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"Make Ready My Grave" is the 268th episode of the classic old-time radio horror series Inner Sanctum Mystery, broadcast on April 23, 1946.
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00:06Lipton Tea and Lipton Soups present Inner Sanctum Mysteries.
00:28Good evening, friends of the Inner Sanctum.
00:31This is your host, opening the squeaking door for another session of the AGGMS,
00:38the Association of Ghouls, Ghosts, and Midnight Spirits.
00:43Oh, may I see your membership card as you enter, please?
00:47But, uh, oh, no, no, it's not a printed card.
00:51All you have to do is show me your wrist.
00:53If there's any blood pulsing in your arteries, then you don't belong here tonight.
00:59Better come back and try some other time.
01:02After you've passed your mortuary test.
01:07Well, Mr. Host, I'm afraid I don't qualify as a member of your AGGMS.
01:13Association of Ghouls, or whatever it is.
01:16But I am a charter member of the ILLB Society.
01:20The ILLB?
01:23What's that, Mary?
01:24It's a new one on me.
01:25Why, those initials stand for I like Lipton's best.
01:29To join this club, all you have to do is see that the tea in your teapot is always Lipton's.
01:34The club password isn't a word at all.
01:37It's that familiar sound of appreciation.
01:39Mmm.
01:41For really, Lipton tea is delicious.
01:43As zestful and spirited as can be.
01:45And the reason?
01:46Very simple.
01:47It's Lipton's brisk flavor.
01:50Brisk, you know, is the tea expert's own word for the lively, full-bodied flavor of Lipton tea.
01:55That brisk flavor has made a lot of friends.
01:58For more folks buy and enjoy Lipton's than any other tea in the world.
02:02So, try a cup of Lipton tea yourself.
02:04I know you'll say, as so many others do, I like Lipton's best.
02:17And now for tonight's Inner Sanctum Mystery.
02:20It's an original radio play by Emil Teppelman called Make Ready My Grave.
02:26And stars two radio favorites, John Banks and Richard Widmark.
02:31It's about a boy and a girl who've just been married.
02:35A piece of colored string, an open grave, and a hangman's noose.
02:48That train is the Southeast Limited.
02:51See it?
02:52Long, sleek, and powerful.
02:55Taking off the miles on the humming rails.
02:57A masterpiece of 20th century mechanical perfection.
03:01Nothing about it to suggest lurking hate, or fear, or superstition, or death.
03:11But let's take a look into Compartment A, Car 17.
03:15John and Betty Loomis, just married, are going for their honeymoon to John's ancestral estate.
03:21John.
03:22John, I'm so happy.
03:25How soon do we get to Louisville?
03:27In about an hour, Betty.
03:28Just think, I'm married into one of the oldest families in the state.
03:33I hope you'll be very happy, darling.
03:35Oh, I will, I will.
03:38You do love me, don't you, John?
03:40Of course I do, baby.
03:41I'll always love you.
03:43Always.
03:45No matter what happens.
03:47What do you mean, no matter what happens?
03:50What could happen?
03:52John, something's bothering you.
03:54No, no, it's nothing at all.
03:55You're hiding something.
03:56It's something you haven't told me.
03:57It's nothing, Betty.
03:59It's nothing to worry about.
04:00You don't want to tell me?
04:01No, not now.
04:02Maybe later.
04:06Why are you playing with that piece of yellow string?
04:09What?
04:09You've been playing with it ever since we came onto the train.
04:12Hmm.
04:15Cash, I never noticed.
04:17I watched you.
04:19You've been tying a knot in it.
04:21A knot?
04:23Good Lord.
04:25I must have tied it without knowing what I was doing.
04:31You've tied it into a noose.
04:34A hangman's noose.
04:37I don't know how I came to make it or where I picked it up.
04:41Well, it's only a piece of string.
04:44Yes, it's only a piece of string.
04:48Betty.
04:49What is it, John?
04:49Here, take this.
04:51A gun?
04:51Take it.
04:52But why?
04:53If I should ever try to...
04:55If I should ever try to strangle you...
04:58Please listen to me.
04:59If I should ever try to strangle you, promise me to use that gun on me.
05:03What are you talking about?
05:05Nooseville, next stop.
05:06Oh, this...
05:07Next stop, Nooseville.
05:07This is where we get...
05:08John, what's this all about?
05:09That piece of yellow string and now this gun?
05:11Put it away, Betty, and remember what I said.
05:14Don't ever forget it.
05:27Why is it so dark here?
05:30This is just a way station.
05:31The train only stops here to let us off.
05:33Otherwise, it goes right through.
05:35Oh?
05:36I thought Loomisville was a big town.
05:39Well, it used to be a hundred years ago, but now there's only the Loomis estate.
05:43Are we far from the estate?
05:45About two miles.
05:47Old Herman Galt should be here to pick us up in the station wagon.
05:51Herman Galt?
05:52Mm-hmm.
05:52He's the handyman.
05:53There's been a Galt working for the Loomis family for the last hundred and fifty years.
05:58John, I don't like it here.
06:01Dark.
06:02That wind.
06:03The devil can Galt be.
06:05I wrote them what train we were taking.
06:07I'm ready, Mr. John.
06:08Oh, Galt, you frightened my wife.
06:10I'm sorry, ma'am, if I scared you.
06:12Oh, that...
06:13That's all right.
06:14It was just the way you spoke so suddenly out of the darkness.
06:18If you'll follow me, I've got the station wagon back here.
06:22John, he doesn't like me.
06:24Galt, no.
06:25That's just his way.
06:26He's very devoted to the family.
06:27Wait till you get to know him.
06:30I...
06:31don't think I care to.
06:41Johnny, he's driving too fast.
06:43It's so dark.
06:44Don't worry, Betty.
06:46Galt knows this road like the back of his hand.
06:48We'll be there in a few minutes.
06:50I'm frightened.
06:52Darling, please.
06:53Tell me why you gave me the gun.
06:55No, I...
06:56I can't tell you now, Betty.
06:58Maybe after you meet Uncle Efron.
07:00John.
07:00What?
07:03What's that in your hand?
07:04Where?
07:07Oh.
07:08Another piece of string.
07:10A red one this time.
07:12Oh, I...
07:12I must have picked it up in here, off the seat.
07:16You've knotted it into another hangman's noose.
07:19Galt?
07:20Yes, Mr. John.
07:21This piece of red string.
07:22Did you put it here?
07:24No, sir.
07:25Then how did it get here?
07:27You ought to know.
07:29Yes.
07:31Yes, I...
07:31I ought to know.
07:33Galt, why are you stopping here?
07:35We're home, ma'am.
07:36This is the entrance to the Loomis Estate.
07:40I've got to get out and open the gate.
07:42I'll be right back.
07:43Betty, I've got to get out, too.
07:45I've got to see for myself.
07:46See what, John?
07:47You stay here, Betty.
07:48What?
07:48Stay right where you are.
07:49Wait a minute.
07:50I'm coming, too.
07:50Betty, get back in the car.
07:52Mr. John is right, ma'am.
07:54You shouldn't go with him.
07:55Take care of her, Galt.
07:56I won't be lost.
07:56Galt, where's he going?
07:57That is the Loomis Family Cemetery.
08:00Cemetery?
08:01What does he want to see in there in the middle of the night?
08:04He'll tell you himself, ma'am, in due time.
08:07No, I'm going to find out right now.
08:08Better not, ma'am.
08:09Better come back.
08:09John.
08:10John, wait for me.
08:11Betty, I told you to screw in that car.
08:12I'm going with you.
08:13I want to know what there is in that cemetery.
08:14Get back in that car.
08:14I'm your wife now.
08:15I have a right to know what this is all about.
08:17I'm going with you.
08:20All right, if that's the way you feel about it.
08:23But hold on to that gun I gave you.
08:25Keep it in your hand all the time.
08:26John, why?
08:27You'll find out soon enough.
08:32This is the gate of the Family Cemetery.
08:36All the Loomises and their wives are buried here.
08:42It's so shadowy.
08:45Like tombstones look like ghosts.
08:48Hold my hand, John.
08:49No.
08:49Just hold on to that gun.
08:51John, whose grave is this with the high tombstone?
08:54My great-grandfather's, Stuart Loomis.
09:00He founded the Loomis Estate.
09:03This is my grandfather's grave.
09:06His wife.
09:09There's my father.
09:11My mother.
09:13And that's all?
09:15That should be all.
09:17What do you mean?
09:18Come over here.
09:19This is what I came to see.
09:20This is what I've been afraid of.
09:24John.
09:25John, it's an open grave.
09:28Freshly dug.
09:31Yes, Betty.
09:33It was just dug tonight.
09:35But...
09:38Who is it for?
09:39Betty, darling.
09:41I, uh...
09:43I'm afraid it's for you.
09:57Well...
09:58What's poor Betty letting herself in for?
10:01With a fresh grave waiting for her on a honeymoon.
10:05And a husband who ties little strings into hangman's nooses.
10:10But you know, come to think of it, Betty's a lucky girl at that.
10:13How many girls who get married nowadays can count on finding a nice, snug place all ready for them to
10:18lie down in and rest?
10:20In peace.
10:23Gracious, Mr. Host, Betty doesn't seem like a lucky bride to me.
10:27Why, most brides have things much easier.
10:29Because there's so many things today to help them make their marriage a success.
10:33For example?
10:35For example, Lipton Tea.
10:38With Lipton Tea on the pantry shelf, a young bride today has a much better chance of making her home
10:42a happy one.
10:44Just the other day, I was talking to a friend who just got married.
10:47As we sat there in her kitchen, sipping our Lipton Tea, me occupying the only chair, and she perched on
10:52the kitchen stool,
10:53she said,
10:54You know, Mary, it was silly of me to worry about being able to cook the things Jack liked.
10:58It's not nearly as difficult as I imagined.
11:01Take this Lipton Tea here.
11:02It answers the whole beverage problem as far as Jack is concerned.
11:06He's happy as long as he has Lipton's morning, noon, and night.
11:10Well, I told her I could understand that.
11:12Because most husbands I know about are partial to Lipton Tea.
11:16And it's because of the extra satisfaction that's in Lipton's wonderful, brisk flavor.
11:22Satisfaction, did I say?
11:23Mmm, you just try Lipton Tea and see if that isn't an understatement.
11:28Try Lipton's tomorrow.
11:43And now, let's hurry back to our date in a graveyard.
11:47Remember?
11:48With poor Betty, whose husband has just told her he's afraid the freshly dug grave is for her.
11:55John, what do you mean?
11:57Who dug this grave for me?
11:58Who?
12:01If I told you, you'd think I was crazy.
12:04No, you've got to tell me.
12:05If I'm in danger, I have a right to know.
12:07Was it God?
12:07Your Uncle Everard?
12:08No.
12:09No, at least I don't think so.
12:11His wife, Christine.
12:13Betty.
12:15Do you believe that a ghost could dig a grave?
12:21A ghost?
12:24Do you mean I'm in danger from a ghost?
12:27Oh, I told you you'd think I was crazy.
12:30John, why are you looking at me like that?
12:34I don't know.
12:38Better if you got that gun with you.
12:39No, I left it in the car.
12:43What good would a gun be against a ghost?
12:59There's the station wagon still waiting at the gate, but I don't see Galt.
13:02Maybe he went up to the house.
13:03Galt, where are you?
13:05Hello there, John.
13:06What's up?
13:06Uncle Everard.
13:07What happened to Galt?
13:09He came up to the house.
13:10Said you'd gone into the cemetery.
13:12So I thought I'd better come down.
13:13Oh.
13:15Is it there?
13:17Yes, it's there.
13:20A freshly dug grave.
13:23Uncle Everard, this is my wife, Betty.
13:26How are you, Betty?
13:27Hello.
13:28You saw the grave too, Betty?
13:30Yes, and John says he thinks it's me.
13:35I'm afraid I don't understand all this.
13:37You haven't told her anything yet, John?
13:39Well, just a little.
13:40I couldn't bring myself to.
13:43I think it's time you did.
13:54More tea, Betty?
13:55Thank you, Uncle Everard.
13:56I will have a little more.
13:58You, John?
13:59No, thanks.
14:00Too bad Christina's here.
14:03Well, she's upstairs in our room.
14:05But I hope she'll be better by tomorrow.
14:07You can see her then.
14:10Maybe.
14:11What do you mean?
14:14That grave out there.
14:17Maybe it'll be filled tomorrow.
14:19John, don't you think it's time you kept your promise
14:21to tell me what this is all about?
14:23You tell her, Uncle Everard.
14:25Well, Betty.
14:28There's a ghost in the Loma's family.
14:31That's it in a nutshell.
14:33Oh, I see.
14:35And it was a ghost who dug that grave.
14:39I know it sounds mad.
14:41But after 150 years,
14:44we Loomises have come to the conviction
14:45that it can't be anything but a ghost.
14:48150 years?
14:50You mean...
14:51John's great-grandfather,
14:53Stuart Loomis,
14:55settled this strip of seacoast
14:56under a patent from the colonial governor.
14:59There's his picture over the fireplace.
15:02Please.
15:03He doesn't look much like you, John.
15:06Stuart Loomis was a hard man.
15:09There was a French privateer in these waters
15:11who made a lot of trouble in those days.
15:13Gaston LaRue,
15:14who sailed the seas with his wife, Antoinette.
15:16But what has a French pirate and his wife
15:19to do with that grave?
15:21Stuart Loomis captured LaRue and his wife
15:23and under the authority conferred upon her
15:25by the governor,
15:27had the power to hang them.
15:29You mean the woman, too?
15:32Yes.
15:33He hanged them both
15:35on a gibbet where our family cemetery now stands.
15:39Oh, how terrible.
15:41Before he died,
15:42Gaston LaRue laid a curse in the Loomis family.
15:45He swore that just as his wife was hanged,
15:48so would all the Loomis women die.
15:51He swore that he would come back
15:53and dig a grave for the wife of a Loomis
15:54in every generation
15:56and furnish the noose
15:57by which a Loomis would strangle his own wife.
16:01But...
16:02But that's incredible.
16:04Short while afterward,
16:05a fresh grave was found
16:06beside the gibbet where LaRue had been hung.
16:09That night,
16:11Stuart Loomis' wife,
16:13John's great-grandmother,
16:14was found hanging by the neck
16:16from the eaves of this very house.
16:21And...
16:22Stuart Loomis?
16:24I told you Stuart Loomis was a hard man
16:26and had made many enemies.
16:29There were many who hated him deeply and bitterly.
16:32He was arrested and tried
16:34for the murder of his wife.
16:36Convicted and executed.
16:39Now you know the secret
16:41of the Loomis family.
16:43But, John,
16:43that still doesn't prove
16:45there's a ghost.
16:45No, that one incident
16:47doesn't prove it.
16:48But it happened again
16:49when the next Loomis married.
16:51John's grandfather.
16:53And to the next Loomis,
16:54John's father.
16:56Sometimes a year after he married,
16:58sometimes five years.
16:59But the curse
17:00never fails.
17:03It's happened in...
17:05It's happened in...
17:05Every generation?
17:06Yes.
17:08And now...
17:09John Loomis has brought
17:10a new wife home.
17:13There's a freshly dug grave
17:14waiting in the family cemetery.
17:18Then...
17:20Then I'm next.
17:21I don't know, Betty.
17:24Maybe that grave isn't for you.
17:27What?
17:28Maybe it's for Christine.
17:32Or my wife.
17:34This...
17:34This is all ridiculous.
17:36A ghost couldn't
17:38make a grave,
17:39make John strangle me to death.
17:40Uncle Everard,
17:41you...
17:41You can't believe
17:42such a legend.
17:43It can't be true.
17:44Maybe not, my dear.
17:47But the graves
17:48of the strangled
17:49Loomis women
17:50are out there
17:51to prove it.
18:00Well,
18:01this is your room, Betty.
18:03I'd have God
18:04call you at eight
18:05tomorrow morning.
18:06Good night.
18:07Good night, Uncle Everard.
18:08Good night, John.
18:09Good night, Uncle Everard.
18:12This is such a
18:14big room.
18:16It's so gloomy.
18:18The whole house
18:19is like that.
18:21It lies gloomy
18:23and sullen
18:24under the Loomis curse.
18:27Oh, Betty,
18:29I love you so much.
18:32We'll beat the curse together.
18:35Let me go, darling.
18:37I want to change
18:38my clothes and wash.
18:40All right.
18:41There's the bathroom
18:42over there.
18:43I'll only be a minute.
18:44All right, darling.
18:46Oh, it's a lovely bat.
18:48Betty, what is it?
18:48John, quick.
18:49What?
18:49Look.
18:50Hanging from the shower bar.
18:53A hangman's noose.
18:57It's a real one this time.
19:00A rope.
19:02Ready to
19:03hang someone.
19:06Who put it there?
19:07It's the Loomer's curse.
19:08We can't get away from it.
19:10No ghost could have
19:11hung that rope there.
19:12Let's call Uncle Everett.
19:13All right.
19:14Have you got the gun with you?
19:15No, it's in my handbag.
19:16Get it.
19:16Get it, I say.
19:18All right, John.
19:20Here.
19:22Here, I've got it.
19:22All right, now keep it
19:23with you all the time
19:24and don't be afraid
19:25to use it on me
19:25if necessary.
19:26All right, let's get
19:27your uncle.
19:27This is his room.
19:29I wonder if I ought
19:30to wake him.
19:31It might upset
19:31Aunt Christine.
19:32She's sick.
19:32We've got to wake him.
19:37Better knock harder.
19:39Well, it wasn't locked.
19:43Call him.
19:45Uncle Everett.
19:47Uncle Everett.
19:50It was Nancy.
19:52There's a light
19:53in the room.
19:54Push the door
19:55further open.
19:56All right.
20:00Well, there's nobody
20:01in the room.
20:02The bed's empty.
20:03Uncle Everett.
20:05Aunt Christine.
20:08Maybe in the bathroom.
20:10The door is open.
20:13Betty.
20:13Drop up.
20:16Aunt Christine.
20:20She's hanging by the neck.
20:25She's dead.
20:28It's the same kind
20:30of a noose
20:30as in our bathroom.
20:31Uncle Everett hanged her.
20:33It's the Loomis curse
20:34catching up with us.
20:40Oh, Gold,
20:41any trace of Uncle Everett?
20:42I searched the whole
20:43house basement
20:44to attic.
20:44Not a sign of him.
20:45He must have gone out.
20:46Come along.
20:46But it's raining.
20:47We've got to find him,
20:48Betty.
20:48Come on.
20:55It's so dark out here.
20:56How will we ever find you?
20:57I have a flashlight, ma'am.
20:59You look.
21:00What?
21:00Fresh footprints
21:01in the slush.
21:02They must be Uncle Everett's.
21:03They lead down
21:04toward the cemetery.
21:05Come along, Gold.
21:07Come on.
21:07Come on.
21:08Yeah, Mr. John,
21:10you can see for yourself
21:10the footprints lead
21:11right to this new grave.
21:13Why did he come here?
21:15There's the answer, Betty.
21:18A cross at the head
21:20of the empty grave.
21:22Throw your flashlight
21:23on our gulp.
21:24There's something
21:24written on it.
21:25It says,
21:27Christine Loomis.
21:28Betty, what is it?
21:30Look.
21:31Over there.
21:34Another grave.
21:36He's dug another one.
21:38There's a cross
21:39on this one, too.
21:40Is it the same thing?
21:41Yes.
21:42Yes, it does.
21:44It says,
21:45Betty Loomis.
21:53John, sit close to me.
21:55That portrait of Stuart Loomis
21:57over the fireplace
21:58looks so real.
21:59It frightens me.
22:00Now, remember, Betty,
22:01whatever happens,
22:02hold on to that gun
22:03and don't be afraid
22:04to use it tonight.
22:05Where is Gold?
22:06He ought to be here soon.
22:07He went to look
22:08for some weapons.
22:09Here I am, Mr. John.
22:11Gold, you always
22:12frighten me
22:12coming in so quietly.
22:13I'm sorry, ma'am.
22:15Here, Mr. John,
22:16these ought to be
22:17pretty good weapons.
22:19Size?
22:20Yes, I had them
22:21sharpened only
22:21the other day.
22:22They could slice
22:23a man's head off
22:24in one stroke.
22:26Take one, Mr. John.
22:28Thanks.
22:30But I'd hate
22:30to use it
22:31on Uncle Everard.
22:32If he shows up tonight,
22:33you'd better use it.
22:35Maybe he's come back
22:36into the house
22:36through the back way.
22:37I'll go through
22:38the house again
22:39if you'd like.
22:39This time,
22:40I'll start with the attic.
22:41Be careful, Gold.
22:42I will, Mr. John.
22:46John, I don't like him.
22:47Gold?
22:47And I don't think
22:48he likes me either.
22:49Oh, that's not true.
22:51Darling, what's that?
22:52Must be Gold
22:53in the attic.
22:53Help, Mr. John, help!
22:55Must have met
22:55Uncle Everard
22:56hiding up there.
22:57Stay right here, Betty,
22:57and hold on to that gun.
22:58John, be careful.
22:59Don't worry.
22:59Just stay careful.
23:00John, come back.
23:00I'm frightened.
23:01I'm afraid to be alone.
23:08There's nothing
23:09to be afraid of.
23:12I have this gun.
23:15And if anybody comes,
23:18the lights.
23:20The lights went out.
23:23Who?
23:24Who's there?
23:27Who's in this room?
23:30Don't come any closer.
23:31I have a gun
23:31and I'll shoot.
23:32I can't see you,
23:33but I'll shoot at the sound.
23:35John, help!
23:38Oh!
23:41Around my neck.
23:43Let go.
23:44I'll shoot.
23:45It's not loaded.
23:46I took the bullets out
23:47when you left it in the car.
23:49Galt.
23:49Yes, ma'am, it's Galt.
23:51Mr. John is busy up there
23:52in the attic with the body
23:53of Mr. Everard.
23:54I killed him, too.
23:56And when Mr. John comes
23:57downstairs, he'll find you.
23:59And I'll cut him down
24:00in the dark with my scythe.
24:02Why?
24:03Why?
24:03There were others besides
24:04the pirate LaRue
24:05who hated Stuart Loomis.
24:06Like my own great-grandfather,
24:08he was in the service
24:09of Stuart Loomis
24:09and he hated him.
24:11When LaRue laid the curse
24:12on the Loomises,
24:12my great-grandfather
24:13decided to make it come true.
24:15It was he who strangled
24:17the wife of Stuart Loomis.
24:18Through the years,
24:19the gods from father to son
24:21have handed down their heads.
24:22You...
24:23You're mad.
24:24Maybe.
24:25I'll tighten the noose
24:27and finish your...
24:27Betty, where are you?
24:28Why is it dark in here?
24:30Jack!
24:30Betty!
24:30John, look out.
24:32It's gone.
24:32He has a thigh.
24:34So was I.
24:37John!
24:38John!
24:41Oh!
24:50John.
24:51Who?
24:51Now.
24:53Who is it?
24:53Oh, darling.
24:55Darling, what?
24:57What?
24:57Here, John, here.
24:59Oh, darling.
25:00Betty.
25:02We've finished forever
25:03with the Loomis curse.
25:18Well, that was a pretty
25:20rough honeymoon for Betty.
25:22But, you know,
25:23there's a lesson in her story
25:24for forgetful wives.
25:27Yes, if you keep tying
25:28little colored strings
25:29to your fingers
25:30to remind you of things
25:31and you still can't remember them,
25:34why not try a rope
25:35neatly tied around your neck?
25:38It's sure to help you
25:40forget.
25:43Oh, dear, Mr. Host,
25:44there you go
25:45telling our listeners
25:46how to forget things
25:47when I've got something
25:48for them to remember.
25:49Oh, I didn't realize that, Mary.
25:51What is it you want them
25:52to remember?
25:54It's Lipton tea, folks.
25:56And you don't need
25:57any string tied on your finger
25:58or any such reminder.
25:59To make sure you get it
26:01when you visit
26:01your grocer's tomorrow,
26:02just remember that Lipton's
26:04is the tea
26:04with the wonderful
26:05brisk flavor.
26:15And so our evening's over
26:17with the usual quota
26:19of corpses
26:20to qualify
26:20for the ghoul school.
26:23We're working on
26:24a special matriculation
26:25for bachelor ghouls.
26:28Oh, in case you didn't know,
26:30a bachelor ghoul
26:32is one who believes
26:33that two can die
26:35as cheaply as one.
26:40Oh, by the way,
26:41this month's
26:42Inner Sanctum mystery novel
26:43is I Hate Blondes
26:44by Wolf Kaufman.
26:46And next week,
26:47the makers of Lipton tea
26:48and Lipton soups
26:49will bring you
26:50another Inner Sanctum story
26:52directed by Hyman Brown
26:53and called
26:55Dead Man's Turn.
26:59It's a little night course
27:01in murder, that's all.
27:03Yes, you have your choice
27:04of majoring and choking,
27:06shooting, drowning.
27:08But why don't you
27:10just listen in
27:10to Inner Sanctum next week
27:12and you'll get
27:12all the inside told.
27:15Until then,
27:17good night.
27:19Pleasant dreams.
27:20and the name
27:29is
27:29the