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The Last Escape is a gripping classic movie filled with suspense, danger, and unexpected twists. Follow a desperate journey where every decision matters and freedom may be only one step away. Enjoy this timeless classic film and experience the tension, mystery, and drama from beginning to end.
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00:01Westinghouse, Studio One.
00:04Westinghouse, the name that means sureness.
00:07Whether it's on vacuum cleaners for America's homes
00:09or electric trolley coaches for our cities.
00:13Whether it's a product for your home or your business
00:16or your farm or your factory,
00:19you can be sure if it's Westinghouse.
00:40The End
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04:52Hello, Timmishin.
04:54Nice of you to pay me a visit.
04:55Visit? Who's visiting?
04:57It's my club.
04:59What of control of the melody? Expanding my assets.
05:02Listen, we'd better get out on the light.
05:03I'm expecting Dave Webber. Honey's inside.
05:06Well, well. Fleming, huh?
05:09Well, this isn't exactly a conference room.
05:11How about it, Skeet's decided yet?
05:13Dave Webber's a tough man to fool with.
05:16It's business. I'm a growing outfit.
05:18You know the setup of all Dave Webber's enterprises.
05:21There's a filing cabinet. I'm simply buying the key, that's all.
05:25I've got to know how and where to cut in.
05:27What do you think I do, go around making double-crosses?
05:29You can run the business.
05:31Numbers, bookie joints, the whole work.
05:33You can run them. Under me, of course.
05:41You'll have to give me a little more time.
05:42Do I look like a patient man?
05:44A couple of weeks more, I won't kill you.
05:47You're the conscious.
05:49You got a sense of loyalty for Dave Webber?
05:52He's coming here, huh? Dave Webber?
05:55Yeah.
05:56And, uh, honey, she could be a widow.
06:01That's the way I run my business.
06:03Give a chance to everybody.
06:05Well, let me know when Dave Webber gets here, huh?
06:07I'll be in front.
06:09I'll be in front.
06:35I'll be in front.
06:39I'll be in front.
06:40As he came passing by
06:44But I know that I will love him
06:50Till the day I die
06:56I don't know where he comes from
07:01And I blush with shame
07:04For I must confess that
07:09I don't even know his name
07:14There was something in his mind
07:19When he looked at me
07:22And then there was something in my heart
07:28That knew he'd come my way again
07:37I only saw him once
07:41As he was passing by
07:44But I know that I will love him
07:51Till the day I die
08:15What are you doing here?
08:17Hello, baby
08:29Honey
08:31Honeyweather
08:32Hello, Mary
08:32Well, we're honored
08:34Uptown comes downtown
08:35The penthouse comes visiting the cellar
08:37Let's see
08:38It's been two months, hasn't it?
08:40Steve never lets me go anyplace alone
08:41How'd you get down here then?
08:44I walked out that town
08:45I had to talk to somebody
08:46And there's nothing like an old friend, huh?
08:48Somebody you shared a dressing room with once
08:50And even a furnished room
08:52He never lets me go anyplace
08:54Unless that skeet comes along
08:56It's like a prison
08:57A million dollar prison with chandeliers
08:59Well, isn't that just what you wanted?
09:01Two months ago
09:01All that looked real good
09:03To a pony in the chorus line
09:04But I never thought that
09:05Yeah, stage managers, musicians
09:07They don't make any money
09:08Me, I'm gonna have lots of money
09:10And be real important
09:11Great speech
09:12I remember it well, honey
09:14Mary, I'm scared
09:16He never lets me go out
09:17Unless with that skeets or him
09:19And when we do go nice places
09:21Places like, like on Park Avenue
09:24There's always that same bunch around
09:27They never say anything
09:28Unless they make sure I can't hear
09:29Oh, I had to come down here
09:31And talk to somebody
09:32Look, honey
09:32I'm no tonic
09:33If it's the entertainment you want
09:34Go to the movies
09:35Mary, Mary
09:36I get so blue sometimes
09:37You made your bed
09:38Now lie in it
09:39Look, I never told you to marry Dave Webber
09:41But what can you do?
09:43The kindergarten always votes for the candy store
09:46No matter who's running it
09:47I'm not a kid
09:48You got caught by candy
09:49Rock candy
09:51You're all sticky fingers anyway
09:53I know you, honey
09:54I didn't share tooth powder and cold cream with you for two years for nothing
09:57You met him, you married him
09:59And that was the end of our friendship
10:00Now on sit me
10:02But Dave was different, Mary
10:03He was wonderful to me
10:07Didn't act like
10:09Like he does now
10:10What did you expect?
10:12Oh, honey
10:12You didn't come off a farm, remember?
10:14You came out of a nightclub
10:16One that he owned
10:17Well, yes, but
10:18Look, isn't anything real to you?
10:20Is it all Christmas paper wrapping?
10:22Honey, for the love of Pete
10:24Comes a time to stop being a kid
10:27Stop living off of the top of things
10:29You know, honey
10:30Other people are real out to get what they're after
10:32They're not here just to help keep you from being bored
10:36But I don't ask them to do that, Mary
10:39I'm not bored
10:42I'm scared
10:43I want to get out
10:45You know what you want, huh?
10:47Yes
10:48Look, honey
10:51I'm older than you are and I
10:53Well, I like you
10:54You are good for laughs
10:56You never did a mean or a dirty thing deliberately in your whole life
11:01But you don't know anything about yourself, honey
11:04You grab at the shiny things that excite you
11:07You're a greedy kid with the face of an angel
11:09I told you to stop, honey
11:11But, honey, those things that you grab at
11:13They only last for a little time
11:15Like a lollipop or an ice cream cone
11:17You see, you've got to have something to live with all the time
11:22And it's got to be inside yourself
11:25Good looks, huh?
11:26What happens when the wrinkles come, huh?
11:28Don't
11:30Don't talk about that
11:31I don't want to think about getting old
11:33Well, well
11:34So you have thought about something, huh?
11:36Getting old
11:37Dying
11:38See, that proves you've got nothing inside to live with all the time
11:43I don't know why I came down here in the first place
11:46To just make me keep on feeling blue
11:48You mean a little emptier, honey
11:49And a little more scared because of it
11:58Mary
12:01Mary, let's talk a little bit about
12:04About old times
12:05Oh, sure
12:06I'll remember
12:10Hey
12:16She's in Mary Warren's dressing room
12:19How come honey came down here to this place?
12:21Sure it wasn't your idea?
12:23What?
12:24It's Timoshin's place now
12:25Bought it up last week
12:26What's that got to do with this being my idea?
12:28Well, I hear things
12:29Well, what kind of things you ask me to keep a check on honey?
12:32Timoshin's been making propositions
12:34Why you sure?
12:35Just a rumor, kid
12:36That's all
12:36Just a rumor
12:37You mean propositions to me?
12:39Oh, what's the matter with you, Dave?
12:41You've done okay by me
12:42Could I get it better with Timoshin?
12:44I don't know
12:46What do you think?
12:46Well, it's crazy
12:47That's what I think
12:48Listen, tell me the guy that's been saying this about me
12:50Tell me and I'll beat the liar
12:51I don't want an act
12:53Beat it
12:55Okay, you're the boss
13:09Don't you believe in knocking?
13:11You're the first man that had to?
13:12Come on, honey, we're going home
13:13Oh, we're having a good time
13:14Come on, it smells in here
13:15I was just noticing that myself
13:17From your singing?
13:18Yeah, a rotten tune called
13:19Hail Dave Webber
13:21Dave, don't
13:22Come on
13:23Oh
13:23Get out
13:24Let me go, let me go
13:26Don't I have to give it for you?
13:27Come down to these cheap sawdust joints
13:29Dave!
13:31Get out
13:38Who is it?
13:39Skeet?
13:40Is that you, Skeet?
13:43Simbi shit
13:56He saw me if you noticed me
13:57We'll get her later
13:58Get out of this alley
14:01Mary, he's the head
14:02Get out of the alley
14:04What am I going to do?
14:04I cannot go to the top
14:06They'll come after me
14:06They'll jump
14:07Look, sounds this is the first place they're going to come to
14:09You've got to get out of here.
14:10Mary, what am I going to do?
14:11I'm out here.
14:11Now get.
14:12Hide.
14:13Go on.
14:28Where's Honey?
14:29Dave, I can't get at him, so you're the next best.
14:32I want to know where Honey is.
14:32You're going to be shot.
14:33The whole lot of you in the gutter in the alley.
14:34The whole lot of you.
14:35For the last time, where's Honey?
14:37She's in my trunk.
14:38Don't get funny.
14:39No, no, I shouldn't get funny.
14:40The little boys who hide in the shadows have come out.
14:43Listen, don't get funny.
14:45Leave me alone.
14:46I'm tired.
14:46I'm worn out.
14:47Now get out of here.
14:48Listen to me.
14:49Listen to me good.
14:51She's going to try to get in touch with you.
14:53When she does, I want to know.
14:55Don't talk to the police.
14:57You understand?
15:00Now don't forget what I'm telling you.
15:03You and I will talk again.
15:34I'm tired.
15:36I'm tired.
15:37I'm tired.
15:38Now move my brother!
15:38Sir, I just want to get some air from here. I'm all right.
15:41The company's got rules, miss. It's very dangerous out here.
15:45Okay, sir. I'll go right in.
15:51What was that?
15:53Airbrakes. We're coming to a one-minute stop. I'll be back after we pull out.
16:13Hello, honey.
16:15What do you want?
16:16I want to be your friend.
16:18I won't tell. I swear I won't tell.
16:20That's why I ran away. I didn't want to tell.
16:22About Dimashin? Yeah, he wants to get you.
16:25Skeets will help you. You understand?
16:27Come with me, baby. I'll buy anything you want.
16:29Take any place you want to go.
16:30Stop dreaming. Quit acting so dumb.
16:32I never did anything to Skeets. I never did anything to anybody.
16:35Why didn't it happen to me?
16:38You're talking like a kid who grew up.
16:40I'll show you how to grow up my way.
16:42I like a woman to be smart and know the anger.
16:44I don't want to go out of my death. I don't want to.
17:34Now that you've seen part one of Plan for Escape, let's turn to our Westinghouse program and Betty Furness.
17:43143 times faster.
17:45Yes, it's so amazing that I could hardly believe it until I saw it myself.
17:50In this new 1953 Westinghouse dryer, we just dried this winter coat.
17:56It's made of 100% Orlan, and it's lined with Orlan, too.
18:01Now, the label said drip dry, but if we dripped this coat dry, why, it would have taken two full
18:06days to get it really dry.
18:08But the Westinghouse dryer dried it completely in just 20 minutes.
18:12That's right, just 20 minutes.
18:14That's 143 times faster than drip drying.
18:17And as for the shape it's in, well, this coat has actually been washed in the laundromat and dried in
18:23the dryer five different times.
18:26Now, this happens to be a size 10, which is exactly my size.
18:29And look, as you can see, there isn't a sign of shrinkage.
18:33It fits just exactly the way it ought to.
18:36And the fabric is even softer and fluffier than ever.
18:42Now, it's really the most perfect drying job that you've ever seen.
18:45In fact, it's so amazing that even the makers of the coat wouldn't believe it until Westinghouse proved it to
18:50them.
18:50And here's the reason.
18:52It's the exclusive three-way dry dial that Westinghouse developed for the drying of these smart new Miracle fabrics, as
19:00well as all other fabrics, just exactly the way they should be dried.
19:04You can set the dial at dry for the complete drying of cottons and linens and such.
19:10Or set it here for the just-right dampness that you need for things that you want to iron.
19:16And then these are all different settings for the shorter drying time and faster time that you need for the
19:23new Miracle fabrics that's just right and completely safe for them.
19:27Now, your instruction book right here will tell you exactly where to set the dial for each fabric.
19:34But no matter what clothes you're drying, it's always a good idea to take them out as soon as the
19:38dryer's job is finished.
19:39And so, Westinghouse built a signal into this brand new dryer.
19:43Listen.
19:49There.
19:50Isn't that a pleasant way to tell you that your clothes are ready?
19:53And remember, weather like this will be on the way very soon, days when you just can't hang your clothes
19:59outside.
19:59But the Westinghouse dryer dries your clothes in any weather and better than they're dried outside, even on a perfect
20:07day in June.
20:08So, see this amazing new 1953 Westinghouse clothes dryer at your dealer.
20:13See the laundromat, too.
20:15Together, they're America's favorite twins.
20:17And remember, you can be sure if it's Westinghouse.
20:37We return now to Westinghouse Studio One and plan for escape.
21:17Come out of there.
21:19Didn't you hear me?
21:20I said come out.
21:21Oh, don't, please.
21:22I'll go back.
21:23I'll do anything.
21:24Don't you, please.
21:27I'll do anything.
21:28Please, don't kill me.
21:30What?
21:30Don't kill me.
21:31Well, you think I am.
21:33I'm only the mail clerk, kid.
21:38Mail clerk?
21:40Say, you're no kid.
21:43You're just the mail clerk?
21:47And I thought, I thought.
21:51What's the matter?
21:57Well, you better come inside.
22:24Sit down.
22:37That better?
22:53Say, how about a cup of coffee?
22:58What were you doing out there?
23:01I got off the train.
23:03It's funny I didn't see you until the train started.
23:06Besides, we don't get many passengers here.
23:09Why did you get off?
23:10Visiting?
23:11Sick?
23:13You know where you are?
23:16Winneken.
23:17Winneken, Ohio.
23:19No chamber of commerce ever put us on the map.
23:22No civil war battle ever got fought here.
23:25Never raised a famous favorite son.
23:28Never did anything to make us stand out.
23:32That's why it's a nice place to live.
23:36Oh, I talk a lot, huh?
23:39Well, I didn't mean, I didn't say that.
23:46My name's Alan Wall.
23:50I'm, I'm.
23:52Yeah?
23:54Francis.
23:55Francis Weston.
23:58This is a quiet town.
24:00I, I mean, you can rest here?
24:02We don't do much else but rest here.
24:05What was that?
24:07I thought you didn't mean to the Avenue Express.
24:11See, you're pretty jumpy, Miss Weston.
24:21Can I stay someplace?
24:23You're good.
24:24Where, where can I stay?
24:26Mrs. Bailey's, I suppose.
24:27That's sort of a roomy house.
24:28How do I get there?
24:30No, you wouldn't be able to find your way there now.
24:32I'll drive you over when I'm off duty.
24:33Around seven o'clock.
24:38Say, Miss Weston, you mind if I ask you something personal?
24:41What?
24:42How old are you?
24:44I'm 21.
24:45And don't try to call me a kid.
24:49You know, it's a funny thing how people fight against being called a kid.
24:52There's always something wrong in it.
24:54You know, it's only because you show your feelings all the time.
24:58What's inside you?
25:00That's being a kid.
25:03You know, that means that growing up is nothing but hiding everything from people.
25:08I hope you like strong coffee.
25:14Yeah, there's lots of ways of growing up.
25:16Lots of different ways.
25:19You're a city girl, aren't you?
25:22When you hang around here, you'll see what I mean.
25:24It's a different kind of a life.
25:29Mr. Wall, I...
25:32The name's Alan.
25:34I didn't mean to...
25:37Alan.
25:40Well, if...
25:41If I got mad, I...
25:45I'm sorry.
25:47Well, that's better.
25:48In that case, welcome to the quietest little town on earth.
25:52Winnicon, Ohio.
26:16I'm sure you'll be pumped for it here, Miss Weston.
26:20It's cheerful, isn't it?
26:21And you won't have to climb any stairs.
26:24A girl just out of the hospital.
26:25What?
26:26Oh, there.
26:27All I have to do is open my mouth and all the wrong things come out.
26:30Alan didn't want me to mention it about your being sick.
26:33That's all right.
26:35You come along and have your breakfast.
26:36Oh, coffee.
26:37That's all I want.
26:39A girl just out of the hospital and only coffee.
26:42You're going to have bacon and eggs and tell me all about yourself.
26:46Oh, excuse me.
26:51Hello.
26:55Yeah.
26:58Oh, yes.
27:02Oh.
27:04Yeah.
27:10Well, that'll be just fine.
27:15Okay.
27:18Bye.
27:24That was Dr. Wall.
27:25He's on his way over.
27:27Who?
27:27Dr. Wall.
27:29Oh, I see.
27:30No, no, not Alan Wall.
27:31Alan's uncle.
27:32He's a doctor here.
27:35I'm sure I'll raise that one.
27:37Oh, but a pretty day, isn't it?
27:39Real pretty kind of day.
27:41You come along and have your breakfast.
27:43I'll have it ready in a minute.
27:44You go on in the parlor and turn on the radio.
27:47Music and a pretty day, they kind of go together.
28:07Uh-huh.
28:09Uh-huh.
28:17Music and a little...
28:18Music and a little...
28:30Well, what do you know, for you're good, you're very good.
28:38Good morning, Miss Mary.
28:39Oh, good morning.
28:40But you can go back home now, Doctor.
28:41The patient's been dancing.
28:43Oh, Miss Weston, this is Dr. Wall.
28:46It's all right.
28:47It was just the music.
28:48I couldn't have it.
28:48I couldn't help it.
28:49Ellen, I thought you said the young lady was tense, nervous.
28:53Well, she was.
28:55Hello.
28:57Hello.
28:58Is it true about the dancing?
29:00It was just the music.
29:02It made me feel different.
29:04Well, you don't look a picture of hypertension.
29:07Since I'm here, though, how about a checkup?
29:09Oh, I won't do it again.
29:10Well, if Dr. Wall says it's all right, you most certainly will.
29:13Mrs. Bailey means there's no log.
29:14Shall we have the checkup now?
29:19All right.
29:21Maybe after you'd like to take a ride.
29:25I'll wait for you in the kitchen.
29:30Now, if you're ready.
29:49Somebody disappears just like that with thin air.
29:52All right.
29:53So it's the first time in history, but she's gone just like that.
29:56I don't know.
29:57I don't look.
29:57Where?
29:58The gin mill?
29:59What's the matter with you?
30:00You're not the only person that doesn't like people disappearing into thin air.
30:02I don't like it either.
30:03Where'd you go?
30:04How?
30:05Every town along the way.
30:07Every place the train made a slowdown for mail.
30:09I covered the whole line.
30:10A traveling salesman doesn't know it better.
30:12Did you talk?
30:13Ask?
30:15You know, they got station masters.
30:17I talked.
30:18I asked.
30:19Nobody saw a girl get off a train from Abbey Junction to Winokin.
30:22Period.
30:25A rotten, crazy way to run a business.
30:27Leaving your biggest liability lying around for anyone to pick up?
30:30Look, she ran, didn't she?
30:31She said she wouldn't tell the cops.
30:33Now, maybe it's just as well.
30:34Why don't you relax?
30:35She's not going to talk.
30:36She's scared.
30:38Everybody stops being scared sometimes.
30:42How do I know what that honey's going to do?
30:45Even the dumb learn ways to speak.
30:47The blind wake up some morning and they can see.
30:49What is this advice you're giving me?
30:51Pearls of wisdom?
30:52Well, what else do you want me to do?
30:53I want to know where honey is and you're stalling me.
30:56Ah.
30:59You got a yen for her.
31:00Wait a minute.
31:01It was your idea to get rid of Dave Webber, not mine.
31:04Yes, it was, but I didn't know that she was going to witness it.
31:07I'll get this through your head now.
31:09I'm not paving your way to that doll with my dead body, you understand?
31:14You stall with me and you get it too.
31:17All right, all right, relax.
31:19There's no reason for us to argue about it.
31:22The important thing is what are we going to do now?
31:29Mary Warren.
31:30What?
31:32Honey, it's just the kind to write letters.
31:42Yeah.
31:48Morning.
31:49Well, now that's a how do you do I like to hear.
31:53My husband, God rest his soul, only knew how to grouch at this odd day.
31:57That's grouch from the county, I used to say.
32:00It's a big county.
32:01Yeah.
32:01And they'll be here?
32:02Not a lot of, huh?
32:03No, no.
32:04Not yet.
32:04Nice young man waiting for you out there, huh?
32:09Mrs. Bailey.
32:11What?
32:13Why isn't he somebody?
32:15And what do you mean?
32:18Well, his uncle's a doctor and he just works at the station.
32:23Why isn't he somebody?
32:24Well, nobody looks down on him.
32:27He's a grown man.
32:28That's just it.
32:29A grown man.
32:30Ah, women in the kitchen.
32:32That's a good sign.
32:33Hello.
32:35Hello.
32:35Yeah, women in the kitchen mean food.
32:37Had your breakfast?
32:38Yeah.
32:38Well, how's the coffee?
32:39Pour it out, ma'am.
32:40Pour it out.
32:43You feel excited?
32:44What?
32:44You got a sense of circuses, parades, giant spectacles.
32:48What are you talking about?
32:49It's in the air.
32:50Can you believe it, Mrs. Bailey?
32:51I've got a surprise for the lady.
32:53She can't even feel it.
32:54The communications are dead.
32:55The wires are down.
32:56Surprise?
32:57Sure.
32:57The local Houdini shows his powers.
32:58Nothing up my sleeves.
32:59Oh, Alan.
33:00How you talk?
33:04It's a present, Frances.
33:07Present?
33:10For me?
33:13For what?
33:14What is it?
33:14Take a look.
33:15It's out in the hall.
33:40Always I had to ask the thing.
33:45Nobody just brought me anything.
33:59It's Mr. Callahan.
34:00How'd you know I liked it?
34:01I thought you might.
34:03You like music an awful lot.
34:05It makes you stop feeling lonely.
34:07Like, like you really are someplace.
34:10Like you connected you something.
34:12Yeah, that's it.
34:13Like, like you connected something.
34:17When I was a kid, I used to do this all the time.
34:21You know, big family.
34:22Nobody ever having time for anybody else.
34:26Used to make me feel real good.
34:28Like, like I was somebody special.
34:38You needed music to make you feel like something special in those streets with the tenements, huh?
34:42Alan.
34:44Alan, why aren't you somebody?
34:47What?
34:48Why aren't you somebody?
34:50I mean, well, your uncle's a doctor and, and you work down at the station. Why aren't you somebody?
34:57Well, I am somebody. I'm me.
34:59That's not what I mean.
35:01You, you read a lot. You know a lot of things.
35:05You could be somebody important.
35:08Inside myself, I am somebody important.
35:11That's not what I mean.
35:14Be somebody, huh?
35:15And that is your idea of what a somebody is.
35:17The example of the times, the model, the man with the limousine and the diamond cups.
35:23The way you grew up, Frances. The way you grew up.
35:25What's that got to do with it?
35:28Success.
35:30That's the word.
35:32Well, I am a success.
35:34I did what I wanted to do.
35:36Throw up inside myself.
35:39Look, Frances, my name's Alan Wall. I live in Winnicon, Ohio.
35:43Why can't I be a man in the 20th century who doesn't want to own a yacht or drive the
35:47fastest car?
35:49Are those the signs of being somebody?
35:54The truth is they prove you're a nobody.
35:57That's crazy.
35:58Is it?
35:58Like kids.
35:59They join something to get a uniform, an award, a badge.
36:02Something to make them feel like somebody.
36:04That's self-protection.
36:06Well, I don't need those things to live by.
36:10I...
36:12I...
36:13Yeah?
36:15Oh, you mix me up.
36:16You mix yourself up, Frances.
36:19You remember what I told you that night in the station?
36:22What?
36:22That there are a lot of ways of growing up.
36:24A lot of ways.
36:25Different kinds of growing up.
36:29I... I don't know.
36:30It...
36:31It didn't seem like being nobody.
36:34It didn't seem like...
36:36What didn't?
36:37Back in...
36:39Oh, what'd you start all this for?
36:41Speeches!
36:42Speeches!
36:42All the time, speeches!
36:45You started it yourself.
36:48You must have had a reason.
36:55Frances, about me being somebody...
36:59Is it important to you?
37:01No!
37:03Yes!
37:14Frances!
37:15I can't keep the eggs warm much longer!
37:17I'm coming!
37:25Look!
37:26How about having dinner with me tonight at the station?
37:29About eight?
37:31You dance?
37:34Do you, huh?
37:35What?
37:37Huh, huh.
38:09What are you doing?
38:12Well, well.
38:14I thought I saw a manhole with the cover left off the top.
38:18May I help you?
38:19Any old, uh, mascara, recipes, last Sunday's crossword puzzles?
38:23Where is she?
38:27Look, I know you know where she is.
38:28She's written you letters, and I want to know where those letters are.
38:30Why, Skeen, I didn't know you could rise.
38:36You know the boss, Timishin?
38:39Unfortunately.
38:40Well, he owns this place.
38:42I happen to have influence with him.
38:45I've had it.
38:45You know, you could be out of work a long time.
38:48Now, quit stalling.
38:48Where is she?
38:49Don't make it tough on yourself.
38:50Look, there's something I want you to know.
38:52During the last conflict, I riveted ships together for a living.
38:56There was lots of fresh air on that job.
38:58That's something I've been missing around here.
39:00Now, you get out.
39:03Okay, baby.
39:04We'll be seeing you.
39:05Not if I see you first.
39:28No limousines.
39:30No yachts.
39:32To do dance to the best band.
39:35Yeah, at the El Winnicon.
39:37The fanciest night spot in the wilderness.
40:00I learned at school when I was a freshman and everything.
40:04I bet you think I'm still pretty much of a kid.
40:07It's not that.
40:09It's just that everyone should have a solid beginning, a place from which to start growing.
40:14So, it's all one motion and not a hop, skip, and a jump, or a zigzag.
40:22You know, you may not believe it, but besides dancing, I can also say beautiful things.
40:31Like the night, the funny things.
40:34What comes out of it, I mean.
40:37Everything in it can come roaring and rushing up and then suddenly standing silently on the platform as a girl.
40:44And the first thing you want to know is, what's her name?
40:50What's her name?
40:55Oh, the world's full of lonely people and everybody in it needs each other.
41:03But they're afraid to talk.
41:06Please talk.
41:08I want to hear you talk.
41:12Where did you come from?
41:15Who'd you know?
41:18What did you do once upon a time?
41:22I lived a good life.
41:24That's not once upon a time.
41:26That's now.
41:27Right now.
41:37I should have known you.
41:43Once upon a time.
41:58Honey.
42:00Honey.
42:02Honey.
42:06Where did you go?
42:09You called me honey.
42:10This came three days ago.
42:11Go to the police, honey.
42:13Are you crazy?
42:13No, don't slip back.
42:15Look, I didn't tell you because I wanted you to know I love you first.
42:17So now you want to get me killed?
42:18No, change.
42:19I want you to change.
42:20Don't hold on to what you got.
42:21Look, kids get scared.
42:22Kids run away.
42:23Where do you think you can run to?
42:24Out of the way.
42:25Before they get to me.
42:26Before they kill me.
42:26You've got to go to the police.
42:28Police?
42:28Police?
42:28What do you know about it?
42:30Sitting inside this crate a million miles from anywhere.
42:32Reading, talking.
42:34I'm going to go before they kill me.
42:35You can't keep on running.
42:38Three days ago you got it and you waited until now to tell me.
42:41Because I wanted you to know who and what you really are.
42:43That the Honey Webber was a mistake.
42:44An accident.
42:45Something that happened to me without you even thinking.
42:46Let me go.
42:47Let me go.
42:47Go to the sheriff.
42:48Let me go.
42:59You know, my husband, God rest his soul, never could face an egg first thing in the morning.
43:04He used to say to Mr. Jones it was the sorrow of the hens.
43:10Francis?
43:11There's a nice young man waiting to see you.
43:23Hello.
43:24You may not remember me.
43:26I'm a friend of Dave Webber's.
43:41There's a friend of yours outside.
43:44Named Timmishin.
43:52Now, just what are you going to do about it?
44:15And now let's pause a moment and look at our Westinghouse program and Betty Furness.
44:21Ever plug in your dinner?
44:24No?
44:24Well you can.
44:25Just like this.
44:26If you own a wonderful Westinghouse electric roaster oven.
44:31It plugs in anywhere and it will cook a complete meal all at one time with these handy heat proof
44:37glass dishes.
44:39And you can enjoy all your favorite menus too.
44:41Here's a delicious dinner for instance.
44:43Look.
44:44In that first dish there's a pork chop casserole.
44:47And then in the second dish baked potatoes.
44:50And here in the third dish chocolate nut pudding for dessert.
44:53Then you just put on the lid.
44:55Set the dial at 375 degrees.
45:00And forget about it.
45:01In an hour your dinner will be all ready.
45:03And your roaster oven will do everything but serve it.
45:06And the Westinghouse roaster comes in mighty handy as an extra oven too.
45:11For instance, it's wonderful to roast your turkey say holiday time or any time.
45:16Look.
45:17I want to show you something.
45:18Just look here.
45:19A great big luscious turkey.
45:21And plenty of room for it too in the Westinghouse roaster oven.
45:25You just set the dial at 300 degrees and the roaster oven takes over.
45:31And then when that turkey comes to the table all golden brown on the outside and succulent meat inside.
45:38Well I'll bet you'll say that the pilgrim should have had it so good.
45:41This 48 page cookbook comes right with the Westinghouse roaster oven.
45:46And it gives you lots of ideas.
45:48Everything from, oh, how to bake pies and cakes to cooking enough spaghetti and meatballs for 50 people.
45:54And the Westinghouse roaster oven is so inexpensive too.
45:58It's only $42.95.
46:00And that price includes the 48 page cookbook and the heat proof glass dishes.
46:06Go to your Westinghouse dealer tomorrow and ask to see one of these roasters.
46:10And remember, you can be sure if it's Westinghouse.
46:34We return now to Westinghouse Studio One and plan for escape.
46:42So East is East and West is West.
46:44And we meet up anyway, huh?
46:46Thanks to the U.S. Mail and a lady named Mary Warren.
46:49I won't tell, Skeets. I swear I won't tell.
46:51Oh, I know you won't.
46:54I'll go away with you.
46:55You want that, don't you, Skeets?
46:57I'll go with you. Stick with you.
46:58Timberson doesn't have to know.
47:01That's for the smack on the head you gave me.
47:03Now let's get out of here. I've been around here long enough.
47:05Let me see, Skeets, please. I won't tell. I swear I won't tell.
47:08You think I'm playing games? Let's go.
47:12Frances, you going in?
47:13Yes, she's going.
47:14Oh?
47:15Now look, lady, this is none of you in business.
47:18This happens to be my house.
47:19Still, lady, it's none of your business.
47:21Get out of here.
47:21Get your things.
47:23Now look, lady.
47:24Get out of here.
47:25You should never stick your nose where it doesn't belong.
47:28If you make any trouble, I'll call the sheriff.
47:31Now wait in here.
47:38Frances, who is that man?
47:40You've got to help me.
47:42Go in there.
47:43Keep him busy.
47:43What is this?
47:44What's going on?
47:45Keep him in there.
47:45Don't let him come in here.
47:47Everything's going to be all right.
47:48Only I've got to get away.
47:49And I need time.
47:50Time.
47:51Go on.
48:04Just what do you want with that girl anyway?
48:06Lady, why don't you go cook something?
48:07Try an egg or something.
48:12The window, you fools.
48:14You went out the window.
48:14She's running around.
48:17Frances?
48:18Frances?
48:20Where are you?
48:22Frances?
48:30Hello?
48:31Operator?
48:32Operator?
48:32Get me the sheriff.
48:34The sheriff, quick!
49:01I've got to get away.
49:03You've got to get on me.
49:04What?
49:04They're here.
49:04They can't after me.
49:05They came to Mrs. Bailey.
49:07Both of them.
49:07What's the matter?
49:08Who?
49:08They'll kill me.
49:13I've got to get away.
49:21I've got to get away.
49:24I've got to get away.
49:25I've got to get away.
49:25I've got to get away.
49:26Did you call the sheriff?
49:28I'm scared, Alan.
49:29I'm scared, Alan.
49:30There's no reason for not calling you sheriff.
49:40Because he's not care for me.
49:40Listen, do they follow you?
49:44Please say something.
49:45I can't let him hurt.
49:46Let him hurt me, Alan.
49:47Will you like me?
49:48I'm scared, trying to fall into a corner.
49:52You're all right.
49:53There's a car out there.
49:59Here, here, take this, hurry up, hide.
50:08Hide, buddy, open up in there.
50:10I'll get spun around and knocked up against the side.
50:12Don't move, mister.
50:19Someone coming around the other side.
50:20Someone coming around the other side.
50:25She's not out here.
50:26Where is she?
50:29Who? That girl.
50:31I didn't see any girl.
50:32Give me the keys for everything.
50:34Closet, store room, everything.
50:40Keep an eye on Steve.
50:41Now, come on, Rube, talk.
50:43This is none of your business.
50:44Where is she, huh?
50:45Come on, where is she?
50:46What do you want with her, anyway?
50:48Built pretty good.
50:49Nothing in her head but an alarm clock.
50:50Always going off.
50:51Bring, bring, she's nuts.
50:52What's that?
50:53A door.
50:54A new shift.
51:00Dimitri?
51:01Huh?
51:01Any sign?
51:02Not yet.
51:04Now, come on, Rube.
51:05Why don't you talk?
51:06Give it up, huh?
51:06You've seen that, honey.
51:07You know what she is.
51:08A dumb kid always playing games.
51:11Listen, did you ever, did you ever see Christmas?
51:13See a tree all lit up and pretty, all dressed up?
51:15And after Christmas thrown in the gutter?
51:16And it's after Christmas for her.
51:19See?
51:22Find her?
51:23No.
51:25Now listen, mister, you're going to talk now.
51:27You're going to open up your mouth big and give me answers.
51:30I don't have any answers.
51:33You're going to answer me or I'll break every bone in your body one by one.
51:36Huh, Sam?
51:39Now talk.
51:41You got the gun, huh?
51:42You got the biggest voice there for or I gotta talk, huh?
51:44What do you guys stand for that I should talk?
51:46You're going to talk, Al.
51:47He's flashed, moving like an animal.
51:48The night's assault.
51:53Put the gun down, Kate.
51:54Put it down.
51:57You're crazy if you think I won't shoot.
51:59All right, baby.
52:00Just relax.
52:00Take it easy.
52:16Come out.
52:19Put down that gun.
52:20Put down that gun.
52:21Come out.
52:23I'll make a deal, honey.
52:24Clean it.
52:25I'll disappear.
52:26I won't bother you.
52:26Come out here.
52:27I'll give you dough.
52:28You can use dough.
52:29You knew how to spend it.
52:31You got the wrong girl.
52:32Honey Webber's there with you and I'm going to get your bow.
52:34Don't move!
52:38Maybe we'll stay here all night.
52:40See?
52:42Somebody will come along.
52:44Maybe the man fixed the wires you broke.
52:47But you're going to get it all back.
52:48You and Skeets and Timison.
52:51No.
52:51I don't want it anymore.
52:54Lying in the dirt like that.
53:03There's the man.
53:04The one outside the door.
53:05Hold it.
53:06See what's going on in there.
53:07There's the other one.
53:14All right, boys.
53:15Let's be nice and peaceful.
53:20Come on.
53:22Come on.
53:39Francis is waiting outside.
53:42Francis.
53:45Francis!
53:49Where are you going?
53:51I don't know.
53:54Just going.
53:56I thought I hoped you were looking for me.
54:16Get him!
54:19Let them go.
54:51Now, Betty Furness wants you to guess where this girl is.
54:55Well, it looks like she's basking on a beach where the sun shines all winter long, doesn't it?
55:00But that's just a travel poster on the wall.
55:03And she's really right in her own living room getting a sun tan with a Westinghouse sun lamp.
55:09Just a few minutes a day and you'll get a really good tan with a Westinghouse sun lamp.
55:15And just think, it costs only $8.50.
55:18And it's so wonderfully convenient to use anywhere in the house, especially since Westinghouse now offers you this convenient sun
55:26lamp holder.
55:27Now, with this handy holder, you can clamp your Westinghouse sun lamp, well, let's see, to the headboard of your
55:33child's bed or to the bathroom mirror or, well, so many places all throughout the house.
55:39And it's only $0.35 and only Westinghouse brings you this convenient sun lamp holder.
55:47Now, to get yours, just send a sun lamp box carton top to Westinghouse, box 431, Bloomfield, New Jersey.
55:56That's Westinghouse, box 431, New Jersey.
56:03Now, get a Westinghouse sun lamp from your dealer tomorrow.
56:06And don't forget to send for your convenient holder.
56:10And remember, you can be sure if it's Westinghouse.
56:41You can be sure if it's Westinghouse.
56:53The End
57:21The End
57:51The End
58:22The End
58:34The End
58:58This is Paul Brinson
59:00saying goodnight for Westinghouse
59:02who have made more than 40 million products
59:04for the American home.
59:05We hope you'll be with us again next week.
59:08Until then, goodnight.
59:12Portions of the preceding program are on film.