00:00Hello everyone, welcome to INS and congratulations for Hunkar that's about to release on the 25th of September.
00:04My first question is open to all.
00:06If you could help me walk through your characters, the world that they come from
00:11and their effect on the premise of the show in the longer run.
00:15Anyone can take the lead.
00:16No, no, you will tell me.
00:17So, this is Hunkar and Kirdar.
00:21They are both in the car.
00:25So, Kirdar is the fact that I had no role in this way.
00:29It was a very difficult situation for me because my character was very difficult.
00:36It was my opinion, my opinion, and my opinion.
00:41So, it was very difficult.
00:43I said that it wasn't just happened.
00:46It took a little bit of time and then it was just made it.
00:48I said, brother, do it because you don't have to go through the environment.
00:52You don't have to go through the environment.
00:54You don't have to live this life.
00:56You will see it a little bit.
00:59And this is the first thing I learned that it is a big shame.
01:02Kirdar is not going to be easy to do.
01:05Because one thing,
01:10I was a fun to break and I was a fun to break.
01:13And I was a fun to break.
01:17I saw many injuries and injuries and pain.
01:24There was some pain and pain,
01:27and I was just running out of pocket.
01:28And I am scared from hell.
01:32And I was scared every day.
01:33What has I been trying to bury this life?
01:37That's so much the pain.
01:39I'm tired of the life.
01:42I'm so tired and I have thrown them out.
01:46It was an experience, it was an experience for me.
01:51And for you, Fatima?
01:52No, there is a very big story.
01:55There is a very important story.
01:58Especially today, it is very relevant.
01:59We are listening to the cases today.
02:02There was something that happened.
02:04By that, there is a very important story.
02:08My character is a police officer.
02:11He is fighting for truth.
02:12He is fighting for truth.
02:14And in his journey, it was an interesting journey.
02:20But more than that, there were so many actors.
02:23Raghuji, Zoya, Zeeshan,
02:27even the makers, Anit.
02:29Sorry, Anit is an actor.
02:30But the makers, Karan and Nitya, all of them coming together.
02:33It was very interesting and fun.
02:37And for you, Zoya, I heard one of your earlier interviews.
02:39You said that your character is an outsider in the setup of the show.
02:43If you could help me walk through that, why did you say that?
02:45I said she is an outsider because she is a part of this world.
02:50But she is not on the right side of things.
02:53Yet, she is not actively involved in anything.
02:56But as the kind of series unfolds and you see more of her,
03:01that's when you kind of realize what she is up to.
03:04So, as an actor on set and as a character,
03:09I was not an outsider, I was a bystander.
03:11And so, it was...
03:15I mean, I had a lot of questions as to, you know,
03:18why do people become like her?
03:20Why do people conduct themselves like her?
03:22So, that's kind of what the journey of this character also was for me,
03:25to kind of answer those questions.
03:27And that's who she is in this world.
03:30Okay, okay.
03:31And sir, you have said that you have to do a lot of pressure.
03:36You have to become so nervous.
03:37You do have to be exact experience as a person.
03:40And that's why you have to be very nervous.
03:41And you have to be nervous, despite a lot of experience.
03:43Yes, I see.
03:44The first day was the problem that I had a bit of a job.
03:49No matter what, I know you did not know,
03:54but at this time it kind of all could work for me.
03:56So, that is what it is, there is a doubt, because I am going to get into it from my
04:04faith or not,
04:06because there are many things that come from you to know the character,
04:12because my life is completely different, but there are many things that come from you,
04:19that you don't care about it, that you say that I will do it and that I will make it
04:23like this,
04:23so that I must do it and all I must do it.
04:27Whether I have done it again and I have done it, then I'm going to try and do it again,
04:33that I can replace it by changing what I have done.
04:36So, that has always been the beauty of the power of that power, and it has also been useful.
04:44That is our peace.
04:47That is not just our peace.
04:48Otherwise, we are going to ask ourselves to pray and bring our prayer,
04:49If you do it, then you don't have to enjoy it.
04:51A little bit of the soul and the soul that you have to do it.
04:57It's just that it's a game.
04:59It's the pleasure that the actor can take.
05:01So, I just want to keep the pleasure of taking it.
05:04And Fatima, I will extend this a little bit.
05:07Pankaj Tripathi Sir said that the actor is also co-author of a script.
05:11Because, given the source material, you fill in the colors from your side.
05:15Correct.
05:16Now, you are playing a cop.
05:18Beyond the text book, what was given to you as a source material?
05:21What are some adaptations of you?
05:22Take some back story if you thought of something.
05:25When I came back, there was no back story of the character.
05:29He was still investigating.
05:32And usually, my readings and discussions,
05:36I always give my ideas.
05:39And of course, when you have freedom in the set,
05:41what can you do in the game?
05:43Is there freedom or not?
05:44Some makers don't give freedom.
05:46Some makers are very clear.
05:47There are no wrong things.
05:48Some makers are very clear.
05:50I just need this.
05:51So, the newness of the restriction,
05:54that is also a fun thing.
05:56And when there is freedom, there is a different thing.
05:58So, we have worked on the backstory.
06:01There was openness.
06:02There were a lot of collaborative in the process.
06:05So, there is also something interesting that it seems to be interesting.
06:09Okay.
06:10And Zoya, for you, you said that this character is not on the right side of the things.
06:15As an actor, how important it is for you to not judge the characters that you are playing or trying
06:19your hands on?
06:21I mean, whether you judge the person or not, when you are finally diving into the skin of the character,
06:28you can't.
06:28Because it will affect the way you play it.
06:31It won't have the same amount of conviction, the same amount of relatability or belief.
06:37And, yeah, at the end of the day, you want people to connect with whatever you are doing.
06:42Whether they disagree with it or not, or whether you disagree with it or not.
06:47That's a whole other matter.
06:48But you still want people to be able to connect with something.
06:51Yeah.
06:51And, yeah, so I think that's why it's important to not judge.
06:55Okay.
06:56And when you are fully there in the character,
06:59the character's mindset,
07:01after that, when it is cut,
07:02is it how easy or difficult it is for you to step out of that emotion or that mindset of
07:07the character?
07:09For me, on this particular project,
07:12it was not difficult to switch on and off.
07:16It was far easier for me at least than it was for them because I didn't
07:20didn't have the same amount of responsibility or baggage or whatever, right?
07:26They had a lot more to do than I did.
07:27So on this particular project, it was not so difficult.
07:31Otherwise, it, again, it just depends on the intensity of the role,
07:35the intensity of your day.
07:36Sometimes your character is very heavy.
07:38But if your day is light, it's fine.
07:40So it's really subjective.
07:43And, sir, with regards to your character and the way you have kind of shaped up your filmography,
07:50you know, very many characters over 30, 35, 40 years.
07:53If you want to pinpoint your favorite characters in so many years, who will you live in such a few
07:57years?
07:57All of those are the favorites.
08:01What are you going to play on?
08:04No.
08:05There are many difficulties.
08:05There are many difficulties.
08:08I think that in the first film, it was difficult to say that it was my first film.
08:12So I would like to tell you about the language of the theatre.
08:20So, when I was in the first film, the film is different and the theatre is different, different worlds.
08:27I have found that you can speak a little bit in the theatre, but you can speak a little bit
08:34in the camera.
08:35I have found that you can speak a little bit in the background, but you can speak a little bit
08:43in the background.
08:44I have written it in Salaam Bombay and I have done it in 1992.
08:53I have done it in 2002, but I have not been satisfied with it today, especially in the films.
09:04Why?
09:05It is said that it is a big part of the theatre.
09:11We have a chance to improve the theatre in the theatre.
09:22It is a big part of the theatre.
09:25It is a big part of the theatre.
09:27I can't believe it is a big part of the theatre, but it is not even possible.
09:36In addition to this, there is just a task, and it is a task that was made, to get a
09:42position.
09:45It doesn't come to be right.
09:50Look, the Manzil Manzil has never been made.
09:52I had a great time to make a path, to make a path, to make a path, to make a
09:57path, to make a path.
09:59And years ago, I saw your interview. You were probably doing a narration of Heer Ranja or Laila Majnu.
10:05And then you switched into singing and then it went into more of a karma.
10:12Do you think musically?
10:15I think musically.
10:17I think it's easy to think and to catch the artist.
10:21Explain it a little bit.
10:24For example, the emotions of music come so quickly.
10:33And the way that you have a mood, the way that you are enjoying your life, the way that you
10:39are happy,
10:41the way that music comes to your own.
10:45And that's why you should listen to it.
10:46So, I was actually in my relationship with music.
10:50And my acting was very early.
10:51That's why I was doing it.
10:53And I saw that the attention of the actor is so that you have to learn everything.
11:01You should come.
11:03So, I started to enjoy music.
11:07There are other things.
11:09In the whole society, the whole society, there is no work that the actor should not come.
11:14So, that's why I didn't have a specialization in acting.
11:20I did a stage craft.
11:22And Mr. Abrahim Alkaji said to me, what do you want to do?
11:26So, I said, I want to teach everything.
11:28So, he came to me.
11:29So, that's why I did so much work.
11:31That's why I had a workshop in my house.
11:33I used to do something.
11:34I used to do something.
11:35I used to do something.
11:35I used to do something.
11:36I used to do something.
11:39So, this's what and I used to do.
11:41And, I used to do something very important to my actor.
11:44And, first and then, to play as a client in a игра.
11:47Just make a kitchen for breakfast.
11:49Now, theist or crust, you can make a meal.
11:54But, all of which you can do, are you always acting like this?
11:59You will see some people who are making it.
12:04If you are making it in the morning or in the morning,
12:07you will see some people who are making it in the morning.
12:08When I get a character, I will go back to the house.
12:13No one will come back to you.
12:15It is your world, you are making it in the morning,
12:18and you are making it in the morning.
12:21This is the way I am enjoying these things.
12:27This is the reason that something has been studied,
12:32that your life is so small.
12:34I am telling you.
12:36For this reason, you have to live on the ground.
12:39If you go up to four or five stairs,
12:41you will be able to learn.
12:44You will be able to live on the ground,
12:46and you will be able to learn.
12:47That is it.
12:49Fatima, I think this will be 30th year in 2027 for you,
12:53to be working in the industry.
12:55Counting as a child artist.
12:56420.
12:58One of my most favourite films.
13:00Your work, Kamala San sir.
13:02It is an iconic film.
13:05Benchmark, if I may say so, for Hindi cinema.
13:07If you could share your fondest memories of working on that film,
13:09as a child artist.
13:12That must be fun.
13:13What memory of a child?
13:15Give a child a lollipop.
13:16Keep happy.
13:17We are happy.
13:18The process is not happening.
13:20We are happy.
13:21We are happy.
13:22You know how it is.
13:23What happens when children are honest?
13:26We have to unlearn ourselves.
13:28We have to think so much.
13:29We have to plan and plan.
13:31We do not work.
13:32So, the child is in the moment.
13:35So, it was fun for me.
13:37Five-star hotel.
13:39We were flying on a plane.
13:40It was good food.
13:42It was good for me.
13:43It said that, you know, to handle kids, child actors, it's very difficult.
13:47Because their mood is very quickly.
13:48That's what we know.
13:49We don't remember.
13:52Yeah.
13:53Okay.
13:53And Zoya, coming to you.
13:55For a title like Hunkar.
13:57And then, we see what's happening with women in the society.
14:00Now, this is the thing.
14:02In 2026, if we can't ensure the safety of our women as a society,
14:08where do you think we have gone wrong collectively as a society?
14:11So many places we have gone wrong, yeah.
14:13This is the state of women across the world.
14:15In our country, so definitely.
14:17But in every country in the world, there is a…
14:19I mean, where can you be like, oh, this is a great place for women.
14:22This is a great work space for women.
14:24It's in all sectors, across professions, across countries, across classes.
14:30I mean, it's ridiculous that in the last 50, 60, 70, 100 years,
14:37things have changed in terms of the agency that women have,
14:41the opportunities that women are getting are better.
14:43But it's not an ideal situation anywhere.
14:47So, where have we gone wrong?
14:49I mean, there's so many things to say for that.
14:52Because if we sit and analyze it, I mean, it's such an immense topic.
14:59Yeah.
14:59That where do you start?
15:00Where do you stop?
15:01So, I think that people across sectors that are in positions of power and authority,
15:08especially whether it's our, you know, defenses to our police, our politicians, our employers.
15:16It's not…
15:17The responsibility is with anybody that is in a position of power to ensure somebody's safety.
15:23Yeah.
15:24Otherwise, I mean, where do you start?
15:25That's the whole debate right now, right?
15:28And that's why it's so frustrating for all of us.
15:30That, yeah, nothing has changed.
15:32Yeah.
15:32Like, it's mind blowing.
15:35Okay.
15:35And my last question is for all three of you.
15:38Fatima, I heard one of your earlier answers that you said that humans inherently are bad people.
15:43They are destructive in that sense.
15:45Now, she spoke about reaching an ideal situation.
15:47I want all three of your inputs.
15:49Given the human nature to destroy things or, you know, to mess up things in a way, let's say, do
15:55you think an ideal situation can ever be reached out?
15:57Is it possible?
15:58Is it possible?
15:59Yeah.
16:02It's possible.
16:02It will never happen.
16:03The world doesn't work.
16:05It's difficult.
16:05It's difficult.
16:07It's difficult.
16:07It's difficult.
16:07So, wherever there's wrong, there's good, there's good, there's bad.
16:13Yes, there's bad.
16:15So, it's easy to sit here to say that an idealist is nice.
16:19So, the concept is nice, but it's not reality.
16:22Okay.
16:22Perfect.
16:23So, with that, we have reached the end of this conversation.
16:24Kuch Ise Vajungo, sir.
16:26Actually, actually, maholi bada khuraafati sa mahol hai.
16:30To us mein bada muskil hai aap.
16:33Gunjaish nahi bach ti?
16:34Gunjaishi nahi bach ti?
16:35Gunjaishi nahi.
16:35Kewonko pura faza mein khuraafat lagi hui.
16:39Woh kisi tarf se ho.
16:40Lekin woh ap us mein kaisai aapne aap ko bachayenge ya auron ko bachayenge.
16:45Aap bachayenge, tu bighar jago.
16:46Aap bachayenge, tu bachayenge, tu bachayenge, tu bachayenge, tu bachayenge.
16:51Perfect. So, on that note, thank you so much.
16:53Thank you so much.
