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No One Has A Clue How He's A Detective John Candy in FIND THE LADY (1977) - Full Movie HD
Transcript
00:00:09Okay, Kopech, six rounds rapid, required 15-inch group, range 25 yards, from standing position.
00:00:18Fire when ready.
00:00:45Okay, Kopech, that's it. I'm here on in, you're driving a desk, and if you ever get your hands on
00:00:49even a BB gun, show up.
00:00:50You got a problem, Riley?
00:00:51Problem? He's got the problem. He just found range again.
00:00:54You check his target?
00:00:56Check his target?
00:00:57I can't even see his target.
00:00:58Riley.
00:01:00Regulations clearly state that the officer in charge of the range shall check the targets before filling out the score
00:01:06sheets, Article 374, Subsection D.
00:01:08Now, I see that Kopech isn't due for small arms re-examination till next month, so you can log this
00:01:14as range practice, okay?
00:01:15No way, Broom. No way!
00:01:17Regulations, Riley.
00:01:19Kopech?
00:01:20Thank you, sir.
00:01:22Kopech?
00:01:25Yes, sir?
00:01:26Thank you, sir.
00:01:27Get out!
00:01:28Yes, sir.
00:01:28Out!
00:01:28I'm sorry, sir.
00:01:29Good, good, good.
00:02:04Good, good.
00:02:10I'll see you next time.
00:02:11Bye-bye.
00:02:17Yes, sir.
00:02:28I'm sorry, sir.
00:02:29Keep going!
00:02:47Well, give him an evasive answer.
00:02:50Tell him to get lost.
00:02:52As I was saying, Broome,
00:02:54the whole department is overextended.
00:02:59Yeah, Comiskey.
00:03:01What do you mean you lost him?
00:03:03What are you, a policeman or a wet nurse?
00:03:04You'll be back pounding the beat if you don't watch it.
00:03:07And no more calls.
00:03:10Yes, Johnson, what can I do for you?
00:03:13Or better still, get out!
00:03:16Well, Broome, let's get down to it.
00:03:20Now, we're getting a lot of static from upstairs.
00:03:22This whole department is getting a bad reputation.
00:03:26We're understaffed, but...
00:03:28We've got to carry on.
00:03:30Remember, to serve and protect.
00:03:34Ouch.
00:03:37Well, Stitzky, where are they?
00:03:39My pants!
00:03:41You said you'd have them back here when I got through at the mayor's office.
00:03:45Well, bring them in here!
00:03:48There is not enough attention paid to detail around here, Broome.
00:03:52Yeah.
00:03:55Well...
00:03:55Yeah, Broome, you've got a tough assignment.
00:03:58You've got to keep out of sight.
00:04:00But the whole department will be watching you.
00:04:04Symbolically, of course.
00:04:05Of course, sir.
00:04:07Yeah, there's a photograph there in my desk, Broome.
00:04:09Two of the most despicable characters that have come our way in a long time.
00:04:14Professional criminals, Broome.
00:04:16Men who are a threat to society.
00:04:18Men who will do anything to serve their own ends.
00:04:25Leo Ruggiero.
00:04:27And Vito the Trigger Vitale.
00:04:30Known members of a crime syndicate.
00:04:33Oh, they might have got past transport terminal surveillance, but not for long,
00:04:36because you're going to find them, Broome.
00:04:38You're going to find out why they're here.
00:04:40And you're going to nail them to the wall.
00:04:43Symbolically, of course, sir.
00:04:45Literally, if necessary, I want results.
00:04:47Trust me, sir.
00:04:48You'll need a partner.
00:04:49Of course, sir.
00:04:50Who do you want?
00:04:52Kopech, sir.
00:04:52Can't break up a winning team.
00:04:54That is, if he's not wanted somewhere else.
00:04:55Oh, no.
00:04:56No, no.
00:04:57He's not wanted.
00:04:59He's all yours.
00:05:07Hello, Riley.
00:05:08Hello, this is Riley.
00:05:10Oh, uh, is Sergeant Broome there, please?
00:05:12Who wants him?
00:05:14Uh, it's Officer Kopech, sir.
00:05:16Kopech?
00:05:17Kopech!
00:05:17Well, he's not here.
00:05:19I'll see if he's outside.
00:05:20Uh, no, no, sir.
00:05:21You don't have...
00:05:22Sir, hello?
00:05:23There you are, Kopech.
00:05:24Oh, Sergeant Broome, I was just looking for him.
00:05:26I was trying to get you on the phone.
00:05:27Sergeant Raleigh's looking for you.
00:05:28I'll go find him and tell him I found you, all right?
00:05:33Sergeant Broome's not here.
00:05:34Mrs. Broome speaking.
00:05:37Um, your buddy is looking for you.
00:05:39Here he is.
00:05:40Sergeant, I...
00:05:41It's okay.
00:05:42Thank...
00:05:43Sir?
00:05:43Hello?
00:05:45Hello?
00:05:46Hello?
00:05:47Who is this?
00:05:48This is Officer Kopech speaking.
00:05:49Kopech, this is Broome.
00:05:50We have an assignment.
00:05:51Yes, sir.
00:05:52Um, just a moment, sir.
00:05:55Um, just one second, all right?
00:05:57Right with you.
00:06:08Oh, I'm sorry.
00:06:11I was...
00:06:27Finish your car, sir.
00:06:29You know...
00:06:38Sorry, sir.
00:06:38I was just looking for a pencil.
00:06:42There's a hole in the hole.
00:06:59Kopech.
00:07:03Okay, Kopech, let's go.
00:07:11There's not a mark on it, Kopech.
00:07:13And I want it back the same way.
00:07:16Sign here.
00:07:16You know me, sir.
00:07:25The, uh, spring's a bit loose, I think, sir.
00:07:51Why don't we take that bit off?
00:07:54We ain't taking any bits off.
00:07:56We're not broke down.
00:07:58We're just pretending.
00:08:03Hey, let's go.
00:08:05Okay.
00:08:11Suspect bank robbery vehicle now confirmed as late model Honda sedan.
00:08:15Brown with racing stripes.
00:08:17One Delta 12 in pursuit east on west...
00:08:19One Delta 12?
00:08:21That's Clark and Mendoza, isn't it, sir?
00:08:23Riguerio and Vitale.
00:08:24Oh, Riguerio and Vitale.
00:08:26I don't think I know them.
00:08:28Are they robbery?
00:08:29Robbery, arson, homicide, you name it.
00:08:32Anyway, some guys get all up brakes.
00:08:56Okay, get in there.
00:08:59Then they're, uh, organized crime.
00:09:02Who?
00:09:04Clark and Mendoza.
00:09:05Clark and Mendoza, robbery.
00:09:08Hmm.
00:09:09What about Riguerio and Vitale?
00:09:10They're organized crime.
00:09:12I thought we were organized crime.
00:09:14We are, but they're far and we're against.
00:09:16Oh, please!
00:09:21Why, you son of a bitch!
00:09:25Charlie the Wheel!
00:09:26Oh, Sergeant Prowell.
00:09:28Ah, ah, ah, ah.
00:09:29I thought you were gone for five years.
00:09:31Commuted sentence, extreme hardship.
00:09:33Ah, ah.
00:09:34So what is it this time?
00:09:35More of the same?
00:09:36I didn't know there was anything in the trucks to help me.
00:09:38I'm only driving it, you know.
00:09:40I mean, I stopped off the deli for hot corn beef
00:09:41and he must have got in.
00:09:42All right.
00:09:44Who got in?
00:09:48How should I know?
00:09:50I mean, anybody.
00:09:52There's a lot of criminals around, you know that?
00:09:54Hey, like these two torpedoes.
00:09:57Oh, yeah?
00:09:58That bad news.
00:09:59Just in for Motor City.
00:10:02Now, guys like these two, I can help you with, you know?
00:10:09You scratch my back and I scratch yours.
00:10:12Symbolically, of course.
00:10:14All right.
00:10:16What do you know about these two?
00:10:17They're always hanging around the concert hall.
00:10:22Kopech!
00:10:27Sergeant Brewer, I didn't know there was anything back there.
00:10:29For heaven's sake, Sergeant Brewer.
00:10:31Ah!
00:10:34Kopech!
00:10:37All right.
00:10:38Where are they?
00:10:39Who?
00:10:43Who?
00:10:43Never mind that now.
00:10:44Come on, get in the car.
00:10:45What do you think I am?
00:10:45Dumb?
00:10:46Nothing stupid.
00:10:47Come on, get in there.
00:10:47Move!
00:11:03Surprise!
00:11:04Open!
00:11:05Not the double!
00:11:13All right, the two of you, get out of the truck.
00:11:15You, against the wall.
00:11:16You're a little late, fella.
00:11:17I said get out of the truck.
00:11:17Wait a minute.
00:11:18I'm Sergeant Roscoe Brewer, Organized Crime Squad.
00:11:20Get out.
00:11:20I'm the mayor.
00:11:21Now, listen.
00:11:21Hold on.
00:11:22Hey, we're police officers.
00:11:25I'm not kidding, sonny.
00:11:26You'll be pounding the beat if you...
00:11:27Watch it with the hands.
00:11:30What's your badge number?
00:11:31Kopech, make a note of his badge number.
00:11:33You've got a lot to learn about police work, fella.
00:11:35You're gonna find yourself in an awful lot of trouble.
00:11:38Article 731, disobe...
00:11:43Disobeying of superior officer.
00:11:46Brew.
00:11:47Well, I should've known.
00:11:50Now, look after this, Kopech.
00:11:51Come on the double.
00:11:52Right, you. Come on.
00:11:53Good work, Brew.
00:11:55We like to get off on a flying start, sir.
00:11:57It'll all be in Kopech's report.
00:11:59Excuse me, sir.
00:12:00Hey, you!
00:12:03What's your name?
00:12:04Dockstetter.
00:12:06Dockstetter what?
00:12:09Dockstetter, sir.
00:12:11Sir.
00:12:12Uh-huh.
00:12:13There's one Charlie the Wheel in my car.
00:12:16Get him over here.
00:12:17Sir!
00:12:21Quick off the mark, eh, Broom?
00:12:23And I suppose you'll grab the other two before the afternoon's over.
00:12:27Wouldn't be surprised, sir.
00:12:28Sir, there's nobody there.
00:12:30You lost him?
00:12:32No, I said there's nobody in the car.
00:12:33Don't make things any worse than they are, Dockstetter.
00:12:36Look, my eyes don't lie to me.
00:12:37I told you there's nobody in the car.
00:12:39That's what I mean.
00:12:39All right.
00:12:40Let's mark it down to you.
00:12:45This is car 54, Sergeant Roscoe Broom, organized crime squad.
00:12:49I want an APB, Charles Alexander Murphy.
00:12:53That's with a PH, otherwise known as Charlie the Wheel,
00:12:58for the mercantile bank job this morning.
00:13:00Wanted for burglary, extortion, grievous bodily harm,
00:13:03possession of stolen property, assaulting a police officer,
00:13:06and avoiding arrest.
00:13:10Also, failing to remain at the scene of an accident.
00:13:14Car 54 out.
00:13:19Lucky for you, I know him.
00:13:21We'll have him in no time at all, sir.
00:13:24No thanks to you, Dockstetter.
00:13:25Now see if you can clear up the rest of this mess
00:13:27without losing anybody else.
00:13:30Sir!
00:13:33Kopec.
00:13:36Charlie the Wheel.
00:13:38You'd never think he was capable of a job like this, sir.
00:13:41Just goes to show, you can never tell about a person
00:13:44by just looking at him.
00:13:52Kopec.
00:13:56This car isn't gonna work out, sir.
00:13:59Okay, Ma.
00:14:00Yeah.
00:14:02I'll call Beverly.
00:14:03What?
00:14:04Stephen and Lisa.
00:14:05Huh?
00:14:05Okay.
00:14:06Jordan, too.
00:14:07Okay.
00:14:09Yeah.
00:14:10Yeah.
00:14:11What?
00:14:12I gotta...
00:14:12I gotta go, Ma.
00:14:14Had to bring the car back.
00:14:16Uh...
00:14:17Sometimes you just get a lemon.
00:14:19Lemon.
00:14:20Lemon.
00:14:47Sir, it's over here.
00:14:49Sir.
00:14:49The concert hall.
00:14:50It's right there.
00:14:54Good work, Kopec.
00:14:55Thank you, sir.
00:14:57Sir.
00:14:58What's a couple torpedoes doing hanging around a classy joint like this?
00:15:02Hang in, Kopec.
00:15:03It's the only lead we've got.
00:15:19I'm gonna go...
00:15:22You're gonna beat.
00:15:26Here we go.
00:15:26I live.
00:15:29Here we go.
00:15:29I live.
00:15:31Today we have to do it.
00:15:31Here we go.
00:15:32We're here.
00:15:33We'll be here.
00:15:34We're here.
00:15:46Oh
00:16:11Would you cut that out what are you talking about we gotta burn them don't we know we don't got
00:16:15to burn it
00:16:16We gotta put a snatch on and I'll put it away go put it all right
00:16:46Again the from letter a miss victoria breathe deeply grandioso
00:17:00Is that that one now now
00:17:28Oh
00:17:29Why don't you
00:17:35What is what are you doing i'm rehearsing what's it look like you're rehearsing the wrong show is what it
00:17:41looks like come on you'll be late
00:17:43Rick i can't leave jk will be here soon have you told him yet well not yet see you later
00:17:48where are you going
00:17:49Hey look if your uncle finds out on his own that you're dancing at the orchid and that i hired
00:17:53you
00:17:54It could get sticky
00:18:04I thought you told me you were going to can all this crap and tell him all right all right
00:18:10Look just give me 10 minutes then i'll meet you outside
00:18:14Okay
00:18:19Miss lewineck
00:18:20You have a
00:18:21You have a voice i must admit but you got completely the wrong attitude to your status
00:18:27Even i the great gene of frescobaldi cannot make a diva out of you
00:18:31No matter what your uncle may say i'm sorry maestro shall we try again
00:18:45And what are you doing here i thought i told you to stop sniffing around my niece
00:18:49i have business here
00:18:51Your business is taking care of my business at the orchid and nowhere else
00:18:57henry sir
00:18:59Throw him out
00:19:01Yes sir
00:19:05I was just leaving
00:19:07Thank you sir
00:19:14That's the one
00:19:15No
00:19:16Get down
00:19:37Piece of pizza sir
00:19:44Anchovies copic
00:19:51Anchovies
00:20:13My niece has a marvelous voice henry
00:20:16Unique sir
00:20:17When my brother entrusted her to me his final wish was that she should pursue her career as an opera
00:20:22singer
00:20:29In honor
00:20:31Miss
00:20:32To me
00:20:38Yes
00:20:40I think our debut will cause
00:20:42Quite a stir in musical circles
00:20:44Undoubtedly sir
00:20:50For a
00:20:55Maury
00:21:00Maury
00:21:01Bravo
00:21:03Magnificent my dear
00:21:05Maestro you must be very proud
00:21:07Without you my niece would not be making her debut
00:21:10Just think of it
00:21:11In a few days time
00:21:12Opening night
00:21:13The house filled
00:21:15The whole world will know that you
00:21:17Are responsible for bringing forth this remarkable talent
00:21:22Victoria my dear
00:21:24Henry will take you home
00:21:26You want to play some gem
00:21:27Come on
00:21:30There she goes
00:21:34Until tomorrow maestro
00:21:35Come on
00:21:42My chop
00:21:42My chopper's stuck
00:21:48Me responsible
00:21:52No
00:22:42Batsy, you gonna send me?
00:22:43I'll take my way.
00:22:44Okay.
00:23:08Okay, let's go.
00:23:33It's a long door.
00:23:35In here.
00:23:42Yes!
00:23:43Yes!
00:24:02No!
00:24:02No!
00:24:03No!
00:24:17That's the muscle.
00:24:18Yeah.
00:24:20Going after the broad.
00:24:22Come in.
00:24:22Yeah.
00:24:26What are we gonna do?
00:24:28We're gonna snatch the broad and bounce the muscle.
00:24:32Good.
00:24:33Just like when I was with Bugsy Spiegel.
00:24:56Now what?
00:24:58I can't find my chopper.
00:25:01.
00:25:18Mama.
00:25:39But my instructions were very clear, I was to take Miss Victoria home.
00:25:49Oh, no, no, no, no.
00:26:37Well, sir, what do we do when we spot them?
00:26:40We maintain surveillance, Copac.
00:26:43Until we can apprehend them in flagrante delecto.
00:26:48Huh?
00:26:50At it, Copac. At it.
00:26:52Ah.
00:26:56There they are, sir.
00:26:58Good work, Copac.
00:27:00Copac, get down. I'll see you.
00:27:02Copac, the horn!
00:27:03Ow!
00:27:04I got 60 feet off the horn!
00:27:07Copac, you're gonna blow the surveillance!
00:27:08I want to go my leg!
00:27:12You're fat, Copac, fat!
00:27:14Now get off me, you hurry!
00:27:15I told you never...
00:27:16Get off me!
00:27:17Ah!
00:27:18Never need I'm so friendly!
00:27:19Now give me that!
00:27:20Ow!
00:27:24Copac!
00:27:24I'm the double threat!
00:27:26I'm stuck!
00:27:27Hurry up!
00:27:38Stop in the name of Jesus!
00:27:40Christ be with you, sisters!
00:27:44Come back!
00:27:45Follow that car!
00:27:49Not that car!
00:27:50That car!
00:27:51Follows that car!
00:27:57Now turn your wheel to the right!
00:27:58No, no!
00:27:59That wheel!
00:27:59Not that wheel!
00:28:02To the right!
00:28:07Move!
00:28:08Move!
00:28:09Move!
00:28:09Move!
00:28:09Move!
00:28:10Move!
00:28:10Move!
00:28:12Move!
00:28:13Move!
00:28:13Move!
00:28:14Move!
00:28:15Move!
00:28:17Move!
00:28:19Move!
00:28:21Move!
00:28:23Move!
00:28:23Move!
00:28:23Move!
00:28:25Move!
00:29:03Now you keep quiet and nothing's going to happen to you.
00:29:05Get in.
00:29:12Ma, would I?
00:29:13Ma, ma, would I?
00:29:14Ma!
00:29:16Now, don't worry.
00:29:18Ma, ma, I gotta go, ma.
00:29:19I gotta go.
00:29:25Ma, ma, ma.
00:29:55Brods and boos.
00:29:57And brods.
00:29:58And business.
00:30:00Like dumping the limo.
00:30:02Hey, hey, leaving it out there, they could put the finger on us.
00:30:07Right.
00:30:08I'm hungry.
00:30:09Huh?
00:30:10Go pick up a pizza.
00:30:11All right.
00:30:12Come on.
00:30:12Yeah.
00:30:13Now listen.
00:30:14Yeah.
00:30:14Hold the anchovies.
00:30:15Yeah, if they put anchovies on, I'll kill them.
00:30:39I told you to cut that out.
00:30:40Well, it was just a reaction, you know, like lightning.
00:30:42Come on, let me have it.
00:30:44All right.
00:30:45Now listen.
00:30:46Give me the gun.
00:30:47I feel naked without it.
00:30:49Listen, just get the pizza and move it.
00:30:51I gotta see the boss.
00:30:52Things were a lot different when I was with Bugsy Spiegel.
00:30:55He never talked to me like that.
00:30:58Sending a naked man after pizza.
00:31:01Ha.
00:31:24Sending a naked man after pizza.
00:31:31Ha.
00:31:40Police?
00:31:41This is J.K.
00:31:43Loanhack.
00:31:44I have to report a kidnapping.
00:31:46My niece, Victoria.
00:31:58And fake.
00:31:59Applause, applause, applause.
00:32:00Well, as if you're lucky.
00:32:02Okay, girls, go on left.
00:32:04You girls, come on right, and we're into the tap routine.
00:32:07Eddie, Eddie, where are you?
00:32:08Eddie, where are you?
00:32:10What?
00:32:11It's your cue, darling.
00:32:12It's your blues.
00:32:14Ah, I said blues, Eddie.
00:32:16Eddie, that's blue as in sad.
00:32:19As in fire.
00:32:21Do you know what I got back there?
00:32:22I got 60 amps back there.
00:32:24When I was a kid, my mother had more for cooking.
00:32:26And on top of that, I got original wiring by Edison.
00:32:29So if Nurayev here wants 2K from the house and sound on all at the same time,
00:32:34then all he's going to get is the fire chief up his ass.
00:32:37All right, Bruce, sort this out.
00:32:39You can't have what there ain't.
00:32:41Well, I don't know how I'm expected to put on a new show in three days
00:32:45and work my butt off in the old one at night.
00:32:47If Busby Berkeley can do it, you can do it.
00:32:49That's in the movies. That's not real.
00:32:51Did anyone ever tell you you have great legs?
00:32:53No, you could talk me into anything.
00:32:55Okay, girls, bustle, bustle, bustle.
00:32:57Let's get this turkey on the road.
00:32:58Rick, I've got something for you.
00:33:00I gotta go. I haven't got time.
00:33:00I got it.
00:33:01Got what?
00:33:02An idea.
00:33:03Oh, excuse me, miss.
00:33:04If you're not too busy, could you make your change?
00:33:07Okay, girls, let's go.
00:33:08Eddie, hit the music.
00:33:10Okay, girls.
00:33:11Tips, teeth, and a lot of charm.
00:33:14Let's go.
00:33:17Hit it.
00:33:18Yeah.
00:33:20You're in the wrong costume.
00:33:23And...
00:33:24Okay, dragon lady.
00:33:26Follow this.
00:33:27Give him some warmth.
00:33:28You can get 25 years in the slammer for this.
00:33:30Only if it's for real.
00:33:31And only you and me know there's more than one of me.
00:33:34So, if one of me's kidnapped and the other isn't, then no one's been kidnapped at all.
00:33:37It's that simple.
00:33:38It's that simple.
00:33:40No.
00:33:42Look, you came down here, auditioned.
00:33:44I gave you a job, right?
00:33:45Then you tell me you're J.K.
00:33:47Lewin hack's niece and you're supposed to sing opera.
00:33:50You're nuts.
00:33:51You know that.
00:33:52You got all the money you want.
00:33:53You got a chauffeured limousine.
00:33:54You got a secretary, for Christ's sake.
00:33:56And all you want to do is some dumb number with that faggot and a lousy show and a lousy
00:34:00club.
00:34:00It's not a lousy club.
00:34:02It is a lousy club.
00:34:03I run the place.
00:34:04I should know.
00:34:05Well, I want to make it on my own.
00:34:07You got it.
00:34:08You want to play weird games with your rich uncle, include me out.
00:34:12So you got trouble singing and dancing at the same time.
00:34:15Tell him yourself.
00:34:16I'm going to, after I've been kidnapped.
00:34:20Why?
00:34:20Because then he'll be able to justify canceling my debut and he won't feel that I let him down.
00:34:24It's simple psychology.
00:34:27Understanding the male ego.
00:34:30You're fired.
00:34:31You're fired.
00:34:33Ruby can do the show.
00:34:34Vicky!
00:34:34Bruce is screaming for you.
00:34:45Hey, you're late.
00:34:50One and two and three and the one and the two and the three and the rink go away.
00:34:57Thanks and the one and the two and the three.
00:35:00Legs, will you listen to the...
00:35:01You know, that dummy will never make a dancer out of legs.
00:35:04You ought to get rid of her.
00:35:05You kidding?
00:35:06With a body like that, who cares if she can dance?
00:35:08And one, two, three, four.
00:35:11One, two, three.
00:35:13Oh, girls, those of you who can count, please, count for me.
00:35:20Legs!
00:35:21Legs!
00:35:22Sashay, darling, sashay.
00:35:24You're playing Rosie O'Grady.
00:35:26Not Rosie Greer.
00:35:29Here, drop this off to Lou and Eric's.
00:35:31Right away.
00:35:32Oh, will you not move right when everyone else is moving left?
00:35:35All right, Eddie.
00:35:35We'll take it from the top.
00:35:40Eddie!
00:35:42Hit the music!
00:35:44You got the note?
00:35:48Your niece has been kidnapped.
00:35:50You'll be contacted.
00:35:52Good.
00:35:53You'd better get out of here before the police arrive.
00:35:55Forget it.
00:35:56I take in both sides of the action.
00:35:58I can second-guess the police better than you.
00:36:00You're too smart for your own good.
00:36:02It's very simple.
00:36:03I merely revert to my alter ego.
00:36:05Hugo Steinmetz, the perfect gentleman secretary, sir.
00:36:09I think I made a mistake getting into this.
00:36:12You made a mistake getting into the organisation for money.
00:36:15And next week, that girl comes into her estate and you don't get to smell at it anymore.
00:36:19Without that, our accountants feel that your loan lacks collateral.
00:36:23All I need is a little time.
00:36:25Look, I can still tell the police.
00:36:27It's all a hoax and then...
00:36:29I think your time just ran out.
00:36:32Shall I answer the door, sir?
00:36:35Thank you, Hugo.
00:36:37Very well.
00:36:45Two, uh...
00:36:46gentlemen from the police department to see you, sir.
00:36:49Show them in.
00:36:50Mr. Lonehack will see you now, sir.
00:36:58I've seen you before someplace.
00:37:00Uh, yes.
00:37:02I used to play pro ball.
00:37:04Hey, hey, never forget a face.
00:37:06No, no.
00:37:07I played water polo for the, uh, Vegas Dolphins, you know.
00:37:10Ha, ha, ha.
00:37:11Pff, pff, you know, swim.
00:37:14Ha, ha, ha.
00:37:19Sir.
00:37:22Detective Sergeant Roscoe Broome and Officer Copac.
00:37:27Mr. Lonehack, you've reported a kidnapping.
00:37:29Yes, my niece, Victoria.
00:37:31The opera singer.
00:37:32We have our sources of information, Mr. Lonehack.
00:37:35Uh, I think you'll find you can trust me, sir.
00:37:38Even at this early stage, I think I can safely tell you that we've been engaged in the vicinity of
00:37:43the concert hall,
00:37:45holding certain suspicious characters under surveillance.
00:37:51Two L's.
00:37:52Two L's.
00:37:53Therefore, I can confidently state that I expect an early conclusion to this case, sir.
00:37:57Now, I understand you received a ransom note.
00:38:01Yes, it's here.
00:38:02Uh, uh, uh.
00:38:03Please hand it to Officer Copac, Copac.
00:38:10Is anyone handled this note, sir?
00:38:12Yes.
00:38:13I have.
00:38:15Other than you, sir.
00:38:17Hugo.
00:38:18Where are you going, Copac?
00:38:20Mr. Lonehack wanted me to answer the door, sir.
00:38:21Well, the doorbell rang, and he asked me to go.
00:38:24I said, you go.
00:38:26Copac, he said, you go.
00:38:28I was just going, sir.
00:38:30Not you go.
00:38:31You go.
00:38:32Hugo Steinmetz, my secretary.
00:38:34He handled it.
00:38:36What?
00:38:36The note.
00:38:37Mr. Lonehack, Copac, the note.
00:38:39Don't handle the evidence.
00:38:41Hugo.
00:38:43Mr. Steinmetz, would you answer the door, please?
00:38:46Satellite, sir.
00:39:10Uh, one moment, sir, please.
00:39:14Sergeant, this letter is addressed to me.
00:39:17Police procedure, sir.
00:39:18Trust me.
00:39:19Copac?
00:39:33My niece has been kidnapped.
00:39:37His niece has been kidnapped.
00:39:39Your niece has been kidnapped.
00:39:41Don't handle the evidence.
00:39:46Sir, clear, clear, clear.
00:39:49Hey, give us a kiss.
00:39:51All right.
00:39:53You're next.
00:39:58Ladies and gentlemen, Bruce LaRouche.
00:40:03Bruce LaRouche is a louse.
00:40:05Oh, and the table boys, I'm a coming through.
00:40:23Is the flasher in tonight?
00:40:25Ah, he hasn't been in since Louie got him with the hot coffee.
00:40:28There's a new one.
00:40:29Oh, what have we got now?
00:40:31Jack the Ripper or the Boss of the Strangler?
00:40:33Oh, this one looks like the Phantom of the Opera.
00:40:35Terrific.
00:40:47Oh, this one looks like the Phantom of the Opera.
00:40:50Oh, this one looks like the Phantom of the Opera.
00:40:52Oh, this one looks like the Phantom of the Opera.
00:40:53Oh, this one looks like the Phantom of the Opera.
00:40:55Oh, this one looks like the Phantom of the Opera.
00:40:55Oh, this one looks like the Phantom of the Opera.
00:40:56Oh, this one looks like the Phantom of the Opera.
00:40:57Oh, this one looks like the Phantom of the Opera.
00:40:59Oh, this one looks like the Phantom of the Opera.
00:41:01Oh, this one looks like the Phantom of the Opera.
00:41:17Good, you're on.
00:41:54What? Where's Vicki?
00:42:00Come on.
00:42:06You get your ass out there.
00:42:22Eddie, where was she?
00:42:24Who knows?
00:42:25Well, I don't know how I'm expected to keep everything together by myself.
00:42:29Now, okay, girls. Got one more show tonight?
00:42:31I don't mind anybody else running off, okay?
00:42:33Listen to madam, girls. Listen to madam.
00:42:37Why am I gonna give her a piece of my mind?
00:42:40She thinks because Rick fancies her that she can get away with anything, huh?
00:42:43Discipline, Eddie. That's what little Miss Muffet needs.
00:42:45Discipline. Where is she?
00:42:51Oh, my God.
00:43:00Chauvinist pig.
00:43:02So when did you learn to read?
00:43:06Kidnapped, Eddie. They've stolen my baby.
00:43:11I don't believe it. What are we gonna do?
00:43:12I'm in such a tears. Let's get some help.
00:43:13Shut up.
00:43:15Beck, look. Kidnapped.
00:43:17Lock, lock, lock, lock. Oh, I'm so nervous.
00:43:26Flanagan.
00:43:28Flanagan.
00:43:29Seems to have gone dead.
00:43:43Relax. I've got it.
00:43:45I'll be ready, sir.
00:43:47Go back to C-41.
00:43:52Would you sign there and there, sir?
00:43:56Police regulation, section 129, form C-41,
00:43:59granting permission to install a listening device on the telephone or telephones
00:44:02shall be completed and duly signed by the owner or lessee
00:44:05of the premises where they say a telephone or telephones may be located, sir.
00:44:08What's all this stuff in any case?
00:44:10That, sir, is the very latest electronic surveillance equipment.
00:44:14You see, sir, when contact is made...
00:44:17Excuse me, sir.
00:44:18The incoming call, sir, is, uh...
00:44:21Ah.
00:44:24Kopec, stand by.
00:44:28Flanagan.
00:44:29It's gone dead again.
00:44:37It's okay, sir. I've got it now.
00:44:38All right, sir.
00:44:43Don't worry, sir.
00:44:44I have the situation completely under control, sir.
00:44:47Kopec, you trace that column.
00:44:48Mobile surveillance unit 7 area...
00:44:50Flanagan, form 772, follow the equipment report.
00:44:53...coming call. Station C, report back.
00:44:55One thing about police work, sir.
00:44:56We're...
00:44:57We're always expected to expect the unexpected.
00:45:00It's...
00:45:00Kopec, have you traced that call?
00:45:03Sergeant Broome?
00:45:03What is it, Kopec?
00:45:04I've traced the call, sir.
00:45:06Good work, Kopec.
00:45:09Well, who was it?
00:45:11It's the chief, sir.
00:45:16Detective Sergeant Broome, sir.
00:45:21Hugo.
00:45:23Now hold it, Flanagan.
00:45:24Hugo.
00:45:25Hugo.
00:45:27Hugo.
00:45:31You know my ears on the force, Mr. Lewinheck?
00:45:34This is my first kidnapping with two ransom notes now.
00:45:37I told you, you can't come in.
00:45:39I don't care what you're saying, Mr. Lewinheck.
00:45:41Your niece has been kidnapped.
00:45:43My niece has been kidnapped.
00:45:46His niece has been kidnapped.
00:45:50His niece has been kidnapped.
00:45:52And, uh, legs.
00:45:55All right, um, over here.
00:45:59Anne and Simone, please.
00:46:03What in God's name are you up to?
00:46:05You're an officer.
00:46:06You're credibly.
00:46:09Uh, ladies and gentlemen.
00:46:11Quiet, please.
00:46:14Quiet.
00:46:15I'm here to conduct an investigation
00:46:17into the sudden disappearance of a member of your show.
00:46:20Now, I'm detect...
00:46:23Detective Sergeant Roscoe Broome.
00:46:25Now, I have to ask you a few questions.
00:46:26Hey, don't forget.
00:46:27They've got a show to do.
00:46:28Don't worry, sir.
00:46:28This won't take long.
00:46:29If someone is covering something up,
00:46:32we will soon have it out in the open.
00:46:41I want to have a word with you.
00:46:43Shh.
00:46:43Number one, son.
00:46:49I understand.
00:46:51That, uh, one of you...
00:46:54One of you found this note.
00:46:57Yes.
00:46:59I found the note.
00:47:01Not that one.
00:47:03That one.
00:47:05Gather, girls.
00:47:06Gather.
00:47:10Now, miss.
00:47:11You found the note.
00:47:13Then what happened?
00:47:14Well...
00:47:15They fainted.
00:47:17Copa, get some water.
00:47:19Oh, officer.
00:47:21You're so strong.
00:47:25Please train him, miss.
00:47:26No.
00:47:27Oh.
00:47:30You said it would be smooth.
00:47:32It's smooth.
00:47:33What about the two other notes?
00:47:35Repoffs.
00:47:36Listen, the way that girl's loaded,
00:47:38we're lucky we thought of this idea before somebody else did.
00:47:40We?
00:47:41All right.
00:47:42But I did it for you.
00:47:43Well, don't do me any more favours.
00:47:45You discovered the note here.
00:47:46No, it was there.
00:47:48The exact position of the note doesn't matter.
00:47:49Oh, but I thought you policemen had to be so careful about details.
00:47:54For instance, if the note is in the mirror, you wouldn't see who came in the door.
00:47:57You see?
00:47:58You see, if you are sitting here.
00:48:01Psst.
00:48:03And you look in the mirror, you couldn't see who came in the door.
00:48:11And they did.
00:48:14Didn't they?
00:48:17Yeah.
00:48:18Somebody came in that door, right?
00:48:21Therefore, the note wasn't delivered until after she left the room, right?
00:48:25Anyone entering the room wouldn't have been observed by her,
00:48:28even if she'd been here, right?
00:48:29Which she wasn't, right?
00:48:31Right.
00:48:32Oh, you're so clever.
00:48:33All right.
00:48:34I'm sorry, miss.
00:48:35I know she wasn't here when the note was delivered.
00:48:39What I want to know is what you know about what happened after the note was delivered.
00:48:43Oh!
00:48:45Okay, okay, okay.
00:48:46Everybody can change with a can-can note.
00:48:48And you, don't forget your jockey shorts.
00:48:51Forget your jockey shorts.
00:48:58Ah-ha.
00:48:59Keepin' calm.
00:49:00Get outta here before I call the cops.
00:49:02Sir, you can't go in there.
00:49:03There's somethin' safe.
00:49:04Oh, my God.
00:49:05Sir, miss.
00:49:06What's the matter?
00:49:07Ain't you never seen a lady before?
00:49:08Not with, I mean, sir.
00:49:17Hold that, honky.
00:49:19Yes, sir.
00:49:36Police procedure, sir.
00:49:48No one hack, yeah?
00:49:49Sir, it's Henry.
00:49:51Your chauffeur.
00:49:51Hold on.
00:49:53It's all right.
00:49:54It's, er...
00:49:55Personal.
00:50:01Go on.
00:50:02Something terrible has happened.
00:50:03Matt, he's been kidnapped.
00:50:04Two ruffians grabbed her.
00:50:06They rendered me unconscious and I've only just come to her.
00:50:07Two.
00:50:08I'm very sorry, Mr. Lewenham.
00:50:10Right.
00:50:11I'll, er...
00:50:13Look into that.
00:50:21No.
00:50:37She's in the crazy house.
00:50:38That's impossible.
00:50:39Henry, just phone me.
00:50:41So those other two notes were ripoffs, were they?
00:50:43Well, who's ripping off whom?
00:50:45Perhaps that gorilla of yours has gone into business on his own.
00:50:47He wouldn't do that.
00:50:48You're right.
00:50:49He's too stupid.
00:50:50Well, you'd better straighten this thing out, haven't you?
00:50:52Yeah, all right.
00:50:54Ah, ah.
00:50:56Remember, number one son in there.
00:51:00Use a payphone.
00:51:09Well, I think this completes our interview, sir.
00:51:13What about that one?
00:51:14Which one was that, sir?
00:51:17The tall one.
00:51:19The duck.
00:51:21You mean the schwarzer?
00:51:24Hey, Stan!
00:51:25Come in!
00:51:26I've got to find my schwarzer.
00:51:28The schwarzer?
00:51:29Well, I've got nobody here by that name, sir.
00:51:31Copy.
00:51:36You, er, looking for me?
00:51:39Uh, I wanted to ask...
00:51:42He wanted to ask you some questions.
00:51:44I, Stan?
00:51:45Stan!
00:51:45You're on!
00:51:46Catch you later.
00:51:48Don't go away.
00:51:54Sergeant Broom!
00:51:56Telephone.
00:52:00Right here, Kopec.
00:52:01Yes, sir.
00:52:10Sergeant Roscoe Brown here!
00:52:12Clarendon!
00:52:13Pull around!
00:52:15Sir!
00:52:17Oh, sir!
00:52:19Sir!
00:52:20Could you turn down the sound, please?
00:52:22I'm trying to stop it!
00:52:23Oh, my God!
00:52:28Cut that out!
00:52:30Cut that out!
00:52:34Oh, no, you don't!
00:52:36Get it off, baby!
00:52:37Take it off!
00:52:38Take it off!
00:52:39I heard that!
00:52:40I never forget a voice!
00:52:43Sergeant Broom!
00:52:47I'm pretty sharp as a mess!
00:52:50Now, wait a minute, man, sir!
00:52:56Good luck to you, baby!
00:52:59Come on!
00:53:02Come on!
00:53:05Through the air again, Fladegan!
00:53:07Go ahead!
00:53:09Cut!
00:53:10Cut!
00:53:12Good work, Fladegan!
00:53:21Schwarzer.
00:53:34Come on!
00:53:36Yeah?
00:53:36We have the wrong merchandise.
00:53:38Someone else has got the real thing.
00:53:40We have to talk.
00:53:42I'll be there.
00:53:43One hour.
00:53:51Yeah.
00:54:04Yeah?
00:54:05Don't burn her!
00:54:07Don't burn her!
00:54:12Three weeks on the job, and I ain't got to burn anybody yet, and they wonder why I'm a compulsive
00:54:16eater.
00:54:18Let me out of here, you creep! Come on and open this door!
00:54:21Shut it up, lady!
00:54:23The only way of coming out of there is feet first!
00:54:27Idle threats.
00:54:28She only knew my hands was tied.
00:54:31On top of it, I have to starve to death, too.
00:54:33It never, ever worked out that way when I was working with Bugsy.
00:54:36What am I doing?
00:54:38Huh.
00:54:39Star if I don't for nobody!
00:54:41Let me out, you creep!
00:54:42Come on!
00:54:43You hear me?
00:54:45All right.
00:54:46All units to rendezvous at 0200 hours at the Crazy House.
00:54:49Central to car 007.
00:54:51Confirm rendezvous location.
00:54:53You heard me, Stitsky!
00:54:54The Crazy House!
00:54:55All right.
00:54:56See to it, Stitsky.
00:54:57Central to car 007.
00:54:59Observe correct radio procedure.
00:55:03Watch it, fellas.
00:55:04Close its room again.
00:55:13That's it, Kopec.
00:55:14The closing of another net.
00:55:160200 hours.
00:55:19Kopec?
00:55:20Yes, sir?
00:55:25I just hope she isn't in the hands...
00:55:29...of some pervert.
00:55:41I was thinking, sir.
00:55:42Yes, Kopec.
00:55:43We've got an hour to rendezvous, right, sir?
00:55:45Yes, Kopec.
00:55:47About 60 minutes, right, sir?
00:55:49Yes, Kopec.
00:55:50Can we get a pizza?
00:55:51I'm starving.
00:55:52No anchovies, Kopec.
00:55:53Yes, sir.
00:55:55Yes, sir.
00:56:05Here you are.
00:56:20I've got some plaisir, too.
00:56:21Yes, sir.
00:56:22Yeah, we're ready to go.
00:56:23Now, as the house is in the house...
00:56:26We need to be upstairs.
00:56:26Yes, sir.
00:56:27Yes, sir.
00:56:27Yes, sir.
00:56:28Yes, sir.
00:56:31You have a what?
00:56:32Yes, sir.
00:56:35Yes, sir.
00:56:35Yes, sir.
00:57:00No, no, no, no, mamma mia, mamma mia, sono solo io, that's me, your son, your son.
00:57:05Gino! That's Gino!
00:57:07Oh, you're a disgrace!
00:57:09No, no, no, no!
00:57:14It's the penthouse! Play boring!
00:57:17Luigi, help me!
00:57:19You don't understand the fine letters sink him.
00:57:21I got it in his stadium!
00:57:24Sorry.
00:57:25Probably in the family, eh, Mario?
00:57:26A little bit.
00:57:28Sorry.
00:57:32Hi, Luigi.
00:57:33Uh, Luigi, I'd like a...
00:57:35A Mario.
00:57:36Oh, yeah, right.
00:57:37All the large pizza to go, please, with the works.
00:57:40Oh, and Luigi,
00:57:41double anchovies?
00:57:43Large to go, double anchovies.
00:57:46Thanks, Luigi.
00:57:47A Mario.
00:57:48Yeah, right.
00:57:52If you want to go back there, it's okay.
00:58:23Me?
00:58:27Yes.
00:58:27Oh, yeah.
00:58:29Don't look.
00:58:31Do you have a dime?
00:58:33You're welcome.
00:58:34How's Boyk?
00:58:36Well, it's a bit of a drag.
00:58:42Oh, no. It's busy.
00:58:44Haven't I seen you somewhere before?
00:58:47I come in here all the time.
00:58:48Yeah, I thought I'd seen you around.
00:58:50Yeah, I never forget a face.
00:58:52Yeah, anyway, well, it's better than being a hairdresser.
00:58:54You know, nothing but tease, tease, tease.
00:58:57Yeah, well, I'm still a tease.
00:58:59But now it's a strip tease.
00:59:01Yeah, in my line of work, you're on the go all the time, you know?
00:59:04You have to eat on the run.
00:59:06What do you do?
00:59:07We'll take a guess.
00:59:09No idea.
00:59:10I'll give you a clue. To serve and protect.
00:59:17I give up.
00:59:19I'm a cop.
00:59:21475.
00:59:22Right, thanks, Luigi.
00:59:24Mario.
00:59:24Right, Mario. We'll see you around.
00:59:27Yeah, I come in here all the time.
00:59:29Yeah, I never forget a face.
00:59:31Ooh, I'm sorry.
00:59:34Hey, Luigi.
00:59:35Give me a big one to travel, will you?
00:59:37Mario.
00:59:38That's not my name.
00:59:40That's not my name.
00:59:41Mario?
00:59:42Luigi.
00:59:43All right, Luigi.
00:59:44Make me a big one to go right away, will you?
00:59:45Let's go, Prado.
00:59:47Luigi, come here.
00:59:52Come here.
00:59:54I am Mario.
00:59:55This is Luigi.
00:59:57This is Victoria.
00:59:58Sandy, get me a ring, quickly.
01:00:01This is my name.
01:00:18Well?
01:00:19Like a babe.
01:00:20How long?
01:00:21A couple of hours.
01:00:23He'll wake and think it was just a little nap.
01:00:24No after-effects. Come on.
01:00:32Anybody seen my car keys?
01:00:33Your car's not here. You came back with a fuzz, remember?
01:00:36I got a call from Vicki. I got to pick her up.
01:00:38Oh, good night. She's fine.
01:00:39Hey, what happened?
01:00:40Hey, can I have your car?
01:00:41Well, yeah, sure, but how do I get home?
01:00:42I'll drop you up. Come on.
01:00:43I haven't changed yet.
01:00:44Who cares?
01:00:45Hey, hey, hey, what about my ride?
01:00:46All right, you can come with us. You better get street clothes on now.
01:00:48I am in my street clothes.
01:00:49Oh, God.
01:00:50Where is she?
01:00:51I don't know.
01:00:51I can't see it.
01:00:53I can't see it.
01:00:53I can't see it.
01:00:55I can't see it.
01:00:56You cannot think.
01:00:57Please don't ruin my career.
01:00:59All right, everybody, calm down.
01:01:00Get in the car.
01:01:01You can't do that.
01:01:02Get in the car.
01:01:03You're not gonna get hurt.
01:01:03Please don't shoot.
01:01:04Into the front seat of the car.
01:01:05Let's go.
01:01:09Look at that.
01:01:10Hurry up, you two.
01:01:11Front seat.
01:01:12Let's go.
01:01:13Come on.
01:01:14Go.
01:01:18Hang on to your hat.
01:01:21Go.
01:01:37Go.
01:01:38No, no.
01:01:39Go.
01:01:40Take it to my house.
01:01:44Come on.
01:01:45Come on.
01:01:45Come on.
01:01:46Come on.
01:01:48Go.
01:01:48Let's go.
01:01:49Get in the car.
01:01:49Go.
01:02:04where is he yeah well it's quite possible sir overcome by the pangs of hunger he's uh popped
01:02:10out for a pizza this isn't a picnic there's nothing in his contract that says you shouldn't eat
01:02:14there's nothing in the contract that says you don't deliver
01:02:30all right let's go out of the car let's go move
01:02:37get in there go on hurry there there get inside go on hurry
01:02:48oh that'll be him now
01:02:52leo yeah got that merchandise what merchandise the broad come on move it she mustn't see me
01:03:01this way all right right down to the left here now go on move it come on fast
01:03:07come on move it through the curtains there in here
01:03:14hey leo boss is gonna be pretty happy i guess with the job i've done here
01:03:19just like when i was with spiegel just shut up and get him in the room come on move it
01:03:23come on you heard him get in the room get in there where did he come from he was with
01:03:28her
01:03:28well tie him up yeah i'll get in and tie him
01:03:34it's her all right she's got that singing teacher with her
01:03:43i'll go in you two stay here you'd leave a young girl like me out here alone
01:03:48don't make me nervous all right come on
01:03:56it just doesn't pay to be a sex goddess
01:04:07what is that i'll go and see
01:04:23it's creepy in here
01:04:28there's a man looking at us where
01:04:34there's nothing there i'm not crazy i thought i
01:04:36shut up we gotta figure out what's going on we'll split up
01:04:40ruby you go not me all right bruce don't make me nervous
01:04:46i'm not going anywhere alone all right i'll go upstairs you two stay here
01:04:57it's the boyfriend then you better get her out of here
01:05:00get your man to take her for a ride or something while you sort this mess out
01:05:03we can't afford to blow this now
01:05:34zero hour minus
01:05:35one call back shh right sir
01:05:40i think shh i think somebody should go for a policeman
01:05:51i'll go ruby
01:06:03all right you men pay attention now for some of you this is your first raid
01:06:08shh take cover
01:06:24grab him
01:06:30all right little lady we're going for a ride a drive not a ride a ride is a drive is
01:06:36a ride
01:06:36shut up shut up shut up and you shut up
01:06:55and you shut up
01:07:07all right you run
01:07:10all right
01:07:16wait a minute what do you know about this girl oh my god what is it with you always ripping
01:07:22my clothes off
01:07:23wait a minute listen i'm sorry
01:07:26look there's a guy in there you've said enough you're in enough trouble
01:07:32the heat
01:07:35take it downstairs and make yourself scarce
01:07:38come on
01:07:38through here
01:07:52got one of them i see hey broom
01:07:55yes sir i said doc setter sir take care of that one
01:07:58uh doc setter sir this time don't lose her i mean him
01:08:02yes sir
01:08:05the heat
01:08:07i'll work a diversion
01:08:08if they think we've got the wrong girl they'll they'll split
01:08:10think we've gone
01:08:12now we're going in there
01:08:13we're going to secure the building
01:08:15now there's a young lady being held in there
01:08:17no shooting
01:08:18follow me
01:08:20follow me
01:08:32come on
01:08:34come on
01:08:38oh
01:08:39they get all those men
01:08:41all right this will be a standard operation 86 on the whistle
01:08:45there'll be hogan and his men upstairs sanchez his men in that door kopeck and the rest of you men
01:08:51follow me
01:08:51on the whistle wait for it
01:09:04hold it
01:09:10let me out
01:09:11kopeck
01:09:12let me out
01:09:14let me out
01:09:15make sure
01:09:17the
01:09:18running
01:09:18yeah
01:09:18by gravity
01:09:19one
01:09:20running
01:09:41to
01:09:42Let me out, let me out!
01:09:46You're not Miss Luenhek!
01:09:48Kopech!
01:09:48Yes, sir.
01:09:49Let me out of here.
01:09:50The door.
01:09:51Come on and open up this door.
01:09:53Come on, you hear me?
01:09:55All over by the actual arrest, sir.
01:09:57Let me out!
01:09:58Let her out, Kopech!
01:10:00Kopech!
01:10:01Kopech!
01:10:01Let me out!
01:10:03Release Miss Luenhek.
01:10:04Come on and open up this door!
01:10:09What the hell is going on here?
01:10:11I'll teach you to throw me in a bag, honky!
01:10:14Wait a minute, miss.
01:10:15Where are the police?
01:10:16Well, it's about time.
01:10:17I bet if I've been white you've been here soon enough.
01:10:19Wrong girl, Abram.
01:10:21You pay your taxes and what do you get?
01:10:23Some creeps throwing you in a bag and you're coming by saying you're the law.
01:10:26She's not Miss Luenhek, sir.
01:10:28Me, Victoria?
01:10:29You sure you didn't forget your eyeglasses?
01:10:39Kopech!
01:10:39Help!
01:10:40Help!
01:10:42Help!
01:10:42Help!
01:10:44Help!
01:10:46Help!
01:10:47Help!
01:10:49Help!
01:10:49Help!
01:10:50Help!
01:10:51Help!
01:10:53What do you want with Sanchez?
01:10:56He speaks Spanish, sir.
01:10:58But he speaks in Italian.
01:10:59I don't want to know.
01:11:01I don't want to know.
01:11:02I'm going to die.
01:11:03Very clever.
01:11:04See what we're up against, sir?
01:11:07H-Hack.
01:11:08H-Hack.
01:11:08H-Hack.
01:11:08H-Hack.
01:11:09Carry on, Sanchez.
01:11:10H-Hack.
01:11:11H-Hack.
01:11:11H-Hack.
01:11:22H-Hack.
01:11:23H-Hack.
01:11:24H-Hack!
01:11:31Don't worry, sir.
01:11:32They don't stand a chance.
01:11:36All right, you men.
01:11:37Five, forty!
01:11:38Quick back, hit the lights!
01:11:52Search the free room!
01:11:54On the W, man!
01:11:57Find the lady!
01:12:07Oh!
01:12:14Will you put me down?
01:12:16I'm warning you I do not wish to resort to physical violence.
01:12:22Do you speak English?
01:12:23Mr. Lewin!
01:12:27Good evening.
01:12:28Oh, good evening.
01:12:29Mr. Lewin!
01:12:30You're doing a fine job.
01:12:32Go back!
01:12:37Go back!
01:12:38Yes, sir?
01:12:39Where are you?
01:12:40Over here, sir.
01:12:41Where's over here?
01:12:42Where are you, sir?
01:12:44I'm up!
01:12:45Co...
01:12:45Go back!
01:12:46All right, you're...
01:12:51Go back!
01:12:52Sir?
01:12:54Where are you, sir?
01:12:55Turn off the power!
01:12:56Yes, sir!
01:13:00Hablos de espanol.
01:13:01Power, power...
01:13:03Um...
01:13:04Poglio parliere, uh...
01:13:05Italiano?
01:13:08What?
01:13:19Uh...
01:13:21Quick!
01:13:22There you are!
01:13:30All right!
01:13:31Each one of you will take a door.
01:13:32There's gonna be a way out of here.
01:13:34On the whistle!
01:13:37Wait a minute!
01:13:38I saw this door first!
01:13:40I can't constantly be telling you then to take a door!
01:13:44Take a door!
01:13:49Hey, guys, it's way out!
01:13:56Can't we sit down and discuss this thing in a civilized way?
01:13:59Oh!
01:14:02Where have you been?
01:14:03Looking for you!
01:14:05Get me out of here!
01:14:06Right, I'll get the gun.
01:14:10Right, that way.
01:14:12No, this way.
01:14:20Come here!
01:14:22Come here!
01:14:23Come here!
01:14:24Come here!
01:14:25Come here!
01:14:42Take your own door!
01:14:44Take your own door!
01:14:44Take your own door!
01:14:45Miss Livingston, I presume!
01:14:47Lew and Hack!
01:14:48Lew and Hack!
01:14:49Of course!
01:14:49Allow me to introduce myself, Miss Lew and Hack!
01:14:51Detective Sergeant Roscoe Bloom.
01:14:53And Officer Culpeck.
01:14:57Come here!
01:14:57Don't worry, Miss.
01:14:58We'll have you out of here in no time at all.
01:15:00Men!
01:15:00I found the lady!
01:15:03Men!
01:15:04Where?
01:15:06Men!
01:15:08Where are you?
01:15:09Where are you?
01:15:16I told you, men!
01:15:18One per door!
01:15:19Oh!
01:15:20Who are you?
01:15:21Listen!
01:15:22Wait a minute!
01:15:25This whole thing is being grossly mismanaged.
01:15:27All right.
01:15:28If I wrap my business like this, I don't...
01:15:29All right!
01:15:30Sergeant Broome?
01:15:32Sergeant Broome, where are you?
01:15:33Sergeant Broome, where are you?
01:15:34Wow!
01:15:35Whoa!
01:15:38Sergeant Broome?
01:15:42Come here, Batali!
01:15:44Batali, you're in arrest!
01:15:44Got you!
01:15:51Oh!
01:15:53Mr. Lew and Hack!
01:15:54You?
01:15:55I'm sorry!
01:15:57Don't worry, sir.
01:15:58We've got the whole situation under control!
01:16:00I thought you knew the way out of here.
01:16:02Yeah, well, it's, uh...
01:16:04This way.
01:16:05Ah, this'll be the door.
01:16:07It's about time.
01:16:12That was a wrong door!
01:16:20Good work, Hogan.
01:16:36I should have known.
01:16:43We're alive, Batali!
01:16:45Stop her!
01:16:46Help!
01:16:48Help!
01:16:49I got it!
01:16:50I got it!
01:16:50I got it!
01:16:51I got it!
01:16:59All right, men!
01:17:00Clothes in!
01:17:01Get the guy in the mint coat.
01:17:02I'll get the other one.
01:17:03All right.
01:17:03Here, give me a gun!
01:17:05What are you doing?
01:17:06What are you doing?
01:17:07Get him up!
01:17:08Watch the hatch!
01:17:09Go back!
01:17:10Go back!
01:17:11Dockstetter!
01:17:12What are you doing?
01:17:14Sir!
01:17:15And you!
01:17:15That's right.
01:17:16Now listen!
01:17:16You listen!
01:17:17I've had it with you.
01:17:18You're under arrest.
01:17:19What's the charge?
01:17:20Section 347, obstructing a police officer in the course of his duty.
01:17:23Section 1021, accessory before the fact.
01:17:26And Section 45, accessory after the fact.
01:17:29Hey, wait a minute.
01:17:30Dockstetter, give him his right.
01:17:31Yes, sir!
01:17:33Ah, shut up.
01:17:33And, Dockstetter, you're back on traffic patrol.
01:17:36Sir!
01:17:38Article 87A, physical violence upon the person of a superior officer.
01:17:41Mr. Lewin, help me!
01:17:43Ah, young Dockstetter, he's...
01:17:46Mr. Lewin, help!
01:17:47I'm coming, Mr. Lewin!
01:17:51Mr. Lewin, help me!
01:17:54Mr. Lewin, help me!
01:17:55Mr. Lewin, help me!
01:17:56Mr. Lewin, help me!
01:17:59Hey, you!
01:18:00Come here!
01:18:01Ah!
01:18:02Ah!
01:18:04Ah!
01:18:04Ah!
01:18:07Ah!
01:18:08Ah!
01:18:10Ah!
01:18:11That's right, lady.
01:18:11This is it.
01:18:14A'ight, stand back.
01:18:17Look out.
01:18:23Get around the rack here!
01:18:30Good work, Topak.
01:18:32Hold them!
01:18:34Pitali!
01:18:43Don't worry about it, sir. I think I got the whole situation. I got my life-saving badge anyway, sir.
01:18:51All right, everybody stand back. The broad gets it.
01:18:59Walk out of stairs.
01:19:01All right.
01:19:06Sir, don't worry. Everything's completely under control.
01:19:09Kopech, don't you stand there. Get me up.
01:19:14Kopech, yes, give me a hand.
01:19:16Okay, sir. Just crawl on my back.
01:19:20Hold on.
01:19:23Everybody, nobody move.
01:19:27Take it easy, Kopech. Steady. We've almost got him.
01:19:30All right, Vitaly.
01:19:34Get out of there.
01:19:39Good work, buddy.
01:19:42Now, which way?
01:19:43Down.
01:19:46Now.
01:19:52Lady, this never would have happened
01:19:55when I was with Bugsy Spiegel.
01:20:00Where are you?
01:20:02Kopech!
01:20:03Down here.
01:20:03Down here, sir.
01:20:05They're all under arrest.
01:20:06Let's see.
01:20:07Right, sir.
01:20:09I think this calls for a slight change in strategy.
01:20:30Officer Flanagan received a citation from Chief Kaminsky
01:20:33and was assigned to permanent undercover duty.
01:20:37Leo Riggerio and Vito the Trigger Vitale
01:20:40found guilty on charges of abduction,
01:20:42received suspended sentences,
01:20:43and deported to Little Italy.
01:20:45J.K. Lewenhack found guilty of conspiracy
01:20:48to abduct a minor
01:20:49and subverting the course of justice
01:20:50by bribing a juror.
01:20:51Case dismissed on a technicality.
01:20:53Decision upheld in the Supreme Court
01:20:55in a precedent-setting decision
01:20:56by Mr. Justice Lewenhack.
01:21:00Charles Alexander Murphy,
01:21:01with a pfft,
01:21:02otherwise known as Charlie the Wheel,
01:21:04found guilty on all counts,
01:21:05sentenced to 99 years in the federal penitentiary,
01:21:08eluded the arresting officer
01:21:09in the washroom of the criminal court,
01:21:11presently still at large.
01:21:14Victoria Lewenhack and Rick McHenry
01:21:16found not guilty of obstructing the police
01:21:17and lived happily ever after.
01:21:23Gino Frescabaldi,
01:21:24released on probation
01:21:25into the custody of his brother,
01:21:27Mario Frescabaldi,
01:21:28he continues to receive large fees
01:21:30for teaching the uninitiated
01:21:31to sing opera.
01:21:33Oh, thank you.
01:21:40Gee, it was nice Miss Lewenhack
01:21:41to send a car for us, sir.
01:21:43A gesture, Kopeck.
01:21:44A simple gesture.
01:21:46Are you sure about the outfit, sir?
01:21:48Trust me, Kopeck.
01:21:49You know, an opening night
01:21:50is a formal occasion,
01:21:51and a formal occasion
01:21:52demands correct the time.
01:21:55Yeah, but I...
01:21:55Kopeck, when you see
01:21:57some of the other guests,
01:21:58you'll see what I mean.
01:21:59Buck and a quarter.
01:22:00Buck and a quarter?
01:22:01What do you think this is?
01:22:02The Sands?
01:22:03Yes, Miss Lewin.
01:22:08Sergeant Broome!
01:22:09Tell me the real!
01:22:10Kopeck!
01:22:11Grab him!
01:22:13Not him, you idiot!
01:22:15Not me either!
01:22:16Wait a minute!
01:22:20Pocket coffee, sir?
01:22:21Yeah, thanks.
01:22:22Right.
01:22:23Kopeck!
01:22:24Hold it for police officers!
01:22:27Tell me the wheel!
01:22:28Hey, you don't work here.
01:22:30Hey!
01:22:30Kopeck!
01:22:31Hey!
01:22:31Kopeck!
01:22:32What's going on here?
01:22:34Let me go!
01:22:34How did you get out?
01:22:35Never mind, I'll settle with you.
01:22:37Kopeck, follow that car!
01:22:39Kopeck, not that car!
01:22:41That car!
01:22:42After that!
01:22:43Take the wheel!
01:22:44Sorry, sir, emergency.
01:22:46Police department requires
01:22:47the use of this vehicle.
01:22:48Follow that car!
01:22:50What am I going to tell
01:22:51in the car!
01:22:53Faster, Kopeck!
01:22:54Faster!
01:22:54Yes, sir!
01:23:11Kopeck!
01:23:12Yes, sir!
01:23:12Get over here!
01:23:13Yes, sir!
01:23:17Give me that!
01:23:18Yes, sir!
01:23:19I told you right...
01:23:21You know, sir, I was...
01:23:22Yeah, sorry, sir.
01:23:24Sir, I told you...
01:23:25I distinctly told you
01:23:26back there, Kopeck,
01:23:27to turn right,
01:23:27and you turned left!
01:23:28I know, sir!
01:23:29You weren't paying attention!
01:23:30I was, sir!
01:23:31Now, you're the one
01:23:31that's going to have
01:23:32to make the report out,
01:23:33Kopeck, I don't want
01:23:33anything to do with it.
01:23:34But, sir, I...
01:23:35Back there, I remember,
01:23:36distinctly turn right, I said!
01:23:37I thought he said...
01:23:38And you go left!
01:23:40Right is right,
01:23:41and left is left!
01:23:41I know that, sir!
01:23:42No, you don't, Kopeck!
01:23:44It's your weight, Kopeck!
01:23:45I've been telling you
01:23:46about your weight!
01:23:47Sir, I mean...
01:23:47I'm not going to talk
01:23:48to Kaminsky about this, Kopeck!
01:23:50I'm going to let you...
01:23:51You know what, Kopeck?
01:23:51What, sir?
01:23:52I'm going on vacation!
01:23:53You can't!
01:23:54Don't say I can't!
01:23:55I can do it, Kopeck!
01:23:56But, Sergeant Brouwer!
01:23:56Wait a minute!
01:23:56I've accumulated...
01:23:584...
01:23:58I've accumulated
01:23:59about 3 weeks later...
01:24:00You can have my 2 weeks, too, sir,
01:24:02if you want.
01:24:15You can be 276!
01:24:16You can have my 2 weeks later...
01:24:165 weeks later...
01:24:29If you want!
01:24:296 weeks later...
01:24:55¶¶
01:25:18¶¶
01:25:43¶¶

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