Mumbai: During an exclusive conversation with actor Suvinder Vicky and Mihir Ahuja, where they discussed their experience working on "Shabad- Reet aur Riwaaz," a series exploring relationships, faith, and life's complexities. Mihir Ahuja appreciated the show's focus on subtext and underlying emotions. The actors praised the positive working dynamic and supportive cast. They believed the story's universal themes transcend language barriers, making it relatable to audiences. In the end, they invite audiences to experience this meaningful story.
#MihirAhuja #SuvinderVicky #Shabad-ReetaurRiwaaz #exclusiveconversation #Father-son #relationships #faith #positiveworkingdynamic #languagebarriers #experience #universalthemes #Trending #BollywoodNews #BollywoodGossips #BollywoodUpdates #BollywoodNews #Bollywood #Bollywoodcelebrity #BollywoodHindiNews #IANS
#MihirAhuja #SuvinderVicky #Shabad-ReetaurRiwaaz #exclusiveconversation #Father-son #relationships #faith #positiveworkingdynamic #languagebarriers #experience #universalthemes #Trending #BollywoodNews #BollywoodGossips #BollywoodUpdates #BollywoodNews #Bollywood #Bollywoodcelebrity #BollywoodHindiNews #IANS
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00:00First of all welcome to INES.
00:02First of all, when you heard the script from Shabat's first time,
00:08which was the feeling of narration?
00:12Is there a moment that you would get a film?
00:17It's a series.
00:20The feeling is that if I talk about it,
00:30then it's always a father who wants a child.
00:38So I'm still going to continue.
00:43And I'm going to continue.
00:45I think, when I read the script first,
00:51this is the journey of Gupi.
00:55How he was talking about his friends in school.
01:01And his external and internal conflict with his family.
01:04And his dad and his relations.
01:07There were many things that Gupi's arc and character journey.
01:12I think he dreams big.
01:15He has passion for bigger things in life.
01:18So he can relate to that character.
01:21And I think that stayed with me.
01:23Of someone who dreams big.
01:25So, yeah.
01:27That is something which stayed with me.
01:29And I said yes to the script.
01:31So, this is the title.
01:32This is the title.
01:34So, this is the title.
01:35How do you think about shooting?
01:37How do you think about shooting?
01:38And how does your performance impact impact?
01:41how do you think about it?
01:43سابس not a child.
01:44this is the title.
01:45Maiden of Shabata was going to call meigある.
01:46This, which is based on Shabins.
01:47Oh, I have excavated on to do this.
01:49Yes, I think it was...
01:50that's what I feel like.
01:51We know there are some inner relationships with the people in it.
01:52From just this place.
01:53So, to sit and put it,
01:54Oh, yes.
01:55What do you think about this out?
01:56It's that, that, referring,
01:57we went intoöf Mist.
01:58By that, it was quite a tough place.
01:59So, the story
02:05that actually does not know,
02:07that this because we have been going too far.
02:09context में नहीं ले सकते के ये शबद ये एक बेसी कली मेरे लिए तो ये था कि एक गुरू की जो बाणी है उसके अंदर जो शब्दा वली है ये उसका शबद है तो जब भी हम गुर्दवारा में जाते हैं या तो आसी शबद को काही उचारन करते हैं हमेशा तो यस इस लिए मतल
02:39शबद as a title it might be just S-H-A-B-A-D like what six words sorry six letters I mean my bad but इसका meaning और इसका अर्थ बहुत ही डीप है जैसे शबद के जैसे सर ने बताया कि शबद एक वो चीज होगी इसका और भी आर्थ होता है कि जैसे जो गुर्बानी क्या करते है शबद जो सुनते हैं शबद किरतन शबद किरतन ग�
03:09जो शबद किरतन जो सुनते हैं उसे भी शबद कहते है कि चलो हमारे घर में रोज सुभा शबद लगते तो मम्मी भी कहती शबद लगा दो शबद अजन की इसे उ आप अगर बस एक शबद या गुरु की वानी अगर सुन ले जो उनके जो गाने है जो उनके बौल है वो स�
03:39There is no end of that.
03:41If you start once,
03:44then you will be finished,
03:46and the Shabd will not be finished.
03:48That's why this is important.
03:50So, you learn the whole life.
03:53It's so peaceful and positive
03:56to just listen to those Shabads.
03:58And I think that's why
04:00the title of this show is
04:02I think I'm in love with this title.
04:05And it just shows positivity in a way.
04:11In the series,
04:13there is a very strong role in silence and pauses.
04:17How was the most challenging to convey the dialogue in the actor?
04:23Sir,
04:31You are a very fabulous actor.
04:34My zone is the one.
04:37I mean, the silence is the one.
04:39I mean,
04:41I mean,
04:42as much as I can say,
04:43it will be better.
04:44And this is what I'm trying to do in my craft.
04:48I'm trying to do it in my craft.
04:51I'm trying to listen to the next story.
04:54I put it in my mind.
04:56Then, you respond to it.
04:58That's the silence.
04:59In my mind,
05:00it will be a unique person.
05:01當然,
05:02I mean,
05:03the silence is the one.
05:04I don't have to do the dialogue.
05:06There is no other language.
05:07So,
05:08talking to the eye.
05:09You'll be there.
05:10The one who makes it very different.
05:11No?
05:12No?
05:13Yes, sir.
05:14I think sometimes in acting, silence speaks louder than words.
05:18Yes.
05:19When we are preparing a scene or a script, most of the time we spend more time in those scenes
05:29where there are dialogues.
05:30But where there are dialogues, there is everything written.
05:33In acting, there is a subtext.
05:35You know what is behind it?
05:38There is a line, but what is behind it?
05:41What is behind it?
05:42There is a subtext.
05:44So, when you don't have any text and create a subtext, it is the most powerful thing, I think.
05:50And when it is conveyed, it will be beautiful.
05:54Sometimes, there are three or four actors involved in a scene.
06:00So, the description is so long in one page.
06:05And the line will be like,
06:08You know what?
06:09What does the actor do?
06:10With the line and the line?
06:11You know what?
06:12Yes, I know.
06:13But what does the actor do?
06:14Yes, I know what's wrong.
06:15But he is saying that the, the first thing that is written,
06:20he wants to describe the writer what is describing?
06:23So that's called between the lines and the story, what are you talking about?
06:40How was the working dynamic on the onset?
06:45Was there a scene where you felt that the energy was organically built without effort?
06:52Yeah, the whole show is so full of energy.
06:59Don't ask.
07:01It's not like that.
07:02It's not like that.
07:04It's not like that.
07:06It's not like that.
07:08It's not like that.
07:11It's not like that.
07:13It's not like that.
07:14It's like that.
07:16It's not like that.
07:17It's like that.
07:18It's like that.
07:19It's like that.
07:20It's like that.
07:21It's like that.
07:23I think that if you work with the good actors and with the good actors,
07:35a give-and-take always becomes a scene from a give-and-take,
07:41and if the performer is good in front of the front,
07:45it's also fun and the scene comes out more.
07:48So I think that the energy of all the scenes I have shooted with Sir
07:52and Taran Ma'am, who my mom is playing on the show,
07:55and Mahi, who is playing my sister,
07:57all the actors were very good.
07:59So there was a different level of energy set.
08:02Of course, that give-and-take always works,
08:05because they are all very very good actors and performers.
08:08The shooting schedule is very demanding.
08:11The long working hours,
08:12when you physically and mentally manage yourself,
08:15especially when the scenes are heavy.
08:18I think I rely on music, Sir.
08:22Sometimes, you are shooting in the outskirts,
08:27there are no possibilities there too.
08:32There are also basic necessities.
08:34But, as Sir told me,
08:37that everyone was viral on the set.
08:39Many people were also sick.
08:41But I think,
08:42you know, just being with yourself at times,
08:45and,
08:46like I said,
08:47that the set was very good.
08:48It was a lot of fun.
08:50It was a lot of fun.
08:52and,
08:53like I said,
08:54I don't have a character.
08:55It's a lot of fun, loving person.
08:57And,
08:58you have kept warm up all night and night.
09:01So,
09:02I think,
09:03if that energy is on the set,
09:04you know,
09:05whatever you have difficult working hours,
09:07or whatever circumstances,
09:08you don't know.
09:09If the people you are working with,
09:11are good and passionate,
09:13and have the same energy and zine.
09:15So,
09:16there was no such day,
09:17or scene,
09:18where there was a lot of fun,
09:19or performance,
09:20unexpectedly,
09:21more raw.
09:22So,
09:23ask me,
09:24which day was not that?
09:25I mean,
09:26okay,
09:27we have to follow the schedule.
09:29We have to follow the schedule.
09:30In a few days,
09:32we have to do more work.
09:34We have to do it.
09:35We have to do it.
09:36We have to do it.
09:37And,
09:38hopefully,
09:39we have to do it.
09:41We have to do it.
09:42We have to do it.
09:43We have to do it.
09:44Because when you are here,
09:46people who are going to do it.
09:47We have to do it.
09:48You,
09:49a lot of people are at that.
09:50For your emotions.
09:51That's what I want to do.
09:52You can't do it.
09:53I don't want you to do it.
09:54I can't do it.
09:55But,
09:56when you are here.
09:57If people feel it,
09:58you can do it.
09:59There are a few days,
10:00and you can do it.
10:01You can do it.
10:02You can do it.
10:03You can come back.
10:04But,
10:05whenever you have to do it,
10:06I will have to do it.
10:07i am trying to get you,
10:08I miss you.
10:09I feel like,
10:10I feel like,
10:11I...
10:12you feel like.
10:13was there definitely but as an actor feel this
10:25लिए नहीं और छार दो लेघा फिर्टा उसका उन्टा एफेक्ट भी होता है
10:44यह तो अप चीज ही वह बादा हो एक है कि समुटर में जितना गोता लगाओंगे जितना गहरा जाओगे न उतने इच्छे अच्छे मोती आप हसिल करके लेके आओगे और अच्छे
10:55if I talk about my first shot
11:01I'll give you the best shot
11:03or the tenth shot I'll give you the best shot
11:06or the fifth shot
11:07so that's such a process
11:10that the amount of effort you will do
11:14you will do it
11:15I think
11:19I think
11:21you get a lot of research on the set
11:26so
11:27and everyone
11:29is very very like
11:30our show also and in general the film industry
11:33everyone's very punctual and
11:35very disciplined about their work
11:36that's why we are able to you know
11:38deliver such good films, blockbusters
11:41and such good shows
11:42in a very small
11:44like you know
11:45in a very tight schedule at times
11:47so I mean
11:49I think
11:51when I live in the set
11:53I'm not happy
11:54so no complaints
11:56oh yes
11:56you can see the previous work
12:00so you have a lot of layered and intense characters
12:02characters
12:03so
12:04how do you stand
12:06in the set
12:07and I think
12:08it's very important
12:09I think
12:10I think
12:11it's very important
12:12I think
12:13it's very important
12:14because
12:15I've been
12:16more than
12:17I've been
12:18more than
12:20I've done
12:21but
12:22it's very different
12:23because
12:24it's very different
12:25because
12:26it's very different
12:27because
12:28it's very different
12:29because
12:30it's very different
12:31because
12:32it's very different
12:33because
12:34it's very different
12:35so
12:36Winder Viki
12:37as an actor
12:38people
12:39know
12:40that
12:41he's a versatile
12:42actor
12:43he's a versatile
12:44actor
12:45so
12:46you need
12:4710
12:48father
12:49he's a different
12:50I think
12:51that
12:52no character
12:53can compare
12:55to another character
12:56I've played
12:57all my favorite characters
12:59like
13:00if
13:01someone asked
13:02to ask
13:03if
13:04you have two daughters
13:05or two children
13:06I choose my favorite character
13:07so
13:08I think
13:09I don't choose my favorite character
13:10all my children
13:11who play
13:12are my own
13:13so
13:14that feeling
13:15I think
13:16is very personal
13:17and
13:18every character
13:19demands
13:20something
13:21very different
13:22from you
13:23there are different challenges
13:24and
13:25there are different life journeys
13:26and
13:27every character
13:28needs to learn different things
13:30you take different things
13:32so
13:33that's why
13:34I've played
13:35Gupi
13:36I've learned a lot
13:37from this character
13:38I've learned from each character
13:39so
13:40again
13:41I've also said
13:42that
13:43some times
13:44you feel like
13:45that
13:46things are not going right
13:47so
13:48I've learned that
13:49things are not wrong
13:50external factors
13:51or internal factors
13:53or family issues
13:55but
13:56what you are doing
13:57in life
13:58and how you are
13:59growing up
14:00that matters
14:01so
14:02I think
14:03I've learned a lot from that
14:05so
14:06one thing
14:07is
14:08usually
14:09when
14:10this series
14:11comes in
14:12but
14:13the dialogues are
14:14in Punjabi
14:15so
14:16people have a bit of
14:17understanding
14:18especially
14:19for the Hindi audience
14:20impact
14:21I think
14:23I think
14:24in our show
14:25your question
14:26is
14:27as
14:28we are making
14:29Hindi
14:30and
14:31majorly
14:32Indian audience
14:33that this story
14:34is all
14:35relatable
14:36everyone
14:37is
14:38so
14:39we have made this show
14:41that
14:43we have made this show
14:44that
14:45we have been
14:46like Punjabi
14:47that
14:48we have so many
14:49people
14:50who don't
14:51make it
14:52so
14:53that
14:54we have to keep
14:55as much as
14:56as
14:57as
14:58as
14:59as
15:00as
15:01as
15:02as
15:03as
15:04as
15:05as
15:06as
15:07as
15:08as
15:09people
15:10will
15:11connect
15:12to
15:13people
15:14will
15:15connect
15:16definitely
15:17people
15:18will
15:19connect
15:20that's
15:21people like
15:22believe in such
15:23they watch
15:24world cinema
15:25regional films
15:26and
15:27all the films
15:28Oscars
15:29Academy Awards
15:30Emmy Awards
15:31so
15:32I think
15:33language
15:34secondary
15:35if
15:36you connect
15:37with
15:38this
15:39series
15:40have
15:41you
15:42consciously
15:43break
15:44this
15:45experience
15:46naturally
15:47come
15:48from
15:49my experience
15:50definitely
15:51helped me
15:52too
15:53there are
15:54some
15:55habits
15:56every actor
15:57is
15:58different
15:59but
16:00I feel
16:01that
16:02every actor
16:03was so
16:04supportive
16:05one
16:07one
16:08punctual
16:09you
16:10would
16:11say
16:12that
16:13you
16:14would
16:15have
16:17a
16:18point
16:19when
16:20you
16:21read
16:22this
16:23scene
16:24and
16:25you
16:26know
16:27that
16:28you
16:29have
16:30made
16:31So definitely you don't want to go out of that zone or you don't want to go out of that zone or you don't want to go out of that zone.
16:40So definitely my experience has helped me.
16:43Shabat, one scene that you both have stayed with, not because it was difficult but it felt positive.
16:52There's nothing left.
16:58Sir, what was your experience and the scene that you saw, you'll know.
17:07That scene was still with me and the scenes were the most peaceful scenes for me and those have stayed with me.
17:20I think that it's a whole script with me.
17:25It's one scene from one from one.
17:29It's one scene from one.
17:31It's one scene from one.
17:33It's a very special memory that I've made for my life and my life.
17:40And people will definitely enjoy this.
17:45Okay.
17:46So when you compare your early career and today's phase, how can you change your success?
17:53If you have to give me a answer, I'll give you a lot of change.
18:00Definitely.
18:01definitely uh
18:02how long y me ra get up thio da say
18:04isa reta I ke paga hi me wo ga
18:06ada deke te mage
18:08liekin uh uh
18:09even myre apnhe share me bhi jiab
18:11maisi get up mai agar chala jau
18:13to loo niy bhai channe payeng hai
18:14do wo aek ah
18:17as in actor, thio da say
18:18a sa zerur iai say ledta hai ki yaro
18:19yaar, yaar mye bhi kuch hon
18:21na, moth love
18:21uh
18:22ah
18:23java
18:24kahi cafe mee
18:26ya kahi ana pro restoo main
18:27to aap
18:28apne aapo gut thio da said
18:29dhi khanhe ki ko shish khertou
18:30that I have a few years ago, so I understand myself, I understand myself, I understand myself.
18:35So, I understand myself, it's not a long time, but I understand myself, definitely.
18:41Early career, if I compare myself to today, I understand myself a lot of things, a maturity
18:52came up in my work, which may be possible when I worked in the beginning, at that time it won't be so much.
19:00But now, maturity is definitely there.
19:02I think, I think that every set that you get learning and experience,
19:07you don't have to learn any film school.
19:12No offense to any film schools, I mean, they are great,
19:15but the set that you get practical knowledge, you don't have to get there.
19:20So, I am learning on set, on every set, with different directors, with different writers.
19:28I also try to work with young directors and young writers,
19:32who are going to be great directors of our future.
19:37Because sometimes, you work in different mindsets,
19:41in different mind spaces, you get to learn a lot of new things.
19:45So, I think it's a great learning, just being everyday on set.
19:48So, success can be defined by the audience, you decide to go to your own work,
19:53and you are happy with your mind.
19:56Finally, what do you need to give the audience message?
20:00Please, please, please, please, please.
20:02If you don't see, then you will miss a lot of things.
20:07And if you will see, then you will be able to see a lot of things.
20:09In a way, I would insist and request, in a way, to watch Shabad,
20:14you will be able to learn a lot of things.
20:15You will be able to learn a lot of things.
20:16You will be able to learn a lot of things.
20:17You will be able to learn a lot of things.
20:18And I would insist and request, in a way, to watch Shabad.
20:20You will be able to learn a lot of things.
20:21And I would insist and request, in a way, to watch Shabad.
20:25You will be able to learn a lot of things.
20:27I also believe that if you are watching episodes,
20:31those episodes will be able to watch Shabad.
20:34I would insist and request, in a way, to watch Shabad.
20:38You will be able to learn a lot of things in this show.
20:41And you will be able to learn a lot of things.
20:43So, you will be able to watch Shabad, Read & Revaaz.
20:48Only on Hindi Z5.
20:516 February.
20:53We have a question.
20:55We have a film, Shakti.
20:58Dilip.
21:00Dilip.
21:01Do you have a conflict like this?
21:05What do you think about films and what do you do?
21:08What do you think about films and what do you do?
21:12There is no comparison.
21:15We have no way to say that Sharmajji's brother and Sharmajji's brother.
21:22And Singsh's brother.
21:23So, everyone is in their own country.
21:26So, this is our series.
21:28We think that this is a better series.
21:32And we are having a lot of fun.
21:36So, our relationship is important.
21:40It is different.
21:41It is different.
21:43We have a relationship.
21:46And we are the one who told him that the Gupi and his father are.
21:51They are the only way to present our relationship.
21:53So, we do not have a comparison with any kind of father's relationship.
21:57about a particular relationship. I think that's it.
21:59That's it. That's it. That's it. Of course, it's a bar high set.
22:02But I think that in our show,
22:04every show is a different relationship. Exactly. Exactly.
22:08So, can you tell us?
22:09If you talk about it, you can talk about it.
22:11So, you can talk about it.
22:13So, we need it.
22:15We need it.
22:16You need the future projects?
22:18Future projects?
22:20Future projects?
22:22Future projects?
22:24Future projects?
22:26As it is,
22:27chemistry projects can expect more.
22:28Things life can like science.
22:31But while we are bringing,
22:34there will be some different kinds of things.
22:35Platforms.
22:36Some theatrical projects.
22:38So,
22:39it is right turning a few customers,
22:41then we'll have a lot to see people.
22:43Definitely.
22:44I think absolutely,
22:46I mean,
22:48we're at the Photoshop zone,
22:51and
22:52my audience
22:53I would not like to talk about any of the projects and all will be revealed in due time.
23:01Obviously, when you will see the Shabd, then you will see what is next.
23:09What is next?
23:10We will talk about it.
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