Cuarto Milenio - 4x03 - Pascua: ojos que miran al cielo - Parte 2 - HD 720 - Vídeo Dailymotion

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- Experimentos: presencias - Pascua: ojos que miran al cielo - El ritual Alexander

Transcript

00:00:00...

00:00:10Look at these images, I don't know what they are.

00:00:13It remains to be seen whether this is some kind of setup, or an error.

00:00:17But there are several interesting components.

00:00:19They speak of the mythical blood-sucking animal, of the cattle that attack,

00:00:24But what we didn't have until now is the footage of two police officers,

00:00:28the images broadcast, in addition, by the main US networks.

00:00:31Carmen.

00:00:31It's interesting because for the first time we would have that mythical figure recorded.

00:00:37which some call the chupacabra, Siker.

00:00:40It's interesting because it's a police recording.

00:00:42They are two Texas police officers, named Ellie Carter and Brandon Riddle,

00:00:47Those who film this supposed animal that attacks livestock and sucks their blood

00:00:52until they bled out completely.

00:00:55The images have been seen by specialists, by veterinarians.

00:00:59The truth is, they say it's a very strange animal, even the police officers themselves.

00:01:02They claimed it had big teeth, a huge head, and short legs.

00:01:06and the forehead compressed backwards.

00:01:08The two police officers claim they were raised in the countryside

00:01:12and that they had never seen such a strange animal.

00:01:15According to veterinarians, Siker may be a coyote.

00:01:19although they don't have everything going for them.

00:01:21A coyote with a deformed head, from a blow or some congenital malformation?

00:01:25Of course, they say it would be an animal with some kind of malformation.

00:01:29and that makes her legs look shorter,

00:01:31that looks more robust than a coyote, shorter,

00:01:35But it could be, although they can't be 100% sure.

00:01:38And they blame him for some of the attacks on livestock that they are provoking.

00:01:41As happens from time to time, panic in certain rural areas,

00:01:45some animals with a single awl.

00:01:47And of course, this comes with the option of something that's been happening lately,

00:01:50We have received reports, and we are investigating in some areas.

00:01:53Well, different from Spain, but especially in Extremadura.

00:01:56There's new information.

00:01:57Another strange attack on animals has occurred.

00:02:01It is believed to be a mysterious and enormous animal

00:02:03has ended the lives of three very robust griffon dogs.

00:02:06On their bodies, members of the Civil Guard discovered large bite marks,

00:02:10in addition to having been literally devoured in the rib and neck area.

00:02:15Ten piglets were also missing, and the mother sow was displaying great violence.

00:02:19when her caregiver approached to see if she had also suffered any harm.

00:02:23What intrigues the security forces and the ranchers the most

00:02:26is that the animal that committed these acts

00:02:29has been able to jump over the stone fence built to wolf-proof,

00:02:33fall into the middle of a corral and kill three fierce dogs

00:02:36who defend their territory tooth and nail.

00:02:39Félix Barroso, from the scene of the events, tells us what may have happened.

00:02:43He came across the stone fence broken, lying on the ground, collapsed,

00:02:49It even looks as if it were some kind of strange, strong, robust, muscular animal.

00:02:55He would have jumped the fence and when he got inside he found

00:02:59that the sow, the mother pig, would throw herself at him, she would become a complete beast.

00:03:04There was no way to calm her down, and it took wind and retreat.

00:03:06because it was unable to enter the downhill section.

00:03:09Then, observing, he came across the three griffon dogs

00:03:12that he had to hunt three strong, beautiful dogs to hunt the wild boar

00:03:16who were completely bloodless on the ground

00:03:21And two of them, it seemed, had COVID in their rib areas.

00:03:24and the neck area.

00:03:26When this gentleman reported this to the Civil Guard

00:03:30The corresponding investigations have been carried out

00:03:32and José Raúl Martín Paradanta himself

00:03:35It speaks of the lightning that was above the dogs,

00:03:42a kind of jug with nails

00:03:44and the Civil Guard also testified later, it seems,

00:03:48which correspond to an animal stronger than a wolf.

00:03:52In short, we're talking about attacks by some kind of animal.

00:03:54from some feline, from some clandestine hunts,

00:03:56But this causes fear in people, fear in hunters.

00:03:59We will continue to follow these news stories very closely.

00:04:02Make no mistake,

00:04:03Our colleague Luis Álvarez is already taking some steps.

00:04:05We are going to a holy place, Jerusalem.

00:04:09Jerusalem, and we go again to this holy city

00:04:11because a wall has been discovered

00:04:13which is apparently 2,100 years old.

00:04:16Part of this construction dates back to the time

00:04:17of the second temple sacred to the Jews,

00:04:20between the 2nd century BC and the year 70.

00:04:23The structure was part of a fortification

00:04:256 kilometers long around the city

00:04:28and was destroyed during the great rebellion in Jerusalem.

00:04:31Specialists from the Israel Antiquities Authority

00:04:34They point out that 400 years later,

00:04:37without knowing anything about her or seeing her remains,

00:04:38A similar wall was built on the same site,

00:04:41which would prove that this was the best topographical point

00:04:44to defend the city.

00:04:46They also pointed out that at that time

00:04:48Jerusalem was the focus of Jewish pilgrimage

00:04:50throughout the ancient world and in the later Byzantine period

00:04:53It attracted Christian pilgrims who arrived following in the footsteps

00:04:57of the story about the life and death of their Messiah.

00:05:01Well, now we could draw something like a parallel.

00:05:04with the pre-Columbian American Jerusalem, Teotihuacan.

00:05:08And why are we bringing up Teotihuacan?

00:05:10Because it's going to be shown for the first time

00:05:12an exhibition that includes 426 pieces

00:05:15than ever before, in the 100 years since its discovery,

00:05:19They had been together again.

00:05:21This exhibition summarizes 100 years of research

00:05:23where the beginning, splendor and decline are shown

00:05:26of that powerful civilization.

00:05:28Pieces like the polychrome jaguar made of chala

00:05:30which appears to be covered in feathers

00:05:33and that it was part of a structure

00:05:34which was located between the pyramid of the moon and the pyramid of the sun

00:05:37or elements that refer to music

00:05:39or to the ball game

00:05:40These are just some of the elements that can be seen.

00:05:43in Teotihuacan, city of gods.

00:05:45Some objects taken from the pyramid of the moon

00:05:48are related to sacrificial activities

00:05:50and from the high political classes of the ancient civilization.

00:05:54And for the first time in the excavations produced

00:05:56in recent years

00:05:57Human sacrifice practices have been found.

00:06:01In addition, obsidian knives will be on display,

00:06:03funerary offerings, ceramics, figurines

00:06:05and even architectural elements

00:06:07that refer to one of the most important deities

00:06:10of this city, Taklok.

00:06:12Taklok.

00:06:13A figure always in shadows

00:06:15for the cultures of that country.

00:06:17Now, without wasting a minute, you already know,

00:06:19one of his favorite sections, Unusual World.

00:06:27The first of today's unusual news stories

00:06:29It takes us to the Argentinian city of Ceres.

00:06:33There's an entire school; he doesn't want to attend classes.

00:06:37He doesn't want to teach because he's afraid of a ghost.

00:06:39who apparently hides in the bathrooms.

00:06:42Many witnesses claim to have seen a girl dressed in white.

00:06:47that is hanging from the neck by a rope

00:06:50in one of the pipes in that bathroom

00:06:52and that his hands are bloody.

00:06:55Both parents and children are afraid

00:06:58that they may encounter that extraordinary vision once again

00:07:02So macabre, isn't it?

00:07:03And the children, of course, after seeing that ghost,

00:07:06They don't want to go to class.

00:07:09And speaking of girls, they have fared even worse in Pakistan

00:07:11Three 16-year-old girls who have been buried alive

00:07:15after having married without consent

00:07:17of the oldest in his tribe.

00:07:20Apparently they found out that the young women had gotten married

00:07:23Without their consent, they went after them.

00:07:25and also after their mothers who had consented to it

00:07:28and they buried all the women alive.

00:07:31More unusual and macabre news has arrived.

00:07:34These types of rituals are still performed in Pakistan.

00:07:39And we end Unusual World with a positive piece of news.

00:07:42Apparently, through the mediation of Pope John Paul I

00:07:46an alleged miracle has occurred.

00:07:49A poor Italian day laborer says that after dreaming about this Pope

00:07:54whom they called the Smiling Pope

00:07:56He was cured of stomach cancer.

00:07:58The doctors, moreover, couldn't believe it.

00:08:00They had all the medical evidence, including x-rays.

00:08:03of that large tumor he had in his stomach.

00:08:06And the next day, after dreaming about the Pope

00:08:08He had absolutely nothing left.

00:08:10The Congregation for the Causes of Saints

00:08:12is now investigating the case

00:08:13to see if it really is a miracle.

00:08:16Well, this supposed miracle is sure to make the news

00:08:19And it will surely be forgotten too.

00:08:21As unfairly happened with other events.

00:08:23The next one will surprise you.

00:08:25Let's go to the archives.

00:08:37And we'll be gone until Friday, March 15, 1974.

00:08:43And not to talk to them about that oil embargo against the United States,

00:08:47of the great global economic crisis, no, no.

00:08:49But to recover one of those amazing news stories,

00:08:52really curious.

00:08:53If they have their monster in Lake Nestor,

00:08:56There was one on the Cantabrian coast too, Carmen.

00:08:58On Aredo beach, it was some children who,

00:09:01playing, as they did almost every day in that arena,

00:09:04They encountered an extremely large animal,

00:09:076 meters long, weighing about 800 kilos,

00:09:11and that they also didn't know how to identify very well.

00:09:13Even the local fishermen who came near

00:09:15at the call of the children,

00:09:17They said they had never seen a monster in their lives.

00:09:19of such characteristics.

00:09:21Well, it was all published in the Northern Gazette.

00:09:24In the 1970s, a truly fundamental newspaper,

00:09:28pillar in the information of the mystery.

00:09:30You'll see how in this archive section

00:09:32We often retrieved this mythical Biscayan headline.

00:09:35The curious thing is that this gigantic saurian, for some,

00:09:39reptile to others,

00:09:40And of course fish, which was the most logical choice for the vast majority,

00:09:43had stopped at the beaches,

00:09:45It was already in a state of decay,

00:09:46And there was an unprecedented controversy.

00:09:48Because after the scientists said

00:09:50which could be a type of whale shark,

00:09:53There were many people who said no,

00:09:55that they had seen him,

00:09:56And honestly, they thought it looked like a dinosaur.

00:09:58Yes, and also, look,

00:09:59because scientists indicated that it could be

00:10:02maybe a storm fish.

00:10:03Had you ever heard of it?

00:10:05A fish that apparently,

00:10:07after the storms in Norway,

00:10:09appeared.

00:10:09But there was also talk of the Spanish Loch Ness Monster.

00:10:13And on this occasion,

00:10:14The truth is, I didn't really know.

00:10:16What to face when confronted by a gigantic sea serpent,

00:10:19or maybe a whale shark.

00:10:21Well, it was never known.

00:10:22The monster disappeared.

00:10:24The news disappeared.

00:10:25And where do we go now, Carmen?

00:10:27Well, everything has been discussed.

00:10:28Also of monsters,

00:10:29although of a different type.

00:10:30And above all, pay attention to their gaze.

00:10:32I don't want to tell you any more,

00:10:33I want you to discover it.

00:10:34We left for a place where loneliness

00:10:37reaches its maximum expression.

00:10:39A land far from anywhere.

00:10:41One of the navels of the world.

00:10:44One of the most mysterious enclaves

00:10:47of planet Earth.

00:10:48Enjoy it.

00:10:53It tells the story.

00:10:54That old story

00:10:55that will never be written in books.

00:10:57That more than a thousand years ago,

00:10:58the king of an island,

00:11:00on the verge of disappearing,

00:11:01called Jiva,

00:11:02he sought new lands

00:11:03for the survival of their people.

00:11:05The threat of a major earthquake

00:11:07It loomed over them.

00:11:08And all the signs of a bad omen

00:11:10They had already been given.

00:11:16He entrusted the mission

00:11:17to his advisor,

00:11:18Jaú Maka,

00:11:19the shaman capable of splitting his body

00:11:21and travel with the spirit

00:11:23in search of other frontiers.

00:11:30The sorcerer,

00:11:31after a long ordeal,

00:11:33He had precise visions

00:11:34from a place in the middle of the ocean.

00:11:36An island never set foot on by other men

00:11:38and that he located precisely

00:11:40on an early map.

00:11:43That

00:11:43It was undoubtedly the point of salvation.

00:11:46A land

00:11:47whom he called

00:11:48Matakiterangi,

00:11:50eyes

00:11:50that they look to the sky.

00:12:04A long time ago,

00:12:05a long time ago,

00:12:06all the way to this beach

00:12:07King Jotumatua arrived.

00:12:10Nobody knows for sure.

00:12:11When did it happen.

00:12:12What many say

00:12:13in this town

00:12:14because he was carrying a mysterious treasure.

00:12:17About 70 tablets

00:12:18recorded in a language

00:12:19that we can no longer understand.

00:12:21From there

00:12:21The mystery begins.

00:12:23A mystery that has been written about

00:12:24And everything has been said.

00:12:25But we are here

00:12:26to try to find out more.

00:12:28To know, for example,

00:12:29Why this town

00:12:30He erected such strange sculptures

00:12:31to the gods.

00:12:32Why is there art here?

00:12:33and some iconographic representations

00:12:35that do not exist

00:12:36nowhere else on Earth.

00:12:38Why are there so many secrets?

00:12:39that nobody wants to talk about

00:12:40on this island

00:12:41the furthest away

00:12:43from anywhere on the planet.

00:12:45All this and much more.

00:12:46It is our mission

00:12:47really know

00:12:48What happened here?

00:12:49And why was there an ending?

00:12:50so abrupt.

00:12:51It gives the impression

00:12:52that the builders

00:12:53prodigious of this place

00:12:55overnight

00:12:56They left their work

00:12:57and only remained

00:12:59unanswered questions.

00:13:01They already know.

00:13:02We are, dear friends,

00:13:04on Easter Island.

00:13:08The story that is being written

00:13:10in the books

00:13:10the navigator says

00:13:12Dutch Rojeven

00:13:12he came across this place

00:13:14at sunset

00:13:15April 6th

00:13:16Easter

00:13:17of the year of the Lord

00:13:18of 1722.

00:13:20He called this volcanic land

00:13:22Easter Island

00:13:23and as soon as I set foot in it

00:13:24He knew that he was

00:13:26not only

00:13:26in the most remote place

00:13:27of the known world

00:13:28but in the kingdom

00:13:30of some mysterious beings

00:13:31stone.

00:13:32Beings

00:13:33with his strange expression

00:13:34were shown

00:13:35like the real ones

00:13:37owners of the place.

00:13:40The arrival of the white man

00:13:41It also brought with it

00:13:43the rumble

00:13:43of firearms

00:13:44and after some encounters

00:13:46wretches

00:13:47without even passing

00:13:48one day there

00:13:49Rojeven and his people

00:13:50They fled the island

00:13:51as a soul

00:13:52that the devil takes.

00:13:57And time passed.

00:13:58a long time

00:13:59until another crew

00:14:01arrived at these shores.

00:14:04It was the frigate

00:14:04from Spanish

00:14:05Felipe González de Aedo

00:14:07who led

00:14:07the expedition.

00:14:15The first thing he did

00:14:17It was to place some crosses

00:14:18on top of a mountain

00:14:19comparing perhaps

00:14:21that new world

00:14:22with a great ordeal.

00:14:35After

00:14:35forced the last one

00:14:37Easter king

00:14:37to sign a document

00:14:39to annex his kingdom

00:14:40to the crown of Spain.

00:14:51The Rapa Nui monarch

00:14:52he signed it with strange signs

00:14:54never seen before.

00:14:55From that moment on

00:14:57the place

00:14:57He was baptized

00:14:58like San Carlos Island.

00:15:03If we observe

00:15:05the small island

00:15:05Easter

00:15:06from the sky

00:15:06far from any

00:15:07mainland

00:15:08in thousands of kilometers

00:15:09we will perceive

00:15:10the presence

00:15:11of extinct volcanoes

00:15:12volcanoes that accumulate

00:15:13pure rain

00:15:14and that seem

00:15:15from above

00:15:16immense eyes

00:15:17that scrutinize space.

00:15:20Volcanoes so

00:15:20impressive

00:15:21like these

00:15:22perhaps they are the same

00:15:23that on their flight

00:15:24shamanic

00:15:25the advisor

00:15:26Jaumaca

00:15:27saw

00:15:27so many centuries ago.

00:15:30Upon seeing

00:15:31that population

00:15:31that I didn't know

00:15:32metals

00:15:32and that he lived

00:15:33in the prime of life

00:15:33of the caves

00:15:34the Spaniards

00:15:35were made

00:15:35many questions

00:15:36Were they really

00:15:38those

00:15:38the engineers

00:15:39and builders

00:15:40of all the wonders

00:15:41Were they looking at them?

00:15:43That distant one

00:15:44November 20

00:15:45of 1770

00:15:46the sailors

00:15:47of the frigate

00:15:47Saint Rosalia

00:15:48they launched into the air

00:15:49the same

00:15:50questions

00:15:51that today

00:15:52still in force

00:15:53Who are they?

00:15:54The Moai?

00:15:55What do they represent?

00:15:57And above all

00:15:57How were they?

00:15:59transported?

00:16:02Get there

00:16:03the great quarry

00:16:03in the skirts

00:16:05of the volcano

00:16:05Ranor Aracú

00:16:06It is one of the experiences

00:16:07more beautiful

00:16:08than a lover

00:16:09of archaeology

00:16:09and the mysteries

00:16:10can live

00:16:10It's difficult

00:16:12describe in words

00:16:13what after traveling

00:16:14several paths

00:16:15always whipped

00:16:16because of the wind

00:16:16no wait

00:16:18Rojeven

00:16:19González de Aedo

00:16:20Captain Cook

00:16:20Torje Yerdal

00:16:22we will never know

00:16:23what did they feel

00:16:24those who are here

00:16:25they were a lot

00:16:25before us

00:16:26But we are sure

00:16:28convinced

00:16:29that an emotion

00:16:30similar

00:16:31will invade us

00:16:32faced with this spectacle

00:16:33dreamlike

00:16:34almost real

00:16:35own

00:16:36from a distant planet

00:16:37Yeah

00:16:38There they are

00:16:39waiting for us

00:16:40are

00:16:41the 400

00:16:42sentinels

00:16:43stone

00:16:53It's astonishing to discover

00:16:54as there are hundreds

00:16:55of Moai

00:16:55still in process

00:16:56construction

00:16:57still melted

00:16:58with the

00:16:59volcanic wall

00:17:00it gives the impression

00:17:01that everything

00:17:01It stopped suddenly

00:17:02almost no time

00:17:04for the escape

00:17:04leaving that

00:17:05prodigious work

00:17:06like a mosaic

00:17:07scattered

00:17:08and unfinished

00:17:09But what were they doing?

00:17:11these hundreds

00:17:11of sculptures

00:17:12being built

00:17:13both

00:17:13and why

00:17:14no trace

00:17:15of wood

00:17:15chafing

00:17:16ropes

00:17:17or material

00:17:18for its transfer

00:17:20how they transported them

00:17:21on one side

00:17:21to another

00:17:21of the island

00:17:22for these

00:17:23paths

00:17:23impassable

00:17:32the Rapa Nui

00:17:33they firmly believe

00:17:34in two things

00:17:35a

00:17:35that the sculptures

00:17:37were raised

00:17:37through a force

00:17:38magic

00:17:39or mental power

00:17:39prodigious

00:17:40and common

00:17:40that they only had

00:17:41the ancients

00:17:42to that power

00:17:43They called him

00:17:44manna

00:17:45and two

00:17:46that in certain

00:17:47distant past

00:17:48very far away

00:17:49perhaps around the 12th century

00:17:50from our calendar

00:17:51Two races coexisted

00:17:52on the island

00:17:53the long ears

00:17:54and two short ears

00:17:56these last ones

00:17:57They were fierce warriors

00:17:58and for some reason

00:17:59They exterminated the first ones

00:18:01They roasted them alive

00:18:02in the pit

00:18:03from the Poique volcano

00:18:04and then

00:18:06collapsed

00:18:07one by one

00:18:08the strange sculptures

00:18:09some

00:18:10from that horror

00:18:11They still remain

00:18:12in the same position

00:18:13So

00:18:14It's over

00:18:15with the knowledge

00:18:16ancient

00:18:17of the long-eared ones

00:18:18the genuine ones

00:18:20builders

00:18:20of these moai

00:18:24in the shade

00:18:25of the volcano

00:18:25reality

00:18:26It looks like another one

00:18:27we measured some

00:18:28moai with a distance meter

00:18:29digital

00:18:30and we stayed

00:18:31wordless

00:18:31the average

00:18:32could be established

00:18:33in 7 meters

00:18:34but some

00:18:35reach 20

00:18:37as already demonstrated

00:18:38the expedition

00:18:39by Thor Heyerdahl

00:18:40They are true giants

00:18:42colossi

00:18:43semi-buried

00:18:43who attended

00:18:44silently

00:18:45to the horrible extermination

00:18:46of his town

00:18:58for 200 years

00:19:00speculation has been circulating

00:19:01with the origin

00:19:01construction

00:19:02and meaning

00:19:03of the moai

00:19:03and nobody gets involved

00:19:05OK

00:19:05for some

00:19:06They are portraits

00:19:07of Ariquis

00:19:08or deceased

00:19:09important

00:19:09of the different

00:19:10families

00:19:11for others

00:19:12It is about

00:19:12of the archetypal

00:19:13image

00:19:13of a god

00:19:14a stranger

00:19:15And there are those who claim

00:19:16which were a way

00:19:17communication

00:19:18direct

00:19:18with the ancestors

00:19:19a species

00:19:20of primitive

00:19:21spiritual antenna

00:19:22in the middle of the debate

00:19:24in the midst of the controversy

00:19:25arises unexpectedly

00:19:27a new hypothesis

00:19:28something

00:19:29that surprises us

00:19:30in the middle of the expedition

00:19:32Were they looking at a point

00:19:33specific to the space?

00:19:35it was necessary

00:19:36Learn more

00:19:37despite

00:19:38the constant

00:19:38and strong

00:19:39Easter rain

00:19:40seemed determined

00:19:41in making it more difficult

00:19:42our route

00:19:42as if watching over

00:19:44for the eternal

00:19:44secret of the moai

00:19:45our goal

00:19:46however

00:19:47It was clear

00:19:47talk to the researchers

00:19:49that they had raised

00:19:51this new

00:19:52and fascinating theory

00:19:53is possible

00:19:55that some

00:19:56of the garlic

00:19:56are oriented

00:19:57to certain stars

00:19:59that have to do with

00:19:59with this calendar

00:20:01that they had

00:20:02we have

00:20:03checked

00:20:04that some altars

00:20:05are oriented

00:20:06towards the solstice

00:20:07not at solstice

00:20:08really

00:20:09but

00:20:09where it comes out

00:20:10Orion

00:20:12where they come out

00:20:14the Pleiades

00:20:15Orion

00:20:16the star belt

00:20:17in the middle of the sky

00:20:18himself

00:20:19that according

00:20:20some hypotheses

00:20:21also guided

00:20:22the orientation

00:20:22of the last

00:20:23great wonder

00:20:24of the world

00:20:24the pyramids

00:20:26of Giza

00:20:28the possibility

00:20:29that the ajú

00:20:30or sacred temples

00:20:31of the moai

00:20:31were aligned

00:20:33towards these places

00:20:34opens an endless

00:20:35of fantastic possibilities

00:20:36but the theory

00:20:38It's not simple.

00:20:39Science fiction

00:20:39in the research

00:20:41have participated

00:20:42the most reputable

00:20:43astronomers

00:20:44of the astrophysics center

00:20:46from the Canary Islands

00:20:46the three stars

00:20:48of the belt

00:20:48of Orion

00:20:49Tautoru

00:20:50the three beautiful ones

00:20:51on Rapa Nui

00:20:51and the Pleiades

00:20:53Matariki

00:20:54the little eyes

00:20:55in the language

00:20:56Rapa Nui

00:20:57above all

00:20:58the Pleiades

00:20:59They were very important

00:21:00because of his exit

00:21:02and its setting

00:21:03they were marking

00:21:04the period

00:21:05of splendor

00:21:07the period

00:21:08better

00:21:09of the year

00:21:10in culture

00:21:10Rapa Nui

00:21:11the period

00:21:11in which

00:21:12fishing was possible

00:21:13freely

00:21:13the era

00:21:14of the harvest

00:21:15and precisely

00:21:17his period

00:21:18of invisibility

00:21:19known as

00:21:20Hitu

00:21:20that is to say

00:21:20the moment

00:21:21in which

00:21:22They are not visible

00:21:23these stars

00:21:24in the sky

00:21:26It was the period

00:21:27worst on the island

00:21:28let's say

00:21:28the dark period

00:21:29in which

00:21:29For example

00:21:30the war

00:21:30was allowed

00:21:31while

00:21:32during the year

00:21:33the rest of the year

00:21:33War was taboo

00:21:34An investigation would be necessary.

00:21:36I would need

00:21:37I'm telling you

00:21:37that he would come

00:21:38an astronomer

00:21:38again

00:21:39in order to be able to

00:21:42investigate

00:21:42all this

00:21:43why not

00:21:43have

00:21:45a study

00:21:46finish

00:21:47but what

00:21:48if we know

00:21:48the thing is

00:21:49certain altars

00:21:50are oriented

00:21:51to certain stars

00:21:52and generally

00:21:53They are Orion

00:21:54and Orion

00:21:55She was a star

00:21:56important

00:21:57because Orion

00:21:57She was a star

00:21:58that marked

00:21:59a change

00:22:00between summer

00:22:01and winter

00:22:02She was a star

00:22:03equinoxial

00:22:04that precisely

00:22:05corresponds

00:22:06when the sun

00:22:06is in equinox

00:22:08There are still some

00:22:09scattered remains

00:22:10of these systems

00:22:11astronomical

00:22:12ancient

00:22:12And we're going to find him.

00:22:14ascending

00:22:15towards the village

00:22:16ceremonial

00:22:16from Orongo

00:22:17we are accompanied

00:22:18by Yoyo Pakomio

00:22:19young Rapanui

00:22:20belonging

00:22:21to the company

00:22:22Explore

00:22:22and with him

00:22:23we observe

00:22:24several tupas

00:22:25or constructions

00:22:26ancestral

00:22:27that always

00:22:27according to the natives

00:22:28they were used for

00:22:30surveillance

00:22:30constant

00:22:31of the stars

00:22:37There are many

00:22:38historians

00:22:39that they believe

00:22:40in some ancestors

00:22:41highly evolved

00:22:42technologically

00:22:42a race

00:22:44former

00:22:44whom he saw

00:22:45Rojeven

00:22:45on his first trip

00:22:46some ancestors

00:22:48that not only

00:22:48They created the Moai

00:22:49but they built

00:22:50with a stone cut

00:22:52perfect

00:22:52exceptional

00:22:53Ahus

00:22:54or sacred temples

00:22:55like this

00:22:56that they are watching

00:22:56It is the temple

00:22:58from Binapu

00:22:58with a type

00:23:00wall

00:23:00that reflects

00:23:01knowledge

00:23:02lost

00:23:02there is no room

00:23:04not even

00:23:04a blade

00:23:05between stones

00:23:06and stone

00:23:06and together

00:23:07to the prodigious

00:23:08wall

00:23:08a head

00:23:09a lot more

00:23:10ancient

00:23:10a witness

00:23:12silent

00:23:12for a while

00:23:14of darkness

00:23:14of which

00:23:15nothing is known

00:23:21The one herself

00:23:22history

00:23:22of the Easter Islanders

00:23:23this game

00:23:23in two

00:23:24the natives

00:23:25They're still searching

00:23:25explanation

00:23:26to his own

00:23:27past

00:23:27and even

00:23:28to his own

00:23:29origin

00:23:29what they found

00:23:31Europeans

00:23:31There were many

00:23:32temples

00:23:33and Moai

00:23:33ruined

00:23:34down

00:23:35with the face

00:23:36on the ground

00:23:37defeated

00:23:38by whom

00:23:39They used to worship them

00:23:40and for that

00:23:41destruction

00:23:42go on

00:23:42without having

00:23:43a response

00:23:49uncertainty

00:23:51from the past

00:23:51of the island

00:23:51of the end of the world

00:23:52It's something that causes

00:23:53a strange confusion

00:23:54nobody knows

00:23:56and those who know

00:23:57They remained silent

00:23:58They remained silent

00:23:58a while ago

00:24:01on the beach

00:24:02naquena

00:24:02the place

00:24:03where everything

00:24:04began

00:24:04we noticed

00:24:05in the elongated

00:24:06claws

00:24:06of the Moai

00:24:07because

00:24:08they represented her

00:24:09So?

00:24:10What do they want?

00:24:11Tell us?

00:24:16we turn

00:24:17and we looked

00:24:17her back

00:24:18and we checked

00:24:19that are

00:24:20full

00:24:21of signs

00:24:21signs

00:24:22that nobody

00:24:24can read

00:24:31the Rapa Nui

00:24:32young and old

00:24:34they reiterated

00:24:34their belief

00:24:35deep

00:24:35in the Mana

00:24:36the powerful force

00:24:37that transported

00:24:38a long time ago

00:24:39these figures

00:24:39and also

00:24:40his faith

00:24:41in the Aku Aku

00:24:41spirits

00:24:42guardians

00:24:43from the place

00:24:43and sincerely

00:24:45It's difficult

00:24:46to withdraw

00:24:46these ideas

00:24:47and beliefs

00:24:47observing

00:24:49silently

00:24:49the figures

00:24:50figures

00:24:52before which

00:24:52one feels

00:24:53very small

00:25:03It's not easy.

00:25:04stay

00:25:04impassive

00:25:05before this Moai

00:25:06from the Huta Hai

00:25:07touched with

00:25:08Pukao

00:25:08red hat

00:25:096 tons

00:25:10and a half

00:25:10of weight

00:25:11placed

00:25:12perfectly

00:25:12in his skull

00:25:13He doesn't notice himself

00:25:15with her large pupils

00:25:16They are eyes

00:25:17ceramic

00:25:17that according

00:25:18the ancient tradition

00:25:19made it so

00:25:20the statue

00:25:20come to life

00:25:21and cease to be

00:25:23simple

00:25:24inert stone

00:25:28when it arrives

00:25:29the night

00:25:29the silence

00:25:30it becomes audible

00:25:31on this island

00:25:32Easter

00:25:32and in the shade

00:25:33of the Aku

00:25:34almost possible

00:25:35listen to the echo

00:25:35from another time

00:25:37perhaps the voices

00:25:38of those builders

00:25:39that they raised

00:25:40Here's their big secret

00:25:41a mystery

00:25:42only

00:25:43which follows

00:25:43newly planted

00:25:44knowledgeable

00:25:45of what new theories

00:25:46will arise

00:25:47and others

00:25:48will fall into oblivion

00:25:49but they

00:25:51meanwhile

00:25:52And as always

00:25:52they will continue watching

00:25:54to the stars

00:25:55defying men

00:25:56men who are impotent

00:25:58We can only continue

00:26:00asking ourselves questions

00:26:05in the video

00:26:06No

00:26:07No

00:26:34Thanks for watching the video.

00:26:49Thanks for watching the video.

00:27:07Look up at the sky with a dreamy expression.

00:27:10As if they were sharpening their vision to distinguish other planets or a world that had already disappeared.

00:27:16It seems to possess tremendous power, tremendous poetry.

00:27:19That was Thor Heyerdahl.

00:27:21We have a number of important books on the table today.

00:27:25But what is a surprise, and I'm also delighted to have a man here, well, and we have

00:27:30two historians, professor at the University of Barcelona.

00:27:32But what's more, he was on one of Thor Heyerdahl's expeditions.

00:27:37He knew it, he lived it.

00:27:39The great archaeologists who came to know all this history.

00:27:43He is a loving Frenchman.

00:27:44French, welcome.

00:27:45Thank you so much for being here.

00:27:46Thank you.

00:27:47Nacho Ares is also with us.

00:27:48Nacho, as always, welcome, mate.

00:27:50How are you?

00:27:50Good night.

00:27:51The director, as you know, we always show everything here, an archaeology magazine, which of course, has often spoken about the enigma

00:27:57Easter.

00:27:58But let's look at a document from an exceptional film shoot by Thor Heyerdahl, from 1955, the Norwegian expedition, which

00:28:04They are among the first, not the very first, but the first to excavate on the island.

00:28:07They have seen amazing images, and they will see them again, that of course, the moai are not the head, it's

00:28:12that the moai statues are immense inside, bodies up to 21 meters tall.

00:28:17Of course, bodies 21 meters long, how did they move them with the knowledge they had?

00:28:21Or perhaps they had other knowledge, but there is much more.

00:28:25When Heyerdahl arrives, and they go to see him—and I don't know what you all think about this—they find many ossuaries, they

00:28:30They find bones, human skulls, surrounding the moai.

00:28:35That is to say, and this really impressed me, didn't it?

00:28:38And they collect them, and we're going to see them, the skulls, as if they were a ritual place of death.

00:28:43Not much has been said about that either; Heyerdahl came across as an adventurer, but the reality is that he was the first to

00:28:48It rolled there, you can see those bones.

00:28:50Could they have a funerary significance, a meaning that goes far beyond an ancestor's tomb?

00:28:55Well, in the case he reconstructed, which is this one, the Ature Juki, which is in Ajo Naunau.

00:29:05The Ajo Naunau was the royal pantheon, so to speak.

00:29:08But I have dug there, for a month, but I have dug there, and very few bones really appeared.

00:29:16Few bones?

00:29:17Yes. There is a crematorium; there is a crematorium in the back.

00:29:20So, there was a discussion about whether it was a crematorium or, as the literature of the time said, a cannibal feast.

00:29:27Of course, because there's been a lot of talk about cannibalism at Easter, hasn't there?

00:29:30Yes, it could be, for protein needs or simply for revenge, because according to Polynesian tradition,

00:29:41Whoever could consume the most important part of the enemy, evidently, assumed power.

00:29:50But there's one important thing, Francesc, and I'd like to say, there's a big question about what happened on the island of

00:29:54Passover.

00:29:55There is a certain moment in history, we have been told many times, when there is a great war.

00:29:58Some eat each other or burn each other or whatever, but they exterminate others.

00:30:03With the studies that exist today, do we know what happened and why at that moment on Easter?

00:30:07It is impossible to know, because there are no written documents and only legends.

00:30:14Of course, all legends may have a kernel of truth, but we already know that legends have their share of, shall we say,

00:30:21false,

00:30:22or because he wants to give a logical and rational explanation to events that are difficult to justify.

00:30:32In other words, there's also a huge void.

00:30:34And if something was missing, well, there's a problem with transportation, which we'll see now how transportation was.

00:30:39Here we see Geyerdal's film, in which he attempted to demonstrate that with straps, levers, and...

00:30:44Nacho, I don't know, I'm not saying it wasn't true, but it seems to me that it was a

00:30:49arduous work.

00:30:50We're talking, experts say, about almost a thousand moai across the whole island, a thousand moai, and of course...

00:30:56Well, this is a bit of an overview or problem of the pyramids, which you also know about, right?

00:31:01That could have really been the case, but it's an impressive piece of work, done by people who had almost no technological resources.

00:31:06And in a difficult place of all kinds, right?

00:31:09Yes, that's where experimental archaeology comes in, as in this case almost five decades ago,

00:31:14Well, he has tried to demonstrate more or less which methods are the most accessible,

00:31:19Well, by drawing on some of the resources that the people of Pasgua had on the island,

00:31:23Well, by means of wood, ropes made of plant fiber, etc.

00:31:28Well, to try to reconstruct those possible methods, and above all also a theory that is relatively modern,

00:31:34It has barely been a decade since there was talk of the roads and tracks that run across the island

00:31:42They are not completely flat, as had been said, but have a kind of undulation.

00:31:45and that precisely that undulation had been used to move the relocated moai.

00:31:53We don't know what kind of machinery yet, but it would certainly help that movement a little.

00:31:58as if we were dragging a large box with a refrigerator, a washing machine,

00:32:03that we move it in this way.

00:32:05It is believed that they have those U-shaped or V-shaped paths because that made it easier to slide.

00:32:11what the moai were.

00:32:12Stones have even been found placed, stakes in the paths, to make that journey easier.

00:32:19so that it could be carried more easily.

00:32:21What is clear is that they did it; we are seeing it and we could see it there.

00:32:26the quarry, where they made it with obsidian, with artisanal knives at the time,

00:32:33because the volcanic rock was easily cut with those obsidian knives.

00:32:37How they left it at the back, like a keel, like a V shape,

00:32:41It is said that the roads could also have been made in that way,

00:32:44because that way they could fit together perfectly and slide in more easily.

00:32:48There are many theories, but I believe that none of them solves the problem of how to start from the quarry

00:32:53They travel so many kilometers across the island, right?

00:32:57One of the 15 kilometers of the quarry and we're talking about...

00:32:59Yes, of course. I was going to say that, and it's very interesting that Francisco focuses on it at some point.

00:33:02What is your map, a map that you made with the aforementioned Antonio Pujador,

00:33:05It's the first map of Easter Island, and that needs to be said, right?

00:33:09The Spanish made the first map of Easter Island, which had not existed before.

00:33:12With all the moai, the archaeological locations, a map that was extremely important

00:33:19in all the schools, the universities, and of course, we see that there are moai statues all along the way

00:33:24the island,

00:33:25Some 15 or 16 kilometers moved; it doesn't seem easy to move a moai.

00:33:29which could be 7, 9 meters, 10, 15 meters, as there is in Junta Ungariki,

00:33:3314 meters and tens of tons. It doesn't quite seem like it had to be done, it just had to be done.

00:33:39And it's curious, isn't it? If it happened to you, Fernández, because it happened to us.

00:33:42People today, as soon as they open up a little, believe in manna. What would manna be?

00:33:47Well, mana is this mental force that, apparently, resided, in principle resided

00:33:56in the royal family, especially in the Ariki, and it was passed down through generations.

00:34:04This was one way to obtain mana, but the other way to obtain mana was through ingenuity.

00:34:11In other words, a good fisherman was a good fisherman because he had manna.

00:34:15Then, he could transmit his mana, his energy, to his descendants.

00:34:21But are there any islands in the world that have a similar representation?

00:34:25In other words, one of the great mysteries is that there is nothing like it.

00:34:28Well, but the first mystery... you have to say things like that, right?

00:34:35If we turn to etymology, Jordi Fuentes himself, in his dictionary,

00:34:41When defining the word Rapa, Rapa Nui, he says, this name, the etymology,

00:34:47He cannot be from Easter Island, he cannot be from Rapa Nui, because Rapa, in Rapa Nui,

00:34:53It does not mean island, as we know, but rather, touch wood, it means great splendor.

00:35:19Are you surprised, Nacho, by the latest theory of the anthropologist Edwards?

00:35:25and endorsed, let's put it that way, by people of such prestige as Belmonte,

00:35:28from the Canary Islands Observatory, that some of the temples, in their original position,

00:35:34They were looking towards Orion and the Pleiades, curious, isn't it?

00:35:36Not at all, it doesn't surprise me at all, because it's a common denominator

00:35:39which we can find in many ancient cultures,

00:35:41not only in Egypt, but also in Mexico, Nazca, and Peru,

00:35:46in many ancient cultures,

00:35:49They always adopt the constellation of Orion,

00:35:52one of the most visible from either hemisphere,

00:35:55with deities, with specific times of the year,

00:35:58and always linked, in a very certain way,

00:36:01or perhaps, well, elements of everyday life

00:36:04those they valued most,

00:36:06which are the cycles of agriculture, cultivation, etc.

00:36:08I'm not surprised at all.

00:36:10In other words, we will have to continue investigating at that level.

00:36:12Carmen, yes, it must be said, and we must be very honest about this,

00:36:14who have treated us wonderfully at Easter,

00:36:17the friends of Explora,

00:36:18how we have been treated,

00:36:20how we were able to travel around the island with them,

00:36:22And it's very curious because they, as we were saying,

00:36:24They had no doubt,

00:36:26none of the ancient and mysterious past of her people,

00:36:29of what had happened,

00:36:30of astronomical centers, I repeat,

00:36:32That is, stones placed in such a way,

00:36:34And we'll talk much more about that,

00:36:36to follow the stars too.

00:36:37Yes, also our Explora guides

00:36:39They took us through those lesser-known corners of the island,

00:36:42not only to see the moai,

00:36:45some very forgotten moai,

00:36:46They are not the ones from Anakena beach,

00:36:48which are typical of photography,

00:36:50And the truth is that they were talking to us about that manna we were talking about before.

00:36:56They said they firmly believed in manna,

00:37:00in how those moai were moved,

00:37:02as if through the air,

00:37:04They also told us it could be what they saw in other times,

00:37:07How did those moai walk?

00:37:10when they were actually being displaced,

00:37:12somehow, with the logs.

00:37:14What people saw was that those moai were walking among the undergrowth,

00:37:17among the herbs,

00:37:19And that was manna too, wasn't it?

00:37:20They were playing it...

00:37:21In other words, the moa went alone, the ancients said, right?

00:37:22That's it, as if he were walking to his place,

00:37:25a place where, once there, they would give him eyes.

00:37:29Because I was asking them,

00:37:30And why don't the moai statues here in the quarry have eyes?

00:37:34And others I've seen around the island do have them,

00:37:36He told us, because only upon arriving at his place,

00:37:38Upon arriving at the place where they were supposed to be,

00:37:41to the Apu, where they had their place,

00:37:44They were endowed with eyes.

00:37:45Eyes that were also thrown away and many of them were found in the sea

00:37:48when they finished off all those moai.

00:37:50It was like taking away their power of sight,

00:37:53throw it into the sea,

00:37:54so that those gods, those ancestors,

00:37:56They would no longer look at what they had looked at in other times,

00:37:59Perhaps to those stars, to Orion,

00:38:01which we were talking about earlier.

00:38:03Why would the Easter Islanders tear it down?

00:38:04or certain French Easter Islanders of opinion,

00:38:07The moai, which belonged to everyone?

00:38:09Why the images,

00:38:10You who have been there digging with Thor Heyerdahl,

00:38:13still some of the ajus we have seen with 15 moai,

00:38:16For example, when you were there,

00:38:18They weren't there yet in '87,

00:38:19Some have started to get up.

00:38:21Why were they destroyed?

00:38:22Why were they thrown out of their temples?

00:38:25Why didn't the Easter Islanders themselves believe in them?

00:38:28It sounds strange, doesn't it?

00:38:29It's as if they distrusted the gods.

00:38:31What could have happened there?

00:38:31Well, here we must once again turn to tradition,

00:38:37I don't know why there is no written documentation.

00:38:40They say it was precisely to cancel

00:38:43in a fast and safe way

00:38:47the power that emanated,

00:38:51It's a word that seems to have the same root,

00:38:55that emanated from sight.

00:39:00And that's why practically everyone is upside down.

00:39:04That's right, the photos we've seen, right?

00:39:06That's strange, they turned them upside down.

00:39:08Yes, yes, everyone.

00:39:09But I have seen one, because this photo is mine.

00:39:12How curious.

00:39:13Because I photographed this one because of a detail.

00:39:18It is in an important Nahu,

00:39:22However, it has no eyes.

00:39:24So that one too,

00:39:25They shot him down too.

00:39:27So, this thing about the eyes...

00:39:29That was an interesting thing you were talking about,

00:39:31I really think so,

00:39:32because they also have a tradition...

00:39:33I did it precisely for that reason.

00:39:35They also have a very curious tradition.

00:39:36They say that when you set your sights on him,

00:39:40that stone ceases to be a stone

00:39:41and acquired that power.

00:39:43It became something that had authority.

00:39:45He was already Moai, for real.

00:39:46Everything is a jumble of mysteries,

00:39:48But it's just the presentation.

00:39:49But it still has power today,

00:39:50Because, you see,

00:39:51when we went with our Explora guides,

00:39:54It had rained in those days.

00:39:55And I realized

00:39:56that we had gone with two different ones,

00:39:58with Tito and with...

00:40:01Yo-yo.

00:40:02And the two of them did one thing.

00:40:04The Moai that were lying face up,

00:40:06Their eye sockets are empty,

00:40:08but the water stayed

00:40:09within those eye sockets.

00:40:11And they put their hands in.

00:40:12and they would rub that water on their faces,

00:40:15because that water was magical and rejuvenating.

00:40:18It was the power of the Moai

00:40:19that was still standing.

00:40:21And with the rain,

00:40:22which is something natural,

00:40:23something that also gives them a lot of life,

00:40:26It gives that fertility that they have in the countryside,

00:40:29because they still consider it a magical symbol.

00:40:32Symbols and things they continue to do,

00:40:35Like that,

00:40:36like touching that water

00:40:37which seems to rejuvenate them.

00:40:39Well, this will only work...

00:40:40Both the physical and the soul, right?

00:40:41Yeah.

00:40:41Today our idea was simply to introduce these characters

00:40:43that so many people have seen, right?

00:40:45From childhood,

00:40:46as iconography of a place

00:40:47which of course

00:40:47It is one of the places

00:40:49most amazing on Earth.

00:40:51We agree on that.

00:40:52And also today

00:40:52we have the feeling

00:40:54about what

00:40:54We still know very little.

00:40:56We have more technology,

00:40:58We even have maps,

00:40:59But we still know very little.

00:40:59So

00:41:00It will be a pleasure.

00:41:01continue deciphering Easter enigmas

00:41:03And we will do it very soon.

00:41:04Francesca Morós, really,

00:41:05Good luck with this book,

00:41:06Easter Island,

00:41:07The impossible dream,

00:41:08by Antonio Pujador,

00:41:09from a search engine.

00:41:10Thank you for your knowledge.

00:41:12and we'll see each other soon.

00:41:14Thank you, friend, really.

00:41:15Thanks a lot.

00:41:16Nacho, as always,

00:41:17I'll keep reading you in the archaeology magazine,

00:41:19It seems unbelievable, doesn't it?

00:41:20How many mysteries remain?

00:41:22Even the most well-known things,

00:41:24because it seems that Easter is very well known,

00:41:25But it's still a challenge, huh?

00:41:27Thank you very much.

00:41:28Thanks, Nacho.

00:41:28And now we're going to talk about many more things.

00:41:30Everyone pay attention

00:41:31strong emotions are coming.

00:41:41And at this very moment

00:41:43The moment arrives

00:41:44from photographic analysis,

00:41:45to do it on this screen

00:41:46novel,

00:41:47that allows us to enter

00:41:48within their images.

00:41:50Analysis 785

00:41:51of the mystery ship.

00:41:53Author,

00:41:53Juan José Estremera.

00:41:54Chavarrín Palace,

00:41:57in Vizcaya.

00:41:58Well yes,

00:41:59This friend of the mystery ship

00:42:00He sent us this curious image.

00:42:02The truth,

00:42:03which is one of the most curious

00:42:04that we have received

00:42:05in recent months,

00:42:07because,

00:42:08as we see

00:42:08and at first glance

00:42:09you can see

00:42:10perfectly

00:42:11in the photograph

00:42:12original,

00:42:14we see it on the wall

00:42:15it is projected

00:42:16a strange face.

00:42:17Here we see

00:42:18the nose,

00:42:19the mouth,

00:42:20the eyes

00:42:21and even

00:42:21a kind of beard.

00:42:23Perhaps they will reconsider.

00:42:25with this circle of light

00:42:27that we issue

00:42:29so they can see perfectly

00:42:30where is

00:42:31the photographic anomaly.

00:42:33Our commentator,

00:42:34our analyst,

00:42:35Guillermo León,

00:42:36has recreated

00:42:37what would it be like

00:42:38that face

00:42:39the one he's talking about

00:42:40our viewer.

00:42:42A television viewer

00:42:43which also

00:42:44has been put

00:42:44to investigate,

00:42:45Iker.

00:42:46Apparently,

00:42:46there was a previous owner

00:42:48of the small palace

00:42:48that had a name

00:42:50and even

00:42:50We know their story.

00:42:52A man

00:42:53which was

00:42:54Mr. Romualdo Chavarri

00:42:55and that our

00:42:56viewer

00:42:57identifies

00:42:58somehow

00:42:59with one's own face.

00:43:12At this moment

00:43:13I am forced

00:43:14to make them

00:43:14that

00:43:16annotation

00:43:16that usually

00:43:17slide here

00:43:19in the mystery ship.

00:43:20If you are especially sensitive

00:43:21It's better than right now.

00:43:22I need to go to bed

00:43:23quietly

00:43:24And don't watch the following report.

00:43:26That's clear enough.

00:43:27because it's a story

00:43:28taboo in Spain,

00:43:29It hasn't been mentioned many times,

00:43:30It had its echo

00:43:31in the year 1970

00:43:33and of course

00:43:34in the Canary Islands

00:43:34They will remember it.

00:43:35It's an amazing story.

00:43:37what does that have to do with it

00:43:38with the devil,

00:43:38It has to do with

00:43:39with beliefs,

00:43:40It has to do with

00:43:40above all

00:43:41and above all

00:43:42with the gaze of evil.

00:43:43And pay close attention,

00:43:45within this report

00:43:46that you are going to see,

00:43:47for whatever reason,

00:43:48perhaps because

00:43:48the extras,

00:43:49those who have recreated history

00:43:50They've gotten really into it,

00:43:52I assure you there are stories

00:43:53that they almost almost resemble

00:43:54to the exorcist.

00:43:55I'm referring to malignancy.

00:43:57that flies over everything.

00:43:58In its day,

00:44:00All of Spain

00:44:00he got up

00:44:01reading a headline

00:44:02which is impressive,

00:44:04a headline

00:44:05that honors

00:44:05to what happened there,

00:44:06which we are going to remember.

00:44:09The press was talking

00:44:10of

00:44:11Canary Islands

00:44:11blood drunkenness.

00:44:29There was sadistic cruelty

00:44:32to incredible limits

00:44:35of sex addicts

00:44:37in the commission of the crime.

00:44:40What happens

00:44:41which curiously

00:44:42no resistance occurs

00:44:43by the victims.

00:44:44It's as if they had immolated themselves

00:44:46or had been delivered.

00:44:48It attracts attention

00:44:49the fact

00:44:50about what

00:44:51the hearts

00:44:52of the three victims

00:44:54would have been

00:44:55taken out of the body

00:44:56and they met

00:44:57outside the venue.

00:45:00Within the elements

00:45:03rituals,

00:45:03symbolic

00:45:04that they have,

00:45:05is found

00:45:05the representation

00:45:06of a Christ

00:45:07which is indicated

00:45:08to his bleeding heart.

00:45:17The neighbors

00:45:18street

00:45:19Jesus of Nazareth

00:45:20in Santa Cruz

00:45:21from Tenerife

00:45:21they shudder

00:45:23when we asked them

00:45:24by the Alexander family.

00:45:26What happened

00:45:27in issue number 37

00:45:28It was a real

00:45:30massacre

00:45:31and remember

00:45:33They find it

00:45:34painful.

00:45:36It's as if they had

00:45:37convinced

00:45:38that

00:45:39horrifying tragedy

00:45:40never happened

00:45:41and our questions

00:45:42they would force them

00:45:44to meet again

00:45:45with reality.

00:45:47The crime

00:45:47It was so terrifying

00:45:48that the media themselves

00:45:50soon decided

00:45:52stop reporting

00:45:52on the topic

00:45:53so as not to cause a scandal

00:45:55to the population.

00:45:58as news

00:45:59That was the news

00:46:00and it couldn't be done

00:46:01put it another way

00:46:02but I don't know

00:46:04no, I don't know

00:46:06he was vicious

00:46:07with the news

00:46:09the newspaper

00:46:09further

00:46:10It remained here

00:46:11the news

00:46:12like a bad taste in your mouth

00:46:13that informative

00:46:15It needed to be treated

00:46:16but no more.

00:46:18December 18

00:46:21of 1970

00:46:22the German citizen

00:46:24Harald Alexander

00:46:2539 years old

00:46:26and his son Frank

00:46:28of 16

00:46:28are shown

00:46:30calm

00:46:30before the police

00:46:31like someone

00:46:32has just completed

00:46:33successfully

00:46:34a difficult mission

00:46:36without being moved

00:46:38they assure

00:46:39who have killed

00:46:39to his entire family

00:46:40with blows

00:46:41and with knives.

00:46:48Immediately

00:46:49several agents

00:46:50they move

00:46:51to the scene of the events

00:46:52to check it

00:46:53they can't even imagine

00:46:55what they will find

00:47:12Imagine three bodies

00:47:13two sets

00:47:14in a bed

00:47:15and another in another

00:47:16but part

00:47:17of their organs

00:47:19scattered on the ground

00:47:20the heart

00:47:22genitals

00:47:23breasts

00:47:24taken

00:47:25breasts

00:47:25taken

00:47:26of the trunk

00:47:28and thrown away

00:47:29because

00:47:30also

00:47:31it was discussed

00:47:33of

00:47:33of conduct

00:47:37sexual

00:47:38No?

00:47:42According to Harald Alexander

00:47:43everything happens

00:47:44December 16

00:47:46of 1970

00:47:47after eating

00:47:49he and his wife

00:47:50Dagmar

00:47:5041 years old

00:47:52they withdraw

00:47:53time to rest

00:48:02within a few minutes

00:48:03his son Frank

00:48:05enters the room

00:48:06and sits down

00:48:07in bed

00:48:08then

00:48:09when he discovers

00:48:10that evil

00:48:12has entered

00:48:13in her mother

00:48:14the son

00:48:15has a revelation

00:48:16sudden

00:48:16the son was the one who

00:48:17somehow

00:48:18guided the steps

00:48:19from the rest of the family

00:48:20with his intuitions

00:48:22and affirms

00:48:23that his mother

00:48:24is possessed

00:48:25and that we must

00:48:25take out

00:48:26to a spirit

00:48:27malignant

00:48:28from within

00:48:29and from that moment on

00:48:30it develops

00:48:31the exorcism

00:48:32through blows

00:48:34through mutilations

00:48:35various

00:48:37where it doesn't seem

00:48:38there be resistance

00:48:39on the distaff side

00:48:39nor

00:48:40of the two sisters

00:48:41who are also

00:48:42in the home

00:48:43the vision

00:48:45It produces in Harald

00:48:46an infinite fear

00:48:47that paralyzes him

00:48:48But Frank

00:48:49lunges

00:48:50about his mother

00:48:51slapping her

00:48:52until she bends it

00:48:53and forces her

00:48:53to lie face down

00:48:54so

00:48:56father and son

00:48:57work together

00:48:58hitting her

00:48:59with two hangers

00:49:00twisted

00:49:00until she loses consciousness

00:49:10beliefs

00:49:11of these people

00:49:13of these Germans

00:49:13are much higher

00:49:14They are much more airtight.

00:49:15we don't know

00:49:15It's a topic

00:49:17much more sacred

00:49:17more private

00:49:19more secret

00:49:20that prevents us now

00:49:21we find out

00:49:23in addition to the difficulties

00:49:24from the police investigation

00:49:26if we are really

00:49:27in one case

00:49:27exceptional

00:49:28even within

00:49:28of human beliefs

00:49:29because I believe

00:49:30Nor in Europe

00:49:32removing the cases

00:49:33of collective suicides

00:49:34But we're not here.

00:49:34talking about mass suicides

00:49:35We're talking

00:49:35of an offering

00:49:36They offer

00:49:37and offer their bodies

00:49:39and their lives

00:49:39and its organs

00:49:40Frank asks his father

00:49:42pick up an instrument

00:49:43overwhelming

00:49:44and accompanies him

00:49:45to the other room

00:49:50upon entering

00:49:51the young man

00:49:52check

00:49:53than her sisters

00:49:53Marine

00:49:5418 years old

00:49:55and Petra

00:49:56of 15

00:49:57They also have

00:49:58the gaze

00:49:58of the aderno

00:49:59They need to be cleaned

00:50:05women

00:50:06they do not try to escape

00:50:07are limited

00:50:09to fit

00:50:09the blows

00:50:10until they faint

00:50:18the young man

00:50:30It produces horror

00:50:32imagine

00:50:33that scene

00:50:35tremendous

00:50:36and gruesome

00:50:37with organs

00:50:38like the heart and genital areas out of place and, as he said, in bed or in the

00:50:47floor,

00:50:49There must have been tremendous screams, blows that, curiously, the neighbors did not hear.

00:51:00Armed with knives and pruning shears,

00:51:04The two enlightened ones proceed to cut the lifeblood of their victims.

00:51:13Frank says it's the only way to bring peace back to his family.

00:51:18They mutilate the bodies and only stop when they remove the heart.

00:51:24Then they clean up and leave. They have been freed.

00:51:33Let's just say that neither the police nor the judicial investigation went into whether we are really dealing with a ritual crime,

00:51:40That is to say, with supernatural components, we are talking about a drama, a struggle between good and evil,

00:51:45a struggle between the two principles, evil and good,

00:51:48or simply that their beliefs, their way of seeing religion, or their way of understanding Christianity,

00:51:56Those beliefs led him to the extreme of thinking that those women were possessed by the devil, by the

00:52:00devil,

00:52:01and when they didn't have to extract them in those ways.

00:52:03As they search the crime scene, flooded with blood, entrails, and strange religious symbols,

00:52:10The investigators understand that they are facing a unique crime.

00:52:14There is a terrifying backstory that is very difficult to explain.

00:52:19Perhaps one of the keys lies with the only surviving daughter,

00:52:23Sabin, 15, Petra's twin,

00:52:27who was saved because his father insisted that he go to work.

00:52:32While the father performs concentration exercises,

00:52:34with which he tried to receive those intuitions, to listen to that inner voice,

00:52:41The surviving daughter was the one who frequently assisted her,

00:52:45kept him awake, helped him,

00:52:47and he performed exercises of this type in his company.

00:52:51Therefore, there is a very special bond between the survivor and the father.

00:52:54and it's possible that she felt it as part of herself,

00:52:57that he somehow understood that he shared the same spirit.

00:53:02Nobody wanted to look for answers.

00:53:04Harald and Frank were deemed not responsible due to mental incapacity,

00:53:09and the case was quickly closed.

00:53:13trying to banish forever

00:53:15the bloody ritual of that cursed family,

00:53:20The Alexanders.

00:53:46I already warned you, this piece has, this report,

00:53:48There's something malicious about him, isn't there? In his gestures, in his looks.

00:53:53It's a story that seems to delve into the deepest parts,

00:53:56to the unconscious.

00:53:57I have to say that this work,

00:53:58from colleague Paco Pérez Caballero,

00:54:01also recreated by the great Manuel Romo,

00:54:03yesterday, when I was watching it at home,

00:54:05Paco thrilled me like few other times.

00:54:08First, because it's real,

00:54:09and secondly because it had to happen that way,

00:54:11with those somewhat supernatural components.

00:54:13A great case of taboo that you have reopened.

00:54:15Paco, welcome, good evening.

00:54:16Good evening, Iker.

00:54:17Furthermore, we always say in many of our reports

00:54:19that people, despite everything,

00:54:22He still remembers that.

00:54:24Well, in this case it's the complete opposite.

00:54:26There was a great silence.

00:54:27To get information we had to dive deep

00:54:29Because the journalists themselves say,

00:54:31Yes, it sounds familiar, but it's been buried for 30 years.

00:54:34We didn't want this to come to light.

00:54:36And as we were saying, there is a tourist component.

00:54:37I have always asked them,

00:54:38Well, Tenerife is a tourist island.

00:54:40And he says, I can assure you that,

00:54:41at least in the newspapers I've been to,

00:54:43Tourism is a secondary issue.

00:54:45They were genuinely frightened by the news.

00:54:46and they were afraid of scandalizing the population.

00:54:48It was something unlike anything known.

00:54:51There are some scenes with Paco, aren't there?

00:54:53Looking for information.

00:54:55Of course, that silence, right?

00:54:56How is that possible?

00:54:57We'll discuss it later.

00:54:59That with Tabique it's made of paper, right?

00:55:00From that time and now.

00:55:01Nothing could be heard.

00:55:02Because a daughter is free.

00:55:05But we're also lucky, aren't we?

00:55:07With all due respect,

00:55:09which is now going to be called the crime table, right?

00:55:11I believe that's the best forum to discuss these issues.

00:55:13And it is a source of pride and an honor

00:55:14tell this fourth season

00:55:15with two good friends

00:55:17so many successes,

00:55:18Especially since you guys follow him, right?

00:55:20They have allowed us

00:55:21and they have taught us,

00:55:22which is the most important thing.

00:55:24Paco Pérez Avellán.

00:55:25Teacher, how are you?

00:55:26Good night.

00:55:26Hello good evening.

00:55:27It's a pleasure.

00:55:27You introduced me to this story,

00:55:28But it leaves me...

00:55:29It's a brutal exorcism

00:55:30and that a whole family is involved

00:55:33with a series of gruesome circumstances.

00:55:36The fact that there were two twins,

00:55:38that one would remain completely within the drama

00:55:41and another one out.

00:55:42Because?

00:55:42Well, all this follows naturally.

00:55:45to think and rethink what is going to be done.

00:55:48There are some enlightened ones,

00:55:50who are the father and the son,

00:55:51and carry out a mandate.

00:55:53Something happens that releases the evil.

00:55:56As always, precise,

00:55:58And we're going to discuss it.

00:55:59They're going to discuss it.

00:56:00I'm almost going to listen,

00:56:01because I want to know more details about this story.

00:56:03Another teacher and dear friend,

00:56:04and it's always a pleasure to have him here,

00:56:06Vicente Garrido.

00:56:07Good evening, friend.

00:56:08How's it going?

00:56:09Also impressed.

00:56:10The story is harsh, it has to be said.

00:56:11Recreation is strong,

00:56:12But that's how it had to be.

00:56:14And that thing about the evil gaze,

00:56:15Many people will be saying,

00:56:16How is it possible that someone from our own family

00:56:18suddenly become someone else?

00:56:21Of course, as Paco rightly pointed out,

00:56:24really the concept of evil or demon

00:56:27What it etymologically means is the adversary.

00:56:30So, in this crime we can see, Iker,

00:56:32because what is important is the expression through crime.

00:56:35When a person kills to obtain something,

00:56:37It is a functional crime.

00:56:38You kill to the point where you control the other person

00:56:41to deprive him of what you want to have.

00:56:43But when the murder itself,

00:56:44when death itself is the end in itself,

00:56:47what you do with that person,

00:56:48criminal, sadistic acts

00:56:51full of the anger you commit,

00:56:53It is the very justification of evil.

00:56:55And if the other is the adversary,

00:56:56There's something very personal about this.

00:56:58And this is precisely what we are going to see in this analysis.

00:57:00These crimes are something very, very personal.

00:57:03When the action starts, Iker,

00:57:05It turns out that the trial reveals the following.

00:57:08The 16-year-old boy,

00:57:10who is truly illuminated,

00:57:13It gives way to everything that is going to happen,

00:57:15She says, "Mother, who is looking at me?"

00:57:17through your eyes?

00:57:19As if he had discovered a presence

00:57:21deep within his brain.

00:57:22That's what the son says.

00:57:23That's right, and it's absolutely wrapped up

00:57:27in a whirlwind that leads him to immediately search

00:57:30powerful effects, objects with which to begin operating.

00:57:35The father follows him from the beginning

00:57:37and reveals that there is a harmony,

00:57:39something that has been going on for a long time

00:57:41They have been preparing.

00:57:42It is an action that is continuous.

00:57:45They participate in it as if it were

00:57:47a terrifying theatrical work about the victims themselves.

00:57:51Let's go into more detail,

00:57:53Let's debate,

00:57:54Let's start from the beginning,

00:57:56How do these strange people get to Tenerife?

00:58:00But Vicente,

00:58:01who is one of the most important criminologists

00:58:03that we have in our country,

00:58:04One thing is clear,

00:58:05Very few crimes are alike, right?

00:58:08Very few crimes resemble each other.

00:58:09because of its brutality.

00:58:09Very few.

00:58:10And that's what we've seen,

00:58:10evisceration, it must be said,

00:58:12I repeat, it's not for all audiences

00:58:14this part of the program,

00:58:15I had never heard of it,

00:58:16That is, evisceration of the breasts left behind,

00:58:18It seems like there's some kind of hieroglyphic trying to say something, doesn't it?

00:58:20Yes, without a doubt this is the great crime.

00:58:22of the aftermath of Francoism

00:58:25and it might remind us of something we saw here

00:58:27in this program,

00:58:28which are the Manson crimes.

00:58:29There is also a ritual in the Manson crimes,

00:58:31There is a task that needs to be done,

00:58:33the others are enemies

00:58:34And we are going to prove it

00:58:36that evil, decay, corruption,

00:58:40all the decadence they represent,

00:58:42We are going to purify it.

00:58:43And indeed, that's what we see in these crimes

00:58:45It is purification, as Paco has very aptly commented,

00:58:48in that visceration, in that brutal ritual,

00:58:52You are somehow purifying yourself,

00:58:54Because if you see through your eyes

00:58:55You are showing me that you are the adversary

00:58:57And I can free you by killing you.

00:58:58And at the same time it is a personal purification,

00:59:01Because if you are capable of killing

00:59:02to your loved ones,

00:59:03You are opting for the ultimate sacrifice.

00:59:05In other words, you're not just freeing yourself

00:59:08or you're freeing other people

00:59:10of the evil that has possessed them,

00:59:11but at the same time you are freeing yourself,

00:59:12You are purifying yourself through your own sacrifice.

00:59:14of killing those you love.

00:59:16How do you get here?

00:59:17Yes, Paco.

00:59:17They would be in a kind of trance.

00:59:19Exactly, that's very eye-catching, isn't it?

00:59:20They seem to like each other.

00:59:22Yes, yes, the mother is very clearly visible.

00:59:24who does not respond to any of the attacks,

00:59:27He hardly ever complains.

00:59:29But there are the daughters who are immediately there too

00:59:32next door, in the other room,

00:59:35They come and listen to what's happening

00:59:37in the mother's room

00:59:39And they are unmoved, they wait their turn.

00:59:52We have a family in a very specific social context,

00:59:55in that tourist Tenerife of the 70s,

00:59:57And Paco tried to investigate the origin.

01:00:00Let's see, Dr. Trenkel,

01:00:04Why are this family here?

01:00:06Where do they come from?

01:00:06Who are they?

01:00:07It's very interesting,

01:00:08We're just talking about it briefly,

01:00:09Now we will delve deeper into what they are

01:00:11the true beliefs of this family,

01:00:13which is the basis of everything.

01:00:14They arrive because for Harald

01:00:16The key is intuition.

01:00:18He has a kind of direct communication with God.

01:00:20For the father.

01:00:21He is the sender, he is the receiver

01:00:23and the one who has a little bit of the channel,

01:00:26The one who channels it is the son.

01:00:28What's happening?

01:00:29Why do they come here to Tenerife?

01:00:30Very simply, Harald begins to see a series of signs.

01:00:33In 1967, we are a few years before the crime,

01:00:38He has a revelation.

01:00:39and thinks he has to leave Germany.

01:00:41And little by little, a series of data

01:00:43they keep accumulating

01:00:44and they tell him where he has to go.

01:00:46First, one of his doctors

01:00:47He tells her that he has bought some land in Tenerife.

01:00:49and he sees this as a first sign.

01:00:51Then, he sees that the date is getting closer.

01:00:54in which they have to leave Germany

01:00:55and then decides to accumulate money

01:00:57And suddenly his wife receives an inheritance.

01:00:59of 20,000 marks

01:01:00And he says, well, this money

01:01:01Logically, it's to leave Germany.

01:01:03He then decides to sell his car.

01:01:05and his house there.

01:01:06It's winter

01:01:07And it's extremely cold there in Germany.

01:01:09and it's very complicated to make any kind of transaction

01:01:11and he achieves it effortlessly

01:01:12and they also pay him in cash.

01:01:14He says, we have to go out...

01:01:15He has all the signs for his plan.

01:01:16And look, he goes and buys the tickets.

01:01:18a few hours before leaving for Tenerife.

01:01:21He says, well, I won't find a ticket,

01:01:22This will be the final sign.

01:01:23But find a ticket

01:01:24and as soon as I arrived here

01:01:25the mysterious character, Dr. Trenkel.

01:01:28A man who has been left out of the investigation

01:01:29and from what we know, a key man.

01:01:31A man who makes it easier for them

01:01:33finding housing and work.

01:01:35The two youngest daughters, both 15 years old

01:01:37They were like his cleaning ladies.

01:01:39and one of them is there

01:01:41when crimes are committed.

01:01:42One last thing.

01:01:43So, what was the girl saying?

01:01:46What did the survivor say?

01:01:47Paco will tell us.

01:01:48But first, Vicente Garrido

01:01:51will analyze, in quotes,

01:01:53He's going to take a look, right?

01:01:55From their knowledge.

01:01:56Let's start with a photo.

01:01:57Now you will see one thing

01:01:58which happened to me yesterday while watching work

01:02:00by Paco Pérez Caballero.

01:02:01And after seeing

01:02:03the scenes we have seen,

01:02:04Paco said it very well,

01:02:05which are not exaggerated at all,

01:02:07In fact, we've fallen short.

01:02:09when I see the boy's picture

01:02:11in the trial,

01:02:13It takes on its true dimension.

01:02:14I mean, one really puts

01:02:18portrait, eyes.

01:02:19This may be the look of evil.

01:02:20And there's one thing.

01:02:22Vicente Garrido also

01:02:23He's hit the nail on the head.

01:02:24I was comparing this story

01:02:25in his malice towards Manson.

01:02:27Well, I see something of Manson in me.

01:02:28Exact.

01:02:29In this expression.

01:02:30Exact.

01:02:30That's it.

01:02:31In other words, you can see

01:02:32that image of an inspired man,

01:02:34enlightened man,

01:02:35eyes popping out of their sockets,

01:02:37the whole gesture was pure tension,

01:02:40as having a truth

01:02:42tremendous inside,

01:02:43extraordinary,

01:02:44that people don't want to understand.

01:02:45It's as if he were wondering

01:02:46How is this possible?

01:02:47that they are judging me,

01:02:49How is this possible...

01:02:50On another level,

01:02:50No?,

01:02:50of human beings.

01:02:51How is this possible?

01:02:52that people don't notice

01:02:53How far

01:02:53I have made a sacrifice

01:02:54in the death of people

01:02:56what more do I want,

01:02:57It was absolutely necessary.

01:02:58to free them from evil,

01:03:00No?

01:03:00That evil that had filled the house

01:03:01and that we had to clean.

01:03:03And indeed,

01:03:04I believe that in this figure

01:03:05There is a strong resemblance to Chas Manso,

01:03:07No?

01:03:07The eyes of an enlightened man,

01:03:08willing to do anything,

01:03:09provided that his truth prevails,

01:03:11even to commit

01:03:13the most terrible blood orgy

01:03:14that is remembered.

01:03:15He ended up in the prison psychiatric hospital.

01:03:18from Carabanchel, in Madrid,

01:03:20where they coincided at certain times

01:03:22with Manuel Delgado Villegas,

01:03:24called the arropiero,

01:03:25the greatest serial killer

01:03:26of the history of Spain,

01:03:27with whom he had a deep relationship,

01:03:29of great friendship,

01:03:31of great intimacy.

01:03:32This boy who was the trigger

01:03:34of the great tragedy of Tenerife.

01:03:35Look at this photo,

01:03:36because it's this boy

01:03:3816-year-old who annihilates his family.

01:03:40I'm imagining the scene

01:03:41talking with the cotton seller

01:03:42that he left in the ditch

01:03:43more or less 50 people.

01:03:45There are certainly scenes

01:03:46that surpass any fiction

01:03:47of any kind, right?

01:03:49We have more,

01:03:50We have the father,

01:03:51Is there an image?

01:03:51portrait of the father

01:03:53that we're going to see

01:03:53And I don't know, Vicente,

01:03:54if you can see,

01:03:56Well, then,

01:03:57Well, some expression.

01:03:58There's something sinister about it.

01:04:00on all those faces, right?

01:04:01Yes, we know,

01:04:01And this is very interesting.

01:04:02because it connects us a little.

01:04:03with the figure of this doctor,

01:04:05from this doctor,

01:04:05Strangel,

01:04:06that he doesn't know very well

01:04:07What role did he play, right?

01:04:08But you think there

01:04:09that this man,

01:04:10unlike other gurus

01:04:11or cult leaders,

01:04:13although in this case

01:04:14be a minimal sect,

01:04:15He's not a brilliant man,

01:04:17He's not an intelligent man.

01:04:17He is not a man with a gift.

01:04:18of manipulative people,

01:04:20which is somewhat the image

01:04:20of that great, let's say,

01:04:22satanic cult leader,

01:04:24Manson himself, right?

01:04:25This is a man

01:04:25who has no culture,

01:04:26He is a man without much experience.

01:04:29So,

01:04:30in this image

01:04:31and precisely also

01:04:32in others that we have seen

01:04:34with regard to the trial,

01:04:35The figure appears to us

01:04:37of a man

01:04:38who simply lets himself go

01:04:40for a destination

01:04:41that somehow

01:04:42It's already mapped out, isn't it?

01:04:43But I believe that in this case

01:04:44the driving force,

01:04:45as has been seen

01:04:45in the report,

01:04:46He is the son.

01:04:46There is a lot of anger,

01:04:47There is a lot of anger,

01:04:49There's all the inspiration.

01:04:53that can produce

01:04:55a youthful mind

01:04:56completely transformed

01:04:58and inspired

01:04:58through a religious revelation

01:05:00fanatic and murderer.

01:05:01And in this image,

01:05:03in this image

01:05:03We can see this rapport.

01:05:06This in criminology

01:05:06It is called a folia of,

01:05:07one crazy thing two.

01:05:08When two people

01:05:09They share the same homicidal idea,

01:05:13and embarks on a mission,

01:05:15the result is much more lethal,

01:05:16since both reinforce each other.

01:05:17When one can have

01:05:18a sensible idea,

01:05:19the other one can take it away

01:05:21of the head.

01:05:22When one might have a doubt,

01:05:23The other one can push him.

01:05:24Cheer up, right?

01:05:24We have the daughters.

01:05:25Let's see the daughters

01:05:26which also,

01:05:27clear,

01:05:28Knowing his biography,

01:05:29everything has a halo

01:05:30as very enigmatic,

01:05:32very strange.

01:05:33Is this, Paco,

01:05:33I don't know if she's the survivor.

01:05:34or one of the girls

01:05:35who dies?

01:05:36Of course, I think she's the survivor.

01:05:39which I think is

01:05:40the key to this whole matter

01:05:41that we were going to explain

01:05:42right now.

01:05:43And what was she thinking?

01:05:44Look,

01:05:44in their belief,

01:05:45Iker,

01:05:46He knew,

01:05:47Harald,

01:05:47that at some point

01:05:48of his life,

01:05:49He would have to resign

01:05:50to something I would really want

01:05:51so that good

01:05:53who is always in the minority

01:05:54to overcome evil.

01:05:55And he does,

01:05:56renounces his daughters

01:05:57and his wife,

01:05:58but he cannot resign

01:06:00to Sabine,

01:06:01who is the 15-year-old girl,

01:06:02Petra's twin,

01:06:04from the other twin,

01:06:06because he understands

01:06:07that are united

01:06:09in some species

01:06:10otherworldly.

01:06:12The soul for him

01:06:13it is fundamental

01:06:14and his soul

01:06:15and that of her daughter

01:06:16They are one.

01:06:17Is it true that the daughter

01:06:17shared what they had

01:06:19Did your parents do this?

01:06:19Not only did he share it,

01:06:20but when they occur

01:06:22at Dr. Trenkel's house

01:06:23after having killed

01:06:24to his entire family

01:06:24and they tell him

01:06:25to the doctor

01:06:26and therefore to her daughter,

01:06:28She gives them two kisses

01:06:29to each one

01:06:29and hugs them,

01:06:30as if he understood

01:06:32that the mission

01:06:33had ended

01:06:33successfully,

01:06:34which had been

01:06:35a great sacrifice,

01:06:36But what had they done?

01:06:36what they had to do

01:06:38and they,

01:06:39in fact,

01:06:39the first step they take

01:06:41is trying to get out

01:06:42of the island,

01:06:42but then they decide

01:06:43accept their destiny,

01:06:45assume that judgment,

01:06:46appear at that trial,

01:06:47give those images

01:06:48terrifying

01:06:49that we are seeing

01:06:49throughout the night,

01:06:51but always assuming

01:06:52that what they have done

01:06:52not bad,

01:06:54but it was

01:06:55a decisive step

01:06:56upwards

01:06:58in their belief.

01:06:59The workforce

01:07:00He is always the father,

01:07:01the enlightened one

01:07:02He is the son,

01:07:03the one that indicates

01:07:05what needs to be done

01:07:05and the next step,

01:07:07but many of the actions

01:07:08they perform

01:07:10the father himself

01:07:11about the bodies

01:07:12of the daughters

01:07:13and of the wife.

01:07:14Of course

01:07:15that we have reviewed

01:07:16a case

01:07:17harrowing like few others

01:07:18and we have had

01:07:19the strange feeling,

01:07:19Right, Vicente?

01:07:20to see a piece

01:07:22terrifying,

01:07:23We talked a little

01:07:23of that patina

01:07:25that they only have

01:07:26some works,

01:07:26But when I saw the photographs

01:07:28I think that still

01:07:29we stayed longer

01:07:29overwhelmed, if that's even possible.

01:07:31Vicente Garrido

01:07:31as usual,

01:07:32another lesson,

01:07:33Thank you so much, my friend.

01:07:33see you soon.

01:07:34Thank you,

01:07:35Paco,

01:07:35What can I say?

01:07:36thanks a lot,

01:07:37shaken by this story

01:07:39that you knew very well

01:07:40from a long time ago

01:07:41because it impressed

01:07:42to all journalists

01:07:43which at that time already

01:07:44You covered the events

01:07:45and Paco Pérez Caballero,

01:07:47buddy,

01:07:47that you have shaken us,

01:07:49that this story

01:07:49She had to be rescued,

01:07:50that can have a learning experience,

01:07:52I truly congratulate you

01:07:53despite the hardship

01:07:55because it seems like something to me

01:07:56truly impressive,

01:07:57Paco,

01:07:57Great job!

01:07:58a big hug.

01:07:59And furthermore, it would be necessary to

01:08:00thank him as well

01:08:01to all journalists

01:08:02from Tenerife

01:08:02that they have opened for us

01:08:03This secret file.

01:08:05Secret File

01:08:05And really

01:08:06that one cannot forget

01:08:07some images,

01:08:08But it's our job,

01:08:09This happened

01:08:10And that's how we wanted to tell it.

01:08:13Now let's look at some more images.

01:08:14very different,

01:08:15fortunately.

01:08:24Of course, tonight

01:08:25It has been full of emotions,

01:08:27but also

01:08:28in the last topic

01:08:28of overwhelm,

01:08:29of blood,

01:08:30of darkness.

01:08:30What do you think?

01:08:31if we decongest

01:08:32everyone a little

01:08:33with something exciting

01:08:34like a photograph?

01:08:35A photograph

01:08:36which also,

01:08:37According to Guillermo León,

01:08:37I don't think it has an explanation.

01:08:38for now.

01:08:40Yes indeed,

01:08:40before the analysis,

01:08:41two essential contact methods.

01:08:43You already know you can send us

01:08:44his photographs,

01:08:45their videos

01:08:46if they want us to analyze them

01:08:47in such a meticulous way,

01:08:49so futuristic too.

01:08:51Fourth Millennium

01:08:51at4.com

01:08:52if you write to us

01:08:53via email

01:08:54and the post office box

01:08:5718189

01:08:57with the postal code

01:08:59from Madrid.

01:09:00Remember

01:09:01that we need

01:09:01their dreams,

01:09:02their experiences.

01:09:04We are with them too.

01:09:05Well,

01:09:05They are arriving

01:09:06hundreds of dreams,

01:09:07That has to be said,

01:09:08hundreds of dreams

01:09:09and personal experiences.

01:09:10By the way,

01:09:11a fact that we rarely mention,

01:09:12Olympus camera,

01:09:14model of life,

01:09:15F280,

01:09:16Calleja signature

01:09:18And this is the image.

01:09:19This is the image,

01:09:21a road.

01:09:22He goes with his camera

01:09:24and intuits

01:09:25that there is something

01:09:26fairly

01:09:26in the center.

01:09:27We are going to expand the area

01:09:28because it is

01:09:29a photograph

01:09:31very strange.

01:09:32We see it as if it were

01:09:33a woman

01:09:34or a being

01:09:35dressed in white,

01:09:36It even looks like it's wearing

01:09:37a suit,

01:09:37TRUE?

01:09:38And a species

01:09:39with a hat.

01:09:39But it's a recreation,

01:09:40That's exactly it.

01:09:41the photograph.

01:09:42No, that's not a reenactment.

01:09:43This is the original photograph.

01:09:45Therein lies the anomaly

01:09:47from this image,

01:09:48It's perfectly visible,

01:09:49TRUE?

01:09:49Even when light is applied to it

01:09:50It seems that white

01:09:52It reflects even more.

01:09:54But, good heavens,

01:09:54That seems to be the case, I don't know,

01:09:55a somewhat

01:09:57from some procession,

01:09:58of some religious image.

01:10:00No, it was already early morning.

01:10:02There wasn't one there,

01:10:03According to our friend,

01:10:04absolutely nothing

01:10:05and it is found,

01:10:06here we have broadcast

01:10:08the negative image,

01:10:10Guillermo León.

01:10:10A reversal of colors.

01:10:12That is,

01:10:12We see her here,

01:10:13like white

01:10:14it turns black,

01:10:15like the legs,

01:10:16They are sensed here,

01:10:17TRUE?

01:10:18And there are no arms

01:10:20or at least

01:10:21They are not visible,

01:10:21we don't know if

01:10:22with the darkness

01:10:23what's behind

01:10:24because they get lost.

01:10:25Who took the photograph?

01:10:27Did you see anything?

01:10:28He doesn't see at all

01:10:29nothing on the road,

01:10:30He's taking different shots

01:10:32at night

01:10:33because apparently,

01:10:34Well, based on what I hear

01:10:35in the villages

01:10:36and also in some localities

01:10:38It's that something appears there.

01:10:40and on this occasion

01:10:41we don't really know

01:10:42because,

01:10:44the camera has captured

01:10:46something completely unusual.

01:10:48Here it is in negative.

01:10:49Is it a woman or...?

01:10:50We don't know

01:10:51because William

01:10:52It also tells us

01:10:52that is intuited

01:10:53as a person,

01:10:54It's something physical.

01:10:55because it has volume

01:10:56but it seems that

01:10:57right here behind

01:10:58according to the analyses

01:11:00from Guillermo

01:11:00There is someone crouching down.

01:11:02What were they doing?

01:11:03in the middle of the road?

01:11:04They could be run over

01:11:05by any car

01:11:06and also

01:11:07It was night.

01:11:08Our viewer

01:11:09He was carrying the spotlights.

01:11:11It's halfway through

01:11:11of the roadway.

01:11:12Clear,

01:11:13He was carrying the car's headlights.

01:11:14Any normal person

01:11:15he would have stepped aside

01:11:16but in this case

01:11:17It stays there.

01:11:17Can you get any closer?

01:11:18I think this is spectacular

01:11:19really.

01:11:20Let's get closer

01:11:21more to this image.

01:11:23We expanded it

01:11:24to such an extent

01:11:26Of course,

01:11:26we lose it

01:11:27on this gigantic screen

01:11:29And here we're going to put it

01:11:30in the foreground

01:11:31so that you can see it.

01:11:33What a strange hat!

01:11:34That too, right?

01:11:36Amazing,

01:11:37really.

01:11:37One of those photographs

01:11:39as has happened to us

01:11:40on other occasions

01:11:41because we cannot

01:11:42provide a solution.

01:11:44We need more information.

01:11:45Carmen,

01:11:45about this photo.

01:11:46It is necessary.

01:11:46Well yes,

01:11:47if our friend Calleja

01:11:48You can write to us again

01:11:49to give us more information.

01:11:50The exact time

01:11:51in which it was taken,

01:11:52the exact day

01:11:54and the area as well,

01:11:56the road,

01:11:56the exact kilometer point

01:11:57because maybe

01:11:58we must move

01:11:59to this place

01:12:00just in case there's anything

01:12:01unusual there

01:12:02and our cameras too

01:12:03They can capture it.

01:12:04in the end,

01:12:05really

01:12:05that one of those photos

01:12:06excellent,

01:12:07You just have to look at her

01:12:08to stay frankly

01:12:10amazed.

01:12:11We appreciate all the work

01:12:12What is Guillermo doing?

01:12:13with these new possibilities.

01:12:15Today has been a day

01:12:15of impactful photos,

01:12:17of faces,

01:12:18of crimes

01:12:19and mysteries like this one.

01:12:20And speaking of mysteries,

01:12:21We're leaving now

01:12:22but I would like

01:12:23that they stared at

01:12:24please

01:12:24this tablet.

01:12:26This is a tablet

01:12:28rongo rongo

01:12:29as they say there

01:12:29exactly,

01:12:30rongo rongo.

01:12:31The tablets of the wise men,

01:12:33the time tablets

01:12:34in which the Easter Islanders

01:12:36They created the moai,

01:12:37the tablets that were burned

01:12:39by the missionaries

01:12:40and the invaders,

01:12:42the tablets

01:12:42who are one of the few

01:12:44languages

01:12:45undeciphered

01:12:47and only one of its signs

01:12:48when it comes to being understood.

01:12:49And I'll give you a fact,

01:12:51have seen the images

01:12:51Easter,

01:12:52TRUE?

01:12:52Well, some chroniclers

01:12:53They say that these tablets

01:12:5570 in total

01:12:56they hung from their necks

01:12:57of the moai

01:12:58as if here

01:13:00were sleeping

01:13:00so many secrets.

01:13:02Do you want to know more?

01:13:03of the tablets

01:13:03and for example

01:13:04of the caves

01:13:05from the entrails

01:13:06from Easter Island

01:13:07Where did they meet?

01:13:08Well, that's what it's for.

01:13:08We have to wait

01:13:09seven days.

01:13:11See you here

01:13:11in the mystery ship.

01:13:12Good night.

01:13:13Passover.

01:13:17Thank you!

01:13:22Passover.

01:13:50Thanks for watching the video.

01:14:20Thanks for watching the video.

01:14:28Thanks for watching the video.

Cuarto Milenio - 4x03 - Pascua: ojos que miran al cielo - Parte 2 - HD 720

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