaken me for someone else.
00:55:03Oh, no.
00:55:04Not at all.
00:55:04Though naturally, I expected your denial.
00:55:07But when you paid your visit to my rooms at Baker Street, you carelessly left behind another identification.
00:55:18They're, uh...
00:55:19Identical, aren't they?
00:55:20Yes, I must admit they are.
00:55:22You see, Mr. Holmes, to catch one as clever as you, I had to use a very special lure.
00:55:27I knew you'd be unable to resist the bait of my cigarette, having read with great interest your monograph on
00:55:33the ashes of 140 different varieties of tobacco.
00:55:36I should advise you not to move, Mr. Holmes.
00:55:42I must congratulate you on your ingenuity, Mrs. Courtney.
00:55:45It was indeed a brilliantly designed trap.
00:55:47Thank you, Mr. Holmes.
00:55:49Praise from a master is indeed gratifying.
00:55:52I shall always cherish the memory of your flattering words.
00:55:56Memory?
00:55:59Precisely.
00:56:00I'm afraid these gentlemen have a most regrettable task to perform.
00:56:03Unless, of course, you care to turn over the missing musical box with your pledge to take no action against
00:56:11us in the future.
00:56:12I'm afraid that will be impossible.
00:56:14I thought that would be your answer.
00:56:16Hummed!
00:56:17Careful!
00:56:19Careful.
00:56:20There's no need to be unnecessarily rough with our distinguished guests.
00:56:23You realize, Mr. Holmes, that your demise will not take place here, the, uh...
00:56:30Corpus Delecti, you know?
00:56:31Well, naturally.
00:56:32Shall we go?
00:56:36It's so fearfully awkward having a dead body lying about.
00:56:40Don't you agree, Mr. Holmes?
00:56:41Another dead body shouldn't weigh too heavily on your conscience, Mrs. Courtney.
00:56:54You mind if I have a cigarette?
00:56:56Well, I don't see why not.
00:57:11Be careful, Hamid.
00:57:14It's the brakes. They bind.
00:57:18Thank you, Colonel Kavanagh. It's very considerate of you.
00:57:21I want you to kill him.
00:57:31Dad!
00:57:40Doh!
00:57:42George!
00:57:42This one of theů
00:57:51Thelarını...
00:57:52You'll be happy to know, Mr. Holmes, that your death will be a painless one.
00:57:59Hamid, attach this to the motor of the taxi.
00:58:05That little attachment, Mr. Holmes, contains the deadly fluid known as monosulfrid.
00:58:12The Germans use it with gratifying results in removing their undesirebles.
00:58:22Start the motor.
00:58:45Tape his mouth.
00:58:54Now, up with him, Hamid.
00:59:07You find yourself like Mohammed's coffin, Mr. Holmes.
00:59:12Suspended between heaven and earth.
00:59:21I'm sorry.
00:59:21Plenty of fuel in the tank?
00:59:24Good.
00:59:25It would be too bad to have anything go wrong through so simple an oversight.
01:00:15It probably shouldn't be too bad to have to have any cash-out.
01:00:31İzlediğiniz için teşekkür ederim.
01:00:56İzlediğiniz için teşekkür ederim.
01:01:22İzlediğiniz için teşekkür ederim.
01:01:47İzlediğiniz için teşekkür ederim.
01:02:20İzlediğiniz için teşekkür ederim.
01:02:20İzlediğiniz için teşekkür ederim.
01:02:22İzlediğiniz için teşekkür ederim.
01:02:28İzlediğiniz için teşekkür ederim.
01:02:59İzlediğiniz için teşekkür ederim.
01:03:49İzlediğiniz için teşekkür ederim.
01:04:22İzlediğiniz için teşekkür ederim.
01:04:53Hoşçakalın.
01:04:54İzlediğiniz için teşekkür ederim.
01:04:58İzlediğiniz için teşekkür ederim.
01:05:35İzlediğiniz için teşekkür ederim.
01:06:09İzlediğiniz için teşekkür ederim.
01:06:13İzlediğiniz için teşekkür ederim.
01:07:48İzlediğiniz için teşekkür ederim.
01:08:08abone olmalı.
01:08:11abone olmalı.
01:08:13abone olmalı.
01:08:27abone olmalı.
01:08:39abone olmalı.
01:08:42abone olmalı.
01:08:44abone olmalı.
01:08:55abone olmalı.
01:08:58abone olmalı.
01:09:03abone olmalı.
01:09:04Bu ne?
01:09:06Şimdi, bu dağılık, yukarıda,
01:09:08yukarıda geçti.
01:09:10Bu dağılık,
01:09:12ve Dr. Johnson'un öldü.
01:09:15Bu ne?
01:09:17Gout.
01:09:18Gout.
01:09:20Bu dağılık, ladies andı dağılık.
01:09:36İzlediğiniz için teşekkür ederim.
01:10:12İzlediğiniz için teşekkür ederim.
01:10:34İzlediğiniz için teşekkür ederim.
01:10:39İzlediğiniz için teşekkür ederim.
01:10:40İzlediğiniz için teşekkür ederim.
01:10:54İzlediğiniz için teşekkür ederim.
01:10:55İzlediğiniz için teşekkür ederim.
01:11:55İzlediğiniz için teşekkür ederim.
01:11:57İzlediğiniz için teşekkür ederim.